This fine grade gunpowder was used in pistols on farming properties. A vintage rusted black gunpowder tin with a screw top funnel lid. It has a diamond shaped indent on the front and centre back with black and white paper label branding of the manufacturer and supplier. The branding is on the top of the flask as well.'The Diamond Grain Gunpowder Made Only By Curtis's & Harvey Hounslow and London'. is printed on the diamond shaped paper label at the front. 'No. 2' is printed at the sides of this label. At the top of the tin is white text on a black background 'McMicking & Co. Melbourne Sole Agents for Victoria.' On the centre back of the tin is a printed paper illustration of dead rabbits and a rifle in the woods framed in a circle, surrounded by an etched diamond shape and 'Curtis's Harvey No.2'.containers, gunpowder, tins, firearm accessories, pistols, firearms, breechloading pistols

This girl's white cotton sun-hat has been made at home by a mother determined to get the maximum usage from the garment. The hat has been simply made with a plain crown for the child's day-to-day use. However, the mother has also made a second, very decorative crown, that can be buttoned on and is suitable to be worn on more "dressy" occassions - such as attending Sunday School or on special outings.Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these familiesGirl's home-made plain white cotton sun-hat with wide brim. There have been three rows of fine cord sewn at intervals around the circumference of the hat brim to stiffen it. There is also hand crochet decorating the edge of the hat brim. A very decorative "second" hat crown has also been made. This hat crown has hand crocheted lace, and criss-cross seams, and is designed to be buttoned on over the original plain crown to provide a more decorative hat for special occasions, such as when attending Sunday School.clothing, moorabbin, ormond, bentleigh, dressmaking, market gardeners, early settlers, craftwork

Black and white photograph of four two-story Victorian terrace houses at 23-29 Hawthorn Road Caulfield. Photo dated 03/09/1972.hawthorn road, caulfield, terrace houses, houses, architectural features, streetscape

An aged George Anderson, son of Robert Anderson Snr. Black Homberg hat, waxed moustache, suit coat, waistcoat, white shirt, patterned tie.George Anderson as an aged manlocal history, photography, photographs, slides, film, george anderson, black & white photograph, mrs emma anderson jacobs

56 St Helena Road Greensborough, 3 bedroom home, sold September 2012 for $480,000; sold in August 2013 by Ray White Greensborough for $485,000Real Estate advertising leaflet, 1 sheet, printed both sides in colourst helena road greensborough

These 4 black and white photos are very clear and are of Bogong in the 1940s when the Kiewa Hydro electric Scheme was being constructed. Bogong was the first construction site. Bogong was a township and construction site for the Kiewa Hydro Electric Scheme built by the State Electricity Commission of Victoria. These photos in the early 1940s (during WW2) tell the story of fire, flood and living conditions with the inference of transport being horses in 1940 compared with its development in 1944.1. Tent camp at the 'Junction', Bogong 1940 2. Junction Dam September 1940: floodwaters over coffer dam 3. 'Reservoir' Camp with Bogong Stables in foreground, 1940 4. Junction Dam and Bogong village in August 1944 Each photo has string attached on the back with tape - for hangingSticker on the back of each photo: 'Framing/ Colour Magic / Shop 7, Lismore Central / Carrington Street, Lismore / Phone (02) 6621 3289'bogong township 1940, junction dam 1944, reservoir camp 1940, bogong stables 1940, tent camp at bogong

This uniform would have been worn by the students of the Ballarat College of Advanced Education, School of Nursing. The colour of the uniform was changed at the request of trained staff in white.This apricot princess style dress with a central front zipper and side pockets has a collar and short sleeves. The back has a yoke with side pleats and a half belt between the seams. There is machine embroidery on the collar and sleeves. There is a blue logo printed on the left breast. Original sales tag attaches to sleevePrinted in blue - Ballarat C.A.E. Nursingnursing, university of ballarat, ballarat college of advanced education nursing, nurse uniform, textiles, costume, apron

This lady’s white cotton nightdress with needlework and lacework is an example of the dressmaking and craftwork skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families Clothing, lady's fine cotton hand sewn full length sleeveless nightdress, with needlework and pintucks and lace trim on neck and armholes and a large lace border at hemclothing, crochet, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, lacework, moorabbin shire, bentleigh, mckinnon, hunt ailsa, dairy farms, fruit orchards

Richelieu embroidery - White openwork: the pattern outlined in buttonhole stitch and linked by bars (often with picots, like needlepoint lace) with the fabric background cut awayNightdress, ladies - (cotton) french seams Cut out work with Richelieu embroidered. Arm sleeve edges buttonholed with picots.costume, female nightwear

Each column has white dots on it which is used to count numbers. The counting frame can be used as a knitting row counter or to add sums of money. A black rectangle with four plastic movable columns"Brynolf pocket counter made for Royal National Institute for the Blind by Peter Tilling Plastics Ltd" on front of counter. "Royal National Institute for the Blind Brynolf Pocket Counter Catalogue No. 9484" on box.assistive devices, peter tilling plastics

These four pages from the Australasian newspaper of January 1904 contain three pages of black and white photographs of Warrnambool. These include photographs of golfers, both men and women, the Hopkins River, the Ozone Hotel, Sheldrick’s Brewery and Wilmot in his mia mia. The photographs have been taken by Jordan Studios, Warrnambool. This studio, a prominent one in Warrnambool, was operated by Joseph Jordan and his son Arthur from 1890 to the 1930s.The accompanying text in the ‘Australasian’ appears to come from a booklet published about that time which was produced as an advertising tool for the Ozone Hotel and its proprietor, Thomas Randall. The Ozone Hotel, originallly called the Grand Ozone Coffee Palace, was opened in 1890 as a temperance hotel. Thomas Randall was the proprietor of the Ozone Hotel from 1894 to 1907 and it then had a wine licence. In 1920 the building was known as Hotel Mansions and in 1923 it gained a full liquor licence. The building was destroyed by fire in 1929. These newspaper pages are of importance as some of the photographs have not been found elsewhere and give a good picture of Warrnambool and district at the beginning of the 20th century. These are four pages from the Australasian newspaper of 1904. The pages contain black and white photographs and text. The pages are partly torn across and have ragged edges.ozone hotel, warrnambool, jordan studios, warrnambool, history of warrnambool

This black and white mage depicts large group of men dressed in military uniform of the Light Horse - with most wearing leather leggings, bandolier and slouch hat with emu plumes. "More Majorum" is engraved on the attached plaque which means "after the custom (or manner) of our ancestors" The 8th Light Horse Regiment was a mounted rifles regiment of the Australian Army during the First World War. The regiment was raised in September 1914, and assigned to the 3rd Light Horse Brigade. The regiment fought against the forces of the Ottoman Empire, in Egypt, at Gallipoli, on the Sinai Peninsula, and in Palestine and Jordan. After the armistice the regiment eventually returned to Australia in March 1919. For its role in the war the regiment was awarded fifteen battle honours. During the inter-war years, the 8th Light Horse was re-raised as a part-time unit based in the Indi region of northern Victoria. It was later converted to a divisional cavalry regiment during the Second World War but was disbanded in 1944 without having been deployed overseas.During WWI three light horse regiments were raised in Victoria for the AIF, the 4th ALH, the 8th ALH and the 13th ALH. These regiments served with distinction at Gallipoli, in the Middle East and on the Western Front.Wide and narrow rectangle shaped black and white reproduction photograph mounted on plyboard. A small metal plaque is attached in the centre of lower edge.Plaque -8th Indi Light Horse "More Majorum"8th indi light horse, victoria

This photograph depicts the road diversion on Nepean Highway that was implemented to allow construction of the railway line underneath the Nepean Highway at Moorabbin. An "Allourie" Cheese, Honey Canned Ham van is prominent on the left of the image, the railway gates are central and the old Moorabbin Station is visble. Beyond the dates, pedestrians are visible crossing the Nepean Highway. This image is part of a larger collection of images from the Public Transport Corporation displaying train stations and streetscapes in what is now the City of Kingston.In 1958 excavations began for the removal of the level crossing gates at the southern end of the Moorabbin shopping centre on Nepean Highway. The station was also lowered below ground. A diversion route was created to enable the flow of traffic in both directions along the highway.Black and white photograph of road diversion on Nepean Highway, Moorabbin to allow the construction of the railway line below the Nepean Highway at Moorabbin and also to trench the station. This image is part of a larger collection of images from the Public Transport Corporation displaying train stations and streetscapes in what is now the City of Kingston.White adhesive dot sticker: Printed black 199 Handwritten in red ink: 80% Handwritten in black ink on yellow Post-It Note: [indecipherable] 199 - Diversion for Crossing Stamped in blue ink: COPYRIGHT Public Transport Corporation, For reordering photographs, Please quote negative No m 5687, Enquiries C/- PTC Photographic Unit, Telephone switchboard 619 1111railway crossing, railway station, city of moorabbin

Before Mt Tarawera erupted, the Pink and White Terraces at Lake Rotomahana in New Zealand’s North Island, were considered one of the wonders of the world. Tourists came to soak in the thermal hot pools and view the marble-like terraces. Due to a volcanic eruption of Mt Tarawera On June 10 1886, between 108-120 people were killed and several settlements were destroyed. It also destroyed the world-famous Pink and White Terraces. The terraces became a crater over 100 metres deep. Within 15 years it filled with water, forming a much larger new Lake Rotomahana. The chain of craters at Waimangu became the site of many new geothermal features, including Waimangu Geyser, the largest in the world, and New Zealand’s largest hot spring, Frying Pan Lake. The Burton brothers (photographers), Alfred Burton was born in 1834 in Leicester and died in 1914 in Dunedin. His brother Walter Burton was born in 1836 and died in 1880. Many of the Burton Brothers' works and original equipment were collected by Dunedin photographer and historian Hardwicke Knight, and are now housed in the Museum of New Zealand Te Papa Tongarewa in Wellington. This album was donated to the Ballarat School of Mines Museum by James Oddie in 1887. (See Cat. No. 458, No. 1720) Alfred Burton was born in 1834 at Leicester and died at Dunedun, New Zealand, in 1914. Walter Burton was born in 1836, and died in 1889. Large green album containing numerous B/W original photographs of New Zealand, especially volcanos. - Includes Pink and White Terraces (no longer in existance). Photos were taken before and after volcanic eruption. A recent inclusion is article on the terraces by Federation University's George Hook and Stephen Carey.Each photo has a caption.pink terrace, white terrace, new zealand, sumner, burton bros, rotokakahi wairoa, rotomahana crater, tikitapu bush, wanganui bridge, maori, canoe, volcano, mount tarawara, james oddie, ballarat school of mines museum, eruption, waterfall, bridge, sulphur pool, crater, mt tarawera, tikitapu lake, rananga house, wairoa, waikato, maori church wairoa, ganaru, taherepokiore, golden bay, paterson, dowling st dunedin, rocky hill, harison's cove, milford sound, tall ship, hydraulic mining, hale's arm, james oddie (donor), george hook, stephen carey, lake rotomahana

W Baker and Co-produced many different types of pottery at their Fenton Potteries, Stoke-on-Trent, Staffordshire England. The company was established in 1790 by Ralph Bourne and William Baker the company was working at capacity by the end of the century. By the late 1820's Bourne and Baker, in partnership with John Bourne, had acquired additional works opposite the first in 1833. With the deaths of John Bourne and William Baker, the partnership was dissolved, and then for a short time, the business was carried on by Ralph Bourne and William Baker junior and John Baker. By the early 1840s, William Baker was running it alone and was then using 'machinery for the potteries manufacturing operations in addition to the mill that was producing the raw clay. The business was subsequently carried on by William Baker and Company that were known for the making of printed, sponged, and pearl-white granite ware for export in the early 1880s at the Fenton works between Manor and Fountain Streets. The original works on the south side of City Road were by then an en-caustic tile works, apparently still in the hands of the Baker family. The pottery works flourished under William Baker’s management and by the middle of the nineteenth century with almost 500 employees was the biggest firm in Fenton. An early piece of ironstone Staffordshire pottery now a collector's item showing the types of domestic items that were exported from England to its colonies towards the end of the nineteenth century and into the beginning of the twentieth.Water pitcher ironstone ceramic white with raised embossed Lilly of the valley decoration around handle and lip sections. Marked on bottom, "Royal stone china, Baker and Co, England" with emblem of lion, crown and unicornflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, jug, kitchen utensil, kitchen ware, water pitcher

Illustrated book with dust jacket. Book has a dark blue cover, abbreviated title, author's surname and publisher's name embossed in gold on spine. Front of dust jacket has a reproduction of the painting "Arrival of first Australian wounded from Gallipoli at Wandsworth Hospital, London" by George Coates, in a red/brown and white border. Rest of dustjacket is yellow brown in colour. Full title is printed in blue and red /brown above painting, author's full name is printed in blue below painting. Abbreviated title, author's surname and publishers name are printed in blue on the spinenon-fictionThis book draws on many first-hand and previously unpublished accounts of the work of Australian nurses in World War one, to tell the story of courage and companionship under conditions of great hardship - in the mud of Flanders, among the cholera cases in India, on the hospital ships during the Gallipoli campaign, on the Afghanistan border, in Vladivostok, in mosquito infested Macedonia and in the Sinai Desert.world war 1914-1918 - medical care, military nursing, nurses, australian nurses

These five photographs were most likely taken in the 1970s in Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo. Photos .1P to .3P are annotated with the name of the technicians written on the back. Although Photo .4P is not annotated the technician is positively identified. In these five photos the technician is applying a UV-sensitive pigmented dye emulating one of the print colours to a white opaque polyester sheet mounted on a rotating table in a whirler. The coated sheet was dried before placement in a vacuum light frame beneath a stud registered map negative. They were then exposed to a carbon arc lamp. If there was more than one negative – typical for a type impression or 1st proof, the process was repeated for the other negatives of that print colour. There was a single exposure for composite negatives which was typical for the 2nd and final proof - the pre-press proof. The sheet was removed and washed with water and dried leaving the exposed colour impression. The technician repeated this process using process or spot dyes for remaining publication colours. Type impressions were a combination of the map grid and the topographic features in their correct print colours, forming a base for the cartographer to accurately position map names and symbols on a clear film overlay. The pre-press proof was a cost-effective way of producing a one-off visual copy of the map or chart product. It enabled cartographers to perform a quality inspection and correct any faults before publication. The pre-press proof was deemed authoritative before its release to Print Troop for bulk printing and distribution.This is a set of photographs of lithographic technicians preparing map proofs at the Army Survey Regiment, Bendigo c1960s c1970s. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1970s, SGT Graham Jeffers, Lithographic Squadron .2) - Photo, black & white, c1970s, SGT Ken Slater Lithographic Squadron .3) - Photo, black & white, c1970s, Ian ‘Loft’ Turner, Lithographic Squadron .4) - Photo, black & white, c1970s, Gary Kerr, Lithographic Squadron .5) - Photo, black & white, c1960s, unidentified, Lithographic Squadron.1 to .3 – personnel names (less rank) annotated on back. .4 to .5P – no annotationroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho

Could this flag have flown at the 1956 Olympics on Lake Wendouree ??? Probably not because the current tricolour came into use in 1946. The flag would have been made during the reign of King Victor Emmanual III. If you are able to assist with any information on this flag, including why it would be held in a Ballarat collection, please email is via the link on the lower right . The State flag, and state and naval ensign. It is a vertical tricolour of green, white, and red, defaced with the arms of Savoy and crown. This was the first national flag after the unification of Italy. Proportion 2:3 Adopted 1861 (proclamation of the Kingdom of Italy) Relinquished 1946 (birth of the Italian Republic) The flag without the crown woul the the design adopted by the Kingdom of Piedmont-Sardinia in 1848 The flag has been stitched in 5 places. Stamped in ink on edge 'November [1930] Torino" A note with the flag states: "Old Italian Flag - (Before independence in 1946) his flag was made in 1930 in Torino- Italy? This flag Shows the royal insignia displayed in the white area and was designed around the time of Napoleon (by him) in 1840s Red "Flags" book V D'Angri"flag, italy, italian flag, italian army flag, turin, torino, house of savoy, savoia, crown

Warrant officer Mike Hoffman ran from Adelaide to Melbourne in 1985 as a fundraiser for Legacy that raised over $5,000. This photo shows him presenting Melbourne Legacy with a letter from Adelaide Legacy. It mentions that the long distance run began in Adelaide on 20 September and reached Melbourne on 27 September. Legatee Larkin was filling in for the president and accepted the letter. WO2 Hoffman had carried the scroll during his marathon run from Adelaide to Melbourne. The photo had been sent to Legacy by Army Public Relations. The photo came from a Legacy envelope marked "P3 Fund Raising" in red pen, with assorted photos of fundraising events, including appeal tins in different years and a charity concert, and a fundraising marathon run (some are items 00433 to 00438, 01410 to 01415).A record of an Army officer doing a long distance run to fundraise for Legacy in 1985.Black and white photo of Warrant Officer Mike Hoffman and a Legatee holding a message from Legacy Club of Adelaide. White paper note typed in black ink ‘MELA 85/199/14 Thanks from the widows and children of Legacy was the message from Legatee Larkin. Legatee Larkin was deputising for the president of Melbourne Legacy when received, from Warrant Officer Class Two Mick Hoffman a scroll bearing greetings from Adelaide Legacy. WO2 Hoffman had carried the scroll during his marathon run from Adelaide to Melbourne in an effort that raised over five thousand dollars for Legacy. Stamped on reverse of photo is an 'Army Public Relations Photo MELA' stamp in black ink and '85/199/14' handwritten in pencil.fundraising, legacy promotion

The photograph is pre 1914-18. It is showing Cheltenham Market Gardeners having a picnic. The Market Gardeners gave Moorabbin it's first industry, which was to prove the most durable and resilient. The ladies and gentlemen are dressed in very fine clothes. All of the men are wearing suits with waistcoats and white shirts with neck ties. One man has a Boater hat , 4 have Bowler hats and 5 have Stetson hats. 5 men are standing and 4 men are kneeling or sitting with the ladies. The ladies are seated on the ground around a table runner on which items of food are seen. Most of the ladies are wearing white dresses, one lady has a dark coloured skirt with a white frilly blouse, and all have large wide brimmed fashionably decorated hats . They all seem to be dressed in their best clothes.The photograph depicts a group of men and women, 16 altogether, having a picnic pre World War 1 1914-1918 . They are surrounded by trees and bushes outside.Front of mount : R. McGeehan Photograph, Beechworth. Back of Mount Address Balaclava / C Whitehead / Gardeners Picnic / Pre World War 11914-18, moorabbin. picnic, market gardeners, early settlers, pioneers, moorabbin shire, cheltenham, fashion, dressmaking, bowler hats, boater hats, stetson hats, bonnets, chapeau, menswear, neckties, beechworth mcgeehan r, photographs,

This is a photograph of the ship, 'Speculant' at the Warrnambool Breakwater. There is another ship alongside the 'Speculant' and the dredge, 'Pioneer' is in the background. The 'Speculant' was a three masted barquentine of 412 tons built in Scotland in 1895. It was purchased by P. J. McGennan in 1902 and wrecked at Cape Patton, near Apollo Bay, in 1911. It was one of the few ships to be registered at the Warrnambool port. Peter John McGennan (1844-1920) was a cooper by trade, initially operating a shop in Warrnambool making cheese vats, churns, coolers and tanks. He then opened a factory in South Warrnambool making butter boxes, nails and barbed wire. He owned several ships, using them to import material for his businesses, especially white pine timber from New Zealand, and to export his own products. He was a Warrnambool Councillor from 1885 to 1891.This photograph is of interest as a reminder of the importance in the late 19th century and early 20th century Warrnambool of Peter McGennan and his industries and community work.This is a black and white photograph of three ships. It is enclosed in glass with a varnished wooden frame with an ornate edging. The photograph shows one ship in the background and two at the Warrnambool breakwater with some railway cartage trucks in the foreground.ship 'speculant', dredge 'pioneer', p.j. mcgennan

Sister Gawith is a Nurse Educator with Royal District Nursing Service (RDNS) and she is instructing a group of RDNS Sisters during an Advanced Post Basic Course being held in a room in the Education Department at RDNS. Most of the Sisters are wearing the RDNS winter uniform, which at that time was a V neck tunic style dress made of blue/grey herringbone winter material, over a blue/grey skivvie. Sr. Moore is wearing the summer uniform of a royal blue V neck tunic style dress worn over a short sleeve white blouse and a dark blue cardigan.Education was an integral part of Melbourne District Nursing Society (MDNS), from its inception in 1885, later, in 1966, called Royal District Nursing Service, (RDNS). From 1885, only Trained Nurses (Nurses), through the Hospital training system, were employed by the Society, and on visits to patients they taught the necessity of hygiene and cleanliness, as well as the need for a good diet, to bring about good health. Doctor’s lectures were later given at the MDNS home to instruct patients and their families on prevention of disease. Education to patients continued throughout the years regarding health care and the use of equipment in the home. In 1961, Education programs commenced at MDNS with Trained nurses (Sisters) receiving In-service Education. Sr. Pat (Paddy) Rowley was a leader in In-service Education and established the RDNS Department of Community Nursing Education in 1962. Staff could also apply for scholarships to further their education outside of RDNS. Many of their senior Sisters graduated from the College of Nursing in Community Health, Education and Administration and several travelled overseas visiting nursing organizations viewing their public health and District nursing systems. At RDNS many programs were run, including: a Post Basic Course, Cardiac Rehabilitation Nursing, Haematology/Oncology Nursing, Palliative Care program, Diabetic Stabilization Program, Leg Ulcer Management Program, Wound Care Specialist Program, HIV/AIDS Nursing Care, Cystic Fibrosis Home Support, Veterans Home Care Program, Breast Cancer Support Program, Continence Management Program, Stomal Therapy Program, In-Home Lactation Support Program and the Homeless Persons Program. RDNS staff attended several hospitals to observe and learn special care needed to some clients, e.g. to the Austin Hospital to learn the care required for paraplegic and quadriplegic patients at home, and to Mount Royal Hospital to observe the care of patients in the Rehabilitation ward. A Community Nursing Education Program was extended to student nurses from Hospitals and to other nursing organizations. These Education programs kept the RDNS Sisters abreast of new techniques, such as changes in technology for e.g. new testing methods in detecting glucose levels in Diabetic patients. Sr. Nan Deakin did a Post Basic Course in Psychiatric Nursing and included this area in her Education lectures. Sr. Daphne Geldard specialized in the area of Alzheimer’s disease and Dementia. These Sisters visited patients in District areas with the regular RDNS Sister when required. Every member of staff, both professional and non professional staff, received regular education in the Education Department. In 1980, a Home Health Aide pilot study, funded by the Federal Government, the Brotherhood of St. Laurence and RDNS, with the program written and taught by Sr. Rowley, was evaluated as successful, and Home Health Aides were employed and worked in RDNS Centres under the supervision of the RDNS Sisters. The black and white photograph depicts a group of eight Royal District Nursing Service (RDNS) Sisters (Sr) seated and looking at, and some writing in, white paged books on tables in front of them. Seated in a semi-circle are. L - R: a Sister who is wearing glasses and has her dark shoulder length hair drawn back, then Sisters: Yvonne Laird, who has collar length dark hair, Anne Greenwood, who wears glasses and has short dark curled hair, a Sr with her long hair drawn back, then Sue Moore with shoulder length dark hair and wearing a dark V neck tunic style frock over a white blouse, and a dark cardigan. The next Sister, with dark hair, is partly hidden and next to her is Ethel Fullerton. who wears glasses and has curly hair. She is sitting with a pen in her right hand poised over white book. Sr. Mary Gawith, who has short dark curled hair, is standing in front of and slightly to the right of her. She is looking down at Sr. Fullerton and is holding an open book with the end of the spine resting on her table and showing the open pages to Sr. Fullerton. Sr. Judy Peter, who has her blonde hair drawn back, is sitting side-on in the centre foreground of the photograph with her arms resting on the other side of Sr. Fullerton's table. Most Sisters are wearing the RDNS winter uniform, of a V neck grey tunic style dress over a light grey skivvie. Photographer Stamp. Quote No. MA 22royal district nursing service, rdns, rdns education, sister mary gawith, sister yvonne laird, sister ethel fullerton, sister anne greenwood, sister sue moore (nee revill)

Black and white photograph - Grade 4A, 1955"Attached to photograph" Back Row- L to R: M Corin, T Seagren, I Weist, D Sjogren, I Simpson, B Steegstra, B Cain, N Miller, ? Fitzpatrick, P Hill, ?, G Frazer, B Short, T Coutes, B Stevenson, P White, ?. 2nd Row - L to R: M Johnson, R Harris, S Dorman, H Trout, ?, W Marriner, ?, F Hackett, ?, ?, ?, L Corbett, R Thompson, V Pincock, I Wilton, L Sumpter. 3rd Row - L to R: I Marshall, N Maclarty, C Pavey, F Lillywhite, E Dexter, S King, ?, M Milne, ?, H Boyle, ?, B Stewart, J Smalley, K Sterling, Olwyn Hayes, ?, ?, I Clarksen. Front Row - L to R: D Richards, B Bangay, A Byrne, B Cooper, D Bolton, J Forbes, R Jenkins, R Albert, R Galfred, ?. Teacher: Mr Smith

Black and white photograph - Grade 6A, 1953"Attached to photograph" Back Row- L to R: ?, Maurice Henry, Wayne Mariner, Ken Reynolds, Rudolf Schwen, Arthur Doyle, Bernie Whitney, Peter Bangay, Alan Amos, Douglas Bangay. 2nd Row - L to R: Wendy Pike, Diana Sumpter, Jill Pump, Margaret Hocking, Janice white, Pam Daniels, Barbara Gotts, Jeanette Hancy, Valma McLean. 3rd Row - L to R: Sandra Davenport, Jennifer Mason, Julie Sanders, Jim Armstrong, Ken Baker, Edward Neff, Mr Davis, Glenys Lee, Lynette Johnston, Sandra Tindal, Annette Tampaline, Fay Clarris, Juan Harris. Front Row- L to R: Ian Sharp, Ronald Crutchfield, Bruce Fletcher, Alan Telfer, Gary Bentley, ?, John Willis, Peter Baxter, Keith Anderson. Teacher: Mr Davis. Added Sc0028 photo to "Media" and deleted VC Entry 2162 on 14th June 2022. Sc0028 now with this entry.

A black and white photo of men and boys all wearing cowboy style hats. The label implies it is the first Junior Legacy camp at Somers in 1926. Legacy was founded in 1923 so this is a very early photo. The label on the back says: "Extract from 'Legacy' by Claude Blatchford. At Christmas 1926, a camp for boys was held at Balnarring on the property of Legatee S G Savige. It is impossible to over-estimate the advantages and benefits these camps afford. An annual camp, under discipline must be regarded as conferring the very greatest benefits. The first camp in 1926 was for seven day and thirty two boys went under canvas. Seven tents were used, and tent commanders were appointed. The lads were rostered for duties and their time was otherwise taken up in swimming, fishing, shooting and cricket. Standing orders and daily routine orders were issued, and it is to the credit of the boys that the discipline was excellent." (Blatchford 1932). In the early years, Legacy organised outings to the property of Legacy founder, Legatee Stan Savige, who had a place in Balnarring close to the beach. Permanent camp buildings were built in 1930. In 1930 Lord Somers (Governor of Victoria) also started a camp at a nearby property and the area was renamed Somers. A very early photo of Legatees taking care of the decedents of their deceased comrades.Black and white photo of the 1926 Somers Camp mounted on brown card in a wooden frame under glass. Typed label says 'First Junior Legacy Camp Somers 1926'. Typed extract on reverse is a copy of text from Blatchford's book.camp, somers camp, junior legatee outing

Copy black and white photograph of railway level crossing on Nepean Highway Moorabbin before excavations for the below ground rail crossing. The level crossing gates are closed and five cars are waiting, while other cars can be seen coming in the opposite direction. A woman with a child in a pram is walking along the road, and a number of men, probably construction workers, are standing behind a barricade on the right hand side of the road. Gilbey's Gin distillery is visible in the background. TCopy black and white photograph of railway level crossing on Nepean Highway Moorabbin before excavations for the below ground rail crossing. The level crossing gates are closed and five cars are waiting, while other cars can be seen coming in the opposite direction. A woman with a child in a pram is walking along the road, and a number of men, probably construction workers, are standing behind a barricade on the right hand side of the road. Gilbey's Gin distillery is visible in the background. Handwritten in blue ink on reverse: 57-465C Handwritten in red ink on reverse: 71% A red circle has been drawn around all handwritten text.moorabbin, railway station, railway crossing, suburbs, cars, local production

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Page 22 of Photograph Album - five black and white photographs of different styles of houses (2 photos for 2 houses and 1 for the last) with addresses written under each photograph and Balaclava Road written on the top right hand side.Hand written Balaclava Road [top right of page] / 6 BALACLAVA ROAD [under top left photo] / 6 BALACVAVA ROAD [ beside top right photo] / 73 BALACVAVA ROAD [under middle left photo] / 73 BALACVAVA ROAD [on top of middle right photo] / 239 BALACVAVA ROAD [under bottom photo] / 22 [bottom right]trevor hart, caulfield north, balaclava road, cars, mansions, houses, verandahs, cast iron work, balconies

Knitting socks for soldiers in the trenches in France was a common women's activity during WW1. Often white wool was knitted up and Condy's crystals were used to dye the socks a khaki colour. Jane Cook married William Slessar (land agent / farmer) in 1887. They had a family comprised of at least: Arthur, Frederick Alan, Gladys Isabella, William Cook, William Kenneth, Robert Harold. They lived at 17 Albert Crescent, Surrey Hills. William died in 1921; Jane in 1952 aged 90. They are buried in Box Hill Cemetery B-0086. Their son Arthur is buried with them. Their son William Cook Slessar was Killed in Action on 24 June 1916 in Belgium.Black and white photo of 2 women standing in a garden knitting. One is identified as Mrs Jane Slessor; the other is a younger woman. Between them is a cane table and a small palm. In the background is the side of the adjacent property - a timber Victorian home.knitting, red cross, world war, 1914-1918, albert crescent, box hill cemetery, jane slessar