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Warrnambool RSL Sub Branch
Artefact, Trench Art- Model Bi-plane WW1, C1915- 1918
Trench art was typically made by soldiers from pieces of shell and shrapnel, which would have been collected and refashioned into many different objects ,some being of a functional type such as containers and holders while others such as this are more decorative. The maker of this art piece was Stanley Morgan 6383 who was born at Mepunga which is East of Warrnambool.This item has significance being a typical example of trench art which has survived over 100 years. Being linked to one of the largest conflicts in which Australia has engaged it has strong historical significance.This model is constructed of metal and wood. It has a propeller mount on either side of the cockpit with propellers front and back. It has two German crosses on the back and one on either wing.The body of the plane rests on four wheels which sit under the wings with two smaller wheels at the front.There is a gold coloured plaque mounted at the front. It stands on a modern wooden mount,On small plaque at front of mount,”Crafted by Trumpeter Stan Morgan France WW1. On the base of the mount on a small sticker,”Mr Lloyd Morgan 19 Mountfield Ave Malvern East Vic 3145warrnambool, trench art, stanley morgan 6383, morgan mepunga -
Victoria Police Museum
Photograph, Criminal Photograph James Duncan
James Duncan was tried for his involvement in the Nelson Robbery in 1852. The robbery of the barque 'Nelson' is one of the most notorious crimes of the 1850s. Duncan, along with James Morgan, John James, Stephen Fox and John Roberts , robbed the ship of over cash and gold nuggets at gun point while she was anchored at Hobsons Bay, off Melbourne. One of the victims of the robbery identified Duncan to police by his voice. Duncan was sentenced by the notorious Justice Redmond Barry to 15 years hard labour on the roads. Black and white photograph mounted on card.duncan, morgan, james, fox, roberts, nelson, nelson robbery, gold rush, redmond barry -
Warrnambool and District Historical Society Inc.
Plate, Baby Plate - Elizabeth Morgan, c mid 19th century
This child's plate was owned by Elizabeth Morgan who was married to Mr P B Webb who was mayor of Warrnambool in 1917. A common item which has significance as it belonged to a local person who was Mayoress of Warrnambool Pale blue straight edged round baby's plate with wide flat rim. Transfer of lion in greenery surrounds is in centre of bottom of plate. Four small transfers of clowns around the edge of the larger transfer.. The alphabet and numbers 1-10 are around the flat edge of the plate. The side has a small ridge which has the remnants of gold paint. A break in the glaze of the bottom of the plate displays blue material.Alphabet and numbers warrnambool, baby plate, elizabeth morgan -
Eltham District Historical Society Inc
Book, Val Morgan and Sons Pty Ltd, Morgan's Street Directory of Melbourne & Suburbs, 42nd edition (large scale) (published 1965), 1965c
... melbourne Book Book Morgan's Street Directory of Melbourne & Suburbs ...1 atlas (228 p.) : 147 col. maps ; 25 cm. (Two copies - second copy front and back covers separated/loose)melbourne maps, street directory -
Warrnambool and District Historical Society Inc.
Book, Holy Bible, 1881
This is a typical family bible from the 1880's. It was owned by the Morgan family of Allansford but from the names in the back appears to have connections to the Cumming family also of Allansford.The original owners were John and Sarah Morgan who were great grandparents of the donor.A typical family bible which has connections to a local family.Brown leather hard cover with pages edged in gold. 1125 pages.It has side notes. There is part of a inscription on the front fly. The fragment of the inscription reads "Present ** Miss Anne** on the occasion ** by her frie***. In the back is a list of names and birth dates. Moreton St Clare Cumming born 23rd February 1904 at Allansford. Thomas Arthur Clyde Cumming born 24 March 1905 at Allansford. Alice Edith Frances Cumming born 21st June 1907 at Allansford.George Henry Reginald Cumming born 2nd January 1910 at Allansford. Linda Myrtle Cumming died 30th October 1895, Ivy Stella Mary Cumming born 27 August '89 at Flaxman Street Warrnambool, Jessie Elizabeth Doris Cumming Born Warrnambool 17th August 1899 Flaxman St Wallace Alan Lancelot born 3rd July 1902 at Allansford. holy bible, morgans of allansford -
Warrnambool and District Historical Society Inc.
Book, Welsh Bible, 1864
As written in the note inserted in the front of the bible ,"This Welsh Bible was brought to Australia by John Morgan and his wife Sarah in 1865. With baby daughter Mary, they settled at Allansford, where John took up land"Acme" farm. Their other children Margaret, Jane, Evan, Lewis and Elizabeth were born there." The Memorial card provides the additional information that Sarah Morgan died July 30th 1906 at the age of 68. The date of the Bible 1864 fits with their arrival in Australia in 1865. The Morgan family have been connected to Allansford from that time. This bible has significance social and historical significance as the Bible was common in many family homes. This one written in Welsh shows the connection between the origins of the Morgan family and their new country. It is well provenanced and is well connected to the district.Dark brown leather cover over card.The pages are edged in gold and the front and and back covers have a rectangular scrolled design . The pages are not numbered.There is an envelope inside the front cover with a George Hose docket for threshing wheat, barley and oats and an In Memoriam card for Sarah Morgan who dies July 30th 1906. There is also a handwritten note with the owners details and a navy ribbon which may have been attached at one time.There are no inscriptions on the bible itself but the handwritten card reads, " This Welsh Bible was brought to Australia by John Morgan and his wife Sarah in 1865. With baby daughter Mary, they settled at Allansford, where John took up land"Acme" farm. Their other children Margaret, Jane, Evan, Lewis and Elizabeth were born there. There is also an envelope dated 2004 and addressed to Mr Bill Morgan 6 Vera St Iluka NSW 2466. Watkins Binder label inside the back cover.allansford, welsh bible, morgan family, sarah and john morgan -
Kew Historical Society Inc
Archive (Series) - Subject File, Fairyland - 57 Malmsbury Street, 1910
Various PartiesReference, Research, InformationSecondary Values (KHS Imposed Order)Subject file on ‘Fairyland’, 57 Malmsbury Street, Kew. Fairyland, when owned by the Tabulos was a noted local, state, national and international tourist attraction. The grandparents of the historian Dorothy Rogers had originally owned the house. The file contains a copy of Rogers’ history of the house. The file also contains sundry newspaper articles/clippings, correspondence between KHS and the City of Boroondara relating to heritage protection, personal email correspondence (not for distribution), poetry, research documents including timelines, and colour and black and white photographs (donated by Betty Morgan, Matt Dickerson, et al). Primary sources included in the file include photocopies of Jim Tabulo’s War records and Jim and Grace Tabulo’s wedding certificate. The Tabulos collected and displayed in their garden many items of porcelain, pictures etc. The file contains a copy of a document/booklet on the British Royal family that once formed part of the Fairyland Collection.kew (vic) - history, fairyland - 57 malmsbury street (kew), jim tabulo, grace tabulo, mrs warboys, william lowe, henrietta lowe, dorothy rogers, arthur spruzen, william coucherkew (vic) - history, fairyland - 57 malmsbury street (kew), jim tabulo, grace tabulo, mrs warboys, william lowe, henrietta lowe, dorothy rogers, arthur spruzen, william coucher -
Melbourne Athenaeum Archives
Theatre Flyer, Psychic Sally On The Road Australia (interactive show) performed at Athenaeum Theatre 24 June 2015. Sally Morgan & her psychic services are investigational & for the purpose of entertainment
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Robin Boyd Foundation
Newspaper - Clipping, Francis Evers, Malice in blunderland, 27.5.1967
A book review of "Utzon and the Sydney Opera House: Statement in the Public Interest, by E. Duek-Cohen, Morgan Publications, $1.20. Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded.Newspaper clippingsydney opera house, utzon, sydney opera house project, walsh st library -
Robin Boyd Foundation
Book, Kevin Morgan, Gun Alley Murder, Lies and failure of justice, 2005
SoftcoverCambridge University Pressmurder trials, justice, walsh st library -
Friends of Westgarthtown
Book, music, Printed by Morrison and Bibb Limited; Published by Marshall, Morgan, Scott, Limited, Sacred Songs and Solos: Revised and enlarged with standard hymns
Song book with musical score for keyboard including 1200 musical pieces.Sylvia Schultz 581 written on inside front cover. Sticker reading Keswick Book Depot 315 Collins Street Melbourne. On fly leaf stamp reads Post Office Christian Assn. Melb. Branch. In pencil NH12/6 written.books, music, musical books, hymns, ira d. sankey, marshall, morgan, scott ltd, lutheran, song book -
Kew Historical Society Inc
Legal record - The Indenture, Crown Portion 86, otherwise known as 'The Morgan Deed', 1852 (and later)
This indenture once formed part of the City of Kew's Municipal Collection. Cr. W.D. Vaughan in his history 'Kew's Civic Century' (1960) records on page 194 that: "The original deed of conveyance of the land being all of Crown Portion 86, Kew, purchased by John Quick, James Venn Morgan, Samuel Derrick and William Derrick was presented by the Historical Society of Victoria on behalf of Mrs Fryer, a daughter of the later J.V. Morgan, to the [Kew] Council on August 5, 1941. Crown Portion 86, comprised all the land between Cotham Road and High Street to an alignment opposite the east boundary of Glenferrie Road. On it the first residential house was built by Mr. J.V. Morgan in 1852." Following the donation, the Indenture was surrounded by other original related text and explanatory notes and framed. The resulting framed documents are the largest framed objects in the collection.The Indenture and the accompanying contextual documents are some of the most historically significant manuscripts to have survived since the settlement of Kew in the 1850s. They provide a link to Kew's most famous pioneering families.Framed 1952 Indenture recording the sale of land in Kew to pioneering Kew families.james venn morgan, john quick, william derrick, samuel derrick, kew (vic) - history, kew (vic) - pioneers, samuel watts, kew (vic.) — municipal collection -
Kew Historical Society Inc
Photograph, G L Massingham, Three Boys, 1901-1910
One of a group of unprovenanced photographs donated to the Society by Betty Morgan.While its provenance is unclear, and it has suffered from fading, the photograph is a useful record of children's clothing in the first decade of the Twentieth Century. It is an example of Massingham's commercial photography at his studio in Bendigo. The clothing worn by the boys can be used to deconstruct social values in the period preceding the First World War.Faded sepia studio photograph of three unidentified boys, the oldest boy dressed in a quasi-military uniform; the two younger in berets and lace collars. The photographer is named as G.L. Massingham ( (George Leake, active 1866-1921) of View Street, Bendigo (and Geelong); active in View Street from 1901-c.1921.G. L. MASSINGHAM / VIEW STREET. BENDIGOaustralian photographers - g. l. massingham - view street - bendigo -
Tatura Irrigation & Wartime Camps Museum
Book, Irrigated Pastures in Victoria, 1951
Reprints from the Journal of The Department of Agriculture of Victoria. Reports on experiments in agricultureSoft cover - green. picture of grazing sheep on front. 1/6d in white circle. Illustrated"Stan Parfett" in blue ink in the right-hand cover of coverirrigation, pastures, morgan a, department of agriculture, parfett s, tatura, agriculture, books -
Malmsbury Historical Society
Photograph (Item), Bert Morgan At Clean Up Australia Day 1991, Malmsbury 26/3/1991
People - "Morgan, Bert" Buildings - Cemetery Associated with - M.H.S -
Malmsbury Historical Society
Photograph (Item), Bert Morgan At Mhs Exhibition Sept 1991, Malmsbury 4/9/1991
People - "Morgan, Bert; Manktelow, Dennis" Buildings - Town Hall Associated with - "Mhs, Daffodil Festival?" -
Malmsbury Historical Society
Photograph (Item), Bert Morgan At Mhs Exhibition Sept 1991, Malmsbury 4/9/1991
People - "Morgan, Bert; Manktelow, Dennis" Buildings - Town Hall Associated with - "Mhs, Daffodil Festival?" -
Malmsbury Historical Society
Photograph (Item), Bert Morgan At Mhs Exhibition Sept 1991, Malmsbury 4/9/1991
People - "Morgan, Bert; Manktelow, Dennis" Buildings - Town Hall Associated with - "Mhs, Daffodil Festival?" -
Malmsbury Historical Society
Photograph (Item), Bert Morgan At Mhs Exhibition Sept 1991, Malmsbury 4/9/1991
People - "Morgan, Bert; Manktelow, Dennis" Buildings - Town Hall Associated with - "Mhs, Daffodil Festival?" -
Malmsbury Historical Society
Photograph (Item), Bert Morgan At Heritage Week Malmsbury 1991, Malmsbury 4/9/1991
People - "Morgan, Bert; Manktelow, Dennis" Associated with - "Mhs, Heritage Week" -
Malmsbury Historical Society
Photograph (Item), Bert Morgan At Heritage Week Malmsbury 1991, Malmsbury 4/9/1991
People - "Morgan, Bert; Manktelow, Dennis" Associated with - "Mhs, Heritage Week" -
Malmsbury Historical Society
Photograph (Item), Bert Morgan At Heritage Week Malmsbury 1991, Malmsbury 4/9/1991
People - "Morgan, Bert; Manktelow, Dennis" Associated with - "Mhs, Heritage Week" -
Tatura Irrigation & Wartime Camps Museum
Newspaper clipping, Tatura Guardian, Blast from the Past 1951, 1951
Debutantes with partners. From back left: Kath Mulcahy (Peter Barber), Anne Leslie (Phillip Crawford), Fay Longworth (James McCann), Rhonda Dick (Jack Marshall), Helen Pogue (Bruce Barber), Heather Gurden (Phillip Mactier), Shirley Lovett (Leslie Leaf), Middle : Val Ryan (John Stewart), Theresa Noonan (Donald Stephens), Faye Beddell (Leslie Gavey), Doris De Lai (Ted Gavey), Mary Young (Terry Joyce), Ella Bunn (Neil Morgan), Patrick Dick ). Front: Betty Forbes (Thomas Atley), Madeline Mc Mahon (Neil Thomas), Mrs Pearl Dick (Chaperone), Patricia Pearce (Don Whyte), Edna Hampton (Ian Henderson)Photo of 18 debutantes, with names of their partners in brackets. 1951 -
Tatura Irrigation & Wartime Camps Museum
Photograph, Tatura Football Team 1932 or 1933, c.1933
Photo loaned for copying. Tatura Football Team 1932 or 1933.|Back: Ken Williams; Big Connors; Doug Anderson; Fred Anderson; Bill Wadeson; Joe Dunne; Bob Cussen; Sid Cattlin; Dr. Andrews (Pres.).|Centre: Bernie Cussen; Frank Pritchard; Col Reddie; Skelly Dick; ? ; Norm Mitchell.|Front: Fred Colliver; Mel Dowel; Eric Tavener; Mick Hogan; Basil Morgan; Jim McPherson; Dick Wadeson.Mounter photo on loan.photography, photograph, slides, film -
Victorian Aboriginal Corporation for Languages
CD-ROM, Country Fire Services South Australia, FireMapCD Riverland &? Murray Mallee, 2001
The area covered by this map is the same as the CFS Riverland & Murray Mallee Map Book. The area covered adjoins the Mount Lofty Ranges map book on the eastern boundary at Murray Bridge, north to Morgan and east to Renmark and the State Border. It extends southwards to join the northern boundary of the Lower South East map book at Padthaway.CD-ROMfire protection, victorian maps -
Victorian Aboriginal Corporation for Languages
Periodical, Australian Institute of Aboriginal and Torres Strait Islander Studies, Australian Aboriginal studies : journal of the Australian Institute of Aboriginal and Torres Strait Islander Studies, 2008
Mawul Rom Project: Openness, obligation and reconciliation Morgan Brigg (Universtiy of Queensland) and Anke Tonnaer (University of Aarhus, Denmark) Aboriginal Australian initiatives to restore balanced relationships with White Australians have recently become part of reconciliation efforts. This paper provides a contextualised report on one such initiative, the Mawul Rom crosscultural mediation project. Viewing Mawul Rom as a diplomatic venture in the lineage of adjustment and earlier Rom rituals raises questions about receptiveness, individual responsibility and the role of Indigenous ceremony in reconciliation efforts. Yolngu ceremonial leaders successfully draw participants into relationship and personally commit them to the tasks of cross-cultural advocacy and reconciliation. But Mawul Rom must also negotiate a paradox because emphasis on the cultural difference of ceremony risks increasing the very social distance that the ritual attempts to confront. Managing this tension will be a key challenge if Mawul Rom is to become an effective diplomatic mechanism for cross-cultural conflict resolution and reconciliation. Living in two camps: the strategies Goldfields Aboriginal people use to manage in the customary economy and the mainstream economy at the same time Howard Sercombe (Strathclyde University, Glasgow) The economic sustainability of Aboriginal households has been a matter of public concern across a range of contexts. This research, conducted in the Eastern Goldfields of Western Australia, shows how economically successful Aboriginal persons manage ?dual economic engagement?, or involvement in the customary economy and the mainstream economy at the same time. The two economies sometimes reinforce each other but are more often in conflict, and management of conflicting obligations requires high degrees of skill and innovation. As well as creating financially sustainable households, the participants contributed significantly to the health of their extended families and communities. The research also shows that many Aboriginal people, no matter what their material and personal resources, are conscious of how fragile and unpredictable their economic lives can be, and that involvement in the customary economy is a kind of mutual insurance to guarantee survival if times get tough. Indigenous population data for evaluation and performance measurement: A cautionary note Gaminiratne Wijesekere (Dept. of Families, Housing, Community Services and Indigenous Affairs, Canberra) I outline the status of population census counts for Indigenous peoples, identifying information on Indigenous births and deaths, and internal migration estimates. I comment on the ?experimental? Indigenous population projections and question the rationale for having two sets of projections. Program managers and evaluators need to be mindful of limitations of the data when using these projections for monitoring, evaluating and measuring Indigenous programs. Reaching out to a younger generation using a 3D computer game for storytelling: Vincent Serico?s legacy Theodor G Wyeld (Flinders University, Adeliade) and Brett Leavy (CyberDreaming Australia) Sadly, Vincent Serico (1949?2008), artist, activist and humanist, recently passed away. Born in southern Queensland in Wakka Wakka/Kabi Kabi Country (Carnarvon Gorge region) in 1949, Vincent was a member of the Stolen Generations. He was separated from his family by White administration at four years of age. He grew up on the Cherbourg Aboriginal Reserve in the 1950s, when the policies of segregation and assimilation were at their peak. Only returning to his Country in his early forties, Vincent started painting his stories and the stories that had been passed on to him about the region. These paintings manifest Vincent?s sanctity for tradition, storytelling, language, spirit and beliefs. A team of researchers was honoured and fortunate to have worked closely with Vincent to develop a 3D simulation of his Country using a 3D computer game toolkit. Embedded in this simulation of his Country, in the locations that their stories speak to, are some of Vincent?s important contemporary art works. They are accompanied by a narration of Vincent?s oral history about the places, people and events depicted. Vincent was deeply concerned about members of the younger generation around him ?losing their way? in modern times. In a similar vein, Brett Leavy (Kooma) sees the 3D game engine as an opportunity to engage the younger generation in its own cultural heritage in an activity that capitalises on a common pastime. Vincent was an enthusiastic advocate of this approach. Working in consultation with Vincent and the research team, CyberDreaming developed a simulation of Vincent?s Country for young Aboriginal and non-Aboriginal persons from the Carnarvon Gorge region to explore Vincent?s life stories of the region. The use of Vincent?s contemporary paintings as storyboards provides a traditional medium for the local people to interactively re-engage with traditional values. Called Serico?s World, it represents a legacy to his life?s works, joys and regrets. Here we discuss the background to this project and Vincent?s contribution. A singular beeswax representation of Namarrkon, the Lightning Man, from western Arnhem Land RG Gunn (La Trobe University) and RL Whear (Jawoyn Association) Samples from a beeswax representation of Namarrkon, the Lightning Man, from western Arnhem Land were analysed for radiocarbon and dated to be about 150 years old. An underlying beeswax figure was found to be approximately 1100 years old. The Dreaming Being Namarrkon is well known throughout Arnhem Land, although his sphere of activity is concentrated around the northern half of the Arnhem Land plateau. Namarrkon is well represented in rock-paintings in this area and continues to be well represented in contemporary canvas-paintings by artists from the broader plateau region. We conclude that representations of Namarrkon in both painted and beeswax forms appear to be parallel manifestations of the late Holocene regionalisation of Arnhem Land. ?Missing the point? or ?what to believe ? the theory or the data?: Rationales for the production of Kimberley points Kim Akerman (Moonah) In a recent article, Rodney Harrison presented an interesting view on the role glass Kimberley points played in the lives of the Aborigines who made and used them. Harrison employed ethnographic and historical data to argue that glass Kimberley points were not part of the normal suite of post-contact artefacts used primarily for hunting and fighting or Indigenous exchange purposes, but primarily were created to service a non-Indigenous market for aesthetically pleasing artefacts. Harrison asserted that this market determined the form that these points took. A critical analysis of the data does not substantiate either of these claims. Here I do not deal with Harrison?s theoretical material or arguments; I focus on the ethnographic and historical material that he has either omitted or failed to appreciate in developing his thesis and which, in turn, renders it invalid. The intensity of raw material utilisation as an indication of occupational history in surface stone artefact assemblages from the Strathbogie Ranges, central Victoria Justin Ian Shiner (La Trobe University, Bundoora) Stone artefact assemblages are a major source of information on past human?landscape relationships throughout much of Australia. These relationships are not well understood in the Strathbogie Ranges of central Victoria, where few detailed analyses of stone artefact assemblages have been undertaken. The purpose of this paper is to redress this situation through the analysis of two surface stone artefact assemblages recorded in early 2000 during a wider investigation of the region?s potential for postgraduate archaeological fieldwork. Analysis of raw material utilisation is used to assess the characteristics of the occupational histories of two locations with similar landscape settings. The analysis indicates variability in the intensity of raw material use between the assemblages, which suggests subtle differences in the occupational history of each location. The results of this work provide a direction for future stone artefact studies within this poorly understood region.document reproductions, maps, b&w photographs, colour photographskimberley, mawul rom project, 3d computer game, storytelling, vincent serico, beeswax, namarrkon, artefact assemblages, strathbogie ranges, groote eylandt, budd billy ii -
Victorian Aboriginal Corporation for Languages
Book, Bain Attwood, 'My country' : a history of the Djadja Wurrung 1837-1864, 1999
A description of the invasion of Djadja Wurrung land in Central Victoria which began in the mid 1830s.maps, b&w illustrations, b&w photographsdjadja wurrung, dja dja wurrung, dja dja wrung aboriginal association, beembarmin, victorian pastoral leases, franklinford, fernihurst, edward parker, caroline morgan, thomas dunolly, cummeragunja, racial conflict, racism, victorian social history -
Victorian Aboriginal Corporation for Languages
Book, Ken Baker, A treaty with the Aborigines?, 1988
A time for reconciliation / Bob Hawke -- Treaty is a recipe for separatism / John Howard -- A treaty for land justice and self-determination / Janine Haines -- Why a treaty? / Galarrwuy Yunupingu -- Aborigines are Australian, too / Bob Liddle -- Fallacies weaken the case for a treaty / Geoffrey Blainey -- Why whites also need an Aboriginal treaty / Roberta Sykes -- The quest for Aboriginal sovereignty / Hugh Morgan -- Legal and constitutional considerations / Mark Cooray -- Australia as terra nullius / Peter van Hattem -- Canada: towards Aboriginal self-government? / Jean Chretien -- American Indian treaties: historic relics / Peter Samuel -- The long aftermath of Waitangi / Antomy C. Turner -- Appendix 1: The Barunga statement -- Appendix 2: Preamble to the ATSIC Bill -- Appendix 3: Press attitudes to a treaty -- Appendix 4: Aboriginal population and landmaps, b&w photographsrace relations, racism, government relations, treaties -
Victorian Aboriginal Corporation for Languages
Book, John Morgan, The life and adventures of William Buckley, 1996
Early (1852) biography of William Buckley, with introduction and notes by Roland Schicht (1996).maps, b&w illustrations, colour illustrationsport phillip bay, yarra river, william buckley -
Wangaratta Art Gallery
Painting, Tony Convey, Mad Dog Morgan, 1976
naïve art, outsider artRural City of Wangaratta Collection, Wangaratta Art Prize 1977.An oil painting that tells the story of the bushranger Mad Dog Morgan, painted in the naïve art style using a colour palette of blue, brown, orange, and red.wangaratta art gallery, tony convey, naïve art, outsider art, mad dog morgan, painting, bushranger