Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white depicting bushland and a pond reflecting light.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, pond, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Print - lithographBottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, garden, evening, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (dark image) detailing the interior of Clifton Pugh's house at Dunmoochin. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, interior, house, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) depicting Chehovskis' cottage at Dunmoochin. Small cottage, bushland and shrubs.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, cottage, lithograph

The author delves into the history of her Spanish ancestors, the San Miguels, and uncovers the forbidden love affair that tore the family apart. Fay Johnston told her daughter of a collection of letters she had kept hidden away for over 60 years, promising to show them to her when the time was right. It was only after her mother died that Dolores found the letters, concealed beneath a large piece of wood deep within a storage cupboard. Through endless research and close analysis, Dolores pieced together nearly a hundred letters, newspaper ads, doctors' notes, and postcards to unravel the story of her parents' romance. Dolores San Miguel is also the author of The Ballroom: The Melbourne Punk and Post-punk Scene. Her family history is placed in the wider context of early European immigration to Australia, as well as offering a fascinating glimpse into Melbourne life in the lead-up to World War 2.278p; Fay Johnston told her daughter (Dolores San Miguel) of a collection of letters she had kept hidden away for over sixty years, promising to show her but it was only after she died that the letters were found along with postcards, and doctors' notes. They revealed the story of her parents romance, kept secret for over two decades.(ms) dolores san miguel, (ms) fay johnston, courtship, families, immigrants, social life and customs, (mr) antonio san miguel

The land was bought in 1853 by John Smith and he built the house. The house was offered for sale in 1866 when George Barnacle bought it and named it 'Warwick Cottage' after his birth place. it was offered to short term tenants such as the surveyor Creed, Miss Boes a dressmaker and O'Doherty the Catholic school teacher. In 1874 Dr Rastrick was a tenant and in 1878 it was occupied by the grocer William Searle and his sister a dressmaker. Barnacle offered the cottage for sale in October 1885 advising that the iron roofed stone cottage , 4rooms, detached kitchen and outhouses had been previously occupied by W.C.Uncles and at that time William Muhleg Carpenter. It ultimately sold privately to Miss Beatty and she continued to rent it to tenants. James Kilbride was the tenant in 1887-88. The cottage was sold in 1888 to Isaac Smale. The house continued its tradition of housing dressmakers with Mrs Barby carrying on that profession in the 1940's,50's and 60's. Coloured photographcottage, building, home, house, 77 cox street, warwick cottage

Timetables - provide information on ticketing, fares, timing points, with a description of the route and a map. 1 - West Preston - Northcote - City - routes 9, 10, 11 - Feb. 1972 2 - North Coburg with connecting bus to Fawkner and Gowrie - Upfield on Sundays route 19, 20 and 18 - March 1972 3 - North Balwyn Burwood - City - routes 48, 40, 41, 37, 74, 75, 76, 28 - Feb. 1972 4 - West Coburg - Domain Road and West Coburg City on Sundays - routes 55, 56 and 68 - March 1972 5 - West Maribyrnong - City - (bus routes on Sunday only) - routes 57, 54, 60, 58 and 50 - Feb. 1972 6 - Essendon Aerodrome - City - route 49, 49, 52 and 51 - March 1972 7 - Footscray - Moonee Ponds - bus route on Saturday afternoons and Sundays - route 82 Feb. 1972Yields information about MMTB tram services during 1972Set of seven MMTB tram timetables - multifolded printed on yellow or green paper.timetable, mmtb, route 10, route 9, route 11, route 19, route 18, route 20, route 48, route 40, route 41, route 37, route 74, route 75, route 76, route 28, route 55, route 56, route 68, route 57, route 54, route 60, route 58, route 50, route 59, route 49, route 52, route 51, route 82

Dr James Taverney set up practice in Wodonga on Monday 19th August 1946. His practice was initially located in rooms at the residence of Mr J. F. Turner in Beechworth Road. In the following years, Dr Taverney purchased a large part of the garden from the Turner family and built this two-storey building where he went into practice with Dr Schlink. The building contained the surgery and a residence. It has features of Art Deco architecture. The exterior consists of painted brick with a curved parapet that conceals the roof. The windows are metal framed and the door frames are timber. The verandahs feature wrought iron balustrading and posts. There is also an upper balcony. Dr Taverney - known to many as Dr Tav - was a loyal medical practitioner in Wodonga for 40 years, retiring in 1987. He was also a member of the committee which helped to establish the Wodonga District Hospital which opened with 60 beds in 1954. This photograph is significant because it depicts a building which was the location of two proinent doctors in Wodonga.A coloured photo of Gundowring House in Wodonga.gundowring house, dr taverney, dr schlink, wodonga district hospital

6 sided brown glass bottle with paper label and black screw capLabel Front: Trade Mark SANAX. FIRST AID DRESSING. Forms an Antiseptic skin over cuts, wounds etc. Label Side: DIRECTIONS. A few drops on the part affected and spread over the injury with the cork. For knuckle joint wounds place on the wound a thin film of absorbent cotton and then pour dressing over freely. Label Side: This bottle must be kept ell corked and away from flames. CAUTION contains 60% ether. The Sanax Co 349-51 Nepean Highway Moorabin , Vic

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The logo in the middle of the words ‘POST CARD’ indicates the card was printed by M. Schulz in Prague. Schulz was a long-established company from Prague and printed postcards for customers from worldwide. Schulz printed in photo-chromolithography. The Curator’s lodge, designed by the Town Surveyor, HV Champion, was constructed in 1907 following the re-organisation of the north-east corner with the demolition of the old curator's cottage and erection of new gates. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The card also demonstrates how postcards were used as a method of contact in contrast to the contemporary use as souvenirs. A colour image of a house (the Curators lodge) behind a fence with two children sitting on it. There are two large Cordylines, one in the forefront of the image standing in lawn and surrounded by pink flowers, and one closer to the house. The house is brown timber with two brick chimneys and has a green corrugated iron roof with gables over the windows at the front and side.Front: ‘The Lodge, / Williamstown Gardens’. Reverse: Centre top ‘POST CARD’ with a logo [MS] in the middle of the words; left side vertical ‘O. Rippon Series’; left side ‘This space may be used for communication.’; right side ‘For Address only.’; left side bottom ‘Printed in Germany’. There is a one penny red Tasmanian stamp on the top right hand corner. The card is addressed to ‘Miss E G Holford / 60 Upton St, / Launceston, / Tasmania.’ Top left corner in pencil ‘$10’ (believed to be inserted by the vendor.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, curator’s lodge, children, cordyline

An audio recording from 24 April 1956. The tape has not been played. From the date it could be a recording of the annual "Anzac Commemoration Ceremony for Students" event, usually held just prior to Anzac Day. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. Inscription starts with 'Shrine Ceremony', 'Commentator L/ W Scott', also 'Governor Sir Dallas Brooks', 'Land of mine', 'Pres L/ R Gaylard'. Legatee Gaylard was president in 1956. The Governor of Victoria was patron of Legacy at the time and attended many ceremonies and events.A record of a ceremony at the Shrine run by Legacy for students.An audio tape, 90 mins, on a clear plastic spool in a red cardboard box.Box, Recording tape for magictape recorders,Pyrox LTD. 14-36 Queensberry St. Melbourne 18 Albion St. Sydney Sound- recording Tape 60 minutes twin track. For use with magictape recorders.All in blue print The Official Magictape in white print on a dark blue background. Title Melbourne Legacy,speed 7 1/2" per sec, in blue biro. Various recordings listed with times in blue ink. Spool. Side no1, side no 2, Magictape made in Australia. Tape. anzac commemoration for students, governor of victoria

Refer to the service of "BASIL DARBY" SX9423, 2/14 Bn.1. A round bronze colour badge, at top border - words "The Reunion", at bottom border - words - "60th Anniversary 2002". In the centre of the badge are two human head profiles, two spitfires, a ship and possibly a tank with big numerals '60' at bottom. 2. Oval brass coloured badge. On top border is the phrase '70th Anniversary' . At bottom border is the phrase - "Bombing of Darwin". In the centre are a flight of aircraft, tall and short humans and the phrase "1942 Front Line Australia". 3. This is a multi shaped badge. It has a stylised Rising Sun, superimposed on that is a dark red shape of Australia. Under that is a black enamel banner with the phrase "Darwin Defenders 1942-1945". 4. This is a shield shaped badge with a long mounting pin behind it. The shield is a green enamel. In the centre is an 8 pointed gold star. Set on a red background. In that centre is phrase "1992 50th Anniversary" in gold colour. Around the outside of the star is the phrase " The Battle of Australia 50th Anniversary 1992".1. On rear is stamped 1484.badges, bombing of darwin, anniversaries

These items were available for sale by chemists in Orbost. Chemists who worked in Orbost included Henry Cottman; James Alfred Dubois Williams; Harry Arthur Murray; Miss P.E .Mason (Phyllis Estelle?); Miss Sybil Monica Buzza; Thomas James Frayer; Australia Shaw; James David Torley; John William Zimmer; Dalkeith William Steele; William Thomas Hollingsworth; E.E. Cohen; R.S. Anderson; Frances John Perry Faith Everard Pardew and Charles Anthony Wurf.The practices of early pharmacists are revealed through these glass bottles. The items have a clear association with Orbost. Seven packaged medications / ointments.Inside 3215.1 is a small brown glass jar with a white plastic lid. It is labelled " Zimmer's Cuprese Ointment". The contents are unused and have a use by date label June 95.The box is white with black and white print on bands of blue and green. 3215.2 is a white cardboard box with red and black print. It contains a 60 g unused tube of "Akileine ionisee". 3215.3 is an orange and white cardboard box with black print. It contains a narrow green glass bottle of oil with a black plastic lid and is labelled "OLBAS".3215.4 is a glass jar with a white plastic lid. It is labelled "NAPRASH CREAM". 3215.5 is a small brown glass jar with a white metal screw lid. On the label is "SKIN BALM". 3215.6 is a very rusted round tin with a painted label on the front "French Corn Cure" in gold print. 3215.7 is a rectangular shaped tin with rounded corners. It is light green with a painted label on the lid "SIMPSON"S CAMPHOR ICE".pharmacies-orbost medications chemist skin-remedies

This Sikes brass hydrometer was manufactured by the optical and scientific instrument makers Kasner & Moss of 17 Collins Street West, Melbourne, in the latter part of the nineteenth century. The firm adverted hydrometers, as well as optical instruments, as early as August 13th, 1864, in The Age, Melbourne. This hydrometer set was donated to Flagstaff Hill in 1979 by local wine and spirits merchants Lynch Bros of Fairy Street, Warrnambool. Giffen Russell had established the business in 1878, and Harry Lynch took it over in the 1930s, and after he passed away in 1953 Kevin Matthew Lynch became proprietor of K M Lynch Food and Liquor. The business closed in the 2010s. The hydrometer may date back to the establishment of the business in 1878, as Kasner & Moss were selling hydrometers in Melbourne from 1864. Hydrometers were used to measure the density, or relative density, of liquids from the late 1600s. In 1816 Bartholomew Sikes won the competition for the most useful accurate hydrometer. Hydrometers were commonly used by distillers, vintners, and brewers to establish accurate measures of alcohol concentration in their beverages. Following this manufacturing process, government inspectors and excise officers used them to check that the labelled indications of alcohol-proof were correct and that the right amounts of duty were being paid. This hydrometer and its fitted and hinged wooden container show signs of heavy and protracted use in a working environment. Although the instrument has some parts missing and has been recently repaired, the original quality of the inlaid box and the fine engraving on the instrument and the attachable weights, are indications of the hydrometer’s very real value when new. This Sikes hydrometer, bearing the maker's mark of “Kasner & Moss Melbourne” and the registered number “20373”, was presented to the purchasing public as a precision-made instrument designed for professional use. The Sikes hydrometer is of local significance because of its implied association with the alcohol trade in the southwest region of Victoria. It was donated by a family member of Lynch Bros, a local licensed outlet for wines and spirits in the period before the general relaxation of liquor licensing laws in the State of Victoria. It may have belonged to Griffin Russell who established the liquor store in 1878.Hydrometer; original Sikes brass hydrometer in a polished wooden case with an inlaid plaque on the lid. The brass float is a sphere with a thin flat upper stem and a short, lower stem with a bulb-shaped end. The upper stem is engraved scale on both sides with the numbers 1 to 10, and five divisions between each number. There are ten fixed pegs in the base to secure the thick brass horseshoe-shaped, numbered, various-sized weights (20, 30, 40, 80, 90); the free pegs would have originally stored another five weights (10, 50, 60, 70, and 100). The empty compartment in the box suggests another part in the initial set, probably a thermometer. The fitted, fabric-lined box has two brass closures and two brass hinges. The scientific instrument shows signs of heavy use and repairs. The Serial Number on the float matches the Serial Numbers on the weights. The plaque on the lid, the float and the weights have inscriptions. Made by Kasner & Moss, Melbourne. Plaque: “SIKES HYDROMETER / KASNER & MOSS / MELBOURNE” On float's lower stem: “SIKES 20373” On one thin edge of the float's scale, engraved in script “Kasner & Moss” and stamped “MELBOURNE”, and symbol“P” rotated 90 degrees. On the opposite thin edge of the float: “N20.373”, “SIKES”, “I P % II O” (in ornate capitals). Each weight has s unique number, and the same serial number “20373”.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, sikes hydrometer, scientific instrument, pressure measurement, measuring instrument, ullage tool, customs, excise duty, tax, alcohol content, proof, calibrate, standard weights and measures, tariff, kasner & moss, scientific instrument makers, specific gravity, liquid density, alcohol testing, technology, alcohol measurement, proof spirit, wine and spirits merchants, local business, brass measuring instrument, k m lynch, giffen russell, harry lynch

Block of about 170 tickets - black ink on grey 60 gsm paper, denomination 1d (printed in red), numbered Ab975017 to Ab975199, headed State Electricity Commission of Victoria, Electricity Supply Department, Provincial Tramways. Originally a block of 200 tickets been stapled onto a heavy cardboard back with a heavy metal staple and a small cardboard retaining strip at the top of the ticket. The ticket number is in black ink while the "Ab" prefix is in red. On each side various codes when clipped denoted the destination or section the ticket was validated for. Tickets 975003, 4 and 5 are loose. Tickets Nos - 975026 to 037 have been torn out prior to collection. Each ticket in block has been punched to form a round hole or part to cancel the ticket. Thought to be used prior to 1950's around the second world war. See Reg. Item 230, 3d ticket in top left hand corner of page 27, has a note "wartime" written under it.trams, tramways, secv, tickets, parcels

Block of about 175 tickets - black ink on 60 gsm buff paper, denomination 1 1/2d (printed in red), numbered Bc410619 - B410799, headed State Electricity Commission of Victoria, Electricity Supply Department, Provincial Tramways. Originally a block of 200 tickets been stapled onto a heavy cardboard back with a heavy metal staple and a small cardboard retaining strip at the top of the ticket. The ticket number is in black ink while the "Bc" prefix is in red. On the back of each ticket is a "Bushells, the Tea of Flavour" advertisement. On each side various codes when clipped denoted the destination or section the ticket was validated for. Tickets Nos - 410634 - 38 have been torn out prior to collection. Each ticket in block has been stamped "CANCELLED". Thought to be used prior to 1950's around the second world war. See Reg. Item 230, 3d ticket in top left hand corner of page 27, has a note "wartime" written under it.trams, tramways, secv, tickets, parcels

Block of about 160 tickets - black ink on buff 60 gsm paper, denomination 2d (printed in red), numbered Cg040602 - Cg040799, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 200 tickets been stapled onto a heavy cardboard back with a heavy metal staple and a small cardboard retaining strip at the top of the ticket. The ticket number is in black ink while the "Cg" prefix is in red. On the back of each ticket is a Bushells coffee advertisement. On each side various codes when clipped denoted the destination or section the ticket was validated for. Tickets Nos - 040620 - 35 and 43 - 51 have been torn out prior to collection. Each ticket in block has been stamped punched with a round hole to cancel it. Thought to be used prior to 1950's around the second world war. See Reg. Item 230, 3d ticket in top left hand corner of page 27, has a note "wartime" written under it.trams, tramways, secv, tickets, parcels

Black and white photograph, mounted onto heavy stippled card of the SEC Ballarat tram crews shortly before the closure of the tramway system in front of the depot building with three tramcars behind. Has a printed list of all employees or staff underneath. Titled "Ballarat Tramways Employees 1971". Photograph on light stipple paper. Features 61 personnel but only 60 apparently named. Photograph by Williams Studios, Ballarat. 2931.1 - Photograph 2931.2 - backing sheet Note this item has become separated from its backing sheet and has been maintained as such to enable scanning etc. in detail. See also Reg. Item 1862 and 1861 for another photograph/list of the same group showing trams on the sides and the whole depot front. Reg. Item 1861, another copy of the same photograph, but with some looking at different direction in particular the 7th person from left, row three who is looking down in the photograph of Reg. Item 1861 but looking up in Reg. Item 2931. 2931.2 - has name "R. Hall" ink in top left hand corner.tramways, trams, ballarat, sec crews, personnel, staff photo

Apprenticeship Indenture made on the second of February 1878 between Thomas William Orr and Charles Stoneman commencing 20 July 1878 for the terms of five years ending 19 July 1883. Indenture between 'James Orr, father of Thomas William Orr ( now employed as a blacksmith with Mr. Charles Litchfield Stoneman, Coach Builder) of Sandhurst. The said James Orr (father) agrees to allow his son Thomas Orr (unclear) to ecome an apprentice to the said Charles Litchfield Stoneman to the trade or business of a blacksmith.' Pinned to front of indenture is a newspaper article, no date, re the conditions for apprentices 'have certainly changed in the last 60 odd years' and details the conditions of a coachbuilder apprenticeship in 1889. 'Taverns , inns, or alehouses he shall not haunt' and 'matrimony he shall not contract' are some of the terms of apprenticeship. Original envelope, enclosing indenture, has written on the front 'Apprenticeship Indenture, Thomas William Orr to Charles Stoneman, 1878' Royal Historical Society of Victoria, Bendigo Branch, stamped on front of envelope.document, memo, apprenticeship indenture

Ten captions or label cards used in the Museum's exhibition entitled "Australia Remembers". Printed on ink jet coated paper, used Microsoft PowerPoint, BJC4000 printer, & Glued onto heavy card. Each has 2 Velcro dots on rear. .1 125 x 252 Group of Conductresses by No. 29 .2 87 x 270 Secret of Mrs. Mitchell's success - Treasure Tram .3 50 x 255 Fund raising - under Conductresses Triumph! - photo .4 102 x 250 Fund raiser float caption .5 75 x 237 Tram statistics caption - used for the two graphs .6 96 x 177 First conductresses ready to go .7 62 x 248 Replica headlight caption .8 75 x 263 Headlight drawing note .9 60 x 244 No. 27 caption .10 57 x 260 Women at work for the SEC Image of cards added 19/10/2013.trams, tramways, btm, exhibitions, world war ii

Set of 12 of The Met Daily tickets for use between Jul 1989 and June 1990 - single tickets taken from blocks. .1. Zone 1 Daily – J952703 – $2.50 .2 Zone 2 Daily - B352061 - $1.80 .3 Zone 3 Daily - A871641 - $1.80 .4 Zone 1 Daily concession – E278205 - $1.30 .5 Zone 2 Daily concession – A984941 - 90c .6 Zone 3 Daily concession – A998301 - 90c .7 Zones 1, 2 and 3 – Daily – A910061 - $5.30 .8 Ditto – concession - B315841 - $2.00 .9 Zones 1 and 2 – Daily – A972061 - $4.30 .10 Zones 2 and 3 Daily – A323801 - $3.60 .11 60 Plus daily – E753021 - $1.00 .12 City Saver – A184901 - $5 with a map of the available CBD area on the back. - has space for 10 punch marks. Used mid 1980's. Items .1 to .11 are all July 1989 to Jun 1990, with dates along the sides.trams, tramways, tickets, the met, ptc

Two identical post cards: 'Pall Mall', Bendigo streetscape, fountain in foreground, horse-drawn cab, cable trams, Hustler's Royal Reserve Mine, Post Office, Henderson & Goodisson Beehive sign clearly visible. Physical description: loose photograph, sepia. Inscriptions markings: on back of photo - The 'Valentine & Sons' Publishing Co., Ltd., Melbourne. POST CARD. Printed in Great Britain. This space to be used for communication. The Address only to be written here. On front - Pall Mall, Bendigo. Also 300.336 then the letters JK in a circle. On back of the second postcard: Royal Historical Society of Victoria, Bendigo Branch. Hustlers Royal Reserve No.2 data. Hustlers Royal, Pall Mall, Bendigo. RSL Memorial Hall now occupies site. Depth of Shaft - 1,660 feet. Formed 1885; Closed 1917. Poppet Legs - Steel, 60 feet high. Winding engine: First motion, 24 in. Cylinders, 10ft. Drums. Gold yields - 10,262 oz. Dividends 3,200 pounds.The Valentine & Sons' Publishing Co., Ltd., Melbournebendigo, pall mall, rhsv, hustlers royal reserve

This sheet of copper sheathing or muntz metal has been recovered from the sea. It has been damaged by reaction of the metals to the sea, it has encrustations from the sea such as sand, and other damage has caused the edges to break away or fold over. ABOUT MUNTZ Early timber sailing ships had a problem of the timber hulls being eaten through by the marine animals called Teredo Worms, sometimes called ‘sea worms’ or ‘termites of the sea’. The worms bore holes into wood that is immersed in sea water and the bacteria inside the worms digest the wood. Shipbuilders tried to prevent this problem by applying coatings of tar, wax, lead or pitch onto the timber. In the 18th and 19th centuries the outside of their ships were sheathed in copper sheathing or a combination of 60 percent copper and 40 percent zinc (called Muntz metal). The ships would be re-metalled periodically to ensure the sheathing would remain effective. In more recent times the ships are protected with a toxic coating. Piece of Muntz metal, copper/zinc sheathing for protecting ship hulls.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, muntz, muntz metal, copper sheating,, copper sheathing, teredo worms, sea worms, sea termites, ship building

This sheet of copper sheathing or Muntz metal has been recovered from the sea. It has been damaged by the reaction of the metals to the sea. It also has encrustations from the sea such as sand. Other damage, such as movement of the sea or objects in the sea, has caused the edges to break away or fold over. The hulls of early timber sailing ships had a problem of being eaten through by the marine animals called Teredo Worms, sometimes called ‘sea worms’ or ‘termites of the sea’. The worms bore holes into wood that is immersed in seawater and the bacteria inside the worms digest the wood. Shipbuilders tried to prevent this problem by applying coatings of tar, wax, lead or pitch onto the timber. In the 18th and 19th centuries, ships were built with their hulls sheathed in sheets of copper or a combination of 60 per cent copper and 40 per cent zinc (called Muntz metal). The ships would be re-metalled periodically to ensure the sheathing remained effective. In more recent times the ships are protected with a toxic coating.This piece of Muntz sheathing is representative of building methods and materials used in late 19th and early 20th centuries for ship building.Muntz or copper sheathing. Irrectangular shape, with about a fifth of the piece missing from a corner. Another corner is bent upwards. Salvaged from a shipwreck. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, copper sheathing, muntz, copper sheating, muntz metal, teredo worms, sea worms, sea termites, ship building, late 19th century sailing ships

Harry Gorry bid for & purchased on internet auction site. The seller's mother was putting these & other items up for auction. Her father/ the seller's grandfather was Dr. Bruno Koening, a German surgeon detained by Allied forces while fleeing New Guinea in 1941. He was detained & sent to be interned in Camp 3, Tatura. There he met the painter Cesare Vagarini & they became friends, thus 4 years later upon the end of the war Vagarini gave the surgeon the two paintings in thanks & in memory of their friendship. Dr Koening then passed the paintings down to his daughter, where they remained in the family for 60 years. The seller's mother decided it was time to sell & was happy that the paintings went to a good home, as the family was until now unaware of the connection between Vagarini and the Tatura Museum. Harry Gorry just happened to notice a familiar name in an auction that he came across by accident & purchased them for our benefit. (Most information copied from Tatura Bulletin article, April 2014).Watercolour painting, depicting barracks at Camp 3. Picture showing fencing posts & bare ground in foreground, and row of huts in background, with 4 trees behind them. at bottom left of picture.tatura, camp 3, vagarini

Rick AMOR (1948- ) Born Frankston, Victoria After completing a Certificate of Art at the Caulfield Institute of Art in 1865 Rick Amor studied at the National Gallery School, Melbourne from 1966 to 1968. Amor has held over 60 solo exhibitions, and has worked in Barcelona, New York and London. In 1999 Rick Amor became the first official Australian war artist since the Vietnam War. He was appointed by the Australian War Memorial to document the devastated land in East Timor, and the reconstruction efforts of peacekeepers. Professor David Caro OAM was Chancellor of the University of Ballarat for two terms, between 1998 and 2004. His contributions to academia and science have recognised on a national and international global scale. His appointments include Officer in the Order of the British Empire (OBE) and Officer in the Order of Australia (AO). This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. ContemporaryFramed portrait of Professor Emeritus David Caro, University of Ballarat (later Federation University Australia)art, artwork, rick amor, amor, chancellor, david caro, caro, academic portrait, portrait, oil, oil on linen, commissioned, academic regalia

Used by Ron Robins for delivery of eggs (30 dozen per box) to the agents for the Victorian Egg Marketing Board, in this case Soding Bros , succeeded by Sympag and Crystal Ice Works, initially to premises at 64 Mostyn St, Castlemaine (now Saffs Cafe) later to premises at south-west corner of Calder Hwy and Lockwood Road, Kangaroo Flat (now Aldi supermarket).Made obsolete by use of trolleys holding 360 dozen eggs, handled into refrigerated transport by a hydraulic tailgate loader. Original label specifies that the eggs are ; infertile; unwashed; not damp cleaned; of specified yolk colour; held at 55 to 60 degrees Fahrenheit and delivered within 96 hours of lay.Significance During the 1950s and 1960s many folk in Harcourt conducted poultry farms of varying sizes, utilising boxes of this type. Harcourt thus became a major producer in the Victorian egg industry. Smaller-scale operations were wiped out when the producers were expected to hold eggs in a coolroom.Illustrates one aspect of the multi-faceted streams of income open to local landowners who conducted an orchard, bred pigs, raised fowls for egg production and kept a few cows for cream production. Wooden box with detachable wooden lid, two internal compartments and a galvanised holder for a card on which the producer has signed a declaration as the condition and handling of the contents.Property of Soding Bros, Melbourne

This is a framed photograph of the men's pool at the Warrnambool Salt Water Baths. These Baths were originally built at the end of Gilles Street on the line of the present railway line in 1876 but were rebuilt in 1889 further north in Gilles Street when the railway line was opened. The water was pumped from the sea, initially by a windmill and later by a gas pump. The men's pool was 100 feet by 50 feet and the women's pool was 60 feet by 30 feet with bathing strictly segregated in the 19th century. A building nearby housed marble cubicles with hot spa baths with the water heated on the site and a caretaker's cottage completed the complex. Men's nude bathing was a feature of the early 20th century. Originally built by a local public company the Baths were taken over by the Warrnambool Council. These baths were superseded by the opening in 1961 of an Olympic Pool In Warrnambool. The site and the remaining buildings of the old sea water baths are now heritage-listed and today form part of the headquarters of the Warrnambool and District Historical Society.This photograph is of historical significance as a depiction of the Warrnambool Salt water Baths in the early 20th century. These Baths were the basis for promoting Warrnambool as a health and spa resort town in the late 19th and early 20th centuries.This is a framed black and white photograph of the men's pool at the Warrnambool Salt Water Baths. It depicts men and boys swimming in the circular pool and one male on the diving board. All these men are naked. There are other clothed males and clothed attendants wearing hats and waistcoats. The change rooms are on the right side of the photograph and there is a fence with trees behind. The photograph is mounted on cardboard with a gilt edge and is held in a wooden ridged frame behind glass. warrnambool sea water baths, sea baths, warrnambool pool, gilles street