This lamp was produced in 1922 as a lighting mechanism for a motor cycle. It is a Lucas lamp, with the trade name 'Chieftain'. The firm of Joseph Lucas Industries was established in 1860 in England, initially making scoops, buckets and plant holders. In 1875 it began making lamps for ships and after 1902 lamps and other components for motorised vehicles. Today, after merging with a North American company, it is a maker of components for both the automotive and the aerospace industries. This item is retained as an example of motor cycle lighting that would have been used locally in the 1920s.This is a metal lamp with a round base, a cylindrical body and a rounded lighting mechanism enclosed in glass. There is a screw lid on top of the oil container, a mechanism for attaching the lamp to the vehicle and two small round glass buttons on either side of the lighting area. The lamp has traces of silver colouring but is very rusty. There is an old card containing some handwriting attached to the lamp.Lucas Chieftain 1922motor cycle lamps, joseph lucas ltd, vintage vehicle parts

What had been the entrance to the Principal's office since when the extensions along the north wall of the 1875 building were in place (removed 1994). The thickness of the lower wall at tis section was 70cm (2' 4"). This was the 'North' door over which years of correspondence showed the need to put a porchway over it to prevent cold winds blowing over the gallery section of infants (Grades 1 / 2).Handwritten (HG's) information and details in blue ink on reverse sidedalton street, eltham primary school, renovations, building construction, buildings, eltham state school no. 209

Although undated, the plan is probably from 1880-81. The plan is signed by Charles CLAY, Fred WILLIAMS and Witney Henry BATES. Charles CLAY was the Borough Surveyor from 1860 to 1884. Fred WILLIAMS was a Councillor 1875 to 1886 and served as Mayor, 1880-81. It is not known who Witney Henry BATES was. A note in pencil, probably added later, indicates the fence was between Graham and Bridge Streets.Undated Borough of Sandridge hand-drawn plan for a proposed picket fence at Station Place Reserve.'between Graham and Bridge Streets' handwritten in pencil below and to the right of the main title.local government - borough of sandridge, engineering - fences, charles clay, witney henry bates, frederick williams

This object relates to Charles JOHNSTONE. He was born on 1/04/1875 in Cope Cope, VIC. Charles served in the AIF (3086) enlisting on, 13/11/1916 in Cope Cope, VIC before being discharged from duties with the 7/37 BATTN as a Army Non-Commissioned Private (PTE) on 26/12/1917. Charles JOHNSTONE was not a prisoner of war. His next of kin is Grace CONSTABLE (Sister).second world war (ww2), 1939 - 1945, photo/pictures, ballarat rsl, ballarat

Standing: Florence May Shillinglaw (1886-1969), Elizabeth (Lizzie) Ann Shillinglaw (1879-1972), Mary Ann Shillinglaw (1880-1963), Ada Maria Shillinglaw (1889-1974), Caroline (Carrie) Shillinglaw (1876-1956), Ernest Samuel Shillinglaw (1888-1958) Seated: Jean Shillinglaw (nee Blemner 1819-1906), Phillip Shillinglaw (1842-1914) Nicholes Photographer, Alphington According to the Sands McDougall Melbourne Directory, George. Nicholes, Photographer was first listed on the north side of Heidelberg Road, Alphington in 1904 and again in 1905. By 1906 he was still listed but with no profession. From 1907 on he was listed as a bicycle agent. PANEL 1875-1920 Panels began to be produced around 1875, and were particularly suited, because of their larger size, for capturing family, or even larger, groups. They measured 8.5 by 6.5 inches (22 cm x 16.5 cm). - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, 1905, 1904-1905, ada maria chrisfield (nee shillinglaw) 1889-1974, ada maria shillinglaw (1889-1974), caroline (carrie) watson (nee shillinglaw) 1876-1956, elizabeth (lizzie) ann shillinglaw (1879-1972), ernest samuel shillinglaw (1888-1958), florence may bunker (nee shillinglaw) (1886-1969), jean shillinglaw (nee blemner 1819-1906), mary ann shillinglaw (1880-1963), nicholes photographer alphington, phillip shillinglaw (1842-1914)

This book has the stamp of ‘Ecker’s Hotel’. This hotel was on the east side of Liebig Street between Lava and Koroit Streets and was opened in 1875 by James Dooley. It was take over in 1885 by James Taylor and then by Joe Ecker in 1910. When Joe Ecker left the hotel in 1923 the licensees following retained the name ‘Ecker’s’. The hotel closed in 1962. It is the only hotel in Warrnambool to have had no other name except that of three of its owners. This book is only of interest because of its connection with Ecker’s Hotel, well-known in Warrnambool for 90 years as a comfortable, well-managed place to stay or visit. No doubt many of the clientele were farmers and this would explain the reason for the book being retained at the hotel. This is a hard cover book of 408 pages. It has a green cover with black lettering on the front cover and on the spine. It has a Preface, a Contents page, 25 chapters of Text, a Gestation Table and an Index. There are many black and white photographs and illustrations scattered throughout the text. The back page is torn and the cover is scuffed and the book is a little warped out of shape. There is some pencil scribble on the first page and a black-coloured stamp. ‘Ecker’s Hotel’ ecker’s hotel, warrnambool, joe ecker, warrnambool history

Joseph Trevean and his wife Jane (nee Mitchell) and their children, Phillip (1866-1946),Mary Josephine (1868-1890), Mabel Florence (1871-1906), Jane Elizabeth (1872- ), Leila (1874-1898), Joseph (1875- ), Bessie (1878) and Essie Adeline (1887-1905). This photo would have been taken before 1890, when Mary Josephine died and possibly just prior to 1888 when she married.Bendigo Advertiser ''The way we were'' from Friday, January 16, 2004. The Trevean family of Eaglehawk pose for a family portrait, circa 1890s. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Johann Carl Pohl (1824-1/6/1906) came to Bendigo in the 1850's. He was originally a butcher in White Hills but then planted about 12 acres of vines at Emu Creek. He was a very successful winemaker, winning prizes throughout Australia and overseas for his red wines. This certificate is from the 1873 Vienna World's Fair, again for his wine. He also won prizes at the Vienna Fair in 1875.Copy of a certificate of merit issued to Carl Pohl Emu Creek Strathfieldsaye Victoria by The Internationale Jury Weltausstellung 1873 in Wien.document, certificate, pohl

The coin was discovered by Julie Wilkins, a Victorian scuba diver who had already experienced more than 500 dives in Australia and overseas. She was holidaying in Peterborough, Victoria, and looking forward to discovering more about the famous Loch Ard ship, wrecked in June 1878 at Mutton Bird Island. The fast Glasgow-built clipper ship was only five years old when the tragedy occurred. There were 54 people on board the vessel and only two survived Julie's holiday photograph of Boat Bay reminds her of her most memorable dive. Submerged in the calm, flat sea, she was carefully scanning around the remains of the old wreck when, to her amazement, a gold coin and a small gold cross suddenly came up towards her. She excitedly cupped them in her hands, then stowed the treasures safely in her wetsuit and continued her dive. She soon discovered a group of brass carriage clock parts and some bottles of champagne. It was a day full of surprises. The items were easily recognisable, without any build-up of encrustations or concretion. Julie secretly enjoyed her treasures for twenty-four years then packed them up for the early morning train trip to Warrnambool. After a short walk to Flagstaff Hill Maritime Museum and Village, her photograph was taken as she handed over her precious find. She told her story to a local newspaper reporter, lunched a café in town then took the late afternoon train home. Her generous donation is now part of a vast collection of Loch Ard shipwreck artefacts, including the gold watch and the Minton Majolica model peacock. The coin is a British 1793 George III Gold Spade Guinea. It was already 83 years old when the Loch Ard had set sail. The loop and ring have been added, perhaps as a pendant, pocket watch accessory or similar purpose. It may have been worn for ‘good luck’ on the long journey to Australia, where ships had to carefully navigate the treacherous Bass’s Strait before arriving at their destination of Melbourne. Sadly, many met their fate on that short stretch of ocean aptly named the Shipwreck Coast. The coin is very recognisable even though it was exposed to the wrecking of the ship, its consequent movement, and the sea's turbulence. Its bent, scratched, buckled, split, dinted and worn condition is part of its story. The red-brown-black discolouration is similar to that found on other gold coins, sometimes called the ‘corrosion phenomena’. Studies suggest the possible cause is contaminants in the minting process reacting to the coins’ environment. The GEORGE III GOLD SPADE GUINEA: - The British Guinea was introduced in 1663 and was circulated until 1814. It was made of 22 carat gold, was 25 to 26 cm in diameter and weighed 8.35 grams. It had a value of 21 British shillings. The guinea coin ceased circulation after 1816 and was replaced by the one-pound note. However, the term ‘guinea’ continued to represent 21 shillings. King George (1738-1820) had six gold guinea designs minted during his reign from 1760 and 1820. Each of the six had different obverse portraits, all facing the right. There were three different reverse sides. The Spade Guinea was the fifth issue of the coin, introduced in 1787 and produced until 1799. The reverse shows a royal crown over a flat-topped shield with the Royal Arms of Great Britain, used in Scotland between 1714 and 1800. The shield images are, from left to right, top to bottom, the Arms of England and Scotland, the Arms of France, the Arms of Ireland, and the Arms of the House of Hanover. The Gold Guinea is also part of Australia’s history. It was the first coin mentioned in the announcement of Governor King of New South Wales his Australian Proclamation of a limited variety and denomination of coins accepted for use in the Australian Colony. The historic and decorative George III Spade Guinea has been reproduced for special collections of coins. However, replicas and imitations have also been made as souvenirs for tourists, as gaming tokens and chips for gamblers, and as ‘fake’ coins for profit. These coins differ in many ways; they may be only half the weight of the genuine coin. Often have a small stamp on the obverse with “COPY” or the manufacturer’s name or initials. Some have scalloped edges, some have dates that are different to the original dates of issue, and some even have text in Latin that translates as something very different to the original coin.The King George III Guinea was only produced from 1663 to 1814 and was the first English coin to be mechanically minted. The coin is the fifth edition of the King George III Guinea, the Spade Guinea, was only produced between 1787 and 1799. It is the only edition with this portrait of King George and the only one with the Royal Coat of Arms of Great Britain in Scotland on the reverse side. This edition was also the last guinea in circulation, because the sixth edition was reserved as the Military guinea. This edition of the Guinea is unique; This coin is the only guinea in our collection. It was minted in 1793, so it is now over 230 years old. The Gold Guinea is part of Australia’s history; it was the first coin in the list of coins for use in the Australian Colonies, mentioned by Governor King of New South Wales in his Australian Proclamation speech of 1800. The George III Spade Guinea was included in the Limited Edition Sherwood 12 Coin Collection of Notable Coinage of Australia. This coin is the only known guinea coin recovered from the wreck of the Loch Ard. It was already 85 years old when the ship was wrecked.Gold coin; British. 1793, King George III of the United Kingdom of Great Britain and Ireland (1760-1820), Spade Guinea. Yellow gold coin with gold metal loop mount and a gold ring through the loop. The design is the fifth issue of the George III Gold Guinea. The obverse relief is a portrait of George III facing right. Reverse relief is a crown above the Coats of Arms (1801-1816) of flat top spade-shaped shield divided into four quadrants that depict crowned lions, fleur de lies, a harp. These images are identified as, from left to right, top to bottom, England and Scotland, France, Ireland and Hanover. Inscriptions are minted around the rims of each side. The coin is dated 1793. Its surface has dark areas on both sides and the reed edge and surfaces are well worn. The loop mount is bent and the ring is buckled. The coin was recovered from the wreck of the ship Loch Ard.Obverse text; 'GEORGIVS III DEI GRATIA' (translates to George the Third, by the Grace of God) Obverse relief; (King George III bust, facing right, laurel wreath on head) Reverse text; 'M.B.E.ET.H.REX.F. D.B.ET.L.D. S.R.I.A.T.ET.E' '1793' (translates to: King of Great Britain, France and Ireland, Defender of the Faith, Duke of Brunswick and Lüneburg, Arch-Treasurer and Elector of the Holy Roman Empire) Reverse relief; a spade-shaped image i.e. (Crown with fleer de lies, above Shield with crowned lions in different postures, a harp, and other details)flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, royal mint, british coin, currency, guinea, military guinea, australian currency, british guinea, gold coin, spade guinea, king george iii, george iii, fifth portrait, arms of england and scotland, arms of france, arms of ireland, arms of the house of hanover, coins, gold coins, gold medallion, georgian era, 1793, numismatics, contamination phenomena, gold corrosion, good luck, lucky charm, pendant, lucky coin, trade, loch ard, wreck of the loch ard, 1878, mutton bird island, peterborough, scuba diver, 1980s, guinea coin, gold guinea, shipwreck artefact, relic, julie wilkins

These booklets were given to subscribers to the Warrnambool Standard newspaper as an almanac for the year 1930. Warrnambool Standard Almanacs were produced annually from 1875 to 1930 so these copies represent the final ones printed in that form. The almanacs contain much local information on Warrnambool and district about the businesses, government officials, harbour management, churches, banks, schools, societies and organizations etc. The Warrnambool Standard newspaper was established in 1872 and continues to this day. These booklets are of high significance as they contain much valuable information on Warrnambool and district for the year 1930. They are an important resource tool for those studying and writing the history of Warrnambool and district. These are two booklets of 112 pages, with several more pages of advertisements at the front and the back of the booklets. Copy Two has some advertisements at the back missing. The covers are brown with red and blue lettering. Copy Two has the back page missing and the front cover much tattered and tied with string. The booklets have several photographs, some black and white and some with blue and brown tonings. warrnambool standard newspaper, history of warrnambool, standard almanac 1930

These booklets were given to subscribers to the Warrnambool Standard newspaper as an almanac for the year 1930. Warrnambool Standard Almanacs were produced annually from 1875 to 1930 so these copies represent the final ones printed in that form. The almanacs contain much local information on Warrnambool and district about the businesses, government officials, harbour management, churches, banks, schools, societies and organizations etc. The Warrnambool Standard newspaper was established in 1872 and continues to this day. These booklets are of high significance as they contain much valuable information on Warrnambool and district for the year 1930. They are an important resource tool for those studying and writing the history of Warrnambool and district. These are two booklets of 112 pages, with several more pages of advertisements at the front and the back of the booklets. Copy Two has some advertisements at the back missing. The covers are brown with red and blue lettering. Copy Two has the back page missing and the front cover much tattered and tied with string. The booklets have several photographs, some black and white and some with blue and brown tonings. history of warrnambool, warrnambool standard newspaper, standard almanac 1930

These are plans for proposed additions to the Church of Christ in Warrnambool. The date of the drawings and the maker of the plans are unknown. The additions do not appear to have been built. The Church of Christ in Warrnambool was founded in 1875 after a meeting at the Warrnambool Temperance Hall. The building in Spence Street Warrnambool was erected in 1884 at a cost of £1600 and officially opened in 1885. This church was sold and in 2000 the congregation moved to a new building at 186 Raglan Parade (called Gateway Church of Christ).These plans are of some interest as being part of the history of a Warrnambool church – the Church of Christ Warrnambool. These are two rough drawings on cream-coloured paper showing proposed additions to the Church of Christ in Warrnambool. The drawings are in pencil and include the front elevation plan and the first floor plan. The captions are in capital letters. Both pages have tattered edges and are torn across the middle and the pages are stained in places.‘Rough drawing suggested additions for Church of Christ Warrnambool’ ‘Suggested additions for Church of Christ Warrnambool’ church of christ warrnambool, gateway church of christ, history of warrnambool

In 1873 Teesdale residents formed an institute to provide literature to improve the minds. The site was gazetted on 25 October 1875 – a one acre site on the corner of Bridge Street and Mercer Terrace. A Mechanics Institute was built and later a supper hall was added in front of the institute. The mechanics institute and supper hall was destroyed by fire on the night of 29 March 1969. (http://linkingtowns.com/index.php?option=com_content&view=article&id=91&Itemid=252) Blue hard covered book of 239 pages. Many illustrations f constellations during each month. Inside front page 'Mechanics Institute Teesdale No 270'astronomy, library, teesdale, mechanics institute

Murtoa Concordia College 1897 I half year report certificate for student Bernhard Schultz. Results necessary to enter University of Melbourne. Murtoa Concordia was an elite school along with Scotch College (1851) Geelong Grammar (1857) Melbourne Grammar (1858) Geelong College (1851) Wesley College (18650 Xavier College 91875) Methodist Ladies College (1882) Presbyterian Ladies College (1875) Melbourne Girls Grammar (1893)possibly the only report card from Murtoa Concordia College still in existence. Shows scope of subjects taught in 1897 curriculumphotocopy of white paper bordered in black with floral and fauna in cornersmurtoa concordia college certificate for bernhard schultz I half year 1897 commercial & matriculation classcollege, murtoa, matriculation, murtoa concordia college, report card, 1897

The South Star Mine commenced operations in the 1880s and worke the quartz laods after the great floods of 1875 forced the closure of most alluvial mines. The South Star Mine sunk its first shaft in 1886, but broke into old alluvial workings and had to be abandoned because of flooding. The second shaft commenced in 1887, and was the deepest eer sunk in the Ballarat district, reaching 956 metres. 180 men worked three shifts each day.Colour photograph of the site of the South Star Mine in Sebastopol. sebastopol, albert street, south star mine, mining

These girls were the daughters of John and Elizabeth (nee Jeffrey) Williams who married in 1870. Emily b. 1878; Mary Elizabeth b. 1878; Florence b. 1882; Ethel May b. 1883; Evaline Grace b. 1887; Henrietta (Ettie) b. 1889; Melinda (Linda) b. 1891. There were also 3 boys in the family; John b. 1870; Thomas b. 1875 and George Henry b. 1880.Bendigo Advertiser ''The way we were'' from 2003. Seven sisters: the Williams sisters; Florence, Inda, Eveline, Ettie, Mary, Emily and Ethel. Date unknown. The clip is in a folder.newspaper, bendigo advertiser, the way we were

These girls were the daughters of John and Elizabeth (nee Jeffrey) Williams who married in 1870. Emily b. 1878; Mary Elizabeth b. 1878; Florence b. 1882; Ethel May b. 1883; Evaline Grace b. 1887; Henrietta (Ettie) b. 1889; Melinda (Linda) b. 1891. There were also 3 boys in the family; John b. 1870; Thomas b. 1875 and George Henry b. 1880.Bendigo Advertiser ''The way we were'' from 2003. Seven sisters: the Williams family. Back row: Florence Linda and Eveline. Front row: Ettie, Mary, Emily and Ethel. The clip is in a folder.newspaper, bendigo advertiser, the way we were

The Hotel was delicensed 3.5.1975. Building still standing and occupied as a private residence 2017.Sepia coloured photograph of the Carrier Arms Hotel, SpringhurstSigns on awnings on front of hotel: "Cool Clean Beer. Carriers Arms Hotel. Cool clean beer. Try for yourself. For a good meal." At top on front of building: "Carriers Arms Hotel. Est. 1875" Written at bottom of photo: "Carriers Arms Hotel Springhurst. Delicensed 1975" Written on back of photo: "de-licenced 3.5.1975" "Carriers Arms Hotel Springhurst"carriers arms hotel, hotels, pubs, springhurst

The land surrounding Happy Hollow farm at Plenty was purchased by Francis Wickham in 1840. The land was later subdivided and held by various owners including Charles Partington (1875) and John McLaughlin who leased the property in 1892 to Robert Emmett Whatmough who erected the first dwelling on the property. The land was later owned by Mrs Betty Bell and was purchased by Parks Victoria in 1994 to form part of the Plenty Gorge Parklands. This plaque was laid by Plenty Historical Society.Happy Hollow was an example of early settlement along the Plenty River.Digital copy of colour photograph. Plaque at Plenty Gorge Parklands.plenty river, happy hollow, happy hollow farm, robert emmett whatmough, betty bell, john mclaughlin, charles partington, parks victoria

This majestic peacock embodies technical achievement, skill and ingenuity of artisans during the 19th century. It is now known as the 'Loch Ard Peacock' and was designed and modelled in 1873 by Paul Comolera (1818-1897), and fired in one piece at the Minton factory at Stoke-on-Trent in the United Kingdom in 1875. The peacock has been portrayed in symbolic motifs and has figured heavily in folktales and fables since antiquity, and many cultures around the world see it as a symbol of beauty, rebirth and power. Wealthy Victorians, loved majolica, and the large peacock would have been the ultimate home accessory, as a conservatory ornament – combining their desire for nature, the exotic and vibrant colours. The peacock model was listed in catalogues by Minton & Co. for a retail price of 35 guineas or sold as a pair for 90 guineas. Minton & Co. was founded in 1793 by Thomas Minton (1765–1836) and became famous pottery and porcelain manufacturers. Comolera was a French artist and sculptor, renowned for dramatic naturalistic forms, and life-size renditions of birds and animals that won him admiration in public and artistic circles. He was employed by Minton & Co. from 1873 to 1880, and the life-sized peacock became his best known work. Comolera, kept a live peacock loaned from the nearby Duke of Sutherland's Trentham Hall Estate in his studio, to create a life-size model of fine buff earthenware model, which was then hand painted in brilliantly coloured green and blue glazes to mimic the peafowl’s dazzling plumage. There are no surviving production records, but according to documents in the Minton Archive, nine peacocks were made by Comolera. However, today some historians now believe that twelve were fired at the Minton factory, research is still on-going. These peacocks were so admired that the Minton & Co. used them as exhibition showpieces at International Exhibitions in London, Paris, and the United States of America, assuring the company had a worldwide reputation. So, when Melbourne hosted an International Exposition in 1880, Minton & Co. sent out ceramics, tiles and in particular, this peacock was intended to be part of their exhibit in the British Court in the Exhibition Building, built in the Carlton Gardens. The early dispatch date (1878) indicates that the company may have intended to exhibit their wares including the peacock at the 1879 Sydney International Exhibition, but the company did not take up this option. The ship that Minton & Co. used to bring the peacock and their other wares to the Australian colonies was the ill-fated Loch Ard, which sunk after striking Mutton Bird Island near Port Campbell, Victoria in calm foggy weather in June 1878 on the final leg on the ships journey to Melbourne. The loss of 52 lives made it one of Victoria’s worst shipwrecks. Therefore, this peacock never made it to the grand exposition in Melbourne, as Minton & Co. had planned. Charles McGillivray dragged this peacock, still in its original packing case onto the beach in the gorge just two days after the Loch Ard went down. The peacock was rescued unscathed apart from a chip on its beak (only repaired in 1988). After a disagreement with Melbourne Customs Officer, Joseph Daish, McGillivray stopped his salvage operations, leaving the peacock on the beach. The second salvagers were James Miller and Thomas Keys. Miller was a member of the firm Howarth, Miller and Matthews, Geelong, who had brought the salvage rights to the Loch Ard wreck on 10 June. When Miller and Keys arrived at the wreck site, a storm had washed many of the salvaged goods including this peacock back into the sea. The two men found the peacock in its case ‘bobbing along in the water’, and pulled it back to the beach. To ensure the peacock wasn't washed out to sea again, Miller and Keys hauled the packing case containing the peacock up the gorge's cliff face to the top, ready to be transported. In an interview in 1928, Keys claimed that at the time of the rescue the head had broken from the body. This account was proven to be true in 1988, following the birds display in Brisbane. This peacock began its life in Australia, not in grandeur of an International Exhibition as intended, but in the hallway of a simple domestic house in Geelong. It appears Minton &Co. did not attempt to buy this peacock back. Florence Miller, daughter of James Miller (Loch Ard salvage rights holder), later remarked that the only item of real value rescued from the wreck had been the peacock and that this had been kept by her father in the family home for many years, and became a treasured family possession. As such, this 'Loch Ard peacock' was almost forgotten and mistaken with other Minton peacocks around the world. Florence tried to sell the peacock due to financial difficulties in the 1930s but was unsuccessful. While attempting to sell the peacock, it was displayed in the window of the Argus newspaper office on Collins Street, and at the National Museum on 1st June 1935, the date of the 57th anniversary of the Loch Ard wreck. As a result, the peacock again attracted public attention with books, newspaper and magazine articles being published telling the story of its survival from a shipwreck. After Miller's death, the peacock remained in an antique dealer's shop in Melbourne for many years until it was bought at auction by Frank Ridley-Lee, in the 1940s, who displayed the bird at his home in Ivanhoe/Heidelberg. The peacock remained in the hands of the Ridley-Lee, until it was offered for sale in 1975 as part of Mrs Ridley-Lee's estate. In 1975, an advertisement in Melbourne newspaper, the Age announced the sale by auction of the art collection of the Ridley-Lee estate that included this peacock. The peacock was not sold at this time, as the reserve price of $4500 was not met. This news was passed on to the board of the newly created Flagstaff Hill Maritime Village. Urgent efforts were made to raise the necessary funds through fundraising by the Warrnambool City Council and public donations. The Fletcher Jones Company and the Victorian Government contributed half of the of the cost. On 9 September 1975, the peacock was purchased by Flagstaff Hill Maritime Village, and it found a new home at the maritime museum. Since, it has only left Warrnambool twice. Firstly, in 1980 at the centenary celebrations of the Royal Exhibition Building in Melbourne, and secondly, in 1988, the peacock was given pride of place at the entrance to the Victorian Pavilion at the Brisbane World Expo, acknowledging that this Minton majolica peacock is the most significant shipwreck object in Australia. The Minton majolica peacock is considered of historical social and aesthetic significance to Victoria and is one of only a few 'objects' registered on the Victorian Heritage Register (H 2132), as it is a most notable and rare object associated with the Minton factory of the 1870s and works by the celebrated sculptor Paul Comolera along with the wreck of the Loch Ard on the Victorian coastline. This Minton peacock is historically significant for its rarity; it was one of only 9-12 known to exist. The shipwreck of the Loch Ard is also of significance for Victoria and is registered on the Victorian Heritage Register Ref (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's early social and historical themes. The collection is historically significant is that it is associated, unfortunately with the worst and best-known shipwreck in Victoria's history. The peacock, resplendent in polychrome glaze, stands perched on a rocky plinth decorated with vines, leaves, flowers, blackberries and wild mushrooms. The peacock’s breast is cobalt blue; the wings and legs are in naturalistic colours. The tail is a mass of feathers coloured in green, ochre blue and brown — a fantastic display of artistry and Minton expertise. Inscribed at the base :P Comolera, and a Minton & Co. design number: 2045.flagstaff hill, warrnambool, maritime museum, shipwreck coast, loch ard, loch ard gorge, peacock, paul comolera, victorian heritage register, minton peacock, minton & co., stoke upon trent, bird figures, mintons, ceramics, international expositions, majolica, naturalistic, staffordshire

This is a copy of Bromfield’s 1856 map of Warrnambool and district. James Astley Bromfield was a pioneer settler in Warrnambool. He established a chemist’s shop in 1854, initially situated in Timor Street. He moved his shop to Liebig Street with a new building erected in 1875. Bromfield was a prominent resident of Warrnambool (Shire Councillor, Fire Brigade member, Cricket Club member, associated with horse racing etc). He was interested in preserving the history of Warrnambool and this map he produced in 1856 was an example of this interest.This is a copy only but this 1856 map is of prime importance as it contains the names of the original landowners of land in north Warrnambool and the surrounding district. It is a frequently-used resource by historians.This is a copy of a map of Warrnambool and its agricultural district published by James Astley Bromfield in 1856. The map is mounted on cardboard and has black printing on a white background. ‘Map of Warrnambool and its Agricultural District according to the Government Survey’s published by Astley Bromfield, Medical Hall, Warrnambool 1856, James Ferguson, Lithr., Melbne.’bromfield’s 1856, map, warrnambool and district

Staughton Vale State School Honor Roll circa 1920 Staughton Vale is located on the South Eastern side ofn the You Yangs. Staughton Vale High School was opened on the 5th of November 1875 The first head teacher was Thomas Scott. It had a chequered history, operating only part-time for some periods, closing in 1949, but reopening in 1957, and finally closing for good on the 30th of September 1968. The Honor Roll was donated to the Lara RSL when the school closed for the last timeHonor Roll donated to Lara RSL in 1968Staughtonvale SS Honour Roll made of Varnished WoodList of Staughton Vale residents involved in the First World War Gold Lettering Blue union Jackstaughton vale honor roll 1914 1919 state school

Emily (Ellie) Martin was one of ten children born to James Martin and Bridget Hyde at Spring Hill near Creswick. This farmland was allotted to James c1849. When her mother died James moved them into Ballarat. All the children attended Ballarat School of Mines. Ellie studied Telegraphy at SMB in 1874 and 1875. In 1889 she married Cosby Stockford Mangin Campbell. He had also studied Telegraphy at the Ballarat School of Mines (SMB), the same time as Ellie. Photograph of a woman in a hat. She is Ellie Campbell. women of note, teacher, ballarat school of mines, smb campus, emily martin, ellie martin, ellie campbell, telegraphy, james martin, bridget hyde, spring hill, creswick, 1874-1875, cosby stockford mangin campbell, cosby campbell

This is a book given to Margaret Davidson in 1875 by her aunt, Mrs J. Davidson. Margaret Milne Davidson (1839-1928) was the eldest child of James and Isabella Davidson and she was born in Kirriemuir, Scotland. She came to the Warrnambool area in 1850. The property, ‘Woodend’, was near Cassadys Bridge (Caramut Road today). The aunt, Mrs J. Davidson would be the wife of John Davidson, the brother of James and a farmer at ‘Rosebank’, Woodford. The portraits of John and James Davidson are on the Warrnambool Pioneer Honour Board. This book is of interest because of its inscription. The book is connected to the Davidson families, prominent in Warrnambool’s pioneer history.This is a hard cover book of 832 pages. The book has a dark green cover with dark green and gold lettering with ornamental gold surrounds. The book has an index, short stories, poems, essays and articles on science and the arts. The book contains monthly journals for 1874 combined in one volume. The cover is stained and blotched. There are several stamps of the Warrnambool & District Historical Society. The inscription on the first page is handwritten in black ink. ‘Margaret M. Davidson, Woodend, from her aunt, Mrs J. Davidson, 30/9/75’.margaret davidson, james and john davidson, history of warrnambool

In 1867, Frenchman Joseph Monier patented the use of metal reinforced concrete for use in horticultural troughs. Francois Hennebique expanded this idea into a general construction technique including for the construction of bridges bridges with the first bridge built in 1875. In Victoria, Monash and Anderson, representatives of the Australian patent holders and later Victorian patent holders. The Bendigo Monier Bridges were built between 1901 and 1902. Monash's contribution was not in the actual technology but in the promotion and defence of the new technology that was faced by much doubt and scepticism.Ten page booklet with a red and white cardboard cover produced for the Engineering Heritage Recognition Ceremony held on 9th August 2014. Includes the story of the Monier Arched Bridges in Bendigo. Includes B&W and coloured photographs. Produced by Engineers Australia.monier, monier bridges, sir john monash, joshua anderson, engineering

In 1867, Frenchman Joseph Monier patented the use of metal reinforced concrete for use in horticultural troughs. Francois Hennebique expanded this idea into a general construction technique including for the construction of bridges with the first bridge built in 1875. In Victoria, Monash and Anderson, representatives of the Australian patent holders and later Victorian patent holders. The Bendigo Monier Bridges were built between 1901 and 1902. Monash's contribution was not in the actual technology but in the promotion and defence of the new technology that was faced by much doubt and scepticism.Single A4 sheet, Appendix E, photocopied from "The Monier Bridges of Bendigo" Includes dates and specifications of Victorian Monier Arched Bridges. Prepared by the Dept of Civil Engineering, Monash University. July 1988monier bridges, engineering

In 1867, Frenchman Joseph Monier patented the use of metal reinforced concrete for use in horticultural troughs. Francois Hennebique expanded this idea into a general construction technique including for the construction of bridges bridges with the first bridge built in 1875. In Victoria, Monash and Anderson, representatives of the Australian patent holders and later Victorian patent holders. The Bendigo Monier Bridges were built between 1901 and 1902. Monash's contribution was not in the actual technology but in the promotion and defence of the new technology that was faced by much doubt and scepticism.Series of Bendigo Advertiser articles on the theme of Monier Bridges. Five articles from "Discover Bendigo" by James Lerk. 1999 One article from "History Lives" by Jim Evens titled 'Building History Bridges" 2014 Two black and white photos from "The Way we Were" featuring the construction of the Booth Street Bridge 2014 and the collapse of the King Street bridge 2015.monier bridges, engineering