Showing 1518 items
matching studio portraits
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Bendigo Historical Society Inc.
Photograph - HARRY BIGGS COLLECTION: UNNAMED COUPLE
... Studio portrait of an unknown young couple. The lady... PERSON Group couple S. Solomon S. Solomon, Adelaide Studio ...Studio portrait of an unknown young couple. The lady is wearing a dark dress with ruffles and a decorated hat, she has droop style ear rings. The gentleman is wearing a dark suit and has a handlebar moustache. They are seated on a bale of hay or similar. Written on the reverse is S. Solomon School of Photography 51 Rundle St. AdelaideS. Solomon, Adelaideperson, group, couple, s. solomon -
Uniting Church Archives - Synod of Victoria
Photograph, Varsity Studio
... Black and white head and shoulders studio portrait of Rev... President "Rev. J. Snell" Black and white head and shoulders studio ...Born 1864 England. Died Kew, Vic., 1939.Black and white head and shoulders studio portrait of Rev. J. Snell, with a medal on his left lapel and wearing his clerical collar. He is looking directly at the camera. The photograph is tipped onto brown card and has the photographer's name embossed on the bottom right of the photograph. Rev Snell's name is handwritten in white on the front. "Rev. J. Snell"rev joseph snell methodist minister, methodist conference president -
Stawell Historical Society Inc
Photograph, Mr John Mason & Mrs Annie Campbell c 1890's -- Studio Portrait, c 1890's
... Mr John Mason & Mrs Annie Campbell c 1890's -- Studio... Left Studio Portrait. ... object. Potted Plant front Left Studio Portrait. Mr John Mason ...B/W Portrait of a couple. Man Standing 3 Piece Suit with fob watch and Coursage. Hair Parted, short moustache. Arm Resting on Stand other arm behind Woman. woman Seated. Short curly hair. Formal Dress, holding a folded object. Potted Plant front Left Studio Portrait. john mason & annie campbell -
Vision Australia
Photograph - Image, Tom Marks - Daddy and Hilda, 1890-1895
... is unidentified. He poses for this studio portrait with his adopted... is unidentified. He poses for this studio portrait with his adopted ...Tom Marks (1857-1939) was a founding member of the Association for the Advancement of the Blind and president in 1900 and 1935-1937. For centenary celebrations of the Association, portraits were painted of past presidents and photographs gathered in preparation of this. This image was collected, however the donor is unidentified. He poses for this studio portrait with his adopted daughter Hilda (1888-1981).1 portrait photograph of Tom Marks with his adopted daughter Hilda5. Tom Marks - Daddy & Hildatom marks, hilda marks -
Orbost & District Historical Society
black and white photograph, early 20th century
... A black / white studio portrait photograph of a young boy... studio portrait photograph of a young boy and girl standing ...The children in this photograph are Frank abd Ivy Warren. Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert). This photograph has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker,A black / white studio portrait photograph of a young boy and girl standing against an outdoor wall. The girl is wearing a long white dress and has a ribbon bow in her hair.The boy a tunic with a wide belt and lace collar. His long sleeved have wide cuffs. The photograph is an oval shape on a grey / white background.warren-frank warren-ivy -
Bendigo Historical Society Inc.
Photograph - HARRIS COLLECTION: FEMALE PHOTO, 15/ 8 / 87
... Full Length Studio portrait young woman. Holding umbrella... Length Studio portrait young woman. Holding umbrella, large pearl ...Full Length Studio portrait young woman. Holding umbrella, large pearl buttoned jacket over gingham dress. Yeoman & Co 47 Chapel St Prahran printed on photo front. Pencilled caption reverse reads not at all flattering H P G 15/ 8/ 87. 15 years 8 months.Yeoman & Co 47 Chapel Street Prahran.photograph, person, female -
Bendigo Historical Society Inc.
Photograph - HARRIS COLLECTION: FEMALE PHOTO, Nineteenth Century
... Melbourne printed on front of studio portrait. Seaside back drop... of studio portrait. Seaside back drop behind seated young woman ...Black & White photograph D Wood , near Town Hall South Melbourne printed on front of studio portrait. Seaside back drop behind seated young woman. Umbrella, Button up boots, handbag, numerous bangles, peaked hat with tassels, kid gloves, apparel. Lace collar combined with outdoors style period dress.D Wood, near South Melbourne .photograph, person, female -
Ruyton Girls' School
Photograph - Studio Portrait, [Henry Henty], c.1890
... Studio Portrait ...Half-length, sepia-toned studio portrait of Mr Henry Henty... 1890s Half-length, sepia-toned studio portrait of Mr Henry Henty ...Henry Henty (b.1833-d.1912) was a successful businessman, and briefly a MLA for the seat of Grenville, Victoria in 1866. He was one of three sons of James Henty, and nephew of Edward Henty who is considered to be the first permanent European colonist to take up residence in Victoria. Henry Henty and his wife Marion Ann Henty (nee McKellar) had ‘Tarring’, Kew built for their family in 1872. The Henty family resided at ‘Tarring’ until the death of Marion Henty in 1919. ‘Tarring’ was then sold to Ruyton Girls’ School, and the School moved to the site, (now 12 Selbourne Rd, Kew) in 1920. ‘Tarring’ was renamed ‘Henty House’ in honour of its original owners. Half-length, sepia-toned studio portrait of Mr Henry Henty (b.1833-d.1912). Mr Henty wears a dark suit and tie. His body is one quarter turned to his left, while he looks straight towards the camera. The background behind him is plain and dark. Photograph is mounted on cream card.henry henty, tarring, marion henty, selbourne road, kew (vic), ruyton girls' school, businessman, politician, 1890s -
Stawell Historical Society Inc
Photograph, Hand coloured photograph of man in Gold Frame and domed glass
... . Grey button hole flower. Studio portrait background. Young mans..., black three piece suite and tie. Grey button hole flower. Studio ...Gray FamilyHand Coloured photograph in gold frame and domed glass. Man with brown hair and moustache blue eyes and European complexion. White buttoned collar shirt, black three piece suite and tie. Grey button hole flower. Studio portrait background. Young mans flower is identical to woman's collar attachment in accompanying photo.Frame has gilded floral painted red and blue at top, bottom and two sides -
Stawell Historical Society Inc
Photograph, C Hewitt Manager, Henderson Family Album Photograph c1880-1890 -- Studio Portrait
... Henderson Family Album Photograph c1880-1890 -- Studio...Photo on card backing. Studio portrait of couple, in front... Station, C Herbert. Photo on card backing. Studio portrait ...From the Chapman family photograph albumPhoto on card backing. Studio portrait of couple, in front of photographers drape background. Gentleman has a moustache and is in a three piece suite with large tie, corsage. Woman is in white dress and collar with puff sleeves, waist with white tie. Woman is resting her hand on husband from behind. Her other arm is resting on table with fern. Uncle John and Auntie Clara Henderson. Stawell Photographic Co. Close Railway Station, C Herbert. -
Mt Dandenong & District Historical Society Inc.
Photograph, Percy and Florrie Dodd of Olinda
... Studio wedding portrait of Percy Dodd and his wife Florrie... Dodd and his wife Florrie. Studio wedding portrait of Percy ...Studio wedding portrait of Percy Dodd and his wife Florrie. The descriptive text on the reverse of this photograph was hand written by John Lundy-Clarke.Percy Dodd and his wife Florrie.percy dodd, florrie dodd, dodd, wedding, olinda -
Mt Dandenong & District Historical Society Inc.
Photograph, Tim and Ett Dodd
... Studio wedding portrait of Tim Dodd and his wife Ett... Ett. Copied by J.L.C. 1974. Studio wedding portrait of Tim ...Studio wedding portrait of Tim Dodd and his wife Ett. The descriptive text on the reverse of this photograph was hand written by John Lundy-Clarke.Jim Dodd and wife Ett. Copied by J.L.C. 1974. tim dodd, ett dodd, olinda, wedding -
Uniting Church Archives - Synod of Victoria
Photograph
... Seated sepia toned studio portrait of Rev A T Holden C.B.E...)" Seated sepia toned studio portrait of Rev A T Holden C.B.E ...Albert Thomas Holden was born in 1866 at Geelong, died in 1935 and is buried in Boroondara cemetery. From 1883-84 he taught in Kyneton and became a Methodist lay preacher. He graduated with a B.A. from Ormond College in 1888. He entered the Methodist ministry and worked in Burwood and at the Omeo Home Mission. During 1892 he toured Europe and the Middle East with Rev Bickford. In 1898 Holden was an army chaplain and served South Africa. He became Methodist Chaplain General in 1913. In 1904 Holden became Secretary of Methodist Home Missions and traveled throughout Australia. Holden was General Superintendent of the Methodist Church of Australasia from 1929 - 1932 and then President- General. Holden became a Freemason in 1898. [taken from the Australian Dictionary of Biography]Seated sepia toned studio portrait of Rev A T Holden C.B.E. wearing clerical collar and sitting in cane chair, he looking at the camera with his body turned to his right. He has two badges on his left lapel. The photograph has the name of the photographer embossed at the bottom right. It has an inscription handwritten in white ink at the bottom."REV. A.T.HOLDEN. C.B.E. (Gen. superintendent)"rev albert thomas holden methodist minister, methodist home missions secretary, victorian fourth contingent (imperial bushmen), methodist chaplain general, australian imperial force, general superintendent of the methodist church of australasia, grand master of the grand lodge of freemasons of victoria -
Kew Historical Society Inc
Photograph - Miss Louisa Henty, c.1875
... Print copy of an original carte de visite; a studio... & Co" Print copy of an original carte de visite; a studio ...Louisa Henty (1847-24) was the eldest daughter of Francis and Mary Ann Henty (nee Lawrence). Following the deaths of her mother and father, she inherited 'Fieldplace' in Studley Park, Kew, and 'Merino Downs' in Henty, near Casterton. The original photo, owned by a descendant of Francis Henty is part of an album of family photographs.Print copy of an original carte de visite; a studio portrait of Miss Louisa Henty, daughter of Francis and Mary Ann Henty (nee Lawrence). Photographed in the Johnstone & O'Shannessy & Co atelier, she is posed in a day dress which has a polonaise and train, dating the photograph to the mid 1870s. Standard props used by the studio include imitation masonry and a curtain.Front: "Johnstone & O'Shannessy & Co"louisa henty, henty family, merino downs, fieldplace -- kew (vic) -
Greensborough Historical Society
Photograph - Digital image, James William Poulter [as soldier], 1916_
... Studio portrait of 5078 Private (Pte) James William Poulter... Plenty Lower Plenty melbourne Studio portrait of 5078 Private ...Studio portrait of 5078 Private (Pte) James William Poulter, 22nd Battalion. A driver from Greensborough, Vic prior to enlistment, Pte Poulter embarked with the 13th Reinforcements from Melbourne on HMAT Ayrshire on 3 July 1916. After being twice wounded in action, he was killed in action on 4 October 1918, aged 19 and was buried in the Prospect Hill Cemetery, Gouy, FranceGreensborough pioneer familyDigital copy of black and white studio photograph.james william poulter -
Wangaratta RSL Sub Branch
Photograph, R.J.C. Moore, c1917
... Copy of Studio portrait of 6852 Private Rupert James... high-country Copy of Studio portrait of 6852 Private Rupert ...Copy of Studio portrait of 6852 Private Rupert James Cavanagh Moore, 22nd Battalion, of Wangaratta, Vic., (seated), and two other unidentified soldiers of 22nd Battalion. Pte Moore, a printer prior to enlisting on 6 February 1917, embarked from Melbourne on HMAT Ascanius on 11 May 1917 with the 19th Reinforcements. He was killed in action in France on 13 July 1918, at the age of 25. Copy of black and white portrait of three uniformed men two standing and one seated in front.Attached to photograph - Private Rupert James Cavanagh Moore (seated) Enlisted in Wangaratta 6/2/1917 Killed in action in France 13/7/1918rupert james cavanagh moore, wangaratta, 22nd battalion, ww1, kia, 3rd machine gun battalion -
Uniting Church Archives - Synod of Victoria
Photograph
... Matte sepia toned head and shoulders studio portrait of Rev... and shoulders studio portrait of Rev. F. H. Williams who is looking ...Matte sepia toned head and shoulders studio portrait of Rev. F. H. Williams who is looking directly at the camera with his body facing to his right. He is wearing his clerical collar. The photograph is tipped on beige textured card which has been mounted on tan textured paper. The Rev Williams' name is written on the front of the photograph in script."Rev. F. H. Williams"rev f h williams methodist minister, prince of wales park methodist circuit, northcote (prince of wales park) -
Uniting Church Archives - Synod of Victoria
Photograph, 1930-34
... F46.5.1, F46.5.2 and F46.5.3 - Sepia toned studio portraits..., F46.5.2 and F46.5.3 - Sepia toned studio portraits of Rev. A. T ...Albert Thomas Holden was born in 1866 at Geelong, died in 1935 and is buried in Boroondara cemetery. From 1883-84 he taught in Kyneton and became a Methodist lay preacher. He graduated with a B.A. from Ormond College in 1888. He entered the Methodist ministry and worked in Burwood and at the Omeo Home Mission. During 1892 he toured Europe and the Middle East with Rev Bickford. In 1898 Holden was an army chaplain and served South Africa. He became Methodist Chaplain General in 1913. In 1904 Holden became Secretary of Methodist Home Missions and traveled throughout Australia. Holden was General Superintendent of the Methodist Church of Australasia from 1929 - 1932 and then President- General. Holden became a Freemason in 1898. [taken from the Australian Dictionary of Biography]F46.5.1, F46.5.2 and F46.5.3 - Sepia toned studio portraits of Rev. A. T. Holden standing next to an open window, with hands clasped behind back. He is wearing his clerical collar and has two badges on his left lapel. The photographs are on brown card mounts. F46.5.2 has the photographer's mark embossed on the bottom front. F46.5.3 has a deckle edge."REV. A. T. Holdne C.B.E. (Gen Superintendent)"rev albert thomas holden methodist minister, victorian fourth contingent (imperial bushmen), methodist chaplain general, australian imperial force, methodist home missions secretary, general superintendent of the methodist church of australasia, grand master of the grand lodge of freemasons of victoria -
Stawell Historical Society Inc
Photograph, Melbourne Photo Company, Mr McCracken & Mrs McCracken nee Unknown
... Sepia Formal Studio Portrait of married couple if front... from Mr and Mrs McCracken Sepia Formal Studio Portrait ...From Chapman family album. Children's photographer not known but meant to be a set. Sepia Formal Studio Portrait of married couple if front of a background of a waiving tree. Wife holding husbands elbow. Husband is bearded in a three piece suit. Wife wearing a dress and overtop. Individual busts of children. -1 Mary -2 Jane (Mrs Hansen) -3 Kate -4 Lizzie -5 Small Child -6 10 to 11 year old childOn Reverse With our compliments from Mr and Mrs McCracken -
Flagstaff Hill Maritime Museum and Village
Photograph - Portrait, Burlington, Jane Osborne nee Shields, 1870's to 1923
... Photograph; studio portrait of the upper torso of a female...; studio portrait of the upper torso of a female. The photograph ...This photograph of Jane Shields was taken at the Burlington Studio, Melbourne in the late 19th to early 20th century. Jane Shields became friends with Eva Carmichael in 1878, a friendship that continued throughout their lives. The item was created by layering fabric glued onto card, the the oval-cut photograph blued onto the fabric. A tea set was given by Eva Carmichael, a survivor of the ship Loch Ard which was wrecked near Port Campbell in 1878, to Jane Shields, who was the young woman who supported Eva during her recovery from the ordeal. Jane was Eva’s close companion while she was convalescing at Glenample Homestead. The friendship between the two women continued after Eva Carmichael returned to her home in Britain, became Mrs Townsend, and had three sons. Jane Shields also married, becoming Mrs John Osborne and bearing four daughters and two sons. In 1926-27, almost forty-eight years after the shipwreck, one of Jane’s daughters (Ella Marie Schulz nee Osborne) visited Eva in England. Eva gave her the tea set to take back home to her mother. Jane died in 1932 and her tea set was inherited by her daughters, who divided it between themselves, a four-piece place setting for each of them. This photograph of Jane Osborne nee Shields is significant for its connection with Eva Carmichael and the wreck of the Loch Ard in 1878. Memorabilia connected to Eva Carmichael are precious and rare. The shipwreck of the Loch Ard itself is of significance for Victoria and is registered on the Victorian Heritage Register (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulations of artefacts from this notable Victorian shipwreck. The collection gives a snapshot of history, enabling us to interpret the story of this tragic event and the lives of the people involved. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allow us to interpret Victoria's social and historical themes of the time. The collection's historical significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history.Photograph; studio portrait of the upper torso of a female. The photograph has been has been cut into an oval shape, glued on rectangular fabric that was already glued onto card. The woman is wearing a light-coloured jacket, white blouse and bow tie. The figure is Jane Osbourne, nee Jane Shields, a friend of Eva Carmichael. An inscription is handwritten on the matt card. Burlington, Melbourne, produced the photograph."Burlington, Melb." flagstaff hill, warrnambool, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, china tea set, tea cup, tea set, royal blue china, eva carmichael, jane shields, glenample, loch ard, place setting, eva townsend, jane osborne -
Stawell Historical Society Inc
Photograph, Hand coloured photograph of woman in Gold Frame and domed glass
... . Studio portrait background. Flower is identical to young mans... attachment. Studio portrait background. Flower is identical to young ...Gray FamilyHand Coloured photograph in gold frame and domed glass. Woman with short curled brown hair parted to right and European complexion. Pale blue eyes. White blouse has collar with floral attachment. Blue jacket with white pattern. Collar attachment. Studio portrait background. Flower is identical to young mans collar attachment in accompanying photo. Related to Deep Lead and Cray family.Frame has gilded floral painted red and blue at top, bottom and two sides. Glass is convex. Has gilded boss between florals. -
Australian Commando Association - Victoria
Photograph - Studio portrait of Corporal 'Curly' Papworh, Artgraph Studio, March 1943
... Studio portrait of Corporal 'Curly' Papworh...Francis John Papworth - VX66806 - Studio photograph... papworth Sepia Studio photograph Photograph Studio portrait ...Francis John Papworth - VX66806 - Studio photograph - portrait style. Shot in March 1943 while on leave after escape from TimorThis photograph displays historic significance from WW2 and Curly Papworth's service in the 2nd/2nd Independent Company. It has strong provenance as part of the Papworth Family donated collectionSepia Studio photographww2, world war two, 2nd/2nd commando, commando, francis john papworth -
Australian Commando Association - Victoria
Photograph, Artgraph Studio, March 1943
... Francis John Papworth - VX66806 - Studio photograph.... melbourne Francis John Papworth - VX66806 - Studio photograph ...Francis John Papworth - VX66806 - Studio photograph - portrait style. Shot in March 1943 while on leave after escape from TimorThis photograph displays historic significance from WW2 and Curly Papworth's service in the 2nd/2nd Independent Company. It has strong provenance as part of the Papworth Family donated collectionSepia Studio photographww2, world war two, 2nd/2nd commando, commando, francis john papworth -
Australian Commando Association - Victoria
Photograph, Artgraph Studio, March 1943
... Francis John Papworth - VX66806 - Studio photograph.... melbourne Francis John Papworth - VX66806 - Studio photograph ...Francis John Papworth - VX66806 - Studio photograph - portrait style. Shot in March 1943 while on leave after escape from TimorThis photograph displays historic significance from WW2 and Curly Papworth's service in the 2nd/2nd Independent Company. It has strong provenance as part of the Papworth Family donated collectionFrancis John Papworth VX66806 - Studio photographOn leave - 1943ww2, world war two, 2nd/2nd commando, commando, francis john papworth -
Australian Commando Association - Victoria
Photograph, Artgraph Studio, Curly Papworth, March 1943
... Francis John Papworth - VX66806 - Studio photograph.... melbourne Francis John Papworth - VX66806 - Studio photograph ...Francis John Papworth - VX66806 - Studio photograph - portrait style. Shot in March 1943 while on leave after escape from TimorThis photograph displays historic significance from WW2 and Curly Papworth's service in the 2nd/2nd Independent Company. It has strong provenance as part of the Papworth Family donated collectionSepia Studio photographww2, world war two, 2nd/2nd commando, commando, francis john papworth -
Glenelg Shire Council Cultural Collection
Photograph, Studio Portrait of Vida Goldstein, n.d
... Studio Portrait of Vida Goldstein...Black and white studio photographic portrait of a woman.... Black and white studio photographic portrait of a woman in late ...From Mrs Helen Lindsay Mc Donald, family descendant. Vida Goldstein was a strong advocate for women's rights and equality. She was the first woman to stand for parliament in the British Empire.Black and white studio photographic portrait of a woman in late 19th century dress. She is central in the photo, standing next to balustrade and greenery, and in the background is a painted backdrop.Front: Front- Yeoman and Co 107 Swan Street, Richmond Back- 'Vida Goldstein' - Printed in texta on stellotape.portrait photography, vida goldstein, suffragette, equality -
Hymettus Cottage & Garden Ballarat
Photograph, Michael Taffe, 1920
... Zealand taking part. The large framed studio portrait of Michael... and New Zealand taking part. The large framed studio portrait ...In 1920 Michael Taffe was awarded Junior Cornet Solo Champion at Ballarat's South St competitions, The Grand National Eisteddfod of Australasia. This competition was the premier band contest in Australia with musicians from every state and New Zealand taking part. The large framed studio portrait of Michael together with his cornet and medals was on display in the window of Allan's Music store Melbourne when the building was severely damaged by fire but these items were saved. Part of a large family collection of local & family history items at Hymettus Cottage, home to the same Ballarat family for the past 125. This portrait has a well documented provenance and a known owner and has hung in this historic house for the past 102 years. It forms part of a significant and representative historical collection that reflects Ballarat's local history from a family perspective. It contributes to our understanding of social and family life in Ballarat from the 19th to the 21st century and provides interpretative capacity for family, local, and social history themes.cornet, music, michael taffe, south street competitions, ballarat -
Bendigo Historical Society Inc.
Photograph - HARRIS COLLECTION: MALE PHOTO, Ninteenth Century
... Black & white E C Waddington & Co studio portrait of male.... Black & white E C Waddington & Co studio portrait of male ...Black & white E C Waddington & Co studio portrait of male standing beside penny farthing bicycle. Melbourne Show xxv xxv ? Barely discernible on gate photo right hand side. Male early thirties clothed in jackboots, breeches, buttoned up jacket, turned down collar with pale bow tie, moustache and badged cap. Double 'Albert' chain & fob watch.E C Waddington & Co Elizabetth St Melbourne.photograph, person, male -
Wycheproof & District Historical Society Inc.
Sepia Photograph, Mendelnohy/Melb, Shelia Whelan Thomas Coughlan, 3/9/1947
... studio portrait...Studio Portrait on original mount. Thomas Coughlan... of the fashion of the period. studio portrait 1947 thomas coughlan shelia ...Elaine Donnellon, the donor of the photograph is the daughter of Shelia's sister Matilda. Thomas Coughlan and Shelia Whelan were married 03-09-1947. Not highly significant but typical of a mid 20th century portrait taken in a photographer's studio. The style of the wedding finery is representitive of the fashion of the period.Studio Portrait on original mount. Thomas Coughlan bridegroom, dark double-breasted suit,orange-blossom buttonhole. Shelia Whelan bride, embossed satin bridal gown with train and leg-o-mutton sleeves,a lace insert at the neckline, finished with a dainty locket. An embroidered full lengh veil and ruched head-dress with orange-blossom is complimented by a floral trailer-bouquet and horseshoes. Portrait backdrop, curtain and chair. Bottom right-hand corner, hand written, "Mendilnohy/Melb."studio portrait, 1947, thomas coughlan, shelia whelan, orange blossom, embossed satin, wedding gown, double breasted suit, veil, trailer, bouquet -
Wycheproof & District Historical Society Inc.
Photograph, Richards & Co, Studio Portrait of Patrick Ryan and Elizabeth H Forrester's wedding, 1918
... Studio Portrait of Patrick Ryan and Elizabeth H Forrester's...studio portrait...Studio portrait of Elizabeth Helena Forrester 'Ellie... the war years. hat studio portrait forrester wedding 1918 bouquet ...Patrick Ryan married 'Ellie' Forrester of Towaninnie in 1918 at Inglewood Vic. 'Ellie' daughter of Richard & Ellen Forrester (nee Dauber) of Towaninnie Vic. This photo depicts the more sombre dress worn for weddings during the war years.Studio portrait of Elizabeth Helena Forrester 'Ellie', bride is wearing a two piece ankle length suit, court shoes and carrying a large bouquet of flowers with trailing ribbons. Organdie lace trimmed blouse fastened with a brooch, a smart brimmed hat and necklace completed the elegant ensemble. Patrick Ryan groom, single breasted suit with waistcoat, white bow tie and gloves, button hole and lace up boots.Right hand corner - on embossed card mount "Richards & Co Ballarat". Reverse - "For Auntie Ellen with love Ellie & Pat" hat, studio portrait, forrester, wedding, 1918, bouquet, bride, groom, two piece tailored suit, single breasted suit waistcoat, towaninnie