Black and white photograph of Victorian house with shrubs and trees. Steps leading up to verandah, decorative lace work on verandah and ornamentation on roof. Inscriptions: on back - hand printed 'Burrowes Home, Myrtle Street. Now defaced by additional dormitories at Girton College. The two trees in front were planted by the Princes on their visit to Bendigo to 'open the Alexandra Fountain'. Royal Historical Society of Victoria, Bendigo Branch circular stamp on reverse, 'Kindon, Myrtle St'.buildings, residential, burrowes home

Multiple copies of two photos of Oliver Pratt's residence and butchers shop, Main Road (Opposite Mt.Dandenong Road). Earlier photo shows Mr. Oliver Pratt (Left) and Mr. James Kenneth McCaskill (Right) outside residence (c.1910). Later photo (c.1914) taken after Pratt's first butcher shop was added before subsequent shop established on the corner of Warrandyte Road. (Orignial photo IDs were MHE999, MHE7, F27)Written on back of sepia photograph, "Mr. J. K. McGaskill. Main Road on Pratt's Land?" Typed below another photograph, "Mr. O. J. Pratt's Butcher shop, Main St. east of Warrandyte Rd. - 1912.

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of Townsville, Queensland 18/08/1968. Emblems of the United States Presidential Unit Citation, conferred upon D Company, 6 RAR by the President of the United States of America Lyndon B Johnson. These boxed emblems were presented to the next of kin by Prime Minister of Australia The Right Honourable J G Gorton MP, of some of those who paid the supreme sacrifice in the Battle At Long Tan 18/08/1966photograph, d coy, 6 rar/nz, battle of long tan, john gorton, president johnson, gibbons collection catalogue, emblems of the united states presidential unit citation, townsville, d company, prime minister of australia j g gorton mp, denis gibbons, next of kin

About 5000 of these projectors were produced. They were the first type of home projector and were very popular. Ref. Nick Richardson ACMI.A 9.5mm movie projector. Similar to Pathescope model. No maker's name. An early home projector.None on projector. Large spool - pathescope. Small spool - BABY FILM, MADE IN FRANCE, BRIT. PATS.film projector movie-projector

These purses were common in The Netherlands in the mid-twentieth century but were laid aside in favour of wallets once plastic cards were introduced.A black leather purse with partitions for bank notes and coins. There is a stud to close the coin section and a brass clip to close the purse as a whole. One section contains two notes to the value of two and a half guilders; another has 19 coins to the value of 10c each; the main section holds 2 coins worth 1 guilder each, 7 worth 25cents, 3 x 5cent coins and 3 x 1 cent.

Silk maps were produced as "Escape Maps" as they were easily folded and compressed to carry. They were often sewn into the jackets of aircraft pilots..1P Photograph of a Silk map of Indo China Map No 44K covering Siam (Thailand) and part of Vietnam and Cambodia at a scale of 1:1million. The map has contours (heights) and legend panel information. .2P Photograph of the reverse side of a Silk map of Indo China Map No 44J covering Siam (Thailand) at a scale of 1:1million. The map has contours (heights) and legend panel information. royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt

The City of Moorabbin Historical Society was formed c 1960 by a group of Moorabbin residents who were concerned that the history of the area should be preserved. A good response to a call for items related to the historical area of Moorabbin Shire brought donations of a wide variety of artefacts which are now preserved by the current members of CMHS at Box Cottage Museum . Helen Stanley, Secretary of CMHS, began producing a Newsletter for members in April 2007 to provide current information and well researched items of historical interest.Helen Stanley has produced a bi-monthly Newsletter, 2007 - 2013, for the members of the City of Moorabbin Historical Society that contains well researched interesting historical items, notification of upcoming events, current advice from Royal Australian Historical Society , Museums Australia Victoria and activities of Local Historical Societies. The Newsletter is an important record of the activities of the CMHS. Tom Sheehy, past President of CMHS, was an Historian and Author of ‘Battlers Tamed the Sandbelt’. 2 x A4 paper printed on 3 sides Issue 10 of the bi-monthly, City of Moorabbin Historical Society Newsletter produced by Society member and Secretary, Mrs Helen Stanley in February 2009. The Victorian Bushfire tragedy around Marysville is still unfolding as this Newsletter is written. The first meeting for the year is February 22nd and subscriptions are due. An excerpt is transcribed from the City of Moorabbin Historical Society Newsletter October 1962, “A Piece of History in Ormond” by an unknown eyewitness author, describing the original “Box Cottage” situated in Mr J. Reitman’s cement products factory at 306 Jasper Road, Ormond prior to demolition. The current Editor gives information obtained from further recent research . An Article by Tom Sheehy, past President and Historian, February 1979 “The Vineyards of Moorabbin”. The ‘Brighton Estate” began when Henry Moor brought Vine cuttings from Camden NSW 1848 and they were productive after 3 years. Many Vineyards then appeared from Port Phillip Bay to East Boundary Road and produced 2/3 of the annual Victorian grape crop. Disease or insect caused failure in1858 and the land reverted to market gardens. A coloured photocopied photo of Box Cottage 2005. CITY of MOORABBIN HISTORICAL SOCIETY / FEBRUARY 2009 NEWSLETTERcity of moorabbin historical society, stanley helen, sheehy tom, melbourne, moorabbin, brighton, cheltenham, ormond, bentleigh, vineyards, fruit growing, vine diseases, winemaking, grapes, market gardeners, pioneers, early settlers, moorabbin shire, box cottage museum, dairy, port phillip bay, brighton estate, moor henry, cambden estate, reitman j., reitman w., cement, pottery, jasper road ormond, east boundary road brighton, dendy’s special survey 1851, point nepean road, south road brighton, thomas street brighton, north road brighton, county of bourke, box h., box william, bruton william, brighton brewery, parish of moorabbin, parish of prahran, markets, shingle roof, weather-board, downward mr., mckinnon

Melbourne University Old Physics Building (1889) was designed by Reed, Henderson and Smart. It later house the Univesity's Centre for Indigenous Education and a conference centre (2010).Colour photograph of the windows of the Melbourne University Old Physics Building.A plaque on the wall of this building states: In April, 1856 stonemasons woking on this building downed tools, marched to the city and inaugrated a movement which win the Eight Hour Day for building workers in Victoria. The victory became an international landmark in the history of the labour movement. Another plaque reads: This, the original building of the University was built of Tasmanian freestone between 1854 and 1857 to the design of F.M. White, architect. It was for many years the University's administrative centre, library, lecture rooms, and professorial residences. The east and west wings were extended in 1930 to the design of J.S. Gawler. In 1969, the quadrangle was completed by the addition of the southern wing which contains the council chamber, designed by R.E. Featherstone. A third plaque states: These cloisters, commenced in 1853 and extended in 1930 nd 1969 were completed in 1981 through the generosity of the late Edward Stevens, a member of Council from 1926 until 1939. The work was also supported by the Wilson Trust and Sir Wilfred Brookes.university of melbourne, old law building, eight hour day, stonemasons, tasmanian freestone, cloisters, edward stevens, wilson trust, wildred brookes

Sepia photograph"Written on back of photograph" Picture taken early 1900's standing in the present car park at rear of Bank, looking North. Mr Willsmore and three sons in back garden. The Willsmores were Wales Ringwood first customers and still have connections with us. The front of the house is in the same position as present Westpac premises. The line of trees in front of house is now Maroondah Highway. Paul E.Smith - April 1985.

Coloured image taken from Ektochrome slide by 313138 Robert K Bell. Image of admissions and discharge book dated 19-10-68 - 26-10-68War has no boundaries and no time clock, it would happen whenever it wanted to. You only ever got short notice of a Dustoff comming in and would have to act swiftly to be ready. sometimes we were so busy with operations that they had to feed us one at a time and out of hot boxes, so you sat just outside the theatre in blood soaked gowns for five minutes whilst downing a meal.ektachrome slide, photograph, 1st australian field hospital

Ringwood Mail death notice 15/2/1945 and Obituary 16/2/1945 reporting the death of Ernest Wieland of Canterbury Road, Heathmont, on Thursday February 8, 1945, aged 67.Beloved husband of Beatrice, dear father of Stanley, Norman (deceased) and Alan (AIF). Mr. Wieland was born and grew up at Heathmont. A successful orchardist, he also took a keen interest in all local affairs. He was a member of the Heathmont Progress League, President of the Recreation Reserve Committee, a member of the Ringwood Bowling Club, and a member of the Dads' branch. The flags at the Town Hall and the Bowling Club were at half mast.

3 black and white photographs. Image No 1: Hubert Maggs in his garden at Gumly, NSW. Image No 2: Horses at Hubert Maggs wheat farm at Peak Hill, NSW. Image No 3: Home of Hubert Maggs at Gumly, NSW. Written on back of photographs: Image No 1- Dad looking very fit in this one. Hubert in his garden at Gumly. Image No 2- Hubert- second eldest son of Joseph Maggs. This photo was taken at the wheat farm and some of these horses were bred from a mare named 'Jess' which Hubert took from Ringwood to Mount Mercer, Victoria, and then to Peak Hill. Image No 3- The house at Gumly from the front.

This is a set of 11 photographs of a Commanding Officer’s (CO’s) Parade held at the Army Survey Regiment, Bendigo in circa 1977. Key appointments at the time were LTCOL Bob Skitch, the Commanding Officer from 1976 to 1980 and WO1 Aub Harvey, the RSM of the unit from 1976 to 1982. The dates on the cover sheet are incorrect as female personnel appear in the summer uniform that was superseded in early 1979.This is a set of 11 photographs of a Commanding Officer’s (CO’s) Parade held at the Army Survey Regiment, Bendigo in circa 1977. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The black and white photographs were scanned at 300 dpi. .1) - Photo, Black & white, c1977. Air Survey Squadron L to R: WO1 Bob Mason, PTE CPL Marrianne (Van De Zee) De Groot, PTE Julia (Spark) Fitts, CPL Greg Gilbert, unidentified (x2), SGT Bruce Gordon, remainder unidentified. WO1 Graeme Birrell on far right. .2) & .3) - Photo, Black & white, c1977. Air Survey Squadron L to R: SPR Bob Clisby, CPL Alan Staley, unidentified, CPL John Smith, unidentified, CPL Phil McGuire, CPL Peter Mustart, SPR Gary Ames, WO1 Bob Mason – in foreground, unidentified, PTE Julia (Spark) Fitts, unidentified (x2), PTE CPL Marrianne (Van De Zee) De Groot, unidentified (x2), CPL Greg Gilbert, SGT Bruce Gordon. .4) - Photo, Black & white, c1977. Headquarter Squadron L to R: WO2 Max Neil, WO1 Alex Cairney, unidentified, SSGT Pat Lumsden, unidentified (x2), CPL Eddie Jacobs, unidentified (x3), SSGT Alan Strain, CPL Jim Cook. .5) - Photo, Black & white, c1977. Lithographic Squadron L to R: WO1 Tibby Szentirmay BEM, SSGT Jeff Lynch, unidentified, WO1 Fred Panknin, unidentified, SPR Mick ‘Buddha’ Ellis, unidentified, CPL Warren ‘Waldo’ Shirley, CPL John ‘Flash’ Anderson, SGT Trevor Osborne, unidentified, SPR Keith Quinton, unidentified, CPL Bill Jones, unidentified, PTE Janet (Chopping) Justin, WO2 Tom Pattison, SGT Gavin Neilson, SGT Graeme Jeffers, SGT Jeff Willey, SGT Greg Francis-Wright. .6) - Photo, Black & white, c1977. Cartographic Squadron – unidentified personnel. .7) - Photo, Black & white, c1977. Lithographic Squadron – unidentified personnel. .8) - Photo, Black & white, c1977. L to R: WO2 Tom Pattison, RSM WO1 Aub Harvey – facing camera, unidentified (x3), CO LTCOL Bob Skitch facing away receiving salute, remainder unidentified. .9) - Photo, Black & white, c1977. L to R: CAPT Graham Baker, unidentified, CO LTCOL Bob Skitch facing away, unidentified (x3), RSM WO1 Aub Harvey taking notes, unidentified. .10) - Photo, Black & white, c1977. Cartographic Squadron L to R: CO LTCOL Bob Skitch facing away receiving salute, unidentified, MAJ Robin Wilson, unidentified, RSM WO1 Aub Harvey, unidentified. .11) - Photo, Black & white, c1977. Lithographic Squadron undergoing inspection. WO1 Marj Knight at far left..1P to .11P – There are no personnel identified. “Parade 1979 or 1980” annotated on the cover sheet. Note – Dates are probably incorrect.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna

Prue Sanderson, in her groundbreaking ‘City of Kew Urban Conservation Study : Volume 2 - Development History’ (1988), summarised the periods of urban development and subdivisions of land in Kew. The periods that she identified included 1845-1880, 1880-1893, 1893-1921, 1921-1933, 1933-1943, and Post-War Development. These periods were selected as they represented periods of rapid growth or decline in urban development. An obvious starting point for Sanderson’s groupings involved population growth and the associated economic cycles. These cycles also highlighted urban expansion onto land that was predominantly rural, although in other cases it represented the decline and breakup of large estates. A number of the plans in the Kew Historical Society’s collection can also be found in other collections, such as those of the State Library of Victoria and the Boroondara Library Service. A number are however unique to the collection.The Kew Historical Society collection includes almost 100 subdivision plans pertaining to suburbs of the City of Melbourne. Most of these are of Kew, Kew East or Studley Park, although a smaller number are plans of Camberwell, Deepdene, Balwyn and Hawthorn. It is believed that the majority of the plans were gifted to the Society by persons connected with the real estate firm - J. R. Mathers and McMillan, 136 Cotham Road, Kew. The Plans in the collection are rarely in pristine form, being working plans on which the agent would write notes and record lots sold and the prices of these. The subdivision plans are historically significant examples of the growth of urban Melbourne from the beginning of the 20th Century up until the 1980s. A number of the plans are double-sided and often include a photograph on the reverse. A number of the latter are by noted photographers such as J.E. Barnes.The Normanby Heights Estate not unusually used hyperbole to attract purchasers to the auction of 17 lots facing Argyle Street (sic), Pleasant Avenue and Normanby Road. Predictably factors appealed to included the proximity to schools etc, the availability of public utilities, friable soil, picturesque views and ‘advancing settlement’. If that were not enough, the sales pitch exhorted prospective purchasers to consider their backbone. ‘Thrift is unquestionably the Backbone of any Nation. No better form of Thrift can be encouraged in the young citizen than by investing his or her savings in a piece of land in a growing, healthy and beautiful locality. NORMANBY HEIGHTS ESTATE admirably fits the need.’ The experience of Australia at war undoubtedly contributed to the use of terms such as ‘Backbone of a Nation’ and the appeal to egalitarian principles in the choice of the term ‘young citizen’. The recognition that women had savings and might be the prospective purchaser also reflects a new sense of the rights and entitlements of women in the postwar period.subdivision plans - kew, normanby heights estate, pleasant avenue, normanby road, argyle street

Pru Sanderson, in her groundbreaking ‘City of Kew Urban Conservation Study : Volume 2 - Development History’ (1988), summarised the periods of urban development and subdivisions of land in Kew. The periods that she identified included 1845-1880, 1880-1893, 1893-1921, 1921-1933, 1933-1943, and Post-War Development. These periods were selected as they represented periods of rapid growth or decline in urban development. An obvious starting point for Sanderson’s groupings involved population growth and the associated economic cycles. These cycles also highlighted urban expansion onto land that was predominantly rural, although in other cases it represented the decline and breakup of large estates. A number of the plans in the Kew Historical Society’s collection can also be found in other collections, such as those of the State Library of Victoria and the Boroondara Library Service. A number are however unique to the collection.The Kew Historical Society collection includes almost 100 subdivision plans pertaining to suburbs of the City of Melbourne. Most of these are of Kew, Kew East or Studley Park, although a smaller number are plans of Camberwell, Deepdene, Balwyn and Hawthorn. It is believed that the majority of the plans were gifted to the Society by persons connected with the real estate firm - J. R. Mathers and McMillan, 136 Cotham Road, Kew. The Plans in the collection are rarely in pristine form, being working plans on which the agent would write notes and record lots sold and the prices of these. The subdivision plans are historically significant examples of the growth of urban Melbourne from the beginning of the 20th Century up until the 1980s. A number of the plans are double-sided and often include a photograph on the reverse. This plan shows a subdivision with two sections: the ‘Boulevard Section’ and the ‘Riverside Section’. The first of these sections bordered Burke Road between Kilby Road and the farm beside the Yarra. Kilby Road, Munro Road, Burke Road and Old Burke Road bordered the 102 lots in the Boulevard Section of the plan. The streets within the Section included Walbundry Avenue, Inverness Way, Riverside Avenue, Cascade Street and Kyora Parade. These street names, at least in this subdivision plan linked the two Sections of the subdivision. At a later date, the City of Kew decided to alter the street names. Walbundry, Inverness, Riverside, Cascade and Kyora were all renamed as ‘Drives’ (e.g. Kyora Drive). The subdivision plan is of interest in that it names High Street in Kew as Doncaster Road. It also shows the location of the wooden church that was later removed to Yarraville on the corner of Kilby Road and High Street. The plan predates later developments such as the S. E. Dickens Supermarket.subdivision plans - east kew, boulevard estate, munro road -- kew east (vic.), kilby road -- kew east (vic.), burke road -- kew east (vic.), walbundry avenue -- kew east (vic.), inverness way -- kew east (vic.), riverside avenue -- kew east (vic.), cascade drive -- kew east (vic.), nyora parade -- kew east (vic.)

Pru Sanderson, in her groundbreaking ‘City of Kew Urban Conservation Study : Volume 2 - Development History’ (1988), summarised the periods of urban development and subdivisions of land in Kew. The periods that she identified included 1845-1880, 1880-1893, 1893-1921, 1921-1933, 1933-1943, and Post-War Development. These periods were selected as they represented periods of rapid growth or decline in urban development. An obvious starting point for Sanderson’s groupings involved population growth and the associated economic cycles. These cycles also highlighted urban expansion onto land that was predominantly rural, although in other cases it represented the decline and breakup of large estates. A number of the plans in the Kew Historical Society’s collection can also be found in other collections, such as those of the State Library of Victoria and the Boroondara Library Service. A number are however unique to the collection.The Kew Historical Society collection includes almost 100 subdivision plans pertaining to suburbs of the City of Melbourne. Most of these are of Kew, Kew East or Studley Park, although a smaller number are plans of Camberwell, Deepdene, Balwyn and Hawthorn. It is believed that the majority of the plans were gifted to the Society by persons connected with the real estate firm - J. R. Mathers and McMillan, 136 Cotham Road, Kew. The Plans in the collection are rarely in pristine form, being working plans on which the agent would write notes and record lots sold and the prices of these. The subdivision plans are historically significant examples of the growth of urban Melbourne from the beginning of the 20th Century up until the 1980s. A number of the plans are double-sided and often include a photograph on the reverse. A number of the latter are by noted photographers such as J.E. Barnes. In 1910, the Willsmere Park Estate Dairy was lauded in the Box Hill Reporter as ‘an object lesson in dairying’. Ten years later, in 1923, it was to be sold. The first subdivision of the Estate included 77 grand allotments with frontages to Belford and Kilby Roads, Elm and Willow Groves, and Acacia Avenue. Every lot was claimed to be ‘high and dry’, and with panoramic views of Kew and East Kew. The balance of the Estate, and the largest proportion of allotments was to be subdivided and sold from 1940. This second sale included 109 lots fronting Kilby Road and Elm and Willow Groves. Annotations on the plan indicate that the more expensive lots faced Belford Road opposite the Kew Golf Links. Two of these sold for £310. Lots further to the west in Willow Grove were sold for £60 less. Many of the houses to be built on these 109 allotments after the War faced Government restrictions on building materials and the dimensions of each house due to postwar shortages.subdivision plans - east kew, willsmere park estate

These 18 photographs were taken at an Army Survey Regiment Open Day at Fortuna Villa, Bendigo on the 24th of February 1990. This occasion was one of several events held to commemorate the 75th anniversary of the formation of the Royal Australian Survey Corps. Although historical tours of Fortuna occurred on a regular basis, this was the first technical open day since 1972. The Royal Australian Survey Corps recognised that an Open Day was the best way for the local community in Bendigo to gain an insight into the unit’s important role as Defence’s map production agency, its technical equipment, and its economic importance to Bendigo. It also gave them an opportunity to tour through historic Fortuna Villa. This occasion is covered in more detail in page 143 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4. Refer to items 6434.27P and 6435.35P for more photos of the Open Day taken inside Fortuna, the garden areas and Map Production areas of Air Survey and Cartographic Squadron. Photo prints of some of these photos were scanned and catalogued in items 6247.30P and 6291.6P.These 18 photographs were taken at an Army Survey Regiment Open Day held at Fortuna, Bendigo on the 24th of February 1990. The 35mm colour and black & white negatives photographs were scanned at 96 dpi and are part of the Army Survey Regiment’s Collection. .1) - Photo, colour, 1990. Print Troop – WO2 Rob Bogumil with visitors. .2) - Photo, colour, 1990. Print Troop – L to R: SPR Ross Anza, LCPL Janet Murray with visitors. .3) - Photo, black & white, 1990. Print Troop – L to R: LCPL Janet Murray, MAJ Bob Coote, SPR Gary Lord with visitors. .4) - Photo, black & white, 1990. Photo Troop – L to R: WO2 Keith Fenton RE UK Exchange, SGT Steve Burke with visitors. .5) - Photo, colour, 1990. Photo Troop – SGT Steve Burke with visitors. .6) - Photo, colour, 1990. Photo Troop – L to R: unidentified, SGT Steve Burke with visitors. .7) - Photo, colour, 1990. Print Troop – L to R: CPL Peter Breukel, WO2 Keith Fenton RE. UK Exchange with visitors. .8) - Photo, black & white, 1990. Photo Troop - WO2 Keith Fenton RE. UK Exchange. .9) - Photo, black & white, 1990. Print Troop - civilian visitors. .10) - black & white, Print Troop, 1990. - L to R: civilian visitors, SSGT Ian Nichols, CPL John ‘Flash’ Anderson. .11) - Photo, black & white, 1990. Print Troop - L to R: SSGT Ian Nichols, CPL Dale Hudson, Planeta printing press, with civilian visitors. .12) - Photo, colour, 1990. Print Troop - L to R: SSGT Ian Nichols, CAPT Roger Hancock with civilian visitors. .13) - Photo, colour, 1990. Print Troop - LT Marty Lyons with civilian visitors. .14) - Photo, black & white, 1990. Print Troop - L to R: LT Marty Lyons, unidentified with civilian visitors. .15) - Photo, black & white, 1990. Orthophoto Mapping Section - L to R: SSGT Peter Imeson, SGT Bob Garritty with civilian visitors. .16) - Photo, colour, 1990. Optronics raster scanner - WO2 Adrian ‘Charlie’ Creedy with civilian visitors. .17) - Photo, colour 1990. Outside Photo Troop office - L to R: SSGT Rhys De Laine, WO2 Rob Bogumil. .18) - Photo, black & white, 1990. Photo Troop - civilian visitors..1P to .18P – no annotationsroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho sqn

Milk bottles were bought at the local store. Metric measures were introduced in Australia in 1966. Bottles were recycled and remained the property of the manufacturer.Dairy farmers live in the Kiewa Valley and send their milk to the local dairy to be pasteurised and bottled. Historical: Bottles changed shape, size, embossing and seal. Aesthetic- Display showing bottles of different shape, size, embossing.Clear glass milk bottle with straight dies three quarters of the way up tapering gently to the opening. The tapered sides are heavily embossed in capital letters with 5 lines of writing.Near opening: around top: 4 lots of 'm' each in a circle on 4 sides Next line 'Wash and Return' twice i.e.. each side Next line 'Milk 600 ml' twice i.e.. each side Next line 'Use not permitted without written permission owner milk Bottles Recovery Ltd Next line: 'M10058 18'milk bottle; kiewa valley; dairy industry

Milk bottles were bought at the local store. Metric measures were introduced in Australia in 1966. Bottles were recycled and remained the property of the manufacturer.Dairy farmers live in the Kiewa Valley and send their milk to the local dairy to be pasteurised and bottled. Historical: Bottles changed - shape, size, embossing and seal Aesthetic: Display showing bottles of different shape, size, embossingClear glass milk bottle with straight sides three quarters of the way up tapering gently to the opening. The taper sides are heavily embossed with print in capital letters. The circumference of the base is embossed with short straight lines in the direction of the edge to middle.On each side: "Pasteurised / Wash and Return / 600 ml Milk The fourth line continues underneath around the circumference: Use not permitted without written - permission owner milk bottles recovered.clear glass bottle, milk, dairy, milk bottles recovered, kiewa valley farmers

Mannequins such as this were a common decorative item in the mid 19th to early 20th century. They were purely ornamental and were not generally used as a dressmaking accessory.This item is representative of a range of decorative items displayed in homes from the mid 19th to early 20th century and was donated by a Wodonga resident.A mannequin made of wrought iron. It has a metal bow at the waist.decorative arts, metal mannequin

Albert Martin and Company were manufacturers in London and they held the patent for these clippers. They were advertised for sale in Bendigo in 1898 for 4 shillings a pair and in 1914 they were priced at 4/6 (4 shillings and sixpence). They were sold by various ironmongers. Metal clippers, used for clipping horses. Wooden handle. Quite dirty.A. MARTIN & CO MANUFACTURESmetal, wood

David Gordon Collection. Torpedo bottles, also known as Hamilton bottles, were used for aerated or carbonated water. They were oval shaped with a neck at one end, and were deliberately designed so that they could not be stored upright. Torpedo bottles were in common use from the 1840s to the 1870s, when they were superseded by the Codd Neck bottle.

The newly married couple, Friedrich and Aline Vollmer (nee Zollinger) were Templers who were internees in Camp 3 Rushworth. They were married in camp.Black and white photograph of a group of 12 adults and a child. Huts behind them. Couple in middle are the Bride and Groom. friedrich vollmer, aline zollinger, aline vollmer, templers, camp 3 rushworth, camp 3 weddings

School Papers were produced as a result of the perceived need for more local content for children as the school readers were English. In 1896 the first school papers were produced for Grade 3 students. These were followed by Grade 4 in 1897 and Grades 5 & 6 in 1898. They were compulsory reading until 1928 when they became supplemental to the readers.The school paper for grades V and VI (1916). Anzac number published by the Education Department, Victoria (Australia).school paper, anzac, education

These medals are not replicas. Early medals that were issued were not engraved..1) 1939-1945 Star Medal with ribbon, original not engraved. .2) Africa Star Medal with ribbon, original not engraved. .3) War Medal 1939-1945 with ribbon, original not engraved. .4) Under Sec of State for War pamphlet describing medals. .5) Fawn cardboard box to store medals & pamphlet..4) LHS top front in ink: Ted My sincerest wishes & the best of luck and happiness Albert medals, ribbon, containers

Ushabti are tiny anthropoid (human-shaped) figures placed in the tombs of wealthy Egyptians. They were intended to do the work of the deceased in the afterlife. This purpose is implied through their name, which may have derived from the Egyptian word “to answer”. The Burke Museum in Beechworth is home to a particular ancient Egyptian Ushabti figure. This artefact was donated to the Museum in 1875. No details about how it left Egypt, arrived in Australia, and where it was located before this donation are known. The Nineteenth Century, when this artefact was donated, was a period when many museums acquired items of ancient Egyptian heritage. Many of these items were procured in less than desirable circumstances, having often been looted from ancient tombs and sold to tourists without documentation as to their original location and/or accompanying grave goods. These artefacts were also divested through partage (the trading of artefacts for funds); however, the latter is unlikely to have been the case for this artefact. Since the Ushabti was donated by an unknown donor, it is likely to have been in a private collection rather than an institution. Ushabti can be dated using iconographic analysis which is non-invasive and provides a comprehensive study of the artefact. The later period of the 18th Dynasty marked the beginning of an increase in both the inclusion of Ushabti as essential funerary items and the creation of Ushabti with tools. From this period, they are no longer depicted without tools. Depictions of tools including gardening hoes are frequently depicted grasped in the Ushabti’s hands whilst items like the seed-bag are depicted hanging on the back rather than in an alternative position. This Ushabti figure grasps a gardening hoe and a mattock and a small seed bag surrounded by a yoke bearing water jars are depicted on the upper back of the Ushabti. These features are essential in helping narrow this dating to the late 18th and before the early 20th Dynasty. The position of this seed bag also provides dating information. In the early 18th Dynasty this bag was consistently drawn on the front of the figurine; however, by the reign of Seti I, this feature moved to the back. Thus, since the seed bag is located on the back of this Ushabti, it cannot date to the early 18th Dynasty. By the 19th Dynasty, Ushabti’s were increasingly made from either faience or terracotta. The availability of these materials in Egypt resulted in the increase of Ushabti production with tombs containing many more figurines than previously seen. The Ushabti held by the Burke collections is made from terracotta. Terracotta was rarely used for Ushabti before and during the early 18th Dynasty with only the odd appearance until the late 18th Dynasty and becoming common through that period until the late Third Intermediate Period. Whilst the face has been damaged, there is no evidence for the Ushabti having been provided with an Osirian false beard. This omission rules out a dating of later than the 25th Dynasty when beards became prominent. The inscriptions also date the Ushabti to the New Kingdom. This is because of the use of sḥḏ (“to illuminate”) with Wsjr (“Osiris”) which only occurs in these periods. Therefore, considering all these elements, the Ushabti can be confidently be dated to between the late 18th to early 19th dynasty.Artefacts like this Ushabti are no longer exclusively representative of their origins in burial assemblages and significance in the mythology of the Egyptian afterlife but are also significant for the accumulated histories they have gained through travel. The movement of this artefact from Egypt to Australia allows insight into the collecting habits of the 19th century, and in particular, the reception of ancient Egyptian artefacts in small rural museums. The procurement of Egyptian artefacts was a social trend around the late 1800s to early 1900s. Egyptian artefacts were considered curiosities and recognised for their ability to attract public attention to museums. They were also utilised in Australian museums, like the Burke Museum, to connect the collection to one of the oldest civilisations known to man and since Australia was considered a “young” country by European settlers, this was vital and derived from an interest in Darwin’s “Origin of the Species” 1859. Furthermore, there was a culture of collecting in the 1800s amongst the affluent in English society which led to the appearance of many Egyptian artefacts in private collections. The acquisition of this Ushabti figure is not certain, but it was likely donated from a private collection rather than an institution. This particular artefact is significant as an example of a high-quality Ushabti representative of those produced during the late 18th or early 19th century. It provides insight into the individualism of an Ushabti and the mythology of ancient Egypt. It also provides an example of the types of items required in the tomb assemblages of this period and reinforces the importance of ensuring the successful afterlife of the deceased through art. This Ushabti belonged to a woman named Taweret-Khaiti, Chantress of Amun, in the late 18th Dynasty or early 19th Dynasty (c.1292 BC) of the Egyptian New Kingdom. It likely comes from an undetermined tomb in the locality of Thebes. This figure is made from Nile silt clay (a polyester terracotta; clay sourced from the banks of the Nile River) which was a popular material for Ushabti construction in the early 19th Dynasty. It is in a fair state of preservation (with the exception of a break through the centre) and originally made to a high quality. The face has been damaged but the eyes and eyebrows are clearly marked with black ink and the sclera painted white. The Ushabti is painted a light brown/yellow colour and features a vertical line of inscription down the lower front. The Ushabti wears a large wig and and a schematic collar. The arms are painted light brown and depicted crossed with bracelets around the wrists. It grasps a hoe and mattock. A yellow seed-basket is depicted on the Ushabti’s back. These features represent the likelihood that this particular Ushabti was intended to complete farm work for the deceased in the next life. There would have been additional Ushabti of similar design within the tomb who worked under the supervision of a foreman Ushabti. The foreman Ushabti would be depicted dressed in the clothing of the living. The inscriptions are painted freehand in black ink and written in a vertical column from the base of the collar to the foot pedestal on the front of the Ushabti. The owner of the Ushabti could elect to have the figures inscribed with their name, the Ushabti spell and any other details they deemed necessary. In the case of this example, the Ushabti is inscribed with the owner’s details and is an abbreviated version of the standard Ushabti formula. This formula ensured that the Ushabti would complete the desired task in the afterlife when called upon by the deceased. Ushabti which were not inscribed would represent their intended purpose through design; however, this Ushabti, like most made in the late 18th Dynasty, conveys its purpose both through both design and inscription. The inscription is as follows: sHD wsir nbt pr Smayt imn tA-wr(t)-xai(ti) mAa xrw which translates to: "The illuminated one, the Osiris (the deceased), the mistress of the household, Chantress of Amun, Taweret-Khaiti, true of voice (justified)"ancient egypt

The photograph was taken when the children, who were students at Bulla Primary School were engaged in performing a variety of artistic activities which included drama, dance and music.The performances were acted out at the school and parents and the wider community were invited to attend.A non-digital coloured photograph of a group of people seated in a sheltered outdoor area listening to eight children performing on a variety of musical instruments including keyboard, recorders and percussion in front of an audience. A teacher is standing to the left of the group observing them.musical activities, bulla primary school

Box Brownie cameras were first produced early in the 20th century by the Eastman Kodak company in U.S.A. They were bought by amateur photographers and were very popular because they were easy to use and affordable for the average householder. The Brownie Flash 11 camera was produced by the Australian Kodak company in Melbourne from 1958 to 1963. 500,000 of these cameras were made during that time. This camera and case are retained as they are good examples of a box Brownie camera made in Australia in the late 1950s and early 1960s..1 This is a box camera with a metal body and a synthetic leatherette covering. It has a horizontally-striped front panel and two glass finders. It also has metal pin and screw flash contacts and a built-in close-up lens. It has a leatherette strap. .2 This is a light brown leather/latex case which is rectangular-shaped with a curved top, a metal catch and a shoulder strap with a metal buckle. The case contains a small booklet with information on how to use the camera. .1 Kodak Kodet lens Brownie Flash 11 Camera Kodak Australasia Pty Ltd Melbourne Australia Close Up .2 Made for Kodak (A/asia) Pty Ltd by Frank Carew & Co, Northcote, Vic Reprocessed leather/latex vintage cameras, history of warrnambool