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City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, B/W, WW1 Memorial Stonnington( Malvern ) Town Hall by P Montford, August Rietmann 1931, c1931
August Rietmann (1877-1951) of Lustdorf, Switzerland, married Maria Frieda Oesschlager (1878-1942) of Baden Baden, in Germany on 6/8/1910 8/8/1915 August and his wife Frieda migrated to Melbourne, Victoria, Australia sailing on the Steam Ship ‘Osterley’ from Marseilles to Melbourne They leased Box Cottage, Ormond in 1917 and raised two children, Stefanie (1918 -2006) and William (1920- 1997). 1935 August purchased the property and the family used the Cottage during the day and slept in the Front House. August was a monumental mason, potter and sculptor, and was employed at Corbens Ltd Clifton Hill, to carve war memorials in Victoria post WW1 c 1915-1922. During the 1920's August set up his own business in pressed cement making pot plants, columns,paving slabs and lamp-stands. He continued to carve headstones and figures and took contract work for Artists . Around the same time, prestigious sculptor, Paul Raphael Montford (1868–1938), who had won the competition to sculpt the Malvern War Memorial in 1928, asked August to ‘rough carve’ the marble figures destined for the foyer of Stonnington ( former Malvern) Town Hall — unveiled 1931. August built a workshop in the Barn and used the Cottage for plaster moulding. His son William joined the business and and the family continued to use the site after August died in 1951. Rietmann Landscaping Ltd moved to Bay Road Highett in 1953 and later to Carrum. The land, containing the Box Cottage, was sold to Lewis Timber Pty Ltd in 1970 and Mr Lewis proposed that Moorabbin City Council should preserve the heritage Cottage. In 1984 the Cottage was dismantled and reconstructed in the adjacent Joyce Park. The Rietman family is an example of the diverse nationalities that lived and worked productively in Moorabbin Shire 1871–1933 , the City of Moorabbin 1934-1994 and continues today in the Cities of Glen Eira, Kingston, Bayside, and Monash. August, a sculptor and stone mason, was employed by Corben Pty Ltd Clifton Hill to carve WW1 Memorials before establishing his own successful masonry business in the Box Cottage during the latter 1920s. After becoming interested in pressed cement casting, he took on apprentices (1930s Depression) and among his products were garden furniture, pots and also street lamp standards, some of which were installed in St Kilda Road. After August’s death in 1951, his family continued the business ‘Rietman’s Landscaping Ltd.’, at Highett and Carrum.Photograph, Black & White of the WW1 memorial in Stonnington (Malvern) Town Hall carved by August Rietmann c1931rietmann august, rietman august, rietmann frieda, rietman frieda, stonnington city town hall, war memorials, world war 1 1914-1918, rietman stefanie, rennick stefanie, francis stefanie, rietman william, rietman ray, mountford paul, malvern city town hall, box cottage museum ormond, box william, box elizabeth, joyce park ormond, rietman's landscaping pty ltd, bay road highett, macrobertson pty ltd, coleraine soldier memorial 1921, box cottage ormond -
Federation University Historical Collection
Sculpture - Plaster Drawing Prop, Cast of Foot, before 1918
The Ballarat Technical Art School boasted a well-stocked Antique Room replete with plaster copies of classical, Renaissance and Gothic sculptural examples, which were used as drawing props by students. The school inherited some casts from its predecessor institutions, and further consignments were purchased during the 1920s, including full length, bust and relief figures, as well as dozens of ornamental and architectural casts. Unfortunately, much of the collection was lost or destroyed in the late 1950s. This is one of the few surviving pieces. The foot came into the school’s collection prior to 1920 as it appears in a photo in the SMB Annual Report. There are two possibilities where these sculptures may have originated, either Victorian and Albert Museum or the British Museum. There is a reference to the purchase of plaster casts from the Victoria and Albert Museum in the 1918 School of Mines Ballarat Minute Book. This plaster cast of a foot is of local significance as only one of a few remaining teaching pieces from the substantial collection of sculptures used in the art school. The foot also has significance as an interpretive tool complementing the complete art folio of Edith Alice Watson who was a student from 1930-1933.Plaster cast of right foot including ankle. Made from plaster of Paris. Mainly white in colour with grey patches around metatarsels, flecks of blue and green paint and pale brown paint (possibly shellac) and on top of ankle. Measurements suggest a size 11 man's right foot.plaster cast, foot, drawing aid, art school, smb, edith alice watson, 1931, 1931-33, 1918, 1920, plaster of paris, sculpture, ballarat technical art school number 10, drawing from the antique, drawing the human figure from cast -
Warrnambool and District Historical Society Inc.
Medal - British Empire Medal Joyce Hayward, Late 20th century
Joyce Hayward was awarded the British Empire Medal in 1981 for services to the arts in Warrnambool. The British Empire Medal was instituted in 1917 as part of the Order of the British Empire and in 1922 became a separate award known as the British Empire Medal. Joyce Hayward came with her husband Cyril to Warrnambool from England in 1955. For 30 years they were the dominant figures in the performing arts organizations in Warrnambool. Joyce Hayward was the Director of the Warrnambool Theatre Company from 1955 to 1985 and directed more than 80 plays and musicals. She founded the Warrnambool Calisthenics Club, helped develop the Holiday Actors organization and was a key figure in the revival of the Warrnambool Arts Council in the 1970s. She was a Life Member of the Warrnambool Theatre Company. She also helped establish the Performing Arts Centre in Warrnambool. She received the Warrnambool City Council Citizenship Award in 1970.It is a significant honour to be awarded a British Empire Medal and the acquisition by the Warrnambool and District Historical Society of the medal awarded to Joyce Hayward is of considerable importance. It is a rare item.This is a silver medal with a bar attached and clip at the back for the wearer and a red corded ribbon in a bow form on the silver attachment at the top. There is also a separate piece of red ribbon. The medal box is red leather material and lined with cream silk and velvet. Side one: E11R, Instituted by King George V., 4 armorial images, crown Side Two: For God and the Empire, For Meritorious Service, image (possibly Britannia) and a sun british empire medal, joyce hayward -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, Imported Archi…
Boyd argues that Australia needs confidence in creative thinking so our products can cut through established formulas to contribute to our growth as a nation. He outlines four stages of architectural development in every community, and describes Canada in these terms. He posits that Australia overall is only at stage two (imported sophisticated), Brisbane/Hobart/Adelaide at stage one. Boyd argues the Australian dream of individual identity is impossible now, to move to stage 3 Australia needs to be encouraged to have confidence in Australian artists of all kinds, allowing creative people to flourish, be themselves. He indicates that Canberra is close to third stage, with architecture designed by international figures in 1960s but now Australian John Andrews brought out to do an architecturally creative office complex in Belconnen - Canberra, signalling growth of a national identity.Typewritten (c copy), pencil edits and additions, quarto, 7 pages - p12-18confidence in creative thinking, australian national identity, four stages in architectural development, canberra architecture, john andrews, robin boyd, manuscript -
Vision Australia
Sculpture - Object, Urban Cycle, 1975
Eva Fisher was a valued member of the AFB and wished to commission a sculpture for the grounds in the front of Paterson Hall. Noted sculptor Ian Bow was commissioned and created Urban Cycle, a seven panel metal sculpture that follows the development of the local area. Prior to receiving the commission, Ian Bow went through a period of temporary vision loss, which gave him insight into how the sculpture could be appreciated by the blind and low vision community. The different stages are: Harmony - Two pelicans amongst reeds. Intrusion - Frog, kookaburra, mice, fish, lizard and butterfly. Expansion - Doors, windows and roofs under tree canopies. Industry - A factory with large chimney blowing smoke. Density - Multiple boxes, some with figures inside, are crowded beneath a bridge and dome. Decay - Boxes with broken doors and unfinished concrete. Renewal - A church with a Calvary cross over roughened surface.Heptagonal cast aluminium sculpture with seven panels arranged around a central metal pole.Thanks to the generosity of Evangeline Annie Fisher this sculpture, entitled 'Urban Cycle', was created by Ian Bow in 1975 and depicts stages of development of a city through the use of tactile forms. Further information is available at Reception. Vision Australia. Blindness, Low Vision, Opportunity.association for the blind, eva fisher, ian bow, sculpture -
Federation University Art Collection
Artwork, 'Cassandra After the Fact' by Andrew Potter, 2009
This work pays homage to Solomon J. Solomon’s Ajax and Cassandra. Andrew Potter’s painting tells of the subsequent event. Cassandra is undoubtedly a Trojan War casualty, symbolizing the personal pain of widows and rape victims. The flow of the fabric is the allegory of bloodshed, while the empty jar suggests displacement of refugees. Cassandra’s body, as mother earth, is a metaphor for the peaceful landscape that is desecrated by acts of war. The artist uses these iconic figures to exemplify and demonstrate why peace is always better than war. This work was awarded second prize in the 2009 Lucato Peace Prize. During that year Andrew Potter was undertaking the first year of a Bachelor of Visual Arts (Fine Arts) at the University of Ballarat’s Arts Academy. This item was runner up in the Lucato Peace Prize, and is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Painted canvas depicting a naked woman lying on the round beside a glass jar.art, artwork, andrew potter, potter, lucato peace prize, mythology, available -
Federation University Art Collection
Artwork- Marquette, Nicholson, Peter, 'Robert James Lee Hawke' by Peter Nicholson
Prime Minister Bob Hawke had a strong trade union leadership background. A member of the Australian Labor Party, he became Prime Minister after only two years in Parliament, serving in that role from 1983 til 1991. He established an "Accord" between Government, business and unions. After winning four elections he lost a caucus ballot in favour of his treasurer, Paul Keating. Sculptor Peter Nicholson was born in Melbourne in 1946. He become known for his cartoons, and in 1985 the "Rubbery Figures" TV puppets. When sculpting the busts, of Bob Hawke, Paul Keating, John Howard and Kevin Rudd he has imparted an expression of the character of the individual This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.A plaster marquette of the bust of Prime Minister Bob Hawke used for the bronze bust in the Ballarat Botanical Gardens. art, artwork, bob hawke, prime minister, prime minister's avenue, ballarat botanical gardens, peter nicholson, robert j.l. hawke -
Orbost & District Historical Society
books, Cyclopedia of Victoria, 1903, 1904, 1905
Published in three volumes in 1903, 1904 and 1905 respectively, the full titles read:- The Cyclopedia of Victoria (Illustrated) – in Thee Volumes – An Historical and Commercial Review – Descriptive and Biographical, Facts, Figures and Illustrations – An Epitome of Progress – Edited by James Smith. It was published by The Cyclopedia Company, Publishers, Melbourne. These books are from the estate of Elsie Cooke. Elsie Cooke lived all her life in Gippsland,. She was born at Brodribb in 1895 and died in 1970, Elsie Cooke lived at Bruthen for a short time and, in 1937, moved to live with her aunt, Miss Jean Munro. Miss Cooke was Librarian at the Mechanics Institute for many years. Kindness and consideration for other were Miss Cooke’s attributes and she endeared herself to all who knew her. She was a loyal member of the Presbyterian Church and a stalwart of the Ladies’ Guild, an energetic worker for the Municipal Auxiliary and a member of the Red Cross. This is a significant reference tool as it is a vast source of biographical information.Three volumes of "Cyclopedia of Victoria". They have blue covers, black spines and gold print. The three volumes contain historical details which mention many people and also many biographies and thousands of illustrations including portraits. smith-james cyclopedia-victoria biographies-victoria -
Orbost & District Historical Society
Council Seal
This item was used as a seal (stamp) on official Shire Council documents. The coat of arms of the Shire of Orbost was designed in the form of a cross in which five stars are depicted on a shield. A small crown above the cross indicates the loyalty of the president,councillors and ratepayers to the reigning monarch. The inner section of the shield contains 4 figures, a sheaf of wheat, a factory, a co and a ship - all representing the activities of agriculture, fishing,industry and dairying undertaken in the shire. Originally part of the Bairnsdale district, Orbost split away as part of the Tambo Shire in 1882, and became a shire in its own right as the Shire of Croajingolong on 30th May,1892. The name was changed to the Shire of Orbost on 17th February, 1893. The Orbost Shire Council was abolished on 2nd December, 1994 as part of a state-wide program of local government reform to become part of the newly constituted East Gippsland Shire council.Local governments play an important role in the lives of citizens in Australia. Local government authorities exist to provide services and amenities to local communities, and are also responsible for regulating and providing services for land and property in their district. This item is representative of a time when Orbost had its own Shire Council.The former Orbost Shire Council Seal (stamp) depicting the coat of arms. The circular seal is brass and has a wooden handle with a bulb shaped top.President, Councillors and Ratepayers of the Shire of Orbost-1892orbost orbost-shire-council government history seal -
Eltham District Historical Society Inc
Medal, 1919 Children's Peace Medal (silver replica medallion attached to card), 2014
This object was part of various pieces enclosed in a folio entitled "ANZAC centenary : 2014-2018 sharing Victoria's stories & making connections : their journey is our story" produced by the Victorian State Government which was distributed as a free resource in 2014 at the beginning of the Anzac Centenary. Original condition would have included a clear cellophane enclosure. One side of the medal appears on the card. This features a symbolic female figure of Peace, holding a sword and standing on a plinth marked 'PEACE 1919'. Behind her flies a dove, and at her left and right feet are two figures freed from their shackles. (AWM description). The medals were originally suspended from a narrow piece of red, white and blue striped cotton ribbon which appears as illustration on the card. In 1919, Australian children under 16 received a silver-coated medallion – a special reminder of the service and sacrifice of Australians at war. Round medal stuck on coloured card with text on back and front. Card Front: Between 1914 and 1918, men and women from the State of Victoria volunteered their service in the First World War. Between 2014 and 2018, Victorians honour their service and sacrifice. Lest We Forget. Anzac Centenary 2014-2018 Sharing Victoria's stories & making connections Card Back: 1919 Children's Peace Medal In 1919, Australian children aged 16 and under received a silver coated medallion. For such a small object, it carried a large responsibility - to remind a generation of the service and sacrifice of Australians throughout the First World War. The Children's Peace Medal was a reminder that peace had been achieved, but at great cost. Now, 100 years on, this replica medallion serves to connect Victorians to the Anzac Centenary, teach them about our service history and encourage them to share their stories with future generations. Learn more at https://anzaccentenary.vic.gov.au/ Anzac Centenary 2014-2018 Sharing Victoria's stories & making connections Medal : Peace 1919 Australiamedallion, medal, medalet, anzac centenary, commemoration -
Bendigo Military Museum
Painting - ANZAC 100 YEARS, Bret Belot, 2014/2015
This oil painting by Bret Belot was an initiative of his to put something on canvas to celebrate the centenary of ANZAC in 2015. The images depicted on the painting are mostly from the collection of the Bendigo Military Museum in the Soldiers Memorial Institute Pall Mall Bendigo. Some of the figures are Brothers Jack Grinton & Bert Grinton DCM, Bill Durward 38th Bn, the Wright Brothers, Albert Jacka VC, MC and Howard, Poliness & DeAraugo who volunteered to go with Jacka when he won the VC, 38th BN men in Dog Trench, graves of 38th Bn soldiers, a letter written home about the Armentieres raid in 1917 by Robert Suggett 38th Bn. The painting was first unveiled at the Bendigo District RSL Sub Branch Inc pre ANZAC Day 2015. It is now on display in the Foyer of the Bendigo Military Museum.Painting oil on canvas, with numerous images from WW1 covering various aspects of the Great War.“Bret Belot”brsl, smirsl, painting, 2015 -
Bendigo Military Museum
Map - SB55-10 Markham Joint Operations Graphics Air and Ground print separations, Royal Australian Survey Corps, Bendigo, Dec 1981
This set of map prints was assembled as a training aid. The collection is a complete set of individual color prints of each colour used on the final printed maps for each map Joint Operations Graphic (JOG) JOG Ground and JOG Air versions. This map series was produced in two versions to help coordinate military Ground Operations and Air Operations. The ground users required that heights and measurements were in Metres, whilst air users required height information in Feet for altimeters. The Air Version also contained more Aeronautical information including safe flying height information called Maximum Elevation Figures (MEF). Later printing of JOG incorporated printing in just four colours Cyan, Magenta, Yellow and Black (CMYK). Item 6421.1 is an example of a JOG Ground and item 6421.2 is an example of its matching JOG Air version.1:250,000 SB55-10 Markham JOG A and G colour separations bound together in a manilla card covered folder bound with a timber edge. royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr -
National Wool Museum
Book - Wool Classing Exercise Book, 1936-38
The story of 90 years of wool classing between father & son begins in 1936, when a young boy by the name of Stanley James Hucker walked through the doors of the Gordon Technical School in Geelong. Born in 1921, Stanley was 15 years of age when he began his 3-year course in Wool Classing. 30 years later, Stanley’s second son Denis completed the same 3-year wool classing course. Beginning in 1966, Denis attended the same Gordon Technical School and walked the same halls as his father before him. Stanley finished his course in 1938. He went back to the family farm in Lake Bolac for a brief period before enrolling in the Second World War. At the completion of the war, Stanley returned home and married before gaining a soldier settler allotment, north of Willaura. This enabled Stan to use his wool classing knowledge. He ran between 1,500 and 2,000 sheep for many years, while his wool classer stencil also allowed him to go out and class at various sheds around the area. He held his stencil from 1938 until he retired at the age of 60 in 1981. On retirement, his second son Denis was working in the district, managing a local property while also leasing land himself. Upon his father’s retirement, Denis had the opportunity to lease his father’s farm, an opportunity he could not refuse. Denis had finished his wool classing course at the Gordon Technical School in 1968, graduating dux of his class. He began working with a local contractor and started classing wool in his team. Denis gained a great deal of experience working as part of this team in big sheds of up to 8 stands servicing between 10 & 20,000 sheep. It was not all smooth sailing for Denis however, and he soon learnt an important lesson. Class wool the way you’re taught, don’t listen to the owner standing over your shoulder. At a clip of Corriedales near Casterton, Denis was pushing too many fleeces into the line of fine wool. This resulted in a notice from the Australian Wool Exchange (AWEX) “mixing counts too much, submit three clips for inspection”. Denis was able to submit 3 clips with no further complaints, however, this proved a valuable lesson he would never forget over his long career classing wool. In the early 1980s, when Denis was leasing two properties including his father’s, things were going well until drought struck. February 1983 was the date of the Ash Wednesday bushfires, and saw Melbourne have three days over 40 °C for only the second time on record. This period saw Denis give away farming, turning towards contracting work instead. After the difficult times of the early 1980s, the next two decades were a good time for the sheep industry. 15 micron wool was selling for prices between 4 to 5,000 cents per kilo, double what you’d expect for the same wool in 2022. In 1995 a single bale of wool sold for a million dollars. This was a good time for Denis too. His contracting work saw him employing local shearers and shed staff. His team was involved with the shearing and classing of more than 130,000 sheep. After 20 years of contracting, it was time for Denis to transition into the next phase of his life. He gave up independent contracting, preferring instead to return to being a member of someone else’s team. In 2018, having completed 50 years of wool classing, it was time to call it a day and retire completely. At the annual Gordon Wool School Old Students Association dinner held in 2018, Denis was presented with his 50 years as a registered wool classer stencil awarded by the Australian Wool Exchange (AWEX). This is a rare honour achieved by few. As of February 2020, a total of 430 wool classers had achieved this 50-year milestone. For Denis however, his proudest achievement is achieving 90 years of wool classing with his father. The National Wool Museum is proud to share the collection of objects gained from 90 years in the wool classing industry by Stanley and Denis. This ranges from Stanley’s first stencil and Wool Sample book, started when he first attended the Gordon in 1936. The collection concludes 90 years later with Denis’ 50 years of wool classing Stencil. The collection contains many more objects, all telling the story of these 90 years, and the hard work invested by this dedicated father and son duo. This is the second in a series of 5 wool classing exercise books. They were written by Stanley Hucker in his time at the Gordon Technical College from 1936-1938. This book begins in a cover of black vinyl with a strip of red tape on the spine. A sticker label is also found on the front cover. It has been damaged with part of the sticker removed. Internally, the book is handwritten on yellowed pages with blue lines for the assistance in clarity of handwriting. The pages are also surrounded by a margin of red pen. The exercise book’s content is about the wool industry. It is handwritten and accompanied by an occasional hand drawn table. A selection of pages have been photographed to give an impression of the information taught in classes, 90 years ago. This includes information about: - Matching wool terminologies in different countries i.e. England, USA, France, and Germany - Charges deducted in the selling of wool i.e. insurance & commission - The duties of a Wool Classer - The history of Merino Sheep - Wool Selling figures from 1925-1932 - Statistics on the breed of sheep in Australia (as of 31st December 1929) - Australia’s portion of the global wool clip in 1934 gordon institute geelong, wool classing, 1930s sheep farming, 90 years wool classing between father & son -
Flagstaff Hill Maritime Museum and Village
Photograph - Glass plate, circa 1860
This glass plate photograph shows good detail of uniformed and armed members of the early Volunteer Corps posing for their photograph in front of a young township. There are other well-dressed citizens behind them. Perhaps this was a special ceremony or event. It is likely that the subject of the photograph was the Warrnambool Volunteer Rifle Corps from Warrnambool in the 1860s if the following assumptions are made - - The Warrnambool Volunteer Rifle Corps was established in 1858 - the firearms held appear to be 1853 pattern Lee Enfield muskets used by the British army in Crimea at this time and in Australia, rather than the later Martini Henry cartridge rifles - The uniforms match other photos of the Warrnambool Garrison Militia and Band in our Collection, taken up until the 1880s - The three storey building in the photograph is alike to Warrnambool’s Manifold & Bostock flour mill, built in 1854 near the ‘cutting’ in Merri Street, which was one of the main streets at the time. If one faced the building’s front from a vantage point and looked south to south-east, the hills around Flagstaff Hill and Cannon Hill would be behind that mill, and the Harbour behind the hills. This is the area of the Fortifications - The glass plate method of photography was widely used during the mid-19th to early-20th century - The donor of the photograph is unknown but most likely to be a local family member Around this time the citizens of Victoria were prospering from the gold rush but felt isolated and uneasy about their security in the colony. In 1854 the Volunteer Act was passed to provide some military defence. In 1858 the Warrnambool Volunteer Rifle Corps was established, disbanded in 1863, then a new Warrnambool Detachment was formed in September 1866. Legislation was passed in 1884 that replaced the volunteers’ corps with a partly paid, permanent Militia Defence Force. The batteries manning the coastal forts of Victoria were termed Garrison Artillery Companies. When the Army was federated in 1901 there were eight Militia Companies in Victoria. Warrnambool and Port Fairy together were known as 8 Coy AGA (Australian Garrison Artillery). Changes to formation and name continued into the 20th century. This photograph is a record of the very early volunteer defence force in Victoria, showing the Militia Volunteers from the mid-19th century, likely to be the Warrnambool Volunteer Rifle Corps, which was established in 1858. The photograph signifies the connection of the colony in Victoria to the growing need for security due to the unrest in Europe at the time around the Crimean War. The photograph is also locally significant to the industry of the young township of Warrnambool, showing what is likely to be one of the first flour mills in the town. The photograph is also the only example of the early methods of glass plate photography in our collection. Photograph, rectangular glass plate, positive sepia image. Photograph has brass framed edges that fold over to the back with mitred corners. The front edges are pressed with a decorative floral pattern. The photograph shows a group of thirty military men, standing or kneeling, in dark uniforms with pillbox forage caps, round-collared jackets with light buttons, light sashes worn from top left shoulder to bottom right side of waist belt, and long, straight-legged trousers. Three of these men have light braid around the buttons on the front of their jackets, light frogging on their sleeve cuffs and stripes on the outside seams of their trousers. The other twenty-seven men have plain uniforms and are holding firearms in their right hands, steadied with their left hands. Other figures are standing behind this group of soldiers, including three or four men wearing top hats, jackets and ties. In the background is a row of buildings. The central building is three stories high. Bare hills are in the far background. The foreground is uneven ground with patches of short grass. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, glass plate, photography 19th century, colonial forces, military defence, volunteer act 1854, volunteer rifle, garrison artillery, volunteer corps, militia, militia garrison band, pillbox forage caps, 8 coy aga (australian garrison artillery), 1860, helpmann, manifold and bostock, 1853 lee enfield musket, tintype -
Ballarat Tramway Museum
Document - Form/s, L. Walker, "Trip Way Bill", 18/09/1971 12:00:00 AM
Sheet of foolscap size paper, printed both sides as a SEC Electricity Supply Department, Provincial Tramways, Trip way bill showing Motorman/Conductor name, traffic number, day, date, trip details, time route, tram, ticket prices, numbers and number sold. Used by L. Walker, No. 54 on Saturday Sept 18, 1971, on tram No. 35 between Sebastopol and Lydiard St. North. Shows opening numbers in four figures and the closing numbers in three. Gives details of 12 trips from commencing at 7.55pm and finishing at 11.55pm. Has inscription on form "The Last Trip Way Bill on abandonment of Tramways Ballarat Sept 18, 1971, Lew Walker, Conductor / Motorman". See Reg Item 259 and 1057 for references. Question - did they do Trip Way Bills the following day, the last day on Sept. 19 1971? From a preliminary study, the Run No. of 26 on the top left hand corner of the sheet lines up with a Saturday Roster and trips. check with the final roster/runs for the period.See abovetrams, tramways, trip waybills, closure, l. walker, ballarat -
Bendigo Historical Society Inc.
Document - GERMAN HERITAGE SOCIETY COLLECTION: MAPS OF GERMANY (PERIODS OF CHANGE)
Item 21. Maps of Germany (Periods of Change) held in two buff coloured commerce folders. Name written on the front in purple. Three loose copies of the Thirty Years War Map 21a, 21c and 21d. Maps of the Thirty Years War,Europe at the End of the 15th Century, The Reformation in Europe (16th Century), /Europe in the Time of Charles II & James II, The Domination of France 1660 - 85, Europe in the Time of Henry VIII, Germany in 1807 after reconstruction by Napoleon, German Federation 1815, The German Federation 1815, The German Empire of 1871, The Growth of the German Zollverein, Boundaries Before 1918 showing Kingdoms, Duchies, Provinces, etc., of the Former German Empire, the German Empire (1871 - 1918), and Boundaries before 1918 showing Kingdoms, Duchies, Provinces, etc., of the Former German Empire. The last page has a small map of Europe, a small map showing East and West Berlin, German Coats of Arms, Comparative International Figures of Population and a short article titled 'Do You Know Germany'.document, certificate, maps of germany, german heritage society collection - maps of germany (periods of change) -
Bendigo Historical Society Inc.
Document - INDEPENDENT ORDER OF RECHABITES CERTIFICATE
Illuminated certificate, under the name "Independent Order of Rechabites Salford Unity" two female classical figures standing on either side of a shield. On top of the shield from left: a sword and some grass, a bee hive and a bunch of corn. The shield is decorated with the sun, a lamb, the moon and stars, an eye flowers and fruits and the words: "Peace and plenty reward of Temperance". Under the picture of Noah ark, St George slaying the dragon and a ship wreck. in the middle of the certificate: "Established August 25th, 1835. Registered March 27th, 1854. The written part of the certificate is located on the bottom part and reads: Victorian State School "Temperance Physiology Examination". This is to certify that Thelma E. Smith pupil of school No. 1566, Bendigo, passed in grade VII and VIII at the 1932 examination.Signed by Gordon McGee and James Millar(?). At either side of the written part a boy and girl in mediaeval costumes holding a banner each. The boy's banner reads "Truth and temperance" the girl "Love and purity". At the bottom another five smaller shields and the words "Temperance, Fortitude, Justice".bendigo, institutions, independent order of rechabites -
Bendigo Historical Society Inc.
Ceremonial object - JOHN FREDERICK HARPER COLLECTION: CEREMONIAL SASH, 1950-1990's
Object. Blue, damask weave fabric sash, 240 ms long(including fringing) woven with a rose design, and with a .8 cm wide white satin-finish stripe, just inside the side edges. A gold type metallic fringing, 5 cms deep, finishes each end. A woven panel just off centre of the sash, includes eleven figures, including children, three shields, a globe hand and heart. Radiating from the words- FRIENDSHIP LOVE AND TRUTH is an eye like shape, radiating light. At the lower edge of the panel, woven into the fabric are the words, MANCHESTER UNITY of the INDEPENDENT ORDER OF ODD FELLOWS. Above the woven panel is an ornate metal star, 10 cm x 10 cm, with eight points, and made from silver metal sequins and coiled wirework. Centre of the star is padded to a height of 1 cm, covered in satin, sequins and wirework in a circular shape. A 7 cm long metal tassell hangs from the lower edge of star. A length of silk ribbon, 1.2 cm wide is attached to the lower edge of the sash, perhaps to tie and hold the sash in position when being worn.organisation, masonic lodge, ceremonial sash -
Federation University Art Collection
Oil, Jacqueline Slaymaker, Untitled Nude by Jacqueline Slaymaker, 1993
Jacqueline SLAYMAKER This work was undertaken in 1992 when Jacqueline Slaymaker was a 3rd Year student at Ballarat University College. The catalogue for the End of Year exhibition in 1992 states "The figures importance is purposeful. The strong sculptural form of the torso, tensions of the skin and volume are the aspects I focus on. Drawing is vital to my painting. The heavily layered works that I sand, scratch and rub back into eventually resolve some of the problems associated with painting. I believe this constant re-addressing creates a sense of history and building a texture creates a sense of history and build up of texture illustrates the concrete solid way I see the figure. I draw resource from ancient sculpture in particular Etruscan coffins and tomb wall painting. More recently I am interested in the draftsmanship of Jim Dine and monoprints of May Frank.' This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed life painting of a female nude. art, artwork, jacqueline slaymaker, nude, life study, oil on canvas, alumni, end of year exhibition -
City of Ballarat Libraries
Photograph, Craig's Royal Hotel & Union Bank of Australia Building, Lydiard Street South, Ballarat
An image from the Herbert Richmond collection, gifted in 1982 to the Ballarat Library. The collection contains approximately 200 photographs of Ballarat and district in the 1940s, 50s and 60s, as well as photo albums, glass negatives and other memorabilia. Herb Richmond was a keen photographer, a foundation member and a life member of the Ballarat Camera Club, and a photographer with the Ballarat Courier during the 1940s. The Ballarat Camera Club named an annual award after him. Mr Richmond died in 1981 aged 79. These images were digitally re-photographed by members of the Ballarat Camera Club in September 2006. The first site to be sold in Ballarat, where in 1853 Thomas Bath erected a timber building for use as a hotel. Parts of the present hotel date from 1862, when Walter Craig was owner. The hotel is associated with many historic figures, and no other hotel in Victoria has such an interesting succession of buildings and additions. The former Union Bank of Australia building was designed by Leonard Terry, the renowned bank architect, and was erected in 1863-4.lydiard street south, craig's royal hotel, union bank of australia, terry, leonard -
Kew Historical Society Inc
Photograph - Royal Hotel, Sunbury, C.H.R. Christianson, 1890s
This item is part of a larger collection donated to the Kew Historical Society by Anna French. The collection includes personal items from the donor's family, as well as items given to the donor and her mother by a family friend, Lucy Merritt (Jean) Hornby. The item is from that part of the collection inherited or assembled by Jean Hornby. The collection is significant given Jean Hornby's mother's descent from Robert Hornby (1854-1935) and Eva Merritt (1865-1959); her mother the chid of a family who settled in Kew in the 1850s, this providing a chain of provenance for items dating to the mid-nineteenth century, when her maternal forebears arrived in Melbourne. Other items represent Jean Hornby's contribution to her local and wider community.This 19th century photograph includes significant architectural details of an important hotel in Sunbury, Victoria. Additionally, it was taken by a local photographer - CHR Christianson - who operated the Sunbury [photographic] Studio. Silver albumen print, mounted on board, of the original Royal Hotel on the corner of Brook and Evans Streets, Sunbury, Victoria.The single-storey, rendered brick building with a corrugated galvanised iron roof includes a number of pieces of information that may assist in dating the photograph. The licensee's name above the door appears to be M.A. Williams. To the left of the door on the external wall is a painted sign: 'BILLIARDS". Another painted sign on the front of the building reads "ROYAL HOTEL [illegible] BILLIARDS." An attached building at right may be the residence of the licensee. Specific architectural features of the building include a corner doorway with a lamp above, three sash windows and a larger square lead-light window to the right of the doorway. The latter identifies the space behind as the "BAR". On the footpath in front of this building is a grill set into the footpath to enable deliveries to a cellar. At least four figures can be identified in the photograph: a woman in the doorway, a man to her right, leaning against the wall, and two other men at the right hand side of the building. Beyond the boundary of the building is a sloping footpath to a bluestone edged gutter. An elm [sic] within a protective, picketed surround is in front of the building. C.H.R. Christianson is identified on the reverse as the photographer. Reverse in pencil: Royal Hotel Billards Sunbury / CHR Christianson photographerroyal hotel -- sunbury (vic.), chr christianson -- photographer, hotels -- sunbury (vic.), recreation -- billiards -
Melbourne Tram Museum
Newspaper, The Age, “Is last train out of Melbourne almost gone?” "Crisis as public transport slumps" "New seating rules on buses and trams", 20/03/2020 12:00:00 AM
1.- Newspaper clippings titled: “Is last train out of Melbourne almost gone?” Newspaper clipping from the Age 20/03/2020, by Timna Jacks Victoria's trains, trams and buses are considered an essential service during the Covid-19 pandemic and are being thoroughly cleaned each night to stop the spread of the virus. Transport planners expect services to reduce due to lower patronage. Photo of inside a B class tram. 2.- Newspaper clippings titled: “Crisis as public transport slumps” Newspaper clipping from the Age 28/03/2020, by Timna Jacks Public transport usage down by about 90%. Leaked figures show number of people using Melbourne's trams down by 88% this week with 81,600 passengers compared with an expected 708,300. Previous week about 285,000 passengers used tram network. Yarra Trams was set to make $164M from fares this year. 3.- Newspaper clippings titled: “New seating rules on buses and trams” Newspaper clipping from the Age 24/03/2020, by Timna Jacks Front row of seats on Melbourne's trams will be out of bounds to commuters and inquiry holes on tram driver cabins will be sealed to protect drivers from coronavirus.trams, tramways, public transport, melbourne, cleaning, virus, yarra trams -
Bendigo Historical Society Inc.
Document - LONG GULLY HISTORY GROUP COLLECTION: BANKNOTES AND JAMES BEVERAGE
Typed copy of what appears to be a speech. Mentioned is that after 1910 the Commonwealth took over the minting it's own money. Gold mining was chosen for the one pound note and a Bendigo scene was chosen. The scene chosen shows boring operations in the Victoria Quartz Mine. The picture was taken by Vincent Kelly of the five figures but for engraving only three were shown. They were Mr W Healy, Mr J Smith and Mr James Beverage. James Beverage was a member of Bendigo's first fire brigade. He went to Beechworth for a demonstration and on the way home stopped at Christie's Hotel in Swanston Street. There was a fire at the hotel and Mr Beverage rescued Mrs Christie, her baby and a servant. At a later date Mr Beverage saved a woman from a burning building in Moore Street in Bendigo. He received the Royal Humane Society's Medal which is now housed at the Bendigo Fire Station in Hargreaves Street. In the City's formative years the area that deposited its rain water into the Long Gully Creek was considered to be in Long Gully and for many years the Victoria Quartz Mine deposited many thousands of gallons of water into the Long Gully Creek. Mr Steve Gibbons unveiled the plaque.bendigo, history, long gully history group, the long gully history group - banknotes and james beverage, victoria quartz mine, vincent kelly, shepard's bush, mr rickards, mr abraham, mr w healy, mr j smith, mr james beverage, south iron bark mine, rae's hill, sandhurst no 1 fire brigade, christie's hotel, mrs christie, royal humane society's medal, bendigo fire station, long gully history group, mr steve gibbons, department of environment water heritage, arts commnmoration of historic events and famous persons -
Bendigo Historical Society Inc.
Painting - BLACK AND WHITE PRINT OF MINING CAMP, SANDHURST,LUDWIG BECKER
black and white print of mining camp / small black and white print of sketch by Ludwig Becker depicting a mining camp , Aboriginals and burnt tree stumps which appear to be religious figures ./ Unsubstantiated notations on back re location , plus letter from Bendigo Art Gallery and Printout from Multimedia Catalogue with artists details . / dated 1862 / source Miss Amy Robshaw / old black and gold frame /paper note attached to rear of frame ' This remarkable drawing depicts Camp Hill in the background with burnt trees where the Baby Health Centre is now .Note the religious significance of the fanciful burnt trunks and branches .Perhaps Dr. Backhaus was the Artist.' / Letter on heavy paper from David Thomas Director of the Bendigo Art Gallery dated 15.3.1989 to Felicity Kingerlee C/- Collins Booksellers , Hargreaves Mall , Bendigo ,giving his views on the origin of the sketch and enclosing further details from the Multimedia Catalogue which contains pencil notes - ' View near Chum Gully Bendigo , looking north towards Golden - Sheeps Head Gullies in which the grotesque old stumps were grouped in the foreground were situated in 1853.Ludwig Beckerartwork, print, landscape, ludwig becker / camp hill / dr. bacchaus / chum gully bendigo / golden - sheeps head gullies / -
Federation University Historical Collection
Equipment - Object, Otto Waschatz, Cast of Hand, Plaster Cast Drawing Prop
The Ballarat Technical Art School boasted a well-stocked Antique Room replete with plaster copies of classical, Renaissance and Gothic sculptural examples, which were used as drawing props by students. The school inherited some casts from its predecessor institutions, and further consignments were purchased during the 1920s, including full length, bust and relief figures, as well as dozens of ornamental and architectural casts. Unfortunately, much of the collection was lost or destroyed in the late 1950s. This is one of the few surviving pieces, with TAFE students reportedly drawing from it into the twenty-first century. This plaster hand is inscribed “Waschatz, Modeller, Melbourne.” Otto Waschatz was a German plasterer who opened a plaster business in the Melbourne suburb of Richmond, and was responsible for the invention of the first true fibrous plaster - using a layer of hemp laid between plaster to create light and strong panels. By 1912 Waschatz's Lottoid Pty Ltd was a thriving and creative business, and possessed over 5,000 moulds for all kinds of plasterwork. The business closed in 1915, as the result of anti-German sentiment during World War One. Plaster cast of a hand used as a teaching aid at the Ballarat Technical Art School. The Victorian Education Department courses required art students to create studies based on ancient sculptures so copies of famous works were purchased as teaching aids. Among these courses were 'Drawing the Human Figure from Cast' and ‘Drawing from the Antique’. Waschatz, Modeller, Melbourneballarat school of mines, art, arts academy, ballarat technical art school, vikki nash, plaster cast, otto waschatz, lattoid pty ltd, school of mines, plaster copy, drawing from the antique, drawing the human figure from cast -
The Beechworth Burke Museum
Photograph, Farrell & Martin Landscape Photographers, c1900
This photograph shows a group of workmen standing outside the Ford Street office of the Ovens and Murray Advertiser in Beechworth. The Advertiser was a local paper, first printed as a weekly in 1855, and then as a daily in 1857. It continues to be printed today, albeit in a different form. The Advertiser was launched by architect Francis Hodgson Nixon with assistance from businessman John Henry Gray, and newspaperman Richard Warren. Warren was sole owner from 1860 until his death in 1906, and it responsible for much of the paper’s success. Its goals included coverage of local events, as well as of global news, and the promotion of economic liberty, arts, and sciences. Beyond these initial goals, the Advertiser was instrumental in local politics, particularly Beechworth’s association with conservatism and constitutionalism in the 1860s and 1870s. Numerous other papers sprung up to contest the Advertiser’s hold during the latter half of the nineteenth-century, but none were able to completely oust it from its post. As well as representing a key chapter in Beechworth’s history, the Advertiser can be used as a key source for the stories and figures of historic Beechworth. This photograph has historic significance for its relationship to the history of the Ovens and Murray Advertiser, which is a key example of of successful nineteenth-century business in Beechworth.Faded sepia rectangular photograph printed on photographic material, mounted on board. Obverse: The Owens and Murray Advertiser Reverse: Parkinson (crossed out) BMM 7725 15/ Failey/ [logo Farrell and Martin Landscape Photographers]ovens and murray advertiser, the ovens and murray advertiser, newspaper, printing, ford street, richard warren, journalism, advertising, 1800s, 1800s beechworth, #beechworth, local business, advertiser, workmen, hats, printers, journalists -
The Beechworth Burke Museum
Photograph
This photograph shows a group of workmen standing outside the Ford Street office of the Ovens and Murray Advertiser in Beechworth. The Advertiser was a local paper, first printed as a weekly in 1855, and then as a daily in 1857. It continues to be printed today, albeit in a different form. The Advertiser was launched by architect Francis Hodgson Nixon with assistance from businessman John Henry Gray, and newspaperman Richard Warren. Warren was sole owner from 1860 until his death in 1906, and it responsible for much of the paper’s success. Its goals included coverage of local events, as well as of global news, and the promotion of economic liberty, arts, and sciences. Beyond these initial goals, the Advertiser was instrumental in local politics, particularly Beechworth’s association with conservatism and constitutionalism in the 1860s and 1870s. Numerous other papers sprung up to contest the Advertiser’s hold during the latter half of the nineteenth-century, but none were able to completely oust it from its post. As well as representing a key chapter in Beechworth’s history, the Advertiser can be used as a key source for the stories and figures of historic Beechworth. This photograph has historic significance for its relationship to the history of the Ovens and Murray Advertiser, which is a key example of of successful nineteenth-century business in Beechworth.Black and white rectangular photo printed on paper, unmounted. Copy rather than original. Obverse: The Ovens and Murray Advertiser Inverse 2581 PH246 ovens and murray advertiser, the ovens and murray advertiser, newspaper, printing, ford street, richard warren, journalism, advertising, 1800s, 1800s beechworth, #beechworth, local business, advertiser, workmen, hats, printers, journalists -
Warrnambool and District Historical Society Inc.
Certificate - Municipal Association of Victoria: Inauguration of the Commonwealth of Australia, Sands & McDougall, 1901
This certificate is one of a number held by the Warrnambool and District Historical society which relate to the occasion of Federation of Australia , January 01/1901. Some are for social functions at the time others like this are for more formal occasions. There was a strong local vote for Federation at the referendum in 1898 with district figures 957 voting for and 146 against . By 1899 the vote had increased to 1411 yes and 39 against.. The official federation celebrations were held in Sydney and Warrnambool like towns all over Australia held celebrations. The Mayor and five of Warrnambool's councillors travelled to Sydney for the celebrations. The first federal Member of Parliament for the Warrnambool district was John Chester Manifold of "Talindert," Camperdown. Some local well known people of the time who were contributed in various fields to the Federation spirit, include John Archibald, Willian Astley, Louis Bayer, Richard Kennedy, Walter Murdoch, and Con O'Mahony. This certificate has an added link to Warrnambool in that the son of Councillor W. Henry, Victor Henry, an art student had designed and illuminated the municipal Addresses presented to the Governor general and the Duke of York. This item has historical, artistic social and interpretive significance. It links the most important event of the Federation of Australia to our city. That the art work was completed by Victor Henry, a local person is a significant claim to fame for our city. It presents an opportunity for present generations to consider local aspects of the process of the Federation of our country.Framed Certificate. Inauguration of the Commonwealth of Australia, Municipal Association of Victoria 1901. Signed by councillorsWilliam Ferguson Mayor, Giffens Russell, John Ward, John Marfell, Chas Macknight, W J Hickford, W Simpson, G S Mackay, M Saltau, H C Lawson, E J Murray William Kucks Jnr, W Henry. Small card inserted in bottom right reads With compliments of W Ferguson, Mayor.warrnambool, warrnambool history, warrnambool at federation, federation of australia, victor henry -
Wangaratta RSL Sub Branch
Souvenir - Wooden artefacts
Wooden artefacts from the Sepik River region in Papua New Guinea. Different tribes living along the river produce magnificent wood carvings, clay pottery and other art and craft. Kundu is the Papuan general name used for drum. It is an hour glass shaped drum made of wood with a snake's skin as membrane. A handle is placed on the narrowest part of the drum. Often, the kundu is decorated with animal figures on its edges. - donated by John Nelson TAYLOR QX25010,2900269,3108420 who served in the AIF 19/1/1941 to 7/12/1945 - Regular Army Special Reserve 30/1/1952 to 29/1/1955 and the CMF 1/8/1959 to 2/1/1960. Rank on final discharge - Trooper 8/13 Victorian Mounted Rifles. John was deployed overseas to New Guinea from 17/10/1943 to 23/2/1945 and 5/5/1945 to 26/10/1945 and served in Korea and Japan from 5/3/1953 to 6/4/1954. A member of the Wangaratta RSL he passed away in January, 2021.Wooden artefacts from the Sepik River region in Papua New Guinea. The Sepik area is well known for its sculpture masks shields and other artifacts. Many tribes use drums in rituals. Two decorative wooden face masks, one wooden Drum and one wooden Crocodilepapua new guinea, artefacts, wood, ww2 -
Wodonga & District Historical Society Inc
Album - Hume Reservoir Australia Album - Introduction - Part 2, Department of Public Works, N.S.W, 1927
This set of photos is from a leather bound album bearing the inscription "HUME RESERVOIR AUSTRALIA" plus 'The Rt. Hon. L. C. M. S. Amery, P. C., M .P.' all inscribed in gold. It was presented to The Rt. Hon. L. C. M. S. Amery, P. C., M. P, Secretary of State for Dominion Affairs on the occasion of his visit to the Hume Reservoir on 2nd November 1927. This album is of local and national significance as it documents the planning and development of the Hume Reservoir up to 1927. It was the largest water reservoir in the British Empire. The album records the pioneering engineering work that went into its construction.DEPARTMENT OF PUBLIC WORKS, N.S.W. (continued from previous image). have been completed, Locks Nos. 2, 4 and 6, also in South Australia, are under construction. In the description of the Hume Dam the following emendations have to be made. The total length will be 5,300 feet of which 4,258 feet will consist of an earthen embankment. The maximum depth of water conserved will be 24 feet more than originally intended with an additional allowance of 9 feet for surcharge, the total capacity will be 2,000,000 acre feet, the water surface at full supply level 44,000 acres, and provision is being made for a flood discharge of 182,000 cusecs. For handy reference, the main dimensions and figures and comparisons with other dams throughout the world are given in a tabulated statement attached. The Hume Reservoir will be the largest in the British Empire. Photographs showing the work at various stages of construction are appended. The Resident Engineer for New South Wales from the start of the work until his recent promotion to the position of Inspecting Engineer was Mr J. Keith Ross, M.A., B.Sc., A.M.Inst.C.E., who has been succeeded by Mr S.W. Jones, B.E., A.M.Inst.C.E. The Resident Engineer for Victoria is Mr A.W. Johnson, B.E. (Signed) M. Inst.C.E. Chief Engineer New South Wales Constructing Authority 27th October 1927. hume reservoir australia, river murray waters scheme