The Springthorpe Memorial is the most important monument in the Boroondara General cemetery. It commemorates Annie Constance Springthorpe (nee Inglis), the wife of Dr. John Springthorpe (1867-1897). Following his wife’s death, Dr john Springthorpe worked with John Longstaff to produce a book, entitled ‘In Memoriam’ for his personal collection, for his children and for immediate family members. Designed by Longstaff, it contained poems, photographs, drawings and idealised memories of Annie and their life together. This is one of two copies of In Memoriam in the collection of the Kew Historical Society. It is believed to be one of eight copies held in public collections. Copies catalogued on Trove include one at the State Library of Victoria and another at the University of Melbourne. As such these two copies are historically, aesthetically, and spiritually significant with the added factor of their rarity. ‘In Memoriam: Annie Constance Springthorpe’ (Verses in memory of Annie Constance Springthorpe), compiled by John William Springthorpe and illustrated by J. Longstaff : 28 p. : ill., ports. ; 26 x 32 cm. non-fictionInscribed on frontispiece to the Misses Moore.john longstaff, annie springthorpe, springthorpe memorial, boriondara general cemetery, john springthorpe

One of five group and individual portraits of the Noble family of Kew, two in the rear garden of what is presumed to be ‘Charnwood’, in Station Street, Coburg. The photographs date from the period c.1890-1914. One of the larger framed photographs is a portrait of the entire family group, while another is of two of the children, Frederick and Winifred. The father, Frederick William Noble was a businessman, and, at one period Secretary of the Victorian Creamery & Butter Company in South Melbourne. Later he was to manage J. Bartram & Co., Ice & Cold Storage Department in Flinders Lane. By 1906, the Noble family had moved to Kew, living for almost 20 years at 100 Walpole Street before relocating to 26 Molesworth Street in the mid 1920s. The five photographs in the collection reveal details of family life and social values as expressed through attire. The family is formally costumed in a manner indicative of their social status. Mrs Noble, in one of the large framed portraits, is dressed in a sombre manner in a long, dark-coloured long-sleeved, high-necked gown. It is difficult to know whether she is dressed in mourning wear in this black and white photograph. It was not uncommon for a woman to regularly wear mourning attire due to the high mortality rate in the Victorian era. This situation was compounded for women due to the size of extended families. A woman might rarely be out of mourning due to the death of a parent, a sibling, a husband, a child or a near relative. The portraits of the Noble family children, particularly Frederick and Winifred, show the elaborateness of formal attire worn by the children of wealthy families during the late Victorian era. Winifred is dressed in a long cotton dress and a broad-rimmed hat; both liberally covered in lace. Winifred and Frederick’s lace collars extend to their shoulders. Winifred’s diaries, covering the period 1908-50, are now in the collection of the State Library of Victoria. The most detailed of the diaries is from 1914, just before the outbreak of World War 1, and includes ‘Accounts of my Dancing Evenings - Season 1914’. The diaries were the inspiration for an art exhibition by Jim Pavlidis in 2014. One of the family’s two sons, Frederick, was to work at The Age newspaper for 50 years. His obituary records that “He was regarded as the epitome of accuracy and a fount of knowledge on many subjects, but especially cricket, the Royal Melbourne Show and Gilbert & Sullivan”. With Robert Morgan he compiled Speed the Plough, a history of the Royal Agricultural Society of Victoria and its role in developing agriculture in Victoria.Framed photographic half portrait of Winifred Noble in the original carved wooden frame. Winifred lived at 'Avalon' in Molesworth Street, Kew.Handwritten label on rear "Winifred Noble c 1910-12"noble family, winifred noble, photographic portrait, kew

New York : Franklin Watts, 1963 vii, 253 p. ; 25 cm. non-fictionGeneral history with very brief mention of Aborigines.settlement and contacts - colonisation., settlement and contacts - ancient and early historical., politics and government - sovereignty, economic sectors - agriculture and horticulture - pastoral industry., settlement and contacts - government settlements, history - political. | settlement and contacts - settlers., australia -- history.

Sydney : S.J. Clarke Publishing, [1924 or 1925] [22] p., [38] p. of plates : ill., facsims., maps plans, ports. ; 27 cm. Volume 3non-fictionaustralia -- history

Sydney : John Sands, 1948 141 p. ; 28 cm. non-fictiongenealogy, australia - family history

Sydney : Angus and Robertson in association with the State Planning Authority of N.S.W., 1965 48 p. : ill., map, plans ; 25 cm. non-fictionsydney (n.s.w.) -- historic buildings

[Liverpool, N.S.W.] : Cumberland County Council, 1963 54 p. : ill., maps ; 26 cm. non-fictionhistoric buildings -- new south wales -- liverpool., historic buildings -- new south wales -- campbelltown.

[Sydney], 1967 67 p. : illus., facsims., maps, plans ; 26 cm. non-fictionhistoric buildings - windsor (nsw), historic buildings - richmond (nsw)

Sydney : Ure Smith, 1966 104 p., [40 leaves] : ill. ; 29 cm. non-fictionSydney in 1848 : illustrated by copper-plate engravings of its principal streets, public buildings, churches, chapels, etc. Originally published in 20 parts in 1848-50. First published in one volume in 1878.--Publishers' note.joseph fowles, sydney - history, sydney. description & travel. early works

Melbourne, : Hawthorn [1967] 147 p. : illus., geneal. tables (on lining papers) ports. ; 25 cm. non-fictionmrs phillip parker king, australia -- history -- sources., harriet king 1796-1874 -- correspondence.

[Melbourne] ; Stanmore, N.S.W. : Cassell Australia, 1969-1976 Volume 1 : illustrations (some colour) ; 33 cm. non-fictionhistoric buildings - australia

[North Melbourne] : Cassell Australia, [1971] 306 pages : illustrations (some colour) ; 32 cm. non-fictionpublic buildings -- australia.

Melbourne, Georgian House [1967] xx, 108 p. illus., map. 25 x 33 cm. non-fictionarchitecture -- domestic -- victoria, historic buildings -- victoria

Newspaper article glued to backing board: HERITAGE WEEK - HISTORICAL PHOTO COLLECTION The launch Heritage Week (April 8-15 [1984]), the Kew Historical Society has arranged the display of large colour photographs (the Koelmeyer-Edmonds Collection) of early suburban Melbourne Street scenes. This important collection may be viewed during Heritage Week at the City of Kew Library, Charles Street, Kew. Laurie Koelmeyer, a collector old and rare photographs, commissioned Jenny Edmonds, a noted local artist, to paint scenes such as Kew Junction, Auburn Village and the Hawthorn Railway Station in historical detail from old photographs. The paintings were then colour photographed for the heritage Week display. Kew residents will see twenty photos in all at the Kew Library. We should feel honoured that our suburb has been chosen for this display. The Koelmayer-Edmonds team was invited to launch the public exhibition in Kew at the instigation of the Historical Society and its President, Rae Brunette, who are to be congratulated for their efforts in arranging this special collection. The State Bank has indicated its support for the photographic display. Later it is proposed that the completed paintings will be exhibited at the Head Office of the Bank to coincide with Victoria’s 150th Anniversary celebrations. The display at the Kew Library is a significant honour for our City and is one which you should not miss. The Kew Historical Society can be contacted on ’80 3657.”Framed oil painting on board of the 'Commercial Heart of Kew', copied and painted from an early postcard published 1905.Labels on reverse: "THE COMMERCIAL HEART OF KEW / COPIED AND PAINTED FROM AN EARLY POST CARD PUBLISHED 1905 / RESEARCHED AND DONATED BY MR LAWRIE KOELMEYER APRIL 1982 TO KEW HISTORICAL SOCIETY." "SMALLER COPY OF THE KEW HISTORICAL PHOT0 DISPLAYED IN THE KEW LIBRARY."jenny edmonds, cotham road -- kew (vic.), lawrie koelmeyer

Colour Photograph. Level five, from rooftop taken on the eastern side facing north towards the Victorian State Library. On the left of frame is the door to the level 5 foyer. Taken during a restoration inspectionhistoric buildings, building construction, cultural structures and establishments

James Albon is credited with building the first bowling green in Surrey Hills at his home on the corner of Mont Albert Road and Wilson Street (later occupied by the Roman Catholic convent). This green was so popular with his friends that he organised the formation of a bowling club at the corner of Montrose and Wilson Streets. It opened in 1912. Earliest club records date from 1916. The original club-house was rebuilt in 1922/23 using interlocking blocks as recommended by Walter Burley-Griffin. This was quite an innovative design at the time. In turn cream brick buildings replaced this building in the 1950s. The Surrey Hills Bowls Club disbanded in 1995. The donor believed that this spoon belong to her grandfather David Miller (Dave) Mair who lived at 20 Barton Street until his death in 1938. Dave was an extremely keen sportsman (particularly bowls and cricket). He started the Kangaroo Cricket Club and worked for the Melbourne Cricket Club. She initially sent the spoon to the Surrey Hills Bowling Club in 1996, not realising that it had closed the previous year. It was returned to her and over 20 years later was donated to this collection. This is part of a large donation of material relating to the Deakin, Mair and Young families, all with connections to the Surrey Hills and Mont Albert area. This augments other material relating to the history of the Surrey Hills Bowling Club that was saved by Jocelyn and Ken Hall after the club closed in 1995. The official records of the club were deposited with the State Library of Victoria, but prior to this some summary notes were made by the Halls. The material is evidence of one of the earliest sporting clubs established in the area.An EPNS metal teaspoon, consisting of a curved bowl with a decorative plaque at the top of the handle. On the front of this is an image of a lawn bowls ball and a jack within a scroll and linked with a band containing the words "SURREY HILLS BOWLING CLUB VIC". The plaque is inlaid in red, navy, white and black enamel. The makers name is impressed into the back of the handle.Rear: "Paramount" / "E.P.N.S."surrey hills bowling club, souvenir spoons, david miller mair, dave mair, laurie young, laurie newton

Penny CAREY WELLS (08 November 1950- ) Born Hobart, Victoria Penny Carey Wells has worked as a paper and book artist in Tasmania since the early 80s and taught at the School of Art, University of Tasmania, from 1985-1997. She is currently employed part time at the State Library of Tasmania as a technician in paper conservation and exhibition officer. (http://www.kitezh.com/haven/artists/penny.htm, accessed 1/11/2016) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Boxed paper sculpture of the torso of a woman with narrow leather chest bands and gold leaf on the left hand side. art, artwork, sculpture, penny carey wells, torso, available, penny carey-wells

Published in c1948 by Wightons Print, 215 Moreland Road, Coburg. These chapbooks were sold door to door after WWII by members of the Partially Blinded Soldiers Association in Victoria to fundraise for the association. The Association was established in 1924 to serve the interests and welfare of partially blinded returned soldiers. The author, George Robert Riley (late AIF and AMF) was born in Drouin in 1890; died in 1952. He trained as a compositor. Served in France and was partially blinded during WWI. He also enlisted during WW2 when he seems to have lowered his age. There do not appear to be many copies of this publication that have survived. It does not appear in either the State Library of Victoria or the National Library of Australia catalogue. The Museum of Victoria may have a copy. Apart from its significance as a fundraiser for returned soldiers, it documents culinary fashions in the post-WW2 period. Although a number of the recipes in Part 1 have exotic names, they are yet to be influenced by post-war migration to Australia.A 32 page booklet held by 2 metal staples. The paper is stained and embrittled but was probably originally cream. The cover depicts a soldier at rest under a palm tree dreaming of home and a hearty meal. Printed in shades of green and grey-black. This is Part One of Two. The chapbook contains 140 recipes, mostly broadly Anglo-European. Nilchapbooks, ww2, wightons print, mrs kate brennan, partially blind soldiers association, george robert riley

Articles include the decision to add a talking book collection to the library, including sponsorship for players, a survey conducted into reading habits of blind people, former Chief Cataloguer at State Library has volunteered to undertake reclassification work, highest number of Braille volumes produced this year than ever done previously in 77 years of operation, four Braille Proficiency Certificates awarded, resignation of Joan Armytage, new fire service installed, Christmas card sales boomed but rents from hall fell due to stricter control over late night functions.25 pages of text with drawingsbraille library of victoria, corporation records

"The Mechanics Institute movement flourished in Victoria from 1839 to 1950. It was based on the development of Mechanics’ Institutes in Scotland and England from the 1820s, which were intended to educate and enlighten the working classes. The term ‘mechanic’ in those days meant an artisan, craftsman or working man, especially those who had moved from rural areas to work in new city factories during the Industrial Revolution. The early Institutes were usually equipped with a reading room, a library and a lecture room. Although enjoying mixed success in Britain, they contributed to the development of public education and library services. The movement was adopted more enthusiastically in the colonies. It began slowly in Victoria but its expansion after the gold rushes population influx was rapid, especially in rural areas. Every suburb and town wanted to have a Mechanics’ Institute. During the 1850s approximately forty Institutes were established, with even greater growth in the period 1860 to 1900. By 1900 there were 400 Institutes in Victoria. The establishment of a Mechanics’ Institute was often a great achievement for a local community, requiring organising committees to raise substantial funds for a building site (where this had not been granted by the Government), and the building. Once built, the committee then had to purchase books, provide a caretaker or librarian, and finance the ongoing use of and improvements to the building. ‘The history of many Institutes is a story of tremendous community effort, and often, financial difficulties’. In addition to being monuments to local enterprise and community life, the Mechanics’ Institutes played a vital role as an intellectual forum, and in contributing to an informed and participatory democracy in the late nineteenth and early twentieth centuries. They provided journals and other reading matter on local, state, national and international issues, and hosted of lectures and held debates about wider issues such as Federation, colonial nationalism, defence, female suffrage, the price of land and labour. With the development of the school and technical education in the latter part of the nineteenth century, the need for community technical and adult education declined. As a result of the introduction of government library grants in 1867, many Mechanics’ Institutes incorporated a free library in their buildings to finance collection of their books. By 1884-85, there were 257 free libraries in Victoria. However, government support and library grants dropped off in the 1890s depression. Entertainment took on a greater role in the 1890s, with the introduction of moving pictures, billiards rooms, games rooms (chess), concerts and dances. The First World War had a devastating impact on many rural communities, and some Mechanics’ Institutes were no longer viable. On the other hand the early twentieth century was also a time of agricultural development, and many country towns were growing in this period. The 1930s depression further limited growth of many libraries and reduced grants substantially. In response many Mechanics’ Institutes were renamed, for example as memorial halls, in order to retain and attract more patrons (eg at nearby Sunbury). The diminishing role for Mechanics’ Institutes and the preference for larger and better appointed halls (with supper rooms, cloak rooms etc) resulted in demolition of some small Institutes. The advent of cars, radios, and television also provided other opportunities for recreation, learning and entertainment. The greater role of municipalities in providing library services also eroded the need for free libraries. While over 500 Mechanics’ Institutes or halls are extant, very few of these retain their original role as ‘diffusers of useful knowledge’. Most are still available for community purposes, as venues for meetings, socials, civic occasions etc, while others are employed as museums, shops and theatres. Most buildings are on Crown land, and managed by a delegated committee of management, who are responsible for raising revenue to maintain aging buildings. Many of those which were originally established on private land, such as Melton, have since reverted back to the Crown, and municipal Councils. The most common Mechanics Institute building form is the simple weatherboard gable building with iron roofs, notable for their ‘honest simplicity’ rather than as ‘monuments of the ancients’. At the other extreme there are some magnificent two storeyed brick and stucco structures with elaborate ornamentation (as was apparently envisaged by some in Melton in 1905-10)". The future of Melton Mechanic Institute Gazette articlelocal architecture

Printed book. 178 pages.non-fictionPublication details: Bacchus Marsh: A Pictorial Chronicle, by Gwyn Moore and Jean Oomes. Published by Bacchus Marsh & District Historical Society, Bacchus Marsh, Vic, 1986. SUMMARY: Black and white photographs and illustrations of places, buildings and people of the town of Bacchus Marsh and surrounding district. The book is divided into five chapters; 'The First Thirty Years' 1836-1866, 'Consolidation, 1866-1896', 'Progress, 1896-1926', 'Changes of Fortune, 1926-1956', 'The Valley of the Future, 1956-1986'. An index is provided to assist in identifying places, subjects and people. Most of the images were produced by local people, or in the case of early images by visiting photographers and artists. Copies of the majority of images are held by the Bacchus Marsh and District Historical Society. Some images have been acquired from the State Library of Victoria. Detailed captions accompany most images providing a wealth of historical and biographical detail.bacchus marsh history, bacchus marsh pioneers, bacchus marsh district history, bmdhs publication

Printed book. 112 pages in total. Pages 13 -64 numbered.non-fictionPublication details: 'Railway guide book and time table for Melbourne, Ballarat, Adelaide and all intermediate stations, also gazette for Bacchus Marsh, Ballan, Melton, &c., and almanac for 1891', compiled by Christopher Crisp. Printed and published by Crisp and Lane, Bacchus Marsh, Vic., 1891. SUMMARY OF CONTENT: Includes detailed timetables and schedule of fares, descriptions of stations and refreshment facilities pp.6-26; overviews of Shires of Bacchus Marsh, Ballan and Melton, pp.27-30; historical, geographic, and economic background notes about places on the Melbourne to Adelaide route, pages 31-64, including descriptions of Bacchus Marsh, pp.34-42 and briefer notes on Ballan, pp.42-43 and Melton, pp.32-33. Almanac section is pp.65-95 (not numbered), containing common information in nineteenth century almanacs such as a calendar of the days, weeks, and months of the year; a record of various astronomical phenomena, climate information and seasonal suggestions for farmers, the rising and setting times of the Sun and Moon, dates of eclipses, hours of high and low tides, and religious festivals. A brief history of Irrigation in Mildura is on pages 1 and 112 (first and last pages). Advertisements, mostly for Bacchus Marsh businesses are on pp.96-111. The Almanac section is illustrated with drawings of scenic views of various places in Australia, but none of the Bacchus Marsh region. Online access is available on Trove at: http://nla.gov.au/nla.obj-392504046railways, railway lines, almanacs, railway lines timetables

This map was one of a number of similar maps produced for advertising purposes by a company called, 'The Unique Advertising Combine'. The company was located in Melbourne on Queens Walk. A brief item in the Bacchus Marsh Express newspaper on 29 March 1890 , page 2, indicated that subscribers to the Bacchus Marsh Express could obtain a copy of this map in the next issue of that newspaper. On the map is the detail that it was compiled by W.H. Bonney from official records supplied by D. A. Little, hire Secretary, (of Bacchus Marsh Shire).This map with its accompanying illustrations of local businesses and shops in Bacchus Marsh is an important documentary and visual snapshot of the town and district of Bacchus Marsh in the later part of the nineteenth century. The illustrations for some of the local businesses are the only known visual record of those particular buildings. The map is a rare surviving example of the material produced by The Unique Advertising Combine. Another similar example for the Shire of Mornington is held by the State Library of Victoria,A map of the Shire of Bacchus Marsh produced in March 1890. The map is mounted on a board and enclosed within a timber frame. The map includes an inset detail section showing the central part of the township of Bacchus Marsh including the main shopping and business streets. Land holdings with the first European land holders names indicated are included on the map. Rivers, creeks, major roads and the railway line are also shown on the map. Around the edges of the map are illustrated advertisements mostly for Bacchus Marsh businesses but which also includes some businesses located in Melbourne. maps bacchus marsh shire, shops bacchus marsh