This photograph of John Pascoe Fawkner was commissioned by artist William Strutt in 1857. In 1907 Strutt gave the photograph to Victoria's London agent, Mr. Lake, to be presented to the Victorian Parliamentary Library. In a letter to Mr. Lake now in the library's archives, Strutt describes how he had planned to make use of the photograph in his artistic practice, and when finished with it, had promised to give the photograph to the Victorian Parliamentary Librarian Charles Ridgway (c.1801-1865). "That time then has come, late it is true, but alas Mr. Ridgeway [sic] is dead, so is Fawkner, but the old patriot will ever live in this portrait".Framed ambrotype portrait photograph of John Pascoe Fawkner seated and wearing a smoking cap. Note from William Strutt adhered verso. The ambrotype is a positive photographic image on a glass plate mounted inside a glazed frame with a gold-coloured inner-frame/preserver (possibly celluloid) and black velvet-covered backing board. Handwritten black ink verso: "John Pasco [sic] Fawkner/ This admirable portrait/ of the Founder of Melbourne is now presented in/ fulfilment of my/ promise (made years/ ago to the late Mr/ Ridgeway) to present it/ to the Parliament House/ Library of Melbourne./ William Strutt./ Wedsmnt [?] Dec' 18.1007."strutt, william, 1825-1915, fawkner, john pascoe, 1792-1869, ridgway, charles c.1801-1865, victorian parliamentary library

This set of spurs belonged to Lieutenant Thomas Spencer Howard 8th Australian Light Horse Regiment. Howard was killed in action in the charge at the Nek, Gallipoli peninsula, on 7 August 1915. Howard was a 25-year-old grain dealer from Melbourne when he enlisted in the Australian Imperial Force and was appointed a lieutenant in the 8th Australian Light Horse on 24 October 1914. He had pre-World War One service with 10th Light Horse (VMR), 11th & 29th Light Horse Regiments. They were returned, together with a pair of binoculars, to his family following his death. Spurs with leather straps and chainshoward, gallipoli, nek, wwi, world war one, light horse, 8th

This compact was owned by Rose Alice Normington, nee Lupton. She was born in Roto, NSW in 1880 and moved to Victoria with her parents and siblings when she was five years old. They settled in Barker's Creek via Castlemaine. In 1899 Rose married Maurice Normington Jnr who also lived in Barker's Creek. They had six daughters and one son. Rose Normington died in 1966. Information provided by Pam Strijder 2017 - granddaughter of Rose Normington. I think this compact would originate from early in the twentieth century, based on the fact that it contains a zipper.This compact is an example of a high-quality compact which it is thought would be widely owned by ladies early in the twentieth century.Round, black leather lady's powder compact with embroidered top. Zipper on side. Nilcompact

Valentine Series postcard of Postcard, looking from the top of the Nichol and Allen Building in Grenville St looking west. Titled "Sturt St Ballarat" in the top left-hand corner. Has two ESCo trams in the view, with a 3rd outside the town hall. Shows all the buildings on both sides of Sturt St, many flying prominent flags. Postcard by Valentine & Sons, printed in Great Britain. In a note to Ken Magor, Wal Jack has written on the rear: "old type, No. 17 on left and No. 11 on right. Photo taken from Grenville Street looking west about 1912." Yields information about Sturt St looking west from Grenville St about 1912.Postcard, colour, divided back, with a handwritten note on rear.See image 2 for the handwritten note on the rear. tramways, trams, sturt st, postcards, grenville st, tram 17, tram 11, esco

1. The first Apex Club was formed in Geelong in 1931 as a service club responding to conditions during the depression. It was soon followed by a club in Ballarat and then in Bendigo. It is aimed at 18-35 year olds and has the motto "Service, Citizenship and Fellowship" 2. Ron Barker(1913-23/6/1997) married Verna Clarke in 1948 3. Laurence William Pocock (1913 - 27/6/1989) married Mena Irene Bailie in 1941 4. Austin Gant (1917-1988) was a dentist who served as a Captain in the AIF Dental corps during WW2. He married Clarice Bryce in 1939.Black and white photograph of six men in white aprons cooking a barbecue. The date is unknown. Part of the Barker's family collection.On the back: the warmest job in Bgo today. Apexians cook the grill and hamburgers. Apex Club Bendigo L -R: Ron Barker, Laurie Pocock, maybe Austin Gart.apex club, bendigo, bbq

The Monument Hill Gold Mine was at the corner of Old Violet Street and Olive Street. It operated until 1947. The shaft was capped, the poppet legs and mullock removed. A house now occupies the site. The Monument Hill Gold mine depth was over 1200 ft. The donor of the photograph is the grandson of Albert Dunstan, and he recalls that 'the mine was fully operational in the 1940's and I was often able to see my Grandfather at work and watched as men stepped into cages to be lowered to their awful occupation'. Donor's great, great grandfather was John Perry Dunstan, a well respected mine manager on the Bendigo goldfield.Two black and white copies of original photograph. Image shows Albert Ernest Dunstan working in the engine room of the Monument Hill Gold Mine, Bendigo. Albert is at the controls of the engine, lowering and raising the mining cage; he is leaning on the support railing around the elevated platform he is standing on. Letter accompanying images describes the donor's family connection to John Perry Dunstan and Albert Ernest Dunstan, he writes that ' the mine was fully operational in the 1940's and I was often able to see my Grandfather at work and watched as men stepped into cages to be lowered to their awful occupation. I was very surprised that today there is a home sitting above what was once a very deep mine'.monument hill gold mine, albert dunstan, old violet street, olive street, engine room, mining cage

Alick Gipps (1928-2014) was the son of Richard Brook Woodthorpe Gipps (1872-1946) and Mary Alys Kirkland (1889-1981), and the older brother of Christopher David Gipps (1930-52) and Rosemary Alison Gipps (1930-2013). While many scrapbooks of the period were created by, and or added to by their child owners, it is believed that "scrapbooks were considered by later Victorian parents to be an educational tool to teach children how to organise and classify information and to develop their ‘artistic’ senses" (Margaret Simpson, MAAS, 2008), and that the scrapbooks may have been compiled by the parent, rather than the child.The scrapbook is part of a large and significant collection of items donated by Rosemary Vaughan-Smith, past member and office-bearer of the Kew Historical Society. between 2005-12. The collection includes costumes, scrapbooks, autograph books, artworks and objects.Hard cover, 50-page album covered in red cloth and red leather corners and spine, the latter embossed with the words 'SCRAP BOOK' in gilt lettering. On the inside front cover, top left is an oval green label with retailer information - "WEDDING CHRISTENING / R. E. PENN. / Bible Warehouse / 213 REGENT St / BIRTHDAY PRESENTS". The paper used for the pages are in alternating blue, cream and green-coloured sections. The front pages of the scrapbook include the signature of the owner as Alick Kirkland [Goulburn] Gipps (1928-2014). Items pasted into the scrapbook include black and white and coloured illustrations, photographs, and extracts from books. Items selected for the scrapbook fill a single page or are arranged in groups. The oldest items in the scrapbook appear to date from 1859 and include a colour cover of the Illustrated London Almanack and pictorial handbills of electoral results for the seat of Holmesdale and Filmer in Kent, England. While other items in the book are of later periods, most can be classified as sentimental Victorian-era illustrations. The biblical scenes in the scrapbook reflect one aspect of the values of the Gipps family. The focus in the album on material about or published in Great Britain also suggests a preoccupation with, and a valuing of, traditional British culture. This is confirmed by the memberships of Alick and his sister Rosemary (Gipps) Vaughan-Smith in the English-Speaking Union Club, for which they welcomed guests at an 'Elizabethan party and barbecue' during the Coronation festivities of June 1953. (The Age, 3 June 1953, page 5). The album entered the collection of the Kew Historical Society as part of the Raymond and Rosemary (Gipps) Vaughan-Smith donation.manuscripts - kew historical society, rosemary vaughan-smith, vaughan-smith collection, alick kirkland goulburn gipps, scrapbooks - 20th century

The Railway and Tramway Map of Melbourne and Suburbs With Tram Timetables lists existing Cable Tram Services before the entire network was electrified. By 1917 the tramways system was divided into regions including: the Melbourne Cable Tram Service; Prahran - Malvern Electric Trams; Hawthorn Electric Trams; Melbourne, Brunswick and Coburg Electric Trams; and Brighton Beach Electric Trams. The old Outer Circle railway line is marked as ending in Deepdene, with the remainder of the line to Fairfield marked as 'Unused'. The Kew tram along High Street in 1917 ended at the Harp Junction. The Kew Spur Line is also marked on the map.The Railway and Tramway Map of Melbourne and Suburbs With Tram Timetables is historically significant as it captures at a point in time, 1917, the development of public transport infrastructure in Melbourne. As such it illustrrates the theme: Connecting Victorians by transport and communications.Printed card-covered pocket sized map that folds out with three horizontal and vertical folds. Colour map, with scale, of the rail and tram networks on one side and sixteen sections of black and white printed text and timetable information on the reverse.railway maps -- melbourne (vic.), tramways maps -- melbourne (vic.), public transport -- melbourne (vic.) -- 1910-1920, cartography

James Venn Morgan suit the first house in Kew. This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Photograph of James Venn Morgan, probably taken on the occasion of his 100th birthday in 1923. He was one of the most important pioneers of Kew.James Venn Morgan about 100 years. Born Lancashire 1823.james venn morgan, dorothy rogers, kew

Ernest Lance Young was born 24 March 1915 in Surrey Hills, the son of Ernest Augustus Young and Ruby Nichell Whitty. He married Beryl Mair in 1939 and died on 5 October 1999 at Mont Albert. Electoral rolls record him as a manufacturer. His address after marriage was 11 York Street, Mont Albert. Beryl Mair (1916-1976) was the daughter of David Miller Mair and Lily Vipond Deakin. She had an older brother Geoffrey David (1913) and younger sisters Gwynneth (1918), Isobel Lillian (1921) and Shirley Inez (1928).This is part of a large donation of material relating to the Deakin, Mair and Young families, all of whom had connections with Surrey Hills / Mont Albert. The donor is the daughter of Ernest Lance and Beryl Young.Post card photograph with a stippled surface which has been cut in two and stuck back together but without the top RH corner section. It shows a well-dressed couple and a young girl. The woman and girl are in summer dresses and wearing hats.Multiple inscriptions on both sections. "Young" in lead pencil. "Lance Young / Beryl " / Shirley Mair / at Zoo 1940." Two lines blacked out with permanent marker. "SHIRL MAIR / Melb Zoo / 1940"ernest lance young, lance young, beryl mair, beryl young, shirley inez mair, zoo

Date is approximate - early 1930s. Mr Oswald Joyce and Mr Bert Lamble used to ride their bicycles to the country to find work when they became unemployed. This included reworking old gold mines. Here they are seen leaving for Enoch's Point where they fossicked for gold during the Depression. A check of the electoral rolls points to this being the home of Frederick Harry Percival Lamble, labourer, born in Collingwood. He and his family continued to live at 87 Essex Road until his death in 1968 and his occupation is consistently given as labourer. His wife Bessie Louisa Woods died in 1957.Black and white photo of 2 men identified, but not specifically, as Mr Joyce and Mr Lamble, both of Essex Road, Surrey Hills. They are standing next to their bicycles on a roughly made path. The bikes are loaded up with swags and kit as if the two are about to depart on a journey. Behind is a picket fence and in the background the shops along Canterbury Road can be seen.essex road, frederick harry percival (mr), bicycles, depression, 1929-1939, unemployment, economic depression, mr joyce, bert lamble, frederick harry percival lamble, bessie ethel lamble, bessie ethel smith

A Legacy ceremony at the Shrine of Remembrance. One of the annual "Anzac Commemoration Ceremony for Students" events, usually held just prior to ANZAC Day. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. It is a photo of the children with floral wreaths on the steps of the Shrine in 1970. Item was in an envelope with other photos and programmes from different School Student ceremonies. Labelled S15 in red pen it was part of an old archive numbering system, that showed there has been efforts in the past to collect, order and save items of Legacy's history.A record of a ceremony for school students at the Shrine.Black and white photo of an Anzac Commemoration Ceremony for students at the Shrine in 1970.Photo is stamped with the Copyright of the Herald and Weekly Times in light blue ink. Stamped "The Property of Legacy' in purple ink. Date '24-4-70' written in blue pen. anzac commemoration for students, wreath laying ceremony

A Legacy ceremony at the Shrine of Remembrance. One of the annual "Anzac Commemoration Ceremony for Students" events, usually held just prior to ANZAC Day. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. It is a photo of school children on the steps of the Shrine during the service. Item was in an envelope with other photos and programmes from different School Student ceremonies. Labelled S15 in red pen it was part of an old archive numbering system, that showed there has been efforts in the past to collect, order and save items of Legacy's history.A record of a ceremony for school students at the Shrine.Black and white photo of an Anzac Commemoration Ceremony for students at the Shrine.Yellow label attached says: 'School Children's ANZAC Commemoration' handwritten in blue ink.anzac commemoration for students, wreath laying ceremony

Photograph of Queen Elizabeth II on a state visit to Melbourne in February 1963 receiving flowers from Christine Kelson, a junior legatee. An article in the Legacy's Weekly Bulletin on 26 February mentions the details. Christine was 14 years old and daughter of the late Signaller Arthur Kelson who served with the 9th division in Middle East and who was taken prisoner in North Africa and made a POW in Italy and Germany. Her mother Mrs Dorothy Kelson, served with the AMWAS. Christine and her younger brother Robert, aged 9, both attended Legacy's Physical and Recreational Training classes.A record of a junior legatee being chosen to present flowers to the Queen.Black and white photo of the Queen receiving flowers.Stamped Copyright of The Age in blue ink.royal visit, junior legatee, queen elizabeth

Photograph of 100th birthday celebrations for Gladys Troke on 20 December 1994. The picture was published in The Answer in April 1995 with the story saying: "Latrobe Valley Group Legacy widow Gladys Broke, 100 years old on 20th December 1994 celebrated her birthday at Latrobe Valley Village Hostel with 100 family members and friends, some of whom had made the trip from England. She had a wonderful day and Telegrams and messages were received from the Queen, The Australian Governor General, Prime Minister Keating, Governor of Victoria and Premier Jeff Kennett."A record of a widow reaching 100 years of age and being celebrated by Legacy.Black and white photo of the 100th birthday of Gladys Troke.widows, answer, birthday

Thomas Austin was born in Tunbridge Wells, England, in about 1822. He married Charity Ford (or Foord) in England and they migrated to Australia with their first three children in 1849. They had eight more children in Australia. The Austins lived in Linton from about 1861, where Thomas Austin ran first a post office, newsagent and stationery shop, and afterwards a tailor's shop, in Sussex St Linton next to the Grenville Shire offices. Thomas Austin moved to Kyneton in 1882. He died in Melbourne in 1888, and is buried at Linton. Photograph is part of Old Lintonian collection ; No. 1.Portrait of a bearded man wearing jacket collar and tie."Arrived in the year 1854" (part of message on back)thomas austin snr., old lintonian collection

Before metrication was introduced into Australia in the 1970s land was measured in chains and links. Many old parish plans show length measurements in chains and links. Area was shown in acres, roods and perches. Gunter's chain was used for measuring distance in surveying. It was designed and introduced in 1620 by English clergyman and mathematician Edmund Gunter (1581–1626). Gunter developed the measuring chain of 100 links. The chain and the link, became statutory measures in England and subsequently the British Empire. After metrication units of length were measured in meters and area in hectares. The chain was later superseded by steel ribbon tape.The 66 foot long brass Gunter's Chain is divided into 100 links (each 7.92 inches long), and marked off into groups of 10 by shaped tags which simplify intermediate measurement. It was heavy but flexible enough to be dragged through the bush on surveying transects.(Hence the common forestry term "chainman). The chain was a precision part of a surveyor's equipment. It required frequent calibration, yet needed to be sturdy enough to be dragged through rough terrain for years. It has brass hand grips at each end of chain. 1 chain = 100 links = 22 yards = 66 feet = 792 inches. 10 chains = furlong 80 chains = 1 mile 1 acre = 10 square chains = 4 roods (1/4 acre) = 40 perches.forest measurement, surveying, forests commission victoria (fcv)

Bruno LETI (1941- ) Born Rome, Italy Arrived Australia 1950 Bruno Leti was nine years old when he came from post World War Two Italy. Known as a painter, printmaker, photographer and publisher of artists’ books, he studied at RMIT, studying Printnaking under Tate Adams, and Melbourne Teachers' College. He has taught art in Italy, Canada, USA, and Melbourne, Australia. Bruno Leti lives and works in Melbourne. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This etching by Bruno Leti was exhibited as part of "Parallel Prints", a limited edition print project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection.trees, printmaking, etching, bruno leti, artist, artwork, parallel prints, landscape

Arthur George Holley No 13556 enlisted in the RAN as a boy Sailor on 25.9.22 age 15 years. During his long career he served on or at the following postings; HMAS Tingara, Brisbane, Sydney, Cerebus (5 times), Canberra (2), Australia, Hobart, Townsville, Rushcutter. His main WW2 service was on HMAS Hobart 27.1.39 - 14.9.44. At discharge from the RAN on 17.10.45 he held the rank of Leading Seaman, Seaman Torpedoman. He was awarded the “Long Service and Good Conduct Medal”.Refer 2135.3, 2137, 2147. His older brother was KIA in WW1, refer 2133.3.Medals, court mounted, set of (6) re A.G Holley. 1. 1939-45 Star. 2. Africa Star. 3. Burma Star with clasp "PACIFIC". 4. Defence Medal. 5. War Medal 1939-45. 6. Long Service and Good Conduct Medal."13556 A.G.Holley (medals 1 to 5) "13556 Able Seaman A.G. Holley R.A.N" (6th medal)medals, history, naval

The photograph was taken in the family home of Constantine and Toula Black (Mavrokefalos) in Parkville during the early 1920s on the christening day of their son John Black. John's sisters, six year of Nina Black and her four year old sister, Rita (Marguerita) are pictured. Also pictured from l-r: Argiro ? , who was from Adelaide; John (Panoyoti) Raftopoulos, Toula's brother; and Lily Sigalas, Greek school teacher. Lily was the sister of Alexandra Vrachna who taught two generations of Australian born Ithacan children in Greek community schools for close to 30 years.In adult life Nina Black also went on to teach Greek at the Greek Community school which opened in Melbourne in the early 1930s. She also taught Greek at the CAE and English to new arrivals in the 1960s.A black and white photograph of a man, two ladies and two little girls of a group standing in a garden. A person on the left is almost hidden.

Centred on 385 Main Road, Lower Plenty bounded by Grand Boulevard, Montmorency to north, Old Eltham Road to south, Bolton Street to east and Panorama Avenue to west. Historic Aerial Imagery Source: Landata.vic.gov.au Aerial Photo Details: Project No :1043 Project : MONTMORENCY Run : 2 Frame : 124 Date : 01/1973 Film Type : B/W Camera : RC8 Flying Height : 2200 Scale : 4000 Film Number : 2722 GDA2020 : 37°43'48"S, 145°07'49"E MGA2020 : 335243, 5822507 (55) Melways : 21 E9 (ed. 42)aerial photo, lower plenty, main road, montmorency, phoebe mason collection, bolton steet, grand boulevard, old eltham road, panorama avenue

Plenty Township Estate "The rapid growth of Greensborough and the great traffic development on the main road between Heidelberg and Eltham augurs well for Plenty Township Estate. Already a Store, Post Office and State School have been started, and the activities of the Local Progress Association will help the district forward considerably. Within walking distance of the Montmorency and Greensborough stations." Bryn Teg Hill's Estate "Better known as "The Old Sand Hill, "within walking distance of the Montmorency and Greensborough railways stations." "Some few years back Mrs Thomas subdivided portion of the Sand Hill Paddocks, and the areas sold have been settled and many converted into charming outer suburban garden homes with cultivation and orchard plots. The south-eastern slope gives the land a grand outlook over the Yarra Valley on to the Dandenoings, and the are is very picturesque and homely." "A number of the blocks contain large deposits of valuable building sand, which should prove good speculation in view of the forecast for further rapid home development along the Eltham Suburban Electric Service." Sand Hills Road (Old Eltham Road) Date estimated as c.1924 - Electricification of railway line to Eltham referenced on map occured April 1923 and Mrs Mary Thomas died August 1925. Her home Bryn Teg became part of the Heidelberg Golf Club in 1927.The establishment of Lower Plenty as a suburban growth area supported by easy commuting facilitated by the elctrification of the Eltham railway linebonds road, bridge, bryn teg hill's estate, coghill & haughton, eltham road, heidelberg golf club hotel, houses, lower plenty, lower plenty bridge, lower plenty road, main road, plenty hotel, plenty river, plenty township estate, real estate agent, sales brochure, sand hills road, the old sand hill, sand hill paddocks, woodfull road, old eltham road, bryn teg, mrs m thomas

L-R: Former Shire Hall and Shire Office, Photographer shop, Barber shop, Fire Station, Hardware shop and Commercial Bank of Australia. Copied from an original document produced by Ian McDonald (Eltham Shire Council) 1970. During the period 1969-1971 photos were being collected for a proposed publication on the history of the Shire of Eltham as part of its centenary celebrations in 1971 (managed by the Shire of Eltham Historical Society and Alan Marshall). The publication was Pioneers & Painters (1971), edited by Alan Marshall. The document titled "Shows area sold to Woolworths" consisted of a panorama of three B&W photo prints creating a panorama of the frontage along Main Road (SEPP_0744) and a single B&W photo print of the Shire of Eltham offices and Hall on the corner of Arthur Street and Main Road (SEPP_0737) along with typed and hand written notes by Ian McDonald. The panorama (SEPP_0744) was captioned in typewritten text "Old Shire Office and Hall, etc - Frontage of 285 feet along Main Road" and in pencil the date "4-1-68" The single image of the shire offices (SEPP_0737) was captioned in typewritten text "Main Road and Arthur Street Corner" In addition, the following handwritten notes in pencil: " I took these photos from the new fire station - the building in the middle is the old fire station - Moved to Research for the Scouts 1970" and signed "IMcD"This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negsepp, shire of eltham pioneers photograph collection, eltham, main road, arthur street, dudley street

The letters address three parents of daughters who attended Ruyton Girls' School at the time — Mrs Friedman, Mrs Horan and Mrs McDonald. The letters invite the three mothers to make a contribution to the School's war scholarship fund by making homemade sandwiches or cakes to help cater the annual School dance, or providing a small financial donation towards it. Although the letters are signed by Hilda Daniell, given that the handwriting differs across all three examples, it is possible the content of the letters were scribed by a student or assistant to the Principal. The war scholarship fund (also referred to as the Scholarship Fund) was managed by the treasurer of the Old Ruytonian's Association (ORA); Ruyton's alumnae community. The earliest mention of Ruyton's war scholarship fund is in the Ruytonian December 1918, which recalls how the Senior Dramatic Club performed Jane Austen's "Pride and Prejudice" in the Kew Recreation Hall and raised over £100 to "provide a Ruyton scholarship for the daughter of a soldier who has given his life for his country." In the Ruytonian December 1955, the criteria for the war scholarship fund was revised to prioritise students in the following order: the child of a deceased serviceman, an ex-serviceman, and an Old Ruytonian. Other editions of the Ruytonian from this period recount how students also participated in fundraising activities to support the scholarship. It is unclear when the war scholarship fund ceased.The letters are historically significant as they were written by Miss Hilda Daniell, the longest serving Principal of Ruyton Girls' School from 1913-1952. She had enrolled as a student at Ruyton in 1893, and then appeared in a list of teaching staff dated 1898. When Hilda became Principal in 1913, Ruyton was still located on A'Beckett Street in Kew, Victoria. Hilda had purchased "Tarring" (now Henty House) from the old Henty family estate in 1919 to accommodate the growing School. In 1920, Hilda, teachers and the students moved to Ruyton's new location at "Tarring", 12 Selbourne Rd, Kew. The building became home for Ruyton’s boarding students and included a flat for Hilda to live onsite. Hilda passed away in March 1970. The record's significance is also supported by its strong provenance, having been produced by Ruyton Girls' School and donated to the Archives by the daughter of a former student.Three individual loose sheets of cream coloured paper, each printed with Ruyton Girls' School's name and emblem. All sheets are handwritten with black/charcoal ink and signed by H. (Hilda) Daniell.Reverse: RGS008/2024/0007.1 / Reverse: RGS008/2024/0007.2 / Reverse: RGS008/2024/0007.3 /ruyton girls' school, students, scholarship, school, ruyton, principal, victoria, high school, senior school, day school, letter, miss hilda daniell, hilda daniell, henty, tarring, old ruytonians association, kew recreation hall, kew

St Giles, also known as the High Kirk of Edinburgh is the principal place of worship for the Church of Scotland. It is very interesting for the mason's marks found on its many stone columns inside the church, and for its connections to the graveyard outside. According to wikipedia, "There is record evidence of a church here, very likely on the present site, in the year 854. In 1120 King Alexander I, rebuilt the church in the Norman style. Of this building characteristic features survived until 1798. During the fourteenth century, Edinburgh was captured and plundered by the English under Edward II. and Edward III., and twice St Giles was laid waste. After restoration, the church was more thoroughly ruined at the Burnt Candlemas in 1387, when Richard II. sacked the city. The western part of the fabric was soon in use again ; but the restoration of the choir and transepts, which were much enlarged, lasted on into the sixteenth century. In 1467 the city endowed St Giles as a collegiate church. It now became usual to speak of the nave, where the stonework was ancient, as the Old Kirk, while the eastern part of the building was called the New Kirk. When the movement for reform drew large crowds to St Giles, separate services began to be regularly held in the Old and New Kirks. Soon this was not enough, and the great church was partitioned off into smaller sections. In 1571 St Giles was seized by Kirkcaldie of Grange, and held by him as a stronghold for Queen Mary. This resulted in serious damage to the structure.Colour photograph of St Giles Cathedral, Edinburgh, Scotlandst giles cathedral, edinburgh, scotland, architecture

St Giles, also known as the High Kirk of Edinburgh is the principal place of worship for the Church of Scotland. It is very interesting for the mason's marks found on its many stone columns inside the church, and for its connections to the graveyard outside. According to wikipedia, "There is record evidence of a church here, very likely on the present site, in the year 854. In 1120 King Alexander I, rebuilt the church in the Norman style. Of this building characteristic features survived until 1798. During the fourteenth century, Edinburgh was captured and plundered by the English under Edward II. and Edward III., and twice St Giles was laid waste. After restoration, the church was more thoroughly ruined at the Burnt Candlemas in 1387, when Richard II. sacked the city. The western part of the fabric was soon in use again ; but the restoration of the choir and transepts, which were much enlarged, lasted on into the sixteenth century. In 1467 the city endowed St Giles as a collegiate church. It now became usual to speak of the nave, where the stonework was ancient, as the Old Kirk, while the eastern part of the building was called the New Kirk. When the movement for reform drew large crowds to St Giles, separate services began to be regularly held in the Old and New Kirks. Soon this was not enough, and the great church was partitioned off into smaller sections. In 1571 St Giles was seized by Kirkcaldie of Grange, and held by him as a stronghold for Queen Mary. This resulted in serious damage to the structure.Two colour photographs of the interior if St Giles Cathedral, Edinburgh, Scotlandst giles cathedral, architecture, mason's marks, stonemasons, church of scotland