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Warrnambool and District Historical Society Inc.Book, The Tears of Forgetting, 1914
This is a novel written by Ethel Patricia Stonehouse under the name of Lindsay Russell. She was born in Nhill in 1883 and was educated at Charlton State School. From 1894 on she wrote verse and short stories and worked as a journalist in Melbourne. She published her first novel in Melbourne in 1912 and lived for a time in London where she met Dr John Scott whom she married in 1914. After the First World War she came to live at Mortlake and her novel writing ceased. Most of her novels are about women rebelling –against Catholicism, Calvinism, the English class system and the restraints of marriage. Her railings against the Catholic Church and the oppression of women caused her to be a controversial figure, especially in Mortlake, but she was a popular novelist with one of her books, ‘Smouldering Fires’, selling over 100,000 copies in Australia alone. She died in 1964. No details on the inscription or the recipient of the book, ‘Isie’ have been found. The name, ‘Glasgow’ suggests that the book at some stage was connected with the Glasgow family of Wangoom. They were important local dairy farmers and cheese makers in the late 19th and early 20th centuries.This book is of great interest because it was written by an Australian woman and one who lived for many years in Mortlake, a town close to Warrnambool. The connection with the Glasgow family is also of interest. This is a hard cover book of 320 pages. The book has a dark blue cover with gold lettering on the front cover and spine and some gold scroll work on the front cover. The book has a Prologue and 22 chapters and contains advertisements at the front and the back of the book for other books published by Ward, Lock & Co. There is a black and white illustration at the front of the book with a piece of tissue paper covering it. The page at the front of the book that contains an inscription is detached. The inscription and another annotation are written in black ink. The cover is partly detached from the pages and the cover is marked and worn. ‘To Isie Wishing her many happy returns of the day From Father, 15-9-14’ ‘Glasgow’ lindsay russell, ethel stonehouse, history of mortlake, australian literature, warrnambool history -
Bialik CollegeArticle, 'Mr. Jona Impressed with Bialik Progress', The Australian Jewish Herald, 15 April 1965, 1965
Newspaper clipping, 'Mr. Jona Impressed with Bialik Progress', published in The Australian Jewish Herald, 15 April 1965. 'The progress made by Bialik College and the standard which at present has been attained, is certainly a credit to the headmaster Mr. Chowers, and to all those who have guided the College during its period of growth and development. This was said by Mr. Walter Jona, M.L.A, when he paid an official visit to the college on the invitation of the headmaster, Mr. Abraham Chowers. As one who is particularly interested in the Jewish Day School Movement, Mr. Jona took the opportunity to fully acquaint himself with the contribution being made to the movement by Bialik College which is the only Jewish Day School within his electorate. Mr. Jona toured all the classrooms and was particularly interested in the preparations being made for the Pesach Seder. In Grade 1 he was shown a Haggadah specially prepared for the children's use during the Seder complete with verse and illustrations. On leaving the college Mr. Jona commented, 'At Bialik the obvious enjoyment displayed by the children in their activities derived from both the teaching and environmental influence was most apparent.''shakespeare grove, 1960s -
Bendigo Historical Society Inc.Book - ALEC H CHISHOLM COLLECTION: BOOK ''COLLECTED POEMS'' BY WILLIAM H DAVIES
Book. ALEC H CHISHOLM COLLECTION. 160 page hardcover book of verse by William H Davies. Portrait of author opposite title page from a pencil sketch by Will Rothenstein. Facsimiles of author's script. Published (c.1920) by A.C. Fifield, London and printed by Mayflower Press, Plymouth, England. Catalogue sticker ''2021 DAV'' on spine. Handwritten in green ink on the flyleaf ''This was a wedding present to me from Ted & Bertha Banfield of 'the Fortunate Isle'. E.J.B. sent the inscription and I bought the book in Sydney. A.H.C. '' Handwritten in ink and pasted on the back of the flyleaf ''To A.H.C. and C.H. with benedictions from the Fortunate Isle. ?? B.B. May 1923'' A B & W photo is pasted on the page after the flyleaf with handwritten in ink ''The Fortunate Isle photo taken Nov. 1921 looking from E.J.B.'s garden (Dunk Island) towards Purtaboi Isle and the mainland of North Queensland.'' There is a small flower pressing between pages 104 and 105.William H Daviesbooks, collections, poetry, alec h chisholm collection, william h davies, ted & bertha banfield, poetry -
Warrnambool and District Historical Society Inc.
Souvenir - Loch Ard Commemoration Souvenir, 1978
This object has been made in 1978 to commemorate the 100th anniversary of the sinking of the ship 'Loch Ard'. This ship was wrecked on Mutton Bird Island near Port Campbell, Victoria in June 1878 with the loss of 52 lives and with two survivors. The story of the two survivors, passenger Eva Carmichael and seaman Tom Pearce has become part of the local folklore and has been retold in poetry, stage and T.V. drama and prose works. and is the subject of one of the night laser shows at Flagstaff Hill Maritime Museum in Warrnambool. Port Campbell Information Centre and Flagstaff Hill Maritime Museum also house many significant shipwreck items from the 'Loch Ard' including the nationally-important Loch Ard Minton Peacock. One of the commemorative events that took place in 1978 was the raising of the anchor from the wreck and its display at Port Campbell. This anchor item was probably made at the time and given to one of those connected to the recovery of the anchor. This souvenir is of interest as an object made to commemorate the most significant shipwreck in Western VictoriaThis is a souvenir of a shipwreck. It has a rectangular-shaped wooden base with a wooden piece with one curved edge standing upright at a slight angle on the top of the base. The wooden piece has four metal strips and has a metal anchor slotted into it so that the anchor is raised from the base. The wooden piece and the end of the anchor are glued to the base. The base has a silver-coloured metal name piece. The wooden sections have been slightly varnished. On the bottom of the base there are four rubber pads at each corner. Loch Ard Commemoration 1978loch ard wreck, loch ard commemoration 1978, flagstaff hill maritime museum, port campbell information centre, tom pearce & eva carmichael -
Glen Eira Historical Society
Drawing - Caulfield Educational Institute
A photocopy of an advertisement in The Argus, January 6, 1858 for the opening of Baden Villa, Mr. and Mrs. Damm’s Boarding School for young ladies at Glenhuntly Road, Caulfield on January 19, 1858. A photocopy of the page with Prof. Charles Damm’s handwritten inscription in the book presented to George Dickson, Student at Baden Villa Educational Institute on December 17, 1859. A one page rubbing of the embossing on the cover of the book presented to George Dickson on December 17, 1859. The embossing reads Harry’s Book of Poetry. One page handwritten letter dated July 11, 1978 from Dorothy Champion to Mr. Sims of Caulfield Historical Society which accompanied the rubbing and photocopy of Prof. Charles Damm’s inscription in the book he presented on December 17, 1859. One page of handwritten notes by Peta Darke dated February 1, 2011 concerning Miss Cathcart and Mr. David Birrell’s Schools’ locations.baden villa, clonmore, glenhuntly road, caulfield educational institute, caulfield north, kooyong road, parkside street, shoobra road, downshire road, caulfield, damm charles, damm mrs., dickson george, cathcart lilian, birrell david w., snowball miss, champion dorothy, sims mr., education, schools, independent schools, principals, teachers, schoolhouses, caulfield historical society -
Eltham District Historical Society IncJournal, Peter Doughtery, ArtStreams: News in arts and cultural heritage; Vol. 1, No. 1, November 1996, 1996
Vol. 1, No. 1 November 1996 CONTENTS REFORMIST?: Barbara Kruger comes to the Museum of Modern Art at Heide 3 FESTIVALS Nillumbik festival celebrates our lifestyle in food, wine, music and art 5 WRITERS WEEK Barry Dickens and Judy Jacques on Ruckers Hill present the "word" in all its possibilities 8 EMERGING ARTISTS Nillumbik presents a new wave of visual artists 11 SHORT STORY Extract from a novel in progress by Jon Weaving 12 POETRY Tribute to Myra Skipper 16 HERITAGE TRAIL Youth of Eltham research local history 1 8 SCULPTURE Akira Takizawa's search for harmony 22 WRITER'S JOURNEY A writer overcomes a nightmare 24 SCIENCE AND ART Pamela Conder analyses nature 26 ARTS BALL Jazz greats come to town 27 HISTORY IN PRINTS Australia's forgotten war artist 28 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) 1996, adam simmons, akira takizawa, alison cassidy, alistair knox park, allwood house, alvaro castagnet, angels of soul, anita hustas, anna kelly, anne curry, arts ball, avenue of honour, barbara kruger, barry dickens, batacuda, belli, belly dance and drumming group, betty rowland, bike paths, bits & pieces, blair fraser, blue tongue, bridge street, bulleen art & garden centre, bulleen nursery, bux, caffe poco, cal martin, carla cordeiro, cate bailey, charles morris, charlie dowley, chris hooke, chris kandis, chute street, circus in a suitcase, crucial kick, deirdre o'reilly, diamond creek, diamond valley big band, edna kenny, ellis cottage, eltham arts council, eltham cemetery, eltham courthouse, eltham festival, eltham high school stage and jazz band, eltham high school, eltham library, eltham people's choir, eltham symphonica band, eltham war memorial building, eltham wiregrass gallery, eucalypso, fay alexander jenkins, fiona furphy, firefly, food for all seasons, friends of the earth forest action fund, gavan gray, gene strode, geoff braithwaite, geoff kluke, george kirov, gil askey, golden cascades, graeme barker and the cats, greg o'leary, harry gilham, helen o'grady children's drama academy, heritage trail, hurstbridge goldworks gallery, italian women's choir, jackie gaudion, jackie stojznova, jacqueline gawler, janine james, jarrold cottage, jay atwill, jazz band ball, jerry hughes, jock ryan, john rasmussen, jon weaving, joseph zbukvic, joy ness, judy jacques, judy racz, jules burns, june cugola, kate jones, kavisha mazzella, kevin spearey, les gyori, lisa walker, lothlorian, louise jade, magwal, margie allan, margie lou dyer, margo barrett, mary burns, masquerade ball, melody james and friends, mermaid in the well, michael eames, michael murray, michele lonsdale, monique di mattina, montsalvat, myra skipper, nell frysteen, nerida kirov, nicole o'connor, nillumbik emerging artists exhibition, nillumbik festival, nola spence, ona henderson, opportunity shop, our lady of help christians church, pamela conder, parafinallen, patrick mccauley, peter burns, peter dougherty, pond, road, robbie greig, roger shuttleworth, ron hanson, rory cole, ross hannaford, ross needham, ruckers hill, sanctuary, scott griffiths, shep huntly, shillinglaw cottage, shire of nillumbik, shoestring, sigmund jorgensen, silvio apponyi, spindrift, st margarets anglican church, stebbing cottage, steve sedergreen, susan street, sweeney, syd tunn, tennis-courts, terry cole, the great gizmo, the picture, theo scharf, thermal skunkrust, untitled scraper board, victorian artists supplies, war artist, warrandyte, westgarth writers' week, wingrove cottage, wolfgangs palace theatre troupe, women's circus, yarra plenty rock gospel choir, you did alright kid, art streams -
Eltham District Historical Society IncJournal, Peter Doughtery, ArtStreams: News in arts and cultural heritage; Vol. 3, No. 1, Feb-Mar 1998, 1998
Vol. 3, No. 1, Feb-Mar 1998 CONTENTS MUSICAL MURAL Billie Holliday, Louis Armstrong and Jelly Roll Morton appearing in Eltham 2 OBITUARY Pioneer painter and landscape gardener Peter Glass 5 SHORT STORY A place for heroes by David Gothard 7 MONTH OF FESTIVALS Souvenir guide to festivals of Banyule, Templestowe Village, Pettys Orchard Antique Apple and Warrandyte 9-24 A SENSE OF PLACE Exhibition of banners depicting a lifestyle 23 CLEM CHRISTESEN, WRITER & EDITOR Publication of poetry covering 30 years of life and work 25 THEATRE IN 198 Playbills for Eltham Little Theatre, Heidelberg Theatre Company and Sherbrooke Theatre Company 26 CERAMICS How ceramicists mix business and art 27 ART AWARD FORUM Do art awards meet current needs? 28 IN THE HEAT OF SUMMER Busy month of theatre in Melbourne 29 BOOK REVIEWS 30, 31 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, volumes, jazz mural, vladimir bykovec, peter glass, john street, david gothard, banyule festival, arts on burgundy, ward sagar, montsalvat, were street cafe, rosanna fire station community house, bibby's bahnhof cafe, templestowe village festival, pool & spa care centre, la piazza restaurant bar & cafe, recherche bespoke framers, warrandyte festival, margaret roadknight, mezze restaurant warrandyte, food for all seasons, rivergum gallery warrandyre, potters cottage, pettys orchard antique apple festival, fleur de feliss, allwood neighbourhood house, llobex image wizards, victorian artists supplies, ray liversidge, dynamic vegies, jackie wilson, boroondara litfest, mia mia gallery, eltham banners, geoff mosley, clem christesen, nina christesen, julie reiter, nillumbik art award, carolynn pickett, bulleen art & garden centre, hugh tolhurst, andrew sant, lucinda mcknight, drusilla modjeska, amanda lohrey, robert dessaix, michele lonsdale, volumes, eltham little theatre, heidelberg theatre company, doncaster theatre company -
Eltham District Historical Society IncJournal, Peter Doughtery, ArtStreams: News in Banyule, Darebin, Manningham, Nillumbik & Yarra; Vol. 6, No. 4, Sep-Oct 2001, 2001
Vol. 6, No. 4, Sep-Oct 2001 CONTENTS Vale Andy Ingham and Nina Christensen 2 What is this thing called jazz 3 Abdullah Ibrahim's musical journey Joy Hester The Goodlooker at Heide 8 A Sense of Place 10 Seren Little on the art of Peter Block Homecoming 12 Short Story by Sophie Avgoulis Banyule Young Artists Award 17 The winners for 2001 Australian Classical Music 20 Elizabeth Scarlett Celebration Quilts 2001 21 Gerry Smith Dumnoochin 22 History goes up in smoke by Mandy Haley Bundoora Homestead 23 From Horse Stud to Art Gallery Wildflowers of Victoria 25 Book Review by Gwen Ford CD Reviews 26 Cate Bailey, Andrew MacGregor, Judy Turner ARTIN' ABOUT 27 Wining & Dining 30 Poetry in motion 32 Sandy Jeffs plays tennis "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, andy ingham, nina christesen, abdullah ibrahim, nillumbik art in public places award, banyule winter festival, joy hester, heide museum of modern art, seren little, sophie avgoulis, plenty views golf park, dynamic vegies, montsalvat, banyule young artists award, kyla jane hunt, perin roberts smith, jonathon woods, laura hassaram, lisa o'gorman, quilts, gerry smith, dunmoochin, mandy hayley, kinglake gallery, eltham wiregrass gallery, bundoora homestead, bulleen art & garden centre, melboune international chamber music competition, thompson's pharmacy -
Eltham District Historical Society IncJournal, Peter Doughtery, ArtStreams: Banyule, Darebin, Manningham, Nillumbik, Whittlesa & Yarra; Vol. 7, No. 5, Nov 2002-Feb 2003, 2002
Vol. 7, No. 5, Nov 2002-Feb 2003 CONTENTS Comment 2 Raising Young Voices - Robert Williams 3 Gardening: The New Rock and Roll - Kate Hird 7 blOKes at the Collingwood Gallery 10 200? Banyule Youth Art Awards 11 A Trip in Time and Space - Seren Little 13 Melbourne Art Fair 2002 - Felicity Gordon 15 Eltham High School Photography 16 Susan Pickering: A Shift in Passions - Corinna Tautsche 18 Poetry News and Reviews - John Jenkins 19 Book Review: Amerika Psycho - Pam Dougherty 20 Book Review: Mirka Mora - Louise Poland 21 Noel Counihan: Geoff Todd: Op Art in Australia 22 Australian Music: Elizabeth Scarlett 23 CD Reviews: John Sangster, Judy Jacques, Bob Sedergreen 24 Artin' About 27 Wining & Dining 30 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, eltham east primary school choir, willy wonka's ice cream gourmet food, anne williams, eltham fullife pharmacy, dynamic vegies, gardening, kate hird, thompsons pharmacy, chris dickson, banyule youth art awards, st andrews hotel, eltham wiregrass gallery, melbourne art fair, eltham high school, susan pickering, corrina tauschke, john jenkins, poetry, montsalvat, hurstbridge arts & craft, atmosphere nursery & cafe, bulleen art & garden centre, sushi wushi -
Federation University Historical CollectionArticle - Article - Women, Ballarat Teachers' College: Women of Note; Monica Miller, (1900-1995)
Monica Miller was taught to sing by Ballarat Teacher Madame Warburton, and in her youth competed as a singer in Ballarat, Bendigo and Geelong. She received her early musical training in piano, violin and singing at Ballarat's Loreto College. Monica Miller was runner up in the Sun Aria, coming second by one point. In 1946 she started lecturing at Ballarat Teachers' College (BTC) in a few rooms at the back of Dana Street State School, and retired from the Gillies Street Teachers' College site in 1965. Speech Training was also the domain of Monica Miller at BTC. Her Speech Training class notes include: Voice, Articulation parts, Correct positions for consonants, vowels and diphthongs, Phonetic Styles, Correction of Speech Defects, Speech Training in the schools, Poetry Appreciation, Rhythm, Lessons for country classes, Lessons for Student Teacher Classes and Lessons to Grades. Monica Miller died on 25 February 1995. women of note, monica miller, madame warburton, competed in singing, ballarat, bendigo, geelong, sun aria, ballarat teachers' college, btc, dana street state school, gillies street, speech training, 1946-1965, poetry appreciation, rhythm, phonetic styles, correction of speech defects -
Melton City LibrariesDocument, In Recognition of Donald Mackintosh, 1994
"Donald Mackintosh was born in Rockbank on 21 September 1866. He quickly proved himself as an expert shot, joining the Bacchus Marsh Shooting Club at the age of ten and the Melbourne Gun Club at 23. In 1890 he won the Melbourne Gun Club £1000 Cup Handicap.Donald represented Australia at the 1900 Paris Olympic Games. However, due to confusion at the time over whether this competition was an official Olympic event, Donald was not recognised as an Olympic medallist during his lifetime. In 1987 the IOC issued Donald’s gold and bronze medals. Donald continued to travel around Europe and won many other competitions, including the London Gun Club Challenge Cup three times in a row and the Grand Prix at Monte Carlo twice. As well as being an expert shot, Donald was also well educated and wrote poetry. Most astonishingly, he was also completely blind in his left eye".Document with a list of achievements by Olympian Donald Mackintoshlocal identities -
Melton City LibrariesNewspaper, Olympian gets his Gold, 96 years on, 1996
"Donald Mackintosh was born in Rockbank on 21 September 1866. He quickly proved himself as an expert shot, joining the Bacchus Marsh Shooting Club at the age of ten and the Melbourne Gun Club at 23. In 1890 he won the Melbourne Gun Club £1000 Cup Handicap. Donald represented Australia at the 1900 Paris Olympic Games. However, due to confusion at the time over whether this competition was an official Olympic event, Donald was not recognised as an Olympic medallist during his lifetime. In 1987 the IOC issued Donald’s gold and bronze medals. Donald continued to travel around Europe and won many other competitions, including the London Gun Club Challenge Cup three times in a row and the Grand Prix at Monte Carlo twice. As well as being an expert shot, Donald was also well educated and wrote poetry. Most astonishingly, he was also completely blind in his left eye".Melton Bacchus Marsh Express article about Olympian Donald Mackintosh local identities, sport -
Melbourne LegacyBooklet, In a Nutshell : The Book of Charm, c1918
A booklet written by Herbert Scanlon (late of the A.I.F.). It's a book of short stories and verse. The author Herbert Scanlon appears to have enlisted at 17 and returned from WW1 in 1916 due to his health. "After the war Scanlon embarked on a career as a writer, eventually publishing some 17 short collections of short stories, poems and the occasional humorous episode. While many of the stories are standard trench experience accounts, a number are written with sensitivity and passion. The booklets were sold for one shilling by door-to-door salesmen," mostly ex-servicemen (Copied from National Australian Archives record for him). Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving in Portsea in 1920.A record of publications made for the troops in World War 1 or made of material that came from soldiers.Booklet x 32 pages of poems and short stories for soldiers in World War 1.world war one, poem, short stories -
Bendigo Historical Society Inc.Book - ALEC H CHISHOLM COLLECTION: BOOK ''KEATS & HIS POETRY'' BY WILLIAM HENRY HUDSON
Book. ALEC H CHISHOLM COLLECTION. 95 page soft cover booklet by William Henry Hudson on the life and poetry of John Keats. Contains a selection of poems, some in part only, with an accompanying discussion on each. B & W image of John Keats opposite title page. Published in 1911 by George G. Harrap & Co., London and printed by Ballantyne & Co., London. Catalogue sticker ''2260 HUD'' on spine. Signature ''A. H. Chisholm'' inside front cover. Seven newspaper articles relating to Keats, loose inside front cover. (a) Argus 4-5-40 Poet who died young. (b) Sydney Morning Herald 9-4-67 Keats seen again as Shakespeare's heir. (c Age 26-7-58 Keats's Ode to a Nightingale. (d) Age 3-11-63 Keats's Ode to a Nightingale (e) Age 4-5-63 Keats's Legend of St Agnes. (f) Age 17-5-58 Keats's Ode to a Grecian Urn. (g) Unknown paper and date Two new sonnets (by Keats).William Henry Hudsonbooks, collections, poetry, alec h chisholm collection, john keats, poetry, william henry hudson -
Mont De LanceyBook, Wells Gardner, Darton & Co. Limited, Chatterbox, 1918
A vintage 1918 Chatterbox collection of puzzles, poetry and stories for children with black lined illustrations and coloured plates throughout.A vintage 1918 hardcover children's book with the title Chatterbox printed in white lettering at the top of the front cover which has a green coloured background with an illustration in a large circle showing a boy and girl playing in hay. The publisher details are printed at the bottom. It is bound on the left side with red tape. The cream and red coloured back cover has an advertisement for "Pears" soap 'This only is the witchcraft I have used' showing a smiling woman talking to a man. Both are dressed in Victorian Era style clothes. The frontispiece coloured illustration inside depicts four Egyptian black men on a Dhow boat chasing another boat next to it. 'Chasing Gun-Running Dhows' is the name of the illustration. The title page has the title plus Founded by J. Erskine Clarke, M.A and publisher details with a black lined illustration of children, a woman with children at her knee reading and flowers. There are further coloured plates in the collection. There are many puzzles, poetry, and stories for children. Pp. 316. The end papers have several advertisements related to children, their health, food and sweets included.fictionA vintage 1918 Chatterbox collection of puzzles, poetry and stories for children with black lined illustrations and coloured plates throughout. children's books, books, children's stories, adventure stories -
Kiewa Valley Historical SocietyBinder Victorian Education 1947, Circa 1947
These educational publications covering a topical monthly theme and providing a slice "of the era" in general knowledge, was used by schools in Victoria as a basic starting point for a particular level of perceived knowledge. The general articles and extracts contained within, were not targeting a specific gender or socio economic sector but designed for all children at a particular stage of their development. This publication did have a format of: 1st page topical, e.g. ANZAC day scouting (U.N.), one page of regional Victoria, one page of poetry, one page of short stories, one page of world history and the last page of a song, complete with appropriate notes. These publications were produced during the second World War and made special references to it. This publication occurred during a period when the Education Department was highly authoritarian in its approach to State levels of learning. Fragmenting "special" schools like later "New Age" teaching methods and doctrines (home schooling) were repressed with considerable force.This binder full of monthly educational studies was particularly important to "hidden away" rural communities such as in the Kiewa Valley, especially at this point in time (World War II). The teaching methods used by local schools provided the necessary break through required by local school children to stop any adverse knowledge deficiencies due to factors of regional isolation. School children with in the Kiewa Valley would be able to integrate with children from all regions, weather in cities or larger towns. This hard cover (card) binder contains 11 monthly publications produced by the Victorian Department of Education for Grades 7 and 8 in the year 1947. Each issue has 16 pages with the cover page covering the major theme for the month. Each issue is placed within the folder by the folded middle page constrained by a thin cord. This is the only method to contain each monthly edition as they have no clasp or are stapled.The folder"SCHOOL PAPER COVER" underneath and to the left is a sketch of the world (revolving desk top stand) on top of a book and next to this "Name ------------ " underneath "Grade-----------" underneath "School---------" all enclosed by a thin border line.school paper, victorian education curriculum, education news letters, loose leaf educational binders -
Federation University Historical CollectionAccessory - Bookmark, Adam And Charles Black, The English Lakes and Religious Bookmark, 1949
This bookmark was found in a book called 'The English Lakes' owned by Elizabeth Chatham-Holmes. The bookmark is a Stevenograph. In 1854 Thomas Stevens began with weaving plain and fancy ribbons, but was soon experimenting with a development of jacquard weaving to produce pictures. For this, the picture was plotted on squared paper, in the fashion of a cross-stitch embroidery design, and a large card then perforated to represent each colour appearing in every "line" of the picture. The cards, arranged in an endless chain and attached to the loom, controlled the manipulation of the warp threads. Each time the shuttle crossed the loom a different card came into use, changing the arrangement of the warp threads and, consequently, the pattern woven..When the industry collapsed in 1860, Stevens determined to make use of his experiments by producing pictures in such variety as to appeal to all tastes. The earliest productions seem to have been bookmarkers... The pictures included portraits of celebrities and local scenes, scriptural texts, hymns and psalms, and verses from the poets. Stevens also introduced to the Admiralty a hat ribbon with the name of the ship woven in gold wire. This he patented; it was adopted and for many years the firm was the sole supplier to the Admiralty Contracts Department. https://stevengraphs.com/thomstevandh.html Also found in the book was a small card with dried flowers glued with the words 'Flowers from the Holy Land' and a WW2 photograph of the bust of a man in uniform with a cap..1) Red hard covered book called 'The English Lakes' by W.T. Palmer. .2) Woven silk bookmark with white (now cream) and yellow background and red, purple, green and yellow detail and the start of Psalm 23 woven into the bookmark. Possibly made in the late nineteenth century. .3) Small card with dried flowers glued with the words Flowers from the Holy Land .4) WW2 photograph of the bust of a man in uniform with a cap. .1) Inside front cover "E.S. Holmes Ascot" .2) Woven into the bookmark - The Lord is my Shepard I shall not want, & T. Stevens, Coventry .3) Printed on the front - Flowers from the Holy Land, Placed on the Holy Sepulchreholmes, ec holmes, ascot, religious, religion, bookmark, english lakes, w.t. palmer, chatham-holmes collection, flowers from the the holy land, stevengraph -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Functional object - Kitchen Equipment, billy holder, c1880
A billycan, is a lightweight cooking pot which is used on a campfire or a camping stove, particularly associated with Australian usage, but is also used in the UK and Ireland. It is widely accepted that the term "billycan" is derived from the large cans used for transporting bouilli or bully beef on Australia-bound ships or during exploration of the outback, which after use were modified for boiling water over a fire. However there is a suggestion that the word may be associated with the Aboriginal billa (meaning water; cf. Billabong In Australia. The billy has come to symbolise the spirit of exploration of the outback. To boil the billy most often means to make tea. "Billy Tea" is the name of a popular brand of tea long sold in Australian grocers and supermarkets. Billies feature in many of Henry Lawson's stories and poems. Banjo Paterson's most famous of many references to the billy is surely in the first verse and chorus of Waltzing Matilda: "And he sang as he looked at the old billy boiling", which was later changed by the Billy Tea Company to "And he sang as he watched and waited 'til his billy boiled”. Early settlers , market gardeners and blacksmiths would use this portable iron stake to hold their Billies at meal times when out working their fields, travelling for work or pleasure.c1880 A molded, iron tripod stake that would hold a 'Billy can' of water over a camp or kitchen fireearly settlers, pioneers, market gardeners, moorabbin, bentleigh, brighton, cheltenham, tools, blacksmiths -
Chiltern Athenaeum TrustPainting - Oil painting on gumleaf by Alfred William Eustace, circa 1851 to 1907
This gum leaf painting is one of a pair displayed on foil in the same frame. It is typical of many paintings by the self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, a well-known Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.An oil painting on gum leaf by the well-known Australian artist Alfred William Eustace. He was a self-taught artist during the 19th and early 20th century and a prominent resident of Chiltern. Oil painting on gum leaf by Alfred William Eustace. A scene of a log cabin on Black Dog Creek Road, Chiltern, with Skeleton Hill in the background. The canvas is a juvenile Red Box (Eucalyptus polyanthemos) leaf. It is one of a pair of Eustace gum leaf paintings mounted on gold foil, under glass in a brown frame. Inscription on back. Labels on back: Rehoused by The Centre for Cultural Materials/ Conservation, University of Melbourne "Oil on Gum Leaf"/ by Alfred William Eustace/ Donor:- Cam & Connie Boadle/ Wales U.K. Crescent/ MUSEUM/ GRADE/ 24 OCT 1998/ CONSERVATION BOARD ALBURY/ PICTURE FRAMERS/ Shop 15 & 16/ AMP Lane,/ Albury, 2640/ Ph: 02 6021 7088black dog creek, chiltern, alfred eustace, skeleton hill, gum leaf, painting, eustace -
Chiltern Athenaeum TrustPainting - Oil Painting, Alfred Eustace
This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush and painted on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. He became known as the "Bush Artist." About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth. Miniature oil painting of a landscape, with creek in foreground and bush and hill behind, by A.W. Eustace, under glass, in original timber frame with beige matte and a twist wire stand. One of 3 miniatures. No signature visiblealfred eustace, chiltern, oil painting, landscape -
Chiltern Athenaeum TrustPainting - Oil painting, Alfred Eustace
This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist and taxidermist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Miniature oil painting of a landscape, with creek and grassland in foreground surrounded by bushland and hill in distance, by A.W. Eustace, under glass in original timber frame with beige matte and a twist wire stand. One of 3 miniatures. No signature visiblealfred eustace, oil painting, landscape, chiltern -
Chiltern Athenaeum TrustPainting - Oil Painting, Alfred Eustace
This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Miniature oil painting of a landscape with creek and surrounding trees by A.W. Eustace, under glass, in original dark brown timber frame with beige matte and a twist wire stand. One of 3 miniatures. Sticker on back: 188 (original Registration number)alfred eustace, chiltern, oil, landscape -
Chiltern Athenaeum TrustPhotograph - Gum Leaf, Alfred Eustace
This is a colour photograph of a gum leaf painting that is one of many done by the well-known self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Colour photograph of an oil painting on gum leaf by A.W. Eustace. A man is panning for gold in a stream with a house and hills in the background. Under glass in a decorative gilt and cream coloured plastic frame.Hand writing on tape at back of frame: COPY OIL ON GUM LEAF 10" x 5" A W EUSTACE owned by Betty & Alf Brownlie 2260alfred eustace, gum leaf painting, chiltern, gold panning, gold -
Chiltern Athenaeum TrustPhotograph - Gum Leaf, Alfred Eustace
This colour photograph of a gum leaf painting shows one of the many landscapes done by the well-known self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist and taxidermist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Colour photograph of an oil painting on gum leaf by Alfred Eustace. Landscape featuring a deep creek surrounded by thick bushland displayed against dark brown backing paper which has a gilt oval surround to highlight the painting. Under glass, in a gold and dark brown metal frame.Sticker on back: 189. (the original registration number)alfred eustace, gum leaf painting, landscape -
Chiltern Athenaeum TrustPhotograph
This black and white photograph of the grave of A.W. Eustace is believed to have been taken in September 1987 at the Chiltern New Cemetery. Alfred William Eustace, an Australian artist, was born in the small village of Ashbury, Berkshire, England, the son of John Eustace, Head Game-keeper to the Earl of Craven at the beautiful Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped next to the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was owned by the Withers family and was in excess of 55,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that are in the Beechworth Museum collection are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by his relatives from the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.A. W. Eustace, as well as being a well-known Australian artist, was a significant member of the Chiltern community.Black and white photograph of the grave of A.W. Eustace, under glass, in a metal frame.Sticker on back: 184 (original Registration number)a. w. eustace, grave, chiltern new cemetery -
Chiltern Athenaeum TrustPhotograph
Alfred William Eustace (1820-1907), an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped beside the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush and painted on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. He became known as the "Bush Artist." About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth. A.W. Eustace was a significant member of the Chiltern community during the 19th century and his artwork was displayed widely, even in European royal homes.Copy of sepia photograph of A.W. Eustace in a brown wooden oval frame with a copy of A.W. Eustace's signature across the bottom of the photograph.Sticker on back: 194 Sticker on back: MADE IN/ CHINA/ FABRIQUE 'AU/CHINEa.w.eustace, photograph, chiltern -
Chiltern Athenaeum TrustPhotograph - Reproduction
These copies of five oil on gum leaf paintings by Alfred William Eustace (1820-1907) display the subjects and detail of his small gum leaf paintings. A.W. Eustace, a well-known Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush and painted on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. He became known as the "Bush Artist." About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Alfred William Eustace was a well-known self-taught Australian artist who was known worldwide for her unique oil on gum leaf paintings. He was also a prominent Chiltern citizen.Copies of five A.W.Eustace oil paintings on gum leaf, under glass, displayed on blue paper in a black metal frame.alfred eustace, gum leaf painting, chiltern -
Bendigo Historical Society Inc.Book - ALEC H CHISHOLM COLLECTION: BOOK ''THE COLLECTED POEMS OF JOHN MASEFIELD''
Book. ALEC H CHISHOLM COLLECTION. 784 page blue hardcover book of poetry by Poet Laureate, John Masefield. Published in 1923 by William Heinemann, London. Printed by Morrison & Gibb Ltd, Edinburgh. Two newspaper cuttings from the Melbourne Herald inside front cover. 13 May 1967 - Reporting the death of J. Masefield aged 88. 20 May 1967 - Brief article on Masefield. Catalogue sticker '2117 MAS on spine. Signature of John Masefield written in ink on flyleaf. Also handwritten in ink inside front cover ''This book was among those present when Austn (Australian) authors entertained John Masefield at Scott's Hotel, Melbne (Melbourne) on Fri., Nov.9, 1934. Masefield signed the book on the first page & some of the local lads & lasses signed on the next page. A. H. Chisholm 10/11/34'' Signatures of the following authors on the second page 'Vance Palmer, Louis Esson, Katherine Susannah Prichard, Bernard Cronin, Bernard O'Dowd, Shaw Neilson, Myra Morris, Georgia Rivers, Alec H Chisholm 9-11-34'John Masefieldbooks, collections, poetry, alec h chisholm collection, john masefield, vance palmer, louis esson, katherine susannah prichard, bernard cronin, bernard o'dowd, shaw neilson, myra morris, georgia rivers, poetry -
Eltham District Historical Society Inc
Document - Folder, Mitchell, Jenni
Jenni Mitchell, daughter of Grace and Arthur Mitchell, is a painter. Contents Newspaper article: "Back to the drawing board", Diamond Valley News, 19 May 1981. Jenni Mitchell's early life. Newspaper article: "Jenni captures the cast and rugged desert", Diamond Valley News, 13 March 1984. Jenni Mitchell's exhibition of Wimmera paintings, 16-25 March 1984. Exhibition list: Jenni Mitchell studio exhibition, ?1984 ?1986. Newspaper article: "Jenni mingles with greats of art world", Diamond Valle News, 29 July 1986. Jenni Mitchell exhibitor in Melbourne Spoleto Festival exhibition, Ross House Gallery, Kew. Newspaper article: "Poet, painter a formidable duo", Diamond Valley News, 28 October 1986. A poem from Cornelis Vieeskens's book and story of connection to Grace Mitchell's art works. Newspaper article: "Eltham artist to stage her 20th solo exhibition", Diamond Valley News, 31 May 1995. Jenni Mitchell's "Survey Exhibition 1975-1995", at Dempsters Fine Art Gallery, Canterbury, opened by poet Judith Rodriguez on 2 June 1995 . Election flier: Jenni Mitchell, candidate for Eltham Council, 1989. Newspaper article: "Aiming to keep history alive", Diamond Valley News, 22 August 1989. Newly elected Eltham Councillor Jenni Mitchell's objectives. Newspaper article: "Poetry in paint", Diamond Valley News, 23 November 1992. Jenni Mitchell's exhibition of Australian contemporary writers at the National Poetry Festival at Montsalvat, December 1992. Newspaper article: "Eltham artist to stage her 20th solo exhibition", Diamond Valley News, 31 May 1995. Jenni Mitchell's exhibition, "Survey Exhibition 1995-1985" at Dempsters Fine Art Gallery, Canterbury, opened 2 June 1995. Newspaper article :Keen to get focus on art again", Diamond Valley News, 6 November 1996. Jenni Mitchell exhibiting in Nillumbik Festival's Artists Open Studios program 1996. Newspaper article: "Rocky mountain high", ?1997. Jenni Mitchell's exhibition of Flinders Ranges work in Mains Restaurant, Eltham ?1997. Newspaper article: "Inspired works", ?1999. Jenni Mitchell's exhibition of works from artist-in-residence at Bundanon and Riversdale, Adam Galleries, Melbourne until 8 September ?1999. Newspaper article: "Gone bush, in search of the still place", The Age, 2 May 2000. Jenni Mitchell's exhibition Portraits of Extraordinary People, Queens Hall, Parliament House until 12 May 2000. Booklet: "Sharing a History, an essay by JHenni Mitchell", produced in association with exhibition Captured at the Eltham Library Community Gallery, 22 February to 3 March 2002 Flier: "Artists Open Studio 2001-2002. Exhibition of artists participating in the Nillumbik Artists Open Studio Program at Eltham Wiregrass Gallery, 21 February to 7 March 2002. Newspaper article: "Not just white in sight", Diamond Valley Leader 3 September 2003. Jenni Mitchell's exhibition "To the Ice, Images from the Antarctic at Montsalvat until 7 October 2003. Newspaper article: "Works are poetry on canvas", Diamond Valley News, 2003. Jenni Mitchell's exhibition 'Desert, Ice and Poetry, at Montsalvat until 12 December 2003. Newspaper article: "In love with a world of ice", Herald Sun, 25 October 2003. Jenni Mitchell's exhibition 'Desert, Ice and Poetry, at Montsalvat until 12 December 2003. Newspaper article: "Display honours artist, wife", Diamond Valley Leader 28 July 2004. Jenni Mitchell had been student of Alan Martin, retrospective exhibition of Martin's work at Eltham Community Centre 31 July to 1 August 2004. Newspaper article: "Portrait due get to the heart of the matter", Diamond Valley Leader, 13 April 2005. Jenni Mitchell painted double portrait of Colin Royse and Allstair Royse for Archibald Prize. Newspaper article: "Brothers impress artist", Diamond Valley Voice 13 April 2005. Jenni Mitchell painted double portrait of Colin Royse and Allstair Royse for Archibald Prize. Newspaper article: "Poles apart but online", Diamond Valley Leader 2005. Jenni Mitchell's journey to the North Pole will have a website set up by Hugh Stubley and Stephen Pearce, Tribity Digital Solutions. Newspaper article: "Going to extremes for ideas", Diamond Valley Leader, 1 June 2005. Jenni Mitchell's exhibition "Images of the Antarctic" at Dickerson Gallery 7 June to 3 July 2005. Newspaper article: "Works are poetry on canvas", Diamond Valley News, ~2005. Jenni Mitchell's exhibition "Desert, Ice and Poetry" at Montsalvat until 12 December 2005. Newspaper article: "Places for painting", Diamond Valley Leader, 2 November 2005. Jenni Mitchell organising plein air painting workshops around Eltham for students. Newspaper article: "Spirit of past inspires artist", Diamond Valley Leader, 1 November 2006. Jenni Mitchell and Mervyn Hannan have opened a studio at Montsalvat, appealing for more volunteers. Newspaper article: "Art in Action", Heidelberg and Valley Weekly, 31 October 2006. Jenni Mitchell and Mervyn Hannan's Working Studio Gallery at Montsalvat. Newspaper article: "Honey lures art taste to sport", Diamond Valley Leader 11 July 2007. Jenni Mitchell's portrait of Gary Honey entered for Basil Sellers Art Prize., on show at Gateway Galleries Eltham as part of her Extra-Ordinary People series. Newspaper article: "Celebrate history and her story", Diamond Valley Leader, 20 February 2008. Jenni Mitchell and Grace Mitchell already nominated for a Nillumbik Women's Network publication. Newspaper article: "Aura of northern lights draws Eltham artist", Diamond Valley Leader, 13 January 2010. NewspaperJenni Mitchel will travel o a Norwegian cruise ship for six weeks. Newspaper article: "Brush with fame", Banyule and Nillumbik Weekly, 28 September 2010. Jenni Mitchell's house and studio, and her exhibition "From the Edge" at Montsalvat until 30 September 2010. Talk flier: "A visual presentation and floor talk" by Jenni Mitchell for her exhibition "From the Edge" 16 September 2010. Exhibtion flier: "From the Edge" exhibition of painting and photography by Jenni Mitchell, Montsalvat 3-30 September 2010. Newspaper article: "Home is where the art is", Diamond Valley Leader, 16 November 2011. Jenni Mitchell's early life with Grace Mitchell, and exhibition as part of Artists Open Studios. Newspaper article: "Artists visit Mongolia", Diamond Valley Leader, 25 April 2012. Jenni Mitchell and Mervyn Hannan will spend seven weeks in Mongolia, exhibiting at the National Museum of Mongolia. Flier: Open Studio, Jenni Mitchell, Mervyn Hannan, Grace Mitchell, 5-6 May 2012. Newspaper article: "Shared love fires artists", Diamond Valley Leader, 4 July 2012. Exhibition of works by Mongolian artist Tugsoyun Sodnom, Jenni Mitchell and Mervyn Hannan at Montsalvat. Newspaper article: "Tribute to an art legend", Diamond Valley Leader, 26 September 2012. Exhibition "Grace Mitchell" A selected Retrospective" to open at South Fine Art Studios and Gallery on 7 October 2012. Newsletter article: "Jenni Mitchell - My mother Grace", Eltham District Historical Society No.207 November 2012. Exhibition notes: "The Retro Eltham Show", Eltham South Fine Art Studios and Gallery, 14 April to 9 June 2013. Newspaper article: "Jenni salutes Mongolia", Diamond Valley Leader, 12 November 2013. Jenni Mitchell's exhibition "Two Mongolian Journeys" at Eltham South Fine Art Gallery until 24 December 2013. Flier: Eltham South Fine Art Studios and Gallery, 6 Mount Pleasant Road, undated. Newspaper article: "Moving on is not without a shockwave", Diamond Valley Leader, 26 October 2016. Jenni Mitchell and Mervyn Hannan are moving to Hamilton, selling their Mt Pleasant Road property and gallery Newspaper article: "Great Grampians, It's Jenni Mitchell and Mervyn Hannan!", Jenni Mitchell and Mervyn Hannan's exhibtion at Streamline Publishing's Gallery, opened by Vicki Ward, 7-28 September 2022.Newspaper clippings, A4 photocopies, etcjenni mitchell, grace mitchell, cornelis vieeskens, dempsters fine art gallery, judith rodriguez, montsalvat eltham, professor a d hope, judith wright, geoffrey eggleston, shelton lea, montsalvat poetry festival, artists open studios, mervyn hannan, south fine art studios and gallery, jennifer mitchell, ken taylor, nic taylor, ross house gallery kew, melbourne spoleto festival, brian pearce, robert wilson, bundanon, adam galleries, eltham wiregrass gallery, alan martin, eltham community gallery, eltham cemetery, cemeteries and crematoria bill, isla heddle, st katherin's anglican church at st helena, nillumbik cemetery trust, michael dobson, tpmy raimoc, belinda clarkson, friends of nillumbik, catherine dale, allstair royse, archibald prize, dickerson galley, hugh stubley, stephen pearce, trinity digital solutions, gateway galleries eltham, gary honey, basil sellers art prize, nillumbik women's network, warwick leeson, national museum of mongolia, tugsoyun sodnom, michelle morgan, zanzy community choir, eltham south fine art gallery, streamline publishing's gallery, vicki ward, sonia skipper, joe hannan, robert marshall, hamilton regional gallery, petschel house hamilton, colin rouse -
Bendigo Historical Society Inc.Document - MALONE COLLECTION: ASSORTED CALENDARS, 1903, 1937, 1941, 1950
4 calendars. (a) 1903 tiled Vine Leaves'. It is a foldable calendar. It is in four sections with a blue strip down each side. Each section has 3 months and a verse printed on it. There is vine leaves and grapes. Each month is printed on a large leaf. (b) 1941 calendae with 'A Calendar of Happy Days' printed in gold on the front of the little calendar booklet. It is a mottled grey colour with a light greenish ribbon at the top. It has a coloured picture of the Crucifiction glued inside a gold line border. (c) 1950 calendar. Coloured garden scene with trees and colourful flowers, pathways and steps. An archway at the back. Picture glued to a heavy piece of card with a pale blue calendar booklet glued to the bottom with a piece of pale blue heavy paper. 'May each Day be a Happy One' printed in gold on the front of the booklet. (d) Pale blue1937 calendar booklet with 'Calendar' printed on the front in dark blue. The back is a piece of wood (3 ply) with hand painted blue & yellow flowers painted on it. A piece of pink cord is threaded in a hole at the top for hanging.ornaments, residential, malone collection, assorted calendars
