Showing 1880 items
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Warrnambool and District Historical Society Inc.
Medals, Stokes Melbourne, Industrial & Art Exhibition 1886-7, 1896
These are souvenir medals of the Warrnambool Industrial and Art Exhibition of 1896-7. This exhibition organised by a local committee under the chairmanship of the Mayor, Walter Hickford was one of the most important events in Warrnambool's history. It ran for three months and was said to have attracted 70000 visitors. It was held in Liebig Street and utilised both the civic centre buildings and temporary buildings erected for the event. It had several exhibition courts featuring art worksand business exhibition stands, competitions,entertainments and visiting experts in various fields. These medals were made at the exhibition at the stand of Stokes and Son. Visitors to the exhibition were able to get a gold silver or bronze medal made while they watched and the medal was then perforated ready to put on a watch chain or pendant. Thomas Stokes came to Australia in the 1850's and established a successful business in Melbourne manufacturing buttons, medals and tokens. The business was called Stokes and Son following a fire in 1893.These medals are of great significance as a memento of an important event in Warrnambool -The Warrnambool Industrial and Art Exhibition of 1896-7. Medals such as these would have been in the homes of many residents of Warrnambool and district and beyond after 1896..1 This silver circular medal has text around the outer rim and an image of Queen Victoria on the reverse. On the obverse is text and an image of the Warrnambool Exhibition building erected for the occasion. The medal is secured by a red thread , button and clear tape to a piece of card. On the card is a hand drawn sketch the Warrnambool Exhibition building and a hand drawn sketch of a profile of Queen Victoria . .2This silver circular medal has text around the rim and an image Warrnambool Exhibition building on the reverse and on the obverse a stylised coat of arms topped by the rising sun . Inside the field is a sailing ship, a pick and shovel , a sheep and sheaf of wheat .1 on the Reverse : around the rim, Struck at the Exhibition mint. On the obverse : Industrial exhibition 1896 Warrnambool. .2 On the obverse : Industrial exhibition 1896 Warrnambool.warrnambool, great exhibition of warrnambool, 1896 exhibition warrnambool, warrnambool exhibition medal -
Glenelg Shire Council Cultural Collection
Artwork, other - Tapestry, Tapestry - Town of Portland Coat of Arms, 1996-2004
Made by Portland Fibre Group, 1996-2004: specifically Mary Sharrock, Dot Kelly, Ollie Dellar, Doris Amor and Ede Bailey.Tapestry woven in wool on twine warp. Cream coloured background with pale blue flecks of colour, central motif of coat of arms - features two birds standing on grey platforms to either side of shield. Central to the shield is a masted sailing vessel sitting atop blue and white horizontal lines representing the ocean. Around the sails of the vessel are radiating yellow rays and a blue surrounds representing sunburst against blue sky. The top third of shield shows a pair of sheep heads against a red background. Above the shield is depicted a helmet, crowned with a whale. Blue plumage is shown coming from the helmet and framing the whale.Front: (Weavers' initials, except Ede Bailey, woven into tapestry and are seen on the hem). Back: (no inscriptions)town of portland, textile, tapestry, weaving -
Glenelg Shire Council Cultural Collection
Artwork, other - Tapestry, The Portland Fibre Group & Valerie Kirk et al, From the Land to the Sea, 1996-2004
Woven by The Portland Fibre Group, proposed for installation in the foyer of the Glenelg Shire Council Offices, opposite the entry to the Council Chambers.Tapestry woven in wool on twine warp. Cream coloured background with pale blue flecks of colour, central motif of coat of arms features two birds standing on grey platforms, either side of shield. Central to the shield is a masted sailing vessel sitting atop blue and white horizontal lines representing the ocean. Around the sails of the vessel are radiating yellow rays and a blue surrounds representing sunburst against blue sky. The top third of the shield shows a pair of sheep heads against a red background. Above the shield is depicted a helmet, crowned with a whale. Blue plumage is shown coming from the helmet and framing the whale. -
Ballarat Tramway Museum
Photograph - Colour Photograph/s, Carolyn Dean, 29/01/2000 12:00:00 AM
Set of seven colour photographs of initial work in the construction of the off site storage buildings at Bungaree. Taken by Carolyn Dean on 29/1/2000 and 30/1/2000. On Kodak paper. .1 > .3 on 29/1, rest 30/1 1347.1 - John Phillips and Alastair Reither setting out the foundations pegs. .2 - Foundation pegs in. .3 - ditto .4 - Mowing the grass (jungle) - John Phillips and Jim Parker. .5 - the sheep watching the grass go. .6 - the site from the south end. .7 - ditto from the north end.` See Fares Please! March 2000.All have on rear in black ink "29.1.00 or 30.1.00 / Photo by Carolyn Dean"bungaree, storage, btm -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS, 15/1/1910
Coloured picture of a boy wearing a blue & white sailor suit paddling across a stream. He is holding a girl's hand as she walks over the stepping stones in the stream. She is wearing a pink dress & hat and black stockings & shoes. The boy has a pole in his hand. On the bank of the stream is a large tree and some grazing sheep. At the back is a grey building. The picture is mounted on cardboard. 'Horner's Magazine, River of Life Series, MP274, MP275, MP276, & MP277 is written in pen on the back. The picture is titled 'Playmates'. At the top of the picture is printed 'zhorner's Penny Stories 'River of Life' Series No 1. 15.1.1910.personal effects, greeting cards, malone collection, malone collection, greeting cards, horner's magazine river of life series -
Kiewa Valley Historical Society
Bowl Covered, circa mid to late 1900's
This covered glass bowl with lid was made in a period when there was a strict discipline in the use a various dishes and accompaniments with respect to the type of crockery used. This was in the English style, especially in well to do rural family estates. This period was part of the early 1900's, when large rural acreage was family owned and the economical return to rural produce was very high. It was a time when the Australian economy "rode on the back of sheep"This item has relative significance to the Kiewa Valley as part of the rural and mining(gold) era when the strong return from local gold mining and grazing was demonstrated by the "landed gentry" and significant household cutlery, crockery, etiquette and old English mores, influenced by "Mother Britain"This green opalescent covered bowl is similar to the French PV cabbage form. When the lid is on the bowl appears as a small cabage with three sets of half peeled leaves. There are five outer leaves, next row are five inner leaves and finally three core leaves. The main bowl has a lip encircling the inside of the bowl for the lid to rest upon with closed. The glass has been pressed to show the leaves with their web like stalks. The inside area of the bowl and lid are smooth. This is to allow the mashed up contents to be easily scraped into a serving ladle.Barely visible "VALLERYSTHAL"glass bowls, kitchen crockery, serving etiquette, meal presentation -
National Wool Museum
Photograph
Photo depicts Cordillo Downs Shearing Shed, located 176kms north of Innaminka. Donated by Gwen Cox (Hon. Staff Member). Once the largest sheep station in the world, the shearing shed had 120 stands. The wool clip had to be carted 600km down the track to the rail head at Farina by camel train. In 1883, a complete scouring plant was installed at "Cordillo". The region now (1989) carries cattle.shearing sheds, photographs, cordillo downs -
National Wool Museum
Textile Handcraft, The Afternoon Tea Party: Plate of cakes
The Geelong Handweavers and Spinners Guild Inc. entered "The Afternoon Tea Party" , designed by Val Ingeme, into the "Five Articles" Section of the Melbourne Sheep and Woolcraft Show c.1992. To qualify, the entry needed to form a group and be able to demonstrate a number of wool crafts in at least five different items. "The Afternoon Tea Party" was loaned to the NWM for display and was subsequently donated in 2003. This piece was designed and made by Anna Rahoferagricultural shows textile art handicrafts, geelong handweavers and spinners guild inc., crochet, embroidery, ingeme, mrs val rahofer, anna - geelong handweavers and spinners guild inc., agricultural shows, textile art, handicrafts -
Echuca Historical Society
Framed Penny, Hopwood Penny
Reproduction done for Port of Echuca c.1980 heritage project. Henry Hopwood who founded Echuca in 1853, made the following charges for the use of his punt across the Murray River utiliising his own tokens. Charges - one penny for 2 sheep, six pence for 1 cow or head of cattle, ninepende for 1 horse, 18 pence for 1 horseman, "footmen" were free. 2 reproduction Hopwood Pennies, in frame with gold surrounds, pennies in centre of frameInscription BRIDGE HOTEL 1858 on one penny shows scene of Bridge Hotel and the other has inscripition HOPWOODS PUNT ECHUCA 1857 One Penny and scene of same. -
Eltham District Historical Society Inc
Photograph, George Coop, Steam locomotive J-502 hauling a specialist plant track repair and goods recovery train departing Echuca, Aug. 1963
A special plant track repair and goods recovery train proceeding to a cattle train derailment on the Balranald (NSW) line from which sheep had also escaped. The train composition was made up of J-Class steam locomtive J-502, a water gin carrying extra water for the train given doubtful supplies en-route, a wagon to reload the surviving sheep, a wagon containing track tools and equipment, a carriage for the work crew, a bogie wagon containing all the specialist tools for re-railing the train, followed lastly by the Guard's van. The specialist wagons and their equipment were based at the Bendigo Depot (see painted markings on van side) in a state of readiness for immediate use as the need arose The train is viewed approaching the Iron Bridge grade out of the Echuca rail yard. The Gatekeepers hut is visible on the right. The gatekeeper would be notified of the approaching train at which time he would open the gate to allow the train to pass through the Packenham Street level crossing.Digital TIFF file Scan of black and white print Enlargement prints on textured paper (15.5 x 20.5 cm)george coop collection, echuca, j-502, j-class steam locomotive (vulcan foundry) -
Eltham District Historical Society Inc
Photograph, George Coop, Steam locomotive J-502 hauling a specialist plant track repair and goods recovery train departing Echuca, Aug. 1963
A special plant track repair and goods recovery train proceeding to a cattle train derailment on the Balranald (NSW) line from which sheep had also escaped. The train composition was made up of J-Class steam locomtive J-502, a water gin carrying extra water for the train given doubtful supplies en-route, a wagon to reload the surviving sheep, a wagon containing track tools and equipment, a carriage for the work crew, a bogie wagon containing all the specialist tools for re-railing the train, followed lastly by the Guard's van. The specialist wagons and their equipment were based at the Bendigo Depot (see painted markings on van side) in a state of readiness for immediate use as the need arose The train is viewed approaching the Iron Bridge grade out of the Echuca rail yard. The Gatekeepers hut is visible on the right. The gatekeeper would be notified of the approaching train at which time he would open the gate to allow the train to pass through the Packenham Street level crossing.Digital TIFF file Scan of black and white print Enlargement prints on textured paper (15.5 x 20.5 cm)george coop collection, echuca, j-502, j-class steam locomotive (vulcan foundry) -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on board, Margaret Baskerville, Winter pastures, 1910
oil on boardmargaret baskerville, painting, landscape, winter, rain, clouds, sheep, grazing, hills, farm, trees -
National Wool Museum
Pamphlet - Diazinon for Lice and Ked, Geigy (Australasia) Pty. Ltd, c.1962
Twelve page product catalogue with a blue front and back cover and black printed text. front: [printed] Geigy / Diazinon / for Lice and Kedagriculture, animal management, chemicals, treatment, diazinon, lice, geigy, parasites, sheep, ked, rural industry -
Flagstaff Hill Maritime Museum and Village
Currency - Banknote, Five-pound, 5th February 1900
This five-pound banknote is one of a set of four banknotes issued by the Bank of Australasia's Head Office in Sydney, New South Wales. Two banknotes are dated before the Federation of Australia on 1st January 1901 and two are dated just two years after Federation. Each of the banknotes in this set has a rectangular piece cut from it. This indicates that the banknote was cancelled when the note was exchanged for Australian dollars after Decimal Currency was introduced on 14th February 1966. The Bank of Australasia was established under the Royal Charter of England. It first came to Australia in 1835, opening in Sydney. The Bank of Australasia was the first bank in Warrnambool. It was established in 1854 and operated from leased buildings in Merri Street then Timor Street. The bank opened its own building on May 21, 1860, on the north-east corner of Timor and Kepler Streets. In that year, the Acting Superintendent of the Bank of Australasia in Sydney was David Charters McArthur. He went on to become the Superintendent 1867-1876. In 1951 the Bank of Australasia amalgamated with the Union Bank to form the Australia and New Zealand Bank, now known as the ANZ. Then in 1970 the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. This set of banknotes has historical significance as it was used by the Bank of Australasia, the first bank in Warrnambool. The bank was established in 1854 and continued until its merger, when it became the ANZ Bank in 1951 and is still in operation today. The bank was an integral part of the establishment and growth of commerce in Colonial Warrnambool, Victoria, and Australia. The banknotes also have a significant place in Australia’s history as two notes are just prior to Federation and two notes just after Federation.Five-pound banknote, one of a set of four banknotes published by The Bank of Australasia, Sydney, New South Wales. The obverse of the note is printed in black ink with the denomination and its round pound-coin symbols printed in green ink. The reverse has a decorative border and image with an inscription and shield. A black ink stamp was impressed twice on each side, stating that the note is cancelled. Handwritten red ink text is on the note's obverse and pencil text on the reverse. A unique Serial number is printed twice on the obverse. The banknote has a rectangular cut-out notch on the lower edge. Printed: (Serial Number) "A36,191" "FIVE POUND" "NEW SOUTH WALES" "5th February 1900" Stamp "BANK OF AUSTRALASIA / CANCELLED" Image: (around border) "BANK OF AUSTRALASIA INCORPORATED BY ROYAL CHARTER" and (image on shield) [suspended sheep] in diagonal corners, and [sailing ships] in other diagonal corners, and four stars (or open flowers)" Handwritten in red pen: "undecipherable [initials]" Text in pencil "L24"flagstaff hill, warrnambool, one pound note, bank of australasia, legal tender, £1, banknote, banknotes, flagstaff hill maritime museum & village, shipwreck coast, five poind note, australian currency, shipwrecked coast, flagstaff hill maritime museum, maritime museum, flagstaff hill maritime village, great ocean road, union bank, australia & new zealand bank, anz bank, david charters mcarthur, d c mcarthur, one-pound note, five-pound note, £5, sydney, new south wales, pre-federation, post-federation, currency, banknote set -
National Wool Museum
Notice
Advertising notice for a sheep sale at the Woolbroker's Stock Department. Involves Strachan and Co. Ltd and Dennys Lascelles Ltd who were the agents in conjunction. (NB: According to the original record, this object acquired with the purchase of property from Myer Properties Ltd and was acquired 6/8/86. It is not known what this property was or if anything else was acquired at the same time. Until further details are know, no accession record has been created.)STRACHAN & CO. LIMITED / DENNYS, LASCELLES LIMITED / Agents in Conjunction / "OSBORNE" / 6 YR. EWES. / For Information Only. But not Guaranteedsheep sales, dennys, lascelles limited strachan and co. limited, sign -
Glen Eira Historical Society
Document - St. Peter’s Girls’ School
Information about St. Peter’s Girls’ School, Murrumbeena. Includes an extract about the school from the History of St. Peter’s Church Murrumbeena 25th Anniversary, covering years 1917-1948. Also includes extracts relating to the school from Feeding Christ’s Sheep: a History of St. Peter’s Murrumbeena with Holy Nativity Hughesdale by Alex Reid. Includes pictures of the school buildings. Paragraphs relating to the school marked in blue pen.twedell florence, hitchcock isabel, ingham a.e. rev., st. aidan’s school, st. aiden’s church of england school for girls, dunoon street murrumbeena, dunoon street public hall, laird-brown miss, le fevre mrs., king copland, kemp w.a., green w.g.a., sr. laura, andrews eileen, de bibra eric, tucker w.h., potter bill rev., chapple l., baddams miss, shelford, shelford girls’ grammar, beard doris, maydom ross, nicholas g., beeforth janet, bannister kerry, combes deborah, harvey paul rev., durance ruth, cope v., crowther mrs., warne margaret, st. aidan’s school, dunoon street murrumbeena, st. peter’s murrumbeena, st. peter’s girls’ school, fulton lorna, de bibra florence, walker miss, cragg elvie, hoggart mrs., booth miss, andrew miss, de bibra margaret, de bibra peggy, chapple e.t., st. peter’s school, independent schools, anglican church, st. peter’s girls’ grammar school, st. peter’s church of england girls’ grammar school, reid alex, religious structures and establishments -
Stawell Historical Society Inc
Photograph, Chaff Making 1940's Carrs Plains, c.1940's
-1 Forking Hay into Chaff Cutter. Bill Cunningham is child c.1940 -2 Little Boy Bill Cunningham with Grandfather Herbert Wettenhall Carrs Plains about to feed sheep c.1940 during drought. -3 Bill Cunningham walking towards chaff cutter powered by motor. -4 Bill Cunningham with Chaff Cutter in background at Carrs Plains. Shows Hay being brought in Hay and Conveyor Four Farming photographsfarming -
National Wool Museum
Cloth sample, 1816-1821
Cloth sample from an opera cloak made in England c. 1820 from wool clipped from Macarthur's merino sheep in 1816. The cloak was passed down through the family to Harold Lethbridge with whom the main part of the cloak resides, in Narrandera. The fragment was passed to Lethbridge's niece who gave it to the donor's mother who passed it onto him and then it was donated to the National Wool Museum. The cloth fragment was tested by Gordon Institute of Technology in 1974 showing the wool to be very fine (15-16 microns) which is consistent with the pure lineage of Macarthur's sheep. The cloth fragment was framed in 1952 and remains in the original frame to this day. Cloth sample form an opera cloak made in England c. 1820. Wool for the cloak was clipped from John Macarthur’s merino sheep in 1816. Macarthur is recognised as the pioneer of the wool industry that was to boom in Australia in the early 19th century and become a trademark of the nation. Macarthur was responsible for the first bale of Australian wool to be exported. The British woollen mills were desperate for wool at the time because of the Napoleonic blockade, and the Australian bale sold for a record price. Australia needed a product to sell in European markets which did not perish during long sea-voyages and which offered high value per unit of weight. Wool also had a ready market in England because the Napoleonic Wars had increased demand and cut English cloth-makers off from their traditional source of quality wool, Spain. Australia's first $2 banknote featured John Macarthur thanks largely to his establishment of wool as the backbone of the early Australian economy. Red fabric sample folded in half and mounted in the centre of a brown metal frame.'ARCO' MADE IN ENGLANDmacarthur, wool industry, australian economy -
National Wool Museum
Textile Handcraft, The Afternoon Tea Party: Celebration Cake
The Geelong Handweavers and Spinners Guild Inc. entered "The Afternoon Tea Party", designed by Val Ingeme, into the "Five Articles" Section of the Melbourne Sheep and Woolcraft Show c.1992. To qualify, the entry needed to form a group and be able to demonstrate a number of wool crafts in at least five different items. The covering of the cake was woven by Anneli Rickards, the plate woven by Jean Inglis, Mary Donnan and Val Ingeme made and assembled the floral trimmingsagricultural shows handicrafts textile art knitting weaving, geelong handweavers and spinners guild inc., spinning - hand, felting, weaving, ingeme, mrs val inglis, jean - geelong handweavers and spinners guild inc. rickards, anneli - geelong handweavers and spinners guild inc. donnan, mary - geelong handweavers and spinners guild inc., melbourne, victoria, agricultural shows, handicrafts, textile art, knitting -
Whitehorse Historical Society Inc.
Clothing - Skirt, c1890
Skirt belonged to Grace Begg(born 15-9-1857). Worn by her at Mt Carmel sheep station, near Heathcote, Victoria. Station managed by her father John Begg. Grace married Russell Scott Thomas on 2 August 1890 at Heathcote and later lived in Albert Park. She was grandmother of Russell Alexander of Creek Road Mitcham (Russell Alexander Menswear Mitcham). His wife Coral wore the frock on occasions.c 1890 Black grograin material skirt, two double inverted pleats in front, two flat covered buttons and four acorn shaped buttons (covered) joined with rouleaux to the shape of frogs. Lined with silk and black velvet edging around the lower edge. Open at back with a placket closed with hooks and eyes. Two pleats each side of centre back seam.costume, female -
Warrnambool and District Historical Society Inc.
Journal - Ledger, Bostock 1856-1886, Circa 1856
Augustus Bostock was the 9th child of Robert & Rachael Bostock of Vauclause Epping Forest, Van Diemen’s Land. He was only 4 years old when his mother died. He was inspired by his father to seek his fortune in the Western District of Victoria. He arrived around 1850. He married Margaret Aitkin in July 1865. Augustus owned several properties in the district and leased others. He sat on the court of Warrnambool, Mortlake or Hexham as required. He resided at Marramook in Hawkesdale and later moved to Vauclause in Hopetoun Road Warrnambool.where he died in 1920 at the age of 87. He was involved in many aspects of life in the Western District, racing, cricket, and social acitivities to name a few. This ledger shows the expenses and costs associated with the farming business of Augustus Bostock, one of the earliest pioneers of Warrnambool. It lists names of people with whom he did business as well as expenses with shearing and rations. It lists the various categories of sheep, ewes, lambs, wethers, and different breeds of sheep and distinguishing features of cattle. It also contains the names of local shearers and workers.Augustus Bostock was one of the earliest pioneers of Warrnambool and the Western District. This ledger gives an insight into many aspects of this early life. It therefore has social, historical and interpretive significance.Hard cardboard coverer with cream covering. Line border on front cover. Mottled green, blue and pink paper inside front and back covers. Alphabetical index at front. 105 pages.warrnambool, bostock, angus, diary -
Bendigo Military Museum
Photograph - PHOTOGRAPHS WW2, c. 1941
The photos relate to Vivian Raymond George Thomas No VX15538, enlisted on 17.5.40 age 28 years. Embarked for the Middle East with D Coy 2/14th Batt holding the rank of CPL. The Batt returned to Australia before then embarking for New Guinea where he was KIA on 28.11.1942.All black & white photographs. .1) Church, Jerusalem. .2) Sheep in countryside & shepherd Jerusalem. .3) Male serviceman. .4) 2 Male servicemen & Jewish 3 children in front of car. .5) Same as above. .6) Group of soldiers with rifles. .7) Nazareth - scenery & town. .8) Soldier in shorts & slouch hat in countryside. .9) View of Bathsaida - Palestine. .10) View of market in Bethlehem, animals & people. .11) View of Nazareth town. .12) Soldier in slouch hat & shorts. .13) Nazareth - view of countryside. .14) Nazareth - animals, people & town. .15) Mountain view, Palestine. .16) View of Galilee Sea.photography-photographs, military history - army, palestine -
Kiewa Valley Historical Society
Book - Reference Countryside, The Australian Countryside in Pictures, circa 1950s
This book is a "snapshot" in time (1950s) detailing life in Australia covering a time when a "man's word and handshake" were his moral and quasi legal bond, and the now relative defunct saying "smoko" (having a "time out" from work for a cigarette and tea or coffee). The book spans an era where the male was still the "head" of the family even though for a majority of families the women took on the many "male only" roles during the World War II period. This shift in the leadership of the family hierarchy is mentioned, so ever slightly, (not to offend the still predominant macho male image) in both rural and city environments. The effects of the war, and later the push for women's emancipation and equality in both family, social, workplace and political areas of life, since this book was published, is now finally resolved. However there are still some sections of the recent migrate population where this male dominance is causing a few problems.The significance of this book is not only because it was donated by Mrs C. Roper ( from the Roper Family, a pioneer Kiewa Valley and surrounding Region family - originally beef cattle graziers) but also a Kiewa Valley resident and family, experiencing the shift in the social and economical life of post World War II rural Australia. The strong heritage link to this region of many families still residing within its boundaries, is a clear affirmation of the bond that the Kiewa Valley and its Regions have upon family unity. This unity within the rural environment is something that is attracting more and more families from sometimes alienating city life.This printed coloured sketched, or painted paper sleeve of the book is freely wrapped over a dark red hard cover. Into the front of the cover is pressed a standing pose of a farmer with long sleeves rolled up over his elbows. Behind him and to the right are what appears to be three sacks of wheat and next to him is a merino sheep. To the left and down are two dogs one with a fox in its jaws. The book contains 240 pages, 300 illustrations in gravure and 25 pictures in full colour. The inside fly leaf is a colour photograph of a rural scene with dirt road running in the centre and to the left a farm house and a five bay open storage barnOn the tittle page is a signature "C Roper"country life, australian "outback", rural industries, life on the land, swag-man of the bush -
Ballarat Tramway Museum
Photograph - Digital image Set of 19, Warren Doubleday, May. 1977
Set of 19 digital images of BTPS tram operations in Wendouree Parade May 1977, during autumn. .1 - 27 at St Aidans Drive .2 - at Depot Junction .3 - ditto .4 - Fairy land .5 - approaching Gardens Loop .6 - old loop .7 - ditto .8 - ditto .9 - nearing loop with a very large sheep dog .10 - near the Windmill Drive North .11 - descending the hill - note the red light .12 - ditto .13 - ditto .14 - Carlton St .15 - ditto .16 - 40 on the depot fan .17 - ditto .18 - 14 running in Wendouree Parade .19 - ditto trams, tramways, btps, wendouree parade, st aidans drive, carlton st, depot, gardens loop, depot junction, tram 27, tram 14, tram 40 -
Bendigo Historical Society Inc.
Book - DEPARTMENT OF AGRICULTURE SECOND ANNUAL REPORT 1874
Dark green cover, embossed on front 'Department of Agriculture Victoria' enclosed in circular design. Report to the Minister of Lands and Agriculture, 1874 on the proceedings of the Department, 363 pages. Written on front page in black ink "Mr H.P. Smith, Strathfieldsaye' Includes information on agricultural education, Australian grasses, diseases among stock, orange cuture, wood boring beetles, apples meteorologyof Victoria, worm diseased in sheep, sericulture, white eyebrowed woodswallow, flax, vines and wine industry, fencing and impounding. Contains information about Strathfieldsaye vigneron Messrs Bruhn and T Strachan of Axedale. Extensive metereological data for 1873 included; Sandhurst data described in depth.Variousgovernment, state, department of agriculture -
Anglesea and District Historical Society
Medal, Prince of Wales, 1920
Gilt bronze Australian Commemorative Medal with red, white and blue ribbon. In 1920 the Prince of Wales visited Australia to extend official thanks for its support during WW1 and to strengthen links to the Empire.Obverse: 3/4 left bust of Prince in uniform wearing cap; around in 2 lines, HRH PRINCE OF WALES/ WELCOME TO AUSTRALIA; in small letters below bust, STOKES. Reverse: Shield of Geelong featuring kangaroo on central shield surrounded by sheep, sailing ship and grapes 1/2 wine barrel. Above: GEELONG JUNE 1920. Below : ribbon with motto - "BY THE RIGHT USE OF GOD'S GIFTS".royal visits, wars and conflicts, white australia policy, wine, ww1 1914 to 1918, prince of wales visit to australia - commemorative medal -
Warrnambool and District Historical Society Inc.
Financial record - Bonnett Farm Account Notebook, George Bonnett, Mepunga, 1920 to 1981
This is a notebook used to keep some of the farm accounts of the Bonnett farm in Mepunga. As the handwriting is the same throughout, most of the entries appear to have been made by George Bonnett, the son of Frederick and Charity Bonnett. The accounts date from 1920 to 1981 and commence with the sale of stock (pigs, sheep and cattle) in 1920 and go on to record purchases as well as sales in a variety of goods and services - cartage costs, electricity bills, garage repairs, stock feed, household goods etc. This notebook is an interesting memento of Westen District farm finances over a period of sixty years in the 20th centuryThis is a small note book with a black cover. It contains pages with ruled lines and handwritten entries in red, blue and black ink. Some pages have been cut out at the back of the book.mepunga farming, bonnett family of mepunga -
National Wool Museum
Textile Handcraft, The Afternoon Tea Party: Plate of cheese and asparagus rolls
The Geelong Handweavers and Spinners Guild Inc. entered "The Afternoon Tea Party" , designed by Val Ingeme, into the "Five Articles" Section of the Melbourne Sheep and Woolcraft Show c.1992. To qualify, the entry needed to by from a group of five people and be able to demonstrate a number of wool crafts in at least five different items. "The Afternoon Tea Party" was loaned to the NWM for display and was subsequently donated in 2003. This piece was designed and made by Val Ingeme from wool fleece.agricultural shows textile art handicrafts knitting, geelong handweavers and spinners guild inc., felting, ingeme, mrs val, agricultural shows, textile art, handicrafts, knitting -
National Wool Museum
Textile Handcraft, The Afternoon Tea Party: Strawberry Pie
The Geelong Handweavers and Spinners Guild Inc. entered "The Afternoon Tea Party" , designed by Val Ingeme, into the "Five Articles" Section of the Melbourne Sheep and Woolcraft Show c.1992. To qualify, the entry needed to be from a group of five people and be able to demonstrate a number of wool crafts in at least five different items. "The Afternoon Tea Party" was loaned to the NWM for display and was subsequently donated in 2003. This piece was designed and made by Val Ingeme from commercial wool.agricultural shows textile art handicrafts knitting, geelong handweavers and spinners guild inc., embroidery, ingeme, mrs val, agricultural shows, textile art, handicrafts, knitting -
Melbourne Tram Museum
Document, Melbourne Tramway & Omnibus Co - abstracts of Rules for Gripmen
Copy of a document from an original source, handwritten and partly typed. Details the 104 Rules that applied to the Melbourne Tramway and Omnibus Company grip men for cable tram operations. Gives rules for their personal behaviour, duties, operations, management of passengers, shunting, use of the gong, not converse with passengers, what to do if a flock of sheep on the line, use of the grip, stop and starting of the tram (known as a train), care of the rope, end of the shift duties and knowledge of the Rules and Regulations.Yields information about the rules that Melbourne cable tram grip men operated by.Set of two blue foolscap handwritten sheets consisting of five sheets each (Rules 1 to 76) and one typed sheet (Rules 77 to 104) titled Melbourne Tramway & Omnibus Co - abstracts of Rules for Gripmentramways, trams, cable trams, grip men, rules, mtoco