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Warrnambool and District Historical Society Inc.
Textile - Wilton Wedding Dress, 1937
The wedding dress was worn by Amy Wilton for her marriage at St John's Presbyterian Church. Photograph (media attached) shows bride wearing the dress.This wedding dress is socially significant because of its historic connection with Warrnambool through local families that still reside in the city and contributes to the understanding of the era. It has artistic and aesthetic merit and is a good example of fashion, style and design of the era. (refer catalogue Gorgeous Garb, Buda, Castlemaine p2 and The Australian Aesthetic Wedding Dress 1822 to 2011, Bendigo Art Gallery, p 5,10,12,17)A magnolia silk velvet wedding dress worn by Amy Wilton for her marriage to Ronald Wade (born 30 September 1912) on 19 April 1937 at St John's Presbyterian Church, Spence Street, Warrnambool.wade, wilton, wedding dress, 1937 -
Warrnambool and District Historical Society Inc.
Book, Picturesque Warrnambool, 1891
This book presents a pictorial and written record of Warrnambool in 1891.It covers a wide range of topics. It provides statistical evidence relating to public buildings and organisations of that era, as well as basic information about district points of interest. The Mechanics Institute, the Common, Albert Park, the rivers, the Museum and the Sea Baths are all mentioned. The various drawings and advertisements provide a list of businesses which were prevalent at the time. As this book is one of only two complete copies documented to be still in existence, it is of considerable significance and importance to our collection. The drawings and text are artistically very much of the era and are aesthetically pleasing. Cardboard cover with picture of people on beach in tones of yellow, pink and blue sitting within a circle. Dark purple cloth spine binding. Back cover has drawing of Western Hotel. Pages are not numbered and there are a number of coloured and black and white drawings. Title is in dark purple and Warrnambool is in pink and blue tonesOn front cover “The Mermaids Caves” 1896. 1891 written in pen beneath roman numerals on bottom of title page. List of numbers written down title page in black pen.warrnambool, picturesque warrnambool, warrnambool 1891, -
Warrnambool and District Historical Society Inc.
Cuff Links, Cuff Links x 2, Mid 20th century
No specific information is available on these items. Cuff links were used in place of buttons on the sleeves of men's dress shirts which were made with button holes on both edges of the cuff. They were typically used for more formal occasions and many sported decorative stones or facades. Although we have no known information on these items, cufflinks generally have social significance and also some aesthetic appeal. They have long been a fashion item for men , with first usage recorded around the 16th century. These are five metal cufflinks, all gold in colour. Three are matching with a small mother-of pearl stud and two are matching with a black shiny round stud. There is also a small metal clip which may not belong to the other items. The items are in a plastic jewellery box (probably not originally housing these items). The box has a hinged lid and a ridged top with the embossed image of a rose and it is lined with black felt and white silk. The black felt has four holes for attaching an item of jewellery. Bottom of box: ‘Casecraft, Cat. No 104, Made in Australia’cuff links, warrnambool -
Warrnambool and District Historical Society Inc.
Book, Picturesque Warrnambool, C1891
This book presents a pictorial and written record of Warrnambool in 1891.It covers a wide range of topics. It provides statistical evidence relating to public buildings and organisations of that era, as well as basic information about district points of interest. The Mechanics Institute, the Common, Albert Park, the rivers, the Museum and the Sea Baths are all mentioned. The various drawings and advertisements provide a list of businesses which were prevalent at the time.As this book is one of only two complete copies documented to be still in existence, it is of considerable significance and importance to our collection. The drawings and text are artistically very much of the era and are aesthetically pleasing.Plain grey card cover with fabric binding. Handwriting on front cover and inside front cover. It contains a number of black and white and coloured plates depicting scenes of Warrnambool and the district. Approximately 70 pages.Old Warrnambool about 1891 hand written on label on front cover, underneath is also written “When I have finished with these please forward to Warrnambool Historical Society Warrnambool. D 77, 252 in bottom RHC of cover. picturesque warrnambool,, warrnambool 1891, -
Eltham District Historical Society Inc
Negative - Photograph, Eltham - Gahan's House (now demolished)
Source: Geo. W. Bell, ElthamShillinglaw Cottage is itself historically, aesthetically and socially significant to the Shire of Nillumbik and is registered on the Victorian Heritage Database. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negsepp, shire of eltham pioneers photograph collection, eltham, shillinglaw cottage, gahan house -
Eltham District Historical Society Inc
Negative - Photograph, Shillinglaw Cottage, 17 Oct. 1963
Shilinglaw Cottage in its original location on Main Road Eltham with the three Mediterranean Cypress trees (“Shillllinglaw trees”) in the garden. Note a fourth pine to the right. This image was taken shortly before its relocation. Believed to be have been taken by John Collins, 17 Oct 1963 as per other images held by the State Library of Victoria Author / Creator: John T Collins 1907-2001 , photographer. J.T. Collins Collection, La Trobe Picture Collection, State Library of Victoria. Shillinglaw Cottage is significant to Eltham’s local history. It is one of the earliest known buildings still in existence. Records suggest that the cottage was built circa 1859 by a man named Cochrane, believed to be Thomas Cochrane, in conjunction with George Stebbings though it is not known what Stebbings’s contribution was. It is made from hand made bricks laid in a Flemish bond pattern. In the 1960s it was marked for demolition to make way for the construction of new council buildings but a community campaign saved the cottage and it was re-located. It is believed Stebbings owned the cottage between 1874 and 1888. According to Margaret Ball’s (2017) book Shillinglaw Family of Eltham 1660-2007, Thomas Cochrane and family lived there from 1867 to 1874 however this is contrary to the records of assessable rates levied by the Eltham District Road Board, established in 1858, which shows Cochrane was the owner occupier (in Little Eltham) of approximately 25 acres of cultivated land and 25 acres of pastureland upon which a hut was sited in 1860. It is suspected that George Stebbings may have acquired the property from Cochrane in 1874 as it is noted that he had a tenant for a period, James Rossiter, who was the editor for the Evelyn Observer in Kangaroo Ground in 1874 (LATE SHIRE OFFICE AT KANGAROO GROUND (1934, February 16). Advertiser (Hurstbridge, Vic. : 1922 - 1939), p. 5. Retrieved February 25, 2022, from http://nla.gov.au/nla.news-article56743657). In 1881 Phillip Shillinglaw became the ratepayer for the cottage though Stebbings retained ownership until 1888 at which time it was transferred to Shillinglaw.Shillinglaw Cottage is itself historically, aesthetically and socially significant to the Shire of Nillumbik and is registered on the Victorian Heritage Database. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negsepp, shire of eltham pioneers photograph collection, eltham, shillinglaw cottage, significant tree -
Eltham District Historical Society Inc
Photograph, Side view of Shillinglaw Cottage
Side view of 'Shillllinglaw Cottage' in its original location on Main Road Eltham, 1964. The cottage was built by George Stebbings about 1859 and is made from hand made bricks laid in a Flemish bond pattern. In the 1960s it was marked for demolition to make way for the construction of new council buildings but a community campaign saved the cottage and it was re-located.Shillinglaw Cottage is itself historically, aesthetically and socially significant to the Shire of Nillumbik and is registered on the Victorian Heritage Database. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, eltham, shillinglaw cottage -
Eltham District Historical Society Inc
Negative - Photograph, George W. Bell, Re-erection of Shillinglaw Cottage, c.1966
View looking up from near the Eltham Railway Trestle Bridge over what was to become the Eltham Common at Shillinglaw Cottage in its new location prior to restoration. The former Gahan house, seen in the background was demolished in 1968 when the Main Road was duplicated in this section. The Eltham Common was taken over with the construction of the new Eltham Library which opened in 1994.Shillinglaw Cottage is itself historically, aesthetically and socially significant to the Shire of Nillumbik and is registered on the Victorian Heritage Database. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negsepp, shire of eltham pioneers photograph collection, eltham, shillinglaw cottage, eltham shire office, gahan house, derril, gahan, george w. bell collection, houses, main road -
Eltham District Historical Society Inc
Photograph, Eltham - Shillinglaw Cottage on original site, 1964 - present day (1971) site of Shire Office
Shillinglaw Cottage is itself historically, aesthetically and socially significant to the Shire of Nillumbik and is registered on the Victorian Heritage Database. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, eltham, shillinglaw cottage -
Eltham District Historical Society Inc
Photograph, Stables, Montsalvat
Photograph of stables at Montsalvat, Eltham. Montsalvat is an artist colony, established by Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls set amongst richly established gardens on 48,562 m2 (12 acres) of land (Wikpedia). "Many of the buildings (including.. the stable near the animal yard) were designed by Justus Jorgensen in Gothic and/or vernacular styles using mud brick and recycled materials" - Victorian Heritage Database Photo possibly taken by Peter Bassett-Smith. No date. Montsalvat is historically, technically, architecturally, aesthetically, socially and spiritually significant to the State of Victoria.The Montsalvat complex is historically significant because it was established in 1934 by the noted artist and architect Justus Jorgensen. (Victorian Heritage Register)1 photographeltham, montsalvat, stables -
Melbourne Water
Souvenir confectionery bowl, 1930s-40s
Melbourne Water inherited many of its water assets, such as reservoirs from its predecessor the Melbourne Metropolitan Board of Works (MMBW). They have served the organisation well and have long been celebrated for both their natural beauty and engineering ingenuity. In the nineteenth century Victoria’s fundamental need for water infrastructure went beyond merely functional solutions and reflected the English ideal of the romance and beauty that was embodied in expanses of water. The MMBW further enhanced this notion by incorporating beauty and function in to the Classical and Italianate designs of its infrastructure such as pumping houses and reservoir outlet towers. The reservoir gardens and picnic areas were landscaped with ornamental stonework, exotic trees, decorative flower beds, fern glades pools and rose gardens. All features of the water supply system became widely celebrated as beauty spots that continue to be very popular to this day with tourists and locals alike. This souvenir is a product of that flourishing tourist trade. These water supply sites continue to enhance Melbourne’s charm and liveability and are now recognised as places of cultural and historic significance. This souvenir item has been curated by Melbourne Water as it represents an important historical aspect of the organisation by demonstrating the popularity of its water asset sites as recreational places and tourist attractions, and although these sites are functional parts of the water supply system, they were also designed to be enjoyed by the public both aesthetically and recreationally. Clear glass flower shaped 'depression ware' confectionery bowl, with photographic image of Maroondah Reservoir outlet tower on basemelbourne metropolitan board of works, mmbw, maroondah reservoir, melbourne water, scenic view, souvenir, glass bowl -
Melbourne Water
Souvenir lapel pin/brooch Maroondah Dam, 1960s/70s
Melbourne Water inherited many of its water assets, such as reservoirs from its predecessor the Melbourne Metropolitan Board of Works (MMBW). They have served the organisation well and have long been celebrated for both their natural beauty and engineering ingenuity. In the nineteenth century Victoria’s fundamental need for water infrastructure went beyond merely functional solutions and reflected the English ideal of the romance and beauty that was embodied in expanses of water. The MMBW further enhanced this notion by incorporating beauty and function in to the Classical and Italianate designs of its infrastructure such as pumping houses and reservoir outlet towers. The reservoir gardens and picnic areas were landscaped with ornamental stonework, exotic trees, decorative flower beds, fern glads pools and rose gardens. All features of the water supply system became widely celebrated as beauty spots that continue to be very popular to this day with tourists and locals alike. This souvenir is a product of that flourishing tourist trade. These water supply sites continue to enhance Melbourne’s charm and liveability and are now recognised as places of cultural and historic significance. This souvenir item has been curated by Melbourne Water as it represents an important historical aspect of the organisation by demonstrating the popularity of its water asset sites as recreational places and tourist attractions, and although these sites are functional parts of the water supply system, they were also designed to be enjoyed by the public both aesthetically and recreationally. Blue enamel and metal lapel pin/brooch depicting Maroondah Reservoir and outlet tower. Oval shaped with words 'Maroondah Dam' at the top and a ribbon banner containing 'Healesville' at the bottom. Maroondah Dam. Healesvillemelbourne metropolitan board of works, mmbw, maroondah reservoir, melbourne water, scenic view, souvenir, lapel pin, brooch -
Melbourne Water
Souvenir tea caddy spoon "Tea Time", Early 1960s
Melbourne Water inherited many of its water assets, such as reservoirs from its predecessor the Melbourne Metropolitan Board of Works (MMBW). They have served the organisation well and have long been celebrated for both their natural beauty and engineering ingenuity. In the nineteenth century Victoria’s fundamental need for water infrastructure went beyond merely functional solutions and reflected the English ideal of the romance and beauty that was embodied in expanses of water. The MMBW further enhanced this notion by incorporating beauty and function in to the Classical and Italianate designs of its infrastructure such as pumping houses and reservoir outlet towers. The reservoir gardens and picnic areas were landscaped with ornamental stonework, exotic trees, decorative flower beds, fern glads pools and rose gardens. All features of the water supply system became widely celebrated as beauty spots that continue to be very popular to this day with tourists and locals alike. This souvenir is a product of that flourishing tourist trade. These water supply sites continue to enhance Melbourne’s charm and liveability and are now recognised as places of cultural and historic significance This souvenir item has been curated by Melbourne Water as it represents an important historical aspect of the organisation by demonstrating the popularity of its water asset sites as recreational places and tourist attractions, and although these sites are functional parts of the water supply system, they were also designed to be enjoyed by the public both aesthetically and recreationally. Tea caddy spoon with clock face engraved showing 4pm on round spoon, tea pot shaped handle with enamel scenic view badge saying 'Healesville' ( depicting Maroondah Reservoir outlet tower). Tea caddy spoon box labelled 'Fine Silverware by Stokes'Stokes and Sons Stokes & Sons logo (Star with S and boomerang) EG. No. 15733melbourne metropolitan board of works, mmbw, maroondah reservoir, melbourne water, scenic view, souvenir, tea caddy spoon -
Melbourne Water
Postcard, The Car Park at Maroondah Reserve, c.1940
The Maroondah System was first and foremost developed as a functional component of Melbourne's Water Supply System. In addition to functionality, the Melbourne and Metropolitian Board of Works (MMBW) envisioned the Maroondah Reserve to be enjoyed aestethically and recreationally by the public. This souvenir postcard illustrates the realisation of the Maroondah System as a local recreational and tourist attraction in the early 20th century. The Maroondah Reserve gardens were landscaped with English-style ornamental stonework, exotic trees, flower beds and rose gardens. All features of the water supply system became widely celebrated as beauty spots that continue to be very popular to this day with tourists and locals alike. This souvenir is a product of that flourishing tourist trade. These water supply sites continue to enhance Melbourne’s charm and liveability and are now recognised as places of cultural and historic significance.This souvenir item represents an important historical aspect of the MMBW by demonstrating the popularity of its water asset sites as recreational places and tourist attractions, and although these sites are functional parts of the water supply system, they were also designed to be enjoyed by the public both aesthetically and recreationally. The souvenir postcard is significant for its documentation of the Maroondah Water Supply System developed through the late nineteenth and early twentieth century, shaping the formative years of Melbourne. The postcard is also historically significant for its association with the MMBW and is viewed as a noteworthy achievement of the organisation. Souvenir coloured rectangular postcard with a framed picture of the carpark at the Maroondah Reserve.melbourne metropolitan board of works, mmbw, maroondah reservoir, melbourne water, scenic view, souvenir -
Melbourne Water
Melbourne Water Watch, 1996
As the Yarra became unsuitable as a source of water, several attempts were made to find alternative sources for the growing population of Melbourne. It was not until 1891 that the efforts to sewer Melbourne came to fruition with the setting up of the Melbourne Metropolitan Board of Works (MMBW), now known as Melbourne Water. From 1891 until 1992, it was the responsibility of the MMBW to safeguard public health by providing a sewerage system and a safe water supply system. In 1992, The MMBW merged with a number of smaller urban water authorities to form Melbourne Water. This Melbourne Water watch was gifted to a Melbourne Water staff member by her manager when she left the organisation in 1996. The watch was part of a branding campaign as the water industry became segregated in 1994.This item is of historical significance for its association with Melbourne Water at the time when the water industry became segregated in 1994. This watch is a perfectly intact object and is significant for its representativeness of the theme of Women in the Workforce within the MMBW and Melbourne Water as it was gifted to a female employee. The watch is also aesthetically pleasing in style and represents the trends of the 1990s. Gold plated, black leather band watch with the Melbourne Water logo on the face with accompanying black suede case with gold corners. The watch also comes with a warranty inside.melbourne metropolitan board of works, mmbw, melbourne water, watch, accessory, gift -
Melbourne Water
Melbourne and Metropolitan Board of Works Flag
As the Yarra became unsuitable as a source of water, several attempts were made to find alternative sources for the growing population of Melbourne. It was not until 1891 that the efforts to sewer Melbourne came to fruition with the setting up of the Melbourne Metropolitan Board of Works (MMBW), now known as Melbourne Water. From 1891 until 1992, it was the responsibility of the MMBW to safeguard public health by providing a sewerage system and a safe water supply system. In 1992, The MMBW merged with a number of smaller urban water authorities to form Melbourne WaterThis MMBW flag is of historical significance for its association with the former Melbourne and Metropolitan Board of Works (MMBW). This flag is relatively intact with only two of its kind held in the collection. The flag is significant as is represents a proud organisation and demonstrates the organisations historical development of services, a strong theme of the collection. The flags navy and gold colour is aesthetically pleasing while the coat of arms represented on the flag holds great meaning. Navy and gold Melbourne Metropolitan Board of Works (MMBW) flag with the Southern Cross and MMBW coat of arms. The coat of arms incorporates Melbourne and the United Kingdom, and the motto of the board 'Publica Merces Salus Mea', 'Public Health is my Reward'. mmbw, melbourne water, flag, coat of arms, proud, textile -
Melbourne Water
Photograph - Steel Pipeline, 1952
The Upper Yarra Reservoir supplies the Silvan Reservoir, which distributes water throughout the Melbourne metropolitan area. The dam was completed in 1957 and is a rolled earthfill and rockfill embankment. This photograph shows a 68" diameter steel pipeline that was to convey the water from the Upper Yarra Reservoir to the Silvan Reservoir.This photograph is significant as it provides a detailed insight into the Boards activity and construction of one of Melbourne's most important water supply systems. Furthermore, it is of historical importance to the history of Melbourne while it is representative of shaping Melbourne's environments, transforming and managing land and natural resources, and providing urban infrastructure and services. The photograph itself is aesthetically pleasing, through its depth of field and use of shape with an interesting composition. Black and white photographmmbw, melbourne metropolitan board of works, melbourne water, upper yarra reservoir, silvan reservoir, water, waterway, dam -
Melbourne WaterAs the Yarra became unsuitable as a source of water, several attempts were made to find alternative sources for the growing population of Melbourne. It was not until 1891 that the efforts to sewer Melbourne came to fruition with the setting up of the Melbourne Metropolitan Board of Works (MMBW), now known as Melbourne Water. From 1891 until 1992, it was the responsibility of the MMBW to safeguard public health by providing a sewerage system and a safe water supply system. In 1992, The MMBW merged with a number of smaller urban water authorities to form Melbourne Water. The seal incorporates the coat of arms of Melbourne and the United Kingdom, and the motto of the board 'Publica Merces Salus Mea', 'Public Health is my Reward'. Text around the circular edge and in banners below two shields. The banners have leaves entwined. Above the two shields there is a kangaroo in profile beneath sun rays. One shield is part of the Coat of Arms of Melbourne and has a hanging fleece (top left quadrant), whale (top right quadrant), a bull (lower left quadrant) and a three-masted ship (lower right quadrant). The other shield is part of the Coat of Arms of the United Kingdom and has three lions passant (top left and lower right quadrants) representing England, a lion rampant (top right quadrant) representing Scotland and a harp (lower left quadrant) representing Ireland. This MMBW key ring is of historical significance for its association with the former Melbourne and Metropolitan Board of Works (MMBW). The key ring is in a perfect condition and is significant as is represents a proud organisation and represents the organisations historical development of services, a strong theme of the collection. The key ring is aesthetically pleasing while the coat of arms holds great meaning. Gold key ring with the MMBW seal. mmbw, melbourne metropolitan board of works, souvenir, melbourne water, coat of arms, proud, seal, organisation
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Women's Art Register
Book, Chritine Battersby, Gender and Genius. Towards a Feminist Aesthetics, 1989
Using the writings of ancient and contemporary male philosophers the book interrogates ideas around narrow gender roles, and the creation of feminist aesthetic.Booknon-fictionUsing the writings of ancient and contemporary male philosophers the book interrogates ideas around narrow gender roles, and the creation of feminist aesthetic.myths, creativity, motherhood, psychoanalytic theory, prejudice -
Women's Art Register
Book - Anthology, Hal Foster, The Anti-Aesthetic. Essays on Postmodern Culture, 1983
A collection of essays by international academics and critics addressing the meaning, forms, effects and places of postmodernism.booknon-fictionA collection of essays by international academics and critics addressing the meaning, forms, effects and places of postmodernism.theory, modernity, feminism, avant-garde, cross-disciplinary art, museology -
Stratford and District Historical Society
Illuminated Address
Fanny Swan (formerly Wood, nee Poole) came to Gippsland in the 1840s with her first husband, William Wood, where they became proprietors of the Shakespeare Hotel at Stratford. William Wood died in 1855, and in 1856 she married Samuel Swan. Together they acquired considerable property in and around Stratford. Samuel Swan died in 1880 at Stratford, and Fanny Swan died at Stratford in 1895.This illuminated address which documents the final payment for the Wesleyan Church building in 1892 has historic significance for Stratford Historical Society as it is located in the actual building. It also has social significance for the township as Mrs Fanny Swan was one of the earliest and best known business leaders in the area running the iconic Shakespeare hotel/boarding house for many years. It has aesthetic significance as an example of a illuminated address produced on a printing press with gold ink, rather than the usual handwritten form. White wooden frame containing an illuminated address to Mrs S. Swan from the Wesleyan Church at Stratford 2 January 1892. It is press-printed in gold ink on what appears to be a blank, pre-printed poster. It reads: Stratford, 2 January 1892 Mrs S. Swan, Stratford Dear Madam, We, the Minister and Trustees of the Stratford Wesleyan Methodist Church desire to tender you our most sincere thanks for your very generous donation of Fifty Pounds handed to us to-day by Mr George Poole in aid of clearing off the debt on our church. Thanks to your kindness the Ladies of our congregation have been induced to help, and they have raised a considerable sum by means of a Cake and Apron Sale, so that after our Annual Tea meeting to be held at Easter next at our Church. Debt will then be a "Thing of the Past". We trust God will keep you in health and strength, long to live amongst us. We are Yours Very Tuly Rev. H.E. MERRIMAN, Minister Trustees S.CAVANAGH W.LITTLE S.CHINN G.LITTLE Fred J. LITTLE, Secretaryswan, women, methodist church -
Coal Creek Community Park & Museum
Picture Frame
It is made from polished fiddleback, Blackwood and sassafras, and studded with ornamental metalwork.This item is aesthetically significant, as it is an example of Arts and Crafts movement, 1880's Hand made Picture Frame, made by Local Korumburra, Carpenter and Builder Mr. Dan Jarvis. As a Builder, this item was made as a hobby item which showed his Excellent skills with minute craftsmanship. It was selected, and featured as item 233, in Murray Walkers catalog, Colonial Crafts of Victoria, published in 1978, for the Exhibition at the National Gallery of Victoria, November 1978 to January 1979. -
Geoffrey Kaye Museum of Anaesthetic History
Inhaler, Bruck, 1908
The Bruck Inhaler is a modification of the Clover Inhaler, designed by Lambert Bruck. Bruck added a glass dome which enabled the level of ether to be monitored during administration. This was a revolutionary change as it removed guess work from the process.The Bruck Inhaler is a historically, aesthetically and scientifically significant piece. The basic design is based on the Clover Inhaler, but with a rounded bottom. The idea of a glass viewing window was possibly inspired by Wilson-Smith Inhaler. The Bruck Inhaler is historically significant as it is the first inhaler to be made with a completely clear lower glass section. This improved the usability for the ether administrator, and eliminated much of the guesswork associated with dosage and ether levels, which in turn improved the patient experience. This piece provides a strong local link to both anaesthetic and general medical practice at the turn of the century. The design is credited to Ludwig Bruck of Sydney, and was presumably manufactured in the same area. Bruck, as the attributed designer, holds much relevance to the significance of the object, as connected with him is much historical information about the social context of medical practice. Ludwig Bruck was a prominent figure in the medical industry. He started his medical career in Sydney as a Medical Transfer Agent, and later owned a shop at 16 Castlereagh Street, Sydney. This business is listed in the 1903 Register of Firms as a Medical Agent and Importer of Medical Instruments and Books. Bruck was vocal as a journalist and published analyses of medical statistics, as well as the well known Australasian Medical Dictionary and Handbook, which included the “List of Unregistered Medical Practitioners”. Ludwig Bruck was an immigrant. He was of German descent, which placed him in a precarious position within Sydney society during the turn of century. Bruck conducted several public conversations with prominent members of the Australian Natives Association through the Sunday News in regards to his disagreement of the employment of medical practitioners by the ANA specifically to corroborate their health insurance policies. He was also a stalwart supporter of the Australian arm of the British Medical Association, being the publisher of the first and subsequent editions of The Australian Medical Gazette. Bruck chose to end his life with a combination of poison and chloroform on 14 August 1915, after being accused of trading with the enemy during World War One. His suicide note stated his horror at leaving his business partner to deal with the tarring of his reputation as the reason for his decision. The Bruck Inhaler has aesthetic significance as it is a beautiful example of turn of the century surgical design and craftsmanship. Aseptic methods of surgery were well known by 1909, and the aesthetic design of the Bruck Inhaler conformed to these principles. The ability for the surgeon to unscrew, clean and sterilize each part of the Inhaler contributes to the streamlined design of the piece. The Buck Inhaler holds scientific significance. There is the capacity for further research to be undertaken on the object. Geoffrey Kaye often collected multiple examples of equipment, usually one for reverse engineering and another for teaching. There are currently two examples of the Bruck Inhaler in the collection, presenting an opportunity for further technical research on the object. The inhaler is oval shaped with one half made of glass to allow observation of the ether level. A vertical cross tube, 22mm in diameter passes between the face-piece and the bag [missing]. There is a stopcock for admission of oxygen or nitrous oxide opposite the bag attachment. There is a central tube, 28mm in diameter, with controllable ports on either side. There is also a tear-drop shaped fask mask.Hand engraved on side of base: L. Bruck / Sydneyclover, joseph, bruck, lambert, inhaler, rebreather, nitrous oxide, oxygen, williams, probyn -
Coal Creek Community Park & Museum
Sewing Box
The sewing box was crafted in about 1900 by carpenter, Mr W. SmithThis item has historic and aesthetic significance. It was made in about 1900 by a well-known and colourful Korumburra identity, Mr W. Smith, of polished Fiddleback blackwood. Showing excellent craftmanship, particularly in the joinery, it has functional efficiency and simplicity in design. It was exhibited at the National Gallery of Victoria in 1978-79 and featured in the catalogue of that exhibition as a fine example of colonial craft. -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Fortunately one has no aesthetic sense ! 1920 / 1930 ?, Will Dyson
Australian 1880 - 1938Drypoint etchingSigned and titled -
Friends of Moonee Ponds Creek
MMBW 1975, Aesthetic Treatment of Concrete Channels
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Melbourne Legacy
Postcard
A post card sent to Master J. Brenner of "Chippenham" Railway Parade, Williamstown by his cousin Ethel for his collection. The connection to Legacy is not known. This postcard is the Country life. Series V registered postcard number 9180. Was named "OILETTE" and was produced and printed by Raphael Tuck & Sons, the date is unknown. This item represents a serie of artistic postcards created in England and even though its year of making is unknown possess an aesthetic significance about the kind of postcards produced by Raphael Tuck & Sons.Postcard with of a country scene with a boy holding a donkey. Handwritten: Dear Cousin, Mother says she promised she would send you some postcards. I am sending these & hope you will like them for your collection. Your Cousin. Ethel. / Master J. Brenner "Chippenham" Railway P. Williamstown. Front side: Printed in photo, "CHUMS" / Handwriten photo sign, [?]lette. Back side: Printed on paper, printed symbols / Raphael Tuck & Sons' "OILETTE" [Regd.]Postcard 9180. / COUNTRY LIFE. Series V. / ART PUBLISHERS TO THEIR MAJESTIES THE KING & QUEEN / Printed in England / If sent Abroad, this space may only be used for Name and Address of Sender. / CARTE POSTALE. / TUCK'S POST CARD. / POSTKARTE. / (For Address Only.) / [Stamp] VICTORIA, POSTAGE, ONE PENNY, 1d. souvenir, world war one -
Melbourne Legacy
Postcard, Kristiana. Stortinget og Grand Hotel Postcard, c.1924
A postcard from Kristiania, which is the former name of Oslo, Norway. The title says 'Kristiania. Stortinget og Grand Hotel'. The Stortinget is the name of the parliament building, which is the building on the right of the picture. The Grand Hotel is on the left. The postmark is 1924 which is before Kristiania was renamed Oslo in 1925. The link to Legacy is not known. There are many postcards in the collection from different times and people.This postcard has an aesthetic and historical significance, the perfect handwriting shown on the back of the postcard certainly represents a significant way of traditional handwriting used at that time. Postcards were a common form of correspondence in the early 20th century.Matte finished paper postcard with a printed photo of the Stortinget and Grand Hotel in Oslo, Norway. At the back of the photo has a beatifully made handwriting specifying the message and address. Front side: Printed on photo, Kristiania. Stortinget og Grand Hotel. / 1220 Back side: Handwritten, Kristiania Norway 4 June 1924 / Dear Dode, I am back on the Lygneum and feeling OK. We are leaving here tomorrow. (Thursday for Fremantle, Adelaide, Melb and Sydney via Newcastle (Eng) and Durban. Kind Regards to all. Love to see mum. Charl. / Mrs. C. H. Carpenter, 235 Malvern Road, South Yarra, Victoria, Australia. Stamped seal, Norge 25 ore post / stamp post, Kristiania 10 VI 6 M E 1924 P . N souvenir, postcard -
Beechworth RSL Sub-Branch
Shirt, 1989
The item is a representative example of previously standard issue uniform and is in excellent condition. As a set alongside 0040.2, the uniform has aesthetic significance in its design, incorporating the Disruptive Pattern style of camouflage which has its roots in the 1980s and continues to be adapted into uniform design by the Defence Force.Field shirt in disruptive pattern colours of green, khaki and browns. Long sleeve with five buttons up the front, two chest pockets with button-down flap pockets. Both sleeves are reinforced from the elbow down to the cuff; cuffs are fastened with a single plastic button. Above the right chest pocket is a patch with embroidered inscription in black thread on disruptive pattern backing. Shirt also features plain epaulette's on both shoulders, fastened by plastic button. Manufacturer's label on interior reads "ADI P/L/VICTORIA/1989/[broad arrow]/8415.66.130.0033/SIZE. 100R/NAME/SERVICE NO./MACHINE WASHABLE/DRIP DRY ONLY/DO NOT IRON/DO NOT STARCH/DO NOT BLEACH" Patch above chest pocket reads "PARKER"camouflage, uniform, australian defence force, disruptive pattern -
Beechworth RSL Sub-Branch
Trousers, c. 1980s
The item is a representative example of previously standard issue uniform and is in excellent condition. As a set alongside 0040.1, the uniform has aesthetic significance in its design, incorporating the Disruptive Pattern style of camouflage which has its roots in the 1980s and continues to be adapted into uniform design by the Defence Force.Field trousers in disruptive pattern colours of green, khaki and browns. Two pockets on either hip, two pockets on both thighs fastened by two plastic buttons and one pocket on the back right side, fastened by a single button. Five large belt loops encircle waist, held in place with a dark green khaki button. Trousers fastened with a zipper and button, and adjustable tabs around hip bones. camouflage, uniform, australian defence force, disruptive pattern