The school building originally owned by locals was lost in the Black Saturday 2009 bushfires. Land was purchased in 1914 to build he Strathewen State School on School Ridge Road, Strathewen. Residents and the Education Department contributed funds for the building which the Education Department then leased for a small annual fee. The school opened with one teacher in 1917 with no equipment. In 1921 the Education Department provided desks and a hexagonal shelter shed and took control in 1925. After this photo was taken, the school was destroyed in Black Saturday on 9 February 2009. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p89This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, strathewen primary school

Three articles under the title 'Bennelong Designs" (1) Drawing a dream by Mungo MacCallum (2) Dream into sculpture", (3) Consultant's role by Ove Arup. Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded.Newspaper booklet of 24 pages, Nation No 192. pp. 12-15sydney opera house, utzon, sydney opera house project, walsh st library

Portraits of the 14 men who comprised of the Committee of Management for the Sydney Industrial Blind Institution. The largest photograph is of a bearded man writing at a desk (Rt Hon Sir Alfred Stephen PC GCMG CB President). Directly above him (in clockwise direction), J Dawson Hon Tresr, W. Beaumont, J W Hood, J F Weller, Thos Buckland, R L Tooth, A E Tooth, John J Keep. A second row extends below this (from left to right) E O Smith, A W Weeks, E Sinclair Hon Sec, Arthur Blacket, A Consett Stephen.1 framed mounting board with 14 sepia toned portraitssydney industrial blind institution, sir alfred stephen

Folio sized hardcover book with a dark brown just jacket which has the title One hundred & Fifty Years of News from The Herald written in gold lettering at the top. Underneath is a picture of a folded Herald newspaper with a pair of gold rimmed glasses on a leather covered desk pad rimmed in gold. The Herald 150 1840 - 1990 is written as a symbol at the bottom. The spine has the title and publisher, Southbank, written in gold lettering. Inside are copies of the newspaper showing significant events as a mirror on part of our past. 401p.Annette Lord written in biro on the top right of the front endpaper.newspapers, documents, history, australia

.1 Pamphlet - folded DL full colour printed on gloss light weight card, titled "Choose your TramTracker" advertising the iPhone App, its features, desk top gadgets, on line access and where the tram stops ID can be located. Has the various Yarra Trams and TramTracker/ Printed April 2012 Two copies held. .2 - Pamphlet - cut to hang within tramcars, titled "Our Operations Centre in YOUR pocket" advertising the TramTracker system and its attributes. Published early 2017.trams, tramways, tramtracker, tramways, melbourne, control centre

Short piece on 'Sydney Opera House' regarding panel of three architects appointed to complete Sydney Opera House. Includes comments by the President of RAIA, Mr Gavin Walkley. Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded.4 page newsletter, RAIA News, Vol 3, No 4. Article on first page.sydney opera house, utzon, sydney opera house project, walsh st library

This editorial compares the difference in Victorian and NSW attitudes to their new cultural centres - the fulfillment of Roy Ground's designs for Melbourne Arts centre compared with the smashing of Jorn Utzon's design of Sydney Opera House. Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded.Page 4sydney opera house, utzon, sydney opera house project, walsh st library

Book review from The Courier, titled "Tram ride to success", reviewing a book "The Promise of Gold and its results" written by David Griffiths. Looks at the life and work of John Garibaldi Roberts a supporter of the Arts and Chief Accountant of the Melbourne Tramway and Omnibus Co (MTOCo) and later the manager of the cable tram system for the MMTB. He retired in 1923. Has photos of the family, John at his work desk in 1910 and the directors of the MTOCo. Item written by Caleb Cluff of The Courier. One of Roberts guests was C J Dennis, who wrote Songs of the Sentimental bloke" while staying at Roberts place in the Dandenongs which had been formed from disused horse buses. Yields information about J G Roberts, a support of the Arts and a senior tramway manager.Newspaper cutting from The Courier, Ballarat, 24/4/2021 titled Book review "Tram ride to success" and photo provided of C J Dennis inside one of the horse buses on Robert's Dandenong "Sunnyside" property.mtoco, j g roberts, chief accountant, c j dennis, sunnyside

Mrs Winifred Fotheringham who helped launch the 1990 Legacy week as she was the oldest Legacy widow and had reached 101 years of age. She was taken to the new building at 101 Collins St to promote Legacy Week. She arrived in a Rolls Royce with Legatee Peter Boulter and was given flowers and chocolates. Photos show them on a tour of the building which at the time was going to be the tallest in Melbourne. Photos were in a scrapbook of photos spanning 1983 to 1991.A record of the type of activities Legacy provided as a social outlet for widows and fundraising for Legacy. Colour photo x 4 of Mrs Fotheringham being taken to 101 Collins St and a white paper label about the event.White paper label with black type ' 101 year old Legacy widow, Mrs Winifred Fotheringham received star treatment from . . . 101 Collins St. Arriving in a rolls royce (with her Legatee Contactor, Peter Boulter) Winifred received a bouquet of flowers, a huge box of chocolates and was given a VIP tour of what will be the tallest building in Melbourne. In her inimitable style, once back at the nursing home, she passed the chocolates around for all to share and gave the flowers to the front desk so that, again, all the residents could enjoy their beauty.'widows, fundraising, legacy week

Set of two black and white photos from The Age of the first day of running Z3 117 in service. .1 -Z3 117 at the Elizabeth and Bourke St stop loading passengers. Tram has in the route number box a sign "New Trams free rides today". .2 - Interior view of tram with the conductors desk having a sign about free rides, another employee handing out pamphlets about the tram and passengers on the tram. From the Vicsig.net web site accessed 20/8/2013, gives the in service date of Z3 117 as 25/9/1979.Have "The Age" copyright stamp on the rear. In pencil, on both "Oct 1979, Z3 117 first day in service"trams, tramways, mmtb, z3 class, bourke st, tram 117

The St Peter chapel was furnished thanks to donations of supporters of the Mission. Some were donated for the previous temporary chapel at the Sidney Street site and some are lost. - Holy Table (altar): donated by Mrs Shuter, in Memoriam of Charles Shuter - Cross: - Vases (lost) - Stained Glass Windows: donated by Misses Edith and Ruby Forge, in Memoriam J. Leslie Forge - Altar Lectern - Alms Dish: donated by the Godfrey sisters in Memoriam of their parents - Credence Table: donated by - Sanctuary Chairs: donated by Miss Gladys Hawkey - Sanctuary Rail - Choir Stalls and Chancel Screen - Lectern (donated in 1909) - Pulpit (donated in 1907) - Prayer Desk (a plaque to Goldsmith) - Bible and Prayer Books - Font - Cover for Font - Pews - Offertory Collection Plates (lost) - Music Cupboard in Vestry (lost) The document lists all the gifts donated by generous supporters of the Mission in 1917. The chapel was built during World War 1 as. memorial to the merchant seamen lost during the war. These items are still in the chapel today.A4 document on cream colour paper, wording in black ink.gifts, chapel of st peter, flinders street, mission to seafarers, mission to seamen, gladys amy hawkey (1886-1974), reverend alfred gurney goldsmith, gifts-1917, amelia shuter nee lord, beatrice elizabeth higgins (nee shuter), charles shuter

Robin Boyd was asked to write this article, after Jorn Utzon resigned for the Sydney Opera House commission. Description of the tension between Utzon requiring more freedom to develop his ideas, and the pressure applied by Davis Hughes, State Minister of Public Works of NSW Government. Boyd describes the controversy, the outblowing of costs. Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded. A reprint from The Architectural Forum pp 21-22.Also p23-24, pp 81-84.A reprint from The Architectural Forum, p21.sydney opera house, utzon, davis hughes, arne jacobsen, saarinen, arup, edward herbert farmer, sydney opera house project, walsh st library

The first article describes the opinion of the British conductor Sir Malcolm Sargent to his visit to the Sydney Opera House. The second article, by Tony Pratt, discusses a possible boycott of Australian architects in competitions to be decided at the annual meeting of the International Union of Architects' International Contents Committee. Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded.sydney opera house, utzon, sydney opera house project, walsh st library

The Opera House article reports on the disparaging opinion of Mr Colin Badger, director of the Council of Adult Education, pn the Sydney Opera House.The other article reports on the speech given by Mr WW Shugg, Federal President of RAIA as a memorial tribute to Robin Boyd at the RAIA building. Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded.Articles on p11.sydney opera house, utzon, sydney opera house project, walsh st library

Slide photograph of three children at a desk in Harelands being helped with their homework by a legatee. The legatee is possibly Legatee Mellor who was involved with the Residences for many years. Harelands was a residence run by Melbourne Legacy to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Harelands generally looked after children up to the age of 14. Harelands was built in the Queen Anne style and is now heritage listed. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of children being cared for at Harelands.Colour slide of the children in Harelands doing homework with a legatee, in a brown cardboard mount.residences, harelands, study

Proof sheet of photos taken at Legacy House. Images 1 to 3 are two widows sitting on a sofa talking to a legatee. Images 4 to 8 is a widow sitting across from a Legatee at a desk taken to show how Legacy provides advice to widows. Image 9 and 12 are of a Legatee handing over a key to the widows' club president on the opening of the new Widows Club rooms. Images 10 and 11 are groups of widows enjoying the new club rooms. Legacy House was remodelled in 1980. One of the ladies is possibly Valerie Rae. The other ladies are not known. Date is not known but possibly in the 1980s. Was donated with three other photos after Valerie Rae passed away. The note with the photos was dated 2014 and it said she died in 2009.A record of activities that Legacy provided for widows.Black and white photo proof sheet x 12 photos of widows at Legacy House.Handwritten in black texta image numbers 1 to 12 and '2208'widows, widows clubs

Trench art desk set consisting of a wooden base with two inkwells, a pen rest and an ornate carrying handle. The two inkwells have been made from fuse fittings removed from 18 pounder artillery projectiles. The fittings have been modified to enable the tip to hinge open revealing an ink well. The bottom of the wells has been sealed by inserting coins, one well has a British halfpenny coin and the other has a French five centimes coin. The item is of World War 1 origin and has a small shield attached with the inscription "FRANCE 1916-7 BELGIUM"There is a shield with the inscription "FRANCE 1916-7 BELGIUM".

The two cards of nibs are retail display cards of the dip pen nibs that William Mitchell Calligraphy produced, dating back to around the 1920’s, which was the time of the Great Exhibition in the UK. At that time dip pens with steel nibs were the main writing instruments. British Pens Ltd. had recently formed as a company and its subsidiaries included the the company William Mitchell, which is why British Pens Ltd. is named on the cards as well. One card (1) has the Round Hand nib, which is widely used today for calligraphy scripts. The other card (2) has the Script nib that has round upturned points for monocline or unshaded lettering that is also used for calligraphy. The nibs also have a detachable reservoir. The pen nibs are shaped to fit into a slot in the base of a wooden or Bakelite pen holder. The hole at the front of the nib is for collecting ink from a well, which is then stored in a reservoir at the back of the nib. The nibsare stamped with their nib size and Pedigree (what type of nib it is) and maker’s details. William Mitchell Calligraphy still makes these nibs today with a slightly difference finish. (ref: Sales and Marketing Director of William Mitchell Calligraphy in 2016). HISTORY of the Ink Pen Quills and ink were common writing tools until the early 19th century when the pen trade began mass producing steel nibs and pens. The steel nibs each have a hole in the middle that acts like a well for the ink. When the nib is dipped into the ink well the writer needs to ensure that it is dipped to only just past that well. India Ink was one of the most popular inks used with the nib pens, notable for its satin-like smooth flow. This ink is composed of a particularly fine carbon mixed with water; it can also be obtained as a dry stick that is then crushed and mixed with water as required. The Jewellery Quarter of Birmingham had the largest concentration of independent jewellers in Europe. Birmingham became the centre of the world’s pen trade for many years -, during the 1800’s over 100 factories, employing 1000s of skilled workers, manufactured the ‘Birmingham Pen’. ABOUT WILLIAM MITCHELL CALLIGRAPHY LTD.* (*The following text is quoted from the William Mitchell Calligraphy website) British based William Mitchell Calligraphy has been designing and manufacturing exceptional pens for almost 200 years. The William Mitchell heritage in making pen nibs began whilst working with his brother John Mitchell in the early 1820s. William Mitchell established his own business in 1825 to become one of the leading nib manufacturers and famous for lettering pens. Almost 100 years later William Mitchell merged with Hinks, Wells & Co, another pen manufacturer, to form British Pens, employing around 1000 people in the Bearwood Road area of Birmingham. During the early 1960s British Pens acquired the pen business of other pen manufacturers Perry & Co and John Mitchell, once again reuniting the two brothers. Joseph Gillott, who were famous for their artist drawing and mapping nibs, amalgamated with British pens in 1969. William Mitchell and Joseph Gillott established in Birmingham during the early part of the nineteenth century and [their products] are still proudly made here. British Pens were subsequently purchased by its current owner Byron Head, the owner of William Mitchell (Sinkers) in 1982, and was subsequently renamed William Mitchell (calligraphy) Ltd. Established in 1827 Joseph Gillott was one of the pioneers of mass steel pen nib manufacturing. The company was particularly strong in the American market, prompting Elihu Burrit, the American consul, to write “In ten thousand school houses across the American continent between two oceans, a million children are as familiarly acquainted with Joseph Gillott as with Noah Webster” (The compiler of the famous American dictionary). The company consequently received visits from many notable Americans, including president Ulysses S Grant. The early 19th century invention and mass production of pen nibs such these in our collection had a large impact on education and literacy because the nibs could be produced in great numbers and affordable prices.Pen nibs; 2 cards of steel dip pen nibs from the 1920’s. The steel nibs are attached to cards by 2 rows of entwined cotton cord. Reverse sides of cards have some hand written marks. Manufacturer; William Mitchell, Birmingham, England. Card issued by British Pens Ltd. Nibs have shaped ends, a hole in the centre with a well on the underside, and the tops are shaped approximately quarter circle. Inscriptions are pressed into each nib. The script pens have detachable reservoirs made of a metal different to the nib. (Card 1) Round Hand Pens, 11 nibs remain from card of 12. Printed on card “Round Hand Pens for Beautiful Writing, Twelve degrees of point, Square points. William Mitchell, Birmingham, England. This card is issued by British Pens Ltd. MADE IN ENGLAND” Also printed on top left of card is a pen drawing of a person writing at a desk, background of decorative 3-paned window in brick wall. (Card 2) Script Pens; 11 nibs remain from card of 12. “Script pens fitted with detachable reservoir. William Mitchell, Birmingham, England. This card is issued by British Pens Ltd. MADE IN ENGLAND” Also printed on top right of card is a pen drawing of a person writing at a desk, background of decorative 3-paned window in brick wall. On Card 1, - each nib is stamped with its size, and “Wm MITCHELLS / PEDIGREE / ROUND HAND / ENGLAND” - hand written on front bottom of card in ball point pen “Lettering 5 times size of nib” - hand drawn on back of card in red and blue ball point pen are scribbled lines On Card 2 - each nib is stamped with its size, and “WILLIAM / MITCHELLS / SCRIPT PEN / ENGLAND” - a black circle corresponding to the nib is printed on the card above each nib. - hand written on back of card in black felt tip pen are numerals - hand drawn on back, 4 parallel lines in red ball point pen with the numbers “10” between 2 of the lines flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, great ocean road, william mitchell calligraphy ltd, british pens ltd., pen nib, writing implement, dip pen, round hand nib, script nib, birmingham manufacturer, communication in writing, mass produced pen nibs

The advice given to the Attorney General regarding completion of Opera House in accordance with Utzon's design is at variance with the suit of Mr Barkell and Mr Peacock that works cannot be completed without Utzon's employment. The Attorney General will consider other expert evidence submitted by Mr Barkell and Mr Peacock. Utzon had resigned on 28 February, 1966. Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded.Photocopy, 2 pages, part of plastic folder stuck on first pagesydney opera house, utzon, sydney opera house project, walsh st library

Robin Boyd’s desk cupboard contained two exercise books (D482.1-D482.2) and assorted articles, essays and other material regarding Sydney Opera House (P1378.01-P1378.36, D179-D181, D479-D480), inserted inside the front cover of Walkabout Magazine July 1966 (P1377). Robin Boyd asked Mandie Eckersley (nee Boyd), his eldest daughter, to research the Sydney Opera House for him in the Mitchell Library, both before and after Utzon left. Robin was writing a book, but was very disillusioned with the way the entire saga unfolded. Mandie Boyd recalls: “It was a huge task because he wanted any mention at all in any publications to be noted. No one else had done it at that stage, not even the clippings service.” This first volume is filled with transcriptions on newspaper articles, editorials and letters to the editor covering the period 1951 to 1962.The Reding Universal Exercise Book, all pages filled (92 pages)Written on front cover: Mandie Eckersley, 20 Dillon St, Paddington, N.S.W. Telephone - 318339, Dec 1962, L01919. In exercise book: all handwritten notes. On back cover: list of numbers, squiggle, and dates "Dec 18 Dec. 23".sydney opera house, jorn utzon, sydney opera house project, ohm2022, ohm2022_24

Schooling, Service & The Great War. Secondary Resource. See also Reg No 3929.8.Schooling, Service & The Great War. .1) Soft cover book, cardboard with front fold out flap. White print on front / back covers. Illustrated in colour, background, group photo of children at school desks, 2 posters & embroidery. Inside of cover is colour photo of timber, leather satchel & papers. Spiral bound in black wire. 94 cut, plain, white pages. Illustrated black / white / sepia / colour photos. CD plastic pocket on front flap. .2) Paper poster, white print, college colour, black white photos, copy of book cover. .3) CD Rom, plastic. illustrated copy of book cover.education, kit, schools, ww1

Donald Clark Collection. A sepia photograph of children seated at desks in a classroom in Tarnagulla State School. Names given on reverse are: Left to right Front row: Elsie Calder, Eric Ousley, Alf Hutchins, Bern Fotheringham, Cliff Hutching, Andy Heraud, Ethel Ramm. 2nd row: Cliff Paulson, Mal Banks, Fred Urquhart, Harry Castleman, May Gedling, George Riordan, Ethel Gedling. 3rd row: Alan Hutchins, ________ , Harry Ramm, Bob Banks, Jess Saunders, Rita Williams, Mary Benson. 4th row: Gill McNamee, Norris Riordan, Heather Fotheringham, Sheila McNamee, Mary Duggan, Bill Goltz, Keith Castleman. Names written on reverse.tarnagulla, school, education

Small red cloth covered hardcover book for children with gold imprint picture of boys at school sitting at a desk in a classroom. The title and author are in red with a gold background. There are black lined patterns of fleur de lis on the front cover as well. Full page black and white illustrations are throughout as well as floral decorations at the top of each we chapter. Illuminated style lettering is used for the first word of each chapter. Gold edging to the pages and a printed coloured Presented To, page is at the front of the book. The back cover has a fleur de lis symbol in the middle. This is a fine book depicting the world of the C19th. It is believed to be published in 1873. 174p.fictionA story depicting life in the C19th and schools. Arthur is a kid thoughtful pupil who goes through many trials and tribulations as he manages life each school day. Strong religious themes throughout to help with character development of boys who read this story. religious stories, school stories, stories for boys

Robin Boyd’s desk cupboard contained two exercise books (D482.1-D482.2) and assorted articles, essays and other material regarding Sydney Opera House (P1378.01-P1378.36, D179-D181, D479-D480), inserted inside the front cover of Walkabout Magazine July 1966 (P1377). Robin Boyd asked Mandie Eckersley (nee Boyd), his eldest daughter, to research the Sydney Opera House for him in the Mitchell Library, both before and after Utzon left. Robin was writing a book, but was very disillusioned with the way the entire saga unfolded. Mandie Boyd recalls: “It was a huge task because he wanted any mention at all in any publications to be noted. No one else had done it at that stage, not even the clippings service.” This second (and final) volume is filled with transcriptions on newspaper articles, editorials and letters to the editor covering the period 1962 to 1966 when Utzon quits. The Reding Universal Exercise Book, filled to pp 0-48 and p 92Written on front cover: "Mandie Eckersley, 19 South Street, Edgecliff. NSW." In exercise book: handwritten notes. On back cover: list of dates from 1966-1977. Inserts in page 41: Public Library of New South Wales photocopying service receipts dated 8-2-67. Public Library of New South Wales Applications slips for books from stack.sydney opera house, jorn utzon, sydney opera house project

The school bell has been used in various forms for several centuries. In Australia and the UK it was often a hand bell, located on the teacher's desk in a small school. In larger schools it was positioned in a central area, and one bell was used to signal to all classrooms. In North America it was more usual to find a large bell on a stand located in a central area of the school where it could be heard by everyone throughout the premises. More recently, the school bell has become wall located, and electrically activated, using a mechanical timing apparatus. Now the same bell is computer programmed and activated, although there are many older bells still in operation. The school bell was rung at the beginning at the school day, often to summon students to the morning assembly in larger schools. It was then rung throughout the day to signal the start and end of specific lesson periods, the beginning and end of school morning and afternoon breaks, the lunch period, and the end of the school day, no doubt eagerly awaited by many students! The school bell was used as a timing device in schools to signal the start and end of specific activities.Bell brass with heavy metal square shaped base and wooden handle-hand held, Kel(?)her Melbourne on the topInscribed on the metal at the top of the bell are the letters "Kel(?)her Melbourne" flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bell, school, lessons

This desk or table-top electric fan marked is typical of the fans popular in the 1930s through to the 1950s. The fans were made for use in the home, office or factory and were produced in a variety of sizes. They were available in both fixed and oscillating models with different speeds. The fans cost several weeks of a man's average wage at the time and were promoted not only as improving comfort in the home but also increasing efficiency at work. With the development of air-conditioning from the 1960s and its increasing use in the workplace and then into the home, fans declined in popularity. This fan was manufactured by the Engineering & Construction Company (ELCON) an Australian owned and patented company originally based in Melbourne, Victoria in the late 1920s. The company became a subsidiary of the Electricity Meter & Allied Industries Ltd (EMAIL) in 1939. Then in 1946 they were decentralised to Orange, New South Wales. EMAIL brands included Email, Emailair, Westinghouse, Carmichael, Elcon, Metters and Weatherall. Electrolux purchased the major appliance division of Email in 2001.This item is representative of early electric fans manufactured in Australia in the early to mid 20th century. They were widely used throughout Australian homes and workplaces prrior to the development of airconditioning.This early electric table fan has four metal blades attached to an egg shaped enclosed motor. Each blade is attached with three rivets. The fan has a wire safety guard surrounding the blades. This is attached to a circular metal base.There is a switch in the centre of the base to adjust speed. A knob at the back of the fan enables its position to be adjusted. There is no longer any branding visible on the fan but it has been identified as an ELCON fan manufacured in Australia. The electrical cord is not the original which has been replaced.electric fans, home appliances, elcon fans

Mr. Bralsford,the Transport Manager at Royal District Nursing Service (RDNS), is instructing RDNS staff in the responsibilities of driving an RDNS vehicle. The Sisters were undergoing a Post Basic Course given by RDNS Educators, Car maintenance was necessary from 1937 when a car was donated by the Rotary Club to Melbourne District Nursing Society, (MDNS). Another car was donated, by General Motors-Holden, via the Duchess of Gloucester, in 1947, and the fleet began to grow from 1950 with seven Ford Prefects being provided by the Hospital and Charities Commission. For many years Melford Motors in South Melbourne maintained the MDNS fleet, until the fleet grew to the point of, the now named, Royal District Nursing Service (RDNS) providing its own Car Maintenance Division to service the cars regularly. The Royal Automobile Club of Victoria, (RACV), attended any breakdowns which occurred when nursing staff were on the road. Each new Sister employed by the Service was taken out for a driving test before she drove a District car. Royal District Nursing Service (RDNS) has had various modes of transport over the last 130 plus years. At first, from 1885 as Melbourne District Nursing Society (MDNS), their Trained nurses (Nurses) walked the streets and lane ways amid the slums of central Melbourne. As the Society expanded public transport was used; bicycles were bought by the Society in 1903 and used in inner areas until 1945. During the Spanish flu epidemic, in 1919, MDNS appealed for assistance to procure Motor vehicles so the Nurses could visit an influx of cases. Through trusts, grants and donations four 'Ford T Model' cars were procured which enabled the Nurses to triple their visits. Through constant use the cars were in such a poor state they were sold in 1927. A Motor Auxiliary was formed in 1929 to take Sisters to patients, and some Sisters used their own cars; even a motorcycle was used by one Sister in 1933. All these forms of transport were intermingled until, having received Royal patronage; the now Royal District Nursing Service (RDNS) had its own full fleet of vehicles by the mid 1960s. In many areas there were unsealed roads, in various conditions, which the Sisters negotiated to reach their patients to give care. Seat-belts had been introduced to Victoria in 1959 and District fitted them to their cars from 1962, even though they did not become compulsory until 1970. The Melways Directory of maps was introduced in 1966 which was a boon to the Sisters, though it was a few years before it went beyond Seville, so those that did the Warburton and Powelltown area worked off a large paper map. By 2009 there were 598 cars in the fleet and the Sisters travelled 9 million 200,000 kilometres – this is equivalent to 12 trips to the moon and back. Black and white photograph showing Mr. Bralsford instructing RDNS staff. In the left foreground is Sister (Sr) Liz Thomson who has her dark hair drawn back, is looking down at a piece of white paper resting on the arm of the wooden chair on which she is sitting. In front of her are the back views of Sr. Betty McDonald with curled dark hair and to her right is Sister Joanne Wilkinson. Mr. Bralsford, who has short dark hair; is wearing glasses, and wearing a grey coat, is standing in front of them pointing to a blackboard with his extended left arm and hand. He is looking down, and has his right hand on a piece of white paper on a desk. A strip heater is high on the left hand wall.Photographers stamp and Quote No. GW 101royal district nursing service, rdns, rdns transport, rdns education, melford motors, racv, sister liz thomson, sister betty mcdonald, sister joanne wilkinson, mr bralsford

Slide photograph of girls studying at desks in the Stanhope study. Other photos appear to have been taken at the same time and are marked 14, 15, 16 (see items 02520 - 02522). Black and white hardcopy photos of these slides are at 01835, saying it was 1962 and gave the girls names. The photo is captioned 'Packing for the holidays' and has the names: Lynn Hall, Jacky Mooney? and Jane Reed. Stanhope was a residence run by Melbourne Legacy to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for further education. Stanhope generally looked after girls over 14 either studying or working. The children were cared for until they were old enough to become independent. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of life for the residents of Stanhope.Colour slide of three girls packing their bags in a bedroom in Stanhope, in a red and yellow Kodak logo mount.Imprinted 16 in top left corner.stanhope, residences, study