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Glenelg Shire Council Cultural Collection
Painting - Watercolour, Gerhard Inkamala, Untitled (Landscape), n.d
Western Aranda artist, Gerhard Inkamala. Born in 1917, Gerhard was the nephew of Albert Namatjira and grew up being inspired by his artwork and the surrounding landscapes. He became a skilled artist and during the 1940s was one of the founders of the famous Hermannsburg School of Art. In the 1950s Gerhard and his brother Adolf were included in a group exhibition in Alice Springs at the home of Rex Battarbee who was the Warrnambool-born art teacher of Albert Namatjira. He died in 1977.A landscape scene showing the Australian outback. Trees and shrubs in the foreground with rocky hills in the background. The foreground is an ochre/orange colour and the hills and rocks in the background are a blue/grey colour. The sky is clear and blue. Signed bottom right. The work is mounted on cream mountboard and framed in a white timber frame under glass.'Gerhard Inkamala' signed bottom right hand side of the painting. -
Ballarat Tramway Museum
Postcard, Rose Stereograph Co, "Moorabool Street Geelong Vic", 1949
Postcard produced by the Rose Stereograph Co. No P 3747, showing the scene at the corner of Moorabool and Ryrie Sts Geelong. Has a tram in the far distance turning out of Malop Street along with many motor cars of the late 1940s. In the view are Bright and Hitchcocks, the T&G building, Bank of NSW, Coles, and the Amalgamated store. Also in the view is one of the Bar neon-type traffic lights that Geelong installed. The rear of the postcard notes that it is a real photograph. Yields information about the view of Moorabool St at Ryrie St.Black and white Postcard divided back, unused. On top right hand rear is "1949"tramways, trams, geelong, moorabool st, ryrie st -
Kiewa Valley Historical Society
Book - Reference Printing, Charles W. Hackleman, Commercial Engraving and Printing, Circa 1921
This item relates to methods of reproducing photos on all forms of material in an era of physical offset printing.The offset method is being replaced by digital transfer direct to the final product,(paper or other porous and non porous surfaces). Newspapers and other "paper" information publications are still producing "hard copies" but these are slowly being phased out. This item was used Circa 1920s in the peek period of paper based media. From the 1940s radio and then television stepped into the mass media revolution.This book was produced when all printing, Government and private enterprise, was using the "off set" method. This method was used to a great degree in all schools within the Kiewa Valley. It was in an era before "photo-copying machines" were available. This was a period when printing inks for larger printing machines had to be purchased from specialised outlets and printing presses required to be washed after each "run" of printing before the next plate(aluminium) could be fastened onto the "off sett" machinery. Heat infusion now used in large machines and domestic printers has superseded this task. Faded green cloth covered book with green papered front and back sleeve pages.Photos and sketches are throughout the book. Gloss paper used from page 1 one to page 400. Pages 401 to page 432 are not gloss paper. The type of paper varies throughout the book until final advertisement and index pages, from page 833 to page 846, are on gloss paperThe spine cover is badly worn and wording is faded. Front cover has"Commercial Engraving And Printing" Author and publisher details written by Charles W. Hackleman. Published by Commercial Engraving Publishing Company, "A Manual of Practical Instruction and Reference Covering" Commercial Illustrating and Printing by all Processes.technical book, reference for engraving and printing -
Kiewa Valley Historical Society
Anaesthetic Mask
This Anaesthetic Mask 'Schimmelbusch' mask was used to deliver chloroform or ether as an anaesthetic. When this mask was in use most doctors would have delivered the anaesthetic themselves. During the 1940s and 1950s, some nurses may have played an active role in the delivery of anaesthetics, particularly in remote areas and during wartime or doctor shortages. This medical / hospital equipment was the latest available in the 1950s when the Tawonga District General Hospital was built specifically for the increase in population due to the Kiewa Hydro Scheme.Historical: Shows the development of scientific hospital equipment. Provenance: Used in the Tawonga District General Hospital which was remote and therefore required good equipment. Good condition and good interpretation capacity.Metal egg shaped frame with metal pieces crossing longitudinally and across with attached moveable metal piece that holds cloth in when closed and fits into open hollow egg shaped frame. At one end is a flat metal piece that would rest on the forehead. Usually used for children. To add cloth (gauze or muslin) with anaesthetic (chloroform or ether) open the mask and place the cloth onto the frame. It clipped on and the fluid then dripped onto the cloth. CHIRON GERMANY between handle and oval.hospital; tawonga; mt beauty; medical; nurse; medical instrument; face; anaesthetic. -
Warrnambool and District Historical Society Inc.
Apothecaries Weight 2 Drams
Apothecaries weights were historically used by physicians and pharmacists for the assembling of medical recipes (20 grains = 1 scruple; 3 scruples = 1 dram (drachm); 8 drams = 1 troy ounce). The coin weights were used up until about the 1940s. This coin is a stater, a 2 gram coin. The symbol for the dram was the number 3 and the letters ‘ij’ are equivalent to the Roman numerals 11 meaning two. The coin has the date March 16, 1847, the date of the registration of the coin.This coin has no known local provenance but a two-dram coin such as this would have been used by doctors and pharmacists in the Warrnambool district from the 1840s to the 1940s approximately. It will be useful for display.This brass circular weight with raised engraving has an annulus of very small dots close to the rim on the obverse and reverse sides. The edge is smooth with a small chip .It is named a StaterObverse REGISTERED MARCH 16 1847 a CROWN Reverse .TWO DRAMS 3 I j apothecaries, weight, warrnambool history -
Brighton Historical Society
Coat, circa mid-1950s to early 1960s
Raoul Couture was a high-end fashion house based in Flinders Lane from around 1955 until 1964. Established by designer Ralph Samuel, who also owned Hartnell of Melbourne (circa late 1940s-1971), Raoul was the business's premium label. The head designer was Leonard Legge, who later worked for Prue Acton. Brighton Historical Society holds a small collection of Hartnell and Raoul Couture garments, including a Gown of the Year Award-winning dress donated by Ralph Samuel.Red felted wool coat with red silk lining, fastening centre front with four large square-shaped buttons. Single vent/slit up centre back to waist. Loosely belted back with single button fastening.Label, inner collar: "raoul couture / MELB"raoul couture, melbourne designers, flinders lane, ralph samuel, leonard legge, hartnell of melbourne -
Kew Historical Society Inc
Certificate - Honorary Life Membership : Mavis Washfold, Kew Philharmonic Society, 1985
Mavis Washfold was a member of the Christian and Washfold families of Kew. A musician, she had a longstanding association with the Kew Philharmonic Society. The Society was founded by Dr. Ehrenfeld, c.1946, who was also the Orchestra's first conductor. He was succeeded by Harold Badger in 1954 following the death of the former. During the 1940s and 1950s, the Orchestra played its concerts in the Kew Recreation Hall in Wellington Street. In 1960, the Orchestra relocated to the new Kew City Hall in Cotham Road (the site of the current Kew Library).Kew Philharmonic Society certificate issued to Mavis Washfold giving her life membership in recognition of her service as secretary and member for 36 years. Issued 3 December 1985. Framed under Perspex. mavis washfold, kew philharmonic society, christian-washfold collection -
Federation University Art Collection
Gouache on paper, Larwill, David, 'On the Picks' by David Larwill, 2003
David Larwill was a founding member of Melbourne’s Roar Studios. His work is influenced by movements as diverse as tribal art, Aboriginal art and abstracted figuration of the 1940s and 1950s. Larwill’s paintings are characterised by their simplified forms and overall pattern. Figures and animals populate his images, painted in an almost child-like naïve manner that is technically very sophisticated. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, david larwill, larwill, gouache -
Warrnambool and District Historical Society Inc.
Book, The two new girls - Betty Marchant, 1927 ( date of first edition)
This book, written for girls by the English novelist, Bessie Marchant, was given as a prize to Claire Gilbert. She was the daughter of Roy and Miriam Gilbert and lived in Coulstock Street. Her father worked at Swintons Store in Warrnambool. She would have been at school in the 1940s. She married a farmer, Ainslie Crothers. It is presumed that ‘Y.W.L’ stands for ‘Young Women’s League’, but no Warrnambool group with this name has been found (apart from a Young Women’s Association run by the Presbyterian Church in the 1920s). This book is of interest as it belonged to a local girl, Claire Gilbert, at school in the 1940s. This is a hard cover book of 152 pages with 16 pages at the back giving information on other books published by the same company. The cover is green with the title information enclosed in dark red text boxes with green printing. The spine has red printing with red lines and squares for ornamentation. The inscription is handwritten in black ink on a printed book plate pasted onto the first page. There is a colour plate at the beginning of the story. ‘2nd prize Awarded to Claire Gilbert, Y.W.L., Warrnambool’ claire gilbert, yung women’s league, history of warrnambool -
Churchill Island Heritage Farm
Photograph - Photograph of horse pulling cart
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph is of Ginger pulling a cart with Sister Margaret Campbell and Alice Jenkins riding along. Sister Campbell was Ted Jenkins' carer, and managed the daily running of the Island, eventually inheriting it after his death. Alice was the mother of Harry Jenkins - the owner of the Island.Black and white photograph with a white border of a stationary horse hitched to a cart with two women sitting in it. The group are centred in the frame and a dam is visible in the background on the left hand side. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans, harry jenkins, alice jenkins, margaret campbell, working horse -
Eltham District Historical Society Inc
Photograph, The Jelbart Barn, 93 Arthur Street, Eltham, 1972c
Owned at the time by architect, Ian Jelbart, the property had been in the Jelbart family since the 1940s; a 5560sqm secluded hilltop parcel in Eltham. When the manor house and its barn were built, Eltham was a rural community; Jelbart’s grandfather Ronald was a businessman whose poultry farm formed part of the family’s original 100ha holding. A portion would later be subdivided into residential lots to make way for new homes that would form the basis of the Woodridge Estate in the early 1970s.Digital file only; created from scan undertaken by EDHSarthur street, eltham, houses, jelbart barn, jelbart property, kinloch gardens -
Eltham District Historical Society Inc
Photograph, The Jelbart Barn, 93 Arthur Street, Eltham, 1972c
Owned at the time by architect, Ian Jelbart, the property had been in the Jelbart family since the 1940s; a 5560sqm secluded hilltop parcel in Eltham. When the manor house and its barn were built, Eltham was a rural community; Jelbart’s grandfather Ronald was a businessman whose poultry farm formed part of the family’s original 100ha holding. A portion would later be subdivided into residential lots to make way for new homes that would form the basis of the Woodridge Estate in the early 1970s.Digital file only; created from scan undertaken by EDHSarthur street, eltham, houses, jelbart barn, jelbart property, kinloch gardens -
Eltham District Historical Society Inc
Photograph, The Jelbart Barn, 93 Arthur Street, Eltham, 1972c
Owned at the time by architect, Ian Jelbart, the property had been in the Jelbart family since the 1940s; a 5560sqm secluded hilltop parcel in Eltham. When the manor house and its barn were built, Eltham was a rural community; Jelbart’s grandfather Ronald was a businessman whose poultry farm formed part of the family’s original 100ha holding. A portion would later be subdivided into residential lots to make way for new homes that would form the basis of the Woodridge Estate in the early 1970s.Digital file only; created from scan undertaken by EDHSarthur street, eltham, houses, jelbart barn, jelbart property, kinloch gardens -
Eltham District Historical Society Inc
Photograph, The Jelbart Barn, 93 Arthur Street, Eltham, 1972c
Owned at the time by architect, Ian Jelbart, the property had been in the Jelbart family since the 1940s; a 5560sqm secluded hilltop parcel in Eltham. When the manor house and its barn were built, Eltham was a rural community; Jelbart’s grandfather Ronald was a businessman whose poultry farm formed part of the family’s original 100ha holding. A portion would later be subdivided into residential lots to make way for new homes that would form the basis of the Woodridge Estate in the early 1970s.Digital file only; created from scan undertaken by EDHSarthur street, eltham, houses, jelbart barn, jelbart property, kinloch gardens -
Eltham District Historical Society Inc
Photograph, The Jelbart Barn, 93 Arthur Street, Eltham, 1972c
Owned at the time by architect, Ian Jelbart, the property had been in the Jelbart family since the 1940s; a 5560sqm secluded hilltop parcel in Eltham. When the manor house and its barn were built, Eltham was a rural community; Jelbart’s grandfather Ronald was a businessman whose poultry farm formed part of the family’s original 100ha holding. A portion would later be subdivided into residential lots to make way for new homes that would form the basis of the Woodridge Estate in the early 1970s.Digital file only; created from scan undertaken by EDHSarthur street, eltham, houses, jelbart barn, jelbart property, kinloch gardens -
Eltham District Historical Society Inc
Photograph, The Jelbart Barn, 93 Arthur Street, Eltham, 1972c
Owned at the time by architect, Ian Jelbart, the property had been in the Jelbart family since the 1940s; a 5560sqm secluded hilltop parcel in Eltham. When the manor house and its barn were built, Eltham was a rural community; Jelbart’s grandfather Ronald was a businessman whose poultry farm formed part of the family’s original 100ha holding. A portion would later be subdivided into residential lots to make way for new homes that would form the basis of the Woodridge Estate in the early 1970s.Digital file only; created from scan undertaken by EDHSarthur street, eltham, houses, jelbart barn, jelbart property, kinloch gardens -
Eltham District Historical Society Inc
Photograph, The Jelbart Barn, 93 Arthur Street, Eltham, 1972c
Owned at the time by architect, Ian Jelbart, the property had been in the Jelbart family since the 1940s; a 5560sqm secluded hilltop parcel in Eltham. When the manor house and its barn were built, Eltham was a rural community; Jelbart’s grandfather Ronald was a businessman whose poultry farm formed part of the family’s original 100ha holding. A portion would later be subdivided into residential lots to make way for new homes that would form the basis of the Woodridge Estate in the early 1970s.Digital file only; created from scan undertaken by EDHSarthur street, eltham, houses, jelbart barn, jelbart property, kinloch gardens -
Melbourne Legacy
Photograph - Junior Legacy classes, Jim Tierney instructs the boys class, 194
Instructor Jim Tierney and a group of boys in a boxing class in the 1940s. The boys are wearing singlets with a DS logo, showing that they were in the Don Esses club. Young men that had outgrown the activities that Legacy provided for junior boys formed the Intermediate Legacy Club (ILC) and they were active from 1929 to the 1970s. One of the activities the ILC undertook was to provide classes for children of incapacitated ex-servicemen. They called it the Don Esses which came from the signallers’ code, Disabled Servicemen’s Sons.An important photographic record of the work of Legacy in the 1940s.Black and white photo of an instructor and boys in a boxing class. From an album with blue leather look back and front cover. One of 20 pages with black and white photos attached to both sides of the pages.junior legatees, boys classes, jim tierney, don esses -
Bialik College
Exhibition Panel, 70th Anniversary: The School Grows, 2012
Panel from the exhibition held to celebrate the College's 70th anniversary in 2012. Photograph 1: Kindergarten students taken c.1940s. Photograph 2: Kindergarten students taken c.1950. Photograph 3: Kindergarten students taken between 1945-1946. Students listed on third photograph are as follows: Minette Morris (née Goldberg), Judy Wise, Sam Singer, John Fox, Harry Lipp, Josephine Boltin (née Morris). Please contact [email protected] to request access to this record.hebrew school, founders, zionist -
Warrnambool and District Historical Society Inc.
Letter - Letters - Swinton/ Thomson, 1950s
These four items are annual letters of appreciation to Helen Thomson who was employed by George Swinton and Sons in the 1940s and 1950s. She received a monetary bonus each year. The Swinton business in Warrnambool was founded by William and Ann Swinton in Timor Street in 1865. In 1934 the firm of George Swinton and Sons was selling furniture, clothing and glass ware and the other branch of Swintons Pty.Ltd. sold seeds, produce and hard ware. Today the Swinton family still operate the furniture store in Timor Street. . These letters are of of minor interest as a memento of a prominent store in Warrnambool. They reflect the kindly attitude between emploer and employee.These are four letters from Keith Swinton of George Swinton and Sons Pty. Ltd. to staff member Helen Thomson. The letters date from 1949 to 1955.Three letters are typed and one is hand written. The four letters have the the George Swinton and Sons letterhead.swintons store warrnambool, keith swinton, helen thomson warrnambool -
National Wool Museum
Quilt, 1880s
The wagga was owned by the great uncle of the donor's husband, George Stephens. Mr Stephens was a mining engineer in the late 1800s to early 1900s in Stawell, Main Lead (near Beaufort), Diamond Creek and Costerfield in Victoria. His last residence was at Bosterfield, where the wagga was used as a bed quilt in the mid 1940s. It may have also been used in the childhood home of Mr Stephens at Stawell. Mr Stephens saved the life of a blacksmith at Diamond Creek Gold Mine circa 1910.A wagga made from men's suits and coats, unpicked and sewn together. Pieces are in blue, brown checked and striped materials. There are remnants of a backing around the edges.wagga, running stitch collection, diamond creek, victoria, stawell, beaufort, costerfield -
Southern Sherbrooke Historical Society Inc.
Photograph - Terry Smith at the building site of the caretaker's house, Belgrave Reservoir, c.1940s
Black and white photo of Terry Smith, Pam Harris's younger brother, aged about 6 or 7, during the building of a septic tank for the caretaker's house at Belgrave Lake Park. Terry is sitting in a concrete mixer. On the ground are bags of concrete. A pile of sand is on a tarpaulin. Behind Terry there are shrubs and small trees and behind them are tall trees on a steep hillside. The Belgrave Reservoir is at the bottom of the slope. A house can be seen in the distance, possibly the house visible in B0399. Terry and Pam's father, Oscar Smith, built the caretaker's house, selling it in 1960 for £1250. The photo probably dates to the 1940s and is part of a collection of family photos donated by Pam Harris, Shire of Sherbrooke President, 1982-1983 & 1987-1988. -
Southern Sherbrooke Historical Society Inc.
Photograph - Children sitting around a water tank, Belgrave c.1940s
Black and white photo showing six children and a dog seated around a water tank. Two girls an a boy are sitting on top of the tank. One of the girls is Pam Harris. The girls are wearing jumpers and long pants. Three boys are sitting on the tank stand. At least two of the boys are also wearing long pants. They are holding a small dog, either a dachshund or a spaniel. There is a low building behind the tank. There are trees in the background. The house where the tank is situated is the white house visible in B0399 which belonged to Laura (surname unknown). On the back of the photo is printed '1532'. It probably dates to the 1940s and is part of a collection of family photos donated by Pam Harris, Shire of Sherbrooke President, 1982-1983 & 1987-1988. -
Bendigo Historical Society Inc.
Document - LYDIA CHANCELLOR COLLECTION; ANZAC MEMORIAL BAND PROGRAMME
A white programme with blue print. On the front are the words ' Do you want a Drawing Book? 'The Allies' Children's Drawing Book is issued Free by 'Nestles' in return for 100 wrappers of Nestles & Cailler's Chocolates. ANZAC MEMORIAL BAND (under the auspices of the R.S.A. 0f N.S.W.) 30 Performers : 30 ( All returned wounded men). TOWN HALL, MELBOURNE January 31st, - February 1st., and on Tour throughout Victoria. J. Edison Ikin. Representative. 'The Allies' Children's Drawing Book. Send your wrappers to NESTLE'S 588 Bourke Street, Melbourne.' On the inside is the poem 'How Anzac was Named,' an advertisement for Bellmaine Bros. printers Melbourne and the programme itself. On the back are the words for ' The Toast! For ANZAC Day by C.H. Souter. C. 1940s -50s.program, music, anzac day, lydia chancellor, collection, event, music, entertainment, concert, australian army, anzac memorial band, bands -
Greensborough Historical Society
Painting - Digital image, Barn at Willis Vale, 1920c
Painting of a barn at Willis Vale. 'Willis Vale' was owned and farmed by the Partington family from the 1870s. The derelict Willis Vale house was destroyed in 1964 when a fire originating from North Plenty Gorge - Kurrak Road - was lit by two teenage boys and made its way several kilometres down to Partington's Flat Greensborough. Gary Partington thought the barn was probably associated with the bull yard. (Note: Only some abandoned stumps existed when Gary was very young in the mid to late 1940s) Digital copy of painting.willis vale, partington family -
Federation University Historical Collection
Book, William Harvey Emmons, The Principles of Economic Geology, 1940
The book was used by Charles Bacon who studied at the University of Nevada in the late 1930s/early 1940s. Bacon worked at Bunker Hill Mines and Kellogg Idaho, before arriving in Australian in 1951. He worked for CN Myers, a company involved with paper converting. CN Myers was a family business (on Charles Bacon's maternal line). William Emmons was Professor and head of Geology and Mineralogy at the University of Minnesota; Director of Minnesota geological Survey; and previously Geologist, Section of Metalliferous Deposits, United States Geological Survey.Maroon soft covered book of 529 pages. Chapters include Magmatic Segregations, Pegmatities, Hypothermal Deposits, Sedimentary Depostis, Openings in Rocks, Metasomatic Processes, Mineral Associations and more.Inside front cover "Charles Bacon 1940 Lincoln Hall Ass. University of Nevada Reno, Nevada"charles bacon, mining engineering, metallurgy, university of nevada, mackay school of mines, geology, california -
Warrnambool and District Historical Society Inc.
Album, photograph, Warrnambool Dramatic Society, Warrnambool Theatre Group, 1955
This album contains photographs from the Warrnambool Dramatic Society’s 1955 production of ‘See How They Run’. Amateur theatre groups have been operating in Warrnambool since the 1850s under a variety of names. The Warrnambool Dramatic Society was operating in the late 1940s and has continued to operate over the ensuing years with the name of the group today being the Warrnambool Theatre Company. This album gives us historical and pictorial information on the performers in ‘See How They Run’. No further information has been found on the owner of the album, Perc Moore.This album contains photographs that are important as a record of a Warrnambool Dramatic Society production in 1955. This is an album of 12 pages. It is bound with two metal studs. It has a buff-coloured cover in a mottled pattern with silver printing on the front cover. It contains ten black and white photographs, two of them loose. It also has inserted in the first two pages two programmes. The album is in a cream-coloured cardboard box. This box is much stained. ‘Presented by the Warrnambool Dramatic Society to Mr Perc Moore whose production of ‘See How They Run’ made such an outstanding success 18-10-55’warrnambool dramatic society -
Warrnambool and District Historical Society Inc.
Wall decoration, Humpty Dumpty, 1950s
This is a wall decoration intended for a child's room or centre. It shows Humpty Dumpty and a girl nursery rhyme character and is believed to have been on the wall in a children's ward at the Warrnambool Hospital. The painters were A&A Henderson of Ballarat, believed to be Angus and Andrew Henderson who had a sign-writing and house decorating business in Ballarat in the early to mid 20th century. The business operated under the name Henderson Brothers. Angus Henderson was a well known Ballarat signwriter who taught signwriting at the Ballarat Technical Art School in the 1940sThis is a piece of cream canvas material on which are painted two nursery rhyme figures in various colours. There is some evidence of mould on the back of the canvas. A.& A.Henderson Ballarathenderson brothers, signwriters, ballarat -
Kew Historical Society Inc
Photograph - Grace Tabulo at 'Fairyland', c.1960
'Fairyland' at 57 Malmsbury Street, Kew - the home and garden of Jim and Grace Tabulo - was a major local, state and international tourist attraction from the 1940s to the mid 1960s. The Kew Historical Society's collection contains original photographs, visitor books and items that were once displayed in the house by the Tabulos. Grace Tabulo died in 1973 and is buried with her husband Jim in the Boroondara General Cemetery (PRES B 1973). Following her death at the age of 88, the house was sold and its contents distributed. The cottage is now a private residence.The 'Fairyland' collection is of local and statewide significance, as a varied and comprehensive record of this major Melbourne tourist attraction.Large, original black and white print positive of the owner of 'Fairyland' Grace Tabulo, with two visiting children who watch a pet myna bird take food from Mrs Tabulo's mouth. The room, like the rest of the house (and garden) includes numerous mementos and decorative items. While there is no marking to the reverse, it may be that this photo was professionally taken by a press photographer.Nilgrace tabulo, fairyland, 57 malmsbury street -
Kew Historical Society Inc
Functional object, City of Kew, Hall Keeper Badge, c.1949
The former City of Kew in Victoria issued badges to council employees performing public roles. The Society has other badges issued by the City for roles such as Parking Attendant, Swimming Pool Attendant etc. Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. A nickel and enamel identification badge issued to the hall keeper of the Kew Recreation Hall by the City of Kew. The badge is shaped like a shield and is stamped with the users' title.arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, kew civic hall -- cotham road, city of kew