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Federation University Art Collection
Painting - acrylic on canvas, Collier, John, 'Port Phillip Colonial GMC, Clunes' by John Collier, 2008
John COLLIER (1937- 2012) John Collier was born at Ballarat in 1937. He received a Diploma of Mining and a Diploma of Civil Engineering at the Ballarat School of Mines (SMB), later graduating from the University of Melbourne with a Bachelor of Engineering (Mining). Early in his career he received a Diploma of Accountancy from the Australian Society of Accountants. Collier believes his experience at SMB had a profound influence on his life, especially what he learnt in Geology, Engineering, Chemistry, etc., all of which he found beneficial to his later working life and he is proud of that association. Through his experience in the world-wide mining industry John Collier has made a major impact on the mining industry. He has been exploration leader for a large number of worldwide discoveries and farm-ins both major and minor. He has experience in every facet of the mining industry, and his record in identifying diamond opportunities include Australian (Argyle), Canada (Diabik), Zimbabwe, and the Brazil Pipe (Collier Falls). His success in diamond exploration may be unparalleled. John Collier also has significant success with lead-zinc, iron ore, coal, copper, gold-silver, petroleum, heavy minerals, nickel, uranium, industrial minerals, rare earths, and tin. In 2006 John Collier was made a Legend in Mining by the Australian Mining Industry. Over his last 10 years, he had become a passionate painter, holding several successful solo exhibitions. His naive style featured beautiful and unexpected colour combinations. Many of his most lauded paintings depicted mining scenes, harking back to his Ballarat days. This work and subject matter was painted for the artist's alma mater, the Ballarat School of Mines (now Federation University Australia). This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Colourful acrylic on canvas painting depicting the Port Phillip Gold Mining Company, Clunes.art, artwork, john collier, port phillip cold mine, clunes, clunes, available, alumni, mining -
Federation University Art Collection
Work on paper, Gail Trembath, 'Prato' by Gail Trembath, 2009
This work was purchased from an exhibition of University of Ballarat staff members at the Post Office Gallery in 2009. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed photograph depicting a girl holding an unseen persons hand. Signed lower right side 'Gail Trembath' Signed verso 'Gail Trembath 'Prato' 2008' Sticker lower right hand corner: Title: PRATO - 2008 Medium: pigment ink on Lana Jet 256 gms GAIL TREMBATH art, artwork, children, gail trembath, photography, available, prato, italy -
Federation University Art Collection
Charcoal on paper, 'In Our Own Backyard' by Michelle Nelson, 2009
Winner of the 2008 Lucato Peace Price, a University of Ballarat art prize promoting peace over war sponsored by George Lucato. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed drawing.art, artwork, michelle nelson, nelson, lucato peace prize, aboriginal, aborigine, available -
Federation University Art Collection
Painting - Oil, et al, [The Green Vase] by David Strachan, c1948
David STRACHAN (1919–1970) Born 25 June 1919 at Salisbury, Wiltshire, England Arrived 1920 Adelaide, Australia: 1921 Creswick, Victoria David Strachan attended Creswick State School and Geelong Church of England Grammar school. By the age of 16 he wanted to be an artist. Accompanying his mother to London in 1936, he enrolled at the Slade School of Fine Art, where he met Godfrey Miller. In 1937 he attended the Académie de la Grande Chaumière, Paris, and painted at Cassis on the Mediterranean Sea. He returned to Australia in April 1938 and studied at the George Bell School, Melbourne. He had a growing interest in classicism blended with a fascination for the dream-state which was reinforced in his work after he moved to Sydney in 1941. There he was befriended by Jean Bellette and her husband Paul Haefliger, who were to be driving forces behind the Sydney Art Group (founded 1945). He lived on the top floor of the Haefligers' house at Double Bay, and together the three artists drew from models whom the Haefligers hired. In this period Strachan painted and exhibited some of his most poetic works—mainly figurative and landscape subjects, and still-lifes of haunting beauty. His flowers, bowls of fruit, birds, and angelic figures glimmered out of the darkness as things not of this world, evoked faintly, like mythological personages in a gently spoken narrative. He 'spent an erratic war' painting camouflage at Bankstown aerodrome with other artists, among them (Sir) William Dobell, and dancing minor roles with Hélène Kirsova's ballet company. In 1948 Strachan settled in Paris. His paintings, included by Peter Bellew in an exhibition at the Musée National d'Art Moderne, had been well-received by French critics two years earlier. In 1950 he began tentative experiments in etching. These led to the formation of the Stramur-Presse, a business venture which published etchings and lithographs of leading French and English artists. His most important project was a series of twenty-two colour etchings illustrating Alister Kershaw's book of poems, Accent & Hazard (Paris, 1951). Strachan continued to exhibit in Australia and maintained a lively social life with Australian friends. From Paris, he went for weekend painting trips with Moya Dyring in her car and, after 1957, visited the Haefligers on Majorca. He lived in London in 1955-57. His paintings became progressively less soft in effect, his palette brightened, and his forms, especially the still-lifes, became spikier. In the late 1950s his attention drifted towards the study of Hindu philosophers and Jungian psychology. For most of 1957-58 he was enrolled at the C. G. Jung-Institut, Zürich, Switzerland. In 1959 he worked in Silvio Daneo's silkworm factory at Bricherasio, Italy. In May 1960 Strachan returned to Sydney. He lived at Woolloomooloo before buying a house at Paddington in 1963. Over the ensuing years he involved himself energetically with the art scene, exhibiting, teaching (1960-65) at East Sydney Technical College, fund-raising for memorials for Thea Proctor and Dyring, and as the last president (1965) of the Society of Artists. His paintings were out of harmony with the prevailing fashion for abstraction, but he won the Wynne prize for landscape painting in 1961 and 1964 (shared). Perhaps the most moving works of Strachan's last ten years were the mining landscapes, including those he painted near Hill End, leading up to his vast canvas, 'Lewers Freehold Mine'. This was a history picture, depicting the mine as it might have appeared in 1874. He presented it to the Creswick Historical Museum in 1970 in memory of his father. (Barry Pearce, 'Strachan, David Edgar (1919–1970)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/strachan-david-edgar-11786/text21083, published first in hardcopy 2002, accessed online 6 January 2016.) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed still lifefeaturing fruit and flowers.art, artwork, strachan, david strachan, still life, flowers, flora, available -
Federation University Art Collection
Artwork, other, 'Eel Trap with Emu Feathers' by Bronwyn Razem, 2013
"The breeze going through the eel trap gives a feeling of water flowing through the vessel with the feathers softly waiving as the water flows. My grandfather Nicholas Couzens and my uncles made eel traps to fish the Hopkins River - this is how my mother learnt the techniques which she passed on to me."Bronwyn RAZEM Gunditjmara/Kirrae Whurrong Bronwyn Razem is an Indigenous Australian basket weaver and painter. She is a Gunditjmara woman of the Kirrae Whurrong clan of western Warrnambool on the Victorian coastline. Bronwyn’s practice involves an exploration of her Indigenous heritage and identity, and she creates symbolic representations of places and events that are meaningful to her family. She integrates ochres, sand and other materials into her paintings, and her works also draw on the possum skin cloak traditions of her ancestors. In 2008, Bronwyn was chosen by the Australia Council for the Arts to be part of a delegation of Indigenous artists to attend the 10th Pacific Arts Festival in Western Samoa. Bronwyn’s mother, Aunty Zelda Couzens, was a well-respected basket weaver and elder who taught Bronwyn basket-making techniques. Bronwyn now regularly conducts basket weaving workshops with Victorian Indigenous communities in order to facilitate the revival of cultural traditions. She has a Bachelor of Arts with Honours at Deakin University, and in 2008 she was enrolled in a Master by Research degree at Deakin Institute of Koorie Education, Geelong, and was living in Ballarat. (https://www.daao.org.au/bio/bronwyn-razem/biography/, accessed 18 April 2016) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Bronwyn RAZEM (1953- ) Gunditjmara/Kirraw Wurrong A woven New Zealand flax eel trap with emu feathers. This work won the University of Ballarat Acquisitive Award for work reflecting Victoria's Western District. The judges were impressed by Bronwyn Razem's translation of the traditional eel trap into a sculptural form evocative of the flow of water and possible the passage of time. The design and technical knowhow which Razem inherited from her mother, uncles, and grandfather connects this work to the family;s life and traditions. She then enhances the simplicity of this very functional object by the addition of delicate emu feathers, creating a work that creatively and symbolically transcends its original form. art, artwork, bronwyn razem, razem, eel trap, aboriginal, indigenous, available -
Federation University Art Collection
Painting - Watercolour, Alexander, David, 'Towards Braco Spring', by David Alexander, 1981
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour depicting a treed landscape.Signed 'D.A. 1981'art, artwork, braco spring, david alexander, watercolour, trees, landscape, available -
Federation University Art Collection
Painting - Oil Painting, [Lilacs] by A. Laurens, 1969
A framed oil painting of a green vase full of pink lilacs. We are currently seeking information on the artist A. Laurens. If you are able to assist please use the email link below.art, artists, laurens, lilacs, still life, flora, available, a. laurens -
Federation University Art Collection
Work on paper - Artwork - Printmaking, Jack, Kenneth, "Glasshouse Mountains, Queensland" by Kenneth Jack, 1961
Kenneth JACK AM MBE RWS, (5 October 1924 – 10 June 2006) Australian watercolour artist Kenneth Jack who specialised in painting the images of an almost forgotten outback life; old mine workings, abandoned ghost towns, decaying farm buildings. He became a professional painter at the age of 39 after giving up his job as senior instructor at the Caulfield Institute of Technology. In 1977 he was elected to The Royal Watercolour Society and in 1982 was awarded the MBE, and the Order of Australia (AM) followed in 1987. Framed three block linocut depicting the Glasshouse Mountains in the Australian State Queensland. Donated through the Australian Gifts Programme by Katherine Littlewood.21/32artwork, artist, kenneth jack, printmaking, glasshouse mountains, queensland, available, linocut -
Federation University Art Collection
Painting - Artwork, Calligraphy, 1987
On 04 August 1987 Lu Bing Qun, Head of English at Nanjing Institute of Education, was farewelled at a dinner at the Ballarat College of Advanced Education, where the calligraphy was presented to Jack Barker. Lu had been working in the Department of Humanities and Social Sciences since since the beginning of Semester 1.He participated in and contributed to a unit on Chani in the Bachelor of Arts and a unit in the B.Ed. With Linda Brumley he has translated and recorded all the Chinese gravestones in the Ballaarat New Cemetery. Lu was attached to the Ministry of Education in Melbourne where he spent considerable time preparing Chinese language material for use in Victorian Schools. As an International Teaching Fellow he was in Victoria for 12 months under the exchange programme established between the governments of Jiangsu and Victoria.Framed calligraphic work by Lu Bing Qun of China.lu bing qun, jack barker, calligraphy, china, chinese, nanjing institute of education, jiangsu, available -
Federation University Art Collection
Painting - Artwork - Painting, Portrait of Margaret Bennett: Drum Major of the Ballarat Ladies Pipe Band
Drum Major Margaret Bennett (formerly Reynolds) attended Ballarat Teachers' College in 1949. She was Drum Major for the Ballarat Ladies Pipe Band from 1950-1975. At times Margaret Bennett was a life model for Geoff Mainwaring. Framed portrait of Margaret Bennett as the Drum Major of the Ballarat Ladies' School of Mines. She wears tartan, blazer and a bearskin hat, and holds a mace.ballarat ladies pipe band, margaret bennett, drum major, geoffrey mainwaring, alumni, available, margaret reynolds, tartan -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Marian Fox, '70s' by Marian Fox, 2019
Marian FOX (1967- ) Born Malvern, Victoria Marian Fox completed a Bachelor of Visual Art (Ceramics) at the Federation University Arts Academy in 2019. The engobe slip and bronze glaze was made by the artist from a recipe provided by lecturer Peter Pilven. Instagram @marianffox Handbuilt stoneware vessel, with copper oxide, engobe, and bronze glaze. This work won the 2019 Federation University DVC 3D Art Acquisition Award. marian fox, ceramics, alumni, available, dvc art acquisition award, vessel, australian studio ceramics, available for secure display -
Federation University Art Collection
Painting, Garth Horsfield, Defiant Man by Garth Horsfield, 2021
My practice questions the definition of masculinity, from the position that there is more to the story than the mainstream narrative. My subjects consist of aesthetic beings seen through the lens of the classical principles of shape and form such as danseurs, youths, other ages and shapes. Sometiimes I have exculded faces to emphasize the interesting dynamic line unique to the male shape. Any symbols of sexual politics have been omitted, to concentrate on how the concept of maculinity pays alongside modern notions of beauty. Garth HORSFEILD (19 June 1970 - ) Born Ballarat, Victoria Returning to study after a partially completed degree and pursuing art and music, Garth Horsfield returned to the Federation University Arts Academy where he completed a Bachelor of Visual Arts in 2021. Portrait of a young man.dvc art award, alumni, garth horsfield, portrait, masculinity, male, men, available -
Warrnambool and District Historical Society Inc.
Household, Shell Conch
A conch shell is a tropical marine mollusc with a robust spiral shell which bears long projections and has a flared lip No information is available about where this shell came from or when it was acquired by the Warrnambool and District Historical Society.This item has no known local provenance but would be useful for display as an attractive marine item which is no longer able to be taken from its original locationLarge white conch shell with pink and yellow coloured lip. Stands upright. Four points. One point broken off at tip and lip edge sightly broken.warrnambool, shell -
Warrnambool and District Historical Society Inc.
Book, Holy bible, 1924
The Ware families were prominent early settlers in the Warrnambool district. But Doris Ware, the recipient of this, was probably the woman born in Echuca in 1887, the daughter of John and Sarah Ware and no other details are available on her. Muckleford is a town near Castlemaine This book has been in the collection of the Warrnambool and District Historical Society for many years so it is presumed it has some connection to the local pioneering Ware families, This is a black leather-covered book of 1016 pages. The cover has embedded lettering on the front cover and gold lettering on the spine. The cover has come apart from the binding and has been mended with adhesive tape. The spine section of the cover is completely detached from the binding. The inscription is handwritten in black ink with later writing in blue ink. ‘Presented to Doris Ware from the Muckleford Methodist Sunday School. C.W. Talbot Sec.’ ’25.2.28’ doris ware, history of warrnambool -
Greensborough Historical Society
Medal - Digital Image, Samuel Rich World War 1 Medals, 1918_
War Medals of Private Samuel Rich, includes a badge, 3 war medals and the original ribbons on which the 3 medals were mounted. Other photographs taken by Samuel Rich during WWI are available at items 3973-3987.Digital copy of war medalssamuel rich, world war 1 -
Kiewa Valley Historical Society
Iron - antique
Cast irons were heated on the stove and used to take out creases/wrinkles in cloth. Used before electricity was available. Two irons were often used so that one could be being used while the other heated.Used in the Kiewa Valley prior to electricity being available.Metal cast iron with handle and embossed within a circle the letter S on the top of the iron. The handle has flat metal curved sides which hold a hollow round rod for lifting.Embossed on top of the iron - circle with S inside.antique iron, household item -
Hume City Civic Collection
Directory, Shire of Bulla Directory, 1994 - 1995
The Directory was published by the former Shire of Bulla in 1994 - 1995 and was issued to residentsa living withing the Shire. It features details of public services which were available within the area at the time as well as maps of the settlements and some private advewrtisements.A 20 page booklet with an aerial photograph of the Greenvale Dam and surrounding area on the front cover. A green strip is along the spine of the booklet with the words 'Shire of Bulla' printed in white and 'Directory' printed in red. '1994 - 1995' is printed in red across the bottom of the front cover and the Shire of Bulla - 'City Living . Country Style' logo is in the bottom RH corner. The back cover features an advertisement for the Roxburgh housing development.shire of bulla, directory, sunbury, bulla, attwood hill, craigieburn, george evans collection -
Federation University Historical Collection
Poster, Resball: Carnival. March 16th, 2016
The Resball carnival was held on March 16th, 2016 at the Albert Coates Complex, and poster were displayed around the university to advertise it's event: 7:30 pm - 12:00 am. Residents Free: Tickets available from the FedUni Living Office. Non Residents $15: Tickets available from the FedUni Store. Dress Formal: Bus Leaving City Residences 7 pm. Entry between 7:30 pm - 9:00 pm = no tickets at the door - no passouts - This is a fully licensed events - Proof of age, res ID and valid ticket required - Management reserve the right to refuse entry. A small poster with bright colours, stars on the border, images of circus tents with flags, and writing advertising the Resball for 2016.FedUniLiving, Federation University Australia, ResFest 2016. Catalogue no. '23154' written on back in Pencilresball, feduniliving, federation university australi, resfest 2016, poster, carnival, student residence, albert coates complex -
National Communication Museum
Document - Telegram, 24/10/1934
This telegram was sent from the Royal Netherlands Airways, Sydney, to the manager of ABC Radio Station 2CO, Corowa, New South Wales. This telegram relates to the 1934 London to Melbourne Air Race. The telegram records the Royal Netherlands Airways' thanks to ABC Radio 2CO radio staff for their efforts in broadcasting an emergency message to the residents of Albury after the Dutch airliner ‘Uiver’ became lost at night in bad weather. As requested local radio listeners drove their cars to the Albury racecourse and illuminated an emergency landing ground using their vehicle headlights. This allowed the lost airliner to land safely.This item relates to the London to Melbourne Air Race of 1934, a significant event that shaped Australia's history as it proved travelling to and from Australia could be done within a reasonable time by air, thereby making the country less isolated. Up to that time Australia was three weeks away from Europe by steam ship. The Air Race was dreamt up by the Lord Mayor of Melbourne, Harold Smith, to commemorate the centenary of Victoria's statehood and was sponsored by the Melbourne chocolate manufacturer Sir MacPherson Robertson. The Royal Netherlands Airways entered a Douglas DC2 plane 'Uiver' - the largest aircraft in the race, and the only one to carry passengers as well as crew, to show that a commercial passenger service to Australia was possible. But in the last leg of the race, the Uiver lost its way in an electrical storm over the Riverina town of Albury. Several communication methods were used to land the plane safely, including the signalling of the word "Albury" in Morse code using the town's street lights. Local ABC Radio station 2CO also made a call for locals to light up a makeshift landing strip for the plane at the town's racecourse. The plane landed safely and the next morning with the help of the townspeople who pulled it out of the mud, took off and finished the race in second place. The story of the Uiver points to the importance of communication in its various forms: two-way and broadcast radio, Morse, and light signals. The survival of the Uiver is a reflection of the ingenuity of Australian communications and the solutions that can be found through the sharing of ideas of information. The landing of the Uiver was an important moment in Albury's social history, as residents participated in the rescue of the plane and its passengers, helping the Uiver to continue on its journey and finish second in the Race. When the Uiver crashed in the Syrian Desert in December 1934, Albury residents contributed to a memorial which honoured those who were killed. Beige paper telegram printed with black ink and overwritten with typewriter. Telegram split into sections designating details of the telegram, details of the recipient and a space for the transmitted message. A small section of paper is missing from bottom left corner."Extend to you my warmest appreciation for your most valuable / assistance rendered to Netherlands machine by continuously keeping your / wireless organisation available during a period of extremely difficult / air navigation stop I assure you that in Holland and in Java your action / is most deeply appreciated Bakker chief representative in Australia for / Royal Netherlands airways. / 6 18pm"telegrams, telegraphic messages, communications, radio, uiver, royal netherlands airways, albury, london to melbourne air race, morse code -
Warrnambool and District Historical Society Inc.
Plate, Dinner Plate, Early 19th century
The only information available on this plate is what is written on the base. No other information has been found on Mrs Playford or Thomas and Mary Annerley. Perhaps the plate came to into the collection of the Warrnambool and District Historical Society via the old Warrnambool Museum. The plate has no known local provenance and is kept because of its age and interesting monogram. This is a circular-shaped china plate (probably a dinner plate) with a fluted edge. The edging of the plate has red and gold ornamentation with garlands of flowers in green, pink, mauve and orange. There are four posies of flowers around the bowl of the plate in the same colouring with the addition of blue. In the centre of the plate is a large gold monogram – ‘T.M.A.’ On the base of the plate is a piece of paper partly torn off giving some details of the history of the plate in handwriting. This paper is pasted on to the base of the plate obscuring any maker’s mark that there may be. The plate has been broken into four pieces and stuck together again using five metal clips. There are some chips around the edge of the plate. Monogram: ‘T.M.A.’ ) (Thomas and Mary Annerley) Note on base: ‘… … the property of Mrs Playford of … St. Brighton (and formerly belonged to her great grandmother). Mrs Playford died in her 91st year and left it with some other pieces of the service to William Rodgers of Wellington St., St. Kilda. Monogram, T.M.A, Thomas & Mary Annerley. Copy of signed statement, 1909’ mrs playford, thomas and mary annerley -
Kiewa Valley Historical Society
Book - Dederang, Centenary St Joseph's Dederang 1883 - 1983 by Jack Goonan & Edna Arundel
The Catholic Church in Dederang began with services in peoples' homes whenever a priest was available 2 or 3 times a year. The priest would ride from Myrtleford. The first church was built in 1883 and was used by families in the Ovens, Kiewa and Mitta valleys.The church was used by residents in the Kiewa Valley. It describes conditions and life styles of the time. Also peoples' religious beliefs and commitment. It includes a biography of the local families in Dederang.Cream coloured cardboard cover with brown fancy font printed title and with 2 sketches of the church one on the top left and one on the bottom right of the cover. It has 48 pages printed on both sides and is held by 2 staples"From Mrs Brian Ford / Gundowring to the / K.V. Historical Society" is handwritten in ink on the top right of the cover page.dederang, st josephs catholic church, kiewa valley, edna arundel, jack goonan -
Greensborough Historical Society
Book - Report, Ross King et al, Youth, leisure and public policy: the case of Diamond Valley, 1977, 1977_11
119 pages text and black and white line drawings and tables. One colour fold out map. White plastic binding. non-fictionshire of diamond valley, leisure activities, sport -
Greensborough Historical Society
Photograph - Digital Image, Main Street Plaques: The changing face of Main Street, 18/06/2018
Historical Plaques in the Greensborough shopping strip. The changing face of Main Street Greensborough. This group of photographs shown Main Street roughly from the current (2019) site of Pelligra Cakes in Main Street. Further information available on GHS website.The Main Street Plaques Project was undertaken by Greensborough Historical Society and made possible with a grant from the Greensborough RSL. Digital copy of colour photographmain street greensborough, main street plaques project -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1920s
The man in the white hat is Freddy Paasch and the other man is Charles D'Alton. Note that names have been inscribed on the rock on the lower right side of the photo (visible only on Copy 1). The second copy is available under Additional Images.The photo shows two men (Freddy Paasch and Charles D'Alton), accompanied by a dog, standing at the base of, and looking up at, a large waterfall (MacKenzie Falls).scenery, mackenzie falls, people, d'alton -
Kiewa Valley Historical Society
Maps - Educational x 10 and Kiewa Scheme x1
Maps were used to teach children geography, the explorers, the minerals, the world etc. The school bought and stored the maps so that they were available for use. This predated electronic devices. The KHE Works map was hand drawn showing lots of detail.These maps were used by the Bogong Primary School. The Kiewa Hydro Electric Works was built by the SECV and produced hydro power. This map may have been used by pupils as well as workers on the Works. Large coloured maps on canvas, with a wooden beam along the top and bottom. Each one has a cord attached to the top so that the map may be hung up on a wall. Some are made by Chas. H. Scally & Co., Baronia Ave., Wollstonecraft, N.S.W. The Kiewa Hydro Electric Works map is pinkish and shows Rocky Valley Dam, Lake Guy and Mt Beauty pondage in dark blue.maps, educational maps, geography, primary school, kiewa hydro electric works -
Women's Art Register
Document - Information folder, c.1985
A File relating to Anna Cohn, Sculptor from New South Wales, it contains articles she's written and articles about her work from the 1960s to 1984. It is available for loan to members of Women's Art Register and visitors to richmond Library. This file is significant in that it is one of 3000 such files that are invaluable to Art ResearchersManila Folder with three booklets containing copies of letters, newspaper articles, invitations 57 pages all toldCohn, Anna (1921- ) on folder and on each bookletsculptor, art writer, sculptors society, , anna cohn -
NMIT (Northern Melbourne Institute of TAFE)
Prospectus - CTS, Collingwood Technical School Prospectus. Bound volumes 1913 - 1950, 1913-1950
The prospectus for Collingwood Technical School outlines the courses available and lists staff and others associated with the school in each year. Bound volumes are 1913-1920, 1921-1929, 1931-1940, 1941-1951 and one volume covering 1913-1930. The official record of CTS courses for the years 1913-1950.5 volumes. Bound in black with gold lettering. Each volume contains prospectus from several years.1913-1930 volume is inscribed "Presented to Mr. Richmond,/ first principal of Collingwood / Technical School on his / retirement 6/6/1930. / Durieu & Co were printers / for the school from 1912 / to 1972. (Mr Chas Durieu died 1973) / Presented to the C.T.C. by / Miss Richmond and Mrs Bell, / daughters of Mr. Richmond, on 3/3/74. / [signed Principal CTC 1974].collingwood technical school, handbooks, prospectus, nmit. -
Clunes Museum
Pamphlet - BROCHURE, R. FLETCHER & SONS. BALLARAT, The Clunes District Hospital )Incorporated) Information Brochure, June 1988
INFORMATION BROCHURE COMPILED AN DISED BY THE COMMITEE OF MANAGEMENT OF THE CLUNES DISTRICT HOSPITAL (INCORPORATED) DATED JUNE 1988 - INCLUDES NAMES OF OFFICE BEARERS AND OUTLINES HEALTH AND ANCILLARY SERVICES AVAILABLE AND PLANS FOR MINOR WORKS AND EQUIPMENT PROGRAM AND CAPITAL DEVELOPMENT1 X TRIFOLD INFORMATION BROCHURE BLUE PRINTING ON WHITE BACKGROUND FOR THE CLUNES DISTRICT HOSPITAL (INCORPORATED) JUNE 1988clunes district hospital, hospital committee of management -
Vision Australia
Poster - Image, RVIB Enterprises sign
Undated cardboard hand-made sign listing the variety of products made by RVIB workers available for purchase at the show. Given the taped over word before 'show' this sign was most likely utilised across a number of shows (Melbourne and regional).Digital image of sign displayed for RVIB EnterprisesRVIB Enterprises Quality Products Made By Workers of the Royal Victorian Institute for the Blind Industrial Division. Show Special Prices On. Baby Gates Tissue Box Covers Door Stops Pot Plant Stands Folding Tables Ludo Mops Chopping Boards Hat Boxes Bread Boards Dominoes Solitaire Toy Boxes Jarrah Outdoor Settings Tapestry Frames Hookey Boards Treated Pine Out Door Settings Chinese Checkers Wall & Mantle Clocks Building Blocks Tapestry Frame Standsroyal victorian institute for the blind, signs -
Wodonga & District Historical Society Inc
Domestic object - Hand made toasting fork, Mid 20th Century
This fork was made by a member of the Conway family of Wodonga. It was used for making toast over an open fire well before modern toasters become widely available. It demonstrates the ingenuity of early settlers and pioneers before the advent of modern appliances and services. This item demonstrates the ingenuity of earlier pioneers and settlers to adapt to their living conditions and improvise from their available resources and environment.A hand-made wire toasting fork. It has three prongs and the handle is twisted with a loop at the top for hanging. It is made from fencing wire.hand made utensils, kitchen ware, pioneer skills