The item is representative of utility pouches in use in the Commonwealth forces in the mid 20th century.Utility Pouch of rectangular web case. Of rectangular parallelepipped shape made of thick and sturdy fabric (canvas). The pouch is of faded olive colour.. Front view - Rectangular shape with overlapping closing flap with a press-stud fastener to maintain closed. Left and right views - Both sides are identical. Made of a one piece of fabric forming the base as well ("U" shape) Back view - Rectangular with metal hooks on the middle part for attachment to a belt. There is a Twigg buckle on the top part of the pouch mounted on another piece of canvass ending in a triangular shape. . Bottom view - ‘the fabric forming the base is also forming the sides of the pouch. Top view - closing flap overlapping on 3 sides and forming part of the back of the pouch. Inside view - The inside of the closing flap contains 3 small inserts (for special ammunition used in the firing of certain rifle grenade). There is excess fabric from the back panel that forms an additional layer at the base of the pouch..Inside of closing flap: has a circular (round) stamp with the arrow symbol. On the inside of the press button stud (closing mechanism) is inscribed 'United xxxxx Canada" (second word is not readable) There is evidence of writing on the internal face of the back flap (just under the connection with the top cover) but it is not readable. pattern 37, webbing

This legging is part of a pair of leggings which presumably would have been worn by a cavalry soldier in the Royal Australian Army to protect the lower legs when riding in armed conflict. This item most likely dates to the World War One era.As an article of WWI protective clothing for use in armed conflict by a cavalry soldier, this item is of historic value. Brown leather cylindrical shaped legging with two leather straps for fastening. One strap is attached to the lower edge of the interior. This crosses over the lower exterior and passes through a leather loop at the front, which is attached by four metallic nails. The strap then wraps around the gaiter and passes through a second leather loop at the front, which is also attached by four corroded metallic nails. This strap (along with a shorter strap that is sewn and nailed into the top of the legging) pass through two buckles. The upper buckle is made of brass and the lower is made of steel. The straps then tuck under three final leather loops, two of which are bolted to the legging with three corroded nails. There should be a third loop here that is missing. Top corner of legging also carries a small corroded metal hook, presumably to hold layers together firmly.legging, gaiter, first world war, world war one, world war 1, wwi, ww1, war, army, uniform, royal australian army, the great war

Source: Mr. Frank Smith, "Kia-Ora", Panton Hill Also a separate list of names PANTON HILL SCHOOL 1924 (SEPP_0244) Two hand written lists of names with some conflicting information L-R Back Row: Eily O’Day, R. Foubister, E. Moore, H. Purcell, F. Peake, C. Williams, H. Hewitt, J. Coutie, D. Cracknell, F. Smith, J. Smith, A. Purcell, Bob O’Day, C. Colvin, Belfield?, K. Smith, R. Gardiner, Colin Rogers Second Row: ?, Lorraine Smith, Phyllis Howard, Jean Cracknell, Edna Williams, Ces Tosch, Charlie Peake, Les Smith, Reg Hargreaves, Ken Canty, ?, Keith Smith, ?, B. Cracknell, Ron Smith, Guy Mills (Greford), Sefton Howard, Mr. Gardiner (Head Teacher) Third Row: E. Mosely, Phillis Saville, Floss Tosch, M. Milson, Essie Howard, Ethel Smith, Jessie Sinclair, Edna Woodman, Una Saville, Ida Kennedy, Dorothy Smith, Rene Keele, Margaret Powell, L. Mosely, Una Williams, Rene Purcell Fourth Row: Hazel Mills, Gladys Stone, Ruby O’Day, Stella Tosch, Joyce Smith, Peg Powell, Ailsa Gardiner, Milly Adams, Phil Groube, M. Carter, W. Stone, D. Milsom?, D. Mills, Roma Howard, Marg Howard Front Row: Donaldson?, Doug Smith?, Len Smith?, Podge Cracknell, G Carter, A. Glennon, ?,? Alternate list L-R Back Row: Eillen O’Day, R. Foubister, Eric Moore, H. Purcell, F. Peake, C. Williams, H. Hewitt, J. Coutie, Don Cracknell, F. Smith, J. Smith, H. Purcell, B. O’Day, C. Colvin, J. Belfield, K. Smith, R. Gardiner, C. Rogers Second Row: M. Millisom, L. Smith, M. Moon, J. Cracknell, U. Williams, C. Tosch, C. Peake, L. Smith, R. Hargreaves, G. Carter, H. Stone, K. Smith, B. Moon, L. Cracknell, R. Smith, G. Mills, S. Howard, Mr. Gardiner (Head Teacher) Third Row: E. Moseley, P. Saville, F. Tosch, M. Millisom, E. Howard, E. Smith, J. Sinclair, E. Woodman, U. Saville, I. Kennedy, D. Smith, R. Keele, M. Powell, L. Mosely, E. Williams, R. Purcell First Row: H. Mills, W. Stone, R. O’Day, S. Tosch, J. Smith, P. Powell, A. Gardiner, M. Adams, P. Groube, M. Carter, G. Stone, J. Millisom, D. Millisom, D. Mills, R. Howard, M. Howard Front Row: Maisch, D. Smith, A. Belfield, L. Smith, A. Howard, A. Moseley, A. Glennon, D. Millisom This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, panton hill, panton hill state school, state school

Set of 16 floor plans of electric trams of the MMTB and the trusts from the A class of 1910 to W class of 1923. Shows floor plan, seats and a table with car numbers, loading, truck type, type of equipment, horse power, remarks and total weight. 1 - Malvern Combination - A, B, H, J classes 2 - Drop centre cars - Malvern - C, E and D classes 3 - Summer car - Malvern - F class 4 - Short saloon combination - Malvern G class 5 - Short saloon combination - Malvern K class 6 - Four motor bogie car - Malvern - L class 7 - Combination car - Hawthorn - M class 8 - Drop centre bogie car - Hawthorn - N and P class 9 - Closed bogie car - Hawthorn - O class 10 - Combination car, Preston - R and Q class 11 - Combination car, Coburg - S class 12 - Double saloon combination car - Coburg - T class 13 - Box Car Essendon U class 14 - Cross seat (toastrack) car, Essendon, V class 15 - Four motor bogie car - W class 16 - "Birney" Safety car - X class Plain copies - black on white paper held for all cars except the X class.Yields information about various classes of electric trams up to about 1923 that the MMTB absorbed from the Trusts and/or built themselves.Folder of 16 blue prints secured with three brass clips,tramways, tramcars, floor plans, drawings, a class, b class, c class, d class, e class, f class, g class, h class, k class, l class, m class, n class, o class, p class, q class, r class, s class, t class, u class, v class, x class, pmtt, htt, mbctt, fnptt

Cordial came in bottles bought at the local grocery store or at a large city store on a shopping expedition. The shape of the bottles changed as did the stopper used to seal it. Bottles were re cycled remaining the property of the manufacturer. History of Brookes Lemos ltd.Historical: Change of Bottles - shape, glass, stopper, embossing. Bottle collectors. Aesthetic: Display showing embossing and shape Clear glass bottle curved on 1 side with criss cross pattern two thirds of the way up surrounding a clear oval shape with narrower ends top and bottom. The other side is made up of 3 flat 'pieces' each with print in capital letters, heavily embossed. On 1 of these flat sides below the writing is the 'outline picture' of a 'boy' holding a similar bottle. Above these sides the bottle becomes round and tapers with vertical embossing to a double lip, a neck and then another double lip with a screw for the top.Printed from top to bottom: 1 flat side: 'Regd Design No 9072 Australia No 8449 India / No 689933 Great Britain No / 1926 Union of South Africa / No 57737 U S America No 1921 New Zealand Regd 1925 Canada / Only Contents Sold'. Middle flat side: 'Brookes Lemos Limited / Manufacturers of / Lemos / Registered Trade Mark' Third flat side: 'This Bottle is the Property / Brookes Lemos Limited and / Cannot be Legally Used / By Others For Any Purpose.' Also outline picture of boy Base: 'F380'cordial, drink, bottle, brookes lemos ltd.

Maastricht, Holland, was the city where Petrus Regout established the De Sphinx pottery in 1836. De Sphinx operated under the name Petrus Regout & Co. until 1899. The firm was noted for its transfer-printed earthenware. Many factories in Maastricht are still making ceramics. The plate was created to celebrate the silver jubilee of Queen Wilhelmina in 1923.A ceramic plate decorated in blue with pictures and words. Central to the image is a coat of arms featuring a central lion and 4 identical hunting horns. The whole is surmounted by a crown. The rim is decorated with orange blossoms.The words read: "Mijn schilt en de betrouwen Syt Ghy O God myn Heer. Op U soo wil ick bouwen Verlaat my nimmermeer." These are words from the second verse of the National Anthem recorded in Old Dutch. The dates 1898-1923 also feature on the front of the plate. The back bears the maker's stamp, an imprint of a small arrow, an imprint of ¾ and the words "Made in Holland". The maker's stamp reads: "Petrus Regout & Co Maastricht". It is surmounted by a sphinx. There are also two holes in the rim to enable hanging of the plate.

Wool and polyester khaki dress trousers. Two pleats at the front. Fob pocket on the right front. Front zip with metal closure and button tag.. Pockets on the left and right hips. Pocket on the back right side with hidden button and button hole.Seven belt loops on waist band. Four small horizontal loops on the waist band, two at the front and two at the back. Label on the inside on the lining of the back pocket states - A.G.C.F. (Australian Government Clothing Factory) Vic 1989. 8405.66.018.5545. Macquarie 89. Batch U. Size 87.5L W.87.5 IL.82 Army No. Name. Dry clean only. re press on original creases use damp cloth or medium to hot steam iron. White tag on the waist band on the right back stating - Size 87.5L. Tag on the right hand side on the back above the pocket stating - This tag is for identification only. Please remove before wearing. Docket No. 1106512 Order No. 29743836 Size 87.5L Garment No. 20851A Remarks 6I11Manufacturer - A.G.C.F. VIC 1989polyesters, dress trousers, wool polyester

Merle Hall Collection - collection of Bendigo Arts Council Minutes of Branch Executive Meetings.a: 4/10/19774; b. 15/11/1977; c: 13/12/1977; d:7/2/1978; e: 4/4/1978; f: 2/5/1978; g: 15/7/1978; h: 30/1/1979; i: 6/3/1979; j: 5/6/1979; k:3/7/1979; l: 15/8/1979; m:9/10/1979; n: 7/11/1979; o:4/3/1980; p: 1/4/1980; q:6/5/1980; r: 3/6/1980; s: 8/7/1980; t: 2/9/1980; u: 1/10/1980; v: 4/11/1980; w: 2/12/1980; x: 3/2/1981; y:3/3/1981; y: 5/5/1981; z: 2/2/1982

Collection of approximately 87 receipts of various charities supported by S. A. Bush. 1202.21 Receipts to Charities 1923 – 1930 The Australian Christian World Salvation Army Soldiers’ and Sailors’ Fathers Association of Victoria The Navy League Bendigo Musical, Literary, Elocutionary and Calisthenics Competitions Prayer Union for Israel United Country Fire Brigades Demonstrations St Paul’s Church Building Funds and Church Donations Girl Guides ‘Association The Bendigo Choral Society Distressed Wives and Families Fund Seaside Garden Home for Boys (Phillip Island) Victorian Society for the protection of Animals British and foreign Bible Society Victorian Anti Liquor League and Victorian Prohibition League Burwood Boys’ Home Victorian Band of Hope and Junior Temperance Union Missionary Birthday Band Adult Deaf and Dumb Society of Victoria Returned Sailors and Soldiers Imperial League of Australia Association for the Advancement of the Blind and Home for the Adult Blind Bendigo Church News Birthday Gift to Merle Bush*uperson, individual, bush collection - personal

Slide - set of 29 - 35mm - white plastic mount of various heritage trams at Bylands. .1 - Recovered A class ? body stored at Bylands .2 - front of 980 .3 - interior of 52? or 980? .4 - Recovered A class ? body stored at Bylands .5 - VR52 .6 - Ballarat Jelbart Roller .7 - Ex U class car as a stores delivery form. .8 - Interior .9 - Interior W3 or W2 .10 - W3 667 .11 - W3 667 .12 - W4 interior .13 - general view inside depot .14 - not used .15 - interior of 902 .16 - VR car .17 - ditto .18 - ditto interior .19 - ditto interior .20 - sign about not travelling on running boards .21 - VR car .22 - W2 .23 - interior of 844 .24 - interior of W1 427 .25 - ditto .26 - W1 427 .27 - interior of X1 467 .28 - X1 467 .29 - Grinder .30 - W3 667trams, tramways, bylands, w1 class, w2 class, w3 class, w4 class, w6 class, pcc, vr trams, jelbart, tram 667, tram 673, tram 980, tram 52, tram 902, tram 467, tram 427, tram 844

This artifact is a large brass bell. It was retrieved from the Schomberg wreck by local divers in the 1970s. Its location at the wreck site was described as "found on the west side towards the stern" the vessel remains lying on a north-south axis, with the bow pointing towards the shore as a result the bell was assessed from this position to have formed part of the cargo. The view that this was not a ship's bell belonging to the Schomberg is gained from two other 'Schomberg Bells' in the Flagstaff Hill collection, both of which have the vessel's name prominently etched into their outer surface. Additional indications indicate that this bell was not intended for maritime use due to the bell's rounded 'bell-curve' shape suggesting it was melodically tunable. Also the detailed basket-type fittings on the bell dome that would allow the bell to be suspended by ropes rather than just bolted to a yoke. The bell is currently on display at Flagstaff Hill, categorised as a church bell part of the Schomberg's cargo that was intended for use in a church within the Victorian colony. As the Colony of Victoria became more established, and its population expanded with the Gold Rush and other emigration from Britain, the demand for regular religious services and permanent church buildings also grew. We will never know if this bell was a specific order or part of an enterprising bell founder's consignment of general stock to a wholesale supplier in Melbourne. A cargo manifest for the Schomberg has unfortunately never been found. The shipwreck of the Schomberg is regarded as of significance to Victoria and is registered on the states Heritage list (S 612). The Schomberg wreck has great historical significance as a rare example of a mid 19th century large, fast clipper ship intended to transport cargo and passengers between England and Australia. The vessel that carried this bell represents the marine advances made in an attempt to break established sailing records between Europe and Australia. Flagstaff Hill holds a noteworthy collection of artefacts from the Schomberg shipwreck. The collection as a whole is primarily significant because of the relationship the objects have archaeologically, not only to highlight the story of the Schomberg ship and later it's wrecking but have an important potential to interpret the story and progression of maritime shipping in the 19th century. The church bell has a standard bell-curve shape and is dull bronze in colour. A large brass bell, plain and without visible maker marks, but with traditionally intricate basket-type cast fittings for suspension from a yoke by a number of ropes or chains. Approximately 3/8 of the bell’s outer surface bears a thin layer of marine growth and limestone accretion, and there is some minor pitting and spots of light verdigris over the remainder. The bell mouth, or lip, is slightly compressed-in in two places. It was retrieved from the wreck of the Schomberg. warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, brass bell, church bell

Set of thirteen colour photographs of the repair of the broken joint in Wendouree Parade as part of the track works in the area. Photos taken on 15 and 16/3/2003, printed on AGFA paper. 2555.1 - Gary Wood, Oedf Byslma looking at the excavated area, with sleeper cutting going on in the background. 2555.2 - Gary Wood and Alan Snowball, cleaning rails and the area, shows status, which was tight to gauge. 2555.3 - Removing sleepers. 2555.4 - First sleeper installed. 2555.5 - Cutting sleepers to length - Rolf Jinks and Andrew Mitchell. 2555.6 - Installing sleepers. 2555.7 - All 4 new ones positioned. 2555.8 - Cutting bolts from old plate. 2555.9 - Bending the rail. 2555.10 - Tram 33 at the temporary terminus. 2555.11 - Rail repositioned. 2555.12 - Installing the screw spikes - Gary Wood, Alastair Reither, Andrew Mitchell and Alan Snowball. 2555.13 - Welding the plates etc - 16/3/2003 - Alan Snowball.trackwork, wendouree parade, track, tram 33

Copy of a black and white Long Gully School 2120 Photo Grades III - V from the 1920's. Children are sitting or standing outside a brick building. Two children in the front row are holding up a blackboard with the name of the school and grades written on it. The known names are written under the photo. They are: H Thomas, F Gill, H Williams, W Sheckleton, H Sims, Spedding, C Mylon, E Rosewarne, Bryar, E Brockley, H Bryant, M Hall, L Lanyon, J Rowe, J Pithie, H Pithie, J Grossman, O Ermal, U? Betts, A Gill, Kitt, W Kendall, M Williams, G? Marshal, R Michell, W Mitchell, T Trewarta, A Middling, M Clapton, E Shekelton, M Phillipson, J Waterson, J Conner, Z Wallent, P Kendall, O Ross, D Harvey, B Salter, B Phillipson, H Bryant, B Grenfell, J Salter, B Fitzsimmons, E Crossley and Ross. The year and the name Edwin Crossley is written on the paper.bendigo, history, long gully history group, the long gully history group - long gully school photo 1920's, h thomas, f gill, h williams, w sheckleton, h sims, spedding, c mylon, e rosewarne, bryar, e brockley, h bryant, m hall, l lanyon, j rowe, j pithie, h pithie, j grossman, o ermal, u? betts, a gill, kitt, w kendall, m williams, g? marshal, r michell, w mitchell, t trewarta, a middling, m clapton, e shekelton, m phillipson, j waterson, j conner, z wallent, p kendall, o ross, d harvey, b salter, b phillipson, h bryant, b grenfell, j salter, b fitzsimmons, e crossley, ross.

One end of the peg hammer’s head had a wedge-shaped tapered end, which was referred to as the peg poll and was used for hammering in pegs or bolts. The shipwright’s tools on display in the Great Circle Gallery are connected to the maritime history of Victoria through their past owner, user and donor, Laurie Dilks. Laurie began his career as a shipwright in the mid-1900s, following in the wake of the skilled carpenters who have over many centuries used their craft to build and maintain marine vessels and their fittings. You can see Laurie’s inscription on the tool called a ‘bevel’. Laurie worked for Ports and Harbours, Melbourne, for over 50 years, beginning in the early 1960s. He and a fellow shipwright inscribed their names on a wheelhouse they built in 1965; the inscription was discovered many decades later during a repair of the plumbing. Many decades later Laurie worked on the Yarra moving barges up and down the river and was fondly given the title ‘Riverboat Man’ His interest in maritime history led him to volunteer with the Maritime Trust of Australia’s project to restore and preserve the historic WWII 1942 Corvette, the minesweeper HMAS Castlemaine, which is a sister ship to the HMAS Warrnambool J202. Laurie Dilks donated two handmade displays of some of his tools in the late 1970s to early-1980s. The varnished timber boards displayed the tools below together with brass plaques. During the upgrade of the Great Circle Gallery Laurie’s tools were transferred to the new display you see there today. He also donated tools to Queenscliffe Maritime Museum and Clunes Museum.The shipwright’s tools on display in the Great Circle Gallery are connected to the maritime history of Victoria through their past owner, user and donor, Laurie Dilks. Laurie began his career as a shipwright at Ports and Harbours in Melbourne in the mid-1900s, following in the wake of the skilled carpenters who have over many centuries used their craft to build and maintain marine vessels and their fittings.Pin hammer; Wooden handle and steel head, thick heavy rounded end on one side, tapered wedge shape end on the other side. It once belonged to shipwright Laurie Dinks.flagstaff hill, warrnambool, great ocean road, shipwreck coast, maritime museum, maritime village, shipwright, carpenter, shipbuilding, ship repairs, hand tool, equipment, ship maintenance, cooper, tool, marine technology, hammer, shipwright's hammer, pin hammer, laurie dilks, l dilks, port and harbours melbourne

The wooden pattern is part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; rectangular wooden block made from laminated sections of wood painted black. A half-cylinder shape was carved into the long side, and a dowel shape was placed at the lower side. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

The wooden pattern is part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century.Pattern; hexagonal wooden shape painted orange. The thick carved wooden shape is in halves forming a hole when locked together with the dowel pegs and opposing drilled holes. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

The wooden pattern is part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; round wooden shape with a wide concave centre and a round flat handle in the middle, painted dark brown. The underside has a large wooden disc added to the centre. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

The wooden pattern is part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; an unpainted, rectangular wooden frame with a top and sides, similar to a small rectangular stool. A solid half-cylinder shape was added under the horizontal 'seat' with another smaller half-cylinder attached to it, end-to-end. A string is tied between two metal loops attached to the back. There are two X marks stamped into the back. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.Stamped: "X" "X"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

Neville Bunning was a staffmember at the Ballarat Technical Art School.Two page hand written letter relating to setting up a Ballarat Art Society. From Neville Bunning to the Ballarat Art Gallery.604 Dana Street Ballarat 20th Aug 46 The Secretary Ballarat Art Gallery Dear Sir, I submit the attached proposition for the formation of the Ballarat Art Society. I am convinced that it is needed as an outlet of expression for teh Art School and for the development of sculpture and Painting in Ballarat. I have taken the liberty of suggesting that your committee shld form the society because I imaginbe that a society formed withou your support would be unlikely to succeed. If it failed it would mean a set-back for many years. U trust that you will be interested in the proposition Yours faithfully Neville M. Bunning. neville bunning, ballarat art society, ballarat art gallery, art gallery of ballarat, ballarat fine art gallery

Two pages of list of suppliers. Page is divided into Five columns - Product, Activity Code, Product Code, Supplier and Supplier No. Products include stationary, hire of equipment, branding pasint, hay, glass, electrical work, repairs, dog food, testing of scales, grinding and cutting wheels. Suppliers were Hi Tech, Hume & Iser, Bendigo Hire, Mettler Toledo, BRB, Abbotts Supply, Dalgety Farmers, Bendigo East Sand and Soil, Bendigo Bearings, Bolton Bros, Fitzpatricks, Bendigo Bolts and Fasteners, CVC, Bendigo Glass Co, Dept Business Employment, DG Walkers, Bendigo Scale Co, Peter Llewellyn, Patches, Bendigo Mower Service, Transcom, Mulqueens Printer, John Truscott, All Bull, Elders Ltd, J H Plant and Son, Surdex, Obriens Glass, W C and H M Bury, BOC Gases, Windscreen City, Cleanaway, RJ and E R Conroy, J Blackwood & Sons.bendigo, council, cattle markets, bendigo saleyards collection - list of suppliers, hi tech, hume & iser, bendigo hire, mettler toledo, brb, abbotts supply, dalgety farmers, bendigo east sand and soil, bendigo bearings, bolton bros, fitzpatricks, bendigo bolts and fasteners, cvc, bendigo glass co, dept business employment, dg walkers, bendigo scale co, peter llewellyn, patches, bendigo mower service, transcom, mulqueens printer, john truscott, all bull, elders ltd, j h plant and son, surdex, obriens glass, w c and h m bury, boc gases, windscreen city, cleanaway, rj and e r conroy, j blackwood & sons

Statement from F. W. Milne & Son, Merchants and General Engineers, Vine Street, Bendigo to North Deborah G. M. Co. N. L. Copy of statement for the month of July, 1958. Top of the page is printed with 'F.W. Milne & Son, Merchants and General Engineers' of Vine Street, Bendigo and the name and types of goods and services offered. Statement is for repair to boiler feed pump, turn taper on end of rock drills to suit sample, make a mild steel cross head wedge to suit sample, supply of bolts, make dies and remove dent from tube of telescopic drill bar, make mild steel split clamp nut to suit sample, make 2 mild steel screws 2 1/2'' x 5/8'' with hexagon head 1'' across flats 1/2'' long and thread to suit sample. Statement is a typed, carbon copy. It has copy written in pencil under the typing. Albert Richardson Collection. document, gold, north deborah g. m. co. n. l., north deborah g. m. co. n. l., statement to north deborah g. m. co. n. l., f w milne & son

Hardcover book, crocodile skin print brown cover, black spine. Written on front in black pen 'Gold Book, Nell Gwynne Reef N.L.' Monthly entries in book date from December 1941 to December 1944 and relate to bullion, weight advanced upon , amount of advance, weight after melting, value, balance of assay. . Paper clip in book holds2 City of Bendigo Municipal Weighbridge dockets,dated November 29 and December 14, 1949, indicating that pyrites for the Nell Gwynne Reef was weighed. Purchaser: Leggo, Driver Leggo. Nett Weight 1 ton, 14 cwts. And second 2 tons, 7cwt, 3qrs Toll 1/-/-. Signed U. Austin, weigher. A4 letter appended to weighbridge dockets addressed to Mr. J.J. Stanistreet, Commonwealth Bank Chambers, Bendigo, dated 28th. December 1949. re ' Nell Gwynne Reefs G.M. Coy N.L., I beg to report having attended at the …..mill and afterwards at the works of Victor Leggo Mining Coy. To sample consignments of pyrites. Moisture contents were determined and weighbridge docket checked. Etc.' Assay declarations described in letter.gold, mining, nell gwynne reef n.l.

Eaglehawk Dahlia & Arts Festival Art & Craft 1981. Stafford Ellison Art Prize & McKern Manufacturing Company Craft Award. 20c. Section A - Painting or Drawing: L Lockett, J miles, R Ellis, C Williams, J Hughes, D Dempsey, S Hartwell, D Hopgood, M Hartney, D Donaldson, B Clemson, P Wright, L Ovens, P Bonne, M Bailey, D Owen, P Crothers, R Johnson, C Smart, S Fitzgibbon, J Thorne, G Gallaway, J Babbage-Mlekuz, D Leggo, D Harris, S Thomas, R Pearce, B Goddard, M Byrne, L Bennell, S Hill, J B Perry, S Lawson, I Williams, G Tavener, G Paynter, W Williamson, I Glanville, G Thompson, T Lambert, H Bennett, B Harding, G Sparks, G Stocks, J Lai, H McKean, J Kerr, M Roberts, J Scown, C Holland, A Evans, R Winderlich, B Read, V Trevean, R Morse, K Powell, D Kemp, U Bourke, J York-Moore, P York-Moore, G Rutherford, P Costello, M Hartwell, R Lenton, R Green, M Penno, S Denham, B John, H Mathiske, A Clarkson, L Clarkson, O Atkinson, C Cola, B Butcher, G Rowe. Section A Weaving: J Grimmer, W Junghenn, M Tweeddale, J Thorne, A Ebsworth, R Pearce, A Denham, A Letts, R Lenton, F Clancy. Section C Any Other Media: L Lockett, G Kairn, N Canobie, J Tebb, R Pearce, J Van Zanten, M Van Zanten, T Henty, N O'Donnell, T Duckett, T Duvoisin, D Healy, R Seipolt, S Fyfe, M Hartwell, R Green, M Penno, S Denham, U Rawlins, M Schofield, M Clemson, C McKern. The Eaglehawk Dahlia and Arts Festival Committee thanks all it's patrons who have helped to make this year's exhibitions so successful. All entries are for sale. . . Can be collected at end of show 22 march or . . .event, exhibition, eaglehawk dahlia & arts festival, eaglehawk dahlia & arts festival art & craft 1981. stafford ellison art prize & mckern manufacturing company craft award. 20c. section a - painting or drawing: l lockett, j miles, r ellis, c williams, j hughes, d dempsey, s hartwell, d hopgood, m hartney, d donaldson, b clemson, p wright, l ovens, p bonne, m bailey, d owen, p crothers, r johnson, c smart, s fitzgibbon, j thorne, g gallaway, j babbage-mlekuz, d leggo, d harris, s thomas, r pearce, b goddard, m byrne, l bennell, s hill, j b perry, s lawson, i williams, g tavener, g paynter, w williamson, i glanville, g thompson, t lambert, h bennett, b harding, g sparks, g stocks, j lai, h mckean, j kerr, m roberts, j scown, c holland, a evans, r winderlich, b read, v trevean, r morse, k powell, d kemp, u bourke, j york-moore, p york-moore, g rutherford, p costello, m hartwell, r lenton, r green, m penno, s denham, b john, h mathiske, a clarkson, l clarkson, o atkinson, c cola, b butcher, g rowe. section a weaving: j grimmer, w junghenn, m tweeddale, j thorne, a ebsworth, r pearce, a denham, a letts, r lenton, f clancy. section c any other media: l lockett, g kairn, n canobie, j tebb, r pearce, j van zanten, m van zanten, t henty, n o'donnell, t duckett, t duvoisin, d healy, r seipolt, s fyfe, m hartwell, r green, m penno, s denham, u rawlins, m schofield, m clemson, c mckern. all entries are for sale. . . can be collected at end of show 22 march or

A Legacy ceremony at the Shrine of Remembrance. One of the annual "Anzac Commemoration Ceremony for Students" events, usually held just prior to ANZAC Day. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. This is a close up photo of the son of soldier wearing his fathers medals, at the service in 1945 (see also 01193). It is the son of Lieut. G Ingram, a VC medal recipient.A record of a ceremony for school students at the Shrine.Black and white photo a boy wearing his fathers medals at an Anzac Commemoration Ceremony for students at the Shrine in 1945.Photo is stamped with purple copyright stamp of The Argus with identifying number, U-1673 in pencil. Also 'Anzac Eve 24th April 1945' and 'Ingram VC's son' in pencil. There are marks for cropping and dimensions for reprinting in a newsletter. A paper label says: ' 18. The son of Lieut. G.M. Ingram, Victoria Cross, wears his father's decoration awarded in France in 1918. 1/2 page' in blue pen. Was in an envelope with other photos and programmes from different School Student ceremonies. Labelled S15 in red pen it was part of an old archive numbering system, that showed there has been efforts in the past to collect, order and save items of Legacy's history.anzac commemoration for students, wreath laying ceremony, vc medal, ingram

This timber fragment is from the shipwreck of the SCHOMBERG (1855). The bow of the ship broke off after an unsuccessful salvage attempt to tow her off the Peterborough reef. At the wreck-site the submerged hull points north towards the beach but the front section is missing. Parts of the bow have been carried away by the eastward bearing ocean currents and have come ashore on the western coast of New Zealand’s South Island. Don Charlwood writes in Wrecks & Reputations (1977) that in 1871 “a piece of wreckage over 20 feet long and 12 feet wide was brought out” by land from its remote location at Tauperika Creek. In 1875 “an even larger section was brought out by sea”. It was suggested at the time that these relics of a large wooden sailing ship were from the wreck of the SCHOMBERG some 20 years earlier on the Victorian coast. “To corroborate the theory”, Charlwood continues, “a piece was sent to Halls of Aberdeen [the ship’s builders in Scotland]. They identified it as having come from the ship they had launched with such pride in 1852.” Charlwood, whose great-grandparents were passengers on the SCHOMBERG’s fateful maiden voyage, acquired some samples of the wreckage timber recovered in New Zealand, and brought them back with him to Australia. In 1976 “comparison was made of timbers from the New Zealand find and timber from the remains of the hull at Peterborough. They proved to be from the same ship.” The extraordinary journey of these pieces of wood from the once mighty clipper ship SCHOMBERG came to an end in 1984, when they were given to Flagstaff Hill by the author, and reunited with other shipwreck timbers and copper bolts from the vessel that are on display at the Maritime Village. The shipwreck of the SCHOMBERG is of State significance - Victorian Heritage Register S612The artefact is a small piece of wood that was broken from the timbers of the shipwreck of the SCHOMBERG (1855) and carried by the eastern currents to New Zealand (1875). It has 2 drilled holes that show faint screw marks and no metallic residue (possibly for patent treenails). The top surface is rounded, of a dark colour, and showing clear grains that have been worn smooth by the action of the sea. There is a reddish stain on the timber where breakage has occurred. The wood appears to have been strong in its original condition but is now light to lift and soft and crumbly at its exposed edges. The artefact is in fragile condition.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwreck timber, don charlwood, ‘wrecks & reputations’

This timber fragment is from the shipwreck of the SCHOMBERG (1855). The bow of the ship broke off after an unsuccessful salvage attempt to tow her off the Peterborough reef. At the wreck-site the submerged hull points north towards the beach but the front section is missing. Parts of the bow have been carried away by the eastward bearing ocean currents and have come ashore on the western coast of New Zealand’s South Island. Don Charlwood writes in Wrecks & Reputations (1977) that in 1871 “a piece of wreckage over 20 feet long and 12 feet wide was brought out” by land from its remote location at Tauperika Creek. In 1875 “an even larger section was brought out by sea”. It was suggested at the time that these relics of a large wooden sailing ship were from the wreck of the SCHOMBERG some 20 years earlier on the Victorian coast. “To corroborate the theory”, Charlwood continues, “a piece was sent to Halls of Aberdeen [the ship’s builders in Scotland]. They identified it as having come from the ship they had launched with such pride in 1852.” Charlwood, whose great-grandparents were passengers on the SCHOMBERG’s fateful maiden voyage, acquired some samples of the wreckage timber recovered in New Zealand, and brought them back with him to Australia. In 1976 “comparison was made of timbers from the New Zealand find and timber from the remains of the hull at Peterborough. They proved to be from the same ship.” The extraordinary journey of these pieces of wood from the once mighty clipper ship SCHOMBERG came to an end in 1984, when they were given to Flagstaff Hill by the author, and reunited with other shipwreck timbers and copper bolts from the vessel that are on display at the Maritime Village. The shipwreck of the SCHOMBERG is of State significance - Victorian Heritage Register S612A small piece of wood broken from the timbers of the shipwrecked clipper SCHOMBERG (1855, Peterborough) and retrieved from the southwest coast of New Zealand’s South Island. The artefact bears a reddish stain on exposed parts but the main surface is grey coloured. It appears to have been split off other wood fragments in the Flagstaff Hill collection (6257, 6259). It presents as a lighter less dense wood than oak, but may have lost mass through submersion.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwreck timber, don charlwood, ‘wrecks & reputations’

This timber fragment is from the shipwreck of the SCHOMBERG (1855). The bow of the ship broke off after an unsuccessful salvage attempt to tow her off the Peterborough reef. At the wreck-site the submerged hull points north towards the beach but the front section is missing. Parts of the bow have been carried away by the eastward bearing ocean currents and have come ashore on the western coast of New Zealand’s South Island. Don Charlwood writes in Wrecks & Reputations (1977) that in 1871 “a piece of wreckage over 20 feet long and 12 feet wide was brought out” by land from its remote location at Tauperika Creek. In 1875 “an even larger section was brought out by sea”. It was suggested at the time that these relics of a large wooden sailing ship were from the wreck of the SCHOMBERG some 20 years earlier on the Victorian coast. “To corroborate the theory”, Charlwood continues, “a piece was sent to Halls of Aberdeen [the ship’s builders in Scotland]. They identified it as having come from the ship they had launched with such pride in 1852.” Charlwood, whose great-grandparents were passengers on the SCHOMBERG’s fateful maiden voyage, acquired some samples of the wreckage timber recovered in New Zealand, and brought them back with him to Australia. In 1976 “comparison was made of timbers from the New Zealand find and timber from the remains of the hull at Peterborough. They proved to be from the same ship.” The extraordinary journey of these pieces of wood from the once mighty clipper ship SCHOMBERG came to an end in 1984, when they were given to Flagstaff Hill by the author, and reunited with other shipwreck timbers and copper bolts from the vessel that are on display at the Maritime Village. The shipwreck of the SCHOMBERG is of State significance - Victorian Heritage Register S612A piece of wood broken from the timbers of the shipwrecked SCHOMBERG (1855, Peterborough) and retrieved from the southwest coast of New Zealand’s South Island. The artefact is a light grey colour with plain long grain and bears a reddish stain on parts. Part of a drilled hole is red stained with traces of corroded metal still evident. The piece appears to have split off from other fragments that are in the Flagstaff Hill collection (6257, 6258) and it is in fragile condition.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwreck timber, don charlwood, ‘wrecks & reputations’

The wooden pattern was possibly made for casting a part for Craftman Marine, makers of engines for boats and other machines. It is part of a set that is stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; rectangular wooden block with a corner cut diagonally. A five-sided shape has been carved into the centre, with one side curved inwards and slightly shallower than the other sides. The cut-out area is painted black. Three holes are drilled in the cut-out side to align the pattern with another piece of work. A wooden slat is fixed across the diagonal side. The back of the pattern has a handwritten inscription, possibly by two writers. The pattern is part of a set of foundry patterns from Briggs Brass Foundry and is connected to Craftman Marine.In black handwriting: "1 # H AL" Handwritten in a different hand: "CRAFTMAN MARINE" Written the the first hand: BRIGGS" (or "BRICK")flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912, craftman marine, craftsman marine