This is a book of 48 pages. The cover is white with a colour image of a water fountain. The pages contain printed text and small images of the front cover fountain.non-fictionFriends of Warrnambool Botanic Gardens historywarrnambool botanic gardens, history of warrnambool gardens, friends of warrnambool gardens

This is a Warrnambool folding post card sold to tourists and locals in the mid 20th century. The card contains photographs of Warrnambool scenes – the Hopkins River mouth, the Botanic Gardens, Liebig Street, Fletcher Jones gardens etc. Warrnambool has been promoted as a tourist town since the late 1800s and attracts visitors in both the summer months (beaches, coastal scenery etc) and the winter months (visit of Southern Right whales and major sporting events). This card is an example of a local tourist souvenir sold in places such as Warrnambool in the mid 20th century and ensuing decades.This is a postcard with a cover photograph in colour and twelve other colour photographs folding up in concertina fashion. One page has space for a stamp and an address.Warrnambooltourism in warrnambool, history of warrnambool

Legacy have many programs to send young junior legatees on activities, camps and outings. One photo shows Santa arriving by motorbike The other shows a young girl eating. The venue was the Stapley Pavilion in the Kings Domain/Royal Botanic Garden which was used for many years. They appear to be from the sale film. Exact date unknown, thought to be early 1990s. It was stored with other photos of Junior Legatees from the 1980s and 1990s. A record of a Legacy providing experiences for the junior legatees.Colour photo x 2 of a Junior Legatee Christmas party.Printed on 'Kodak paper'.junior legatee outing, christmas party

Beatrice Wanliss Irvine was the daughter of former Victorian Premier Sir William Irvine. From age 13 she lived at “Killeavey” off Laughing Waters Road (later accessed from Reynolds Road). In 1923 she married James Morrison and the couple received Killeavey as a wedding gift. The property supported fruit and vegetable growing as well as an impressive botanical garden. But James died in 1936 after a period of ill health, leaving Beatrice to support their six children. The Killeavey house was built atop a cliff, 40 metres above the Yarra River. The garden was designed in 1910 by William Guilfoyle who was the second director of the Royal Botanical Gardens. The house was totally destroyed in the Black Friday bushfires in 1939, but was rebuilt. Beatrice continued to live at Killeavey and became well regarded as a botanist and naturalist. She died in 1989 and is buried in Eltham Cemetery with her husband and one of their sons. The (rebuilt) house was demolished by Parks Victoria. It contains significant garden remnants. The surrounding bushland is valued for its significant plant communities.fay bridge collection, 2004-06-28, beatrice wanliss morrison (nee irvine), eltham, james morrison, killeavey, laughing waters road, william irvine

Beatrice Wanliss Irvine was the daughter of former Victorian Premier Sir William Irvine. From age 13 she lived at “Killeavey” off Laughing Waters Road (later accessed from Reynolds Road). In 1923 she married James Morrison and the couple received Killeavey as a wedding gift. The property supported fruit and vegetable growing as well as an impressive botanical garden. But James died in 1936 after a period of ill health, leaving Beatrice to support their six children. The Killeavey house was built atop a cliff, 40 metres above the Yarra River. The garden was designed in 1910 by William Guilfoyle who was the second director of the Royal Botanical Gardens. The house was totally destroyed in the Black Friday bushfires in 1939, but was rebuilt. Beatrice continued to live at Killeavey and became well regarded as a botanist and naturalist. She died in 1989 and is buried in Eltham Cemetery with her husband and one of their sons. The (rebuilt) house was demolished by Parks Victoria. It contains significant garden remnants. The surrounding bushland is valued for its significant plant communities.fay bridge collection, beatrice wanliss morrison (nee irvine), eltham, james morrison, killeavey, laughing waters road, william irvine, 2019-08-30

Beatrice Wanliss Irvine was the daughter of former Victorian Premier Sir William Irvine. From age 13 she lived at “Killeavey” off Laughing Waters Road (later accessed from Reynolds Road). In 1923 she married James Morrison and the couple received Killeavey as a wedding gift. The property supported fruit and vegetable growing as well as an impressive botanical garden. But James died in 1936 after a period of ill health, leaving Beatrice to support their six children. The Killeavey house was built atop a cliff, 40 metres above the Yarra River. The garden was designed in 1910 by William Guilfoyle who was the second director of the Royal Botanical Gardens. The house was totally destroyed in the Black Friday bushfires in 1939, but was rebuilt. Beatrice continued to live at Killeavey and became well regarded as a botanist and naturalist. She died in 1989 and is buried in Eltham Cemetery with her husband and one of their sons. The (rebuilt) house was demolished by Parks Victoria. It contains significant garden remnants. The surrounding bushland is valued for its significant plant communities.fay bridge collection, beatrice wanliss morrison (nee irvine), eltham, james morrison, killeavey, laughing waters road, william irvine, 2019-10-27

Beatrice Wanliss Irvine was the daughter of former Victorian Premier Sir William Irvine. From age 13 she lived at “Killeavey” off Laughing Waters Road (later accessed from Reynolds Road). In 1923 she married James Morrison and the couple received Killeavey as a wedding gift. The property supported fruit and vegetable growing as well as an impressive botanical garden. But James died in 1936 after a period of ill health, leaving Beatrice to support their six children. The Killeavey house was built atop a cliff, 40 metres above the Yarra River. The garden was designed in 1910 by William Guilfoyle who was the second director of the Royal Botanical Gardens. The house was totally destroyed in the Black Friday bushfires in 1939, but was rebuilt. Beatrice continued to live at Killeavey and became well regarded as a botanist and naturalist. She died in 1989 and is buried in Eltham Cemetery with her husband and one of their sons. The (rebuilt) house was demolished by Parks Victoria. It contains significant garden remnants. The surrounding bushland is valued for its significant plant communities.fay bridge collection, beatrice wanliss morrison (nee irvine), eltham, james morrison, killeavey, laughing waters road, william irvine, new zealand oak

Beatrice Wanliss Irvine was the daughter of former Victorian Premier Sir William Irvine. From age 13 she lived at “Killeavey” off Laughing Waters Road (later accessed from Reynolds Road). In 1923 she married James Morrison and the couple received Killeavey as a wedding gift. The property supported fruit and vegetable growing as well as an impressive botanical garden. But James died in 1936 after a period of ill health, leaving Beatrice to support their six children. The Killeavey house was built atop a cliff, 40 metres above the Yarra River. The garden was designed in 1910 by William Guilfoyle who was the second director of the Royal Botanical Gardens. The house was totally destroyed in the Black Friday bushfires in 1939, but was rebuilt. Beatrice continued to live at Killeavey and became well regarded as a botanist and naturalist. She died in 1989 and is buried in Eltham Cemetery with her husband and one of their sons. The (rebuilt) house was demolished by Parks Victoria. It contains significant garden remnants. The surrounding bushland is valued for its significant plant communities.fay bridge collection, beatrice wanliss morrison (nee irvine), eltham, james morrison, killeavey, laughing waters road, william irvine, new zealand oak, fay bridge

Ferdinand Von Mueller came to Australia at the age of 22 arriving 15/12/1847 with his two sisters in Adelaide. He started work as an assistant chemist and in his spare time investigated the local vegetation. In 1852 he moved to Melbourne. From 1853 - 1896 when he died, he was the Victorian Government Botanist and Director of the Melbourne Botanic Gardens. He went on a series of expeditions to parts of Victoria including Mount Buffalo and Wilson's Promontory. He travelled all over Australia in various expiditions. In 1863 he was engaged to Euphemia Henderson for 6 months. Euphemia was a wildflower artist and painted bunches of flowers for Mueller. They allocated specimens at Phillip Island (1863) - one named Nematolepis euphemiae F Muell was named for her. Euphemia's sister was Gergianna who married John David McHaffie of Phillip Island. Euphemia lived with the McHaffies on Phillip Island. Her Wildflower art has been adapted for a range of plates and mugs produced in partnership with the Royal Botanic Gardens and Maxwell & Williams, called the Euphemia Henderson Collection.Large Black & White photograph of grave and monument of Ferdinand Von Mueller in St Kilda Cemetery.Handwritten on the bottom of the photograph: "Grave/Monument St Kilda Cemetery. Ferdinand Von Mueller. Photographer: Alan West Oct. 1994.ferdinand von mueller, baron ferdinand von mueller, miss euphemia henderson, georgianna mchaffie, john david mchaffie, alan west

Tourist brochure describing parks and gardens in Melbourne produced and printed by the Victorian Railways in 1941. Mainly Botanic and Fitzroy Gardens. "A little gallery of pictures revealing the created loveliness of the city's open public spaces ; all on the fringe of the busy metropolis, and all possessing some particular quality - some favoured lawn, tree or flower effect - to hold the lover of growing things"melbourne (vic) -- parks and gardens, christian-washfold collection

Large gathering of widows in an unidentified Botanic Garden listening to Navy and Army bands whilst they chat and drink tea. Some of them have brought flasks whilst others get their tea from an urn. We see one widow taking money from participants. TBC This film has been digitised to preserve its content. Melbourne Legacy gratefully acknowledges the support of the Victorian Government and Public Record Office Victoria for making this possible.Legacy providing a venue for widows of deceased ex service personnel and deceased veterans to give them a social outing. Significant in the manner of visual recording of the era, and the social benefit that Legacy provide.A film on a metal spool in a metal canister. Label says it is of a Widows picnic.Cannister lid L/Strickland. Senior Widows Garden Picnic, Reels 1&2, running time 12 min (hand written on paper in biro and pencil). Cannister base 20/9 (written in texta). 22 min 08 sec. 16mm sound no colour.widows, concert

BHS CollectionCarol Holsworth Collection: Bendigo Fold-out Postcards - 13 Photos of Alexandra Fountain, Botanical Gardens, Conservatory Gardens, Rosalind Park Lookout, Rosalind Park Sound Shell, View from the Lookout, Queen Victoria Gardens, Lake Weroona, the town hall, Charing Cross, the Post Office and Law Courts, Pall Mall and the Sacred Heart Cathedral. On the rear, it is addressed to Mr. R J Randall, c/o A.N.Z. Ltd, Fish Creek, Victoria. Published by Nucolorvue Productions, Mentone, Victoria. history, bendigo, carol holsworth collection, postcard

Ten page book with plastic clear cover and heavy rear cover, bound with a green colour comb binder, titled "Botanic Gardens Wendouree Parade Ballarat - An ever changing physical environment - a part of Ballarat's cultural heritage". Prepared May 2004 by Warren Doubleday as part of a visit by St Patrick's College on 20-5-2004. Fax copy of letter in rear of item. Has photos of the Horse trams, electric trams to 1971, BTPS, BTM, power station, Gardens and the SEC depot.trams, tramways, wendouree parade, gardens, btm, schools

Paul John Keating, Australia's 24th Prime Minister, served from 1991 to 1996. The Prime Ministers walk at Ballarat Botanical Gardens has over time created a special and unique understanding of our Prime Ministers and the strength of belief, passion and understanding we had for these leaders. The different styles used reflect the times and the techniques used to undertake these portraits of leaders makes us consider those elements of official portraiture, including textures, sizes and features and proportions used by some of the artists. The artwork is of historic and aesthetic significance to the people of BallaratBronze bust cast on granite and concrete plinth.Paul John Keating Prime Minister 1991-1996paul keating, prime minister, australian pm

John Malcolm Fraser, served as Australia's 22nd Prime Minister from 1975 to 1983. The Prime Ministers walk at Ballarat Botanical Gardens has over time created a special and unique understanding of our Prime Ministers and the strength of belief, passion and understanding we had for these leaders. The different styles used reflect the times and the techniques used to undertake these portraits of leaders makes us consider those elements of official portraiture, including textures, sizes and features and proportions used by some of the artists. The artwork is of historic and aesthetic significance to the people of BallaratBronze bust cast on granite and concrete plinth.John Malcolm Fraser Prime Minister 1975-1983malcolm fraser, prime minister, australian pm

This item is a souvenir booklet that would have been purchased by a tourist in the Warrnambool district in the mid 20th century. The photographs are representative of the tourist attractions of the area – Hopkins Falls, the mouth of the Hopkins River, Shelly Beach, the Breakwater, the Botanical Gardens etc. Tourism in Warrnambool began to be important towards the end of the 19th century when the coastal scenery, the beaches and the Sea Water Baths were advertised to promote Warrnambool as a spa resort town. Today tourism is a major industry in the city. This item is of minor interest as a souvenir of the type of postcard purchased by tourists in the mid 20th century. This is a piece of blue paper folded in two with black and blue printing on the front and back covers and an image of two kookaburras on the front cover. In the back of the front cover is pasted a strip of paper containing 13 black and white photographs folded in concertina fashion to form a booklet. The front cover has an extension that fits into a slot on the back cover to enclose the photographs. There is space for a stamp and an address on the front cover and space for the name of the sender on the back cover. There is pencil writing on the space for the stamp.Warrnambool Photographic Booklet 9d. (ninepence) warrnambool souvenir, warrnambool tourist attractions

In 1977 Celia Rosser was awarded the Linnaean Society of London's Jill Smythies Award for botanical illustration, and in 1995 was awarded a Medal of the Order of Australia. Monash University awarded her an honorary Master of Science degree in 1981, and an honorary PhD in 1999. Banksia Rosserae is the last banksia species discovered and was named after the artist. Since 2002, the Friends of the Royal Botanic Gardens Melbourne have awarded the "Celia Rosser Medal for Botanical Art" to outstanding exhibitors at their "The Art of Botanical Illustration" exhibition.Unframed photolithograph of Banksia media (Southern Plains Banksia) celia rosser, gippsland campus, botanical, banksia, banksia media (southern plains banksia), flora, churchill

Ludmilla Meilerts, Oil On Board, Botanical Gardens, Circa 1970 Ludmilla Meilerts (1908 - 1997), Botanical Gardens, Melbourne, an impressive work painted with bold brushstrokes and a vivid colourful palette which typifies the artists work. ​ Born in Riga,Latvia in 1908 - After displaying an early talent for art she studied at The Latvian Academy Of Fine Arts graduating in 1940. Later that year she married Otto Meilerts, an Economist, and they moved to Stuttgart, Germany to avoid living under Soviet occupation and then emigrated to Australia in 1948 settling in Melbourne. She worked as a nurse's aid and in a clothing factory to fund the further development of her artistic career achieving considerable early success with her colourful work encompassing portraiture, florals and city and landscapes. She particularly like painting dockland scenes. She was a member of The Victorian Artists Society (VAS) and The Melbourne Society Of Woman Painters And Sculptors. ​ Major prizes include The Dunlop Prize in 1952, Gosford Art prize 1971, Camberwell 1973, VAS Purstitz Gold Medal 1982. She is represented in The State Galleries of Victoria, NSW, Tasmania and Western Australia as well as several regional Galleries.​ ​Still life of fruit and a jog. Painted in thick impasto paint, creating a very textured surface. Fruit is depicted in green, brown, apricot, pink and red. Background is abstract. Upper left background is brown, upper centre and right background is in shades of grey, blue and green, with some white. Brown wooden frame.Front: L Meilerts 70 (lower right, black paint)still life, female artists, women, women artists

Perseus is the work of J. Cranari who was sctive in the 1880s. It was presented to the National Gallery of Victoria by James Chapman in 1885, before being de-accessioned and transferred to Ballarat in 1943. It was Perseus is the work of J. Cranari who was sctive in the 1880s. It was presented to the National Gallery of Victoria by James Chapman in 1885, before being de-accessioned and transferred to Ballarat in 1943. In 2008 it was removed from its Camp Street location and underwent conservation treatment, Pegasus was moved to the Robert Clark Centre at the Ballarat Botanical Gardens.Various photographs of a marble sculpture of Perseus when at Camp Street. Perseus was the son of Zeus who was the most supreme Greek god of all.perseus, statue, marble

Perseus is the work of J. Cranari who was sctive in the 1880s. It was presented to the National Gallery of Victoria by James Chapman in 1885, before being de-accessioned and transferred to Ballarat in 1943. It was Perseus is the work of J. Cranari who was sctive in the 1880s. It was presented to the National Gallery of Victoria by James Chapman in 1885, before being de-accessioned and transferred to Ballarat in 1943. In 2008 it was removed from its Camp Street location and underwent conservation treatment, Pegasus was moved to the Robert Clark Centre at the Ballarat Botanical Gardens.Marble statue of Pegasus at Camp Street, Ballarat, outside the former Ballarat State Offices.pegasus, statue, sculpture, camp street

Ten unique hand painted poles (wooden telegraph poles) reflect the surroundings of Lake Wendouree and tell First Nations' peoples stories. Tom Clark created the Koori Totem Poles prior to the establishment of the North Garden Indigenous Sculpture Park. The work is a set of 10 poles decorated and carved with ‘Koorie’ motifs and references and was commissioned originally for Ballarat’s Begonia Festival. These poles were shifted from the Ballarat Botanical Gardens main area in 2015 to their present site guarding the northern entrance to North Gardens.The artworks are of aesthetic and cultural significance to the people of BallaratTen hand painted wooden telegraph polestotem poles

This image perfectly captures the Botanical Gardens in late afternoon light. The Statuary Pavilion was built following a bequest from James Russell Thompson, who was originally from Scotland. The Wallace Statue was purchased with money remaining in the bequest after the Pavilion was established. Mrs Bon Strange and her husband Bert were well known Ballarat residents. When Mrs Strange died some years ago, her extensive slide collection was sorted through and those relevant to Ballarat were gifted to the Ballarat Library. statues, statuary pavillion, botanical gardens, lake wendouree, william wallace statue, charles summer, james russell thompson

A small conservatory at the Eureka Stockade Gardens housed begonias which did not quite 'make the grade' to be shown at Cuthbert House at the Botanical Gardens. Visiting this hothouse was sometimes a way to 'beat the crowds'. Mrs Strange's photograph shows these begonias were still worth seeing. Mrs Bon Strange and her husband Bert were well known Ballarat residents. When Mrs Strange died some years ago, her extensive slide collection was sorted through and those relevant to Ballarat were gifted to the Ballarat Library.conservatory, begonias, begonia festival, eureka stockade

Dight’s Falls in Studley Park is an artificial weir built on a natural rock bar across the Yarra. The weir was built in the 1840s to provide water to the ‘Ceres’ flour-mill, one of the first in Victoria. The falls were later to become known as Dight’s Falls after the owners of the mill. Later, a pumping station was built on the Kew side of the river, which pumped water uphill to a reservoir in Walmer Street that provided water to the Melbourne Botanical Gardens and to Albert Park Lake. The area around Dight’s Falls was and is frequently used for recreational activities.This photograph forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Black and white photograph of the Richardson family seated on the Kew side of Dight's Falls in 1920. One of the girls in the photograph was to become the Melbourne historian Dorothy (Richardson) Rogers.Annotation on reverse: "Mrs D. Rogers, 29 Park Crst Kew. Dights Falls 1920"dight's falls - kew (vic) - fairfield (vic), sport and recreation - kew (vic), dorothy rogers

Dight’s Falls in Studley Park is an artificial weir built on a natural rock bar across the Yarra. The weir was built in the 1840s to provide water to the ‘Ceres’ flour-mill, one of the first in Victoria. The falls were later to become known as Dight’s Falls after the owners of the mill. Later, a pumping station was built on the Kew side of the river, which pumped water uphill to a reservoir in Walmer Street that provided water to the Melbourne Botanical Gardens and to Albert Park Lake. The area around Dight’s Falls was and is frequently used for recreational activities.Dated postcard allowing one to analyse the form of the Falls in 1911Colour postcard, of Dight's Falls on the River Yarra between Kew and Fairfield. The photograph is taken looking upstream towards the Falls from the Kew side, from the embankment in the vicinity of the Pumping Station. Obverse: "Dight's falls, Kew" Reverse: "Printed in Great Britain Writing in ink on Reverse: "31/3/1911 / To dear Nell with best wishes for a happy birthday from your old friend Eve / [Addressed to] "Mrs N Dunn, Prahran" Franked Victorian 1d stamp on Reverse top rightdight's falls, dight's falls - kew (vic) - fairfield (vic)

Dight’s Falls in Studley Park is an artificial weir built on a natural rock bar across the Yarra. The weir was built in the 1840s to provide water to the ‘Ceres’ flour-mill, one of the first in Victoria. The falls were later to become known as Dight’s Falls after the owners of the mill. Later, a pumping station was built on the Kew side of the river, which pumped water uphill to a reservoir in Walmer Street that provided water to the Melbourne Botanical Gardens and to Albert Park Lake. The area around Dight’s Falls was and is frequently used for recreational activities.Rare original print photograph of people walking across Dight's Falls when the river flow was low. View west towards Abbotsford. Photograph taken from Kew side of river above the Falls.Reverse: "M Holmes"dight's falls, river yarra -- kew - abbotsford

Dight’s Falls in Studley Park is an artificial weir built on a natural rock bar across the Yarra. The weir was built in the 1840s to provide water to the ‘Ceres’ flour-mill, one of the first in Victoria. The falls were later to become known as Dight’s Falls after the owners of the mill. Later, a pumping station was built on the Kew side of the river, which pumped water uphill to a reservoir in Walmer Street that provided water to the Melbourne Botanical Gardens and to Albert Park Lake. The area around Dight’s Falls was and is frequently used for recreational activities.One of a series of photographs, probably taken by Henry Christian of the Yarra River in Kew. An item from an outstanding and diverse photographic collection, assembled by members of the Christian and Washfold families of Kew.River Yarra at Dight’s Falls, Kew/Fairfield photographed from Kew bank.dight's falls, river yarra, christian-washfold collection

Dight’s Falls in Studley Park is an artificial weir built on a natural rock bar across the Yarra. The weir was built in the 1840s to provide water to the ‘Ceres’ flour-mill, one of the first in Victoria. The falls were later to become known as Dight’s Falls after the owners of the mill. Later, a pumping station was built on the Kew side of the river, which pumped water uphill to a reservoir in Walmer Street that provided water to the Melbourne Botanical Gardens and to Albert Park Lake. The area around Dight’s Falls was and is frequently used for recreational activities.Original, black and white positive of water flowing over the 'Race' at Dight's Falls in MelbourneInscribed verso: "The Race at Dight's Falls / River Yarra Melbourne / 1.3.25" "Kodak Print"dight's falls, river yarra, yarra -- kew (vic.)

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The logo in the middle of the words ‘POST CARD’ indicates the card was printed by M. Schulz in Prague. Schulz was a long-established company from Prague and printed postcards for customers from worldwide. Schulz printed in photo-chromolithography. The Curator’s lodge, designed by the Town Surveyor, HV Champion, was constructed in 1907 following the re-organisation of the north-east corner with the demolition of the old curator's cottage and erection of new gates. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The card also demonstrates how postcards were used as a method of contact in contrast to the contemporary use as souvenirs. A colour image of a house (the Curators lodge) behind a fence with two children sitting on it. There are two large Cordylines, one in the forefront of the image standing in lawn and surrounded by pink flowers, and one closer to the house. The house is brown timber with two brick chimneys and has a green corrugated iron roof with gables over the windows at the front and side.Front: ‘The Lodge, / Williamstown Gardens’. Reverse: Centre top ‘POST CARD’ with a logo [MS] in the middle of the words; left side vertical ‘O. Rippon Series’; left side ‘This space may be used for communication.’; right side ‘For Address only.’; left side bottom ‘Printed in Germany’. There is a one penny red Tasmanian stamp on the top right hand corner. The card is addressed to ‘Miss E G Holford / 60 Upton St, / Launceston, / Tasmania.’ Top left corner in pencil ‘$10’ (believed to be inserted by the vendor.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, curator’s lodge, children, cordyline