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Parks Victoria - Point Hicks Lightstation
Desk
... , probably by the Victorian Public Works Department (PWD) as an item... Public Works Department (PWD) as an item of standard issue ...The large cedar desk was formerly used by the head light keeper at Point Hicks. It was made in the nineteenth century, probably by the Victorian Public Works Department (PWD) as an item of standard issue for use in government offices. The PWD operated in Victoria from 1855 to 1987 and was responsible for the design of Victoria’s major public buildings and other infrastructure including the supply of stores, furniture and equipment.The desk has turned legs, leather top and two drawers each with a pair of wooden knob hand pulls and is identical to the large desk remaining at Cape Nelson. A smaller version is at Cape Schanck, and another desk formerly at Cape Schanck is not able to be located. Gabo Island has a small cedar desk or table in the same style. Two sides of the Cape Schanck desk are stamped with the crown motif and monogram of the PWD but it is not known if the Point Hicks desk and the other nineteenth century examples are stamped with these details. There are also c.mid-twentieth century desks remaining in the collections at Wilsons Promontory and Gabo Island. officeThe Point Hicks desk has first level contributory significance for its historic values as government issued furnishing that is original to lightstation’s head keeper’s. Early, large two drawer cedar desk. Each drawer has two wooden handles. Leather insert on top of desk is worn. Commonwealth of Australia, Dept of Transport stamp with stock number on side of desk.On label on side, "C. of A. / D. O. T. / 143581" -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Alan King, The Diamond Creek Bridge, 30 March 2008
... . In the absence of the Minister' of Public Works-who was unavoidably.... In the absence of the Minister' of Public Works-who was unavoidably ...Old Bridge on Main Hurstbridge road in Diamond Creek township crossing the Diamond Creek. The bridge opened in April 1898. Evelyn Observer, and South and East Bourke Record (Vic. : 1882 - 1902), Friday 22 April 1898, page 2 "Diamond Creek Bridge. The official opening of this bridge took place yesterday (Thursday) in the presence of a large gathering of people. The bridge-a substantial iron structure, costing .~r 2oo-was profusely decorated with "flags of all nations" for the occasion. In the absence of the Minister' of Public Works-who was unavoidably prevented from attending-the opening ceremony was neatly performed by President Lugton, of the Heidelberg Shire, in a few wellchosen words, after which an adjournment was made to the Literary Institute, where some sixty gentlemen were entertained at luncheon, followed by speeches, songs, and recitations. It was a red letter day for the Creek, and everything passed off with becoming eclat." Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p7This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, diamond creek, diamond creek bridge, main hurstbridge road -
Yarra City Council
Artwork, other - Installation/Sculpture, Troy Innocent, Joel Collins, Indae Hwang, Yun Tae Nam, Drop Zone, 2011
... 'Drop Zone' was one of three public art works installed...'Drop Zone' was one of three public art works installed ...'Drop Zone', is set in an imagined future where decreasing water availability has affected us more dramatically than anyone predicted. The water shortage has become so severe that we have to access water on a first-come first-serve basis, from military-like water ‘drop zones’, like this one, made from modified rain water tanks. These tanks function on three levels: Collected rain water causes the totem sculptures to rise and bloom; evaporation causes the totem sculptures to fall; and an anemometer (device that measures wind speed) drives a process that plays the tank like a giant drum, tuned by the amount of water contained within. This artwork envisions a future for Australia where the impact of decreasing water availability has had a more dramatic effect than any of the predictions. The shortage is so severe that military-like water ‘drop zones’, constructed of modified rainfall storage tanks have been established across the public parks of the City of Yarra for access on a first come, first serve basis. However, as the water is only replenished through rain catchment the tanks may only offer infrequent relief for the City of Yarra residents, standing as hollow reminders of the effects of inaction on the shaping of sustainable national water use.'Drop Zone' was one of three public art works installed in Yarra, in 2011, under the banner of The Environmental Public Arts Project which responded to key features of Council's Environment Strategy: 'Towards Local Sustainability 2008-2020.' The aims of this project included activating public spaces in new and creative ways through the creation of artworks which act as catalysts for further engagement and discussion around environmental themes and issues.Copyright the Artists. Ready-made corrugated water tanks arranged on a site. Situated within the tanks are small totemic sculptures that float on top of the water within the tank.Accompanying plaquesustainability, water, environment, climate change -
Wodonga & District Historical Society Inc
Album - Hume Reservoir Australia Album - Work proceeding inside the coffer dam, August 1927, 1927
... DEPARTMENT OF PUBLIC WORKS, N.S.W. RIVER MURRAY WATERS..., August 1927 Album DEPARTMENT OF PUBLIC WORKS, N.S.W. RIVER MURRAY ...This set of photos is from a leather bound album bearing the inscription "HUME RESERVOIR AUSTRALIA" plus 'The Rt. Hon. L. C. M. S. Amery, P. C., M .P.' all inscribed in gold. It was presented to The Rt. Hon. L. C. M. S. Amery, P. C., M. P, Secretary of State for Dominion Affairs on the occasion of his visit to the Hume Reservoir on 2nd November 1927. This album is of local and national significance as it documents the planning and development of the Hume Reservoir up to 1927. It was the largest water reservoir in the British Empire. The album records the pioneering engineering work that went into its construction.DEPARTMENT OF PUBLIC WORKS, N.S.W. RIVER MURRAY WATERS SCHEME. HUME RESERVOIR. 25. Work proceeding inside the Coffer Dam. This shows the curving downstream face of the Spillway section taking shape, the bottom edge being the line of the contraction joint between the wall and the energy dissipater which has still to be built. Note the steam navvy at the end of the bit of curved work ready to take out the foundations for the energy dissipater. The tall concrete pillar is a portion of the work at the intersection of the main and south wing walls which was built in advance of the rest of the work to accommodate the tail tower of the cableway. The Tail Tower for the first stages of the work stood on the ground. Part of it is seen erected on the pillar while part of it is still in its original position. To command the concreting of the pillar end of the south wing wall a twin hoist tower of steel construction was erected at the end of the belt conveyor. This hoist is 160 feet high. The belt conveyor will at a later stage be raised for the concreting of the upper portion of the dam and the trestles are now being built up for that purpose. A drag line excavator with a 2 cubic yard capacity bucket is at work near the tail tower on the foundations for the south wing wall. New South Wales, August 1927.hume reservoir australia, river murray waters scheme, hume reservoir construction -
Wodonga & District Historical Society Inc
Album - Hume Reservoir Australia Album - Preparing a paddock for concrete. August 1927, 1927
... DEPARTMENT OF PUBLIC WORKS, N.S.W. RIVER MURRAY WATERS... 1927 Album DEPARTMENT OF PUBLIC WORKS, N.S.W. RIVER MURRAY ...This set of photos is from a leather bound album bearing the inscription "HUME RESERVOIR AUSTRALIA" plus 'The Rt. Hon. L. C. M. S. Amery, P. C., M .P.' all inscribed in gold. It was presented to The Rt. Hon. L. C. M. S. Amery, P. C., M. P, Secretary of State for Dominion Affairs on the occasion of his visit to the Hume Reservoir on 2nd November 1927. This album is of local and national significance as it documents the planning and development of the Hume Reservoir up to 1927. It was the largest water reservoir in the British Empire. The album records the pioneering engineering work that went into its construction.DEPARTMENT OF PUBLIC WORKS, N.S.W. RIVER MURRAY WATERS SCHEME. HUME RESERVOIR. 27. Preparing a Paddock for Concrete. Great care is taken in cleaning the surface of the concrete before placing the next layer. A hose applies a jet of water with a pressure of about 150 pounds to remove laitance and all dirt, which is swept off with brooms. (Laitance is the weak, milky or powdery layer of cement dust, lime and sand fines that appear on the surface of concrete. ) The square block of concrete in the foreground is poured at the same time as the concrete surrounding it and acts as a key for the next layer. Usually large granite “plums” or displacers weighing from 2 tons to 8 tons are used for this purpose and are placed in position by the cableway, but while the cableway is out of action the other method has been adopted. In this view may also be seen some of the timber piles and sheeting which form the inner side of the coffer dam. The outer side is formed of steel sheet piling. The space between the two lines of piles is 20 feet wide and is filled with earth after the steel and timber lines have been bound together by steel tie rods. New South Wales, August 1927.hume reservoir australia, river murray waters scheme, hume reservoir construction -
Surrey Hills Historical Society Collection
Photograph, 'Warrington', 319 Mont Albert Road, Surrey Hills
... as a member of a deputation to the Minister of Public Works regarding... as a member of a deputation to the Minister of Public Works regarding ...The house has been demolished but was associated with the Jacobs family. The Jacobs family lived in Surrey Hills from c 1895-1903 (ref: electoral rolls); by 1909 they were in Gippsland at Toora where Henry Atwood Jacobs was a storekeeper. They had returned to Surrey Hills by 1924 (ref: electoral roll) and were living at 22 Suffolk Road. Family details: Capt Jacobs was appointed to the Nunawading Roads Board in 1900; in 1902 he as a member of a deputation to the Minister of Public Works regarding municipal severance. He was in favour of Surrey Hills being a separate municipality. Amy (Amelia) Jacobs was the daughter of Capt Jacobs and his first wife, Eleanor Dobson Mills, who died shortly after the birth of her daughter. Winifred Atwood Jacobs was born c 1900; Mildred Adelaide Jacobs was born 1902, both at 'Spencycroft' in Canterbury Road, Surrey Hills. Winifred married Stephen Edwin Yarnold (1903-1978), a Presbyterian & Uniting Church minister, on 26 July 1946. He had a notable career in the ministry and has an ADB biography. Black and white photo of a Victorian style home with a slate roof, 2 chimneys and a veranda across 3/4 of the front. Construction is possibly block-fronted timber or bluestone and render; not brick. The house sits behind a picket fence with a lattice screen to one side. There are mature trees, possibly eucalypts in the background.warrington, house names, fences, surrey hills, architectural features, victorian style, vegetation, verandas, capt henry atwood jacobs, mrs amy lilian jacobs, miss amy lillian scales, miss amelia allan jacobs, miss winifred atwood jacobs, mrs winifred atwood yarnold, miss mildred adelaide jacobs -
The Beechworth Burke Museum
Photograph, Unknown c.1930s
... South Wales Department of Public Works were responsible... Department of Public Works were responsible for the construction ...This image shows Bethanga Bridge, which was constructed between 1927 and 1930 in Albury, NSW. The bridge was a necessity due to the building of the Hume Dam (Wier), 1919-1936. Bethanga Bridge is a long, nine-span, riveted-steel, variable depth, Pratt Truss road bridge of nine principal spans of 82 metres and a total length of 752 metres over the flooded valley of the Murray River, now part of Hume Reservoir. Because of its unique location, over the waters of a dam with the border running down the centre of the body of water, the Bethanga bridge is the only built structure shared by both New South Wales and Victoria. It was built 1.6 kilometres upstream of the dam and in 1961 was raised 300mm, with a concrete deck replacing the original wooden deck. The State Rivers and Water Supply Commission of Victoria and the New South Wales Department of Public Works were responsible for the construction works for the Hume Weir under the River Murray Waters Agreement. It is apparent that a similar joint arrangement was made for the construction of the Bethanga Bridge as part of the Hume Weir works.This photograph of the Bethanga Bridge is of historical significance as it showcases the architectural skills of Percy Allen and Vincent Packer. Additionally, it reveals the environmental landscape of the 1920s-1930s, is linked to the Hume Dam and both New South Wales and Victorian heritage. Unmounted black and white rectangular photograph. Reverse: 1997.3196 84-20-3bethanga, bethanga bridge, hume dam, pratt truss, murray river, hume weir, transportation -
Surrey Hills Historical Society Collection
Digital photo, George L Coop, 688 Whitehorse Road, Mont Albert c 1953, c1953
... . He was Assistant Chief Architect of Victoria in the Public... in the Public Works Department (P.W.D.) George Burton Coop was born ...This was the home of 3 generations of the Coop family: 1. Josephine and George Frank Coop (noted in Box Hill Rate Books for 1947-1954). 2. George Burton Coop (1906-1960) and his family. He was Assistant Chief Architect of Victoria in the Public Works Department (P.W.D.) George Burton Coop was born in c1906 in Williamstown, the son of Josephine Vistarini and George Frank Coop. He married Winifred Alice Trewartha in 1936 and they are listed in the electoral rolls at 688 Whitehorse Road in 1937. George died 3/4/1960, aged 54 years at Mont Albert. 3. George Burton and Alice Coop had 2 children: George Lister Coop - born St Georges Hospital, 8/10/1937 Alison - born c1945. The donor George Lister Coop informed that he initially attended Chatham State School because his first home was the Spanish Mission style flats at 346 Whitehorse Road, opposite Brenbeal Street, Balwyn. When his grandparents died, the family moved to 688 Whitehorse Road and he then attended Mont Albert Central School. The California bungalow style of housing was the dominant style of housing built in the interwar period through the northern parts of Surrey Hills and Mont Albert as formerly semi-rural land was subdivided for new housing. It was relatively inexpensive and affordable. In Australia the Californian bungalow drew upon elements that were popular across the United States from around 1910 to 1939. In Australia the style became popular from 1913. In Melbourne both timber and red brick were used as the main building material. Typically they are one or one and a half story houses and feature sloping roofs and eaves with unenclosed rafters and often a feature a dormer window (or an attic vent designed to look like one) over the main portion of the house. Decorative elements include wood shingles, part stucco rendered exteriors, brick, stone, rendered or a combination of these treatments to exterior chimneys and front porches supported by heavy timber, brick or stucco columns.A black & white photo taken at an angle of a Californian bungalow.californian bungalow, whitehorse road, george frank coop, (miss) josephine vistarini, (mrs) josephine coop, george burton coop, (miss) winifred trewartha, (mrs) winifred coop, george lister coop, alison coop -
Surrey Hills Historical Society Collection
Digital photo, George L Coop, 688 Whitehorse Rd. Mont Albert c1950, c1950
... . He was Assistant Chief Architect of Victoria in the Public... Chief Architect of Victoria in the Public Works Department ...This was the home of 3 generations of the Coop family: 1. Josephine and George Frank Coop (noted in Box Hill Rate Books for 1947-1954). 2. George Burton Coop (1906-1960) and his family. He was Assistant Chief Architect of Victoria in the Public Works Department (P.W.D.) George Burton Coop was born in c1906 in Williamstown, the son of Josephine Vistarini and George Frank Coop. He married Winifred Alice Trewartha in 1936 and they are listed in the electoral rolls at 688 Whitehorse Road in 1937. George died 3/4/1960, aged 54 years at Mont Albert. 3. George Burton and Alice Coop had 2 children: George Lister Coop - born St Georges Hospital, 8/10/1937 Alison - born c1945. The donor George Lister Coop informed that he initially attended Chatham State School because his first home was the Spanish Mission style flats at 346 Whitehorse Road, opposite Brenbeal Street, Balwyn. When his grandparents died, the family moved to 688 Whitehorse Road and he then attended Mont Albert Central School. The California bungalow style of housing was the dominant style of housing built in the interwar period through the northern parts of Surrey Hills and Mont Albert as formerly semi-rural land was subdivided for new housing. It was relatively inexpensive and affordable. In Australia the Californian bungalow drew upon elements that were popular across the United States from around 1910 to 1939. In Australia the style became popular from 1913. In Melbourne both timber and red brick were used as the main building material. Typically they are one or one and a half story houses and feature sloping roofs and eaves with unenclosed rafters and often a feature a dormer window (or an attic vent designed to look like one) over the main portion of the house. Decorative elements include wood shingles, part stucco rendered exteriors, brick, stone, rendered or a combination of these treatments to exterior chimneys and front porches supported by heavy timber, brick or stucco columns.A sepia photo taken at an angle from the street corner of the property. It is of a Californian bungalow with a driveway that extends through a carport, attached and roofed as part of the house, to the rear of the property. The veranda is accessed from under this covered area. The veranda and carport are supported by brick pillars and the veranda balustrades between are plain with an occasional wider feature panel. The front door is in shadow. There are rolled up striped canvas blinds on the veranda and at least 2 cane chairs. The main structure of the house is weatherboard with a terracotta tiled roof. There is a flower bed across the front of the house with an elevated brick flower box under the main window. There are no chimneys visible.californian bungalow, whitehorse road, george frank coop, (miss) josephine vistarini, (mrs) josephine coop, george burton coop, (miss) winifred trewartha, (mrs) winifred coop, george lister coop, alison coop -
Parks Victoria - Cape Nelson Lightstation
Furniture - Sideboard
... and made in its workshops. The Public Works Department, which... workshops. The Public Works Department, which operated in Victoria ...The cedar sideboard has two cupboard doors below two corresponding drawers. The style is in keeping with the completion date of the lightstation in 1884, when furniture in the late nineteenth century had squarer, more defined lines and angles, and ornamental features. This sideboard is a modest version of this trend combining a pediment‐shaped back board with turned side columns and finials, rectangular mirror, decorative drawer pulls and door handle, as well as cupboards and drawers with bevelled, raised panels. The initials ‘PWD’along with a crown motif and letters are inscribed on the side indicating that the furnishing was the property of the government and made in its workshops. The Public Works Department, which operated in Victoria from 1855 to 1987, was responsible for the design of Victoria’s major public buildings and provision of furnishings to its offices as well as residences where the need was required.301 The keepers’ quarters at Cape Otway Lightstation were supplied with two of the same sideboards, which remain there today; on is intact (COLS 0001), the other missing the backboard (COLS 0015). Two similar but plainer examples, which are probably earlier in date, also remain at Cape Schanck (CSLS 0007.3; CSLS 0009.3). The Cape Nelson sideboard has first level contributory significance as a fine example of the good quality domestic furnishings made by the Victorian Government and provided to lighthouse keepers and their families in the late nineteenth century. It is also significant for its provenance to the lightstationThe cedar sideboard has two cupboard doors below two corresponding drawers with pediments‐shaped back board with turned side columns and finials, a rectangular mirror, decorative drawer pulls and door handle, as well as cupboards and drawers with bevelled, raised panels. -
Warrnambool and District Historical Society Inc.
Certificate - Federation Celebration Rolfe invitation, 1901
... of Public Works. He also designed many of the public decorations... of Public Works. He also designed many of the public decorations ...This invitation to a ‘Conversazione’ to celebrate the Federation of the six colonies in Australia into the six States of Australia in 1901 was sent to the invitees after the event to keep as a souvenir of the occasion. The event was hosted by the Government of Victoria. The certificate was designed by George Brougham Austin, a Melbourne architect and artist employed by the Victorian Department of Public Works. He also designed many of the public decorations displayed in Melbourne during the Federation celebrations. Austin’s original work was lithographed by an artist at Sands and McDougall, Melbourne. This particular invitation was sent to George Rolfe and his wife, Annie. George Rolfe (1836-1919), a tea merchant from Melbourne, began buying blocks of land near the mouth of the Hopkins River in Warrnambool in the 1870s. By the early 1880s he owned 50 acres of land in the town and some nearby farming properties. He used the building on the ]and near the mouth of the Hopkins River as holiday accommodation and called the property, Lyndoch. He improved the property with the additions of stables, jetty, boathouse, bone and chaff sheds, reservoir and windmill and extensive gardens. Rolfe spent most of his later life at Lyndoch. Today the property is the site of an Aged Care facility. This certificate is of considerable importance for two reasons: 1. It is an important and attractive memento of a signal event in the history of Australia – the Federation of the States in 1901. 2. The certificate was an invitation to Mr and Mrs George Rolfe. George Rolfe was a prominent Warrnambool person in the late 19th and early 20th centuries. This is a multi-coloured certificate printed on a cream-coloured card. The certificate has an image of the Exhibition Building surrounded by an ornate border of heraldic shields, portraits of the Duke and Duchess of Cornwall and York, views of the six capital cities of Australia, native flora and fauna, the Royal Crest and the Crest of Australia. The names of the invitees are handwritten in black ink. ‘United Australia 1901 One Flag One Hope One Destiny Australian Commonwealth Celebrations’ ‘The Government of Victoria requests the honor of the presence of Mr & Mrs G. Rolfe at a Conversazione in the Exhibition Building on the Evening of Tuesday 7th May 1901 at 8 p.m.’ george rolfe of lyndoch, warrnambool, federation of australia, history of warrnambool, george rolfe -
Melton City Libraries
Newspaper, Get the good oil here…, 2001
... of the present building were called for by the Public Works Department... of the present building were called for by the Public Works Department ..."A court was established in Melton by 1864, when the first recorded case was heard before Mr BA Porter JP, with Mr A Carroll as the Clerk of Courts. John James was convicted of being drunk, for which he was fined five shillings or 24 hours imprisonment. The court was held in the ‘long room’ of the old Melton Hotel, before moving to rented accommodation at the Raglan Hotel, and finally to the Roads Board office. Tenders for construction of the present building were called for by the Public Works Department on 13th February 1892. The architect Samuel Edward Brindley was born in Birmingham, England, in 1842. He was articled to the local architect, J.R. Botham, FRIBA, before emigrating to Victoria where he was employed as an architect in the Education Department from 18 August 1873. With the amalgamation of the architectural branch of the Education Department with the Public Works Department in 1884, Bindley was placed in charge of Victorian government building design for the North-Western District. In 1975, the Melton and District Historical Society became concerned at hearsay that the court house was to be demolished to make way for carparking space. Melton had been declared a ‘satellite city’ and was developing rapidly. A new shopping centre had recently been built at a setback of 60 feet (c.18 metre) from 323-329 High Street, and the court house, together with the adjacent weatherboard police station, had been left standing alone. A new police station was planned, and the weatherboard police station was subsequently demolished. In its nomination of the building for National Trust classification the Society argued that the Court House was ‘the best of two early buildings left in the main street’ (the other being a bluestone hotel) and that its loss would be ‘tragic’. However the nomination was unsuccessful, the National Trust at the time judging that it was of no particular ‘distinction’ or ‘antiquity’. The building continued to be used as a court house at least until 1991 when the Department of Housing and Construction (formerly the PWD) conducted a heritage study of court houses. By this time Federation-era architecture had achieved acceptance within the heritage movement. The building was recognised as being ‘the only surviving example in brick of the Federation Queen Anne style which was used for court houses only twice.’ Twenty years later when it was proposed to modify the eastern façade of the building to accommodate a café, the M&DHS was again concerned. This time the National Trust objected that the proposed extension would be an over-development of the site, and questioned the changes to the interior court room furnishings and fittings. The site never appears to have been nominated to the Victorian Heritage Register. It has since been converted into the Shire of Melton Tourist Information Centre". Opening of the Visitor Centre in Meltoncouncil, local architecture -
Bendigo Historical Society Inc.
Document - LETTER DESCRIBING BENDIGO'S GRANDEST BUILDINGS
... they originated in the Public Works Department, the architect for both... work, but in fact they originated in the Public Works ...Bendigo's Grandest Buildings are the Public Offices (1883-7) and the Law Courts (1892-6). Like the Town Hall they were described as Italian Renaissance in Design, but have high mansard roofs which give them a distinctly French air. They are so pompously Bendigonian that they stand well with Vahland's work, but in fact they originated in the Public Works Department, the architect for both being W.G. Watson. The building containing the Public Offices and Post Office has a frontage of 155 feet to Pall Mall and 100 feet to Williamson Street, and it was designed to include the post and telegraph offices and the postmaster's quarters. Public access was from the porch facing Pall Mall, and on the first floor were the police, water supply and crown lands departments, reached by a stair from the porch on the short façade. It was the largest building of its type outside of Melbourne, and was built in the grandest fashion of ornately stuccoed brick on a foundation of Harcourt granite, faced above ground level with bluestone. The floors of the porches and landings of the main stair are of encaustic tiles, the interior woodwork is of French polished cedar, and the major public rooms have coffered and enriched ceilings and cornices, and ornamentally panelled walls divided by pilasters. The building is surmounted by a tower rising to 130 feet, containing a great clock made by Thomas Gaunt of Melbourne, the chimes played on five bells weighing a total of three tons.bendigo, buildings, state offices -
Federation University Art Collection
Sculpture - Sculpture - welded Metal, 'Organic Form' by Inge King, c1967
... several large scale public works. Between 1861 and 1875 Inge... several large scale public works. Between 1861 and 1875 Inge ...Inge KING (26 November 1915 – 23 April 2016) Born Berlin, Germany Arrived Australia 1951 Inge King trained as a wood carver and studied at the Berlin Academy (1937-1939), Royal Academy London (1940), and the Glascow School of Art (1941-1843) . She moved to London in 1847 and began carving organic abstract forms in wood and stone. In 1949-50 she went on a study tour to the United States of America where she was inspired to work in metal . Inge King arrived in Australia in 1951 and she completed several large scale public works. Between 1861 and 1875 Inge King lectured at the Institute of Early Childhood Development, Kew. From 1976 to 1987 she lectured in Sculpture at Royal Melbourne Institute of Technology. She was a founding member of the Ceminal Centre Five group, and she actively lobbied architects, governments and State galleries to include modernist sculptures in their plans and displays. In 1991 Inge King joined the first National Trust of Australia (Victoria) Public Art Committee, advising on public art at risk and worthy of Trust classification. The Australian Women's Art Register describes Inge King as having been at the forefront of developing a non figurative vocabulary in Australian Sculpture. Welded bronzed steel sculpture painted black and red. This sculpture by Inge King was purchased in 1967 with funds raised by staff and students of Ballarat Teachers' College, a predecessor institution of Federation University Australia. During this era a collection was made which resulted in an annual purchase or commission of an artwork of note. The Federation University Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. Signed 'I. King' on the lower steel plate. art, artwork, inge king, king, sculpture, ballarat teachers' college collection, welded metal, metal sculpture -
Federation University Historical Collection
Booklet, Report on the Viability of Establishing a Post Secondary Education Facility Located at the Aradale Traininf Centre, Ararat, Victoria, 1993, 12/1993
... in the Victorian Italianate style by John James Clark of the Public Works... Clark of the Public Works Department, Victoria. A three storey ...Aradale is located 3 km from the centre of Ararat and covers approximately 101 hectares. It consistes of an impresive group of mainly heritage buildings of national significance surrounded by open farmland. Aradale was designed in 1864 in the Victorian Italianate style by John James Clark of the Public Works Department, Victoria. A three storey nurses quarters was built in the 1930s and the Forensic Psychaitry Centre was established in the 1980s. The design of asylums as a specific building type orginated in England in the mddle of the 19th century when it was decided that 'pauper lunatics' would be better cared for in a separate institution rather than being house within the workhouses. Some of the early purpose built asylums were based on the radiating principle of prisons but the arrangement of separat wings at right angles used in hospitals and whorkhouse design soon came to be seen as the most appropriate. The largest 19th century asylum in England was built at Colney Hatch. Kew, Beechworth and Ararat Asylums closely followed the Colney Hatch model. In victoria the population rose due to the gold rushes resulting in severe housing shortages, and additional pressure on asylums. The first asylum in Melbourne was established at Y arra Bend. In 1862 a new asylum was established at Kew. Ararat Asylum and Beechworth Asylum were designed in 1864. Ararat was opened on 19 October 1867, with Beechworth Asylum opening five days later. Soft covered bookletararat regional development board inc., aradale training centre, aradale, grano street ararat, alfred st ararat, ivar nelson, john christie, jon duggan, wes matthews, peter helfer, michael burke, john grant, asylum, lunatic asylum, colney hatch asylum, ararat asylum, fever tents, sunbury asylum, kew asylum, beechworth asylum, wine industry training -
Surrey Hills Historical Society Collection
Digital photo, George L Coop, Winifred Alice Coop and her daughter Alison, c1950
... of Victoria in the Public Works Department (P.W.D.) George Burton Coop... Architect of Victoria in the Public Works Department (P.W.D.) George ...The photo was taken at 688 Whitehorse Road, Mont Albert. It is of Winifred Alice Coop (nee Trewartha), known as Alice, and her daughter Alison, b1945. This was the home of 3 generations of the Coop family: 1. Josephine and George Frank Coop (noted in Box Hill Rate Books for 1947-1954). 2. George Burton Coop (1906-1960) and his family. He was Assistant Chief Architect of Victoria in the Public Works Department (P.W.D.) George Burton Coop was born in c1906 in Williamstown, the son of Josephine Vistarini and George Frank Coop. He married Winifred Alice Trewartha in 1936 and they are listed in the electoral rolls at 688 Whitehorse Road in 1937. George died 3/4/1960, aged 54 years at Mont Albert; Alice died in 1980. 3. George Burton and Alice Coop had 2 children: George Lister Coop - born St Georges Hospital, 8/10/1937 Alison - born c1945. The donor George Lister Coop informed that he initially attended Chatham State School because his first home was the Spanish Mission style flats at 346 Whitehorse Road, opposite Brenbeal Street, Balwyn. When his grandparents died, the family moved to 688 Whitehorse Road and he then attended Mont Albert Central School. Alison being younger did not go to Chatham Primary. A black & white photo of a woman seated in a cane chair with her daughter standing adjacent to her and standing on a small child's chair. The woman's sun hat is lying beside her on the grass. Both faces are partly shaded by an adjacent bush.alison coop, (mrs) winifred alice coop, whitehorse road, surrey hills, children, clothing and dress, george lister coop -
Kew Historical Society Inc
Postcard, Victoria Street Bridge, Collingwood, 1905-1913
... for economy in public works design and the application of scientific... for economy in public works design and the application of scientific ...Victoria Bridge is a riveted and welded steel Warren truss bridge over the Yarra River completed in 1884 to a design by Fraser & Chase following a controversial design competition held in 1880. Funds for the bridge's construction were provided by the councils of Collingwood, Hawthorn, Kew and Richmond. The contract was awarded to Mr P. Platt. Charles Rowand was officially appointed Supervising Engineer in 1883. The winning design was based on the theoretical work of William Charles Kernot (1845-1909) who campaigned for economy in public works design and the application of scientific principles in engineering. ... The bridge was widened in 1890 by the addition of a third line of truss on new piers on the up stream side to carry horse trams. Work commenced in 1914 to convert the horse tramway to an electric tramway by the Prahran & Malvern Tramways Trust, part of the Trust's extension of its tramway into the eastern suburbs between 1913-18. In 1915 the bridge was further strengthened to accommodate the extra weight of electric trams and widened by the addition of two six feet cantilever footpaths. During this period the Prahran & Malvern Tramways Trust erected two ornamental gantries over the roadway to support overhead wires for the electric tramway. Further widening and reconditioning of the bridge took place in 1933, including the addition of four new welded trusses, two intermediate and two on the outside. The latter were supported on new cantilevered truss cross beams attached to the top of the piers. (Source: Heritage Victoria)Early and rare postcard of the Victoria Street Bridge linking Victoria Street and Barkers Road.Polychrome postcard of the Victoria Street Bridge which links Richmond and Abbotsford with Kew and Hawthorn.View from Harrison Cres embankment / former Xavier College boatshed on site of tree in foreground. / Chimney left corner - Wool Scoring Mils in Victoria St. / On horizon - Studley Villa, Studley House circa 1880s, Studley Hall / Chinese gardens to be seen behind three set of columns / M.J. Slatterypostcards -- yarra river, postcards -- bridges. -- greater melbourne (vic.), victoria street bridge -
Eltham District Historical Society Inc
Photograph, Doug Orford, Eltham Courthouse, 730 Main Road, Eltham, 1985
... at Eltham in 1859-60 (which was designed by the Public Works... at Eltham in 1859-60 (which was designed by the Public Works ...This building is a fine example of a very early small brick country court house which retains its furnishings and has important associations with the early history of the Eltham township. It was used for Eltham Road Board meetings in the 1860s and later to provide additional school accommodation. It is the oldest public building remaining in Eltham and forms an important group in historic and streetscape terms with the adjoining former police residence. The survival of the furnishings (of unknown origins) is of particular significance given the building's age. This building, and the former police residence beside it, were constructed as a result of a petition by five Eltham residents in 1857. The nearest police were at Heidelberg eight miles away or at the Caledonia Diggings 21 miles away. After the construction of the Court of Petty Sessions at Eltham in 1859-60 (which was designed by the Public Works Department and built by a Mr Duncan for a cost of 536 pounds), it was used for a variety of purposes. Eltham Road Board meetings were held there until 1868 when the board was transferred to Kangaroo Ground and as the Road Board Secretary's office, until this was transferred to Wingrove Cottage in 1867. It was used as an overflow for the Dalton Street School in 1875. According to National Trust records, the Eltham Court House is a relatively rare building type. There are only six other known examples of similar small brick country court houses in the state which have small projecting entry porches and a gabled form. Roll of 35mm colour negative film, 7 stripsFuji 100Neltham, eltham courthouse, main road -
Parks Victoria - Mount Buffalo Chalet
Plans x 4, " Additions to Government Chalet Mt Buffalo
... into alpine tourism and recreation. Designed by Public works.... Designed by Public works Department architect, George Austin (1860 ...Original plans for the Mount Buffalo Chalet, framed architectural drawings for the Chalet, titled " Additions to Government Chalet Mt Buffalo. Dated 1909. Signed Jas G Spence & E F Leary. "Ground Plan, first floor plan, elevation, Section M5 and side elevation –beautiful coloured plan, hand price onit of £970, also called Drawing No. 1.Beautiful plan suitable for reproduction for graphic work." (Pg 45. Heritage Impact Assessment, September 2013. MGS Architects and McDougall & Vines, Conservation and Heritage Consultants) 'The Mount Buffalo Chalet opened in April 1910 as a remarkable Victorian State government venture into alpine tourism and recreation. Designed by Public works Department architect, George Austin (1860-1921)." (Pg 4 Historica, 2011). "The collection of ephemera builds on the Chalet's holding of archival material with a range of interesting, original items. Dinner menus., stationery., luggage labels, tickets, dockets and plans help to interpret the structured routine and social conventions of the Chalet that held sway for so many years." (pg 127 MBCC) These plans drawn were most likely to have been drawn upon recommendation by Government Tourist Officer, J.C.Boyce. John Newton (the Lessee) suggests the addition of 2 new wings (24 rooms) and creation of a billiards room. Treasury approved money for these extensions which were not completed until1914. Listed in Draft Inventory of Significant Collection Items. Four framed hand-drawn and coloured drawings / plans of the Chalet. Framed and mounted behind glass. 1: Dated 1911 -1912. 2: -dated 6th oct 1909 3: -Dated 25th Sept 1909. 4: -Dated 6th Oct 1909.Handwritten at the top of each drawing," Mount Buffalo / Wood Chalet" -
Federation University Historical Collection
Document - Reference, Correspondence between Herbert H. Smith and E.J. Tippett, 1911
... by me was adopted and carried out by Col Watson of the Public... and carried out by Col Watson of the Public Works Dept. My approach ...H. H. Herbert was the Principal of the Ballarat Technical Art School.Handwritten correspondenceDear Mr Tippett Re Your Suggestions that I supply you with a record of the history of the Art School. To be placed on record which I think is very desirable & as I am the ony living man that can do so, I will be very please to do so now, before I get into my dotage. I was one of the first students - when it was established by the Art-Gallery & was for 7 years the first and only assistant master - under Mr Carew-Smyth leaving for 5 years to take charge of the Sale Techl Art School for 5 years to take charge of Art School Ballarat, until my retirement in 1940. I think the history of the School will be a valuable & interesting record. I was responsible for getting the present building & the plan initiated by me was adopted and carried out by Col Watson of the Public Works Dept. My approach through the Ladies Art Assn to Sir Alexander Peacock resulted in him placing 80,000 on the estimates for the building of same. ...kalgoorlie school of mines reference, kalgoorlie school of mines, a.f. heseltine, f.b. allen, herbert h. smith, h. h. smith, ballarat technical art school -
Surrey Hills Historical Society Collection
Digital photo, George Lister Coop with his sister Alison, c1950
... Chief Architect of Victoria in the Public Works Department... of Victoria in the Public Works Department (P.W.D.) George Burton Coop ...The photo was taken at 688 Whitehorse Road, Mont Albert. It is of George Lister Coop (b1937) and his sister Alison (b1945). This was the home of 3 generations of the Coop family: 1. Josephine and George Frank Coop (noted in Box Hill Rate Books for 1947-1954). 2. George Burton Coop (1906-1960) and his family. He was Assistant Chief Architect of Victoria in the Public Works Department (P.W.D.) George Burton Coop was born in c1906 in Williamstown, the son of Josephine Vistarini and George Frank Coop. He married Winifred Alice Trewartha in 1936 and they are listed in the electoral rolls at 688 Whitehorse Road in 1937. George died 3/4/1960, aged 54 years at Mont Albert; Alice died in 1980. 3. George Burton and Alice Coop had 2 children: The donor George Lister Coop informed that the wooden shed was a cubby house built upon a degraded tennis court. He recalled that in his youth there were many private tennis courts in the area made possible by the generous size of the blocks of land. George initially attended Chatham State School because his first home was the Spanish Mission style flats at 346 Whitehorse Road, opposite Brenbeal Street, Balwyn. When his grandparents died, the family moved to 688 Whitehorse Road and he then attended Mont Albert Central School. Alison being younger did not go to Chatham Primary. A black & white photo of a teen-aged boy with a young girl on a bicycle in front of a timber shed on a degraded paved area. In the background is a paling fence with a strip of un-mown grass. Beyond the fence the outbuildings of the adjacent property can be seen. george lister coop, alison coop, bicycles, whitehorse road, surrey hills, children -
Parks Victoria - Mount Buffalo Chalet
Billiard table
... at the Oriental Hotel so that if the Public Works Department is going... that if the Public Works Department is going to provide the table ...The Billiard Room and South wing were completed in 1914, built by recommendation of the Lesee John Newton and the Government Tourist Officer and Supervising officer of the Government Chalet, James Boyce... "Boyce was present at the Chalet on 14 March to witness the completion of the new wing's foundations ...when he returned in June he found the wing approaching completion and that '... the billiard table was expected to reach the Chalet during the week'. The table possibly came second-hand from the Oriental Hotel, Bright. When visiting in March, Boyce had heard from a Mr Tewksbury 'that he is disposing of those at the Oriental Hotel so that if the Public Works Department is going to provide the table for the Chalet it might be possible to pick one up cheap from the Hotel'. It's reasonable that the Chalet did acquire one of the second-hand tables in 1914 and, and changed over to a new model in the 1930s. Three billiard tables remain in the Chalet Billiard Room today; one full sized table and two smaller tables, one perhaps a pool table. The full-sized table was made by the well-known billiard table manufacturers Alcock, Thomson & Taylor, who adopted this name when they merged their billiard businesses in January 1930. Henry Upton Alcock had initially established the business in Fitzroy in the mid-1850's and the table at the Chalet resembles the 'Squatter's Favourite' model that Alcock first produced in the nineteenth century from Australian timbers. this style of table was installed in Melbourne's Parliament buildings, several prestigious clubs as well as hotels and houses."(Pg 13-14. Historica)Listed in Appendix A.1 Furnishings. - Billiard Room. Draft Inventory of significant Collection Items. (Pg 162 Historica, 2011)1. Full size billiard table made of dark wood with eight turned legs. Green blaize covered table surface. 2.Wooden triangle to enclose balls. 3.balls(16) .4 Wooden backed bristle brush with VR stamp. 5. Billiard scorer with Alcock & Taylor, Pty, Ltd. 6. framed billiard rules. 7. Pool balls & cue rest. .8Plus 1x revised rules of pool framed behind glass.(stored in area 23) 1 x original cue rest.Alcock, Thomson & Taylor. -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Newsletter CMHS April 2014 pdf, April 2014
... of settlers. Thomas obtained employment with Public Works and lived.... Thomas obtained employment with Public Works and lived ...The City of Moorabbin Historical Society was formed c 1960 by a group of Moorabbin area residents who were concerned that the history of the area should be preserved. A good response to a call for items related to the historical area of Moorabbin Shire brought donations of a wide variety of artefacts that are now preserved by the current members of CMHS at Box Cottage Museum. Helen Stanley, Secretary of CMHS, began producing a Newsletter for members in April 2007 to provide current information and well researched items of historical interest. Jim Dale continued to produce the Newsletter in 2013 after Helen resigned. 3 x A4 paper pages printed on one side with colour photographs, Jim Dale, President, welcomes members to the April 27th Meeting at Box Cottage. There were many visitors on the February Open Day including Jeff Marriot. In March some guests from a Wedding at the Rotunda in Joyce Park visited. Chris and Judy Hawker, relatives of early aviator Harry Hawker were presented to Her Excellency, the Governor General of Australia, Quentin Bryce during the Centenary of Military Aviation Air Show, held at Point Cook on March1st & 2nd. Jim representing CMHS attended this memorable occasion. Jim also attended Moorabbin Primary School March 3rd where he told the pupils about Harry Hawker. March 22nd Jim, Valma and Anne attended the Moorabbin Primary School Fete handing out leaflets and talking about Box Cottage Museum. City of Glen Eira is conducting a project for WW1 Centenary involving significant Street names in the area eg Monash, Chauvel, Birdwood etc. Jim has compiled a story about Thomas Calcutt 1809 - 45, a shepherd who emigrated from Oxford, England to Brighton Victoria 1842. He was part of the Henry Dendy 's assignment of settlers. Thomas obtained employment with Public Works and lived in Brighton with his family. Sadly he died during the 6km walk home from his work in St Kilda to Brighton 1845. After a 2 day search his body was found. He was the first immigrant to die in this area and subject to an Inquest.City of Moorabbin Historical Society Newsletter APRIL 2014city of moorabbin historical society, stanley helen, dale jim, melbourne, moorabbin, brighton, cheltenham, ormond, bentleigh, market gardeners, pioneers, early settlers, east bentleigh, city of kingston, marriott jeff, hawker harry, aviators, moorabbin primary school, peulich paul, point cook airforce base, bryce dame quentin, hawker judy, hawker christopher, city of glen eira, world war 1 1914-18, monash sir john, calcutt thomas, calcutt eleanor, calcutt george, calcutt rosanna, calcutt henry, dendy henry, henry dendy's special survey 1841, wilmot w b md jp, st andrew's church of england brighton victoria -
Federation University Historical Collection
Photograph - Art class photograph, Drawing from the Antique, 1920, c1920
... by the Public Works Department from plans drawn by the then Art School... pounds and was constructed by the Public Works Department from ...The large plaster Illisos depicted in the back of this image is still held by Federation University Australia. The Ballarat Technical Art School (No. 10) was part of the Ballarat School of Mines and was established in 1907. After conducting classes in various locations around Ballarat a custom built art school was erected on the site of the former Ballarat Circuit Court House, previously used as the initial building of the Ballarat School of Mines. Examples of drawings undertaken by students, as well as some plaster castes are held in the University of Ballarat Historical Collection. The Ballarat Technical art School is the oldest continuous Tertiary Art School in Australia. Sir Alexander Peacock opened the new Ballarat Technical Art School building in July 1915. It cost 10,000 pounds and was constructed by the Public Works Department from plans drawn by the then Art School Principal, Herbert H. Smith. The building contractors were Messrs Gower and Eddards. According to the SMB Annual Report of 1914 'the internal upholstering and fittings have all been carried out in Australian timbers, with Queensland maple largely used throughout.' The building could be described as federation-art deco in style. It features sandstone insertion with sandstone string coursing. The base of the building is rusticated sandstone. The building is functional in design with large metal windows in the south wall to ensure good light into the studios. The northern wall has standard double hung windows. The interior of the building features a carved wooden staircase and cast iron ceiling vents. The rear drawing studios could be made into one large studio by opening panelled timber doors. This opening features classical plaster pilasters with a pediment above. (http://guerin.ballarat.edu.au/curator/buildings/technical_art_school.shtml) Black and white mounted photograph showing eleven students of the Ballarat School of Mines Technical Art School drawing from plaster models of human bodies in various poses and of various scales. The students are in a room of the Ballarat Technical Art School which was custom built for teaching art. The image was reproduced in the 1920 Ballarat School of Mines Students' Magazine. drawing, ballarat school of mines, ballarat technical art school, art studio, plaster caste, gribble building, illisos, hercules, drawing from the antique, visual arts -
Federation University Historical Collection
Book, Ballarat Conservation Guidelines, 1981
... Wendouree, Public Open Spaces, Street Works, Fences and Landscaping..., Public Open Spaces, Street Works, Fences and Landscaping ...The Guidelines were commissioned by the City of Ballarat , Historical Buildings Preservation Council and the Australian Heritage Commission.Cream soft coloured book of 60 pages. Contents include - Contributary Commercial Buildings, New COmmercial Buildings, Contributary residential Buildings, New Residential Development, Public and In stitutiona Buildings, Railways, Cemeteries, Botanic Gardens, Lake Wendouree, Public Open Spaces, Street Works, Fences and Landscaping, Advertising Guidelines, Lydiard/Camp Street Precinct Case Studyballarat, conservation guidelines, lydiard/camp street precinct case study, railway, botanic gardens, guttes, footpaths, signs, signage, fences, robin nuttall, gerald jenzen, ray tonkin, conservation study, architectural styles, verandahs, shopfronts, cast iron, wndy jacobs, miles lewis, gary vines, heritage planning, heritage guidelines -
Federation University Historical Collection
Photograph, Clare Gervasoni, Ballarat School of Mines Technical Art School, c2008
... 1915. It cost 10,000 pounds and was constructed by the Public... 1915. It cost 10,000 pounds and was constructed by the Public ...The former Ballarat Circuit Court Building, later the first building of the Ballarat School of Mines, was demolished to make way for a new custom built Art School building. Sir Alexander Peacock opened the Ballarat Technical Art School in July 1915. It cost 10,000 pounds and was constructed by the Public Works Department from plans drawn by the then Art School Principal, Herbert H. Smith. The building contractors were Messrs Gower and Eddards. According to the SMB Annual Report of 1914 'the internal upholstering and fittings have all been carried out in Australian timbers, with Queensland maple largely used throughout.' Before this building was constructed art and craft classes were held in various buildings around Ballarat. The building could be described as federation-art deco in style. It features sandstone insertion with sandstone string coursing. The base of the building is rusticated sandstone. The relief stone panel on the front with the words "Technical Art School" features stone pilaster brackets and corbels. In the centre front can be seen rectangular sandstone pediment with decorative stonework incorporating the date of construction. The windows in the lower floor feature five supporting keystones whereas the upper windows have sandstone lintels. The building also features decorative cast iron downpipes. The entrance on the northern side has attractive leadlight glazing in an art deco style. Above the door a miner's lamp and pick are featured in the design. The building is functional in design with large metal windows in the south wall to ensure good light into the studios. The northern wall has standard double hung windows. The interior of the building features a carved wooden staircase and cast iron ceiling vents. The rear drawing studios can be made into one large studio by opening panelled timber doors. This opening features classical plaster pilasters with a pediment above.Colour photographs of a double storey, red brick building built - the Ballarat Technical Art School, a division of the Ballarat School of Minesballarat school of mines, ballarat technical art school, architecture, art, gribble building -
Parks Victoria - Point Hicks Lightstation
Cabinet
... out and provided with furnishings and fixtures. The Public... with furnishings and fixtures. The Public Works Department provided a range ...The two-door nineteenth century cabinet was purpose built with a curved back to fit the proportions of the lantern room interior and is likely to date from 1888-89 when the new lighthouse was fitted out and provided with furnishings and fixtures. The Public Works Department provided a range of lightstation furnishings including office desks and cabinets, and domestic settings for keepers’ quarters, with nineteenth century items often stamped with a crown motif and the PWD monogram. The curved cabinets installed in lantern rooms however do not appear to display this small feature. The cabinet needed to be custom made to fit the proportions of the room, and for this reason it was possibly made on site or perhaps even supplied by Chance Bros as part of the entire lantern room installation. The company usually provided timber panelling for their lantern room interiors (since removed from Point Hicks), and a cabinet may have been included in the assemblage. It may not have originally been painted; today doors area grey/silver colour and the rest of the cabinet is emerald green. It is not known whether it is freestanding or fixed to the wall. A similar cabinet with panelled doors remains in the Gabo Island lighthouse and evidence of green paint on the wood indicates that the cabinet frame was also formerly painted green but later stripped to reveal the wood finish. The Cape Nelson lantern room has a curved cabinet with the same door type but has a drawer above each door. It too was formerly painted emerald green before it was stripped back to its present wood finish. Cape Schanck’s lantern room cabinet is unique for its curved front as well as curved back, and it stands on a skirting. The two doors are in the same style, although they open with a brass knob. Further research into these distinctive cabinets may resolve the interesting question of their construction. The Point Hicks cabinet is a unique, original feature of the lighthouse lantern room and has first level contributory significance for its historic values and provenance. The Point Hicks cabinet has two doors, each framed and beaded around a central panel, and there is a simple door knob. The back is curved and the front is straight and the doors are painted a grey/silver colour and the rest of the cabinet is emerald green. -
Federation University Historical Collection
Artwork, other - Artwork, Artwork from the Ballarat School of Mines Students' Magazine, 1934
... by the Public Works Department from plans drawn by the then Art School... 1915. It cost 10,000 pounds and was constructed by the Public ...Sir Alexander Peacock opened the Ballarat Technical Art School in July 1915. It cost 10,000 pounds and was constructed by the Public Works Department from plans drawn by the then Art School Principal, Herbert H. Smith. The building contractors were Messrs Gower and Eddards. According to the SMB Annual Report of 1914 'the internal upholstering and fittings have all been carried out in Australian timbers, with Queensland maple largely used throughout.' Before this building was constructed art and craft classes were held in various buildings around Ballarat. The building could be described as federation-art deco in style. It features sandstone insertion with sandstone string coursing. The base of the building is rusticated sandstone. The relief stone panel on the front with the words "Technical Art School" features stone pilaster brackets and corbels. In the centre front can be seen rectangular sandstone pediment with decorative stonework incorporating the date of construction. The windows in the lower floor feature five supporting keystones whereas the upper windows have sandstone lintels. The building also features decorative cast iron downpipes. The entrance on the northern side has attractive leadlight glazing in an art deco style. Above the door a miner's lamp and pick are featured in the design. The building is functional in design with large metal windows in the south wall to ensure good light into the studios. The northern wall has standard double hung windows. The interior of the building features a carved wooden staircase and cast iron ceiling vents. The rear drawing studios can be made into one large studio by opening panelled timber doors. This opening features classical plaster pilasters with a pediment above. This building is now the Gribble Building on the Federation University Australia SMB Campus.Artwork by students of the Ballarat Technical Art School from the 1934 Ballarat School of Mines Students' Magazine .1) Stairs to the Ballarat Junior Technical School from Grant Street .2) Caricatures by Nornie Gude .3) work by Colin S. Hunt .4) A girl and a rooster by Gilda Gude .5) Self Portrait .6) Main entrance to the Ballarat Technical Art School by Lorna Bailey .7) Artwork from the magazineballarat technical art school, gribble building, gribble, stained glass, white flat, hopwood, bailey, gude, ballarat junior technical school, visual arts -
Federation University Historical Collection
Photograph, Clare Gervasoni, Ballarat School of Mines Technical Art School, c2008, 29/07/2020
... 1915. It cost 10,000 pounds and was constructed by the Public... and was constructed by the Public Works Department from plans drawn ...The former Ballarat Circuit Court Building, later the first building of the Ballarat School of Mines, was demolished to make way for a new custom built Art School building. Sir Alexander Peacock opened the Ballarat Technical Art School in July 1915. It cost 10,000 pounds and was constructed by the Public Works Department from plans drawn by the then Art School Principal, Herbert H. Smith. The building contractors were Messrs Gower and Eddards. According to the SMB Annual Report of 1914 'the internal upholstering and fittings have all been carried out in Australian timbers, with Queensland maple largely used throughout.' Before this building was constructed art and craft classes were held in various buildings around Ballarat. The building could be described as federation-art deco in style. It features sandstone insertion with sandstone string coursing. The base of the building is rusticated sandstone. The relief stone panel on the front with the words "Technical Art School" features stone pilaster brackets and corbels. In the centre front can be seen rectangular sandstone pediment with decorative stonework incorporating the date of construction. The windows in the lower floor feature five supporting keystones whereas the upper windows have sandstone lintels. The building also features decorative cast iron downpipes. The entrance on the northern side has attractive leadlight glazing in an art deco style. Above the door a miner's lamp and pick are featured in the design. The building is functional in design with large metal windows in the south wall to ensure good light into the studios. The northern wall has standard double hung windows. The interior of the building features a carved wooden staircase and cast iron ceiling vents. The rear drawing studios can be made into one large studio by opening panelled timber doors. This opening features classical plaster pilasters with a pediment above.Colour photograph of a sandstone detail on a double storey, red brick building - the Ballarat Technical Art School, a division of the Ballarat School of Minesballarat school of mines, ballarat technical art school, architecture, art, gribble building -
City of Greater Bendigo - Civic Collection
Souvenir - Bendigo Post Office Centenary Ephemera, Ted Rankins, 1987
... Office was designed by Public Works architect George W Watson... Office was designed by Public Works architect George W Watson ...When the Commonwealth Post and Telegraph Act was passed in June 1902, and a national Postmaster General's Department (the PMG) was established the responsibility the nation's mail and telephone services fell on local Post Offices. The Bendigo Post Office was designed by Public Works architect George W Watson and constructed between 1883 and 1887. The two story brick structure with basement has unpainted rendered facades and a 43m high clock tower complete with 6 bell carillon. The facades are elaborately decorated with Corinthian pilasters, balustrading, lions' heads and the state mansard roof with cast iron ridging and finials. (VHR #4739). Situated on Pall Mall it has always been called the Bendigo Post Office even though it was not until 1891 that the name Bendigo was given to the town. The Bendigo Post Office housed much more than just postal services and the building contained many early government departments and services needed for a growing district. The building celebrated its centenary on the 30th September 1987 to much fan fare with Ted Rankins, the then Postal Manager planning many of the week long events including tours of the post office, a grand parade with cake and staff in period costume, a ball at the Shamrock and a barbeque in Rosalind Park. The Post Office ceased providing postal services in 1997 after the privitisation Australia Post and Telstra but continues to play a central role for the community, providing important services to visitors and locals alike. Currently it is occupied by Bendigo Tourism and includes two exhibition spaces including the Living Arts Space and Djaa Djuwima a dedicated and permanent First Nations Gallery. Activities at the Post Office are supported by City of Greater Bendigo staff and a dedicated group of volunteers. These items are part of the postal collection donated by the Rankins family in memory of the last postal manager at the Bendigo Post Office, Ted Rankins. 0364.1: Single sided printed 'Order of Proceedings' flyer; Outlines the running of events for the celebrations on Wednesday 30 September, 1987 at the Post Office with the centenary logo centre top in crimson ink. 0364.2: Single sided, four-colour printed, DL size invitation for celebrations marking the centenary of the Post Office on Wednesday 30 September, 1987. 0364.3,.4,.5,.6,.7: Printed cake bag with centenary logo and image of Bendigo Post Office printed on front in crimson ink. 0364.8,.9,.10,.11: Square note paper with centenary logo and border printed in crimson ink. 0364.12 Envelope: Australia Post envelope with Bendigo 100th anniversary images. Date stamped and addressed to Mr Edmondston Postmaster, Elmore. bendigo post office, bendigo tourism, city of greater bendigo tourism, post office collection, ted rankins collection, city of greater bendigo volunteers