Showing 326 items
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Ballarat Base Hospital Trained Nurses League
Lesley Burns, Ward 6 BBH, "Lesley & Jan"
Photolesley burns, ward 6, bbh, "lesley & jan" -
Tatura Irrigation & Wartime Camps Museum
Photograph, 31/3/1916
Taken by photographer for State Rivers and Water Supply Commission.Medium sized black and white photograph. Sugarloaf Reservoir pay day / R. Burns, Senior Constable Waters, P. Descrimes, G Robinson and other men grouped around the short-sleeved paymaster / Pay books on trestle table on construction site / Timber chute running down hill beyond men / All men wearing hats.victorian state rivers and supply commission, sugarloaf reservoir -
Tatura Irrigation & Wartime Camps Museum
Photograph, Daryl Walker, Halsey's Store, 1966
Byrneside Post Office and general store built to replace first store, burned in 1902. Conducted by A. W. Halsey 1936-1974. This store also burned down January 1979. Owners A. & C. Golightly. A new modern store was rebuilt. A store which also served as Post Office was operating when the district was known as the Junction, the name being changed to Baldwinsville in 1880 and Byrneside in 18985. It was established by John Morrissy, a local teacher. This store was burned to the ground in 1902. The storekeeper at that time was Stephen O'Toole. Other owners were W. Sheales, Buckley Bros., J. Taylor, L. Martin, A. Fleming, L. Halfpenny and A. W. Halsey conducted the business from 1936 till Mr Golightly took over in 1974. From 1926 to 1966 the storekeeper was also in charge of the telephone exchange. For a number of years the beautiful gardens was the venue for the annual cup day garden party run by the Byrneside Red CrossBlack and white photograph of Halsey's store, Byrneside, exterior.on back: Per courtesy of Ian Lynch, Tatura, Tatura and District Historical Societybyrnside post office, byrnside general store, a. w halsey, a. & c. golightly, annual cup day, byrneside red cross, stephen o'toole, w. sheales, buckley bros., j. taylor, l. martin, a. fleming, l. halfpenny -
Tatura Irrigation & Wartime Camps Museum
Folio, Eildon Dam, 1950s
Eildon Dam documentary story and photgraphy compiled into folio for Tatura Museum by Frank Burns, BCE, and presented to the Museum Irrigation Room collection by him March 1995Folio - Brief history of the construction of Eildon Dam with accompanying photosirrigation, eildon, frank burns, eildon dam -
Tatura Irrigation & Wartime Camps Museum
CD, 1961 State Rivers and Water Supply Commission Water Loss Report to Victorian Government Public Works Committee
Donor F.L. Burns was a design engineer with State Rivers and Water Supply Commission and wrote, as part of a report, "methods of reducing seepage losses".Silver disc. Black text. Inside a black and clear plastic rectangular cover.irrigation, victoria state rivers and water supply commission -
Tatura Irrigation & Wartime Camps Museum
Photograph
The boiler made instant historyBlack and white photograph of the graphic explosion/demolition in the aftermath of the boiler explosion at the shower block. A mother had a broken leg and her small son, burns to back and chest. Both treated at Camp hospital. The family had come from Taiwan (Formosa).camp 4 incidents -
Tatura Irrigation & Wartime Camps Museum
Document, Eildon Dam
Written by an engineer to give details of Eildon project and the part played by Ex German POW's in using German produced machinery (Krupp)Olive green cover, black spine. White label on fronteildon damtatura, burns f, tatura, irrigation, engineering, documents -
Tatura Irrigation & Wartime Camps Museum
Wood Tag, 1940's
Made by internee Heinz Beilharz aged 7, for his sister's birthday, at Camp 3. He used a magnifying glass and the sun's rays to burn the imprintOval shaped wooden tag with makings burnt into it. Middle marking appears to be "M". Small hole at one end"M" and two scrollstag, wooden, beilharz heinz, baumert m, camp 3, tatura, handcrafts, personal, effects -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Puppet, The Policeman with key ring and sword, WW2
The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Hand painted light pink paper mache head with goatee beard, black eyes and eyebrows. Is wearing a black top hat and has black short hair and side burns. There are no body parts. His legs are just his trousers of checked tweed. His shirt is navy blue with high neck with white trim and 6 gold tacks securing head to body. Sleeves are long with white cuffs. Hands are brown paper mache. He has a wooden knife with elastic on handle to put on arm and a wooden key with metal ring to put on arm.pow puppets, pow handcrafts, hand puppets, sharon lohe, ww2 camp puppet theatre -
Buda Historic Home & Garden Castlemaine
Photograph, Ernest Leviny 1866, 1866
Ernest Leviny (1818-1905) was born in Georgenberg (Szepes-Szombat) Hungary. He went to Budapest as a youth to become an apprenticed silversmith, then travelled as a 'journeyman' across Europe living and working in Vienna and Paris between 1843-1846. He then set up business in London for six years before embarking on journey to the Australian goldfields arriving in 1853. With a lack of success mining for gold, Leviny established business as a jeweller and watchmaker in Castlemaine and between 1854 and 1862 found time to create major decorative works in gold and silver for which he is best remembered. After retiring from business in 1863 he purchased the house, Delhi Villa, married Bertha Hudson (English-born Tasmanian) in December 1864 and together they had ten children, later renaming the family home Buda (after Budapest). He died in 1905 purported to be the wealthiest gentleman in Castlemaine at that time. Two works made by Leviny are held in the collection at the National Gallery of Victoria: the Silver Standing Cup with Cover c1859 (or Saint Cup), and a Gold Bracelet with inset garnet and diamonds c1860.Albumen, sepia toned 'carte-de-visite' photograph of Ernest Leviny in 1866. Black and white, full length, studio portrait of a gentleman wearing a dark jacket with light coloured pants,with a moustache and mutton chop side burns, standing with his right hand on the back of a chair.Verso, photographer's details printed in the centre "Batchelder & O'Neill, 41 Collins Street, East. Melbourne" Handwritten in pencil: "Ernest Leviny 1866"ernest leviny, silversmith, castlemaine, buda historic home, 1866, portrait, photograph, batchelder & o'neill -
Benalla Art Gallery
Painting, Henry BURN, Studley Park bridge over the Yarra, c. 1860
Born: Birmingham, Warwickshire, England 1807; Arrived: Melbourne, Victoria, Australia 1853; Died: Melbounre, Victoria, Australia 1884RomanticismGift of Beverley Brown, 2015Oil painting on board, depicting sparse rural landscape by a river and bridge.Gold brushed timber frame and decorative gesso inner corners. Recto: Not signed, not dated, not titledpainting, landscape, figures, boat, tree, bridge, river, animals, water -
National Wool Museum
Letter - Letter of reference for Margaret Burn, 03/11/1939
Letter of Reference for Miss Margaret Burn detailing her work as a bookkeeper, machine operator, typist, and stenographer over seven years at Dennys Lascelles Limited. The letter details her leaving the company as she married in 1939. In the same year, Ms Burn returned to the office owing to the shortage of staff caused by various employees being called away for Military Training. Included in the staff called away for military training was her newlywed husband, Mr Jack Ganly. A fellow employee of Dennys, the Ganly name was well known within the company, with three generations of the Ganly family working at Dennys. Margaret worked at Dennys for 7 years during the 1930s. The Letter of Reference is accompanied with a story written by Margaret about her time working at the company. WORKING CONDITIONS & OFFICE WORK DUTIES. Written by Margaret Burn in 2021. Worked at Dennys Lascelles in the 1930s. In the 1930s coming out of the Depression, jobs were hard to come by and had to be clung to by efficiency and subserviency. There was no union to protect workers – bosses could be tough and rough. Dennys Lascelles revolved around fortnightly wool sales in the “season” – September to May. Sale day was always a day of suppressed excitement. Preparation from a clerical point of view was complete and we now awaited the aftermath of the actual wool auction. The building teemed with people. There were country people down to see their wool sold, buyers of many nationalities, or from the big cities, who were coming in and out of the building all day. Their role was to inspect the acres of wool bales displayed on the show floors; however, caterers were present to feed clients, and there was plenty of social interactions on top of business. The office staff did not go home but waited until the first figures came back from the wool sales and the machines went in to action, both human and mechanical, preparing the invoices for the buyers’ firms. This comprised of lists of lot numbers, weights, prices per lb., and the total prices paid. A lot of this was done by old-school typewriters, making this work a big, heavy, tiring job. Before the finished lists could be dispatched, they were collated on an “abstract”. The lists had to balance with the catalogue from which the invoices had been prepared. This never happened automatically. All the paperwork had to be split up amongst pairs of workers and checked until discrepancies were found. This would happen until midnight but occasionally went until 2 or 3 am. Once complete, the invoices could then be rushed off to the buyers’ firms usually in Melbourne, and hire cars took the staff home. It was back on the job the next morning, usually around 8.30. The office hours varied according to the size of the sale and work involved. Some days started as early as 8 and could finish around 5.30. The second phase of work began with the account sales to be prepared for the sellers of the wool. These detailed all the weights, descriptions of wool, brands, and prices. One Sales account could have multitudes of lot numbers, all needing to be individually described. Various charges needed to be deducted such as finance for woolpacks, extra stock, or farmers who were given a loan to live on during the season. Details of how payment was to be made was also noted, whether the seller was to be paid by cheque, to a bank, or credited to their account with the company (which often left the seller still in debt). For a couple of months in the winter, things were quieter when staff took holidays and were sometimes given afternoons off. But there were still weekly skin sales and stock sales around the state. The annual end of June figures to be prepared for a big company like Dennys with branches all around the state also kept the staff busy. In good years there was sometimes a bonus. On sale days there was a bar open for the clients and wool buyers. This added to the excitement for the young girls, who were strictly barred from using it, but somehow managed to sneak a gin and tonic. This is how I had my first ever, before the evening meal. There was also the romantic notion in some minds, with all the influx of males, that some of us might end up on a wealthy station, or be noticed by an exotic buyer. To my knowledge, this never happened at Dennys Lascelles Limited. Group staff photo at Dennys Lascelles Limited. Margaret Burn. Age 18 or 19. Jack Ganly (Margaret’s future husband). 22. Sheet of paper shorter in length than A4 size, creamed with age. Paper has a header for Dennys, Lascelles Limited’s Head Office at 32 Moorabool Street, Geelong. Body of paper is made up of 3 paragraphs in a typewritten message of black ink with subheadings highlighted with a red underline. The text is finished with a signature at the bottom of the paper. Paper is accompanied by its original envelope. Envelope has typewritten text in black ink with a red underline located at the centre. It also has return to sender instructions to Dennys, Lascelles Limited in the lower left-hand corner.Typewritten text, black and red ink. Multiple. See multimediadennys lascelles ltd, worker conditions 1930s, letter of reference -
National Wool Museum
Drawing - Framed Illustration, Dennys Lascelles Austin & Co. Wool and Grain Warehouses Geelong, c.1913
Previously on display at the National Wool Museum on level 1 in Gallery 2 foyer.Framed illustration showing the external view of the Dennys Lascelles Austin & Co. wool and grain warehouse, including the Bow Truss Building. A car, horse drawn cart, people and a steam engine are shown on the street in the foreground.Front: DENNYS LASCELLES AUSTIN & CO. / WOOL & GRAIN BROKERS, GEELONG. / WOOL & GRAIN WAREHOUSES GEELONG. Back: NORMAN BURN / (LATE OF CHARITY'S) / Art Picture Framer / And / Repairer of Pianos & Organs / NOTE ADDRESS: / 15, JAMES STREET, GEELONG / (Opposite Davies Furntiture Warehouse).dennys lascelles wool store, austin, bow truss building, wool, geelong -
National Wool Museum
Photograph, Dennys Lascelles Limited; Members of the Staff on Active Service, January 1st 1917
Photos depict the staff members of Denny Lascelles Ltd. who were on active service in World War 1 as at January 1st, 1917: H. Freeman, H.H. Storrer, S.E. Scott, H.T. Burn, F.H. Lascelles, J. Cameron, C.J. Long, N. Mc.T. Evans, W. Mathews, A. Jenkins.Photograph, Dennys Lascelles staff members on active service in WWI at at 1 Jan. 1917 Photograph, H.H. Storrer. Photograph, C.J. Long. Photograph, Wm. Mathews. Photograph, S.E. Scott. Photograph, J. Cameron. Photograph, F.H. Lascelles. Photograph, H.T. Burn. Photograph, H. Freeman. Photograph, N. McT. Evans. Photograph, A. Jenkins.DENNYS LASCELLES LIMITED. / MEMBERS OF THE STAFF ON ACTIVE SERVICE. / JANUARY, 1st. 1917. / H. FREEMAN. / H.H. STORRER. / S.E. SCOTT. / H.T. BURN. / F.H. LASCELLES. / J. CAMERON. / C.J. LONG. / N. Mc.T. EVANS. / W. MATHEWS. / A. JENKINS.world war i, dennys, lascelles limited -
National Wool Museum
Photograph, Geelong R.S.&S. Woollen & Worsted Co-operative Manufacturing Co. Limited Board of Directors, 22 October, 1938
Photo depicts the Geelong Returned Soldiers and Sailors Woollen and Worsted Mill Board of Directors in 1938. Pictured are: Secretary - E.J. Fairnie; Director - G.W. McDonald; Chairman - D.P.C. Wilson; Managing Director - A. Schofield; Director - Padre Charles Neville; Director - F.H. BurnRSS Mill Board of Directors, 1938.GEELONG R.S. & S. WOOLLEN & WORSTED CO-OPERATIVE / MANUFACTURING COY. LIMITED / BOARD OF DIRECTORS / 22nd OCTOBER, 1938 The / Lockwood Studios / Geelongtextile mills, returned soldiers and sailors mill, fairnie, mr edward john - returned soldiers and sailors mill schofield, mr albert m.b.e. - returned soldiers and sailors mill wilson, mr d. p.c. - returned soldiers and sailors mill -
Beechworth Honey Archive
Branding Iron
This was the Robinsons family brand, registered by Alan + Keith Robinson. Heated in fire, it was used to burn an impression into a pine beebox. It has always been a legal requirement that bees be identified to a particular owner. This allows the owners to be contacted in event of complaints or disease outbreak, among other things. Metal branding iron with head. Label reads R52branding, iron, beechworth honey -
Beechworth Honey Archive
Antique Smoker
Smokers are used to calm bees. This is done by putting some kind of fuel into the chamber (pine needles, hessian, anything that smokes a lot when it burns), lighting it, then puffing the bellows to bring forth the smoke. The smoke has a calming influence over the bees, and helps stop them from stinging. The guard around the outside is to prevent burns via contact with the hot chamber.Metal circular canister with spout and metal struts which connect the canister to bellows. Bellows are constructed from leather and wood. Object is broken; bellows and canister are not attached.smoker, bee, beekeeping, beechworth honey -
Beechworth Honey Archive
Map- Albury
Map centred on Albury, showing Wodonga, Beechworth, Yackandandah and Chiltern. Topographic survey scale 1:100,000. Map is colour, printed on paper. Produced by Department of Minerals and EnergySheet 8225 (ed.1) series R. 652 Notes written on side regarding brigade boundaries, constructed access roads and fire trails, dams suitable for quick fill pump and areas 'fuel reduction burns Autumn 76'.map, albury, wodonga, beechworth, yackandandah, chiltern, paper, topographic, beechworth honey -
Beechworth Honey Archive
Antique Smoker
Smokers are used to calm bees. This is done by putting some kind of fuel into the chamber (pine needles, hessian, anything that smokes a lot when it burns), lighting it, then puffing the bellows to bring forth the smoke. The smoke has a calming influence over the bees, and helps stop them from stinging. The guard around the outside is to prevent burns via contact with the hot chamber.Circular canister, metal, with spout attached. Connected by metal struts is bellows. Bellows have wooden front and back, joined by leather that is attached by metal.smoker, antique, beekeeping, beechworth honey -
Beechworth Honey Archive
Antique Smoker
Smokers are used to calm bees. This is done by putting some kind of fuel into the chamber (pine needles, hessian, anything that smokes a lot when it burns), lighting it, then puffing the bellows to bring forth the smoke. The smoke has a calming influence over the bees, and helps stop them from stinging. The guard around the outside is to prevent burns via contact with the hot chamber.Circular canister, metal, with spout attached. Connected by metal struts to circular bellows. Bellows are missing. Canister very rusty, extensive use wear. Lid is fused to canister.rusty, smoker, antique smoker, beechworth honey -
Beechworth Honey Archive
Antique Smoker
Smokers are used to calm bees. This is done by putting some kind of fuel into the chamber (pine needles, hessian, anything that smokes a lot when it burns), lighting it, then puffing the bellows to bring forth the smoke. The smoke has a calming influence over the bees, and helps stop them from stinging. The guard around the outside is to prevent burns via contact with the hot chamber.Circular canister, metal, with spout attached. Connected by metal struts to bellows. Bellows have wooden front and back joined by leather that is attached by metal. Very rusty; lid fused shut. Extensive use wear.rusty, smoker, antique smoker, beechworth honey -
Tatura Irrigation & Wartime Camps Museum
Document - Transcript Document, Inquiry into the Business Case for Water Infrastructure
Inquiry into the estimated costs and benefits of irrigation modernisation by Frank L Burns and transcript of the Standing Committee of Finance and Public AdministrationPrinted pages inquiring about the modernisation of irrigation infrastructureirrigation, frank l burns, frank burns -
Tatura Irrigation & Wartime Camps Museum
Cup, Tatura Racing Club
Silver cup, engraved, on 3 legs, fluted top. Tatura Racing Club.Tatura Open Trials 1929. J. L. Moores, Robbie Burns (imp)silver cup, tatura racing club, open trial horse race, j l moores, robbie burns -
Victorian Aboriginal Corporation for Languages
Book, Walalbai nalwar = small crab, 2007
Short story for children in Butchulla language.illustrations, word listsbutchulla, stories -
Victorian Aboriginal Corporation for Languages
Book, Wanya ngangung ngabang =? where's my mother, 2003
Short story for children in Butchulla language translated by Jeanie Bell and Joyce Bonner.butchulla, stories -
Victorian Aboriginal Corporation for Languages
Book, Djamaramee dhippee = the small bird, 2003
Short story for children in Butchulla language translated by Jeanie Bell and Joyce Bonner.illustrations, word listsbutchulla, stories -
Victorian Aboriginal Corporation for Languages
Book, Butchulla gabu = Butchulla boy, 2003
Short story for children in the Butchulla language translated by Jeanie Bell and Joyce Bonner.illustrations, word listsbutchulla, stories -
Victorian Aboriginal Corporation for Languages
Book, Butchulla wurru = Butchulla girl, 2007
Short story for children in the Butchulla language translated by Jeanie Bell and Joyce Bonner.Illustrations, word listsbutchulla, stories, hervey bay -
Port Fairy Historical Society Museum and Archives
Photograph
Union Inn with verandah corner of James and Cox Streets Port Fairy. Built by William Anderson. James Anderson (William's brother was the first licensee in 1852. A fire burned down the stables in 1879 but neighbours stopped the fire from spreading. The Gillespie and Keating families appear to have been owners of the Union for much of its history as licenced premises. The building was demolished in the 1950's A renovated facade of the union Inn showing the addition of a verandah to the facadePhotographhotel, cox street, james street, james anderson, william anderson, gillespie, keating, union inn, verandah -
Port Fairy Historical Society Museum and Archives
Photograph
The small building on the left is the Farmers Inn, and was built about 1849, when James Brown became the first licensee. In 1854 John Walwyn Taylor moved from the Sally Ann to take over, and remained there until 1857, when he moved to his new hotel The Star of the West built on the old Sally Ann site. John Wall then became the new licensee of the Farmers Inn. In 1876 his wife Bridget made an application for the license to be transferred to her as “her husband suffered from rheumatism, and there were certain other reasons why the license should be transferred to her hands”. The Bench wondered about creating a precedence of granting a license to a married woman, who was living with her husband, (licenses were only granted to the widows of licensees at that time), so the application was postponed for 14 days, but eventually Mrs Wall won her case. In 1882 Patrick Tennyson took over the lease of the Farmer’s Inn and applied to change the name to Tennyson’s Hotel. In 1885 he bought the freehold in the Great Land Sale for £780. 12s. 8d., and in December, carried out extensive renovations. The local press reported that “the rooms were quite tasteful, the Billiard room commodious and well ventilated, and that the old hotel had not looked so good for years”. The double storied part of the hotel was added in 1893. Patrick Tennyson had a colourful career. He was born in Charlemont, County Armagh in 1846. When he was 21, he served as a papal guard at the Vatican for 2 years and then entered the Marist Brothers novitiate in Beauchamps. In 1872 he was one of three brothers to accompany Brother Ludovic to Sydney; he was then aged 23. After 5 years he withdrew from the Congregation and moved to Victoria, where he took up teaching, first at Rosedale near Sale, then at Crossley, by which time he was married to Anne White. They had eight children, three dying in infancy. Eight months after he took over the Farmers’ Inn, he was elected to the Borough Council, and served as Mayor in 1897. His great interest was sport, was Secretary of the Race Club for 20 years and supported the local Football Club by donating a silver cup for local competitions. Patrick Tennyson died in 1904. The hotel continued under various licensees until it burned down in 1977 under the name of “The Fishermen’s Arms”. Well known main street hotel no longer exists Sepia photograph of 2 story building with tiled wainscoting male and 2 females in doorway and 2 females in window upstairshotel, building, sackville street, patrick tennyson, w.j.wright