Record of land purchase by Louis Laurence Smith dated 31 July 1858. The land is adjacent to Dandenong Creek. Records of the transfer of the land in June 1895 are included. Photocopies.dandenong creek, smith, l l dr, william, gallien, jacque jean, speary, catherine, langdon, harry joseph, foster, john, youngman, edward, simmons, morris, mayfield, william george, marion, land sales

The Royal Federation of Aero Clubs of Australia is the national body of Aero Clubs and other aviation associations. The prime objectives of the Federation are to foster aviation in Australia, to ensure adequate flying training is available to all pilots and to encourage national and local competitions, air races and other aviation events.(ref R.F.A.C. web site) Orbost Aero Club began in 1969 with Basil Dowie as Chair, David Nixon as Secretary/Treasurer. The group went into recess from 1977-1991 closing in 1997. The mid 1960s were boom years in flying training in Australia and the number of Aero Clubs grew rapidly. The Club played a significant role in the establishment of the small airport at Marlo and in the ongoing operation and development of the airport over the years particularly for patient transfer by aerial ambulance. The Orbost Aero Club Club played a significant role in the establishment of the small airport at Marlo and in the ongoing operation and development of the airport over the years.A cream coloured folder ( NORMAN BROS) containing documents pertaining to membership of the Royal Federation of Aero Clubs of Australia. It contains membership cards, receipts, correspondence, minutes, application forms for gold, silver and bronze seals.On front - Orbost Aero Club R F A Corbost-aero-club royal-federation-aero-clubs

Vol. 5, No. 5 (4), Sep-Oct 2000 CONTENTS From Beach to Battleground 3 Talking art with Rick Amor The Poetry of Catharsis 7 New Work by Sandy Jeffs Saltwater 8 Paintings of Sea Country Snake Circle 10 Reviewed by Anna Barden Short Story 12 The Rainbow Shell Theatre Reviews 16 By Kathy Oliver Interview 18 David Moore and why he paints Art Now 21 City of Darebin Biennial Exhibition Australian Classical Music 22 Betty Scarlett William Barak Writing Competition 24 Stories by Emily Borg & Rhiannon Foster New Arts Contributors 26 Were Street Cafe & Studio19 Artin About 27 Wining & Dining 30 Poetry 32 By Shelton Lea Artist's Services 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, rick amor, willy wonka's ice cream gourmet food, bulleen art & garden centre, sandy jeffs, museum of modern art at heide, sea country, indigenous paintings, roberta sykes, kinglake gallery, sue yardley, alan marshall short story award, plenty ranges arts & convention centre, eltham little theartre, warrandyte theartre company, eltham wiregrass gallery, david moore, montsalvat, art now, at winter's end festival, artstreams publications, amberley, anthology of australian music on disc, plenty views golf park, wayne viney, william barak short story competition, emily borg, rhiannon foster, dynamic vegies, maria pellicano, steve pellicano, were street cafe, gemma lynch-memory, adriane strampp, nina christesen, stephanie holt, st andrews market, thompsons pharmacy

'The first panel celebrates the long history of runners that use the park. Richmond Harriers Athletics Club was established in 1913 and is the oldest athletics club in Victoria. The central panel depicts young female footballers and recognises female athletes and the popularity of women and girls' teams in contemporary sports. The final panel depicts a children’s cricket match. The young players are represented through the depiction of a game that is part of our national psyche and firmly entrenched in Australian culture.'Inner-city parks like Citizens Park have many diverse uses. They provide places to play, to exercise and to relax. They are spaces for community and are often subject to competing values and interests. The re-development of the Jack Dyer Pavilion at Citizens Park allows for the growth of the local community’s diverse interests and values and enables participation and interaction. 'The Park' focuses on the recreational uses of Citizens Park and its role as a community space in an area that is changing rapidly. The mural consists of three panels that address inclusivity and access to sport. Three core sporting groups who each utilize the pavilion and park as a public recreational space are represented: children, sport teams and runners. In fostering the representation of these groups, the panels also attest to the past, present, and future of this important space.Three sporting groups are represented: athletics/runners, women footballers in line formation and young cricketers in action/play. Accompanying plaquesport, women, community, richmond, parks

WW2 internment camp 1, Tatura, Army officers of headquarters and A Company 17th garrison Battalion no 1 camp Tatura. 15 June 1943. Back row (l to r): Captain E A Scates; Lieutenants J A Travers, S H Edwards, J H Trend, C L White, Captain F G Jones, Lieutenants B A Stinson, L P Brown, A L Mackay. Front row: Lieutenant E K Horwood, Captain W A A Tyler, Captain N E Bacon, Major A H Clerke, Captain G B Russell, Lieutenant Colonel F W D Forbes, Major G E Blight, Major E C Foster, Major J Morlet, Captain A E OwensGroup of 19 Army staff officers in uniform. Hut rear right. Tree background. Black and white hound dog foreground.internment camps, tatura internment camps, internment camp army staff, staff officers, captain e a scates, lieutenant j a travers, lieutenant s h edwards, lieutenand j h trend, lieutenant c l white, captain f g jones, lieutenant b a stinson, lieutenant l p brown, lieutenant a l mackay, lieutenant e k horwood, captain w a a tyler, captain n e bacon, major a h clerke, captain g b russell, lieutenant colonial f w d forbes, major g e blight, major e c foster, major j morlet, captain a e owens

Weaving is the interlacing of two yarns, one at right angles to the other. Yarns that run the length of the fabric are called the warp. Yarns that run across the fabric are called the weft. Most woven fabrics are produced on a loom. The warp yarns are raised to form an opening - the shed. The weft carrier, usually the shuttle, shoots through the shed. Then the warp yarns change position up and down. Finally, the weft is pushed tight against the previous yarns, gradually building up the fabric. Hattersley treadle loom (revolving box hand loom). Beam of loom was removed and sent to Foster Valley Mill in 1989 to be returned via Tom Crocker. The National Wool Museum gratefully acknowledges the contribution of Mr Fred Murgatroyd & Mr Bernard Tolan in making this Hattersley Loom Operational. Green painted Hattersley treadle loom (revolving box hand loom).weaving, george hattersley and sons ltd, weaving machinery, wool processing, loom, restoration

Appears to be original to Chalet. Used to display trophies won by guests for various winter sporting competitions. Similar cabinet stored in garage. Also in original location. 'The Chalet's lounge area and nearby spaces include various cabinets. The most eye-catching is the tall metal-framed, glazed cabinet standing in the commanding position at the entrance to the Ballroom at the historic core of the Chalet. It once displayed an array of trophies and silver cups relating to various snow sports that the Chalet had fostered since its opening in 1910. A photograph taken in c.1937 shows the same chrome-framed cabinet with squat cabriole legs standing in the same position in the hall, confirming that it has stood there for decades (fig 36). It is still in the same location in 2011... Some of the old trophies that once graced the cabinet disappeared in the 1980's.' Listed in Draft Inventory of Significant Collection Items. Solid, chrome edged display cabinet with three glass sides. Back section is mirrored. Features two glass shelves. Base of cabinet features four claw feet. Green felt on base of cabinet interior.

Peta Clancy is a descendent of the Bangerang people from South-Eastern Australia. She explores hidden histories of colonisation in Australia. Through manipulating photographic prints, she reconstructs these hidden histories in a contemporary setting. In 2018, Clancy was awarded the inaugural Fostering Koorie Art and Culture grant from the Koorie Heritage Trust. The grant enabled her to collaborate with the Dja Dja Wurrung community to create a body of work investigating massacre sites on Dja Dja Wurrung country. The exhibition Undercurrent at the Koorie Heritage Trust focussed on a massacre site submerged under water. Clancy says of the exhibition and this work: ‘I explored this site as a metaphor for the hidden history of many massacres throughout Australia and the denial of this aspect of our history and the trauma these sites evoke’.

White certificate with black text and the logo of the AAPMA appears three times."The Association of/ Australian Port and/ Marine Authorities/ AAPMA/ Functions of the Association:/ to facilitate the solution of port and marine problems/ To promote greater uniformity in port and marine practice/ to foster a closer relationship and the exchange of knowledge between members/ AAPMA/ Certificate of Membership/ Authority: The Melbourne/ Harbor Trust Commissioners/ State/ Victoria/ President/ Vice President/ Secretary/ AAPMA/ N/S/E/W/ Certificate no. 03/ Issued 4 Sep 1975" verso: PMA 0267

Framed London College of Music certificate. Frame is wooden with an ornate carved surround painted ivory, charcoal and gilt. Glass has been broken. Certificate is printed on cream stiffened paper with black writing and illustrations.At the top a crest of the London College of Music is printed with the words Founded 1887 Incorported either side. A banner with the words London College of Music Great Marlborough St W is draped diagonally below the crest. A list of the Patrons, Board of Examination, Examiners and Examners (Colonial Centres) is printed below the banner. Beneath this list are the words' Pass Certificate This is to Certify that Kathleen Foster having duly fulfilled the requirements of the Examiners has been awarded this Certificate of Merit. Subject Pianoforte playing Senior Section Pupil of J C Rockelmann Esq'. Certificate is signed on behalf of the Council Ernest Wood Examiner and the date Nov 12th 1906.London College of Musicdocument, certificate, music

Set of 4 transparencies - copy slides - possibly ARE film strip dated April 1972. 1210.3 on Kodak Readymount mount. 1210.1 - No. 3 arriving at Quarry Hill terminus. 1210.2 - Bogie car at Long Gully Loop, in the far distance, with a Hotel and the ESSO service station in between. Has Fosters Lager and Carlton signs on hotel. Note sign on the closet pole - "No standing between Notices" 1210.3 - Nos. 26 (Quarry Hill) and 25 (Eaglehawk) at Jobs Gully Loop. 1201.4 - No. 5 showing Charing Cross in bound for Charing Cross and No. 3 en route for Eaglehawk in View St. near the end of the double track. Appears to be SEC employee at the rear of No. 3. Part of a set of 20 slides made by the Association of Railway Enthusiast Provincial Tramways film strip. Reference Item 2560 details the ARE Film Strip and provide references to other slides.Information written on in blue ink and date stamped on purple ink. 1210.1 - "No. 3 arriving at Quarry Hill terminus." 1210.2 - "Bogie car at Long Gully Loop." 1210.3 - "Nos. 26 and 25 at Jobs Gully Loop." 1210.4 - "Nos 5 and 3 in View St. near the end of the double track."tramways, trams, bendigo, long gully, quarry hill, view st., tram 3, tram 5, tram 25, tram 26

Set of 4 digital images of W6 1000 on the opening day of the service in Bourke St via High St Northcote to East Preston on 26/6/1955. .1 - 1000 (East Preston route 89) at Spencer St, note the sign behind the tram and the newly painted safety zone. Has the Mail Exchange in the background. .2 - ditto at Spencer St with Carlyon's Hotel and the Spencer St Railway station in the background. .3 - tram arriving at the East Preston depot leads - has adverts for Milo, Kiwi boot polish and Pleshur's shoes. .4 - ditto with a Book Repairs Shop, R. P Evans, Goweville Hotel advertising Fosters Lager, and the Melody Picture theatre, In the background is Bell St with a set of clock traffic lights and two tower wagons and a Pura Milk truck just behind the tram.trams, tramways, w6 class, opening, route 89, bourke st, east preston, high st, northcote, tower trucks, traffic lights, bell st, tram 1000

Black and white photograph - Football Team, 1964."Attached to photograph" Back Row- L to R: Malcolm Pearson, Gary Morgan, Stephen Cross. 2nd Row- L to R: Leslie Reed, Philip Bates, Jeffrey Ratten, David Kimberley, Norman Pearson, Harry Parker, Neville Barnes. 3rd Row- L to R: Dale Ryan, Greg Arnott, Paul Smith, Neil Rattray, David Barton, Jeffrey Fielding. Front Row- L to R: ?, ?, Gary Chappel, Gary Ladiges, ?, Stephen Foster, Wayne Walton.

This photograph was donated by the Bread and Cheese Club, Melbourne but it is not know to what group or institution it was originally given. It is a copy of a well-known photograph of John Feltham Archibald, taken about 1910 when he was obsessed with all things French and was known at the time as Jules Francois Archibald. John Archibald (1856-1919) was born at Kildare near Geelong (so is not a native of the Warrnambool district) but he lived for some time in Warrnambool with his family. He began his working life with the Warrnambool Examiner newspaper and its successor, the Warrnambool Standard before going to Melbourne. In N.S.W. in 1880, he established with John Haynes, the Sydney Bulletin , a journal that became the most influential one of its day, promoting nationalism and fostering Australian writers and poets. He left legacies to establish the Archibald Prize for artists and the Archibald Fountain in Sydney. This photograph of John Archibald is of some interest though it is a widely-known one and is not original. It is kept because John Archibald, a national figure in Australian History of some importance, spent his school years in Warrnambool in the 1860s and 70s where his father was a local policeman. He went to Henry Kemmis’ Warrnambool Grammar School and wrote about his time here in later years, He also commenced his career as a journalist with the Warrnambool Examiner newspaper and later the Warrnambool Standard newspaper before going to Melbourne. This is a black and white photograph of John Archibald, mounted on cardboard. It has been taken out of its original frame and the typed card with the original frame has been removed and attached to the back of the photograph.The typed card reads: ‘J.F.Archibald, A Native of Warrnambool District. Founder of the ‘Bulletin’ School of Australian Literature, Presented by the Bread and Cheese Club, Melbourne’ (note that this contains inaccurate information in that John Archibald was not a native of the Warrnambool district)warrnambool, archibald family, j f archibald, john archibald, john feltham archibald

Albert E. Dorling was the Instructor in Printing at the Ballarat Technical Art School in 1933. The art school was a division of the Ballarat School of Mines. The objectives of Typographical Instruction at the Ballarat Technical Art School was to develop an appreciation of art in printing; to create and foster a wholesome respect for books; to develop a justifiable pride in persona achievement; to broaden the educational and social outlook; to broaden the field of vocational choice; to prepare for effective entrance into the printing trade; to give mastery of many of the principles of design; to help in forming habits of accuracy, thoroughness, neatness and industry; to give opportunity to turn out a product of use, beauty and value; to cultivate appreciation of the value of co-operation and service; to aid in mastery of other school subjects,particularly English; to provide an appropriate instructional medium for pupils whose constructive instincts desire this method of expression; to provide experience which will show the practical application and value of academic subjects.Coloured soft covered book bound with a brown ribbon. It is a book of specimens of work by the students attending the Typography Classes at the Ballarat Technical Art School under the instruction of Albert Dorling. Illustrations include: Ariel [sic] View from Art School by Fred Longhurst, 1932 Other work includes Bickart's Diamond Shop, Lydiard Street Methodist Choir, South Street Competitions, Allambee Guest House, Buninyong Lodge, Ballarat Journalists' Association, Thornton Studios, Harry Davies, Harry Brown & Co., Nautilus Corsets, Toti dal Monte, Symmons Flower Shop, Ritz Club, Ballarat Symphony Orchestra, Ladies' Art Associationtypography, printing, ballarat school of mines, ballarat technical art school, bickart's diamond shop, lydiard street methodist choir, south street competitions, allambee guest house, buninyong lodge, ballarat journalists' association, thornton studios, harry davies, harry brown & co., nautilus corsets, toti dal monte, symmons flower shop, ritz club, ballarat symphony orchestra, ladies' art association, typography, ballarat school of mines, ballarat technical art school, printing, albert dorling

Photo depicts the Federal Mills basketball team. Back: Gladys Rand, Mavis Anderson, Nellie Bawden, Lyla Dorling. Front: Jean Mawson, Eva Fagen, Jean Devlin. Mrs Alsop was a mill worker from early 1930s till early 1970s. She worked at Federal and Foster Mills in Geelong District and Yarra Falls, Melbourne. Between the 1920’s and 1950’s the YWCA, Blue Triangle and local committee of representatives organised an Inter House Athletics Day for Girls in Geelong and Melbourne. Local Geelong business, such as the surrounding woollen mills, business firms and church clubs would form teams of seven women to compete in a variety of sports such as bowls, basketball, hockey, cricket and soccer. Events such as these were organised to encourage women to participate in competitive sports and network with other women in the workforce.FEDERAL MILLS / FWMtextile mills sporting teams, textile mills staff, federal woollen mills ltd, sport, textile mills - sporting teams, textile mills - staff

Photographs are all from the 1930s as below: 1. Nellie Bawden; 2. Federal Mill Basketball Team (pre WWII) from left to right: Eva Fagen (Ball), ? Darling, Glad. Rand, Nellie Bawden, Jean Devlin, Beryl Haddon, Mavis Anderson; 3. Inter-house Sports Team from right to left: Mollie O'Brien (Ball), Beryl Haddon, Jean Devlin, Ann Lagan, N.Bawden. 4. the New Zealand Team who played against Geelong Unity Clubs; 5. Mixed Geelong Federal Basketball team, from right to left: Phylis Bryant (Ball), ?, ?, Eva Fagen, Nellie Bawden, Lorna Farrell, ? Hose. Mrs Alsop was a mill worker from early 1930s till early 1970s. She worked at Federal and Foster Mills in Geelong District and Yarra Falls, Melbourne.Photograph album sheet of heavy brown paper. Contains five black and white photographs and a space where one has been removed. Four of the photos depict teams of female basketball players and one depicts a single basketball player holding a ball.Fed. Team / Fed. Team / N. Zealand Team. / Geelong Team.textile mills sporting teams, textile mills staff, federal woollen mills ltd, sport, textile mills - sporting teams, textile mills - staff

What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch. This is a Performing Arts Department Final Year presentation to Industry representatives and the general public. It features the work of William Saroyan, William Shakespeare, John Godber, Jane Thornton, Matthew Cahoulin, James Saunders, Stephen Sondheim and Anton Chekhov. The course combines formal teaching and practical experience aimed towards the development of artists. An attempt is made to foster secondments to theatre, theatre companies and arts bodies. Cream A3 sheet of cover paper, folded in half. Front half is folded again. Maroon and black print.performing arts, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, ballarat university college, graduate exhibition, 1993, third years, william saroyan, william shakespeare, john thornton, matthew cahoulin, james saunders, stephen sondheim, anton chekhov, michael dickinson, rebecca moore, amanda davis, david whiteley, richard jeziorny, simon power, damien muller, jay strybosch, donna brunt, james edwards, tony marsh, ron hinkley, martin newton, michael gibbins, john bateman, clare o'sullivan, adam turnbull, curtis barnot, vicki pollock, warren muschailli, cristin schwanker, kristian pithie, libby tanner, ruth greenberg, peta brady, christine bennett, brett edgington, kruse collection

The photograph is dated 1938 in the early LDHS "Index of Photographs". However a companion photograph showing the boys' group (Registration no. 2018-40 - shows same location) is dated 1937. Names in early "Index of Photographs" at LDHS: Back row (L-R): Violet Shepherd, Bertha Cluff, Eileen Barr, Mildred Shepherd, Esther Cluff, Ida Nelson, Joy Gillett, Eva Foster. Second row: Brenda Megee, Bertha Stratton, Doris Watson, Joyce(?) Uren, Doreen Keating, Gwen Smith, Mavis Gillett, Wilma Shields, Joy McCorkell. Third row: Dawn Witton, Joan Kerr, Joy Stratton, Ailsa McDonald, Betty Lancaster, June Emerson. Front row: Yvonne Cluff, Gracie Hearn, Myrna Howard, Nannette Hunt, Enid Shields, Beryl Shields, Dawn Lancaster, Lorraine Nelson, Margaret Gangell.Black and white copy of original photograph, mounted on white card, which shows a group of girls posed for a photograph under a tree. The school building and a picket fence can be glimpsed in the background.linton state school no. 880, violet shepherd, bertha cluff, eileen barr, mildred shepherd, esther cluff, ida nelson, joy gillett, eva foster, brenda megee, bertha stratton, doris watson, joyce(?) uren, doreen keating, gwen smith, mavis gillett, wilma shields, joy mccorkell, dawn witton, joan kerr, joy stratton, ailsa mcdonald, betty lancaster, june emerson, yvonne cluff, gracie hearn, myrna howard, nannette hunt, enid shields, beryl shields, dawn lancaster, lorraine nelson, margaret gangell

Table of Contents: Editorial, Rotary converter notes, Ambulance, Slime treatment for attraction of gold, Description of slime settler or dewaterer in use at the Brownhill Consols mine Kalgoorlie, Transvaal geology, Chlorine produced electrolytically, Scaling of copper plates, The eucalyptus, Sports meeting, Rowing, Past students, News and notes, Answers to correspondents, Editorial notices. Images.Magazine of 24 pages. Page 17 lists the whereabout of past Ballarat School of MInes students: J.R. Booth, W.t. Lakeland, Lewis Westcottm Leo M. Seward, Reginald Williamson, Stanley White, Clyde Allan, Charles Lamb, W.E. Eyres, Virgil Tucker, H. Hawkesworth, H.J. Saw, Fred G. Brisnden, C. Stevenson, Fred Treloar, J. Peart, E.M. Weston, Dick Galloway, H.B. Bennetts, G.R. Curry, H. Meadows, Eric Bieske, Cliff Garrard, Phil Brown, Lindsay D. Cameron, Phil Brown,, W.P. Avery, J. Foster, J. Bickett, F.H. Inglis, G. Devenport, t. lennon, h. wilkins, g.h. reid, c. hesselman, E. Fraser, Reginald Callister, F. Bicknell, Leslie Blick, W.T. Sayer, W.F. Hall, O.e. Jaeger, W. Gelard, P.C. Downes, G. Sides, F. Bruce, Frank Bruce.rotary converter, ambulance, slime treatment for attraction of gold, slime settler or dewaterer, brownhill consols mine kalgoorlie, transval geology, chlorine produced electrolytically, scaling of copper plates, eucalyptus, alumni, rollo e. huntley, j.r. booth, w. t. lakeland, lewis westcott, leo m. seward, reginald williamson, stanley white, clyde allan, charles laird, w. e. eyers, virgil tucker, h. hawkesworth, h. j. saw, fred g. brinsden, c. stevenson, fred treloar, j. peart, e. m. weston, dick galloway, h. b. bennetts, g. r. curry, h. meadows, will watson, don cameron, eric bieske, cliff garrard, lindsay d. cameron, phil brown, w. p avery, j. foster, james bickett, f. h. inglis, g. davenport, l. c. courbould, t. lennon, h. wilkins, g. h. reid, c. hesselmann, e. fraser, reginald callister, f. bicknell, leslie blick, w. t. sayer, h. f. hall, o. e. jaeger, w. geldard, p. c. downes, g. sides, f. bruce, e. c. hurdsfield, william baragwanath, r. i. moore, j. l. sampson, h. conran, w. gelard, frederick j. martell, h. cornell, g.c. klug, great fingall consolidated ltd, transvaal geology, eucalyptus gum tree, w.t. lakeland, lewis westcottm leo m. seward, charles lamb, w.e. eyres, h.j. saw, fred g. brisnden, e.m. weston, h.b. bennetts, g.r. curry, w.p. avery, j. bickett, f.h. inglis, g. devenport, g.h. reid, c. hesselman, w.t. sayer, w.f. hall, o.e. jaeger, p.c. downes, frank bruce., mt morgan, kalgoorlie, mt elliott copper mine, ballarat city baths, r.b. young

Set of three Souvenir Programmes for the Victorian Tramways Social Cricket Association v the South Australian Tramways Club for the 1958, 1964 and 1968 visits. Lists the Members / Committee of the MMTB, ATMOEA, officials of the VTSCA, the itinerary, results of previous matches played and teams. Centre stapled. Inside covers have space for autographs. .1 - 8 pages inside a blue card cover, Feb. 3-10 - 1958 - has adverts for Carlton United beers (Victoria, Melbourne, Fosters and Abbots) and Coles & Garrard eye care. .2 - 8 pages inside a dark blue stippled cover, 24/2 to 2/3 1964 - with ads for Coles and Garrard eye care and the Three Crowns North Melbourne hotel. .3 - 8 pages inside a semi gloss off white card cover, 5/2 to 12/2/ 1968, with ads for Coles and Garrard eye care.trams, tramways, cricket, sports, social club

compiled for the Centenary Celebrations 16th, 17th & 18th April 1976Blue card cover with two photos one top left, one bottom right and black print1876 -1976 Prepared for the occasion of the 100th Anniverary Celebration of the Inauguration of "The Ararat Methodist Circuit" in 1876. Below left Photo The Great Western Methodist Church 1976. "A Historical Record of the Methodist Circuit" Centenary Celebrations, 16th, 17, 18th, April 1976 Superintendent Minister: The Revd. Charles J. King. Circuit Stewards: Mr Adam Bell, Ararat, Mr Ian Price, Willaura Circuit Treasurer: Mr Ian Foster, Ararat Left of bottom right photo: "Wesley" Methodist Church as in 1876 Built 1874stawell religion

Set of 7 photographs taken during a tram tour using Birney's 30 and 28. Possibly 1971 or early 1972 prior to closure. 1 - High St Eaglehawk with Primary School hall behind. 2 - Tram 28 from another tram's window - note no driver. 3 - trams 28 and 30 in McCrae St with the Bendigo Technical College building in the background. 4 - Tour trams turning from Bernard St into View St with the Five Lions Hotel in the background with a Fosters Lager advertisement. This hotel has since been demolished. 5 - Tram 30 on the single-track extension at Eaglehawk. 6 - Tram 6 and another single trucker at Charing Cross - note the sag on the second tram - a spring possibly has failed. 7 - Tram 19 running out the depot lead into McCrae St with an SEC Cooking roof and a Briquettes dash canopy advertisements.Yields information about Bendigo tram tours prior to the closure of the SEC operated system.Black and White photographs on Ilford Paper - undated - set of 7trams, tramways, sec, bendigo, tram 28, tram 30, high st, eaglehawk, tram 6, mccrae st, view st, five lions hotel, tram 19, tours, birney tramcars

The East Kew Women’s Club was formed on 20 July 1945 as an experiment amongst local women, who felt that there was a need for some organised group to give full scope to their various interests and hobbies. In the beginning, they met at the house of their founder, Mrs Eric Thake, 48 Harp Road, East Kew, but the growth and interest was so rapid that it was soon necessary to find a larger meeting place, so the group moved to the Harrier’s Pavilion in Victoria Park, Kew. At the fifth meeting of the group, a committee was formed, and a constitution adopted on 4 December 1945.The Club was aimed to be non-political, non-sectarian and open to women from any locality. The Club’s motto was “To Help others, Improve Ourselves, and Foster the Community Spirit”. The first twenty years of the Club was recorded in a small, nine-page publication “East Kew Women’s Club : Twenty Years 20-7-1945 - 30-7-1965”.Portrait photograph of Geraldine Ward, signed, dated and addressed to the Ladies of the East Kew Women's Club.Obverse: [Signed in ink] For the ladies of the East Kew Women's Club with warm wishes, Geraldine Ward 1960." [Reverse annotated] Presented to Society with Minute Books from East Kew Women's Club. / Signed Geraldine Ward across photo / KH-217 / {Stamped] Hand Hasenpflug Illustrative Photography, 62 Swanston Street, Melbourne, Phone CENT 2187.clubs -- kew east (vic.), east kew women's club, glenda ward

The East Kew Women’s Club was formed on 20 July 1945 as an experiment amongst local women, who felt that there was a need for some organised group to give full scope to their various interests and hobbies. In the beginning, they met at the house of their founder, Mrs Eric Thake, 48 Harp Road, East Kew, but the growth and interest was so rapid that it was soon necessary to find a larger meeting place, so the group moved to the Harrier’s Pavilion in Victoria Park, Kew. At the fifth meeting of the group, a committee was formed, and a constitution adopted on 4 December 1945.The Club was aimed to be non-political, non-sectarian and open to women from any locality. The Club’s motto was “To Help others, Improve Ourselves, and Foster the Community Spirit”. The first twenty years of the Club was recorded in a small, nine-page publication “East Kew Women’s Club : Twenty Years 20-7-1945 - 30-7-1965”.Following the closure of the Club in 1973, after twenty-eight years, its records were deposited with the Kew Historical Society and are thus available for research into the history of women’s groups in the post war period in Australia. The Society holds the Club’s Minute Books of Meetings (1953-73), Attendance Registers (1959-73), Visitors Book, and sundry items of print ephemera published by the Club.Stapled self-published history of the East Kew Women’s Club, entitled - "Twenty Years 20/7/1945 - 30/7/1965". 9pp & covers.east kew women's club, community clubs -- kew (vic.) -- histories