Yields information about postcard printing, Bendigo Charing Cross in 1906 and a person who appears to have collected cards.Printed colour postcard of Charing Cross Bendigo with two trams in the view and crew men standing in front of the trams with buildings, the fountain in the background. Looks along Mitchell St. Title of the postcard is "Charing Cross and Mitchell St, Bendigo". Has in view, R. Curtains City Club Hotel with a "Concerts" sing on it and on the other corner, a building with the name "Gibsons Corner". Note the direction of the trolley poles on the trams, the wrong way around for the direction of the street. On rear of postcard is a message address to Miss Jani Baskin, San Antonio, Texas USA, post marked ex Bendigo 28.9.1906 and Seattle WA, Oct. 2? 1906, with a Victorian stamp and a two Cent (due to postage underpaid) US stamp. Centre divided postcard with spaces marked for correspondence and address. On the left hand edge is "Printed in Germany" trams, tramways, bendigo, mitchell st, charing cross, tram 14, tram 40

Colour postcard size print of SEC Bendigo trams 26 and a single trucker at Charing Cross with Mitchell St. in the background. Photo dated 21.11.1962. Printed on AGFA paper. Both trams fitted with dash canopy lighting, but no large white strip under the driver's windows. 26 showing destination of "Eaglehawk" with two SEC ads and another ad on the front dash panel. Single trucker has a Castrol ad on the roof. In the background are various buildings along the east side of Pall Mall and along Mitchell St. Pole by the front of 26 has directional signs "Melbourne" and "Heathcote / Echuca". On rear top left hand corner "21.11.62" in very wavy handwriting typical of an aged person.bendigo, pall mall, charing cross, tram 26

Sepia tint postcard: image shows Hargreaves Street, Bendigo. Looking NE, trees on either side of street. Unpaved, three horse and traps in foreground, tram on RH side. Appears to be taken from Mitchell Street corner. Written on rear in black pen: Bendigo 27.1.15, Dear Merle (Bush?) Many thanks for your letter. Things have changed since I last wrote to you. I do not know when I will be going to Melbourne, so sill still be here when you return, I expect. Glad to hear you are having a good time. With love, Arthur.bendigo, streetscape, hargreaves street, bendigo, hargreaves street, bush.

Taken between 1920-1930s, shown is the banks of Lake Kerferd with wooden man-made fencing. The construction on Lake Kerferd began in 1862 however it wasn't completed until 1874 due to engineering and funding issues. The lake was named after George Briscoe Kerferd (1831–1889) who was responsible for Beechworth's water scheme. George Briscoe Kerferd was born on 21 January 1831 in Liverpool, England and arrived in Melbourne April 1853. He spent his first years in Australia in Bendigo before settling down in Beechworth as a wine and spirits merchant. He married Ann Martindale on 17th December 1853 at St James Cathedral, Melbourne and between them they had three sons and five daughters. Kerferd began his political and legal career in Beechworth when he was first elected to the Municipal Council in May 1857. Later he would be elected to the Legislative Assembly for the Ovens District in November 1864, and continued to represent the area until February 1886.The postcard holds Historic significance due to its connection to Beechworth and its Lake Kerford. It demonstrates the interactions between nature and colonialists, especially how the lake has somewhat been 'protected' with the man made fencing. It also presents information on the environmental development or degradation for the area, with possible changes to the environment that may have been caused by human physical forces, natural decay or Global Warming.Black and white rectangular postcard printed on paper.Obverse: Lake Kerferd, Beechworth / Reverse: 8164 / Post Card / Correspondence / Address Only / Kodak Austral [Kodak Australia Stamp] /lake kerferd, beechworth, water scheme, water reserve, reservoir, legislative assembly, hon. george briscoe kerferd, catchments, beechworth water reserve, beechworth catchments, municipal council, st. james cathedral, lakes, reserve, water supply, political projects, man-made fence, environmental changes

The construction on Lake Kerferd began in 1862 however it wasn't completed until 1874 due to engineering and funding issues. The lake was named after George Briscoe Kerferd (1831–1889) who was responsible for Beechworth's water scheme. George Briscoe Kerferd was born on 21 January 1831 in Liverpool, England and arrived in Melbourne April 1853. He spent his first years in Australia in Bendigo before settling down in Beechworth as a wine and spirits merchant. He married Ann Martindale on 17th December 1853 at St James Cathedral, Melbourne and between them they had three sons and five daughters. Kerferd began his political and legal career in Beechworth when he was first elected to the Municipal Council in May 1857. Later he would be elected to the Legislative Assembly for the Ovens District in November 1864, and continued to represent the area until February 1886. The postcard holds Historic significance due to its connection to Beechworth and its Lake Kerford. It demonstrates the interactions between nature and colonialists, especially how the lake has somewhat been 'protected' with the man made fencing. It also presents information on the environmental development or degradation for the area, with possible changes to the environment that may have been caused by human physical forces, natural decay or Global Warming.Sepia rectangular postcard printed on paper.Obverse: The Rose Series P. 10542 / Copyright / Evening lights, Lake Kerferd, Beechworth, VIC Reverse: Farley / Published by the Rose Stereograph Co., / Armadale Victoria. / 84-132-1 / Post card / The "Rose" Series De Luxe / A Real Photograph Produced in Australia / BMM299 lake kerferd, beechworth, water scheme, water reserve, reservoir, legislative assembly, hon. george briscoe kerferd, catchments, beechworth water reserve, beechworth catchments, municipal council, st. james cathedral, lakes, reserve, water supply, political projects, rose series, postcard, rose series stereograph

The photograph printed on this postcard comes from the collection of the Mitchell Library in Sydney. It is sepia in tone and depicts seven men standing and sitting around a mine shaft in the Beechworth region. The photograph has been dated to approximately 1872. This period in history post-dates the Victorian gold rushes which occurred 1852-1853 in Ballarat, Bendigo and Beechworth. During this period, in the 1870s, the surface alluvial gold had been discovered and removed from location. Therefore, in order to reach the deeper and less accessible alluvial gold, diggers began to dig shafts into the earth. These shafts sunk below the ground level by 20 to 30 feet and required timber structures around the entrance and winches to bring the paydirt to the top. The top of this wooden structure is visible behind the man standing in the upper right of the image. This type of mining was highly dangerous as mines often caved in which injured the minors and often resulted in death. Thus, following this period, in the early 1900s, miners opted instead for hydrolic slucing which cut away the earth without the devastating consequences of a mine cave in. This particular group of miners appear to have been unable to afford a horse (then worth around 50 pounds) which were generally used at mines like this to help pull buckets attached to ropes up and down the mine. Instead, this group brought the buckets up and down by windlass. The windlass was a wooden structure mounted over the mining shaft and fitted with a hand-cranked winch which enabled the bucket attached to the rope to be brought up and down.Gold was first discovered in Beechworth in Spring and Reid's Creek in the summer of 1852-1853. At its popularity, this region had approximately 8000 people on the gold fields searching for gold on the banks of these creeks. These periods did not require the use of heavy machinery or the digging of deep mining shafts like the one depicted in this image. Therefore, this image has important connotations for the technologies associated with mining during the approximated 1870s when gold was harder to access. This is a later period in gold history which does not fit into the "gold rush" period. Instead, it occurred after the surface gold had disappeared and therefore, is essential for researchers who are investigating the mining techniques and structures used to reach the alluvial gold which was located deeper under ground in the 1870s. This period predates the use of big heavy machinery used to mine in the 1900s which include dredges. Images such as this one can also impart essential information as to the wardrobe and fashion of men during this period. It also imparts knowledge about the landscape of Beechworth which is useful for people researching the environment and impact of gold mining in the north-east region of Victoria. In addition, since this image is a postcard reproduction of an early Australian image which may date to approximately 1990 it can impart knowledge as to the interests of people during this time period when there may have been an increase into Australian history.A sepia tone facsimile of an early Australian photograph (circa 1872) printed as a postcard.Obverse: BEECHWORTH / Victoria, Australia / Reverse: GM 2 3275 / CORRESPONDENCE / AUSTRALIAN / YESTERYEAR / CARDS / ADDRESS / Published by George Symons (057) 65 3240 / THE MINEHEAD C. 1872 / The easily gleaned gold of the early fields did / not last very long. In order to reach less / accessible alluvial gold diggers began sinking shafts as much as twenty to thirty feet down / and the mines required timbering and winches / to bring the paydirt to the top. / This syndicate has been unable to afford the / luxury of a horse (about 50 pounds) and so everything / must go up and down by windlass and rawhide / bucket. / Photo: Mitchell Library, Sydney / A sepia tone facsimile of / an early Australian photographmining album, gold mine, beechworth, burke museum, mine shaft, postcard, australian yesteryear cards, george symons, the minehead, gold fields, alluvial gold, early australia, c.1872, 1872, gold diggers, north east victoria

Poster, paper with white and red print. Montage in colour and black and white print of a collection of photographs, posters and postcards from WW1. Frame - cream enamel paint on timber frame with glass front and black cardboard backing with stand.Lettering on poster. "SCHOOLING, SERVICE/ AND THE GREAT WAR/ 1914-1918".framed accessories, poster, anzac day

R. H. Baron used this leave pass to visit his uncle in Aldershot. Whilst in Aldershot and surrounds, he collected a number of postcards. Part of the Robert H. Baron, No 3596 and Cooper Collections. See Catalogue No. 1981P for details of Baron's service.Rectangular booklet with light brown card covers. Covers and pages stapled together. inside 2 pages have lists of food rations available to the pass holders. printed instruction in black type on front and back covers. Front cover has printed pro-forma for holders details. Details handwritten in black and red ink.Handwritten on front cover in black ink: 14th Trg Battn, 3596, L/Cp Baron, R.H., 4.10.1918 to 8.10.1918, Aldershot leave, Hurdcott 4.10.1918. Handwritten on front cover in red ink: a signature. Handwritten on back page in black ink: This is our Ration form book that we have for our tucker when we are on leave, Bob:robert h. baron, cooper collection, ration book, leave pass, aldershot, herdcott, postcard, ww1

R..H. Baron took leave from Herdcott Camp between 4.10.19918 and 8.10.1918 to visit Aldershot. See Catalogue No. 7743 for leave pass details. Relatives lived in the Aldershot area. Part of the 'Robert H. Baron', No.3596 and Cooper Collections. See Catalogue No. 19819 for details of Baron's service.1. Coloured street scene with buildings, groups of people and horse drawn transport. 2. Coloured street scene with buildings, groups of people and horse drawn transport. 3. Coloured street scene with buildings, groups of people. 4. Coloured scene features a canal with boat, tow path, bridge and house. 5. Coloured, Band marching down a street. Spectators lining the road. Church in background. 6. Coloured Group of soldiers in uniform marching along the road. Spectators, church in background. 7. Coloured statue of a man on a horse. Statue located on a hill 8. Coloured scene of gardens surrounded by buildings and a church. Groups of women. 9. Coloured - Large building with a clock tower. 10. Coloured column of uniformed soldiers on horseback. Buildings lining road. Horse drawn transport sharing road. 11. Coloured street scene with red brick building and pedestrians. 12. Coloured Monument with inscription. Buildings in background. 13. Black and wgite street scene. Street lined with buildings. Horse drawn transport. Pedestrians.1. High Street, Aldershot. 2. Wellington Street, Aldershot. 3. Union Street, Aldershot. Handwritten in black ink on back: (Notice how narrow the streets are). 4. Wharf Bridge, Farnborough Road, Aldershot. Handwritten in black ink on back: "I was all over these places with Uncle. I had a good time in Aldershot, Bob. 5. Wellington Avenue (Church Parade), Aldershot. Handwritten in black ink: 'One of the Aldershot bands', R.H. Baron.' 6. Queens Avenue and St. George's Church, Aldershot. Handwritten in black ink on back: 'Soldiers going to church". 7. Wellington Monumental, Aldershot. Handwritten on back in black ink: 'I was right up around this place!' 8. Municipal Gardens, Aldershot. Handwritten on back in black ink: 'This place is very pretty, Bob'. 9. Cambridge Hospital, Aldershot. Handwritten on back in black ink "This is a fine place!". 10. Hospital Hill, Aldershot. 11. Smith Dorrien Home, Aldershot. Handwritten on back in black ink. 'I was all over Aldershot with Uncle. I have saw all these places. Bob.' 12. R.A.M.C. Memorial, Aldershot. 13. Victoria Rd, Aldershot.robert h. baron, cooper collection, aldershot uk, postcards

1. Florrie is a relative living in Farnham. 2. R.H. Baron married Elsie Keast in 1921. All cards relate to R.H. Baron's visits to Farnham whilst on leave to see Florrie. Part of the 'Robert H. Baron', no.3596 and Cooper Collection. See Catalogue No. 1981P for details of Baron's service.1. Coloured scene of a ruined castle and surrounding gardens. 2. Coloured scene of a garden with building and ruins in background. 3. Coloured photograph of a red brick building with battlement. 4. Coloured street scene with buildings, horse drawn transport and pedestrians. 5. Coloured photograph of the nave of a church looking towards the alter. 6. Coloured street scene with buildings and horse drawn transport. 7. Coloured view across a street to a white walled building with horse drawn transport. 8. Coloured photograph of a church, graveyard in foreground. 9. Black and white photograph of a castle surrounded by trees. 10. Black and white photograph of a forest scene with people standing on a bridge. 11. Black and white photograph of a street scene with buildings, horse drawn transport and people. 12. Black and white photograph of the tower of a church. Graveyard in the foreground. 13. Black and white photograph of a street scene with buildings, horse drawn transport and pedestrians. Castle on the hill in background. 14. Black and white photograph of a street scene with buildings, motor cars and pedestrians. 15. Black and white photograph of a street scene with buildings, motor cars, horse drawn transport and pedestrians. 16. Black and white photograph of a wooded valley. Houses on a hill in the background. 17. Black and white photograph of an avenue of trees. 18. Black and white photograph taken in a park. Three people standing on a bridge over a stream.1. The Keep, Farnham Castle. Handwritten in black ink on back: 'This is one of the pretty places around Farnham. I was all once here with Florrie. Bob' 2. In Castle grounds, Farnham. Handwritten in black ink on back: 'Dear Elsie, these are some places that visit... when I was down at Flories place. Bob xxxxxx' 3. Farnham Castle. 4. West Street, Farnham. 5. Parish Church, Farnham. 6. Castle Street, Farnham. 7. The Church House, Farnham. 8. Parish Church, Farnham. 9. Farnham Castle. 10. Red Hill Hanger, Farnham. Handwritten in black ink on back: 'Letter to R.H. Baron's sister - no date.' 11. South Street, Farnham. Handwritten in black ink on back: 'this part of the place I spent my leave at this is where Florrie is.' 12. Farnham Parish Church. Handwritten in black ink on back: 'Letter to R.H. Baron's mother - dated 24 July 1918.' 13. Castle Street, Farnham. Handwritten in black ink on back. 'I think you will know where this is as I have told you quite a lot about Farnham, it is where Florrie is. I spent my leave here. This is Castle Street and the castle is right on the top of the hill.' 14. Borough, Farnham. Handwritten in black ink on back. ' This is the place where Florrie lives. I spent my last leave their (sic), Bob.' 15. West Street, Farnham. Handwritten in pencil on back. 'Pte R.H. Baron, 57 Battalion, Australian Imperial Forces Abroad.' 16. Lower Bourne Valley, Farnham. Handwritten in black ink on back: 'Partial letter from R.H. Baron to his sweetheart.' 17. The Avenue, Farnham. Handwritten in black ink on back: 'Partial letter from R.H. Baron to his mother.' 18. Recreation Ground, Farnham. Handwritten in black ink on back: 'Letter to Doris from R.H. Baron - no date.' robert h. baron, cooper collection, postcards, farnham uk

Cards collected by R.H. Baron when visiting his Uncle who lived near the village of ASH, UK. c.Nov 1918. Part of the "Robert H. Baron", No. 3596 and Cooper Collections. See Catalogue No. 1981P for details of Baron's service.1. Coloured photograph of a street featuring building including a Post Office. 2. Coloured photograph of a house fronting a gravel road. 3. Sepia toned photograph of a gravel road, vegetation and trees. 4. Sepia toned photograph of a row of houses fronting a gravel road. 5. Sepia toned photograph of a row of houses. Man standing next to a horse and cart. Large pond in foreground. 6. Sepia toned photograph of a row of houses. Man standing next to a horse and cart. Large pond in foreground. 7. Sepia toned photograph of a river with boats moored on bank. Buildings on far side of river. 8. Sepia toned photograph of a row of houses fronting a road. 9. Sepia toned photograph featuring people on a wharf. Row of houses in back ground.1. Pinewood Post Office, Ash. Handwritten in faded black ink on back: 'This is the road Uncle lives in. he live just about opposite the cross (or house in middle) I made on the card, Bob'. 2. York House, Ash. Handwritten in black ink on back: 'Just near my Uncle's place in Ash, Bob.' 3. Fox Hills, Ash. Handwritten in faded black ink on back: 'Letter from R.H. Baron to his brother Freddy - no date.' 4. Ash Common, Victoria Hall, etc. Handwritten in faded black ink on back: ' Of course you will know Ash as you have wrote it bit when writing to Uncle, Bob'. 5. Ash Village & Pond: Handwritten in faded black ink on back: 'This is Ash Village - is about 1 mile from where Uncle lives. Bob.' 6. Ash Village and Pond: Handwritten in faded black ink on back: 'Letter to Elsie from R.H. Baron - no date.' 7. Ash Vale. The Wharf. Handwritten in faded black ink on back: 'Letter to Elsie from R.H. Baron - no date.' 8. Ash Vale. The Wharf. Handwritten in faded black ink on back: 'Partial letter to R.H. Baron's brother - c.Armistice Day. 9. Ash Vale. Handwritten in faded black ink on back: 'Another view of Ash, Bob.'robert h. baron, cooper collection, postcards, ash uk, ww1

'R. H. Baron' visited Waverley during leave. His Uncle and Florrie lived near here. Waverley was the site of a battle during the First Baron's War 1215 - 1217.Photograph of a couple walking down a lane. Lane lined with trees.Sandy Lane, Waverley. Handwritten in pencil on back 'Letter to R.H. Baron's brother from Baron - no date.'robert h. baron, cooper collection, postcard, waverley uk

1. to 4. Letter from R.H. Baron to his mother dated 8/12/18. 5. Letter to R.H. Baron's mother dated 3/12/18. Part of the 'Robert H. Baron', No. 3596 and Cooper Collections. See Catalogue No. 1981P for details of Baron's service.1. to 8. Collection of black and white postcards featuring views of Shaftesbury, UK.1. to 7. Handwritten in black ink on backs: 'Letters to R.H. Baron's mother and siblings.'robert h. baron, cooper collection, shaftesbury uk

Letters on postcards mention Maggie who according to R.H. Baron was a relative of Uncle Will.1. Black and White photograph of a church surrounded by trees. 2. Black and White photograph of a grove of trees planted in rows.1. Old Church, Hartley Wintney: 'Handwritten in black ink on back: 'These are a few places I went to see while I was on leave. Hartley, Wintney is a great place for Uncle Will's relations. Maggie lives here. Bob'. 2. Hartley Wintney, Common, Handwritten in black ink on back: 'I have saw the place Maggie was born in, Bob'.robert h. baron, cooper collection, postcard, hartley wintney, uk

Postcards sent to R.H. Baron's siblings Fred and Myrtle and future wife (?) Elsie. Notes on each card mention a three day journey playing with a band. Part of the "Robert H. Baron" No. 3596 and Cooper Collection. See Catalogue No. 1981P for details of Baron's service.1. Black and white photograph of a house partially covered with ivy. Garden in the foreground. 2. Black and white photograph of a church with square tower. Graveyard and cart in the foreground.1. The Convent, Stourton Gardens. Handwritten in black ink on back: 'Letter from R.H. Baron to Elsie and Fred - no date." 2. Stourton Church. Handwritten in black ink on back: 'Letter from R.H. Baron to Myrtle' - no date.robert h. baron, cooper collection, postcard, stourton uk

Postcards sent by R.H. Baron to his mother, sisters and Elsie. Part of the "Robert H. Baron" No 3596 and Cooper Collections. See Catalogue No. 1981P for details of Baron's service.1. Sepia toned photograph of the exterior of a gothic style cathedral with spire and two lantern towers. 2. Sepia toned photograph of a cathedral with spire from a river location. 3. Sepia toned photograph of the nave and choir of a gothic style cathedral.1. Salisbury Cathedral, West front. Handwritten in pencil on back: 'Letter to R.H. Baron's sisters' - no date. 2. Salisbury Cathedral from the River. Handwritten in pencil and black ink: ' Letter to R. H. Baron's mother. Ink section indecipherable. - no date. 3. Salisbury Cathedral, choir and nave. Handwritten in black ink: 'Dear Elsie etc'.robert h. baron, cooper collection, postcards, salisbury uk, ww1

Relates to Acting Captain “John Eric Wiles” VX16067. Posted Middle East 1940. Part of his collection. Refer Cat. No. 5410P for his Service Details.Series of black and white/ sepia photos. 1. Portrait B & W photo of soldier standing in front of a snowman in Syria. 2. Landscape, sepia photo of an officer in uniform posed to camera. 3. Landscape B & W photo of Jack Wilks in a tent in an Army base in Syria. 4. Landscape B & W photo of the Officer's Mess in Australia.On back of photos; 1. "A snowman and myself. Syria - New Year 1942" 2. Stamp on back. G 17. 3. Detailed little message from Syria. 4. "Our Mess" Australia 44.postcards, captain john eric wiles

Postcards sent by R.H. Baron depicting scenes of Codford when the AIF was encamped during WW1. Part of the Robert H. Baron, No. 3596 and Cooper Collections. See Catalogue No. 1981P for details of Baron's service.1. Plain postcard with no photograph. Front has printed Mother's Day message. Y.M.C.A. logo and Rising Sun badge printed at top. Space for written address. Postmark top R.H. Corner. 2. Collation of black and white photographs of scenes from a village. 3. Coloured photograph of a group of soldiers in winter uniform and standing on a snow covered road. Buildings in background. 4. Black and white photograph of a church with square tower, Houses next door. Graveyard next to church. 5. Black and white photograph of a Rising Sun badge carved into a hill side.1. Handwritten in black ink on back: 'Letter to R.H. Baron's mother, dated 9 May 1918'. 2. Greetings from Codford. Handwritten in black ink on back: Letter to R.H. Baron's mother dated 13 July 1918. 3. Winter at Codford. Handwritten in black ink on back: 'Letter from R.H. Baron to Doris dated 1 September 1918'. 4. Codford, St Mary Church. Handwritten in black ink on back: This is a church in the centre of our camp. Bob'. 5. The Rising Sun, Codford. Handwritten in black ink on back: 'Dear Elsie, This Rising Sun was made by an Australian Soldier some time back. Bob'. robert h. baron, cooper collection, postcards, codford uk, aif camp - ww1

Photograph of AIF Codford Camp No. 7. R.H. Baron was stationed here in 1918 during WW1. He later transferred to Herdcott Camp. Part of the Robert H. Baron (No. 3596) and Cooper Collections. See Catalogue No. 1981P for details of Baron's service.Black and white photograph featuring three buildings fronting a gravel road. Two signs appear in the foreground. One is labelled 'No. 7 Camp', the other taller one is labelled 'Salvation Army Rest Hut'. A tree lined hill is in the background.On back, handwritten in black ink: 'Dear Mother, this is the entrance to our camp, the 3rd hut down on the outside is our hut, Robert H. Baron.robert h. baron, cooper collection, postcard, codford aif camp

Cards relate to R.H. Baron's time at Hurdcott AIF Camp during 1918. Part of the "Robert H. Baron", No. 3596, and Cooper Collection. See Catalogue No. 1981P for details of Baron's service.1. Black and white newspaper clipping pasted onto a piece of cream card. Clipping features a black and white photograph of a map of Australia carved into the side of a hill. Caption in black type below photograph. 2. Black and white postcard style photograph of a map of Australia carved into the side of a hill. 3. Plain cream coloured postcard with YMCA logo and AIF insignia at the top. Handwritten address on front and handwritten letter on back.1. Handwritten in black ink on back: 'This map has been cut in the hill and is only about 10 minutes walk from here, Bob' 3. Handwritten in black ink on front: 'Miss M. Baron, 208 Forest St. Bendigo, Victoria, Australia'. Stamped in black on top R.H.C. of front: 'Postmark - AIF Camp P.O. No.4, 18,' Handwritten in black ink on back: 'Letter to R.H. Baron's sister Myrtle from Hurdcott Camp dated 3.11.18.'robert h. baron, cooper collection, postcards, hurdcott aif camp

Postcards relate to R.H. Baron's role in the 14th Training Battalion Band. They document various places where the band played. Part of the "Robert H. Baron" No. 3596 and Cooper Collections. See Cat No. 1981P for details of Baron's service.Twelve black and white and coloured postcards featuring views of various English towns. Some cards have handwritten letters and anecdotes on the back.1. Lichfield Cathedral, Lady Chapel. Handwritten on back in black ink: 'Letter to R.H. Baron's mother dated 29.1.18.' 2. Bone Street, Lichfield. Handwritten on back in black ink: 'Anecdote, signed, Bob.' 3. The Green, East Knoyle: Handwritten on back in black ink: Letter to R.H. Baron's mother! 4. Wyndham Memorial, East Knoyle. Handwritten on back in black ink: 'R.H. Baron 14 T.B. Band. 5. Woking, Inkerman Barracks. Handwritten on back in black ink: 'Letter to R.H. Baron's sister Elsie.' 6. Chertsey Road and Red House Hotel, Woking. Handwritten on back in black ink: 'I spent a few days here while I was on leave, Bob.' 7. View at Old Woking from Bridge. Handwritten on back in black ink. 'No. 3596, L/Corp R.H. Baron, 14 T.B. Band, 57 Battalion, Aust Imp. Forces, Hurdcott, England.' 8. York Road, Woking. Handwritten on back in black ink: 'Letter to R.H. Baron's mother dated 11.1.19.' 9. Thinking of you at GILLINGHAM. Handwritten on back in black ink: 'This is the place of our last trip with the band, Bob.' 10. Glastonbury Abbey. Handwritten on back in black ink. Letter signed Bob.' 11. Station Rd. Gillingham. Handwritten on back in black ink: 'Letter from R.H. Baron to his friend, Doris. Dated August 2nd (1918?).' 12. Newbury, Gillingham. Handwritten on back in black ink. 'Partial letter written by R.H. Baron.'robert h. baron, cooper collection, postcards, 14th training battalion band, 57th battalion, ww1

Postcards collected by "R.H. Baron" during a visit to London c.1918. Part of the Robert H. Baron, No. 3596 and Cooper Collections. See Cat. No. 1981P for details of Baron's service.Collection of thirty five black and white and coloured postcards featuring views of London, UK.Handwritten on back of several in black ink and pencil, 'Anecdotes and comment by R.H. Baron.'robert h. baron, cooper collection, postcards, london, ww1

This six-postcard group is the second in a series of records of items in the collection of Edgar Dawson DCM. Dawson was the Regimental Sergeant Major of 57th Battalion, AIF. The 57th had a company of men largely from Bendigo and Eaglehawk. These postcards are from his personal album. Many are annotated in Dawson's hand with explanatory notes on the subject. Refer to Cat No 893 for his service details. Items originally in album cat. no. 207P Service details available through the NAA. Collection of six black and white postcards: 1. Photographic portrait from left William George Saville 4182, Alexander Pollock 3587 57th Btn, and unidentified trooper, possible 4th Light Horse Regiment. 2. Photographic portrait of Light Horse trooper. 3. Photographic portrait of William Tamlyn Curnow, 5078, 57th Btn 4. Photographic portrait of "Jim", 5. Photographic portrait of Septimus Fletcher, 4485, 57th Btn 6. Photographic portrait of Robert Gamble, 4644, 57th Btn 2. Card is addressed to "1904 L.Cpl W.W. Martin, D Cpy 57th Batt". Martin was 2150, KIA 26th September 1917. 3. On front "Sincerely, W. T. Curnow". On verso, "To Hec, from his old pal Curnow Sgt" 'Hec' was Dawson's nickname. 4. On front "Yours sincerely Jim". On verso, card addressed "350 Pte Melen, R. C., 15th Field Ambulance, via Manners St Maryborough Victoria" The 15th Field Ambulance Cpy, supported the 57th and other battalions of the 15th Brigade. 5. On verso "This is an Eaglehawk boy Septimus Fletcher, he came over with me and was with us a long time, but is on Division now" 6. On verso "This is our signal Cpl wearing his military medal for keeping communication at Bullecourt". Gamble won the MM for his actions 13th May 1917.57th battalion, postcards, album dawson dcm, edgar dawson dcm

Series of postcards, featuring Australian Troops who participated in the Victory Parade through London after WW1 on 3rd May, 1919.1. Troops marching past Australia House in London. Spectators lining the route. 2. Column of mounted troops and horse drawn artillery. Large monument in right background. Spectators lining the route. 3. Troops in uniform with arms shouldered marching along road. Spectators lining the route. 4. Troops in uniform with arms shouldered, marching along the road. Man in uniform on right is taking the salute. Uniformed police officer on right. 5. Troops in uniform with arms shouldered marching along road. Man in uniform on bottom right hand side taking the salute. Battle honours of troops attached to building in background. robert h. baron, cooper collection, postcard, london, ww1, victory parade, australian troops

Part of the "Robert H. Baron", No. 3596 and Cooper Collection. See Cat, No. 1981P for details of Baron's service.1. Black and white photograph featuring burning and destroyed buildings. 2. Black and white photograph featuring horses and wagons with uniformed handlers. Ruined buildings in background. 3. Black and white photograph featuring a shell damaged two story building. Splintered trees in foreground. 4. Black and white photograph of a WW1 battlefield. Three waterfilled shell holes in foreground. Soldiers in background on horizon. 5. Black and white photograph of three soldiers in uniform standing next to a ruined cannon. 6. Black and white photograph of three soldiers in uniform standing next to the barrel of a canon. Soldier in uniform inside the mouth of cannon. 7. Black and white photograph of the surrounds of a ruined building. Statue of a human figure surrounded by metal fence in foreground. 8. Black and white photograph of a bomb damaged church. Rubble in foreground.1, Handwritten in black on front bottom and on back in pencil: 'Fritz Burning village of Ham before leaving.' 2. Handwritten in black on front bottom and on back in pencil: 'Entrance to Langacourt.' 3. Handwritten in pencil on front and back: 'Langacourt Chateau.' 4. Handwritten in black ink on front and in pencil on back: 'Passendaele Ridge.' 5. Handwritten in black ink on front and in pencil on back: 'Captured gun at Cappy.' 6. Handwritten in black ink on front and in pencil on back: 'Cappy.' 7. Handwritten in pencil on front and back: 'Bullecourt Church.' 8. Handwritten in pencil on front and back: 'Viller Brettoneaux Church.'robert h. baron, cooper collection, postcard, ww1, france, battlefields

This six-postcard group is the third in a series of records of items in the collection of Edgar Dawson DCM. Dawson was the Regimental Sergeant Major of 57th Battalion, AIF. The 57th had a company of men largely from Bendigo and Eaglehawk. These postcards are from his personal album. Many are annotated in Dawson's hand with explanatory notes on the subject. Refer to Cat No 893 for his service details. Items originally in album cat. no. 207P Service details available through the NAA. Physical description Collection of six photo postcards B+W 1. Portrait of Richards, John 3593 57th Btn 2. Portrait of Moore, Charles 4593 57th Btn 3. Portrait of Mitchell, Leslie Fenen 4854 57th Btn 4. Portrait of Hutson, Herbert Spence 3540 57th Btn 5. Portrait of Steele, Leslie William 2737 57th Btn 6. Portrait of Spinks, William Edward 2239 57 Btn1. On verso "L.Cpl J Richards, St Killians Road, White Hills Bendigo Victoria 6-10-17" 2. On verso, "Chas Moore, 9-9-17" 3. On verso "Pt L.F. Mitchell, No 4854, 13th reinforcements, 29th Battalion, AIF Abroad" 4. On verso "This is one of our gallant runners France 1917" "Herbert S. Hutson, Lemon Grove, Heathcote Victoria" 5. On verso "With best wishes L Steele 10-2-18", "L. Steele, Balmoral Street, Essendon, Melbourne Australia" 6. On verso "W.E.Spinks, Templeton Street, Euroa, Victoria, Australia"postcards, 57th battalion, edgar dawson dcm

This six-postcard group is the fourth in a series of records of items in the collection of Edgar Dawson DCM. Dawson was the Regimental Sergeant Major of 57th Battalion, AIF. The 57th had a company of men largely from Bendigo and Eaglehawk. These postcards are from his personal album. Many are annotated in Dawson's hand with explanatory notes on the subject. Refer to Cat No 893 for his service details. Items originally in album cat. no. 207P Service details available through the NAA. Collection of six black and white postcards: 1. Photographic portrait Harper, Thomas Francis 783, 36th Btn 2. Studio portrait of Young, Bertram John 304, 57th Btn on left 3. Portrait of Dawson, Willie Stanley 2163 57th Battalion 4. Studio portrait of Fleming, James Holmes 3107 57th Btn on left 5. Photographic portrait of Walsh, Alick 3494 57th Btn 6. Photographic portrait of Hughes, Francis Vane 4521 57th Btn .3 On verso "This is Will Dawson" in Edgar Dawson's hand .6 On verso "This is CQMS Hughes, he was in my company at Broadmeadows"57th battalion, postcards, album dawson dcm, edgar dawson dcm

This three-photograph group is the fifth in a series of records of items in the collection of Edgar Dawson DCM. Dawson was the Regimental Sergeant Major of 57th Battalion, AIF. C Company of the 57th was composed of men drawn from Echuca, Eaglehawk and Bendigo. The postcards are from his personal album, and many are annotated in Dawson's hand with explanatory notes on the subject. Refer to Cat No 893 for his service details. Items originally in album cat. no. 207P These three photographs above portray various members of the AIF on leave in Killarney, Ireland. Three photographs taken by a commercial photographer in Killarney Ireland. These photographs illustrate how men from different units relaxed together on leave. 1. A group of AIF soldiers enjoying leave outside the Graham Hotel, Killarney. The soldier on left is a corporal in 2nd Division Pioneers, next to him is a private in the 1st Division, then a signaller from 5th Division with two years' overseas service chevrons and two wound stripes, RSM Hector Dawson, 57th Btn, then a Gallipoli veteran with what seems to be a Fifth Division patch, unknown, and lastly a 1st Division sergeant. 2. A relaxed group outside the Graham Hotel. RSM Dawson is third from the right. Second from the left is an officer of the Canterbury Infantry Regiment, New Zealand Expeditionary Force. 3. RSM Dawson (hatless) and comrades setting off to likely see the famous local lakes. Each photograph is inscribed on verso "To dear Mother and Father, with love from Heck, Killarney" with the date.postcards, 57th battalion, edgar dawson dcm

This is the sixth in the series of records of items in the collection of Edgar Dawson DCM. Dawson was the Regimental Sergeant Major of 57th Battalion, AIF. C Company of the 57th was composed of men drawn from Echuca, Eaglehawk and Bendigo. The postcards are from his personal album, and many are annotated in Dawson's hand with explanatory notes on the subject. Refer to Cat No 893 for his service details. Items originally in album cat. no. 207P These photographs show the eclectic nature of this collection 1. Lance Corporal Albert Ali, 2518 48th Btn, most likely man on right, 2. 2nd Lieutenant Ernest Potter, 68, 38th Battalion 3. Robert William Scott, 3617 and Walter James Browning 3683 57th Btn 4. Grave of Captain Herbert Spencer Dickinson, 600, 57th Btn. KIA 25th September 1917 5. Ralph Edward Cheeseman, 3074 , 57th Btn 6. Jack Bass, 5038, 53rd Btn (most likely man on left) 7. Chaplain C company, 57th Btnpostcards, 57th battalion, edgar dawson dcm