Official M&MTB photograph showing W5 class 727 after removal of its centre passenger doorways in 1969. Its other doorways are closed with canvas blinds and the destination reads "Special". Tram 727 was the first of over 80 W5 class cars to have their centre doorways removed as part of a tramcar modernisation process during the 1970s. With the replacement of the M&MTB by the Metropolitan Transit Authority in 1983, many of these W5s were then fitted with driver operated sliding doors between 1983 and 1986, being reclassified as SW5s.Yields information about W5 class trams. Black and white print with note on rearIn ink: "W5 minus centre door PWS. Melbourne & Metropolitan [incomplete]"w5 class, sw5 class, 727, centre passenger doorway, canvas blind, metropolitan transit authority

Madhubani art or Mithila painting was traditionally created by the women of various communities in Mithila region of the Indian subcontinent. It originated from Madhubani district of Mithila region of Bihar, and, it is popularly called Mithila painting or Madhubani art. Madhubani is also a major export centre of these paintings. This painting as a form of wall art was practiced widely throughout the region; the more recent development of painting on paper and canvas mainly originated among the villages around Madhubani, and it is these latter developments led to the name Madhubani art being used alongside the name "Mithila Painting." The painting was traditionally done on freshly plastered mud walls and floors of huts, but now they are also done on cloth, handmade paper and canvas.[3] Madhubani paintings are made from the paste of powdered rice. Madhubani painting has remained confined to a compact geographical area and the skills have been passed on through centuries, the content and the style have largely remained the same. Madhubani paintings also use two-dimensional imagery, and the colors used are derived from plants. Ochre and lampblack are also used for reddish brown and black respectively. Generally, no space is left empty; the gaps are filled by paintings of flowers, animals, birds, and even geometric designs.(wikipedia)Framed traditional Hindu story painted onto textile.madhubani, indian, krishna, radha, punjab, mehndi

Belonged to No1606 Frederick Robey Nicholls. Enlisted 18.5.1915 in No.1 A.G.H age 18 years and 2 months and embarked 26.5.1915. Transferred to 5th Field Ambulance. Discharged 11.8.1919. Used for carrying medical supplies.Canvas carry bag. Inside a series of pockets and slots to carry various items. Fold over lid to close pack via two metal studs. A shoulder strap on top of bag connected to bag by 2 metal rings. Strap is broken. Two small copper studs at bottom of bag and one larger. Metal and leather stud on right side of bag.On back of bag in black "AMBULANCE" and No. "1606".ambulance, medical bag

Goggles constructed of two oval lenses in metal frame which attaches to thin canvas which is stretched over wire frame which touches eye. Thin khaki elastic strap on left and right side attaches at back with thin hook and eye in metal. Two lenses attached via hand stitched brown leather strap with some fur attached.

MEDIUM: Oil on paper. DESCRIPTION: Blue, white and brown oil painting on paper, mounted on white board under glass, white outer frame. An abstract close up, bones are lined up vertically along the full length of the canvas against a bright blue background and a centrally placed horizontal earthy toned background, the bones almost appear attached, as to a cowboys belt. Initialed and dated on image, proper left bottom corner.them, oil, bathgate, bones

CEMA Art Collection Winner of Portland Artist's Society Prize 1961The painting depicts a small building set amongst tall trees and grasses. The building is situated in the centre of the work and is cream with a red roof and red awnings. In the foreground is a large area of long grass which leads into the shorter maintained grass that surrounds the building. Behind the building are numerous tall dark green trees. The work has a wide gilded frame and exposed canvas.Front: (No inscriptions) Back: Jack Freeman 1961 Landscape Dandenong (top right, black handwriting) 18 (white sticker)

Bendigo Advertiser ''The way we were'' from 2000. Nurses' quarters: Bendigo's first hospital was a wood and canvas structure erected on a two-acre site at the top of Short Street. Eventually architect W.C. Vahland designed a hospital built on Rowan Street, Bendigo. This part of Sandhurst remained a fashionable area with some of the city's finest homes at the time erected there. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Associated with WW2 Circa 1940's and used commonly as a section or platoon medical kit whilst on duty. Associated with Australian Army WW2, section medical kit. WW2 1940-1945. Australian Army issue. Canvas kit with leather carrying/shoulder strap. Two silver metal studs are on the front flap which fasten the kit together. The kit holds an assortment of tinctures, spoon, ointment, bandages of assorted sizes (guage type), tweezers, safety pins, anbd wound pad. This type of kit is typical of a section or platoon medical kit used when out on patrol or exercise. On the front flap partially unreadable and then underneath the caption "First Aid". ww2 section medical kit, ww2 medical kit, ww2 1940-1945, canvas mediical kit ww2

David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.'Untitled' by David Armfield an oil on canvas painting depicts sand, sea, distant mountains and various figures scattered about in a typical Armfield landscape. The figures tend to be annonymous, sometimes included more to establish the scale than for a narrative purpose. The figures are well clothed and it could be assumed that it is not a hot summer's day. Depth is established by changing of colours and diminishing the size of the figures.david armfield, beach, eltham, nillumbik shire council

This item was used as a duffele bag to carry equipment (ie. blankets, clothes, food) by the service man, Stanley Linton Nicholls. Nicholls was born in Ballarat on 16 June 1911 and was enlisted during WW2 into the second Australian Imperial Force on 4th August 1942 in the third military district of Victoria. He served as a Corporal and was discharged on 19 December 1945.Canvas bag, cylindrical in shape with closed round base and open, drawstring top. Smaller circle of same material attached inside drawstring opening as an internal cover/flap when closed. Metal eyelets (12) along top hem for drawstring (missing); two eyelets missing. Name and service number inscribed on side of bag in paint; slight staining around paint. Side panel: “S.L. NICHOLLS/VX84489/45017”. Green circle with three line breaks at even intervals. Green circle repeated on base. Base: Green circle as above. “45017”bag, barracks bag, gear bag, kit bag, canvas bag, equipment bag, duffle bag

This image captures the moment just before the Maldon Market Building was converted into the Shire Hall and Offices. The decision to so convert it was made formally by the man who painted it in has new role as Shire Secretary.This framed oil painting on canvas depicts the Maldon Market building, in the period before it was converted to be the Maldon Shire Hall and Offices. In the rear of the scene the Courthouse can be seen, with the Maldon Contingent of the Victorian Volunteer Rifles drilling in front of it. These buildings are located in the former Government Camp area. The work was painted by Henry Joseph Charles Mitchell, later to become the Shire Secretary in 1864.maldon victoria, market building, shire hall

Art Collection Previously located in History HouseThe painting depicts a large sailing ship with orange masts and is almost in full sail. To the left of the ship are two other sailing ships. To the right are several sailing ships and white cliffs with a port. In the foreground is a rough green ocean with several seagulls in midflight. The background is a blue sky with numerous dark clouds. The work has a heavy gilded ornate frame and exposed canvas.Front: C DELL 1856 Back: Sticker of the Conservation Centre

Part of the Alfred Boland collection, refer Cat No 2473.Canvas "Square" bag with shoulder strap bypass buckle. Colour green/brown. Both sides have little pockets, kept shut with press studs. The top lid is kept shut with an American Pattern clip and post system. Inside the bag are two little pockets. The bottom 'Pocket' covers the drain hole. On the back are two belt mounting steel loops.Inside the lid is a broad arrow.equipment, canvas bag, ww2

May Coles (1915 - 2007) worked for more than 25 years at the exclusive Georges store in Collins St. May lived nearby the West Preston tram terminus and caught the tram to work. The work was commissioned by May to recall those special years of her work at Georges. Has a close association with May Coles who commissioned Norman Kirkpatrick to paint the work.Framed Painting of Norman Kilpatrick 1982, of W 785 west bound in Collins St with Georges Department Store in the background. Wooden frame, painted light and dark brown with light cream cloth inner from and cream lined. Stretched canvas over wooden inner frame stapled to main frame and covered with a Masonite lining on the inside. See notes etc.Signed "Norman Kilpatrick 1982" in bottom right hand corner.trams, tramways, collins st, georges department store

Illustrated hard cover book with dustjacket. Book bound in dark blue canvas with title, authors name and publishers name in gold on spine. Dust jacket has dark blue background with the title and authors name on front and spine. Also on front cover is image of painting of a poppy by Des Norman. On the back cover there is an image of a 1947 hand coloured map of the Repat hospital.non-fictionHistory of the Heidelberg Repatriation Hospital in Melbourne from its creation, when it took over the 115th (Heidelberg) military Hospital in 1947 up to 1994.repatriation general hospital (heidelberg-victoria), veterans hospitals

Exhibited by the artist at the Wood, Wine & Roses Festival, Heywood, 2004.Aunty Betty King was a Kerrup Jmara Elder from Portland. She was the great grand-daughter of King Billy of Yigar. Aunty Betty cared deeply about Nyamat Mirring and Country. A staunch activist and long-time advisor to the Friends of the Earth, Aunty Betty King and Sandra Onus worked together to fight against the logging of native forest in the Cobboboonnee taking part in protests and meetings.Acrylic paint on canvas depicting birds and fish, water lilies and other vegetation, and stylised designs associated with early settlement of Aboriginal people in the Portland/Glenelg wetland area. Black painted border with white dot pathways, a circle of white dots in each of the four corners. Centre area in blues and greens featuring two birds, painted in black with red and ochre bandings.Front: nilgunditjmara, first nations, nyamat mirring, glenelg shire cultural collection, portland, female artist, female artists, heywood

From accompanying interpretive sign,"Early life jackets and life- rings were made using cork for bouyancy. A poignant reminder of the risks facing seafarers". Triangular and rectangular pieces of cork are from old life jackets. Curved piece with canvas remnant and white paint is a section of an old life ring. The piece with hole and split is a float off a fishing net. As cork is also used to provide buoyancy to fishing nets, further information on these fragments, such as their degree of rarity, and the historic use of cork for buoyancy in relation to lightstations and rescue equipment would be helpful. They will have second level contributory significance if it can be established that they are historically associated with the functions of the lightstation. 1. Triangular shaped piece of cork, has holes and cracks. 2. Rectangular shaped piece of cork, has large holes through piece. Remains of white textile covering on two sides (long sides). Piece is slightly convex. 3. Rectangular pieceof cork. Corners are rounded . Rough pitted surface. 4. Tube shaped section of cork. Has hole through middle with split in one side extending to hole. Around outside there are even lines extending horizontally.

Warrnambool's copy of Government Statutes for Victoria, dated 1866. One of a set of four volumes.The Victorian Statutes Vol 1 Collectors of Customs A-E, front cover has Collectors of Customs Warrnambool. Brown leather binding and corners, black canvas cover, red and black bands on spine. The Victorian Statutes in four volumes, Volume I. Published by Authority, 1866. Printed by John Ferres, Government Printer, Melbourne. (Price for the four volumes 3 pound 3 shillings. warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, government statutes for victoria 1866, warrnambool's copy of government statutes 1866

Warrnambool's copy of Government Statutes for Victoria, dated 1866. One of a set of four volumes.The Victorian Statutes Vol 1 Collectors of Customs P-W, front cover has Collectors of Customs Warrnambool. Brown leather binding and corners, black canvas cover, red and black bands on spine. The Victorian Statutes in four volumes, Volume 3, Published by Authority, 1866. Printed by John Ferres, Government Printer, Melbourne. (Price for the four volumes 3 pound 3 shillings. )warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, government statutes for victoria 1866, warrnambool's copy of government statutes 1866

Items in a collection relating to Edward Judd, refer Cat No 7410 for his service details.1. Water bottle. This is a blue enamel 2 pint water bottle British pattern. It is covered in a drab olive felt cloth. It has a narrow raised neck with a cork stopper. 2. Carrier water bottle. This is a narrow leather strip of about 1/2" (12.5mm) width. At the end is a canvas webbing broad strap. Width 2" (or 50mm). The length of the leather piece is adjustable.On the metal end of the cork stopper, stamped, are “D^D” and the letters “OP”.ww2, equipment, bottle, water

The fire hose reel was purchased by the Fire Ladies' Auxiliary for the Mt Beauty S.E.C. Fire Brigade in the late 1950's for over 1000 pounds. Initially they competed with Bogong fire brigade as both were 'Industry' Fire brigades - both owned by the State Electricity Commission. Competition was at 2 levels - north east Victoria and state competitions involving rural and urban brigades with a difference in the equipment. Mt Beauty was/is an urban brigade whereas Tawonga is a rural brigade. Competition involved members to improve their skill, keep fit and was a very social occasion. After the Shire took over Mt Beauty township in 1961, the Fire Brigade ran by itself but soon became affiliated with the C.F.A. because of insurance and legal liability e.g.. enabling them to stop traffic or wreck buildings if required. The CFA were not happy with the Mt Beauty truck so a new one was obtained while the old one went to Bogong. Competitions gradually ceased as it was a young man's sport and young members had prior commitments. The reel was donated to the KVHS in the mid 1980's as it failed to be sold as it competed with new, cheaper, aluminium reels. The practice strip was located beside the fire station in Lakeside Avenue. This fire hose reel was used by the Mt Beauty Fire Brigade for demonstrations at competitions during the 1950's and 1960's. The Mt Beauty Fire Brigade Team won the competition in 1966 at Wangaratta. The score was close against the home team and was decided on a play off. The team benefitted by the man who wound the hose on allowing it to end up at the easiest height to handle when full of water and very heavy.The Mt Beauty Fire Brigade was an 'industry' fire brigade belonging to the State Electricity Commission of Victoria from the 1940's. It became a member of the Country Fire Authority in the early 1960's. During the 1950's and early 1960's members would compete with other local fire brigades in competitions against other brigades in the north east of Victoria using skills such as unwinding the hose off the reel and turning on the water in record time. The Mt Beauty Fire Brigade continues today as an urban fire brigade affiliated with the CFA.Varnished wooden cart reinforced by painted red steel frame. The wheels have 14 wooden spokes and steel around the outside of the wooden wheel. A long canvas hose is wound around a central winding cylinder. The cart has a wooden handle with a rubber jockey wheel at its end. There is a brass hose nozzle attached by a stainless steel frame on the outer side near one of the wheels.Each Reel: "Mt Beauty F.B." yellow print outlined in black with red background.fire hose. mt beauty fire brigade. country fire authority. fire reel.

Used by Medical Officer Captain Harold Jackson, 8th Battalion, who served on Gallipoli and was mentioned for gallantry. Captain Jackson was a Bendigo based doctor.Khaki canvas bed roll with padded calico mattress built in. Large side flap to cover occupant. The top has a hood which doubles as a cover for the rolled up bed. Leather straps to secure the rolled up bed are missing but brown leather keepers are present. Various rep[airs are evident including a hessian patch sewn on the outside, that partially obscures the owner's name.Printed on the outside of the cover in black: 'Captain H. Jackson, Med Officer, 8th Battalion'.medical officer, 8th battalion, sleeping equipment, captain h. jackson

Items belonged to Wayne William Forbes No 3176337 RAE. Refer Cat No 754 for service history also 2586. Part of an extensive collection including his fathers..1) Card, Australian Force Vietnam PW Instruction Card (Prisoner of War). On white background 1 side details the handling of POW's under the Geneva Convention 1949. Side 2 is a list of key phases in English & Vietnamese. Card is a plastic sealed sheath. .2) Army Drivers Licence, brown canvas outer, folds in 3. Inside details the particulars of W FORBES..2) 3176337 - SPR - Wayne William FORBES Licence No 82172documents - cards, licences, military history - army

CEMA Art Collection Previously located in History HouseThe painting depicts a street scene with ten buildings in a line. The foreground represents a road and is depicted in various shades of brown, green and yellow. The row of buildings is a mixture of double and single storeys. The most prominent building is a double storey grey building with four top storey windows and a chimney. The top half of the work is a blue and yellow sky. The work has a gold and black frame and exposed canvas.Front: DEB Back: (No inscriptions)

Bendigo Advertiser ''The way we were'' from 2000. Relaxing: butchers at William Gittins' Slaughterhouse at Grassy Flat take a break in this photograph from 1900. Gittins established a butchering business in a canvas tent near the main Huntly channel in 1858 and it grew until he was able to open a store on Williamson Street in 1865. The slaughterhouse was then at Slaughterhouse Hill, on Biescher Street. The clip is in a folder.newspaper, bendigo advertiser, the way we were