1933 Bendigo Show Northern District Handicap TrotTwo Handled Cup Shaped Trophy on a Wooden BaseBendigo Show / 1933 / Awarded to Winner of / Northern District Handicap Trot / Won bytrophy, harness horse, 1933, bendigo show

Air King won 1936 Champion Pacing Stallion award at the Charlton A&P Society Show. Owned by Thos AllenTwo Handled Cup Shaped Trophy with a Lid on a Wooden BaseCharlton A & P Society Show / 1936 / Champion Pacing Stallion / Won by / Thos Allen's / "Air King"trophy, harness horse, air king, 1936, charlton a&p society show, champion pacing stallion, thos allen

KEVIN ‘BOOFA’ INNES By Lucy McCormick Kevin was a member of the celebrated Innes clan from Inglewood, in Central Victoria. “I think the first Innes’ came to Inglewood in 1851. My daughter used to say she can’t marry anyone from Inglewood, because she’s related to them all,” says Kevin. ‘Boofa’ is enjoying some well-earned relaxation on the couch after breaking a kneecap six or seven months ago in a track work incident. Not that it seems to be bothering him too much; he’s got plenty of time to keep up with the trots on television. “I do follow them,” Kevin says. “I don’t miss many, and I do have a bet. I like to sit in the chair and drive a race as much as anyone.” With an illustrious career both as a trainer and in the sulky, it’s a safe bet that Kevin Innes is a more than handy ‘grandstand driver’. His name is associated as a trainer/driver with many handy horses, including Lea Sands, Imatoff and Stormy Morn to name a few. Kevin is typically circumspect about his bigger triumphs, however that doesn’t seem to be what interests him the most. “I’ll tell you something,” he declares, doing just that, “I like winning with the horses that were no good. Some people never get a good horse. Imagine that. Luck is a very, very important thing. You have to have luck to buy a good horse at the sales, to get it going, keep it sound, find a race for it, find and owner and get a draw. And they still make a liar of you.” Funny, interesting or quirky stories seem to be of greater interest to Kevin, such as the time he had a strong chance in a standing start race – the favourite in the race being his only worry. “I told the owner it only had a 20-metre handicap – I couldn’t beat it off that,” he remembers. “So I was leading, waiting for the favourite to run past me. Toward the finish, I heard it coming, and it ran straight past all right – minus the driver. He’d fallen out of the cart and I won the race. Just lucky.” The Innes family have always been heavily involved in one sporting pursuit or another – Kevin himself being a champion bike rider of his time. “My Uncle Roy was a good bike rider, so he dared me to have a go. It turned out I was quite good at it as well.” So good, in fact that for many years Kevin was able to make a living from bike riding, riding the ‘board track’ for many years. “We trained hard. Bike riding was very big back then, we’d train and ride three or four times a week.” Kevin’s riding career spanned four Herald Sun Tours, a Warrnambool to Melbourne and a Sydney to Melbourne race, to name a few. “It definitely gets you in – it was long hours,” he muses. “But like anything, horse racing included, you only get back what you put in. We trained hard. I never drank, and I still don’t. I’ve seen that many athletes, great ones too, brought down by alcohol.” Lucky with injury too, Kevin can only remember a sore ankle – as well as the requisite scrapes and abrasions from tumbles on the wooden boards of the velodromes. He still enjoys watching all the big bike races when he can. “You can watch them race all over the world – France, Sweden, Germany. “To be honest I sit up and watch them with my son and we get just as much of a kick looking at the countryside than anything else. It’s so different to when I was racing.” Betting on the bike racing was big in Kevin’s day as well, and some of the bookies Kevin saw betting on the bike racing, he saw at the Showgrounds betting on the trots on a Friday or Saturday night. “Racing was different back then. There would be twelve thousand people at the showgrounds – they don’t have to come anymore, it’s just as easy to watch it on the TV.” Kevin remembers in those days that drivers had to ‘weigh in’ as well – everyone who drove needed to weigh ten stone (just under 65 kilograms). It’s something he remembers fondly. “I know not everyone will.” Kevin won’t be drawn on the subject of favourite drivers, either. “Look. Driving is different now. No disrespect to current drivers, but you had to think a lot more on a three furlong track than they do now on the bigger tracks. You had to drive with brains. And I really believe that good horses make good drivers. The horses are very good these days. Today’s drivers – your Gavin Langs, Chris Alfords – they’re thinkers, and brains will beat brawn every time. The girls are just as good now too. You only have to look at Kerryn Manning.” A garrulous and popular character, Kevin has trained horses for the likes of legendary Richmond player Jack Dyer, and also spent his fair share of time hosting sportsman’s nights, holding his own with the likes of Ron Barassi. On one such night, they had flown in a light aircraft to their destination. During their show, Kevin noticed their pilot, sitting in the front row, laughing appreciatively. There was one problem. He had a beer in his hand, and was consuming it with some enthusiasm. As the night wore on, the pilot became more and more inebriated, and Kevin became more and more disturbed, knowing that this was the same pilot who was to fly them home when they finished. Unbeknownst to Kevin, however, the flight had been cancelled and the pilot hadn’t told anyone, instead deciding to take full advantage of his client’s hospitality. For now, Kevin is happy living in Inglewood with partner Barbara. Son Grant and daughter Carla aren’t far away (both work at the Bendigo Harness track, and Carla has held both a trainer and driver’s licence). His granddaughter, Barclay Sands, was born on the same day of the demise of their star performer, Lea Sands, and may give the biggest hint yet just how important the world of harness racing is to Kevin ‘Boofa’ Innes. Blue with white yolkKevin Innes embroidered on left side chestkevin innes, k innes, bendigo harness racing club, bhrc, bendigo, horses, race colours, trotting, pacing, harness racing

W. A. (Bill) McKenzie Bill McKenzie was a Moulamein (NSW) district wheat, sheep and cattle farmer with a property of some 6000 acres. His well-known colours of green with yellow braces greeted the judge over a period of 40 years with the horses Laurie Pronto, Pedro Nell, Little June, Prancing Nell, Little Duchess and the Melbourne Showgrounds, Bendigo and Mildura Cup winner Wongala Glen. Bill travelled far and wide with his horses and was a regular competitor at country agricultural shows.Bill Mckenzie won the 1966 Bendigo Cup driving Wongala Glen.Green race colours with yellow braces and armbandsbendigo harness racing club, bhrc, bendigo, horses, bill mckenzie, bendigo cup, wongala glen, race colours, wa mckenzie

Horse standing by a lake on the property of the Methodist Children's Homes, Cheltenham. The photograph is taken from Tennyson Street, looking towards Point Nepean Road.This image shows the land in Cheltenham, that later became Southland Shopping Centre. The land originally belonged to the Methodist Church, who operated a Children's Home on the property.Black and white image of a horse standing next to a tree trunk by a lake. cheltenham, methodist children's homes, southland, environment

Judd's General Store was on the corner of Centre and East Boundary roads in East Bentleigh. This image shows unsealed roads at an intersection with loaded wagons for transporting (or recently transported). The building in the immediate background has a ghost sign which is now illegible. The photograph was apparently taken nine (9) days after the declaration of World War I. Orlando Judd is second from left.Black and white image of four men standing outside in front of three horse drawn wagons loaded with hessian bags. They are standing in front of Judd's General Store which was on the corner of Centre and East Boundary roads, East Bentleigh.White round sticker on reverse with black printed text: 79 Handwritten in red ink on reverse: 60%east bentleigh, horses, horse drawn wagon, commerce

Photograph of a group of Legatees or Junior Legatees on horses on a polo field in Coldstream. Apparently Melbourne Legacy would have an annual event of a polo tournament. It is not known if it was with the junior legatees or as a social outing for the Legatees. It is possible that it is the same day out as the joyride over Melbourne from a regional airfield (at 01016) if the airfield was in the Yarra Valley. The two photos were together in the folio of photos. It was with a group of photos from 1990/91 in a folio with paper labels.A record of an event run by Melbourne Legacy that shows Legatees socialised together and had strong bonds of comradeship.Colour photo of junior legatees on horses.Yellow paper label: "A day at the polo . . . Legacy's annual polo tournament held at "Flowerfield" in Coldstream" in black type.junior legatee outing, legatee event

A British War Medal from World War 1 awarded to Pte J B McLean for his war service in World War One. The British War Medal is a campaign medal of the United Kingdom which was awarded to officers and men of British and Imperial forces for service in the First World War. The ribbon that would have attached to the medal is missing (mostly orange with white, black and blue stripes either side) and the ribbon bar shows he would have also had a Victory medal. There is part of the ribbon for the Victory medal in the collection (rainbow colour). The ribbon for the miniatures is present but the two miniatures are missing. Included are stock photos to show what the medals and ribbons should look like. Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving in Portsea in 1920. His full war record is available from the National Archives of Australia (B2455, MCLEAN JBM). In it is a record of this medal being given to him on 16 September 1921.This is an example of a World War 1 medal. The first Legatees were ex-servicemen from World War 1 so would have been familiar with this medal.Silver medal World War 1 medal engraved around the side with Service number and name of JB McLean. Also a cut ribbon and bar of ribbons. Silver medal with King George V facing left, with the legend "GEORGIVS V BRITT: OMN: REX ET IND: IMP:" The reverse, shows Saint George naked on horseback and armed with a short sword, an allegory of the physical and mental strength which achieved victory over Prussianism. The horse tramples on the Prussian eagle shield and the emblems of death, a skull and cross-bones. In the background are ocean waves and just off-centre near the right upper rim is the risen sun of Victory. The years "1914" and "1918" appear on the perimeter in the left and right fields respectively.Engraving '13824 P.T.E J.B.M. MCLEAN A.S.C. A.I.F.'medals, world war one

A diary written by Legatee Frank Doolan as he sailed to Perth and then visited Legatee Ivan Davies and his wife Mercy. He mentions docking at King George Sound which was the harbour from which transport assembled to convoy to the Middle East for the first World War. He was greeted by a member of Perth Legacy, Keith Manwell. He mentions visiting Mt Clarence and The Anzac Desert Mounted Monument "which was destroyed by Nasser's Gyppos at Port Said, and of which the pieces were transported back to Australia, stone base and all complete. Where a new model was made by Ray Ewen at Frankston and was sent back to Italy to be melted down and recast. It is double life size and very striking, depicting an Anzac charging from a horse which has been shot down under shellfire, to a new charger - rearing to go." He leaves the SS Kangaroo for a few days to visit a "Legacy pal", Ivan Davies. They toured his farm 'Carngham'. His observation at the end shows the comradeship of Legatees. "time to depart after several glorious days of perfect hospitality. To be accepted spontaneously as one of the family is the test of true friendship, and we received the full treatment from Mercy and Ivan at 'Carngham'". The year is unknown but the trip was in March. It could have been before a Legacy Conference in Perth. Was with other memorabilia that has come from Frank Doolan from both his war service and his time with Legacy. Frank Doolan posted this copy of his diary to Ivan Davies in 1978. Not sure how it and the cover letter (01131) were returned to Legacy's collection. The diary shows that Legatees from different regions of Australia visited each other and had strong friendships over the years. A carbon copy of a diary x 11 pages, written by L/- Frank Doolan on a trip on the SS Kangaroo and a visit to L/- Ivan Davies.Dairy is handwritten. Pages are numbered 67 to 78 in printed numerals in top right of each page.comradeship, frank doolan

A regular event for the widows was a concert by the Police Band in the Fitzroy Gardens. It was held in March for many years. The concert in 1994 was a success with beautiful weather. Over 740 widows attended. The Victoria Police Concert Band was led by Musical Director, Inspector Michael Pyne. There was a performance by the Police Pipe Band. Singer Brian Carbery performed. The photos show the widows sitting in the sunshine and the band including the police drum horse Gendarme. The article about the horse says it was the first appearance by 'Gendarme 5' who took over from another horse that passed away last year. Photos also included Legatee Eddie Jowett with a widow, and Legatee Charles Munnerley and Joan Miller, who both work on the Legacy newsletter. Photos were in an envelope marked with 'Victoria Police Concert and Pipe Bands, 7/3/94'A record of regular events for widows to attend and enjoy together.Colour photo x 8 of a Police Band concert in Fitzroy Gardens in 1994 and an article in the Answer.widows, answer, concert, police band

A regular event for the widows was a concert by the Police Band in the Fitzroy Gardens. Held in March for many years. Held on the 1st March 1993 with around 600 ladies from all over Victoria in attendance. The Victorian Police Band was led by Inspector Mike Pyne and performers Daina Jowsey and Brian Carberry sang. The Victoria Police Pipe Band also played. The photos show the widows sitting in the sunshine and the band including the police horse Gendarme.A record of regular events for widows to attend and enjoy together.Colour photo x 2 of a Police Band concert in Fitzroy Gardens in 1993 and an article in the Answer.widows, concert, activities, answer, police band

The letter from Eric Harding to Legacy President Ron Foskett in 1978 was in response to a call for information and photos for the archive that was being compiled. Legatees Frank Doolan and Brian Armstrong were making an attempt to collect items relevant to Legacy's history for an official archive project The letter suggests L/- Eric Harding provided a photo in which Cyril Smith, Dudley Treagent and others appear but that photo was not with the letter. It also referenced the photo that appears here, with of a group of people at a weekend party at Ocean Grove. No names are identified but it must have been a Legacy event for it to be sent to the archive project. It could be Legatees and their wives and children socialising together at a weekend event in Ocean Grove. Legatee Eric Harding OBE, MM, was also a member of the Limbless Soldiers' Association of Victoria as he lost a leg as a gunner in France in WW1. He served with the Australian Field Artillery in the original Anzac Corps. Despite loosing a leg he was active enough to ride with a Light Horse Party at the head of Melbourne's 1975 Anzac Day march. (Source Trove 18/4/1975)The photo shows that Legatees and their families socialised together. Also that the archive project in the 1970s approached legatees for items to be included in the archive.Black and white photo of a group of people in Ocean Grove and a letter from L/- Eric Harding.Handwritten on reverse of photo is 'No. 2' in blue pen. Letter is signed 'Dear Ron / Warm regards. Yours sincerely, Eric. / P.S. Another photo print No.2 is enclosed . This was a weekend party at Ocean Grove. I can pick out may wife but no others.' in blue pen.legatee event, founding legatee

A photo of a mural in Libya painted by a South Australian Sapper of a bottle of Victorian Bitter Ale being poured into the Melbourne Cup trophy and horses racing. The photo, and two others, were sent to Melbourne Legacy in 1979 by Legatee Syd Wilson of Yamba NSW. He thought Melbourne Legacy might be able to use them to generate money by selling them for advertising or publicity. He said they were enlargements of snapshots he had found in his old army trunk. The text says 'A good thing for the Cup but better for the tonsils'. Legatee Wilson's letter says the murals were: 'painted on three walls of a white concrete Italian block house (Police Check post I think), some 18/20 miles west of Tobruk, between Tobruk and Derna, and near a captured Italian airfield, somewhere about February 1941. Obviously they were painted by a Victorian Sapper. They were very well done, by a competent Sign-writer/artist, in correct and excellent colours (captured Itie paint no doubt - there was plenty in their Naval Stores at Tobruk).' (NB Itie was slang for Italian). 'The photos were there when we were coming back from Western Libya sometime in March 1941, prior to the 6th Division going to Greece.' From the AWM website the signs were painted by South Australian painter, SZ538 Sapper Leslie John “Doc” Dawes, 2/3rd Field Company, Royal Australian Engineers. There are several photos on the AWM site including the building the three murals were on.Photos taken by a Legatee when on active service in Libya in World War 2. They were donated to Legacy when it was thought they could be used for fundraising, which shows that Legatees were conscious of the way Legacy needs to generate funds to continue its work.Black and white enlargement of a photo taken in Libya of Victorian Bitter Ale for the Melbourne Cup mural.tobruk, beer, victorian bitter ale, ale, horse racing, murals, world war 2

Photos of a Christmas Party for junior legatees and the Melbourne Legacy Leadership Group. The photos show Legatees cooking sausages on the BBQ. It appears to have been sponsored by Brumby's bakeries. Location is not known. The children were given gifts of sleeping bags by Santa Claus. The Melbourne Legacy Leadership Group is a dedicated group of young people aged between 18 and 35 years who themselves were Junior Legatees. They organise and conduct events throughout the year for young Junior Legatees. The photos were mounted in an album of events that happened for Junior Legatees in 2001, including a trip to the Aquarium, a trip to Luna Park, horse riding and fishing and a Melbourne Legacy Leadership Group Christmas party. Melbourne Legacy arranged many events for Junior Legatees to experience. A record of the outings provided for Junior Legatees organised by Legacy.Colour photo x 2 of a Christmas Party for Junior Legatees and the Legacy Leadership Group 2001.Yellow label printed 'Christmas Party 2001'.junior legatee outing, junior legatees, christmas party, legatees

A photo of the mothers at a Christmas Party for junior legatees and the Melbourne Legacy Leadership Group. The photo shows the mothers with Santa Claus (who may be a Legatee). Location is not known. The children were given gifts of sleeping bags by Santa Claus. The photos were mounted in an album of events that happened for Junior Legatees in 2001, including a trip to the Aquarium, a trip to Luna Park, horse riding and fishing and a Melbourne Legacy Leadership Group Christmas party. Melbourne Legacy arranged many events for Junior Legatees to experience. A record of the outings provided for Junior Legatees organised by Legacy.Colour photo of the mothers at the Christmas Party for Junior Legatees and the Legacy Leadership Group 2001.Yellow label printed 'Christmas Party 2001'.junior legatee outing, junior legatees, christmas party, widows

A regular event for the widows was a concert in Fitzroy gardens performed by the Police Band. Usually held in March each year. The police horse Gendarme was a regular favourite and his horse float can be seen in the background. These photos show the widows enjoying the music and performers. President of the Melbourne Widows Club Irene Noll is seen in the first photo in floral top and black skirt. Legatees Geoff Swan and Charles Munnerley are standing by the microphone as Legatee Eddie Jowett reads something. Legatee Jowett regularly hosted and sang at monthly concerts at Legacy House. An article in the Answer in June 1994 shows Irene Noll at the concert in the same clothes so the date is assumed to be 1994. (Though it could also be 1992 which was when Legatee Geoff Swan was president).A record of regular events for widows to attend and enjoy together.Colour photo x 7 of widows at a concert in Fitzroy Gardens and an article in The Answer.widows, concert, answer, police band, fitzroy gardens

Members of the Board of Management in 1938 included Syd Birrell, Carl Carleton, Jack Barnes, Os Gawler, H Nicholson, W(Bill) Pearce, Lionel Wallace, Brian Armstrong, Eric Harding, Doug McKinlay. Text below the photo shows it was presented to J G Gillespie to commemorate his year as president, which was 1938. Another copy of this photo exists that is labelled as Board of Management 1949 - which is incorrect. Legatee Eric Harding OBE, MM, was also a member of the Limbless Soldiers' Association of Victoria as he lost a leg as a gunner in France in WW1. He served with the Australian Field Artillery in the original Anzac Corps. Despite loosing a leg he was active enough to ride with a Light Horse Party at the head of Melbourne's 1975 Anzac Day march. (Source Trove 18/4/1975)A record of the Board of Management of Legacy Club Melbourne in 1938.Black and white photo of the 1938 Board of Management mounted on brown card in a black wooden frame under glass. Handwritten above photo 'Legacy Club Melbourne, Board of Management 1938' and below photo 'Presented to the President L/. J G Gillespie to commemorate his year of office', in white fancy script. White note stuck to the glass tries to identify the names of the men.board of management, syd birrell, os gawler, carleton, brian armstrong, eric harding

For many years Legacy was invited to bring junior legatees to Government House for for an enjoyable Legacy Christmas party. There were entertainers, carousels and often a train ride. And the joy of a Christmas present for each child. This photo shows a toddler riding a pony, which is being led by another boy in service uniform. It is from 1945 and was part of a photo album of many photos from the 1940s.An important photographic record of the work of Legacy in the 1940s.Black and white photo of a boy having a pony ride at Government House, part of a photo album with blue leather look back and front cover. One of 20 pages with black and white photos attached to the majority of both sides of the pages.junior legatees, christmas, junior legatee outing, horse

The newsletter from July 1954. It featured Governor Sir Dallas Brooks on a carousel horse with a girl on the cover. The president's introduction talked ofvalue of books and reading. There was a piece on the death of Legacy founder Stan Savige and has a photo of funeral cortege. Pages showed news from the different Boys and Girls Classes and photos showcased the annual demonstration. Also photos of the Legacy library and the medical and dental care given to junior legatees. Also an article and photo about speech training by Miss Williams. Photo of mothers working hard at sewing costumes for the girls classes. There was an article about the royal visit of to the MCG and the JLs that presented flowers to the Queen. A newsletter published by Legacy in this format for many years from 1942. It mentions "Issued from time to time for Private Circulation among the Sons and Daughters of Deceased Service men and Merchant Seamen who served their Country during the War of 1914-18, or the present War". Many articles on the work of Legacy, including features on boys classes, girls classes, camps, the residences and where their past residents ended up. There are some suggestion for careers and some general interest articles. Some very interesting photos.Newsletter outlining news of Junior Legatee activities.Black and white printed newsletter x 16 pages from July 1954. Volume 7 Number 1boys classes, activities, girls classes, ilc

This is the before paired photograph used in the 150 year, Lakes Entrance 1858-2008 display.|The after paired photograph number is 01402.1|Also one 12 x 16 framed photograph used in room display.Black and white photograph of Barkes Store. Store was built in 1893, opposite the Post Office on Esplanade. Photo shows a large weatherboard building, hipped iron roof, imitation gables and timber frieze decorate the veranda roof. Building has many signs advertising various goods, products and services. A four-horse drawn wagon and crowd of people at front of the store, on ground-level wooden veranda floor. Lakes Entrance VictoriaLakes Entrance Cunninghame Gippsland, Victoriatransport, township, retail trade, room display

The Story of Cobb & Co., founded by Freeman CobbCover shows a coach drawn by four horsesThe lights of Cobb and Co K.A. Austinstawell

CLUNES SHOW HELD ANNUALY IN CLUNES SHOWGROUNDS FOR OVER A CENTUARY.SEPIA PHOTOGRAPHS OF PEOPLE ATTENDING CLUNES SHOW. NOV. 28th. 1913 DAYSON AND HEWITT, LONDON TENT IN CENTRE OF PICTURE - HORSE DRAWN BUGGIES AND GIGS ON DISPLAY.CLUNES SHOW. NOV. 28th. 1913photographs, events and celebrations, clunes show 1913

The Victory Medal was issued to Servicemen who entered any theatre of war between 5th August 1914 and 11th November 1918.Circular Medal. (no ribbon.)Obverse depicts the winged figure of Victory. Reverse shows a circle of laurel leaves surrounding the inscription " The Great War for Civilisation 1914 - 1919." Service # 727.Dvr. A. Griffiths 7L.H.R (Light Horse Regiment) A.I.F. on edge of medal. Trooper Angus Griffiths was hospitalised with gunshot wounds to his left arm and left thigh in an Egyptian hospital.

This is an image of the Warrnambool Lighthouse Complex on Middle Island in 1854. The Store, Lighthouse Keeper's Quarters, Lighthouse and Flagstaff are in the background. The foreground shows a covered buggy drawn by two horses and a person in attendance, and another wheeled vehicle behind it with a figure nearby. There is a saddled horse to the right with two males in conversation nearby. The ground is soft, perhaps the riverbed or sandy shore. THE LIGHTHOUSE KEEPERS Lighthouse Keepers were responsible for keeping their Lighthouse’s lights shining at night. They kept a lookout for passing vessels and changes in weather. They were expected to clean, polish and maintain the equipment and buildings. They kept regular and detailed records of who was on watch, and the time the light was lit, trimmed and extinguished. They kept a journal about other events that occurred. They keep regular, accurate Meteorological Logs. It was expected that they were competent in Morse code signalling. They would be called to help in times of disasters and shipwrecks and to give official statements about these events. Many Lighthouse Keepers also volunteered as members of the lifeboat crew. The Lady Bay lighthouses were officially classified as small, so the Keepers had the official titles of Senior Assistant Lighthouse Keeper and Assistant Lighthouse Keeper. They were employed by the Public Service and paid rent to live in the Lighthouse Quarters. They were compulsorily retired at the age of 60, with most receiving a superannuation payment. Despite their time-consuming duties, there was time to follow hobbies and crafts such as growing vegetables, playing musical instruments, making models of buildings including lighthouses, and crafting furniture pieces. An example of a keeper’s skills is the carved fire screen made by /assistant Keeper Thomas Hope in the late 19th century and displayed in the Lighthouse Keeper’s cottage at Flagstaff Hill. Both Alexander and Farncombe had served under Senior Keeper Robert Deverell, who was the first and only Senior Lighthouse Keeper at the Middle Island Complex. John Alexander was the Assistant Keeper in the 1850s. Andrew Farncombe was the last Assistant Keeper at Middle Island, serving there with his family from 1864 to 1871. During 1871 and 1872 the Lighthouse Complex was moved to Flagstaff Hill on Merri Street. Farncombe and Deverell then became the first Keepers and occupants of the Lady Bay Lighthouse Complex at Flagstaff Hill. They continued their service together; overall, Deverell served from 1859 to 1885 and Farncombe from 1864 to 1974. WARRNAMBOOL'S LADY BAY LIGHTHOUSE COMPLEX - The original Lighthouse Complex was built on Middle Island in 1858-1859 then transferred stone-by-stone to Flagstaff Hill in 1871. The Complex comprised the Lighthouse, the Lighthouse Keepers’ Quarters and a Privy. The bluestone Keeper’s Quarters was a cottage divided into two compartments, one for the Senior Keeper and his family, the other for the Assistant Keeper and his family. The bluestone Store was divided into three; a store, a workshop, and an oil store (or office). The Privy comprised a small building also divided into two separate, back-to-back toilets, one for each Keeper and his family. In the 1970s the Flagstaff Hill Planning Board was set up under the chairmanship of John Lindsay. The Board was to make recommendations to the Warrnambool City Council regarding the use of the buildings and the rest of the Crown Land on the site. The Flagstaff Hill Maritime Village opened in 1975 and began renovating the Cottage in stages, during which time evidence of a 1920s fire was found in the eastern section of the cottage. Additions of a porch on the west and a washroom on the east were made in the 1980s. The western part of the building is now a Shipwreck Museum and the east has returned to a late 19th-century Lighthouse Keeper’s cottage and includes the screen made by Assistant Lighthouse Keeper Thomas Hope in the late 19th century. Hope served two periods of time at the Lighthouse. This photograph is significant as a visual record of the original Warrnambool Lighthouse Complex on Middle Island, the origin of what is now the Lady Bay Lighthouse Complex. The photograph is significant for its connection to the Complex, which is now listed on the Victorian Heritage Register, H1520, for being of historical, scientific (technological) and architectural significance to the State of Victoria. The Complex is significant as an example of early colonial development. The photograph is significant for its connection with the important navigational function of the Lighthouses, a function still being performed to this day. The photograph is also significant as it shows an example of buildings organised by the Public Works Department in Victoria in the mid-to-late 19th century. The structures tare still stand strong. Photograph of horses, a buggy and three gentlemen in the foreground and the background shows a lighthouse and accompanying buildings. Printed in black and white. (Another two horse-drawn vehicles are partially visible). The subject is the Lighthouse Complex on Middle Island, Warrnambool, dated between 1854 and 1871.An inscription is handwritten in black pen on the back of the mounting board."The lighthouse and accompanying buildings were / established on Middle Island in 1854, as this / picture shows. In 1871 they were moved to their / present site on Flagstaff Hill."flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, warrnambool, maritime museum, shipwreck coast, lighthouse keeper's cottage, lighthouse residence, lighthouse, chart room, quarters, privy, middle island, beach lighthouse, obelisk, lighthouse complex, lady bay complex, warrnambool port, warrnambool harbour, lady bay, keepers, lighthouse keeper, upper lighthouse, lower lighthouse, assistant keeper, ports and harbours, cottage, meteorological record, 1854, 1871

Mabs Younger graduated 1938.1. Post Card Album with slits on each page to fit postcards containing newspaper cuttings (NC) and black and white photographs (not all taken at Burnley). Provenance and date of newspaper cuttings not generally known. See B09.0007B for 20 envelopes containing 35mm colour slides. Photographs taken Dec 1949. Labelled. Most images annotatedmabs younger, female students, newspaper cuttings, students, students working outside, staff, flowers, plants, cartoon, phyllis laing, lily ponds, thrips, horses, ploughing, luffmann ponds, orchard, draught horse, pears, m atkins, j wakeford, m smith, p wilson, t baghel, carol scott, d johnston, e m jelbart, nancy canpbell, gwynneth crouch, alison wilson, bonnie campbell, louise harris, kath pullar, thelma johnson, d barker, agnes armstrong, dahlias, melons, j bacon, a w jessep, f j rae, hay, b levick, brook gipps, graham grant, j leitch, h kirkhope, garden views, royal horticultural society show, uniform, wattle, women gardeners, soldiewr farmers

The Garryowen Perpetual Trophy is awarded annually to the winner of one of the most prestigious equestrienne events in Australia, the Garryowen Equestrienne Turnout. The competition is named after three-time Royal Melbourne Show champion saddle horse, GARRYOWEN, whose owner Violet Murrell died tragically whilst trying to save GARRYOWEN from a stable fire in 1934. A Heroine of Racing Mrs Violet Murrell of Melbourne, was a heroine who died trying to save her horses when the racing stables burned. The reason for her rescue attempt was twofold; she was both trying to retrieve an asset and was rescuing an animal from its agony. The heart of the racing world in Melbourne went out to Murrell and trainers, jockeys, and stable-boys came in crowds to her funeral. 'In the racing stables, in truth, the horse and the man are part of each other; and Mrs Murrell's name, with the manner of her death, will live as a tradition in the fraternity of men and horses to which she belonged'. (Sun, Sydney, Sunday 1 April 1934, p. 4) Began with a fire This trophy began as a tribute to a brave woman who risked and lost her life trying to rescue her horses and dog from a fire in 1934. It has become the premier turnout event for horsewomen in Australia. The idea came from a gathering at the Police Depot in St Kilda Road Melbourne, where friends of Violet discussed how to remember her and her beloved horse GARRYOWEN. The event was first staged at the 1934 Royal Melbourne Show. The public, through the Sporting globe newspaper, contributed to the cost of buying the 12 inch bronze statuette which is a perpetual trophy. The winner is also presented with a blue sash fastened with a small photograph of Mrs Murrell riding GARRYOWEN. Jockey, jumper, show ring rider Violet Murrell was 29 years old when she died. She had a career as a flat-race jockey riding and winning against men. She was also a successful jumps jockey. (Mandy Bede)A bronze horse statuette mounted on a slab of marble and a wooden base with metal plates.trophy, horses in action, horses, melbourne royal horses in action competition, prizes, turnout, blue ribbon competitions, murrell, violet murrell, garryowen, garryowen perpetual trophy, garryowen equestrienne turnout

This outfit from Sydney-based wearables label Iordanes Spyridon Gogos (ISG), was designed by Founder and Creative Director Jordan Gogos in collaboration with Akira Isogawa and other creative partners. The outfit comes from the ISG x Akira 2023 Afterpay Australian Fashion Week (AAFW) collection show presented at Carriageworks, Sydney 16 May 2023. Jordan Gogos is one of Australia's most innovative multidisciplinary artists. Preferring to describe his current designs as 'non normative', 'wearables for the imaginative' Gogos' work and practices have been influential in changing the conversation around clothing design, production and presentation by embedding co-collaboration, sustainability, diversity, and inclusivity in all aspects of his label. Born and raised in Tokyo, Japan before immigrating to Australia in 1987, Akira Isogawa is regarded as one of Australia's most innovative and successful fashion designers. In a career spanning over 25 years, Akira is perhaps best known for his contemporary interpretations of traditional Japanese clothing, and the quality of his craftsmanship. Isogawa has worked on a range of creative collaboration projects over the course of his career and was named Australian Designer of the Year at the Australian Fashion Industries Awards in 1999. The ISG x Akira collection show presented at AAFW resulted in a collection of 40 looks featuring digitally printed, compressed and patchworked garments with applique, embroidery, beading and origami. Made from deadstock and archival fabrics, accessorised with unique headpieces and footwear designs, the looks were presented in a theatrical collection show amid a colourful runway piled high with upcycled textile artworks and trojan horses signifying Gogo's Greek heritage, signed by Akira in red calligraphy. The models included people with diverse gender identities and body shape and size. - Kristina StankovskiOutfit consisting of a headpiece, top, skirt and shoes (pair). The fabric of the hat, top and skirt has been quilted and stitched together, and is of grey, white, black and yellow hues. The top has two sets of ties which fasten at the back of the waist. The skirt and top feature gold medallions which show a trojan horse and lettering. The shoes are lace up boots and include hues of fluro pink and yellow, as well as white, black and grey. The boots are lined with black vinyl. As part of this collection, this record includes six quilted squares of material created as test patch/samples of fabric used to create the outfit, and two test gold medallions. 9014.1 Headpiece 9014.2 Top 9014.3 Skirt 9014.4 Boots 9014.6 Six fabric sample squares 9014.6 Two gold medallions[printed on gold medallions] IORDANES SPYRIDON GOGOSjordan gogos, iordanes spyridon gogos, akira isogawa, 2023 afterpay australian fashion week, design, fashion, art, sustainability, innovation, trojan horse

This outfit from Sydney-based wearables label Iordanes Spyridon Gogos (ISG), was designed by Founder and Creative Director Jordan Gogos in collaboration with Akira Isogawa and other creative partners. The outfit comes from the ISG x Akira 2023 Afterpay Australian Fashion Week (AAFW) collection show presented at Carriageworks, Sydney 16 May 2023. Jordan Gogos is one of Australia's most innovative multidisciplinary artists. Preferring to describe his current designs as 'non normative', 'wearables for the imaginative' Gogos' work and practices have been influential in changing the conversation around clothing design, production and presentation by embedding co-collaboration, sustainability, diversity, and inclusivity in all aspects of his label. Born and raised in Tokyo, Japan before immigrating to Australia in 1987, Akira Isogawa is regarded as one of Australia's most innovative and successful fashion designers. In a career spanning over 25 years, Akira is perhaps best known for his contemporary interpretations of traditional Japanese clothing, and the quality of his craftsmanship. Isogawa has worked on a range of creative collaboration projects over the course of his career and was named Australian Designer of the Year at the Australian Fashion Industries Awards in 1999. The ISG x Akira collection show presented at AAFW resulted in a collection of 40 looks featuring digitally printed, compressed and patchworked garments with applique, embroidery, beading and origami. Made from deadstock and archival fabrics, accessorised with unique headpieces and footwear designs, the looks were presented in a theatrical collection show amid a colourful runway piled high with upcycled textile artworks and trojan horses signifying Gogo's Greek heritage, signed by Akira in red calligraphy. The models included people with diverse gender identities and body shape and size. - Kristina StankovskiOutfit consisting of a dress, underskirt and shoes (pair). The underskirt is made of tulle, while the dress is origami style with black, red, white, gold, green, yellow and orange fabric. The dress has two sets of press studs under each shoulder strap. Shoes are lace up boots with black, white and yellow patchwork fabric, with rubber soles and vinyl lining. This record includes seventeen pieces of test/sample fabric. 9013.1 Dress 9013.2 Underskirt 9013.3 Boots & White laces 9013.4 Fabric samplesjordan gogos, iordanes spyridon gogos, akira isogawa, 2023 afterpay australian fashion week, design, fashion, art, sustainability, innovation, trojan horse

The Churchill Island collection includes objects from the late 1800s to the mid-1970s. The collection is presented in sets and series, of which this image shows an object representing the Amess era.Churchill Island has been variously imagined and used to make a permanent settler colonial space since the mid-1800s. The history of the island offers a rich example of the complexity of private settlement in Victoria up until 1976 when it was sold to the Victorian Government.Black four-wheeled carriage with a front-facing seat for the driver, along with two side-facing benches for passengers. Carraige is sheltered by an awning or roof enclosure and features two glass encased lamps.farm machinery, horse drawn vehicles, wagonette