Surgical forceps have been used in various forms from ancient times and have evolved into a indispensable instrument for modern surgeries. Forceps are surgical instruments for the practice of medicine which are used for grasping, holding, and manipulating tissues and objects during surgical procedures. Ancient Origins Surgical instruments, including forceps, have been use since man first started working with tools. Ancient civilizations, like Egypt, Greece, and Rome, had physicians who used rudimentary forceps made of bronze or iron. The forceps of the ancient world were often simple in design, with two arms that could be squeezed together to grasp objects. They were primarily used for tasks like extracting foreign bodies or handling tissues. Middle Ages and Renaissance During the Middle Ages, medical knowledge and surgical techniques experienced a decline in Europe. While the Roman empire enjoyed remarkably advanced medical care and practices, its collapse left a vacuum that led to a loss of a centralized medical knowledge and a disruption of education and trade. At the same time, religious superstitions suppressed medical inquiry. With many of the medical texts of Hippocrates and Galen and others lost, the medical practice experienced a decline. However, surgical forceps continued to be used in various forms, albeit with limited advancements. With the Renaissance period came a revival in medical knowledge and innovation. Ambroise Paré, a French surgeon of the 16th century, is credited with introducing improvements to the forceps design, making them more versatile and effective. 18th and 19th Centuries Innovators The 18th and 19th centuries marked a significant period of advancement in surgical instruments, including forceps. The famous French Surgeon Jean-Louis Petit introduced forceps with curved tips, making them more suitable for specific procedures. John Hunter, a Scottish surgeon, designed forceps with fine tips, allowing for more delicate and precise manipulation during surgeries. Joseph Lister, a pioneer of antiseptic surgery, emphasized the importance of cleanliness and sterile instruments during surgical procedures. This led to advancements in forceps sterilization techniques, which greatly improved patient outcomes. Modern Era The late 19th and early 20th centuries saw the development of a wide variety of specialized forceps for different surgical procedures. Advances in metallurgy and manufacturing techniques allowed for more intricate and delicate designs. As surgery became more specialized, forceps were tailored to suit specific procedures, such as neurosurgery, ophthalmology, and gynecology. Contemporary Advances In recent decades, surgical technology evolves continuously. Many surgical procedures are now performed using minimally invasive techniques, which require specialized instruments. Modern surgical forceps are typically made of high-quality stainless steel, stainless steel alloy, or titanium. They come in various shapes, sizes, and designs, each suited to specific surgical tasks. Some forceps have serrated jaws for a better grip, while others have delicate tips for fine tissue manipulation. Modern Forceps The history of surgical forceps is a story of innovation, adaptation, and continuous refinement. From ancient origins to the modern era, these instruments have evolved alongside medical knowledge and surgical techniques, playing a crucial role in improving patient outcomes and advancing the field of surgery. https://www.wpiinc.com/blog/post/history-evolution-of-forceps These forceps were donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he would take time to further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . The organisation began in South Australia through the Presbyterian Church in that year, with its first station being in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill where he’d previously worked as Medical Assistant and purchased a share of the Nelson Street practice and Mira hospital from Dr Les Middleton one of the Middleton Brothers, the current owners of what was once Dr Tom Ryan’s practice. Dr L Middleton was House Surgeon to the Nhill Hospital 1926-1933, when he resigned. [Dr Tom Ryan’s practice had originally belonged to his older brother Dr Edward Ryan, who came to Nhill in 1885. Dr Edward saw patients at his rooms, firstly in Victoria Street and in 1886 in Nelson Street, until 1901. The Nelson Street practice also had a 2 bed ward, called Mira Private Hospital ). Dr Edward Ryan was House Surgeon at the Nhill Hospital 1884-1902 . He also had occasions where he successfully performed veterinary surgery for the local farmers too. Dr Tom Ryan then purchased the practice from his brother in 1901. Both Dr Edward and Dr Tom Ryan work as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He too was House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. Dr Tom Ryan moved from Nhill in 1926. He became a Fellow of the Royal Australasian College of Surgeons in 1927, soon after its formation, a rare accolade for a doctor outside any of the major cities. He remained a bachelor and died suddenly on 7th Dec 1955, aged 91, at his home in Ararat. Scholarships and prizes are still awarded to medical students in the honour of Dr T.F. Ryan and his father, Dr Michael Ryan, and brother, John Patrick Ryan. ] When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery states “HOURS Daily, except Tuesdays, Fridays and Saturday afternoons, 9-10am, 2-4pm, 7-8pm. Sundays by appointment”. This plate is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. Dr Edward Ryan and Dr Tom Ryan had an extensive collection of historical medical equipment and materials spanning 1884-1926 and when Dr Angus took up practice in their old premises he obtained this collection, a large part of which is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. During his time in Nhill Dr Angus was involved in the merging of the Mira Hospital and Nhill Public Hospital into one public hospital and the property titles passed on to Nhill Hospital in 1939. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. ). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (The duties of a Port Medical Officer were outlined by the Colonial Secretary on 21st June, 1839 under the terms of the Quarantine Act. Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served as a Surgeon Captain during WWII1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. Their interests included organisations such as Red Cross, Rostrum, Warrnambool and District Historical Society (founding members), Wine and Food Society, Steering Committee for Tertiary Education in Warrnambool, Local National Trust, Good Neighbour Council, Housing Commission Advisory Board, United Services Institute, Legion of Ex-Servicemen, Olympic Pool Committee, Food for Britain Organisation, Warrnambool Hospital, Anti-Cancer Council, Boys’ Club, Charitable Council, National Fitness Council and Air Raid Precautions Group. He was also a member of the Steam Preservation Society and derived much pleasure from a steam traction engine on his farm. He had an interest in people and the community He and his wife Gladys were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Stainless steel forceps, angled handles, ring shaped tips From the W.R. Angus Collection.'2' stamped on two parts.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, dr ryan, surgical instrument, ent ear nose throat surgery, t.s.s. largs bay, warrnambool base hospital, nhill base hospital, mira hospital, flying doctor, medical treatment, forceps, surgery, medical history

Bullet cartridge, coloured gold base with silver coloured tip.Etched on base: “CAL VI 7 17"arms - ammunition, military history, passchendaele barracks trust

Whales are sometimes beached on the coastline near Orbost, Marlo. Large, bowed bone flat ends with minor deterioration at tip.bones, whales, whaling trade, maritime history, gippsland coast, seafaring, h.g.wellings

Used at the Federation Univeristy SMB science laboratory100 ml glass syringe with luer lock and metal tiplaboratory, scientific equipment, flask, injection, medical

Green Cone shaped with brass tip and rifling around base76mm ARMD C / SX 710 / LOT 27-MO-9-74ordanence, projectile

Australia 1913 - 1986Zinc-plate lithograph tipped onto cover s.14

Collection of corroded nails with a rectangular shaft that narrows to a blunt tip.archaeology, historic building, former royal mint

Corroded screw with grooves and a circular shaft narrowing to a pointed tip.archaeology, historic building, former royal mint

Three corroded nails with rectangular shaft narrowing to a pointed tip.archaeology, historic building, former royal mint

Corroded nail with a rounded shaft consistent in diameter to a pointed tip.archaeology, historic building, former royal mint

Collection of corroded nails with rectangular shaft that narrows to a blunt tip. archaeology, historic building, former royal mint

Small nail with a rounded shaft consistent in diameter to pointed tip.archaeology, historic building, former royal mint

Collection of two nails with a rectangular shaft narrowing to a blunt tip.archaeology, historic building, former royal mint

Corroded nail with rounded shaft and consistent in diameter to a pointed tip.archaeology, historic building, former royal mint

Corroded nail with rounded shaft and consistent in diameter to a pointed tip.archaeology, historic building, former royal mint

Appears to be Original to the Chalet.) 'These have been at the Chalet from at least 1937, when they were photographed at the head of the Dining Room above the mantlepeice (fig 10). They were still there in 1950 as testified by another photograph of the dining room ( Fig11). By 2002, they had been moved to the main Lounge where they were displayed above the north mantelpeice, and have since been transferred to the Billiard Room. Information printed in gold on the buffalo mount states that the horns are from Northern Territory and were presented (date not stated) by Mr T.N. Sayle of Whitfield, a town in the King Valley near Mt Buffalo.' (Pg 57. Historica ) Listed in . Draft Inventory of Significant Collection Items. A.1. Furnishings - Billiard Room. (Pg 162. Historica) Listed in Draft Inventory of Significant Items.Appendix A.3. Other Objects - ornamental items. (Pg 165. historica Buffalo horns mounted on a wooden plaque with an inscription."BUFFALO COW HORNS / 9ft from tip to tip. Weight 20 lbs / from NORTHERN TERRITORY / presented by / Mr T.N. SAYLE / Whitfield Victoria."

Frame 11. Photo 1. Welcoming home committee, nearly there. Photo 2. On Australian soil at last. The 'Karmala' berthed at 3MD Melbourne at the "Outer West New Pier" for the Victorians. It is not known if this is the pier at this point. Photo 3. Home at Tragowel, Victoria, some nine miles south of Kerang. Rear, Emily Grinton, Arthur Grinton, Bert and May Grinton. Front. Hughina Grinton and possibly Grace McLeod, Hughina's sister. Photo 4. The opening of the Memorial at Macorna 5/3/1920. Macorna is about 5 kilometres south of Tragowel, both places being on the railway line. Left to right in the photo; Lieut F. Dunn, Cr Charlie Cook, Brigadier General Brand, Rev. G. R. Jones (Kerang) and Mr H. Angus MLA. Music was played by the Mead Brass Band. This information was supplied by the Pyramid Hill Historical Society.Photographs - black and white on paper. 4 photographs top to bottom. 1. Dock side welcoming home committee. 2. Soldiers on a timber dock. 3. Welcome home family group. 4. Opening of a War Memorial. Frame - timber with black colour paint. Glass front. Mount - black colour cardboard. Backing cardboard with handwritten notation.Backing cardboard - handwritten in blue felt tip pen "11."framed photographs, grinton collection, ww1, 38th

Frame 10. Photo 1. A group of Sergeants on the deck of the Karmala. Jack and Bert were the only Sergeants from the 45th quota from the original Battalion on the Karmala. There were two other Sergeants who had transferred to the 38th, one in Oct 1918, Sgt R. L. Glover from the 37th Batt and Sgt F. Perkins also from the 37th who transferred in April 1919. Both are or should be in the collection of photos. Photo 2. life on deck of the Karmalal. Photo 3. A group of nurses on the Karmala. In the family collection there are two faded sepia photos showing the others not in this negative. The negatives to these are missing. From the War Diary of the Karmala there were ten nurses on the Karmala and there are ten nurses in the photos. There was also the ship's Medical Officer who is hidden in this negative. The ship's S.M.O. was Captain C. P. Rosenthal from the 33rd Batt HQ. The nurses on board were: Sister Sarah Eliza Faulkner (Sydney) S/Nurse Ivy Louisa Robbins (Epping NSW) S/Nurse Edith Agnes Purdon (Bathurst, NSW) Sister Catherine Douglas Graham (Footscray, Vic) Nurse Gladys Webster Jarrett "RRC" (Middle Park, Vic) Nurse Ida Mary Mason (Wodonga, Vic) Nurse Ethel May Mead "RRC" (Elsternwick, Vic) Sister Elizabeth Hamilton O'Reilly (Leitchville, Vic) S/Nurse Janet Hay (Adelaide, SA) Sister Janet Ivy Barron (Ennogerra, Qld) Photo 4. Arriving at Cape Town, South Africa on the way home. Refer Cat No. 5880P for exhibition details. Refer Cat No. 1280 for Jack GRINTON Service Records.Photographs - black and white on paper. 4 photographs top to bottom. 1. Group of soldiers on ship's deck. 2. Crowd of soldiers on ship's deck. 3. Group of nurses on ship's deck. 4. View of a dock. Frame - timber with black colour paint. Glass front. Mount - black colour cardboard. Backing cardboard with handwritten notation.Backing cardboard - handwritten black felt tip pen "10."framed photographs, grinton collection, ww1, 38th

Frame 9. Photo 1. Jack Grinton on leave in Paris, early 1919 with captured German guns. The place is the 'Arc de Triomphe' . Photo 2. Jack Grinton on the right. From Jack's writing the other soldier is a Private Knight. The first building in the rear is the "Don View Bar" suggesting that this is Scotland when on leave. Photo 3. Coming home, Jack on the deck of the "Karmala". They left Plymouth Harbour on 1/7/1919. Photo 4. Ships in Plymouth Harbour. Refer Cat No. 5880P for exhibition details. Refer Cat No. 1280 for Jack GRINTON Service Records.Photographs - black and white on paper. 4 photographs, top to bottom. 1. Soldier with German guns in Paris. 2. Two soldiers with buildings in the background. 3. Soldier on deck of a ship. 4. Ships in harbour. Frame - timber with black colour paint. Glass front. Mount - black colour cardboard. Backing cardboard - with handwritten notation. Backing cardboard - handwritten in blue felt tip pen "9."framed photographs, grinton collection, ww1, 38th

Frame 8. Photo 1. Medals and Awards presentation. Believed to be at Allonville, some 4 kilometres from Amiens in May 1918. General Birdwood presented medals to the 38th Batt who were resting at Allonville for 2 weeks. Photo 2. The "Rising Sun Badge" believed to be the one on Salisbury Plain in England. Photo 3. On leave somewhere, 4 smart looking young men. Photo 4. Jack Grinton on leave in England. Within the collection there are a lot of both Jack and Bert with this family group. Refer Cat No. 5880P for Exhibition details. Refer Cat No. 1280 for Jack GRINTON Service records.Photographs - black and white on paper. 4 photographs - top to bottom. 1. Award presentation with troops. 2. "Rising Sun Badge" in a landscape scene. 3. 4 soldiers in front of a building. 4. Family group. Frame - timber with black colour paint. Glass front. Mount - black colour cardboard. Backing cardboard - handwritten notation.Backing cardboard - handwritten blue felt tip pen "8."framed photographs, grinton collection, ww1, 38th

Frame 7. Photo 1. Bert Grinton on the right, place unknown. Photo 2. Bert Grinton on the right with 2 Sergeants and a Corporal, taken in the Codford area England. Photo 3. A group of 38th Batt soldiers with a smartly dressed up young lad. Photo 4. A group of 38th Batt soldiers. The place is Havre France and the date is early 1919 prior to leaving for England. 1st on the left we believe is Fred Lehman MM, 3rd from left is Sgt J Coffey. Some of the others are in other photos and although not identified we believe they are some of the senior Officers in the 38th Batt and who were in the 45th Quota. Refer Cat no. 5880P for exhibition details. Refer Cat no 1280 for Jack GRINTON Service records.Photographs - black and white on paper. 4 photographs, top to bottom. 1. Two soldiers. 2. Four soldiers. 3. Group 38th Battalion soldiers with young lad. 4. Group of 38th Battalion soldiers in streetscape scene. Frame - timber with black colour paint, glass front. Mount - black colour cardboard. Backing cardboard - handwritten notation.Backing cardboard - handwritten blue felt tip pen "7."framed photographs, grinton collection, ww1, 38th

Frame 6. Photo 1. Sergeant Jack Grinton, somewhere in France. Photo 2. Sergeant Bert Ginton DCM. From other photos in the same area it is believed to have been taken in the Codford area, England in early 1919. Photo 3. A Corporal and Military Medal winner somewhere in France. Believed to be Charles Newton No 951, C Coy 38th Batt. He won his "MM" at Clery between 26th and 31st August in 1918. he has a brother William No 950, C Coy who was KIA on 4/10/1917. There is a photo of William in Jack's collection. Photo 4. A sergeant and Military Medal winner, place unknown. Refer Cat No 5880P for exhibition details. Refer Cat No 1280 for Jack GRINTON Service records. Refer Cat No 1320P for Bert GRINTONs service details.Photographs - black and white on paper. 4 photographs - portraits of a soldier. Frame timber with black colour paint, glass front, mount black coloured cardboard. Backing cardboard with handwritten notation.Backing cardboard - handwritten blue felt tip pen -"6."framed photographs, grinton collection, ww1, 38th

Frame 5. Photo 1. Lonely graves on a battlefield. This has been identified as "Vaire Wood cemetery" just south of the Somme at Vaire-sous-Corbie. Some 28 diggers from Vaire Wood were later reburied at Crucifix Corner Cemetery at Villers Bretonneux. Photo 2 and 3. Two photos, troop train luxury travel. This is possibly 45th quota men 'en route' from Gamaches to Havre in early 1919. From Havre they sailed for England on the "Prince George". Photo 4. Bert Grinton receiving his "DCM" from Lady Denman for actions around Clery on 31/8/1918. His CITATION reads: For conspicuous gallantry and devotion to duty near Clery on 31st August 1918. he became detached from his Company and joined another party in the advance. mainly through his assistance with a Lews Gun, they cleared an enemy trench, killing about 30 and capturing several machine guns. he got on top of the trench and under heavy fire silenced a field gun which was firing over open sights. This is from the official records in his service documents. Refer Cat No. 5880P for exhibition details. Refer Cat No. 1280 for Jack GRINTON Service Records.Photographs - black and white on paper. 4 photographs top to bottom. 1. Graves on a battlefield. 2 x 2. Troops in front of a rail wagon. View of rail wagons and troops. 3. Soldier receiving an award. Frame - timber with black colour paint, glass front, mount black colour cardboard. Backing cardboard with handwritten notation.Backing cardboard - handwritten, blue felt tip pen "5."framed photographs, grinton collection, ww1, 38th

Frame 4. Photo 1. Curlu, Hem, Vaux area which can be seen written faintly at the bottom of the photo. These are 3 small villages near where Bert Grinton won his DCM. The villages are along the Somme River. The nearest towns of note are Mont St Quentin and Perrone. Photo 2. Four graves, left to right. 1. Lance Corporal George Grimshaw, No 887 38th Batt, KIA 28/8/1918 aged 24 years. He embarked with C Coy on the Runic and the embarkation rolls state that he was a farm labourer from Gasquil East Victoria. His final resting place is the Hem Farm Military cemetery, Hem Monacu. 2. Corporal Vincent Thomas Stanley Wyniat, No 709, 38th Batt, KIA 28/8/1918 aged 28 years. h embarked with D Coy on the Runic and the embarkation rolls state that he was a labourer of Edenhope, Vic. His final resting place is also Hem Farm. 3. Two graves left to right. Private W McEwan, No 7067, 38th Batt, KIA 31/8/1918 aged 36 years. He was actually William Lowrie Allison from NSW enlisting under the name McEwan. His final resting place is the Perrone Communal Cemetery Extension. he is buried there under the name "Allison". Private Norman John Warren Hoffmeyer, No 2339, 38th Batt, KIA 31/8/1918 aged 23 years. He embarked with the 4th reinforcements to the 38th per HMAT A17 Port Lincoln on 20/10/1916. The embarkation rolls state that he was a farmer from Bendigo, Victoria. His final resting place is also Perrone. 4. Single grave. Private Cyril Edmund Andrew Dunn, No 3058, 38th Batt, KIA 31/8/1918 aged 22 years. He embarked with the 7th reinforcements to the 38th Batt per the HMAT A70 Ballarat on 19/2/1917. the embarkation rolls state that he was a Bank Clerk of East St Kilda. His final resting place is Hem Farm Military Cemetery, Hem Monacu. From other negatives we have identified some 15 graves. All these soldiers were KIA over the period 26 - 31 August 1918. This was during the time Bert won his DCM. Within a month Jack and Bert's Company was down to 20 men. Refer Cat No. 5880P for exhibition details. Refer Cat No. 1280 for Jack GRINTON Service Records. Photographs - black and white on paper. Four photographs, top to bottom. 1. Scene with a village. 2. 4 graves with crosses. 3. 2 graves with crosses. 4. single grave with cross and rifle. Frame - timber with black colour paint, glass front. Mount - black colour cardboard. Backing cardboard with handwritten notation.Backing cardboard, handwritten black felt tip pen "4."framed photographs, grinton collection, ww1, 38th

Frame 3. Photo 1. Group Photo, mostly Sergeants. There are 3 medal winners in the group which appear to be military medals. There were 76 Military medal winners in the 38th plus 2 bars making 78. Jack Grinton is first on left in the top row. we are reasonably confident that we have identified several others. They are: Top row, 1st on the right No 262 CSM W.J. Durward (Bendigo). 2nd row, 2nd on left No 1612 Sgt J.E. Adams (Boinika) 3rd row, 1st on left No 446 CSM A. Clark (Abbotsford) 3rd row, 3rd from right No 1192 Sgt J. Coffey (Fitzroy) 3rd row, 2nd from right No 1194 Sgt J. Lockett (Mildura) Bottom row, 1st on left No 1048 Sgt F. Lehman MM (Horsham) Bottom row, 3rd on left No 1645 Sgt W. Hogan MID (Newport) These men would be a mixture of C and D Coy, 38th Batt. In Oct 1918 the 37th and 38th Batt's were so depleted that both were combined. A and B Coy 38th became C Coy and C and D Coy 38th became D Coy. The 37th Batt became A and B Coy, 38th Batt. Photo 2. Cartoon "Huttons the Best" with sign post either way. The Military Medal winner is unknown. Photo 3. War damaged town, the streets have bee cleared to allow traffic through. Photo 4. The war damaged town of Corbie. Corbie Cathedral is in the background. Refer Cat No. 5880P for exhibition details. Refer Cat No. 1280 for Jack GRINTON Service Records. Photographs - black and white on paper. 4 photographs Top to Bottom. 1. Group photograph. 2. Cartoon drawing on canvas. 3. War damaged street.. 4. War damaged town. Frame - timber, black colour paint with glass front. Mount black colour cardboard. Backing cardboard with handwritten notation.Backing cardboard - handwritten black felt tip pen "3."photographs - framed, grinton collection, ww1, 38th

Frame 2. Photo 1. Jack in a billet which appears to be part of a barn. In writings it seems this was a Visme-au-Val in France. He had written "At my washing". Photo 2. Accommodation in an old Army hut, place unknown. Photo 3. "Tucker Time", place unknown. Photo 4. Group of diggers with some locals, they may have been billeted with them. Refer Cat No 5880P for exhibition details. Refer Cat No 1280 for Jack GRINTON Service Records.Photographs - black and white on paper. Four photographs top to bottom. 1. Soldiers in a billet. 2. Accommodation in an old Army hut, 3. 4 soldiers with mess tins. 4. 4 soldiers with 4 local people. Frame - timber with black colour paint, glass front, mount black cardboard, backing cardboard with handwritten notation.Backing cardboard - handwritten black felt tip pen "2."framed photographs, grinton collection, ww1, 38th

This Cat No 5880P and the following ten Cat No's to 5890P were part of the original GRINTON PHOTOGRAPHS exhibition in 2008. Each frame follows a story from the 'War to Home' at Tragowel near Kerang, Victoria. The Grinton Collection was a large negative collection found in a tin at Myers Flat and developed from there. Frame 1. 1. Jack Grinton in full marching order. This appears to have been taken after Jack came back from being wounded the 2nd time on 31/9/1918 in the push into the Hindenburgh Line. He was away 3 months with his wounds and rejoined his unit at Visme-au-Val on 11/1/1919, a small village near Abbeville, France. he is wearing his two "Empire Wounded Stripes" on his arm. It is believed he took this photo to show what a fully kitted out digger looked like. 2. Full kit lid out, right down to a tooth brush. It is also believed this was taken to go with the above photo. Note the protective cover on the rifle trigger and magazine area. 3. Mess parade line up. From notes of Jack this could be at "Gamaches", France where the last group of 111 men of the 38th Batt in the 45th quota left to come home. They went from Gamaches to Havre then to England. 4. In "Billets" behind the lines. Note the straw on the floor. When a unit came out of the line they were billeted in farm houses, barns, sheds, homes and at times anything that would give the men shelter from the elements. Refer Cat No. 1280 for Jack GRINTONS Service Records. Photographs - black and white on paper. Four photographs top to bottom, Soldier in uniform, Full kit laid out, Mess parade line up, Billets behind lines. Frame - timber, black colour paint with glass. Mount - black cardboard. Backing cardboard with handwritten notation.On backing cardboard - handwritten in black felt tip pen "1."framed photographs, grinton collection, ww1, 38th

This set of handmade tools was made by Jim Williams for his own purposes to make designs and components for the ship model Sovereign of the Seas. It is part of a collection of objects used by Jim Williams, maker of fine ship models from about 1930-1955. Most of the components for the models, as well as many of the tools, were handmade by Jim Williams. Jim’s family has donated the ship model “Sovereign of the Seas” and many tools, accessories and documents used in the making of this and other ship models have been donated to Flagstaff Hill Maritime Village. Ship model of HMS Sovereign of the Seas, scale model of 17th Century English war ship, was handmade and carved from plans, enclosed in airtight glass case. All components of that model, including even the smallest pulleys, were hand crafted using tools designed and made by Jim. Outstanding details include functional rigging and moving cannons. Please see our record 3732 of the mode Sovereign of the Seas for further details of the ship and the maker. This set of handmade tools is connected with the hobby and skill of ship model making that has been crafted as a leisure activity for many generations. The hobby is often chosen by serving and retired mariners who appreciate the connection with maritime history. This set of tools was used by local Warrnambool man, Jim Williams, who was employed at Cramond and Dickson clothing store, and then at Fletcher Jones menswear for 27 years. It was used in making components for the model of the historic ship, the Sovereign of the Seas. The Sovereign of the Seas was a historic 17th century English war ship with important maritime heritage. A set of 6 small, fine wood working and carving tools stored in a ‘Craven A’ cigarette tin. The tools have been handmade by Jim Williams for the purpose of making ship models. This set of tools is part of a collection of tools and accessories once used by Jim Williams, maker of a series of ship models 1930-1955 including “HMS Sovereign of the Seas”. (Also included is a spare handle.)On the tin; “CORK TIPPED / TRADE MARK / CRAVEN “A” / VIRGINIA / CIGARETTES”flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, jim williams, james bernard williams, ship model hobby, ship model tools, ship model making equipment, ship model making accessories, wood working tool, model making tool, carving tools, handmade wood carving tools, craven a cigarette tin, sovereign of the sea, ship model, hobby, ship model tool

Red metal "Craven A cigarette tin holding Virginia cigarettes.Cork tipped "Craven A" Virginia cigarettes, made in London, England.cigarette tin