The bodice is of a style from the Victorian Era and so provides a good example of women's clothing from that time. Although it appears to have been made at a later time the lace possibly came from an earlier time period. It is of historic interest as it was amongst the belongings of the donor's Great Aunts who were both dressmakers at the original Terang & District Co-Op which was established in 1908.The item is of significance socially as an example of women's clothing in the Victorian era.A short, waist-length bodice most likely made as a performance costume. It is representative of a Victorian bodice style though the lacing used indicates that it would not have been worn in those times due to its revealing design. Flexible metal stays provide shape to the bodice at the front and back. Sleeves are elbow length and lined with cream fabric. The bodice has a lace collar and the sleeves are trimmed with the same lace. Small gold coloured beads are stitched to the flower centres of the lace pattern. The burgundy coloured satin has an embossed floral pattern. The lace is of interest as it is from an older time period and being beaded would be especially sought after. Machine and hand stitched.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, satin bodice, beaded lace, victorian era, metal stays, terang & district co-op

Donated by Professor Harold Attwood, University of Melbourne Faculty of Medicine in 1963, originally from the Edward Rowden White Estate.Sir Edward Rowden (1884-1958) was a Foundation Fellow of the Australian Regional Council of RCOG and was the first Chairman of the Arthur Wilson Foundation, and created with his brother the EA Rowden White and Edward R White Foundation for Medical Research at the Royal Women's Hospital in 1955.Cervical dilation Instrument set, seven graduated dilators, black plastic with string attached, a tennaculum, 2x handled instruments for attachment and a surgical retractor in a metal box. [See page 498 George Tiemann catalogue, similar],cervical dilation, edward rowden white professor harold atwood

Alison M Grant (18/3/1925–15/4/1984) studied for a B.D. as a private student and when in 1974 the General Assembly of Australia approved the ordination of women she applied to be a candidate for the ministry and was ordained in 1975. She served in Robinvale and Balmoral before her untimely death from cancer on Palm Sunday 1984. She was very highly regarded as both an educator and as a minister.B & W photograph of Alison Grant riding a bicycle.Rev. Alison Grantrev. alison m. grant; ordained 1975; robinvale; balmoral.

The T Shirts were worn by the men and women who attended the Over 50's exercise classes at the Sunbury Community Health Centre. The exercise classes were established in 1986 and were initially conducted in the Scout Hall in Miller Street. The instructor was Kate Tremlett. the classes were later moved to the Community Health Centre and have expanded into three groups as well as weight programs.A white cotton short sleeved T Shirt with ribbing trim around the neck. There is black lettering across the upper front of the T Shirt."OVER 50'S/EXERCISE GROUP..."1980s, sunbury, george evans collection

This mat was donated to the Museum by the Rev. Andrew Rule Osborn. Reverend Osborn donated several artefacts including Aboriginal artefacts, Zulu and Pacific Islander objects. The Reverend came over from Tasmania to serve here in Warrnambool. His wife Annie was a fantastic author and wrote children's literature which was serialised in the newspapers. She was a supporter of women's suffrage and also the first woman editor of The Age.A flat circular mat made from native Australian grasses. Indigenous Australians would use this as a baby-carrier on the back. One band would be placed around the lower back and mat and two higher up. The child would be placed between the back and the mat. It was also sometimes used as a sun shade or something to sit on. It is a spiral form with grasses woven around to bind it together.aboriginal, indigenous, child carrier, mat, native grasses, reverend andrew rule osborn, annie osborn, women, mothers

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Coats Patons and contains knitting patterns for mens and womens garments. The skirt modelled on the front cover and on page 13 is acknowledged as being a 'Kenneth Pirrie Creation'. Kenneth Pirrie was an Australian fashion designer from the 1960s who appears to have worked in Melbourne and Sydney.Patons / KNITTING / BOOK No. 708 / Latest young fashion - long / stockings or socks with / sweater to match in / TOTEM or TYROL / Two-of-a-kind sweaters, / for him and you, in TOTEM, / ARIEL and MOHAIR / A sweater or shift in TOTEM: / a man's cardigan in JET / 2'3 / PATONS . BEEHIVEknitting handicrafts - history, coats patons (australia) limited, pirrie, mr kenneth - kenneth pirrie creations, knitting, handicrafts - history

In the early 19th century, infant baptismal gowns worn by male and female infants began to be modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.A mid-nineteenth century christening (baptismal) gown, constructed of sturdy white cotton featuring a long skirt, high neck and long sleeves. The gown is constructed by hand, and there is evidence of home-finished needlework, The bodice is loosely pleated with gathering at the high waist, A later cotton tie was attached at the centre waist and commercial lace added to the neckline and cuffs.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

Western fashion in the 1890s saw women's capes become an item of fashionable choice as they fell gracefully over an expansive sleeve. Capes often had a high neck, and were frequently trimmed with jet passementerie and fur. This capelet has a fashionable dog-collar neckline which became fashionable from c.1895, lasting as a style to c.1905. The capelet was probably part of a mourning ensemble.The capelet originally belonged to Catherine Francis Ellen Gulliver (nee Wells) who was born in Ballarat in 1874. The item was passed by descent to her daughter Catherine Francis Helen Taylor (nee Gulliver) [born 1896], and then to her granddaughter, Doris Catherine Kriesfield (nee Taylor) [1922-2015]. Victorian-era capelet, designed to cover the shoulders, and ornamented with a double band of jet passementerie. The capelet has a high dog neck collar, which is lined with leather. The original lace, of which some remains, has been removed in the past, probably due to damage, leaving some traces of its original style. The front of the capelet has large hooks and eyes.fashion design, women's clothing, outerwear, capes, capelets, fashion -- 1890s -- 1900s, mourning wear

Western fashion in the 1890s saw women's capes become an item of fashionable choice as they fell gracefully over an expansive sleeve. Capes often had a high neck, and were frequently trimmed with jet passementerie and fur. This capelet has a fashionable dog-collar neckline which became fashionable from c.1895, lasting as a style to c.1905. The capelet was probably part of a mourning ensemble.The capelet originally belonged to Catherine Francis Ellen Gulliver (nee Wells) who was born in Ballarat in 1874. The item was passed by descent to her daughter Catherine Francis Helen Taylor (nee Gulliver) [born 1896], and then to her granddaughter, Doris Catherine Kriesfield (nee Taylor) [1922-2015]. Victorian-era capelet, designed to cover the shoulders, and ornamented with shamrocks outlined in jet passementerie. The capelet has a dog-collar neck, that is lined with leather. The original lace, forms a wide border edging the satin. The front of the capelet has large hooks and eyes.fashion design, women's clothing, outerwear, capes, capelets, fashion -- 1890s -- 1900s, mourning wear, catherine francis ellen gulliver, doris catherine kriesfield

From the Adelaide Advertiser for 19 November 1952, p. 11: Two Happy Visitorsf rom the Pacific Adelaide is proving 'just like our real home'' to two charming and interesting visitors from Methodist missions in the Pacific. Miss Ravesi Mosi. of Fiii. and diminutive Miss Katalini Dimula, of Papua, the first native women missionaries to visit Australia From these islands. Ravesi and Katalini have enjoyed vastly the three months they have already spent in this country. Thev came here at the' invitation of the Methodist Women's Auxiliary for Oversea Missions in Victoria to take part in their diamond jubilee celebrations in Melbourne. They also spent some time in Sydney. But they are particularly happy to be in Adelaide because both of them have found old and good friends here. That is why it feels! like 'home'. Katalini. whose home is on the Island of Misima, in the far south-west of Papua, is the guest of the Rev. H. K. Bartlett and Mrs Bartlett. who lived on Misima for several years and knew Katoitni as a young girl. They are the first people she has met in Australia who speak her language and know her background. It was a personal interest to them to hear of her work as a missionary nurse, for which she did her training in Salamo Hospital on Ferguson Island, about 200 miles away from Misima, where she now helps to train the women of the island villages in the principles of health and hygiene and caring for their babies according to modern methods.Katalini is dressed in a grass skirt and a western top."Katalini Dimula" "D. Schmidt"katalini, dimula, methodist, papua

Alfred Armstrong Armstrong, Alfred, Eltham is a native of Somerset, England, born in 1825, and was employed under Mr. Mark Isambard Kingdom Brunel as a civil engineer prior to his coming out to Melbourne in 1852. He first visited Beechworth, but returning to Melbourne took contacts at Essendon and Gisbourne for forming and metalling the road. He afterwards purchased property at Eltham, where is at present mining, surveyor, inspector of mines, and mining registrar for the St Andrew’s division of the Castlemaine mining district. Mrs Armstrong, to whom he was married in 1854, at St Paul’s Church, Melbourne, died on 27th March, 1887. from "Victoria and its Metropolis: Past and Present" written in 1888 by Alexander Sutherland. Chapter 19, "The Upper Yarra District" pages [402] - 415. Includes descriptions of some townships and short biographies of local residents. Page 405 Folder of information on Alfred Armstrong, Eltham and Kangaroo Groundalfred armstrong, ada gertrude armstrong, arthur reynolds stockwood armstrong, arthur vivian harrison, eltham cemetery, gravestones, laura augusta harrison (nee armstrong), margaret armstrong, mary armstrong, thomas armstrong

'Sunninghill' at 228 Cotham Road (Kew) is an historically significant building due to its associations with Joseph Thomas (Bland) Holt (1851-1942), theatre entrepreneur and actor who lived at the house following his retirement in 1909. Sunninghill (aka Sunning Hill) was one of his residences in Victoria (also 'The Anchorage' at Sorrento). Following Holt's death at Sunninghill on 28 June 1942, the house was left to his wife. After her death the house was bequeathed to Lucy Coppin, daughter of George Coppin. The 'Shakespeare Window' in the State Library of Victoria was at one stage installed in the house. References 'Death of Mr Bland Holt: Great exponent of melodrama', The Argus, 30 June 1942, p. 3. Shoesmith D, 'Holt, Joseph Thomas (Bland) (1851-1942)', Australian Dictionary of Biography, Vol 4, 1972. 'The Shakespeare Window', State Library of Victoria website.Exterior photographs (digital) of Sunninghill, 228 Cotham Road, Kew VIC 3101. sunninghill - 228 cotham road - kew (vic), joseph thomas (bland) holt, lucy coppin

Ludwig HIRSCHFELD-MACK (1893-1965) Born 11 July 1893, Frankfurt am Main, Germany In 1940 Hirschfeld-Mack was deported to Australia from England as an enemy alien in the Dunera. He was interned at Hay and Orange, New South Wales, and at Tatura, Victoria. There he made a number of woodcuts that illustrated life under detention. Released in 1942 through the sponsorship of (Sir) James Darling, headmaster of Geelong Church of England Grammar School, Hirschfeld-Mack was appointed its art master. He promoted his pupils' self-knowledge, introduced them to avant-garde painting techniques, and encouraged wood-carving, weaving, musical instrument-making, leatherwork and other crafts. (http://adb.anu.edu.au/biography/hirschfeld-mack-ludwig-10510, accessed 29 June 2016) He died on 7 January 1965 at Allambie Heights, Sydney Framed abstract paintingSigned in pencil lower left hand side 'L.H.Mack 1959'art, artists, mack, hirschfeld-mack, ludwig hirschfeld-mack, ludwig hirshfeld-mack, printmaking, monoprint, bauhaus

Anthony Koutoufides - Biography/Autobiography Date of birth 18 January 1973 (age 46) Original team(s) Lalor Debut Round 13, 1992, Carlton vs. Adelaide, at Princes Park Height 191 cm (6 ft 3 in) Weight 100 kg (220 lb) Years Club Games (Goals) 1992–2007 Carlton 278 (226) Career highlights Leigh Matthews Trophy (AFLPA MVP): 2000 Robert Reynolds Trophy: 2001, 2005 All Australian: 1995, 2000 Carlton Captain: 2004–2006 Carlton Leading Goalkicker: 1997 Carlton premiership team: 1995 AFL and Carlton life-member Victorian State of Origin: 1999 Australian Football Hall of Fame inductee 2014 Greek Team of the Century: Vice-Captain VFL/AFL Italian Team of the Century: Centre Half-BackBook outlining Career & Life of one of Carlton's most popular & gifted players. Kouta was a match winner whose career was curtailed by injury. Kouta's most famous game was Carlton's 1 point win over Essendon 1999 Prelim Final

Original owner Nora O’Connor the donor’s adopted aunt, migrated to Canada during WW2 and also worked as volunteer at the Vancouver Mission to Seamen where she met her husband Edward O’Connor who later migrated to Australia. NB Lightkeeper membership category across many of the Missions globally, was usually reserved for women busy as home-makers with children and also as a Junior membership category for children.The platter was accompanied by other materials from the Vancouver club of Senior Light keepers and together the material provides a parallel insight and reference to this group. It also provides a historical link within the worldwide network that is now recognised as the Mission to Seafarers. The Lightkeepers Auxiliary was also active with the Mission in Williamstown where they helped raised the funds to set up the new mission in the E,S & A Bank in 1943 which was furnished thanks to the High Commission of Canada.Circular , varnished wooden tray or plaque with beaded edge froming 'lip". Oval hand painted design of two flags on flag pole, one yellow hoist above blue flag with horizontal white stripe across centre, on a ground of turquoise green. U.C. Lettering in gilt around edge of design (see title). On verso, ink stamp plus an old hanging metal wire.indigo ink stamp : hand painted (1st word almost indecipherable)wooden platter, mission flags, nora o'connor, lightkeepers' auxiliary, lightkeeper, overseas missions, vancouver, canada, british columbia, mission to seamen

This book belonged to Fletcher Jones and was later part of the library at the Fletcher Jones Factory Complex in Warrnambool. Fletcher Jones was a prominent Warrnambool businessman who established a men’s clothing shop in Warrnambool in the 1920s and a factory in Warrnambool in the 1940s. He extended this business Australia-wide and later included women’s clothing. He was noted for his philanthropy and for his interest in co-operative management and the participation of staff in the ownership of the business. This book is significant because it reflects the personal philosophies of Fletcher Jones who was a prominent Warrnambool businessman who advocated the participation of staff in the ownership of businesses. The Fletcher Jones business was important in Australia for over 50 years and played a key part in the economic development of Warrnambool in the second half of the 20th century as the city’s largest manufacturing business. Fletcher Jones was a significant person in Warrnambool in the 20th century. This is a hard cover book of 114 pages. It has nine chapters and a bibliography. The cover is red with gold and black lettering and part of the title embedded into the cover. There is a stamp of the Fletcher Jones business and an embossed one of Fletcher Jones’ home address. There is also evidence of library use. The inscription is handwritten in black ink. ‘Fletcher Jones & Staff Pty Ltd’ ‘Fletcher Jones, 2/7/44’ ‘Fletcher Jones, Raloda, 72 Jamieson St. Warrnambool’ fletcher jones, fletcher jones and staff pty ltd, history of warrnambool

This plaque has been attached to a Warrnambool installation in 1933. It is not known to which site this refers but it may have been the Warrnambool Information Pavilion which was erected outside the old Warrnambool City Council Chambers. There have been many Warrnambool Chambers of Commerce over the years. These were established by Warrnambool businessmen and women to promote the interests of the town/city and to encourage the development of local industry and the tourism trade. This plaque is of great local interest but unfortunately does not have a clear provenance.This is a small brass plaque. The plaque has four holes at each corner for attachment to a building or other object. ‘Erected by the Chamber of Commerce, Warrnambool, 1933’warrnambool chamber of commerce, warrnambool city council chambers, plaque

In March 2003 military forces of the Coalition of the Willing, including 2,000 men & women of the Australian Defence Force (ADF) invaded Iraq. Since July 2003 working with the interim Iraqi Government, the ADF has continued to contribute to Multinational Force efforts to develop a secure & stable environment in Iraq & assist national recovery programs. In mid Jun 2005 some 1,400 ADF personnel were serving in Iraq.Small enamel badge showing face of a soldier which is attached in the centre of cardboard. Cardboard shows coloured print of children welcoming an Australian soldier.Printed on badge: “Remember Iraq” Printed bottom of cardboard: “Iraqi children welcome an Australian soldier in a small village on the outskirts of As Samawah. Photograph courtesy of Department of Defence” Printed back of cardboard: “Remember Iraq”badge, iraq, 2003

The Women featured in this image seem to be on a re-union outing. Two confirmed identities are Berenice who appears and provides commentary on her memories as a young woman hosting dances at the Mission between WW2 and 1960 in a documentary produced by Csilla Tsongaray circa 2005. Marjorie Duckett's identity was confirmed by her nephew and in two articles in Ship to Shore newsletter. ( Search this database under the term Duckett for more background). POst WW2 the term ladies was gradually dropped and the LHLG became the Harbour Lights Guild in later years and in 1962-63 merged with the Flying Angel League.Colour photograph showing five former members of the LHLG seated outdoors.Jesse, Betty, Berenice, Marjorie, Unidentifiedhlg, lhlg, marjorie duckett

This is an album of Australian official photographs of Australian participation in World War One. Enlargements of the photographs could be obtained in the 1920s from the Australian War Museum in the Exhibition Buildings in Melbourne. World War One (1914-1918) was a highly significant event, not only in world history, but also in Australian history – a time when Australia participated to a strong degree, with a great number of Australian men and women dying in the war. These photographs were important in the 1920s as they showed war scenes and military activities that were not available to the public when the war was in progress. They are still important today showing Australian military action in World War One, a signal event in Australia’s history. The number of World War One War Memorials in most Australian towns and small settlements is an indication of the effect on the Australian people of the sacrifice of the lives of so many young people. Warrnambool was just one place in Australia that built a war memorial in the 1920s and continues today to remember World War One heroes as well as those from later wars. This is a brown photograph album containing 72 black and white photographs of Australian soldiers in World War One (Gallipoli, Palestine, France etc). The photographs have been commercially produced. There are four photographs to each page mounted on card. The cover is cardboard and the pages are bound with multi-coloured string. The cover has an imprint of a lady (ancient Greek style).Stamp of Warrnambool & District Historical Society world war one, history of warrnambool

The Strategy Against Right-Wing Attacks (S.A.R.A) kit was produced by wimmin from around Australia following the 1980 National Wimmin's Conference, Darwin, NT. It includes a fantastic set of papers from a forum on the state of feminism in Australia discussing right-wing attacks on women's organisations, and highlights success stories for attacking back. The kit was meant to be added to through a national network of SARA contacts in each state.women's liberation movement, lesbian feminism, darwin

John Gillan Mundy owned this book. Miss Margaret Jane Gillan died 22.11.1941, Orbost at the Jarrahmond residence of her niece, Mrs Jack Mundy. She was the daughter of James Gillan and Margaret Munro. Miss Gillan was an active member of the Orbost branch of the Presbyterian Women's Missionary Union. She spent three years in the New Hebrides where she engaged in missionary work. (info. John Phillips)This item belonged to a prominent member of the Orbost community. The Mundy family has a long history with the Orbost and Jarrahmond district.A red bound book of 1263 pp.It is titled "Shakespeare's Works" with gold lettering on the spine.. The pages are edged in gold.Handwritten in blue ink on fly : "To Miss Gillan wishing her many happy returns of the day from the school girls 29.2.12" Stamped in red "John G. Mundy"literature shakespeare mundy gillan

Hair curling tongs were used by women 1800 - 1950 to create appealing curls and ringlets in their hair. To achieve ringlets, the tongs were heated on a gas ring, stove top or flame and then thick weft of hair was wound around one side of the tongs. The tongs were then 'crimped' together and upon release a long ringlet of hair resulted . If the tongs were overheated the hair was singed producing a lingering malodour. A pair of lady’s steel tongs, with no clamp, for hair curling. toiletries, hairdressing, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, marcel waves

In the 17th century young girls were taught embroidery as a necessary skill for marriage, this also helped them make very beautiful handbags. By the late 18th century, fashions in Europe were moving towards a slender shape and women wanted purses that would not be bulky or untidy in appearance, so reticules were designed. Reticules were made of fine fabrics like silk and velvet, with wrist strapA lady's beige, beaded, silk lined, evening bag with press stud fastenerevening wear, purses, personal effects, handbags, fashion, needlework, craftwork, dressmaking, moorabbin, brighton, early settlers, pioneers, cheltenham