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Wodonga & District Historical Society IncFunctional object - Collection Glass Photographic Dry Plates Developer c. late 1800s - early 1900s, The Imperial Dry Plate Co., Ltd
Dry plate photography was a photographic technology invented by R.L. Maddox in 1871. Images were captured on a glass plate covered in a gelatin emulsion, which acted as a photographic negative. A negative could then be stored to develop at a later time in a dark room. The introduction of this technology allowed for greater flexibility in photographic practice outside of indoor studios, as earlier wet plate photographic technology required immediate exposure and development. Dry plate photography was superseded by the invention of celluloid film in the early twentieth century. This object forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and the history of photography.Box of dry glass negative plates for developing photographs. In pencil on face of box "MR PHIL GEEPER/46 THOMAS MITCHELL DRIVE WOD"photography, wet plate photography, dry plate photography, photos, haeusler collection, history of photography, historical photographs, technology, wodonga -
Melbourne LegacyDocument, Legacy Club, Melbourne : Alphabetical List of Members 1932 (H16), 1932
An alphabetical list of members of Legacy in 1932, with 170 names. The second list has the member name, their membership number, a business address and personal address. One of the few lists found that include the rank of the Legatee. Early in Legacy's creation it was determined that importance was not to be placed on the rank of the Legatee and all were seen as equals. The notation H16 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. Only the first page of the address list has been scanned as an example.This is one of the first documents that document the early Legacy Club. White foolscap file copy paper with black type x 5 pages of a list of members in 1932 and a file copy list of their phone numbers and addresses.Handwritten H16 in red pen. Handwritten '1932' on top right corner in fountain pen.history, founding legatee -
Melbourne LegacyDocument - Document, article, In Flanders Fields - Digest of World Reading Nov 1960 (H25), 1960
An interesting article from the Digest of World Reading about Canadian John McCrae and his famous poem "In Flanders Field". It tells of his war service and how the poem was published in Punch on 8 December 1915. He was in the medical service when he succumbed to pneumonia in January 1918. The journal article was sent to the Legacy Co-Ordinating Council who sent it to the archive. The notation H25 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. Collected by an earlier archive committee which shows the poem was important to the Legatees. The poem was the inspiration for the torch emblem of Legacy.White A4 photocopy x 3 pages of an article published in 1960 and a letter on Legacy Co-ordinating Council letterhead from 1969.Handwritten H25 in red pen. Letter signed PW Danby, Hon. Secretary of the Legacy Co-Ordinating Council.history, world war one, poem -
Melbourne LegacyBooklet - Document, brochure, The Legacy Employment Service, 1938
A brochure explaining the services provided by the Legacy Employment Service. Also a brochure describing that funds were urgently required to carry on the work of caring for children of Deceased Soldiers. It mentions the number of children on the Clubs record was 2,343 in 1937 (976 girls and 1367 boys). It has a tear off panel that could be returned to Legacy Employment Service with a donation The documents were stored with items from the History archive project that was trying to capture the history of Legacy. These items are usually marked with 'H' and a number.This is one of the first documents that promotes Legacy and summarises its objective and services. Cream brochure describing the services of the Legacy Employment Service and promotional brochure with donation slip.legacy promotion, history -
Melbourne LegacyBooklet - Document, brochure, The Teenager, His Family and His Peers, 1968
The Teenager, His Family and His Peers was a paper presented to the 1968 Federal Conference of the Legacy Clubs of Australia by Legatee John Hall of Melbourne Legacy (held in Ballarat from 7th to 10th November 1968). By resolution of the Conference it was printed by Legacy Co-ordinating Council for distribution upon their request to Legacy Clubs. It was stored with another paper presented at the 1968 Conference 'The Fundamentals of Legacy' which had the notation H51 in blue pen to show that it was part of the archive project that was trying to capture the history of Legacy. An example of the type of subject matter that Legatees shared at annual conferences. Brochure on white paper with black type about the role of Legacy with teenagers and families x 16 pages.history, conference -
Merri-bek City CouncilPrint - Silkscreen, Wendy Black, Declare Antarctica a World Park, 1982
Melbourne-based artist Wendy Black works across screenprinting, painting and drawing. The 1980s saw a rise in campaigns for Antarctica to be designated a World Park to ensure the ongoing protection of its natural resources and its continuation as a peace zone. Black’s screenprint, featuring seals and penguins set against an Arctic icecap, captures the looming threat to the precious flora and fauna of the continent. Text in the lower corner describes Black’s collaboration with the Antarctic and Southern Ocean coalition for which this poster was likely made. Donated by the artist -
Merri-bek City CouncilC-type print, Rennie Ellis, Grand Final breakfast 1982, 1982
Rennie Ellis was an Australian documentary photographer and a key figure in Australian visual culture. Grand Final breakfast 1982 depicts a cluttered table during a football Grand Final day breakfast. The messily covered tablecloth, as well as the appearance of alcohol at a morning event, displays the signature larrikin attitude and passion with which football events are undertaken in Australia. This work was shown in the 2017 Counihan Gallery exhibition Leather Poisoning, along with many other works by Ellis, capturing the nation’s love of the game. Donated by the Rennie Ellis Photographic Archive -
Bendigo Military MuseumPhotograph - ARTHUR GEORGE HOLLEY PHOTOGRAPHIC ALBUM 24 PHOTOGRAPHS, HMAS Sydney 1925-1927 and HMAS Australia 1930-1931
Items in the collection relating to ARTHUR GEORGE HOLLEY no 13556 RAN Refer cat no 2134 for his service record. The photographs are from his personal album, and are mainly official photographs widely available among the services. The photographs are from Australian , British and American sources. This set illustrates Holley's service on HMAS Sydney in the mid 1920s and HMAS Australia in the early 1930s They are a mixture of official and personal photographs and capture the events he and his HMAS Australia crewmates would have experienced and witnessed. Photographs taken around the time of Holley's service on HMAS Australia in the early 1930sinterwar period, arthur george holley, hmas australia, hmas sydney -
Bendigo Military MuseumPhotograph - ARTHUR GEORGE HOLLEY PHOTOGRAPHIC ALBUM 10 PHOTOGRAPHS, HMAS Hobart 1940-1941
Items in the collection relating to ARTHUR GEORGE HOLLEY no 13556 RAN Refer cat no 2134 for his service record. The photographs are from his personal album, and are mainly official photographs widely available among the services. The photographs are from Australian , British and American sources. This set illustrates the Hobart's visit to Yemen early in the Second World War, and the British Somaliland actions in 1940. Whilst not taken personally, they do capture the events he and his Hobart crewmates would have experienced and witnessed.Each desription is preceeded by an approximate date e.g.1940 06 is June 1940. 1. 1940 06 Aden after being bombed by Italians - Hobart was in Aden.jpg 2. 1940 08 Evacuation of Berbera British Somaliland August 1940 .jpg 3. 1940 08 Holley Indian soldiers at one of the shore posts at Berbera British Somaliland which personnel from HMAS Hobart helped to establish.jpg 4. 1940 Holley Somaliland photographed from Hobart Walrus.jpg 5. 1940 Shipboard Hobart sailor greeting Yemeni party .jpg 6. 1940 Yemen Captain Harry Howden with the Prince of Yemen 2.jpg 7. 1940 Yemen Captain Harry Howden with the Prince of Yemen 3.jpg 8. 1940 Yemen Captain Harry Howden with the Prince of Yemen.jpg 9. 1940 Yemeni guard.jpg 10. 1940 Yemen gift of cow.jpghmas hobart, british somaliland, aden -
Bendigo Military MuseumPhotograph - ARTHUR GEORGE HOLLEY PHOTOGRAPHIC ALBUM, HMAS Hobart 1941 Mediterranean and early 1942 Singapore
Items in the collection relating to ARTHUR GEORGE HOLLEY no 13556 RAN Refer cat no 2134 for his service record. The photographs are from his personal album, and are mainly official photographs widely available among the services. The photographs are from Australian , British and American sources. This set coincide the Hobart's service in the Mediterranean theatre in 1941 and Singapore in early 1942 Whilst not taken personally, they do capture some of the events he and his Hobart crewmates would have experienced and witnessed.Each description is preceded by an approximate date e.g.1940 06 is June 1940. 1. 1941 German bombs in Mediterranean.jpg 2. 1941 Hobart 2.jpg 3. 1941 Hobart in Bight heavy weather.jpg 4. 1941 Hobart Supermarine Walrus decommissioned June 1941 2.jpg 5. 1941 Hobart Supermarine Walrus decommissioned June 1941 3.jpg 6. 1941 Hobart Supermarine Walrus decommissioned June 1941.jpg 7. 1941 Hobart.jpg 8. 1941 Mediterranean German bombs 1941.jpg 9. 1942 02 Dutch medics Batavia from 013.jpg 10. 1942 02 combat ships under attack 042.jpg hmas hobart, aden, mediterranean theatre, arthur george holley ran, fall of singapore -
Bendigo Military MuseumPostcard - POSTCARD - WW1 FRANCE, cWW1
Part of the "Robert H. Baron", No. 3596 and Cooper Collection. See Cat, No. 1981P for details of Baron's service.1. Black and white photograph featuring burning and destroyed buildings. 2. Black and white photograph featuring horses and wagons with uniformed handlers. Ruined buildings in background. 3. Black and white photograph featuring a shell damaged two story building. Splintered trees in foreground. 4. Black and white photograph of a WW1 battlefield. Three waterfilled shell holes in foreground. Soldiers in background on horizon. 5. Black and white photograph of three soldiers in uniform standing next to a ruined cannon. 6. Black and white photograph of three soldiers in uniform standing next to the barrel of a canon. Soldier in uniform inside the mouth of cannon. 7. Black and white photograph of the surrounds of a ruined building. Statue of a human figure surrounded by metal fence in foreground. 8. Black and white photograph of a bomb damaged church. Rubble in foreground.1, Handwritten in black on front bottom and on back in pencil: 'Fritz Burning village of Ham before leaving.' 2. Handwritten in black on front bottom and on back in pencil: 'Entrance to Langacourt.' 3. Handwritten in pencil on front and back: 'Langacourt Chateau.' 4. Handwritten in black ink on front and in pencil on back: 'Passendaele Ridge.' 5. Handwritten in black ink on front and in pencil on back: 'Captured gun at Cappy.' 6. Handwritten in black ink on front and in pencil on back: 'Cappy.' 7. Handwritten in pencil on front and back: 'Bullecourt Church.' 8. Handwritten in pencil on front and back: 'Viller Brettoneaux Church.'robert h. baron, cooper collection, postcard, ww1, france, battlefields -
Red Cliffs Military MuseumCopy of a letter, Letter to Walter West from W.H. Birdwood, 19/4/1919 (exact)
Sent by W.H. Birdwood but no signature. This is another of 5 documents in a large frame called the West Collectioncopy of typed letter to Walter West from W.H. BirdwoodTop left corner: Copy. Top right Australian Imperial Force 130 Horseferry Road, Westminster, S.W.1 19th April, 1919 Dear West, I send you my heartiest congratulations on the award to you of the Military Cross, of which I have only now been informed; in recognition of your very good and gallant work in our operations at Montbregain on 5th October last. When your platoon was held up by heavy fire from a strong post, you most gallantly rushed forwatd alone, and bombing the position captures the gun and crew. Later, when your flank could not make progress owing to fire from a post containing two machine guns, you crawled round to the right, and rushed this post, which you captured with one of the guns, killing three and taking another three of the garrison prisoners. On your company commander becoming casualty, you took command, and consolidated the line with good judgment and ability. throughout you displayed courage, initiative and determination of a very high order. I am indeed pleased that your splendid work has been recognised in this way. with kindest regards and good wishes to you for the future. Yours sincerely. W. H. Birdwood ww1, walter, thomas, west, mm, mc -
Red Cliffs Military MuseumDocument, Obituary, 12:MMMM, 1976 (exact); Walter Thomas West passed away 4th December 1976 and his funeral was held 7th of December
Attached to his R.S.L. Membership Card along with the funeral notice, is a subsequent newspaper article written at the time of Walter West's death, which reads: Death of Pioneer Settler/ A pioneer settler of/ the Red Cliffs irigation/ district and one of the/ last men to be evacuated/ from Gallipoli, died sud/denly on Saturday night/ aged 84./ In 1922 Mr. Watler Thomas/ West came to Red Cliffs/ where he established Block/ 86 in the irrigation district./ He lived there until his/ death on Saturday after playing bowls at the Red/ Cliffs rinks on Saturday/ afternoon./ Mr. West was born in Jeparit and served with the/ 24th Battalion in Egypt and/ Gallipoli./ He was awarded the Mili/tary Medal in France in/ 1917 and the Military Cross/ in 1918 when he captured/ single handed an enemy/ machine gun post./ He settled at Red Cliffs/ on his return when the/ area was placed under irri-/gation./ For 25 years he operated/ a unique partnership with/ the late Mr. Martin Nippe, his adjoining property/ owner. The pair pooled their/ horticultural equipment for/ joint use./ Mr. West joined Mildura/ Legacy in 1942 and was an/ active member until his/ death./ The funeral will be held at the United Church, Red/ Cliffs this morning at 10.30Type written obituary, presumably used when Walter West,MC,MM, died.Walter West MC,MM/ Red Cliffs residents were saddened to learn of the sudden passing on Saturday last/ of Walter Thomas West MC,MM., a Pioneer/settler and well respected citizen./ "Wal" as he was affectionately known, was/ born at Dandenong some 84years ago./ He served with distinction in World War 1/ with 24th Battalion. He was an original ANZAC, and also saw service in/ Egypt and France. He received two awards for gallantry in the field - The Military/ Medal in France 1917 and the Military Cross in France/ in 1918 when he was responsible for the/ single handed capture of an enemy gun and crew./ He was an original soldier settler and developed/ his fruit block in Red Cliffs which is still/ operated by his son Tom. In 1922 he/ became an original Trustie of the Methodist/Church and was the last surviving original/ Trustie. He served on the Board of/ directors of the Red Cliffs Co-Operative Co.Ltd/ from 1954 to 1967, and was Chairman of Directors/ in 1963 and 1964. He showed a keen interest/ in youth activities and some excellent cricketers/ were produced as a result of his coaching of/ the Methodist Junior Cricket Team. He was an/ active and keen member of Mildura Legacy/ for 34 years, serving as President in 1947 and 1948./ He was secretary of the Cemetary Trust for many years, served on the Hospital Committee/ was a member of Memorial Lodge, a member of Red Cliffs Senior Citizens Club and a /member of Red Cliffs Sub-Branch R.S.L. since / it's inception./ He was a keen member of the Red Cliffs/ Bowling Club and took part in a club event on/ the day of his passing./ It was the pioneer settler and men with ability/ and initiative of Walter West that brought/ out the Community Spirit which resulted in/ the Red Cliffs we know today.1918, 1917, ww1, walter, thomas, west, mm, mc, 24th, battalion, aif, gallipoli, bullecourt -
Eltham District Historical Society IncPhotograph, Chris Watson with Carrie Shillinglaw holding baby Jean and her sisters Elizabeth and Mary Shillinglaw in the back of the carriage, c.1906
The baby is most probably Jean Watson, daughter of Chris and Carrie who was born in 1906. Christoher Watson and Carolyn Shillinglaw married in 1907. Jean died in 1920 PANEL 1875-1920 Panels began to be produced around 1875, and were particularly suited, because of their larger size, for capturing family, or even larger, groups. They measured 8.5 by 6.5 inches (22 cm x 16.5 cm). - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991In had written pencil "C. Watson Carrie Watson her sisters Elizabeth and Mary Shillinglaw"marg ball collection, 1906, caroline (carrie) watson (nee shillinglaw 1876-1956), christopher watson, elizabeth (lizzie) ann shillinglaw (1879-1972), horse and carriage, jean watson (1906-1920), mary ann shillinglaw (1880-1963) -
Lara RSL Sub BranchStatement By Eric George Elliott on the Light Horse Brigade charge at Beersheba
This statement by Eric George Elliott tells how The battle of Beersheba took place on 31 October 1917 as part of the wider British offensive collectively known as the third Battle of Gaza. The final phase of this all day battle was the famous mounted charge of the 4th Light Horse Brigade. Commencing at dusk, members of the brigade stormed through the Turkish defences and seized the strategic town of Beersheba. The capture of Beersheba enabled British Empire forces to break the Ottoman line near Gaza on 7 November and advance into Palestine.Decisive victory at Beersheba fell to one of the last great charges of mounted troops in history. As Australian Light Horse Divisions captured the town and secured crucial water wells, their success also marked the beginning of the end of the war in the Middle East. This end came exactly a year to the day after success at Beersheba.Rectangular shaped glass covered picture frame with a photocopy of his statement on the charge of Beersheba.ww!, beersheba, statement, photocopy, australian light horse brigade. -
City of BallaratArtwork, other - Public Artwork, Albert Coates Memorial by Louis Laumen, 2012
Leading surgeon and academic Sir Albert Coates (1895-1977) is one of Ballarat's most celebrated sons. A medical orderly during WWI, he returned home to become a pioneering neurosurgeon. A medical man in the worst of circumstances, Coates is often mentioned for his compassion and care in his role as a doctor in the Burma-Siam Railway POW camps. The bronze statue by Louis Laumen captures his down-to-earth nature. Laumen is a Melbourne sculptor who has completed many commissioned bronze public artworks around Australia.The statue is of aesthetic and historic significance to the people of BallaratBronze figure mounted on granite, amid garden plantings and plaques.Inscription details the life of Albert Coates.albert coates, medicine, pow camps -
City of Ballarat Libraries35 mm Slide, Wallace Statue and Statuary Pavilion, Ballarat Botanical Gardens, circa late 1950s
This image perfectly captures the Botanical Gardens in late afternoon light. The Statuary Pavilion was built following a bequest from James Russell Thompson, who was originally from Scotland. The Wallace Statue was purchased with money remaining in the bequest after the Pavilion was established. Mrs Bon Strange and her husband Bert were well known Ballarat residents. When Mrs Strange died some years ago, her extensive slide collection was sorted through and those relevant to Ballarat were gifted to the Ballarat Library. statues, statuary pavillion, botanical gardens, lake wendouree, william wallace statue, charles summer, james russell thompson -
Melbourne LegacyLetter - Document, letter, (H48), 1925
A letter from the M.B. Ryan, Deputy Commissioner of Department of Repatriation about a meeting with Legatee Frank Doolan in November 1925. They had met to discuss Legacy wishing to cooperate with the department in the administration of its Scheme for the Education of the Children of Deceased and Totally Permanently Incapacitated Soldiers. He goes on to outlines ways Legacy can help and details of the scheme. The notation H48 in blue pen shows that it was part of the archive project that was trying to capture the history of Legacy. L/ Frank Doolan was part of the archive project around the 1970s.A record of Legacy working with the Department of Repatriation from very early in its history to aid the education of children of deceased servicemen. File copy of a foolscap letter x 3 pages dated 12 November 1925.Handwritten H48 in blue pen.history, founding legatee -
Melbourne LegacyDocument - Document, rules and objects, Legacy Club, Melbourne. RULES / POLICY AND OBJECTS (H14)
A document detailing rules and regulations of the running of the Legacy Club, Melbourne. The date is not known. The policy and objects covers: loyalty, comradeship, dependents of deceased soldiers, cooperation with other organisations, education, preference, national development, and Shrine of Remembrance. Other parts of the document covers eligibility for membership, transfer of members, subscriptions etc. Meetings and their procedures as well as management structure. It is possibly before 1940 when the RSSILA changed it's name to RSSAILA. The notation H14 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. Documents the details of the rules and policies of the Legacy Club, Melbourne.White foolscap paper with black type x 7 pages of a document of regulations.Handwritten H14 in red pen. history, rules, organisation structure, objectives, goals -
Melbourne LegacyDocument - Speech, WD Joynt VC Guest Speaker 28/10/52 'Where there is no vision the people perish' (H21), 1952
A speech by Legatee Dono Joynt at a Legacy luncheon on 28 October 1952. His talk mentions that 'Harelands' the Club's fourth residence about to be opened. The Club was in need of funds for the next year. He says; 'I am convinced that this Club can FACE anything, and DO ANYTHING and OVERCOME anything, if the members of the Club are STRONG enough in their desire for whatever it is they want to achieve.' which is the theme of his speech. The notation H21 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. A record of Legatees making recommendations about loyalty and behaviours to install in junior legatees.White A4 paper with black type x 6 pages of a speech by L/ WD Joynt VC.Handwritten H21 in red pen.history, speech -
Bendigo Military MuseumPhotograph - ARTHUR GEORGE HOLLEY PHOTOGRAPHIC ALBUM 11 PHOTOGRAPHS, Various subjects 1920s and 1930s
Items in the collection relating to ARTHUR GEORGE HOLLEY no 13556 RAN Refer cat no 2134 for his service record. The photographs are from his personal album, but have not been traced to any available online archive, so provenance has not been established. They are likely a mixture of personal, commercial and official naval photography This set illustrates Holley's service on in the Australian navy in the 1920s nd 1930s They are a mixture of official and personal photographs and capture the events he and his colleagues would have experienced and witnessed. Photographs taken around the time of Holley's service on in the Australian navy in the 1920s and 1930sinterwar period, arthur george holley, royal australian navy -
Bendigo Military MuseumPhotograph - ARTHUR GEORGE HOLLEY PHOTOGRAPHIC ALBUM, 10 Photographs HMAS Hobart 1942 Coral Sea and Solomons
Items in the collection relating to ARTHUR GEORGE HOLLEY no 13556 RAN Refer cat no 2134 for his service record. The photographs are from his personal album, and are mainly official photographs widely available among the services. The photographs are from Australian , British and American sources. This set coincides with the Hobart's service around the time of the Battle of the Coral Sea, and her involvement in the Solomons and Guadalcanal landings. Whilst not taken personally, these photographs do capture some of the events Holley and his Hobart crewmates would have experienced and witnessed.Each description is preceded by an approximate date e.g.1940 06 is June 1940. 1. 1942 05 Coral Sea Japanese aircraft under AA fire.jpg 2. 1942 05 Coral Sea Japanese bombers aircraft under AA fire.jpg 3. 1942 08 HMAS Australia near miss caption three down in that bunch we missed a few.jpg 4. 1942 08 Solomon Islands Hobart white ensign battle flag flying at main mast.jpg 5. 1942 08 Solomons caption a few seconds later another one down this one goes to transports.jpg 6. 1942 08 Solomons caption peaceful and placid waters fury above.jpg 7. 1942 08 Solomons USS Astoria shoots down first high level bomber.jpg 8. 1942 08 Transport on fire off Guadalcanal 9. 1942 08 Solomons American destroyers open up on shore targets.jpg 10. 1942 08 Solomons caption Hobart alters course bombs fall in wake.jpghmas hobart, arthur george holley ran, pacific theatre, battle of the coral sea, solomons campaign -
Bendigo Military MuseumPhotograph - ARTHUR GEORGE HOLLEY PHOTOGRAPHIC ALBUM, 10 Photographs HMAS Hobart 1942 Solomons
Items in the collection relating to ARTHUR GEORGE HOLLEY no 13556 RAN Refer cat no 2134 for his service record. The photographs are from his personal album, and are mainly official photographs widely available among the services. The photographs are from Australian , British and American sources. This set coincides with the Hobart's service around the time of the Battle of the Coral Sea, and her involvement in the Solomons and Guadalcanal landings. Whilst not taken personally, these photographs do capture some of the events Holley and his Hobart crewmates would have experienced and witnessed.Each description is preceded by an approximate date e.g.1940 06 is June 1940. 1. 1942 08 Solomons caption torpedo bombers two more on fire.jpg 2. 1942 08 Solomons high level bombers no hits Japs flew one thousand miles for this 054.jpg 3. 1942 08 Solomons caption there is no doubt this one being a Jap note marking.jpg 4. 1942 08 Solomons Dawn entering Guadalcanal Hobart Hoists battle ensign.jpg 5. 1942 08 Solomons fires started by bombing and shell fire.jpg 6. 1942 08 Solomons Fires started by gunfire and dive bombers .jpg 7. 1942 08 Solomons Guadalcanal HMS Exeter evading Japanese bombers February 1942.jpg 8. 1942 08 Solomons US Mugford hit by bomb.jpg 9. 1942 08 Solomons USS Mugford attacked by dive bombers caption shot down one bomber.jpg 10. 1942 08 Solomons USS Mugford attacked by dive bombers.jpg hmas hobart, arthur george holley ran, pacific theatre, solomons campaign, guadalcanal -
Melbourne LegacyLetter, Tobruk Photos, 1979
Letters regarding three photos of murals in near Tobruk in Libya. The photos were sent to Melbourne Legacy in 1979 by Legatee Syd Wilson of Yamba NSW. He thought Melbourne Legacy might be able to use them to generate money by selling them for advertising or publicity. He said they were enlargements of snapshots he had found in his old army trunk. Legatee Wilson's letter says the murals were: 'painted on three walls of a white concrete Italian block house (Police Check post I think), some 18/20 miles west of Tobruk, between Tobruk and Derna, and near a captured Italian airfield, somewhere about February 1941. Obviously they were painted by a Victorian Sapper. They were very well done, by a competent Sign-writer/artist, in correct and excellent colours (captured Itie paint no doubt - there was plenty in their Naval Stores at Tobruk).' (NB Itie was slang for Italian) From the AWM website the signs were painted by South Australian painter, SZ538 Sapper Leslie John “Doc” Dawes, 2/3rd Field Company, Royal Australian Engineers. There are several photos on the AWM site including the building the three murals were on.Photos taken by a Legatee when on active service in Libya in World War 2 and donated to Legacy when it was thought they could be used for fundraising, which shows that Legatees were conscious of that Legacy needs to generate funds to continue its work.Black and white enlargement of a photo taken in Libya of Abbotts Lager mural.tobruk, murals -
4th/19th Prince of Wales's Light Horse Regiment Unit History RoomCard - Christmas Card, 1915 (exact)
Service of Frank Phillips Prior to the commencement of World War I, Frank Phillips served in the Minyip Troop of the Light Horse militia. His civilian occupation was that of clerk. On 22 August 1914 he enlisted in C Squadron 4th Light Horse Regiment. The 4th Light Horse Regiment embarked on the troop ship “Wiltshire “ for training at Mena Camp, in Egypt. During May 1915 the Regiment was deployed to the Gallipoli campaign in a dismounted role. After seven months, the Gallipoli campaigned was abandoned and the troops withdrawn. On return to Egypt the 4th Light Horse Regiment divided with one component deployed to Palestine and the other to the Western Front. Frank went on to serve in Palestine. He was promoted to Sergeant while at Gallipoli and, in Palestine, was promoted to Captain, serving as Adjutant of the Regiment. He was granted furlough to return to Australia from 14 October 1916 to 12 March 1917. On 16 January 1918 he was Mentioned in Despatches Citation: At Hill 750 near Bir El Esani on 30-4-17 he led an attack on Hill 750 under heavy rifle fire capturing the position and 7 armed Bedouins. On 23-5-17 during reconnaissance, he led and attack on 790 under very heavy rifle and machine gun fire and captured the position, inflicting losses on the Turks. He has, at all times, set a fine example of courage to his men. 22 October: 1918 he was awarded the Military Cross Recommendation of Commanding Officer – For exceptional gallantry and devotion to duty on the 28th September 1918, during the crossing of the JORDAN near EL MIN, this officer (adjutant of the Regiment) personally reconnoitred for crossings under heavy M.G. fire and led the Regiment to the only available crossing, rendering invaluable assistance during the crossing. On 3oth September when the Regiment was advanced guard on to KAUKAB, this officer’s personal reconnaissance to confirm patrol reports was of the highest order and utmost value to his C.O. culminating in the capture of KAUKAB with a mounted attack and the The 4th/19th Prince of Wales’s Light Horse Regiment has a long and distinguished history that pre-dates Federation to colonial Victoria’s mounted troops. Our history parallels that of the nation, including its active participation in some of the most inspiring events in Australian Military History including the Defence of ANZAC and the charge at Beersheba. The Regiment is based on a linkage of the two post-World War II Victorian Army Reserve RAAC units - 4th/19th Prince of Wales’ Light Horse and 8th/13th Victorian Mounted Rifles. From these units we derive our links with the six Light Horse Regiments of Victoria and Southern New South Wales (4th, 8th, 13th, 17th, 19th and 20th Light Horse Regiments.) The Regiment proudly bears the guidon of the 4th Light Horse, with the guidons of the remaining regiments being laid up in the crypt of the Melbourne Shrine of Remembrance. During World War I, the 4th Light Horse Regiment served with distinction on three fronts – Gallipoli, Palestine and the Western Front. Corporal, later Captain, Phillips was a member of the 4th Australian Light Horse Regiment. He created the post card while serving with the Regiment as a Corporal at Gallipoli. Post Card hand made and sent to familyFrom Cpl Frank Phillips, 4th Australian Light Horse Regiment. Entries in pencil Front: Addressed to Andrew Phillips (father) at Minyip, Victoria, Message: “A Merry Christmas and Happy New Year to all, Made while on my day out. Love Frank” Reverse Top Centre – 4 LH Badge Centre – cloth map of Australia stapled to card Bottom – Print of flag stapled to card, Irish green ensign, Union flag in canton, gold coloured Irish harp on fly. Notations: Broadmeadows, Wiltshire (Troop Ship), Shrapnel Gully, Suicide Gully, Courtney’s Post Mena, Mex, Heliopolis, Imbros, Gallipoli, Turkish soil underneath (flag), Australia on Turkey, Lone Pine, Leans Trench, Constantinople, All honour to our Irish comrades, To greet you 1915-16. From the shells, yells, and little Hells, of the Darda Dardenelles 0 – 0 May you enjoy your Xmas dinner as I hope to enjoy my Xmas billy in the trenches.ww1, gallipoli, 4th light horse, post card, frank phillips -
Duldig Studio museum + sculpture gardenDrawing, Slawa Horowitz-Duldig, Portrait of Rella by Slawa Horowitz-Duldig 1917, 1917
Slawa Horowitz-Duldig) was both an artist and a designer, and both aspects of her practice are represented in the collection. There is an archive of approximately 255 drawings by Slawa dating from 1917 until 1922. Slawa’s sketchbooks from this period provide an insight into her early training and demonstrate the artist’s early interest in portraiture. A number of the drawings have been framed, but the majority remains 'in situ'. Slawa was a student at the Viennese Kunstschule für Frauen und Mädchen (the Viennese Art School for Women and Girls) (KFM) from 1917 until 1921, and in 1922 she became a student of Anton Hanak. The KFM School had been established in 1897 as a private school, and it was highly regarded both for its teaching staff and academic curriculum. By 1918 it had introduced stringent admission policy similar to those of the Austrian Academy of Fine Arts, and obtained government funding for its academic program, and began to focus on students seeking to pursue careers as professional artists. In 1921 when Slawa applied to the Austrian Academy of Arts for a place in its program, her application was unsuccessful, as her work was considered advanced, and a place in the third or fourth year of the program was not available. In 1922 she became a private student of Anton Hanak. Many of the portrait images from this early period concentrate on capturing the physical appearance of the face of the model. A number of these studies, in which the subject is not identified, display an academic approach to the genre. Her technical skills in capturing precise facial features of the model, the expression of eyes and the texture of hair are evident. These drawings were perhaps completed in the studio of the KFM School. There are also portraits of friends and family members, including her sister Rella and others, perhaps parents and grandparents, who have yet to be identified conclusively. It is these images of family and friends that particularly demonstrate Slawa’s confidence with pen, charcoal and crayon on paper. Amongst the group are several portraits that indicate the artist’s interest in conveying the inner psyche of a subject, as well as capturing a likeness. Ann Carew 2016The drawings from this period give us an insight into the artist’s early training, and the teaching methods of Viennese Kunstschule für Frauen und Mädchen, one of the first professional art schools for women in Vienna. The drawings and sketchbooks have artistic, interpretative and research significance as records of the art education of women in Vienna in the early 20th century. Ann Carew 2016Charcoal over pencil sketch on paper of Slawa's sister Rella.Artist signature in the bottom left corner. -
Warrnambool RSL Sub BranchAlbum - Photo Album
No provenanceshows geographic details and extent of WW2 but is undatedPhoto Album- padded covers with black card inserts with mounted B/W photos attached. Several pics missing.Front has 2 coloured images of Japan. Back has 1 coloured image. Inside Front cove is colour pic of Aquitania. First page contains 'pin-up' pics of pre-war starlets Idntifying pics include: Ocean Escort-Australian Convoy,Colombo-Suez, February 1940. Moonstone captures sub (Med 1940, sub Galileo Galilei). Nice work Kimberley H L Anderson. HMS Kimberley served in North Sea and Med. Dyatalawa=town in Sri Lanka. Berbera=British Somaliland taken by Italy in 1940. Dyaluma Falls=Sri Lanka. HMAS Sydney (no date or location).mostly pics of ceylon (sri lanka), some locations identified. sme battle scenes and wreckage pics. -
Eltham District Historical Society IncPhotograph, Grade 5, Eltham State School No. 209, c.1919
Photo: W. Edmends, 168 Donald St., Brunswick Written on the back in ink "Ernest Bunker" and also noted in pencil (H. Gilham hand?) "Fred Dudfield Head Teacher" PANEL 1875-1920 Panels began to be produced around 1875, and were particularly suited, because of their larger size, for capturing family, or even larger, groups. They measured 8.5 by 6.5 inches (22 cm x 16.5 cm). - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 3, eltham primary school, eltham state school no. 209, class photo, 1919, w. edmends photographer -
Bendigo Military MuseumPhotograph - PHOTOGRAPH, FRAMED, Framed Photograph of PRIVATE C.F. PIERCE
George Frederick Pierce No 2839 enlisted in the AIF on 29.6.15 in 9th reinforcements 6th Batt age 20 years. Embark for Egypt 9.10.15, embark for France 2.4.16, awarded the Distinguished Conduct Medal in 1917, KIA 4.10.17, no known grave. The “DCM” award. For conspicuous gallantry and devotion to duty. He took command of his Lewis Gun Section in an attack and bombed an enemy Machine Gun post single handed, capturing the gun. Later he carried ammunition to the front line through heavy barrages. He set a splendid example of courage and devotion.Framed and mounted Photograph Pte Private G.F Pierce DCM in Wooden frame with Glass cover. Photograph - sepia toned half length portrait of soldier in uniform centred over a beige coloured background illustrated in colour, flags, animals and flowers. Frame - timber, mid brown stain, decorative edge, glass front. Mount - dark green cardboard.photography - photographs, frame accessories, history, army, ww1 -
Montmorency/Eltham RSL Sub BranchCraft - Model Ship Made By Australian POWs, WW2 Ship made by Australian POWs, Estimated date 1945
During World War II, over 22,000 Australian became prisoners of war to the Japanese. Most of them were captured at the fall of Singapore in February 1942 and were forced to march to Changi (the major Prisoner of War camp). Later on, the soldiers would be dispersed throughout South East Asia. Upon their return to Australia, very few of them told talked about their experience as prisoners (they often felt ashamed). It took almost 30 years before testimonies, books and documentaries would be published. This ship model was built by Australian prisoners of wars.Model of a Spanish or Portugese 18th Century sailing ship, manufactured from timber, fabric and string. Natural timber colours as well as white, blue, red, green and gold.'To Auntie Helen, many thanks for everything from P.O.W.s Singaporesingapore, war, ships, second world war, model, 1945, models, p o w s, prisoners
