Crown Crystal Glass were an Australian glass manufacturer, who were the Australian vendors for Pyrex from 1926, importing from the UK. In 1961, Crown Crystal Glass began manufacturing their own Pyrex, under the name Agee Pyrex (until 1963), Crown Agee Pyrex (late 1960s), Crown Pyrex (1970s), Crown Ovenware (1970s) and Pyrex Ovenware (late 1970s until early 1980s). Source: That Retro Piece, 'PYREX | Australian', https://thatretropiece.com/collections/pyrex-australian "The use of pyrex bottles became more prevalent in Australia in the second half of the 20th century and baby’s bottles made of pyrex were popular as they were easily sterilised in the home environment." Source: Warrnambool and District Historical Society Inc., 'Bottle, The Perfect Agee Feeding Bottle, Mid 20th century', https://victoriancollections.net.au/items/592fe71ad0cdd520341b3954Octagonal glass bottle tapering to a narrow neck. Calibrations for ounces and mls imprinted on the sides of the bottle. Text inscribed on bottle reads " THE IDEAL AGEE/PYREX/FEEDER"."THE IDEAL AGEE/PYREX/FEEDER"infant feeding, infant care

Crown Crystal Glass were an Australian glass manufacturer, who were the Australian vendors for Pyrex from 1926, importing from the UK. In 1961, Crown Crystal Glass began manufacturing their own Pyrex, under the name Agee Pyrex (until 1963), Crown Agee Pyrex (late 1960s), Crown Pyrex (1970s), Crown Ovenware (1970s) and Pyrex Ovenware (late 1970s until early 1980s). Source: That Retro Piece, 'PYREX | Australian', https://thatretropiece.com/collections/pyrex-australian "The use of pyrex bottles became more prevalent in Australia in the second half of the 20th century and baby’s bottles made of pyrex were popular as they were easily sterilised in the home environment." Source: Warrnambool and District Historical Society Inc., 'Bottle, The Perfect Agee Feeding Bottle, Mid 20th century', https://victoriancollections.net.au/items/592fe71ad0cdd520341b3954 Clear glass bottle tapering to a short narrow neck. Calibrations embossed on the glass in ounces (0-8) and mls (0-240). Embossed on the side: "Agee/PYREX/Feeder"."Agee/PYREX/Feeder"infant feeding, infant care

The T35 Austral was developed by Slingsby Aviation from the Slingsby T31 with the wing span increased and a larger rudder to improve performance. This was done in response to an order from an Australian gliding club. The Museum’s glider was built from a Slingsby kit imported from the UK in 1952 and assembled by the Waikerie Gliding Club. The glider came on the Australian register as VH-GFX in May 1956. It was later transferred to the Renmark Gliding Club. In 1968 it was acquired by the RAAF Gliding Club at Laverton, Victoria. The existing log book records for the Museum’s T35 Austral are incomplete. Nevertheless the information at hand shows that it was launched over 17000 times and spent about 2400 hours in the air. It would appear that the glider has not been used for many years, the last flight recorded by the RAAF Gliding Club for this aircraft being in September 1971. As far as is known VH-GFX is the only example of the type to be built. The Slingsby T35 is a modified Tandem Tutor two seat glider that had extensive service at a number of Australian gliding clubs over a period of approximately 15 years from the mid 1950s. The Slingsby T35 is an open cockpit, tandem, two-seater glider with high, pylon mounted two piece wing supported by double, wire braced, steel tube struts. australian gliding, glider, sailplane, slingsby, waikerie gliding club, renmark gliding club, raaf gliding club

Boyd argues that Australia needs confidence in creative thinking so our products can cut through established formulas to contribute to our growth as a nation. He outlines four stages of architectural development in every community, and describes Canada in these terms. He posits that Australia overall is only at stage two (imported sophisticated), Brisbane/Hobart/Adelaide at stage one. Boyd argues the Australian dream of individual identity is impossible now, to move to stage 3 Australia needs to be encouraged to have confidence in Australian artists of all kinds, allowing creative people to flourish, be themselves. He indicates that Canberra is close to third stage, with architecture designed by international figures in 1960s but now Australian John Andrews brought out to do an architecturally creative office complex in Belconnen - Canberra, signalling growth of a national identity.Typewritten (c copy), pencil edits and additions, quarto, 7 pages - p12-18confidence in creative thinking, australian national identity, four stages in architectural development, canberra architecture, john andrews, robin boyd, manuscript

The vacant land was the site of Norman Carter's future home at 21 Everton Grove. Norman Broadley Carter (1899-1984) married Mabel Annie Moore in 1927. Norman was an engineer with a passion for photography. Norman took many photos of Surrey Hills and Mont Albert from the 1920s and particularly of events and activities of the Church of England. For many years the house on the left located at 14 Harding Street belonged to the Kenneth Rothwell Culliton and his wife (Fanny) Molly Culliton. The house is located next to the Harding Street Reserve. Ken was an engineer and Molly was an early member of the Surrey Hills Historical Society. Ken was born and died in Surrey Hills. His father Harry Culliton was a well known golfer. His mother Christina Mary Rothwell was the daughter of Thomas Talbot Rothwell, known as a tea merchant and importer; also lived in Surrey Hills. This image is significant for its documentation of pre-urban Surrey Hills.Black and white photo of an area of gently sloping mown grass. On the horizon is a line of trees and on the LHS the outline of a (?) Victorian house can be seen. A man and a young boy are playing in the open space.everton grove, harding street, kenneth rothwell culliton, miss fanny molly arthur, mrs fanny molly culliton, norman broadley carter, mabel annie moore, mabel annie carter

Basket weaving and brush making was a source of income for those who worked in the workshops at RVIB and other institutions in New South Wales and Queensland. A diverse range products could be produced with cane, such as cane chairs, cots, washing baskets and trolleys, and the Institution sought to highlight these in the annual report. Over time the demand for, and supply of, cane changed - particularly during World War 2 when Asian sources were under attack or destroyed. At home, other materials such as plastics as well as the ability to import cheaper pre-produced products further reduced the demand for workshop pieces. Generic style basket that would have been used for shopping or any household task requiring movement of multiple items. Cane baskets were the original green alternative to plastic shopping bags. Note that the handle is deliberately askew, for easier carrying against the hip.1 cane basket with askew handleemployment, royal victorian institute for the blind

Basket weaving and brush making was a source of income for those who worked in the workshops at RVIB and other institutions in New South Wales and Queensland. A diverse range products could be produced with cane, such as cane chairs, cots, washing baskets and trolleys, and the Institution sought to highlight these in the annual report. Over time the demand for, and supply of, cane changed - particularly during World War 2 when Asian sources were under attack or destroyed. At home, other materials such as plastics as well as the ability to import cheaper pre-produced products further reduced the demand for workshop pieces. This cane basket was used for storage as well as transporting heavier items. The base has been reinforced with two thick boards that allow the basket to hold more weight than regular baskets, and this also allows it to sit higher and the contents slightly above ground level.1 deep cane basket with two side handlesemployment, royal victorian institute for the blind

This bowl was used by the State Electricity Commission of Victoria in their mess rooms for their workers during the construction of the Kiewa Hydro Electric Scheme. The imprint of the year "1921" was to identify the year that the SECV was formed which relieved the private VHEC (Victorian Hydro-Electric Company). As the scheme was of such a huge scope, isolated and time consuming nature, the feeding of its workers was quite demanding of cutlery and crockery. The use of sturdy English cups and saucers was essential. The period of construction and the isolation of the Kiewa Valley area placed heavy demand for "solid" crockery that could wear abusive handling. This period in time was one when crockery, whether for domestic or commercial use, was imported from "mother" England. This scenario was more so for governmental bodies such as rail, jails and electricity providers than domestic users. The influx of cheaper Asian crockery had not yet begun.This type of crockery item was used by the thousands of SEC Victorian staff and construction workers involved in the building of the Kiewa Hydro Electricity Scheme, over the extensive period (1938 to 1961). This was a period when Government bodies and other semi- government organisations were still tied to the "establishments" of "mother" England. It was a period in Australia's development when the Asian influence was very weak and the established ties to England and Europe was still very strong. The majority of heavy equipment and machinery was either made in England or Europe. Local/European expertise in dam construction and water management in alpine terrain came from migrants and specialist recruited from England and Europe. The quality of workmanship from big steel manufacturing plants in England and Europe could not be matched from anywhere else in the developed world.This item is a white ceramic State Electricity Commission of Victoria bowl. It is made in England and is of strong and durable ceramic. The 5mm thickness of the ceramic suggests this bowl (cereal/soup) belongs to a commercial kitchen environment and not domestic. The indent bottom of the bowl is 5mm deep with a side curvature ratio of 2:5. The ceramic is glazed to a commercial standard (worker's mess). See also KVHS 0128 (B to D) for other ceramic crockery. The seal of the State Electricity Commission of Victoria is imprinted on the top outside rim within a curved scroll and a raised fist with electrical "charges" extending out.. Snuggled within the borders of the scroll is a banner with the five stars of the Southern Cross . On the underside "Vitrified sold by Cafe & Hotel Supplies Pty Ltd Dunn Bennett & Co. Ltd. Burslem Made in England"ceramic crockery, plate, secv, state electricity commission of victoria, crockery, mt beauty chalet, bogong mess hall

This photograph was taken at Samaria Farm on Sunday the 5th of September when Wooragee Landcare Group took a bus trip to the Tatong area (near Benalla) to look at land use on small farms. The day trip was organised to observe land use on small farms as well as a social event for the Group. Samaria Farm at the time was a nine-hectare property located in northeast Victoria, near Mount Samaria, 130 km Northeast of Melbourne. The photograph features several pigs believed to be the breed called Large Black. The Large Black Pig breed is a traditional, heritage breed that was first imported to Australia from the UK in the early 1900's. It is believed to have originated from the Old English Hog of the 16th and 17th Centuries. The first reference to them in the Australian Pure Bred Pig Herd Book was in 1912. They are a black pig with lop ears and were prized for their superior milking and mothering abilities and soon became popular with early Dairy Farmers who fed them whey from separated milk as part of their butter making process. They proved economical to keep and, being excellent grazing pigs, were also used to pick up windfall fruit in orchards. Their black colouring also enabled them to withstand the hot Australian summers and avoid sunburn which combined with their hardiness and docile temperament made them highly suitable for free-range pork production, however Large Black pigs tend to get very fat and were not suitable for intensive farming so were often crossed with other breeds for pork production. They are now quite rare as a pure breed having been on the edge of extinction for some time. They were rescued in the early 1990s by a rare breeds farmer in the Yarra Ranges. These days they are also the focus of a small conversation effort with six registered breeders currently in Australia. For biosecurity reasons there are no imports of live pigs or pig semen permitted into Australia. This photograph shows a group of people attending one of the events that Wooragee Landcare Group has organized within the educational framework of promoting best land management practices for all types of land uses and ensuring sustainability, in addition to encouraging community interaction via social events. The Large Black pig breed is significant because of their role in early Victorian farming. They are now quite rare as a pure breed having been on the edge of extinction for some time. These days they are the focus of a small conversation effort with six registered breeders currently in Australia. For biosecurity reasons there are no imports of live pigs or pig semen permitted into Australia. Wooragee Landcare Group is important to local community landcare and environmental management practices.Colour rectangular photograph printed on paperObverse: WAN NA EONA2N2. ANN+ 3 4240/ (No. 17) 370samaria farm, wooragee landcare, wooragee landcare group, tatong, benalla, black pigs, large black, traditional breed, heritage breed, pigs, lop ears, free range pork production, early victorian farming

Documents. Connelly, Tatchell & Dunlop - Legal Papers. 1 - 1886 - Letter from Arnoldt D W, Wedderburn. 2 - 1886 - Letter from Cuthbert & Co, Law & General Stationers, Lithographers & Printers, 55 Chancery Lane. 3 - 1886 - Letter from Pickles Thos P, Railway Workshops, Newport. Letter has letterhead - G F Pickles & Sons, Carriage Manufacturing Company Limited. Manufacturers of Carriages, Buggies, Pleasure & Business Wagons. Importers of American and English Carriage Materials. Sandhurst. Repository & Show Rooms, Latrobe Street West, Melbourne. 4 - 1886 - Letter to Spence James, Gannawarra, Cohuna from Bennett, Attenborough, Wilks & Connelly, Solicitors, Albion Chambers, Sandhurst. Also contains returned reply from Spence James. Mentions Geugnagel Charles, Baker, Sandhurst. 5 - 1886 - Post Office Telegraph from Kilbride Peter, Rochester to Wilkinson, Albion Chambers re Brown & Ellison case. 6 - 1886 - Post Office Telegraph from Bennett & Co, Market St re Sterry & Trestrail.cottage, miners, connelly, tatchell & dunlop, arnoldt d w, cuthbert & co, pickles thos p, g f pickles & sons, spence james, bennett attenborough wilks & connelly, geugnagel charles, kilbride peter, wilkinson, brown, ellison, bennett & co, sterry, trestrail

White China milk jug with MMTB logo with a small handle. Made from China clay, glazed and vitrified or fired. Has a small formed spout, MMTB logo in dark green. On the underside has the words "Grindley Hotel Ware, England, Vitrified, Loftus Moran Pty Ltd, Melbourne. Patent. Has a crown or manufacturers mark on the top of the lettering. Possibly made for use at the Wattle Park chalet or head office. http://www.thepotteries.org/mark/g/grindley.htm - accessed 14-08-2014 indicates it was the mark used by the company from 1946. The photo on the website also had a date mark on the underside. http://museumvictoria.com.au/collections/items/259893/serving-plate-cream-ceramic-grindley-hotelware-co-england-loftus-moran-melbourne-1952 - accessed 14-08-2014, indicates that the item was made: Grindley Hotelware Co., Tunstall, Stoke-on-Trent, Staffordshire, England, Great Britain and imported by Loftus Moran Pty Ltd, South Melbourne, Victoria, Australia. See Reg Item 6068 for another example.trams, tramways, mmtb, crockery, grindley hotelware, loftus moran, wattle park

various 1905 (Jul to Dec) company letterhead receipts from Melbourne companies, which J.H. Abbott used to access supplies of gelignite and fuses 2403.90 (A to GI Abbott Collection: Jul to Dec 1905: records and receipts for purchases of gelignite and fuses by J.H. Abbott & Co. from a wide range of generally Melbourne based companies 2403.90A: 6 invoices from Briscoe & Company & Limited, Wholesale Ironmonger & Hardware Merchants, Melbourne 2403.90B: 13 invoices from Perks Bros. & Co., Indentors & Importers, 31 Queen St Melbourne 2403.90C:6 invoices from Morris & Meeks, Melbourne 2403.90D: 27 invoices and credit notes from Richard Linton, Queen's Bridge, Melbourne 2403.90E: 24 invoices from Gibbs, Bright & Co. Melbourne 2403.90F: 19 invoices from The Australian Explosives & Chemicals Compy. Ltd., 138 Queen Str, Melbourne 2403.90G: 6 invoices from Bickford, Smith & Co., 99 Queen Str, Melbourne 2403.90H: 23 invoices from Dalgety and Company Limited, 461-471 Bourke Str, Melbourne 2403.90I: 30 invoices from McMicking & Co., 381 Little Collins Str, Melbournetrade company 1905, gelignite oproviders

BHS CollectionBendigo Weekly from Friday, 25 August, 2000. Article by James Lerk '' Discover Bendigo, occupants of the Bendigo Arcade''. From the time it opened until it was destroyed by fire in October 1974, the Bendigo Arcade had many occupants. In this article James describes some of the shops that occupied the arcade; Angelo's confectionary, Dr Albert Beischer (dental clinic), Whites jewellers, Miss Davis art needlework, Liddy Tobacconist, C.E. Welsh watchmaker, C.F. Rowart agent, Abbotts boots, Miss Spooner's coffee shop, Miss Robshaw's bookshop, Miss N. Sweeney spokestiching, Miss Wilman clothing, E.W. Ship Stationer and postcards, Ward Brothers sewing machines, British Products importers of crystal, Miss Ross milliner, A. Thomas hairdresser, Max Richardson nursery, Farren price watchmakers and jewellers, Miss O'Shannessy baby wear, Trewartha's dress materials, Miss Scobie fortune teller and George Bennetts home and hardware supplies occupied the Hargreaves Street end of the arcade. The clip is in a plastic folder.newspaper, bendigo, bendigo weekly

The ship Speke, which was wrecked in 1906 near Kitty Miller Bay, was named after the town Speke in Liverpool, where Speke Hall is located. Source http://www.nationaltrustcollections.org.uk/place/speke-hall Speke Hall This half-timbered Tudor courtyard house acquired its present shape during the 16th century under the ownership of Sir William Norris and his grandson, also Sir William. It was completed, except for some minor additions, for Edward Norris by 1606. The predominant architectural message of Speke is the decorative potential of wood. The exterior, with its high proportion of timber to infill, is a riot of geometrical patterning, while many of the Tudor interiors are filled with carved and embellished panelling – including a genealogical overmantel from c.1560 – some probably imported from the Low Countries, where the Norrises had trading connections. After a period of neglect, Speke was restored and entirely refurnished in the mid-19th century by the Watt family. 2 x Large photos of Speke Hall - 1 Black & White, 1 coloured.Speke Hall, Gardens and Estatethe speke, sailing boats, shipwrecks, photographs, speke hall

The core samples in the display cabinet were obtained from the various sites at which drilling into the rock surface was carried out (under the control of design and structural engineers of the SEC Kiewa Hydro Scheme - late 1940's). This function was a precursor to the decision where to locate, in this case, the McKay Creek Power Station. The information gained by structural engineers from the core samples would be used also for the placements of underground tunnels entry and exit points and the overall effective size of the generator plant. This would have included drill and blast techniques (rock characteristics play an import part of explosion control), requirements for support structures and reinforcing cement/steel forms. The use and replenishment of diamond drill bits(the strongest available, see KVHS 0280) was dependent on the "type" of rock found (harder rock required greater numbers of drill bits). Support beams for reinforced ceilings and floors was also a necessity.These rock core samples are very significant in the formulation and placement of the underground Power Stations and their maze of tunnels (in and out) for a successful implementation of the Hydro Scheme. The amount of pre-planning and engineering studies required for such a large scheme must be undertaken to ensure that a "white elephant" was not the result.There are nine columns of rock cores, each 30mm in diameter, set in a wooden display rack. A clear plastic (slide out) protective panel is installed to the front section. Within each column are block details of the depth from which that section was brought from. See KVHS for the appropriate sketch details.Depth levels (retrieved from) are shown for each section on wooden Blocks: 1st Block: "7'10" (seven feet, ten inches), 2nd Block:"9'4" (nine feet, four inches), 3rd Block: "19'3" (nineteen feet, three inches), 4th Block: "24'2" (twenty four feet, two inches), 5th Block: "25'7"( twenty five feet, seven inches) and last block: "30' (thirty feet)"alternate energy supplies, alpine feasibility studies temperature, rainfall, sec, kiewa hydro scheme, electricity

Small feeding bottles were used to feed milk to newborns or juice to older infants. Crown Crystal Glass were an Australian glass manufacturer, who were the Australian vendors for Pyrex from 1926, importing from the UK. In 1961, Crown Crystal Glass began manufacturing their own Pyrex, under the name Agee Pyrex (until 1963), Crown Agee Pyrex (late 1960s), Crown Pyrex (1970s), Crown Ovenware (1970s) and Pyrex Ovenware (late 1970s until early 1980s). Source: That Retro Piece, 'PYREX | Australian', https://thatretropiece.com/collections/pyrex-australian "The use of pyrex bottles became more prevalent in Australia in the second half of the 20th century and baby’s bottles made of pyrex were popular as they were easily sterilised in the home environment." Source: Warrnambool and District Historical Society Inc., 'Bottle, The Perfect Agee Feeding Bottle, Mid 20th century', https://victoriancollections.net.au/items/592fe71ad0cdd520341b3954Small clear glass bottle with a short narrow neck. Imprinted with calibrations for ounces (0-4) and millilitres (0-120). Embossed on side of bottle: "Agee/ PYREX/ Feeder".infant feeding, infant care

Reversible ski jacket made by Rosalie Kiessling, 1970s. Used by Rosalie's son and daughter-in-law, from the 1970s through to the 1990s. The Kiessling family skied at Mt Buller and are members of Omega Ski Lodge. German by birth Rosalie, grew up skiing and ice skating, studied fashion design in Munich and worked designing women’s ski wear and lingerie before migrating to Australia via New Zealand in 1939 with her husband. As skiing increased in popularity following the end of WWII, Rosalie’s business grew reaching its peak during the 1960s. Though it was never large; at most she employed three staff. Rosalie continued to design and manufacture fashionable but functional ski wear until the late 1970s, although increasing imports from large overseas manufactures and constant new innovations in fabric technology made it difficult for her to compete in a relatively small industry. Reversible ski jacket with side zip pockets and full zip front. One side of the jacket is black fabric, while the other is black checked with a yellow and red weave. Rosalie Kiessling sportswear Melbourne / All cottonskiing, ski clothing, fashion design

Originating in New Zealand, the Drysdale, represented by Bilby Bill, was developed in the 1930s at Massey University (Canterbury) by crossing a coarse haired Romney and the hardy Cheviot breed. First imported to Australia in 1975, the Drysdale, due to a genetic abnormality, produces coarse, long staple fleece. This same gene also gives them their horns, something that generally does not occur in the parent breeds. Their fleece grows very fast, up to 25cm every six months; as such shearing is carried out twice a year. The coarse and hard wearing wool is mostly used for the manufacture of carpets. The Drysdale is a medium to large stocky sheep, weighing approximately 55kg and produces about 6 to 8kg of fleece per animal annually, which is 35 to 45 microns in diameter. The yarn used on the National Wool Museum’s Axminster Gripper Loom to make the Manor House Rug is spun from the wool of Drysdale sheep.Taxidermied male Drysdale sheep. Medium sized animal with white body coloration. Large horns protruding from the top of the skull. drysdale, sheep, new zealand

Charles Robert Thatcher (1831-1878) trained in England as a flautist before travelling to the Bendigo goldfields in 1853. He was unsuited and unsuccessful as a miner so decided to rely on his music to make his fortune. He was considered a 'comic vocalist' who wrote many songs about the observations he made on the goldfields. These songs were often satirical and were published in newspapers as poems. He travelled extensively around the Victorian goldfields and also toured New Zealand. In 1861 he married widowed singer Anna Vitellie who performed with him, singing sentimental ballads. In 1870 the family returned to England where Charles became an importer of curios, following in his father's footsteps. He travelled to China, Japan and India sourcing stock for his business and on one such trip he contracted cholera and died in Shanghai. His wife returned to Australia and taught singing in Moonee Ponds.A talk written by Jim Evans for the Bendigo Historical Society in September 2002 regarding the gold field entertainer Charles Robert Thatcher and his many chaotic adventures and performances across Bendigo and Australia.

Charles Robert Thatcher (1831-1878) trained in England as a flautist before travelling to the Bendigo goldfields in 1853. He was unsuited and unsuccessful as a miner so decided to rely on his music to make his fortune. He was considered a 'comic vocalist' who wrote many songs about the observations he made on the goldfields. These songs were often satirical and were published in newspapers as poems. He travelled extensively around the Victorian goldfields and also toured New Zealand. In 1861 he married widowed singer Anna Vitellie who performed with him, singing sentimental ballads. In 1870 the family returned to England where Charles became an importer of curios, following in his father's footsteps. He travelled to China, Japan and India sourcing stock for his business and on one such trip he contracted cholera and died in Shanghai. His wife returned to Australia and taught singing in Moonee Ponds.Copy of song written by Charles Thatcher, 'Bryant's Ranges' 'New original song, written and sung by Mr Thatcher at the Bendigo Theatre, tune Bow-wow-wow. Song mentions Bendigo reefs and the gold seekers success or otherwise, then they were off to 'Bryant's Ranges'.bendigo, mining, song by charles thatcher

Basket weaving and brush making was a source of income for those who worked in the workshops at RVIB and other institutions in New South Wales and Queensland. A diverse range products could be produced with cane, such as cane chairs, cots, washing baskets and trolleys, and the Institution sought to highlight these in the annual report. Over time the demand for, and supply of, cane changed - particularly during World War 2 when Asian sources were under attack or destroyed. At home, other materials such as plastics as well as the ability to import cheaper pre-produced products further reduced the demand for workshop pieces. This laundry basket was reinforced with a solid heavy base that gave it both strength and the ability to remain upright as clothing items were placed inside. This cane laundry basket made in the basket shop of RVIB for use in the organisation possibly between 1930-1940, not for sale. Held with staff in the Enterprises section since the move to 201 High Street in the early 1990s.1 cane basket with lidroyal victorian institute for the blind, employment

Basket weaving and brush making was a source of income for those who worked in the workshops at RVIB and other institutions in New South Wales and Queensland. A diverse range products could be produced with cane, such as cane chairs, cots, washing baskets and trolleys, and the Institution sought to highlight these in the annual report. Over time the demand for, and supply of, cane changed - particularly during World War 2 when Asian sources were under attack or destroyed. At home, other materials such as plastics as well as the ability to import cheaper pre-produced products further reduced the demand for workshop pieces. A milk bottle basket was designed for milkmen to deliver their wares quickly from door to door, without the bottles impacting upon each other. The milk basket was made in the basket shop of the RVIB for use in the organisation. It was used to carry milk bottles, then containers to the various tea rooms and could have been part of the kitchen equipment for the RVIBCane basket with handle and dividers to carry milk bottlesroyal victorian institute for the blind, equipment, employment

Fletcher Jones Clothing Factory was a key industry in Warrnambool from 1948 to its closure in 2005. The business was founded by David Fletcher Jones (1897-1977), a clothing manufacturer and retailer who worked as a hawker in the Western District following service with the A.I.F. in World War One. In 1924 Fletcher Jones opened three shops in Liebig Street selling men’s wear, hosiery and linen and operating a small tailoring business. He moved his shop to another location in Liebig Street and began to concentrate on men’s trousers production. In 1946 he opened a shop in Collins Street in Melbourne and eventually had stores and factories all over Australia. In Warrnambool he opened his factory at Pleasant Hill in Flaxman Street in 1948 and became a major Warrnambool employer, with over 1000 employees at one time. He transformed his business into a co-operative, with the name, ‘Fletcher Jones and Staff’ registered in 1947. The business diversified into other ranges of clothing for men and women but failed to compete with cheaper overseas clothing imports and the factory and shops were closed in the early 21st century. 001143.1 Project Book. This project book tells the story of the establishment and development of the Fletcher Jones company across the various stores which were established in Melbourne, Adelaide, Sydney, Geelong and Hobart. It explores the philosophy behind the business and milestones achieved and the factory gardens. The book itself provides an example of schoolwork completed in the mid 20th century. 001143.2 Booklet: Plusites: This is a staff booklet which has items of interest relating to staff such as births deaths and marriages. It tells of renovations and happenings in regard to the various shops around the country as well as trading figures. It tells of the royal visit of 1954 and other social events and items of interest around the various shops. 001143.3 Flyer :The text on this flyer also tells the story of the development of the Fletcher Jones brand to the point where there in the year2000 retail expansion was still happening but the Warrnambool workforce had shrunk from over 1000 at the peak to approximately 200. The company had commenced importing a range of clothing by this time These three items present different views of a company which was an important part of industry in Warrnambool for over 60 years in the latter part of the 20th century. The founder was one of Warrnambool’s most well respected people and many district people had connections to the firm. 001143.1 Project Book. Brown mottled card cover with cream insert for personal details. Back cover plain cream. It contains a student’s project work on the Fletcher Jones company. Some is handwritten and also contains a number of black and white photographs throughout the book. A coloured map of Australia is in the middle pages. 001143.2 Booklet: Plusites. White light card cover with dark blue text and diagram. Bottom left of page has a map of the coastline of Victoria. 20 pages. 001143.3 Flyer. Advertising Flyer re factory direct sales at Warrnambool. Black text with maroon border and Fletcher jones logo at the bottom and 4 photographs at the top. 001143.1 Project Book. T Cronin 4B WHS 001143.2 Booklet: Plusites. Vol 1 No 1 June 1954. 001143.3 Flyer fletcher jones, warrnambool history, fletcher jones and staff pty ltd

This medallion was struck to celebrate the 100th anniversary of fellmongering in Mazamet in 1951. Fellmongering - In French, ‘delainage” means, literally, ‘de-wooling'. It is the industrial process of separating wool from sheepskins. In the 19th century, the southern French town of Mazamet became the world centre of délainage and played an important part in the Australian wool industry. At one time Mazamet was reputed to be the 15th richest town in Europe, and it was said that the town’s branch of the Banque Nationale de Paris (French banking firm) was the second largest in France. At its height, Mazamet had 48 fellmongeries and imported more than 100,000 tonnes of sheepskins a year from the southern hemisphere, mostly from Australia and Argentina. It also supported numerous associated industries such as tanneries, spinning mills and clothing manufacturers. In the 1980s Mazamet’s fellmongering industry fell into decline under pressure from environmental concerns and cheap imports. The town’s last two fellmongeries closed in 2004. The town continues to have a strong relation to Australia, with street names such as, Rue de Australie, Adelaide, Brisbane, Melbourne and Sydney in recognition of a connection to the two distant lands. Today, half a century since wool importation largely ended, there remains a link to the past. Elite quality leather and woollen clothing companies such as Hermes and Chanel still source much of their stock in Mazamet. This medallion was presented to William Haughton and Co. who were one of Australia’s largest wool-buying companies of the first half of the 20th century. Wm Haughton had a major presence in Geelong and its “SKINS WOOL HIDES TALLOW etc.” signs were prominent on railways stations throughout the Western District and beyond. Haughtons had branches in all Australian capital cities, New Zealand, London and Bradford. Its agents in Mazamet were Maison Louis Maffre, an enterprise founded by M. Louis Maffre, mayor of Mazamet from 1912 to 1919. This medallion was donated to the National Wool Museum by the family of Sir Robert Southey AO CMG, former managing director of Wm Haughton & Co.Bronze medallion contained within purple case. On one side of the medallion, a mill worker is seen scraping the wool off the treated sheepskin. On the reverse the inception can be read.Wording: CRESCAM ET LUCEBO // CENTENAIRE / DU DELAINAGE / MAZAMET // 1851-1951. Smooth edge stamped with a cornucopia and the inscription BRONZEmazamet, fellmongering, délainage

The collection of thirteen model horse drawn vehicles were carefully handmade by Mr Chas W Davis 1925 - 2002. He was a talented artist and saw doctor. This model of a horse drawn Baker's Cart replicates the vehicle that enjoyed respect from the public during the 1880 and early 1900's. A model of a single horse drawn red enclosed Capital Bakery Cart which is a lightweight four wheeled one passenger horse drawn carriage where the driver sits behind. It has two large and two smaller gold painted spoked wheels with brown rims, grey and black painted seating two gold coach lamps and a sloped red and tan footrest for the driver. There is a brake lever on the right side of the cart which activates the brake on the back wheel. At the rear are two ventilated gold doors and cupboards underneath the seat. There are two silver metal tubular shafts on each side to surround the brown horse which has a black tail and mane. It has the necessary horse tack for cart use to help the driver communicate with the horse. These carrier carts or vans were four wheeled medium weight Commercial Vehicles which were a very familiar sight in the horse drawn era. Every kid 'whipped behind' bread carts. The first models were imported from England around 1870 and later the local coachworks built many models. The biggest producer was Flood in St Kilda Road until 1926.CAPITAL BAKERY is painted in white lettering on each side of the cart.replicas, models, scale models, vehicles, carriages, horse drawn vehicles, toy horses, early commercial vehicles, bread cart

David Reid (1820-1906) was a pastoralists and politician. He left school at 16 and after meeting the overlander John Gardiner he decided to look for land south of the Murray River. Equipped by his father with some 500 head of cattle, 2 bullock wagons and teams and 6 assigned servants, he reached the Ovens River on 8 September 1838. David settled at Currargarmonge, near Wangaratta. At the end of 1843 he took up land near Yackandandah. In 1847 he took up a section of the family run of which Woorajay (Wooragee) formed a part. He built the first water driven flour-mill in the district on his Yackandandah run in 1845; his woolclip of 1848 was one of the first to be handled by R. Goldsbrough and was claimed to come from sheep descended from stock imported in the 1820s from George III's flock. Going into politics, he held the Legislative Assembly seat of Murray from October 1859 to May 1862. David Reid was a highly regarded grazier and local politician who was significantly involved in settlement around the Yackandandah area. Photo demonstrates ongoing interest in the local history of the area and its early residents2 colour photographs mounted together on buff card 1. Man and 2 children (unidentified) standing outside the remains of the Reid home. 2 Dec, 1973 2. Group of unidentified people on a tour of the old homestead of D. Reid. 2 Dec, 19731. Handwritten in black ink under photo 'D. Reid's home 1845. At Mill Park. 2 Dec 1973 2. Handwritten in blue ink under photo 'Snapshots Clare Roper"clare roper

This is a tea tin from the business of Rolfe and Co., a wholesale grocery and importing business founded in Melbourne in 1854 by George Rolfe Senior, a merchant and politician. George Rolfe died in 1871 and the business was then run by his son, George Rolfe, Junior. The business continued until at least the late 1930s. George Rolfe (1836-1919) was a keen sportsman and he began holidaying in Warrnambool for some years in the 1870s when he started buying land in the area. By the early 1880s Rolfe owned 50 acres in Warrnambool and established his holiday residence at Lyndoch near the mouth of the Hopkins River. He improved the original site with the addition of a large garden, stables, jetty, boatshed, water well, chaff and bone sheds, reservoir etc and bought other properties including Shipley on the Allansford Road and the adjoining property Fairy Hill. He continued managing the Rolfe and Co. business in Melbourne until his death in 1919. Today Rolfe’s Lyndoch property in Warrnambool is the site of an aged care facility. This tin is of considerable significance as it is a memento of George Rolfe who established the property of Lyndoch in Warrnambool and was a prominent land holder in the late 19th and early 20th centuries. (Note that we have another Rolfe tea tin but it is in very poor condition compared to this later acquisition). This is a rectangular-shaped tin with four sides originally painted yellow but now showing considerable rust. The printing on the sides is brown and white, some on a blue background and some surrounded by decorative patterns.No. 2 Rolfe & Co. Ltd 286-300 King St. Melbourne Rolfe’s Tea Rolfe and Co. was established at Melbourne in 1854. Ever since then it has enjoyed an enviable reputation as a firm which supplies to the public goods of the highest quality. george rolfe, lyndoch warrnambool, rolfe & co, importers, melbourne, history of warrnambool

This clear, light green, glass "hand blown" fruit preservation jar was used before the mass manufacturing of "screw topped" fruit preservation glass jars imported from Asia or great Britain. The "Mason's Patent" on the jar was for the screw-neck form of the jar top. The screw neck provided the jar with a vacuum seal (preservation) method of fruit jar storage. The reference on the jar of the actual date that the patent was established was in effect for 13 years with extension of a further 7 years. It was an American world wide patent which resulted in only specific manufacture to Glass Works that had paid the manufacturing levy imposed. The air bubbles in the glass suggests that this jar was "hand blown". This would then place the manufacture date before 1900. Preserves came in glass jars bought at the local grocery store or at a large city store on a shopping expedition. The shape of the jar changed as did the stopper used to seal it. Jars were recycled remaining the property of the manufacturer. History of Mason's.This fruit jar is significant to a rural area such as the Kiewa Valley and in the early 1900's when the preservation of fruit and vegetables was an intrinsic part of the typical rural farm/property family. Local shops could only supply fruit and vegetables as seasons permitted. The travelling "green grocer" was more prevalent in towns and cities but not in semi remote rural areas. Historical: Change of jars - shape, glass, stopper, embossing & use. Aesthetic: Display showing embossing & shape especially if in good condition.This vintage "Mason's Patent", screw on thread lid fruit jar was hand blown (air bubbles). It was produced for the home canning of local fruit. The jar is made from thick glass and is tinted light green. Clear glass jar with slight green tinge used for preserves. sides almost straight but jar has a slight bulge almost all the way to the top. Heavily embossed on 1 side. Horizontal print in large capital letters. At the top - manufacturer's name with emblem beneath it. The base has a slight bulge inwards with embossing.In a half ecliptical form "MASON'S" and underneath the Mason's logo.Under the logo "PATENT/ NOV 30 th / 1858". On the base "C201" (double molded).fruit and vegetable preserves, domestic fruit and vegetables bottling, off seasonal fruit and vegetable storage, jar, bottle, preserves, mason's preserves

Alfred Felton (8 November 1831 – 8 January 1904) lived at the Esplanade Hotel, St Kilda, from 1892 and died there in 1904. He was born in England and came to Australia in 1853 intending to search for gold. In 1867, having worked as a commission agent and dealer in merchandise, an importer and general dealer and a wholesale druggist, he went into partnership with Frederick Sheppard Grimwade and founded Felton Grimwade and Company, "wholesale druggists and manufacturing chemists". He was a keen collector of books and art. He never married, had no direct descendants and gave away considerable amounts to charity. When Felton died, he left the bulk of his fortune to the creation of a charitable foundation known as the Felton Bequest to support culture and the community, with half the funding benefiting Victorian charities (particularly those that support women and children) and the other half used to acquire and donate art works to the National Gallery of Victoria. The Felton Bequest has been responsible for 15,000 artworks in the National Gallery of Victoria and they are the core of the collection. colour photograph unmountedCity of St Kilda. Alfred Felton (1831-1904) Philanthropist, Industrialist, lived here 1892 - 1904, sponsored by ACI International Ltdfelton, alfred felton, the esplanade, hotel esplanade, espy, st kilda, plaques

Portrait of Hans and Letitia Hecht with a description of the Trust they founded. Between them is a page outlining the work of the Trust they established. The description reads: "H. & L. Hecht Trust. Thanks for Sharing Our Vision. The Association for the Blind thanks the H. & L. Hecht Trust for their generous support of our Western Metropolitan Regional Low Vision Clinic. The trust was established by the late Hans Hecht, an immigrant from Germany who arrived in Australia in 1900. He married Letitia Robinson in 1911. A successful importer and manufacturer, he set up the H. & L. Hecht Trust to give something back to the community for the help he and his wife had received. Hans Hecht died in Melbourne in 1965, aged 84. Letitia died two years later aged 87. Their kindness lives on in the support which their trust has given for the work of the Association for the Blind through their trustees: Mr D W Rogers, Sir Peter Derham, Perpetual Trustees Victoria Limited."2 black and white photographs with central panel of text in grey frame association for the blind, h & l hecht trust