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Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, Barry Sutton, 19.07.1972
Mrs P.. Cosh is a private Physiotherapist contracted by RDNS to educate RDNS nursing staff in safe transferring techniques. This photograph is taken in the Heidelberg Centre. The RDNS Sisters are wearing their winter uniforms of a blue/grey skivvie under a blue/grey V neck tunic style herringbone winter material dress,From the founding of the Melbourne District Nursing Society (MDNS) in 1885, known as Royal District Nursing Service (RDNS) from 1966, the rehabilitation of patients to insure they were able to live independently in their own homes was at the forefront of care given by their Trained nurses. As well as teaching and supervising the use of equipment, their Trained nurses taught them safe transfer techniques. These techniques were also taught to family members to enable them to care for their loved ones. RDNS at first held workshops given by a contracted private Physiotherapist before employing their own Physiotherapist in 1975 who taught staff the correct techniques, not only for safety of the patient, but to reduce physical strain on RDNS nursing staff and patient’s family members. When required the Physiotherapist accompanied the Sister on her visit to the patient in their home.On the left in the black and white photograph is Royal District Nursing Service (RDNS) Sister Elizabeth Francis, who has curled dark hair and is kneeling on a mat looking down at Sr. Bev. Armstrong, who has straight blonde hair and is lying on a mat on the floor with her head resting on a white pillow and her right arm resting across her body. Behind and slightly to the right of Sr. Armstrong is Sr. Daphne Geldard who has short dark curled hair. She is kneeling on the mat and looking down at Sr. Armstrong. To her right is Physiotherapist Mrs. P. Cosh, who has dark short curled hair and is wearing a check suite. She is looking at Sr. Armstrong and has her left hand resting on the out edge of Sr. Armstrong's right hand. The RDNS Sisters are wearing a light coloured skivvie under a darker V neck tunic style dress. A closed wooden door is behind the Sisters with pale walls either side. Lino tiles are on the floor either side the mat on which Sr. Armstrong lay.Barry Sutton Photographer's Stamp, Quote KY28, names of staff hand written on back of photographrdns, royal district nursing service, nurses uniforms, rdns physiotherapist, sister elizabeth francis, sister bev armstrong, sister daphne geldard, mrs p. cosh -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1910
This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, olive green glass, handmade. Tall slim, Gallon style liquor bottle. Applied double collar lip; square upper with flared lower. Neck is slightly bulged and there is a mould seam where shoulder joins base. Body tapers inward to base. Uneven base with deep push-up centre with small pontil mark. Scratches and imperfections in glass. Also encrustations on surface. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1870s
This small green bottle has been handmade by a glassblower and is the typical shape of a carbonated soda or mineral water bottle. It was made from 1840s-1870s. The bottle was found in the coastal waters of Victoria about 100 years from when it was made. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe and into molten glass at the end of it. The shape of the glass would be blown out to fit into the shape of the cylindrical dip mould. Once it set, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck and another ponty tool to push up and form the base. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be wrapped around the top of the neck and shaped to finish the lip of the bottle. The seal was usually a cork, held in place with a ball-wire fitting attached between the upper and lower parts of the neck finish. This style of handmade bottles usually had thick glass so that it could be heat-sterilised, then re-filled. The bottles would often have horizontal bubbles in the applied finish, caused by twisting the glass, and vertical bubbles and diagonal lines in the body from it being blown, and a pontil mark in the base where the ponty tool had been attached. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle; green glass, soda or mineral water style, handmade. Double ring collar blob finish on neck; upper is wide and rounded, lower is a thin ring. Diagonal lines in glass on neck, low shoulder mould seam, rippled texture around body. Push-up base with pontil mark, rectangular impression in heel. Uneven base. Sediment on inside surfaces.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, dip mould, mouth blown, pontil mark, 19th century bottle, collectable, soda bottle, mineral water bottle, green glass, blob finish, push-up base -
Orbost & District Historical Society
display book, 2001-2002
Kevin Parker was born in 1942 in Melbourne and studied Architecture at RMIT and from 1965-1990 worked as a freelance architectural illustrator. He continued this when he moved to Deddick in East Gippsland in 1991. In 2001 -2002 he began working on series of drawings about Mc Killops Bridge and environs for exhibition at Gippsland Art Gallery, Sale Victoria (Oct 2003). These drawings and prints feature McKillop's Bridge an the item is a compilation from a folder usually sold in the Slab Hut (Orbost Visitor Information Centre). A loose-leaf display book of copies of architectural style pencil drawings by Deddick artist, Kevin Parker. There is an introduction by Valerie Auer of Tubbut. The drawings are of McKillop's Bridge.parker-kevin drawings mckillop's-bridge display-book -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, 1996
A colour photograph of two houses in Keppels Court in Marysville in Victoria.A colour photograph of two houses in Keppels Court in Marysville in Victoria. These houses, along with most other buildings in Marysville, was destroyed in the 2009 Black Saturday bushfires.keppels court, marysville, victoria, photograph, 2009 black saturday bushfires -
Bendigo Military Museum
Banner - BANNER, AFRICA CORP, C. 1940 - 43
This was possibly a motor vehicle banner.Banner "Africa Corp" diamond style shape colours black, green with yellow palm depiction with Swastika over. Item numbered. Same design both sides.Possible, "RB No1/0354/0010"banners, africa corp -
Bendigo Military Museum
Headwear - HELMET, STEEL, C.WW2
American style helmet, green metal with fibreglass lining, green webbing head harness secured with metal clips, green webbing chin strap with metal fastener.uniforms - army, costume - male headwear, helmet, passchendaele barracks trust -
Mission to Seafarers Victoria
Painting - Icon, Untitled, unknown
Large icon style painting of Jesus holding a Bible in his left hand, and doing the symbol of Incarnation with his thumb and ring finger of his right hand.icon, orthodox, russian, jesus, artwork-paintings -
Kiewa Valley Historical Society
Cards - Party Invitations x7
Children's party invitations were purchased, filled in with date, time etc and had a torn off section to be returned by the recipient with confirmation of attendance.Mt Beauty was a construction town built in the late 1940s. These cards would have been used to invite friends to birthday parties as was the tradition at the time.Small cardboard party invitations with coloured front, folded in two, and inside on the left the invitation details and on the right the acceptance both to be filled in. 1950s style I think.children's party invitations 1950s -
Learmonth and District Historical Society Inc.
Plaque, Perpetual Tophy, Early 20th Century
This Plaque was Presented as a Perpetual Trophy To Bowls teams of the local Councils within the Ballarat district.To acknowledge the prowess of the various council bowls teams within the Municipality.Brown Wooden Plaque in shape of a shield,with silver name plates surrounding a central silver plaque. At the top in silver is the name inscribed in a flowing ribbon style setting. BALLARAT DISTRICT MUNICIPLE BOWLS ANNUAL TOURNAMENT. Perpetual Trophy.Donated by Councilor C.E.Brown.J.P. -
Flagstaff Hill Maritime Museum and Village
Saucer
Saucer porcelain made by Copeland formerly "Spode". Style Greek, blue and white decorative rim. Figures around curve, angel figures in the middle. Chip on rim.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Bendigo Historical Society Inc.
Book - ALBUM OF SYDNEY VIEWS
Album Of Sydney Views, blue hard cover with gold lettering containing views of Sydney in a pull out panorama style, published by Schutze, Steffens & Co Sydney.Published by Schutze, Steffens & Co Sydney. -
Bendigo Historical Society Inc.
Domestic Object - PINK GLASS DRESSING TABLE SET
Pink depression glass art deco style dressing table set consisting of a rectangular tray, a lidded bowl, a perfume atomiser & perfume bottle with chromed tops.personal effects, containers, perfume -
Bendigo Historical Society Inc.
Book - WHAT HOUSE IS THAT - A GUIDE TO VICTORIA'S HOUSING STYLES - THIRD EDITION
Booklet - What house is that? A Guide to Victoria's Housing Styles - Third Edition. 31 pages Published by the Heritage Council of Victoria November 2007 Reprinted June 2011Heritage Council Victoria -
Port Melbourne Historical & Preservation Society
Domestic Object - Colonial Brewing Company coaster, 2018 - 2019
These items were collected by a PMHPS member during 2018-19 and they have been retained as a group of ephemeraVarious ephemera of local interest showing changes in community. Colonial Brewing Company coaster. Colonial I.P.A. Australia American style IPA with all-Australian ingredientsindustry, food/drink, colonial brewing company -
Nillumbik Shire Council
Painting: Guy STUART (b.1942 ACT), Guy Stuart, Tunnel by the Yarra, 2004
An abstract painting of the Yarra River from Pound Bend in Warrandyte. The painting is quite expressive, linear and gestural in style. Muted, neutral tones of greens, browns and reds. -
Whitehorse Historical Society Inc.
Functional object - Needle Case
Needle case is part of a collection of sewing tools donated by Betty McPhee.Green mottled leather wallet style case containing sewing needles of various sizes. Includes 5, 4/8, 6 rug, crewel, darners, chenille.handcrafts, equipment -
Whitehorse Historical Society Inc.
Clothing - Coat, 1968
Coat was purchased & worn by Judith's Mother, Jean Gorsuch, in 1968 as her best coat. Jean Gorsuch loved fur and fur trimming - she loved this coat and always felt very smart in it. It is very heavy.Beige wool coat with cream fur collar (coat has a self zig-zag pattern in the wool). Straight style - long sleeves. It is a very heavy coat.Bonwear Clothing Melbourne.costume, female -
Whitehorse Historical Society Inc.
Photograph, 381 Mitcham Road, Mitcham, 1998
Coloured photograph of an old-styled house with high front fence and front verandah.The house was originally the home of Charles Rooks, a member of an old Mitcham pioneering family.mitcham road, mitcham no 381, houses, rooks, charles -
Whitehorse Historical Society Inc.
Headwear - Hat - Bridal and Hatpin
The dress and accessories worn by Mrs Margaret Scully for her wedding. Following their engagement in 1956, her husband built their home of 67 years in Box Hill South.'Juliet' style stiffened headpiece and hatpin. Hair piece is covered in same material as used in the bridal gown. Hat pin has top covered in the same material.Lille Couturier Block Court 288 Collins Street, Melbourne. -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1925 c
Black and white photograph of three women dressed in 1920's style with three men, two appear to be dressed for cricket standing on the shore of a lake. Gippsland Victoriagenealogy -
Bendigo Historical Society Inc.
Souvenir - SOUVENIR GLASS POST OFFICE, 1887
2 Souvenir glasses commemorating the Bendigo Post Office Centenary 1887 - 1987 tumbler style with gold rim and a depiction of the Post Office building on side in gold.organization, government, post office -
Buninyong & District Historical Society
Photograph - Original Colour Photograph, Ann Beggs Sunter, Gardens at Lal Lal House, Yendon, October 1993
Early settlers, Fisken family's dwelling.Colour photo part of Garden at Lal Lal House, Yendon, cottage-style garden, gravel path curving to left, Japanese Maple with autumn foliage centre.lal lal house, yendon, garden, fisken -
Tennis Australia
Racquet Press, Circa 1908
A 24-racquet 'Tunmer' press, manufactured in the United States of America, copying the style - and even the inscription - produced by F.H. Ayres, London. Materials: Wood, Metal, Gluetennis -
Kew Historical Society Inc
Headwear - Black Straw & Gauze Hat, Janell, 1965-1975
The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Soft broad brimmed black coloured woman’s hat by Janell constructed of black straw and covered with fine black silk gauze. The shape of the hat is in the 'mushroom' style.Label: Janellmillliners -- australia -- janell, women's clothing -- hats, headwear -
Maldon Vintage Machinery Museum Inc
Pump - Centrifugal, Early 20th Century
Painted Royal Blue mounted on a black painted metal base. Old style 2 stage centrifugal pump. Branch positions:- Suction - side, Discharge - topThompsons Castlemaine Ltd. Serial No 12036 ?8. 1"x1 1/4" Class G -
Surrey Hills Historical Society Collection
Photograph, 'Devon', 3 Vincent Street
‘Devon’, 3 Vincent Street Built in 1906 by Aaron Wyatt of 46 Essex Road for Mr and Mrs Charles Ansell Smith and their family. The Smith family lived at ‘Devon’ until c1916 when they leased it for two years to William Everard who became a Member of Parliament of the Upper House of Victoria A black and white photograph of an Edwardian Style weatherboard house with an L-shaped verandah and roofed with corrugated iron. Timber fretwork adorns the verandah with decorative scrolls on the posts.edwardian style, federation style, weatherboard, 'devon', house names, vincent street, surrey hills, (mr) aaron wyatt, (mr) charles ansell smith, essex road, (mr) roy smith, (mr) stan smith, (mr) frank smith, (miss) dorothy smith, (mr) william everard, builders, member of parliament, parliamentary representatives, harold smith, kenneth smith -
Surrey Hills Historical Society Collection
Photograph, Pye and Stamford family members at 'Tanglewood', 12 Loch Street, Surrey Hills, c1916-1918, 1916-1918
Both Hazel and Mabel Pye were artists and their father built a studio at the back of the 12 Loch Street home. The family were also associated with the amateur theatre group 'The Benwerrin Players'. Information from Frank Stamford (via Surrey Hills History Facebook page), March 2017: "This photograph was taken around 1918. It is a family occasion. The four people sitting down, from left to right, are Clara (Dolly) Stamford nee Noar (my grandmother), Frank Stamford (my grandfather), Laurence Stamford (my father, who was born in 1904), and Hazel Pye (a cousin of my father). The three people standing, from left to right, are Alice Pye (nee Noar) - mother of Mabel and Hazel, and sister of Clara, Reg Stamford (brother of Laurence, and born in 1900), and Mabel Pye." Dorothy Stamford was a cousin of Hazel and Mabel Pye.Black and white photo including Misses Mabel and Hazel Pye with other family members. The group is seated and standing in front of a verandah of a timber Edwardian style home.loch street, artists, 'tanglewood', mrs clara ellen stamford, miss clara ellen noar, frank stamford, laurence stamford, hazel pye, miss alice elanor noar, mrs alice eleanor pye, reg stamford, mabel pye -
Surrey Hills Historical Society Collection
Photograph, No 1 Blackburn Street
The house was built c1920. The first occupant was Mr George Leslie Miles, a grocer, also resident at 5 Empress Road. He was followed by Mr Charles Frederick Barrow, an electrical mechanic, who later moved to 316 Canterbury Road.A black and white photograph of a Californian Bungalow style house in a corner location. A fence with a neat hedge border two sides of the property. Gate posts are at the corner of the property.1920, surrey hills, blackburn street, bedford avenue, mr charles frederick barrow, mr george leslie miles -
Canterbury History Group
Photograph - 15 Margaret Street Canterbury, Kelly, Robin, 2009
Coloured photograph of the front of the Victorian style brick house in process of restoration at 15 Margaret Street Canterbury.Includes rough notes on the back of the photograph and a smaller copy of the photograph.canterbury, margaret street, victorian style, chimneys, street trees, babicka family