An Art Deco front was added to this building in the 1920s. It became the Ballarat School of Mines Museum, and in the 1960s a Student Recreation Centre. It is now part of the Federation Universty SMB campus.Photographic copy of the former Wesley Church (later the Ballarat School of Mines) Lydiard St South.photograph, former wesleyan church, wesleyan church ballaarat, ballarat school of mines museum, ballarat, buildings, ballarat school of mines botanical gardens

Con Talarico owned Capace Liquor Store, corner Lalor and Pool Sts in 1960s. Con also owned a family delicatessen at 173 Bay St in the late 1980sTriangular red plastic ashtray with groove for cigarette on each corner promoting Capace Liquor Store.CAPACE liquor store. "Let Capace keep you in good spirits" Cnr Pool and lalor Streets, Port Melbourne 643385 64 3304advertising, business and traders - wine and spirits, capace - port melbourne wine merchant, con talarico

The North Kew Village Supermarket survived the Covid19 lockdowns, but according to locals the rent was put up and the supermarket became unviable and was foced to close. In the 1960s the supermarket was owned by Tainsshes. The North Kew Village Supermarket during a closing down sale.supermarket, north kew village supermarket, tainshes

These four officers were a familiar sight leading the Anzac Day March in Melbourne in the 1960s. They represented the four World War One Light Horse Regiments raised in Victoria.Black and white photograph of four returned servicemen in uniform and mounted on horseback outside of Waltons Store in Melbourne. Inscription along lower edge of photo.Manuscript on lower edge of photo "ANZAC DAY 1966 8th, 9th, 13th, 4th Light Horse / Col A Crawford, Capt H Ewart, Lt JE Holland, Col JR Hall"light horse, anzac day, melbourne, hall, ewart, crawford, holland

The recording was made in the studio of 3BO Bendigo. The record tells the of the Cohn brothers life in Bendigo. It was commissioned by Jack Magnus Cohn, the grandson of Julius Cohn about 1950s-1960s. A "12-inch L.P." black record in a brown paper cover. The cover has the records manufactures name and address printed on it. The record is single sided, the middle has a cream coloured label. "HOUSE OF COHN" Recorded in the studio of 3BO Bendigo. Produced by E. Pattison. Participating in "The House of Cohn" were Des Nicholson, Alex Cohn and Rus Pilley, recorded in the studio of 3BC Bendigo by, Bill Morell and Dug Richards produced by E. Pattison.house of cohn, 3bo bendigo, e. pattison, cohn brothers

Photograph of Ballarat No. 18 inbound from Sebastopol to Lydiard St North, leaving the Grey St loop in Albert St late 1960s or early 1970s. Photographer unknown. Yields information about tram 18 and the Grey St loop areaBlack and white print - plain back. tramcars, tramways, albert st, grey st loop, tram 18

Various Bendigo Railway staff and Bendigo Locomotive photos: A North Bendigo Workshops staff photo taken in early 1980s. Russell Jack in front row, and arthur Eaton fasr right B Bendigo North Railways Workshops - George Turner's retirement (taken between Sept & Dec 1969). L to R Arthur Eaton (Acting Workshops Manager), George Turner (Car Builder) and Ern Sonnerman (Shop Committee President) C Bendigo Workshops Pilot 1960s

No information has been found on the veterinary practice of Coulthard, Liefman and Couttie located at 173 Raglan Parade but Bill Coulthard was a vet in Lava Street, next to the Baptist Church, in the 1960s. This label is of minor interest as an example of a Warrnambool veterinary surgeons label in Warrnambool in the mid 20th century. This is a cream-coloured sheet of paper pasted on to cardboard. It has black printing. W.A.Coulthard B V Sc H.D.A. C.E. Liefman B V Sc P. Couttie B.Sc. M.R.C.V.S. Veterinary Surgeons Phone 990 173 Raglan Pde veterinary surgeons, history of warrnambool, labels

A black and white photograph of Grimshaw Street rail crossing, Greensborough mid 1950s; and the removed crossing lights from the 1960s. The train line was lowered in the 1970s to remove the level crossing.Digital copy of one black and white photograph, and one colour photographgrimshaw street greensborough, watsonia station, rail crossing greensborough

Eltham was described as a blossoming township and featured in the top 10 fastest growing Victorian suburbs during the 1960s. This article looks at some historic sites in Eltham and how they look today.News article 2 pages, black text, colour image.eltham, changes over times

In 1970, All Saints' Anglican Church was rebuilt on the corner of Church and Grimshaw Streets Greensborough, replacing the timber church. This photograph shows the official laying of the Foundation Stone in the late 1960sDigital copy of colour photographall saints anglican church greensborough

Reg PRESTON (1917-2000) Born Bellevue Hill, Sydney, New South Wales Reg Preston studied sculpture at Westminster School of Art, London but was a self-taught ceramicist. His first solo exhibition was in Melbourne in 1958. He founded the Potters' Cottage, Warrandyte, Victoria in 1958, where he has taught part-time. During the 1960s Preston and his wife produced a line of pottery under the name “Ceres". He switched to stoneware in the mid 1960s and continued working well into the 1980s. Multiple glazed stoneware over tenmoku glaze. Maker's stamp covered by glaze. Preston painted in glaze.ceramics, reg preston, jan feder memorial ceramics collection, gippsland campus, functional ware

After scouring, the wool fibres are still tangled together. Carding untangles the fibres by brushing and straightening. The wool moves through a series of wire brush rollers that revolve at different speeds and in different directions to tease apart the wool. The fibres emerge from the machine as a continuous filmy web - called a sliver. The sliver must be thinned and divided into strands before the next process. Carding machines constantly require tuning. A highly skilled technician maintained and adjusted the speed of the rollers on the machine. This machine was developed by the CSIRO in the 1960s as a small-scale experimental machine. Industrial carding machines were four times the size of this one. Gold plaque on display with machine until 2018 read: G.H. Mitchell & Son, Adelaide have celebrated 125 Years of involvement with the Australian Wool Processing Industry by contributing the funds necessary to restore The Carding Machine, Noble Comb & The Gill Box. Also another gold plaque read: Experimental Carding Machine donated to The National Wool Museum by C.S.I.R.O Ryde has been rebuilt by Nick Sokolov of Comb Research & Development with the help of Bernard Tolan.Carder with small roller missing at coiling end. Driven by three horse power motor. Wooden slated feed table synchronised to overall gearing.carding machine, machines, wool industry, manufacturing, wool processing

This is a jewellery box from the Warrnambool business of Stafford, the jeweller. The Staffords shop was at 120 Liebig Street and operated in the 1960s, 70s, 80s, 90s and early 2000s. The site is still a jewellery shop. This box is of minor interest as an example of a small jewellery box from the mid 20th century.This is a small cardboard box covered with salmon-pink paper on the outside. It is empty but once contained an item of jewellery. The pink paper is slightly buffed. ‘Staffords Warrnambool’staffords, jewellers, warrnambool, jeweller box

Glenis Henderson taught at Greensborough Primary School at the time that Cuisenaire rods were introduced in maths teaching in the early 1960s. In this story Glenis relates some of the problems with implementing this new method.6 pages text, two colour photographsgreensborough primary school, cuisenaire rods, glenis henderson

Commonly used removable cams from a Singer sewing machine of the 1960s. These cams enabled the home sewer to use fancy stitches in their work and were later superseded by integrated electronic controls.Box containing four sewing machine cams and leaflet containing sewing patterns and instructions for use. Accessories to a Singer sewing machine.Fashion discs for Singer Automatic swing-needle machine. Set no. 2, 276401, 306 class. Shell, Solid scallop, Icicle and Banner singer sewing machines

Rubber tubes and a black rubber pump are in the case. Instructions for use and the connection of tubes and pump are written on the lid. Light and easy to carry. Rubber was used during the 1960s before plastic was available.Used in the Kiewa Valley during the 1960s.Green case with 2 clips used to attach the lid at the front. Lid is on hinges at the back of the lid. A handle is attached to the lid. Inside the lid are the instructions foruse. The Pump and hoses are detached and included and made of rubber.Made in Australia On lid: Air Viva Resuscitatorportable resuscitator 1960s

The KHES was constructed from the late 1940s to the early 1960s. Jack Watson worked on the Kiewa Hydro Electric Scheme for 39 years. The photos show a group of men (workers) at the entrance of a tunnel.1. Jack Watson is the worker on the back right hand side with a soft Akubra type hat. 2. Jack Watson at the front on the right hand side. 3. Men not identified. When Jack retired he had been the supervisor of the patrolmen during the last 8 years.Three black and white photos of a group of men in work clothe at the entrance to a tunnel on the Kiewa Hydro Electric Scheme.jack Watson has been identified in two of the photos.jack watson, tunnel workers khes

The 3-inch (81.5mm) mortar was used by the Australian Army during WW2 and later until replaced by the US 81mm mortar in the late 1960s. Ammunition was usually carried in these cardboard 3-packs. Three painted cardboard tubes connected by metal bands with wooden spacers. Cotton webbing carrying handle with oxidised brass buckles.No. 1 1943mortar

Used by crews to report accidents to the MMTB Claims section using a standard form process. Crews were trained how to use these as part of the initial training. Based on the phone numbers 1960s.Demonstrates the forms used to report accidents.Admin record or note book - card covers, with five tear off or perforated forms stapled to the inside.tramways, mmtb, accidents, reports, crews

The garage was established in the 1930s by Mr Gamble. Other proprietors were Perc Kimberley 1943-46, Henderson 1946, Neil Rogers. K. & B. Patton ran the garage from 1960s - 2008Colour photo of K. & B. Patton's Garage. The garage is a white, weatherboard single story building with a corrugated iron roof. There small lean-to on the LH side of the building. There is a large entrance and two large windows on the front. There are two petrol pumps at the front of the building. A blue car and a white utility are parked at the LH side of the garage. The signage on the front of the building reads K. & B. PATTON NISSAN and there is a NISSAN sign painted on the roof. There is a sign for Peter Stuyvesant cigarettes on the roof of the lean-to. A telegraph pole and the entrance to Gordon Park is on the right of the photo.perc kimberley, k & b patton, gamble, henderson, neil rogers

The ocean liner 'SS Queen Frederica', owned by the Greek shipping company Chandris Lines during the 1960s and 1970s, carried many Greek emigrants from their homeland to other countries across the world. A coloured post card of the liner 'Queen Fredirica' in full sail entering New York harbour with the Statue of Liberty in the background.QUEEN FREDERICA/ 21.000

These silver Victorian Railway Buttons were made in Melbourne by Stokes & Sons and were a standard form of button for police, railways and military during the Victorian era and in the case of the Victorian Railways until the 1960s.On the rim of back of buttons: - Stokes & Sons Melbournevictorian railways, buttons, stokes & sons, melbourne, railways, military, police.

These five photographs of the George Mann printing presses were probably taken circa 1960s in Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo. The photos are not annotated except for .4P. The George Mann Fast Five Printing Press was a two-colour demy quad offset press. It was a robust and well-made lithographic printing machine built by the George Mann company in Leeds, UK. The two presses were in service at the Army Svy Regt in the 1960s and 1970s and replaced with the Komori and Planeta offset printing presses in 1975 and 1976 respectively.This is a set of photographs of the George Mann Printing Presses operational at the Army Survey Regiment, Bendigo from c1960s to 1970s. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1960s, printing press, Lithographic Squadron .2) - Photo, black & white, c1960s, unidentified, printing press, Lithographic Squadron .3) - Photo, black & white, c1960s, printing press, Lithographic Squadron .4) - Photo, black & white, c1960s, SPR Howard Dingle, Lithographic Squadron .5) - Photo, black & white, c1960s, printing presses, Lithographic Squadron.1 to .3 – no annotation .4 - personnel names (with rank) annotated on back. .5 – no annotation royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, printing, litho

This small hand-held tool was used in the maize industry in Murrungowar (Orbost District) during 1900-1960s. Prior to machine harvesting coming about in the 1960s, each cob of maize had to picked by hand using this tool. Maize growing was a huge industry in the Orbost district and the job of picking the maize involved hand labour by many employees. This small hand-tool would have been common, but is now rare. This particular tool was owned and used by Nelson Northrope (Orbost) in the early 20th Century and used at Murrungowar by Frances Eilman (nee Somerville). A highly significant small hand tool associated with the maize industry. This item is rare. A small hand-held metal and leather tool. A metal 'knife' has a curved shape and is attached to 2 leather straps which are connected by a small buckle. maize growing, agriculture, orbost district

The former Kew Lunatic Asylum, was commenced in 1856 and opened in 1872. At various stages of the institution's history it was named the Kew Lunatic Asylum (1872-1956), Kew Mental Hospital (1956-1960s), Willsmere Mental Hospital (c.1960s-1982), and the Willsmere Unit (1982-1989). Most of the records relating to this former institution are held by the relevant Government Department or by the Public Record Office Victoria. Due to the location of this institution in Kew, the Kew Historical Society also holds an extensive photographic archive as well as significant collections of personal papers collected by staff who worked there.This photograph is one of a series donated to the Society by the photographer, taken following the closure of the Willsmere Unit, and before its redevelopment as a private residential complex. The series is historically significant in that it depicts interior and exterior views of the former institution that were subsequently altered or demolished during redevelopment. A number of the 'views' are socially significant as they allow us to examine the ways in which public institutional architecture in the 19th and 20th centuries responded to the needs of those with perceived mental health issues. Colour snapshot of a part or section of the former Willsmere (Kew) Mental Hospital, taken by Rick Lowell following its decommissioning and before its sale and redevelopment.kew lunatic asylum, kew mental hospital, willsmere mental hospital, willsmere unit, health & human services, mental health, institutional architecture

The former Kew Lunatic Asylum, was commenced in 1856 and opened in 1872. At various stages of the institution's history it was named the Kew Lunatic Asylum (1872-1956), Kew Mental Hospital (1956-1960s), Willsmere Mental Hospital (c.1960s-1982), and the Willsmere Unit (1982-1989). Most of the records relating to this former institution are held by the relevant Government Department or by the Public Record Office Victoria. Due to the location of this institution in Kew, the Kew Historical Society also holds an extensive photographic archive as well as significant collections of personal papers collected by staff who worked there.This photograph is one of a series donated to the Society by the photographer, taken following the closure of the Willsmere Unit, and before its redevelopment as a private residential complex. The series is historically significant in that it depicts interior and exterior views of the former institution that were subsequently altered or demolished during redevelopment. A number of the 'views' are socially significant as they allow us to examine the ways in which public institutional architecture in the 19th and 20th centuries responded to the needs of those with perceived mental health issues. Colour snapshot of a part or section of the former Willsmere (Kew) Mental Hospital, taken by Rick Lowell following its decommissioning and before its sale and redevelopment.kew lunatic asylum, kew mental hospital, willsmere mental hospital, willsmere unit, health & human services, mental health, institutional architecture

The former Kew Lunatic Asylum, was commenced in 1856 and opened in 1872. At various stages of the institution's history it was named the Kew Lunatic Asylum (1872-1956), Kew Mental Hospital (1956-1960s), Willsmere Mental Hospital (c.1960s-1982), and the Willsmere Unit (1982-1989). Most of the records relating to this former institution are held by the relevant Government Department or by the Public Record Office Victoria. Due to the location of this institution in Kew, the Kew Historical Society also holds an extensive photographic archive as well as significant collections of personal papers collected by staff who worked there.This photograph is one of a series donated to the Society by the photographer, taken following the closure of the Willsmere Unit, and before its redevelopment as a private residential complex. The series is historically significant in that it depicts interior and exterior views of the former institution that were subsequently altered or demolished during redevelopment. A number of the 'views' are socially significant as they allow us to examine the ways in which public institutional architecture in the 19th and 20th centuries responded to the needs of those with perceived mental health issues. Colour snapshot of a part or section of the former Willsmere (Kew) Mental Hospital, taken by Rick Lowell following its decommissioning and before its sale and redevelopment.kew lunatic asylum, kew mental hospital, willsmere mental hospital, willsmere unit, health & human services, mental health, institutional architecture

The former Kew Lunatic Asylum, was commenced in 1856 and opened in 1872. At various stages of the institution's history it was named the Kew Lunatic Asylum (1872-1956), Kew Mental Hospital (1956-1960s), Willsmere Mental Hospital (c.1960s-1982), and the Willsmere Unit (1982-1989). Most of the records relating to this former institution are held by the relevant Government Department or by the Public Record Office Victoria. Due to the location of this institution in Kew, the Kew Historical Society also holds an extensive photographic archive as well as significant collections of personal papers collected by staff who worked there.This photograph is one of a series donated to the Society by the photographer, taken following the closure of the Willsmere Unit, and before its redevelopment as a private residential complex. The series is historically significant in that it depicts interior and exterior views of the former institution that were subsequently altered or demolished during redevelopment. A number of the 'views' are socially significant as they allow us to examine the ways in which public institutional architecture in the 19th and 20th centuries responded to the needs of those with perceived mental health issues. Colour snapshot of a part or section of the former Willsmere (Kew) Mental Hospital, taken by Rick Lowell following its decommissioning and before its sale and redevelopment.kew lunatic asylum, kew mental hospital, willsmere mental hospital, willsmere unit, health & human services, mental health, institutional architecture

The former Kew Lunatic Asylum, was commenced in 1856 and opened in 1872. At various stages of the institution's history it was named the Kew Lunatic Asylum (1872-1956), Kew Mental Hospital (1956-1960s), Willsmere Mental Hospital (c.1960s-1982), and the Willsmere Unit (1982-1989). Most of the records relating to this former institution are held by the relevant Government Department or by the Public Record Office Victoria. Due to the location of this institution in Kew, the Kew Historical Society also holds an extensive photographic archive as well as significant collections of personal papers collected by staff who worked there.This photograph is one of a series donated to the Society by the photographer, taken following the closure of the Willsmere Unit, and before its redevelopment as a private residential complex. The series is historically significant in that it depicts interior and exterior views of the former institution that were subsequently altered or demolished during redevelopment. A number of the 'views' are socially significant as they allow us to examine the ways in which public institutional architecture in the 19th and 20th centuries responded to the needs of those with perceived mental health issues. Colour snapshot of a part or section of the former Willsmere (Kew) Mental Hospital, taken following its decommissioning and before its sale and redevelopment.kew lunatic asylum, kew mental hospital, willsmere mental hospital, willsmere unit, health & human services, mental health, institutional architecture