A satirical amateur programme "issued to take the place of serviettes at the Annual General Meeting of the Melbourne Legacy Club" and dated 28 June 1930. Includes some freehand illustrations and is visually well designed; unfortunately the so-called humour falls flat these days, but it is clear that the early Legatees made the most of opportunities to have fun with each other.Illustrative of acceptable social interaction in the 1930s.Foolscap typed paper x 8 pages, black on yellowing white.legatee function, comradeship

These cartoons depict a crisp, witty and humuorus account of the lead up and beginning of World War 2. The cartoons were drawn by " "Mick" Harold Barry Armstrong , a leading world cartoonist of the day. The publication was made by popular public request and sold for two shillings a copy. It has been kept by a Legatee as a souvenir and found its way into the archives.In 1939 Legacy was discussing the future of Legacy due to ageing Legatees and declining numbers of widows and families to assist. Little did they realise what was about to unfold.Book of war cartoons published in the Argus newspaper compiled as Havoc.Caricature of Adolf Hitler in bottom left hand corner. Many pen and ink drawings, cartoons of Adolf Hitler, and other Axis leaders, politics, August- December 1939.world war two, souvenir

Presented to the Buninyong Community Website which was developed by Liz Lumsdon around 2015-2016. "The Australia and New Zealand Internet Awards (ANZIAs) are a collaboration between auDA and InternetNZ. The awards are an annual event celebrating the achievements of organisations, businesses and individuals that have made significant contributions to the development and use of the Internet in Australia and New Zealand."--Website. Perspex angular shaped award with etched lettering. Upright design with rectangular base. ANZIA: The Leonie Dunbar Memorial Award for Community Websites. Buninyong Community 2016websites, community projects, buninyong, awards

Postcard produced by Kodak of the opening of the Geelong Tramway System on 14 March 1912. Shows a speach being made from a tramcar, most likely tram No. 4 as it was the "first" tram. One of the trailers appears to be behind the tram. A large crowd is assembled around the tram. See also item 9055 for another view, 4407 and 5900.Yields information about the opening of the Geelong tramway system.Black and white Postcard divided back, unused. The back of the postcard has been printed upside down compared to the front.In the top right hand corner "Victoria"tramways, trams, geelong, opening, new tramways

Grashir Pottery was based in Kyabram, Victoria, and between 1984-1999 was registered by ASIC under the trading name Grashir Handcrafts. The pottery was set up by Graham and Shirley Howard after Graham had worked for John Stroomer for many years. The pottery made functional stoneware marked with an impressed 'Grashir Pottery' or 'Grashir Kyabram' with a map of Australia. Small hand thrown jug by Grashir Potteryaustralian studio pottery, ceramics, jug, grashir pottery

"Memorandum of Agreement" - between the PMTT and the employee for the supply of a uniform and for the payment of a four pounds fidelity and security for the uniform and performance over a specified period and to keep the uniform in good order. Two copies - made out to Edward Bernard O'Day and Richard Charles Wayman. Witnessed by H Heath for the PMTT. Both are dated 20/6/1911.Yields information about the agreement PMTT employees signed for their uniforms and fidelity.Agreement - foolscap preprinted, signed and sealed with a red small seal.tramways, pmtt, employees, agreements, uniforms, fidelity

From 1979, the John Wilson Award was awarded to individuals who made a significant difference to the lives of those around them. In 2000 it was presented to Neil and Elizabeth Maxwell who have contributed over 40 years of service to blind sports (cricket, bowls, swish), governance (with various auxiliary and council positions), fundraising and public awareness.1 wooden block with two metal insertsVision Australia Foundation John Wilson Award for sustained devotion and personal contribution to people who are blind or vision impaired Neil and Elizabeth Maxwell 6 October 2000association for the blind, neil maxwell, elizabeth maxwell

Based in the Wales county of Montgomery Shire, Edward and Maureen Ann Story Jones produced crafted silver plated on pewter giftware under the range name The Silver Scenes in 1984. Well made, high quality and durable they produced items from 1984 - 2005. These items were probably gifts from visiting council representatives. Desk set of magnifying glass (0447.1) and paper knife (0447.2) with ornate handle, both sides featuring grapes and vines motifs.Both pieces are signed by hand 'MASJ © 93' (?) at top of handle. Paper Knife has 'Silver Scenes' engraved on blade.city of greater bendigo corporate gift

The word colander comes from the Latin colum, meaning sieve. Most likely the colander was born from an evolution of sieves and percolators in wicker, linen or bronze with which the wine was filtered in ancient times. The oldest specimens were made - like pots - in terracotta. This one would have been used in the kitchen to strain off liquids.An aluminium colander with two handles welded on each side at the top. It has a flat base and perforations around the body of it for liquids to pass through.colanders, kitchenware, strainers, sieves, kitchen equipment

Woodblock printing in Tibet began to flourish from the 10th century onwards, driven by the high demand for Buddhist scriptures and images. Monasteries saw woodblock printing as a means to preserve and propagate authentic Buddhist teachings. The durability of woodblocks made them ideal for creating lasting impressions of sacred texts, enabling mass production and wide dissemination.Vajrayogini is considered a female Buddha, embodying the ultimate state of enlightenment. She represents the union of wisdom and compassion and is known for her ability to transform strong passions into enlightened virtues.Woodblock print of Vajrayogini on yellow cloth, created using an old wooden handcrafted printing board from Tashilhunpo Monastery in Tibet.woodblock printing, buddhist art

Woodblock printing in Tibet began to flourish from the 10th century onwards, driven by the high demand for Buddhist scriptures and images. Monasteries saw woodblock printing as a means to preserve and propagate authentic Buddhist teachings. The durability of woodblocks made them ideal for creating lasting impressions of sacred texts, enabling mass production and wide dissemination. Jambhala is a Bodhisattva of material and spiritual wealth often invoked by practitioners seeking to eliminate poverty and remove obstacles and misfortunes.Woodblock print of Jambhala on yellow cloth, created using an old wooden handcrafted printing board from Tashilhunpo Monastery in Tibet. woodblock printing, buddhist art

Copy of a letter from the Minister of Transport Mr. Warner to the Minister of Electrical Undertakings, Mr Bloomfield dated 18/1/1956 about deferring a TRB inquiry into Ballarat and Bendigo trams as made at a cabinet meeting of 16/1. Has a long handwritten note from Mr Mawby to a Hugh dated 2/5/56.Yields information about deferring a TRB inquiry into the tramway systems in 1956.Letter - copy - typed on quarto sheet with large portion missing in top right hand corner.Has a hand written note - see image.tranways, secv, minister for transport, inquiry, trb, enquiry

Item made by Percy Weymouth VX76127, enlisted 30.3.42 age 30/11- allotted toNo 2 Docks OP COY, emb 15.10.42 New Guinea, diesem Townsville 20.7.43, emb 12.11.43 Buna, Hops Debility 26.5.44 emb Aitape 20.6.45 for Brisbane. Disc 28.11.45 Pte in No 7 Docks OP COy.Ashtray, chrome plated, base air a 25 Pounder shell case with 3 cigarette pieces welded in, stem is a .50 Cal Round with a “Rising Sun” lapel badge wrapped around. On base, “25 PR II, CF, LOT 472 DB/C 1941 F^67memorabilia, trench art

Jack Colston was a great worker and supporter of the Bendigo & District Servicemen's Club. This certificate was given to Jack in 1996. He was made a Life Member of the Club previously in 1987. With the Bendigo RSL Sub Branch he served on the Committee from1979 - 2000, 20 years, He was involved in Appeals for many years. He served in the RAAF in WW2.Certificate framed, timber black & gold. Certificate is blue background with all text in yellow, at the bottom a depiction of two hands shaking."In Appreciation - Bendigo & District Servicemen's Club and Committee - would like to show their Appreciation to - Mr Jack Colston - For his dedication to the Servicemen's Club over a number of years"brsl, smirsl, bdsc, appreciation

Powder puffs are pieces of soft material used for the application of face powder. They may be shaped as balls or pads. Historically, powder puffs have been made of very fine down feathers, cotton, fine fleece, etc. In modern times synthetic materials are widely used for powder puffs. In addition to softness they need to hold powder. These items were used by Marjorie Burton. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class, working, church-going family. Her mother was a milliner who made many of Marjorie’s clothes, hats and outfits. Marjorie was married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11 These items are examples of women's cosmetics commonly used in the mid 20th century.Four round flesh-coloured powder puffs. One is still in a cellophane wrapper and one is larger with a finger pocket. cosmetics powder-puffs burton-marjorie

The Argus reports that “In 1916 the members of the bar took the opportunity afforded by his [a’Beckett’s] 80th birthday, and the completion of 30 years on the bench to present to the judges of the Supreme Court, with his permission a portrait of himself, to be placed in line with portraits of other judges in the Supreme Court library. The portrait which depicts Sir Thomas a’Beckett in his robes, was an excellent piece of work of Mr Max Meldrum. The unveiling was made the occasion of a little demonstration at which some congratulatory speeches were made." Sir Thomas a'Beckett arrive in Melbourne as a teenager with his parents in 1851. His uncle was the former Chief Justice, his father a well known solicitor. At the Bar Sir Thomas mainly worked in the Equity jurisdiction, which he took as a specialisation with him to the bench. This is an early work of Meldrum, he won the Archibald prize for portraiture in 1939 and 1940.The portrait is of interest for whom it portrays and as the early work of a well known artist.A full length portrait in oils of Justice Sir Thomas a'Beckett. Sir Thomas is seated, his feet placed on a plush red foot stool. He is dressed in his red judicial robes with white fur trimming and black trousers and a full bottomed wing. Justice a’Beckett has a white beard and moustache, he was 80 years of age when this portrait was painted. In his hand he holds a rolled document. At his elbow, there are books upon a table. He sits in a fine carved wood and leather chair, in the background a gold frame is just visible. A line in the canvas indicates that the size of the painting was expanded. The frame is gold with a gum leaf motif.Max Meldrum 1916a beckett, max meldrum, judge

This dressmaker's model has been made by a New York firm (1971 model) and comes from the Fletcher Jones Factory in Warrnambool. It would have been used for making and displaying ladies' clothing made at the factory. David Fletcher Jones (1895-1977) served in World War One and in the 1920s set up as a travelling hawker selling drapery in Western Victoria. In 1924 he opened a men's wear shop in Warrnambool and manufactured in sute. In 1946 a Fletcher Jones shop opened in melbourne and in 1948 a factory was established in Warrnambool with a new company, Fletcher Jones and Staff begun in 1951. The company initially specialized in men's trousers but later expanded into both men's and women's clothing. It became an Australia-wide company known throughout the country until it ceased in 2011 and the Warrnambool factory buildings were sold.This dressmaker's model is of considerable interest as a memento of the Fletcher Jones and Staff Company, founded in Warrnambool, employing many local people for a great number of years and known throughout Australia for its quality products and pioneering business model as a founder and staff co-operative.This is a dressmaker's model with the body section (bust and torso) having a fabric cover over a wooden core. The top section is bronze-coloured with a silver rim. Beneath the body section is a wire frame and a metal base on castors. The castors are rusty and the fabric is broken in places. Collapsible model 1971 22 WOLF FORM Registered perfect model forms N Y 140 5th Avefletcher jones and staff, fletcher jones factory warrnambool, warrnambool history

Rolling papers are small sheets, rolls, or leaves of paper which are sold for rolling cigarettes either by hand or with a rolling machine. When rolling a cigarette, one fills the rolling paper with tobacco. Rolling papers are most commonly made with wood pulp, hemp, flax, or rice straw as a base material. Zig-Zag papers, made in France, were the first interleaved brand (hence the name). Gold medal at 1900 Universal Exposition in Paris. 1860 Samuel Ramsden, a Yorkshire man, founded first paper mill in Victoria on the banks of the Yarra River, Fairfield, Melbourne. This was the Australian Paper and Pulp Company which for most of its history was called The Australian Paper Manufacturers Ltd. until it changed its name in 1986 to Amcor. In 1919 the company opened its mill on the corner of Upper Heidelberg Road and The Chandler Highway in Fairfield and remains there today. 2 packets of precut cigarette papers 'Zig Zag ' Paper Aust. Pty. Ltd. 60 leavesZIG ZAG PAPER AUST. PTY LTD 60 LEAVESciggarettes, cigarette papers, tobacco, moorabbin, cheltenham, early settlers, australian paper manufacturers, fairfield melbourne, zig zag cigarette papers ltd. amcor ltd,

This ledger was kept by the management of a rural property in Marlo, East Gippsland. Entries were made by Hugh Cameron and Alaster Cameron. Their property was reputed to be the largest private dairy producer in Australia at one stage. (ref. Mary Gilbert) Some station owners or managers kept records like diaries, wage and ration books, and registers of births, deaths and marriages. This one records federal transactions, costs of produce and payments for share farming at Brodribb and Marl, as well as a list of donations made. Hugh Cameron (1850-1921) was on the Orbost Shire council from 1892-1915. His son Alaster was also an Orbost Shire councillor representing the East riding from 1932 to 1954. Hugh died at Orbost on 3rd May 1921, aged 71, and was buried on 5th May at the Orbost cemetery. (more info. in O.D.H.S. newsletter -Tambo Shire)This is an example of record keeping on rural properties in the first half 20th century. It is associated with the Cameron family who were early settlers in the Orbost district.A large leather bound ledger with a dark blue patterned cover and suede leatherette binding and corners. There are pages with alphabetical indexing. Some pages are ruled for accounts. All entries are hand-written in blue or black ink.There is blotting paper inside.on spine on red leatherette in gold print - " "STATION LEDGER" and on black in gold print - "CLOVERDALE"cameron-marlo dairy-farm-cameron agriculture-records station-ledger-cameron

This prosthetic arm has been made to assist a person who has part of his or her arm missing. The hook fixed to the end is an attempt to give the wearer extra assistance in replacing some of the functions of a hand. Prosthetic hook arms like this one have existed for centuries. Archaeological evidence shows that prosthetic limbs have been designed and used since almost 6000 years ago. Hooks for seafarers were made from whatever materials were readily available onboard the ship., such as metal, wood and leather. Often the prosthetic arms were simple lock-jointed pieces with basic hand positions. During the 19th century, advanced technology led to improved appearance and movement of prosthetics. Further development in the 20th century included lightweight, durable materials and electronic robotic movement of the hook, along with a more aesthetic appearance.This prosthetic arm is an example of an aid used to assist people with missing limbs, whether born that way or as a result of injury. Prosthetic or artificial arm. Brown leather cylinder with elbow pad and straps with buckles. A single rotating metal hook has been fixed to the end.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, prosthetic, artificial arm, artificial limb, prosthetic arm, false arm, hook hand, amputee's aid, medical equipment, medical assistive aid, assistive aid, rotating hook, fake arm

The fruit juice or lemon squeezer is a small kitchen utensil designed to extract juice from lemons or other citrus fruit such as oranges, grapefruit, or lime. It is designed to separate and crush the pulp of the fruit in a way that is easy to operate. Lemon squeezers can be made from any solid, acid-resistant material, such as plastic, glass, metal (usually aluminum) or ceramic. The oldest known lemon squeezers were found in Kütahya, Turkey and date to the first quarter of the 18th century. These ceramic presses are in the traditional style of Turkish pottery of the 18th century and have a superficial resemblance to today's press equipment with cones, though they are designed differently. These examples were individually made, and specially designed for making the then popular citrus drink sorbet. Lemons are not native to northern Turkey, though during the 17th and 18th centuries they were imported in bulk to Constantinople.The fruit juice press is an example of early 20th century kitchen utensils and is not associated with an historical event, person or place, provenance is unable to be determined at this time and the item is believed to have been made around 1900. This item is currently being used in Flagstaffs Hill village display and regarded as significant as it demonstrates domestic kitchen utensils used around the turn of the 19th century and today is a collectable item. Vintage lemon/citrus fruits squeezer cast iron juicer with two sections hinged together strainer on one section has holes for letting liquid escape.Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, food press, food preparation, fruit juice press, kitchen utensil

This handmade women’s combination undergarment features hand-worked lace panels and trim, and fine pintucks. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. The design of this combination undergarment, or ‘combination’, includes a chemise attached to a pair of drawers or bloomers. The combination is divided, or bifurcated, from the waist to the crutch for easier urinating. This one-piece type of underwear was worn by females from the 1860s and into the early 1900s. The 19th Century garments had front button closures like this one, and those made in the 1900s more often had back closures. Combination underwear was popular because the all-in-one design had far fewer gathers and bulk, making the other clothing look much smoother. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women’s white cotton and lace all-In-one combination undergarment. The handmade underwear is a combined chemise and bloomers. It has a front button closure and is trimmed with hand-worked lace panels on the bodice and lace edging around armholes, the neck, and the bottom of the legs. The left and right sides are divided from the waist to the crutch.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, combination undergarment, all-in-one underwear, combination, ‘combinations’, one-piece underwear, one-piece undergarment, chemise and bloomers, combination chemise and bloomers, divided, bifurcated, split, chemise and drawers, women’s underwear, ladies’ underwear, undergarment, women’s clothing, women’s fashion, lingerie, under-structure, 1900s undergarments, 19th-century undergarment, 20th century, handmade clothing, handmade lace, hand-worked lace, paton family, trefnant, yangery, lady's combinations, ladies combinations

This olive green bottle was handmade by a glassblower and is the typical shape of a ‘gallon’ type liquor bottle, which has the capacity of one-sixth of an imperial gallon, about 750ml. It was made around the mid-to-late 1800s. The bottle was recovered from an unnamed shipwreck in the coastal water of Victoria. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing into a long metal pipe or reed with a blob of molten glass at the end of it. The shape of the glass would be blown out to fit into the shape of the mould. Once it set, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck and another tool to finish the base. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be added to the top to form the mouth and lip of the bottle. The seal was usually a cork, often held in place with tape. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal water in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle, dark olive green glass, tall thin Gallon type. Lip is straight, deep, with thin horizontal lines in glass. Neck has gradual flare, body has side seams, heel has uneven thickness, and base is concave, without pontil mark. No inscriptions. Glass has imperfections. Handmade in mould. Body has score marks and is worn down one side. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, handmade, mouth blown, pontil mark, blown bottle, liquor bottle, 19th century bottle, collectable, olive glass, green glass, mould, 1800s bottle

This olive green bottle was handmade by a glassblower and is the typical shape of a ‘gallon’ type liquor bottle, which has the capacity of one-sixth of an imperial gallon, about 750ml. It was made around the mid-to-late 1800s. The bottle was recovered from an unnamed shipwreck in the coastal water of Victoria. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing into a long metal pipe or reed with a blob of molten glass at the end of it. The shape of the glass would be blown out to fit into the shape of the mould. Once it set, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck and another tool to finish the base. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be added to the top to form the mouth and lip of the bottle. The seal was usually a cork, often held in place with tape. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal water in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle, dark olive green glass, tall thin Gallon type. Lip is double; rounded upper, flared lower. Neck is slightly bulbous. Body has shoulder seam, then tapers inwards to base. Concave base with small pontil mark. No inscriptions. Handmade in mould. Body has sediment inside, top to bottom. Glass is worn down one side. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, handmade, mouth blown, pontil mark, blown bottle, liquor bottle, 19th century bottle, collectable, olive glass, green glass, mould, 1800s bottle, bulbous neck

Georg Chodziesner made this chanukiah in Hay Camp in 1940. It was made to celebrate the Jewish festival of Chanukah. Georg was born in 1900 in Berlin to a prominent Jewish advocate Justizrat, Ludwig and wife Elise. Fearing arrest at the outbreak of war, Georg fled Germany to the United Kingdom. His wife, Dorothea, and son, Wolfgang Benno, emigrated to Chile. Like many German Jewish men, Georg found himself on board the HMT Dunera, bound for interment at Tatura. On release, Georg joined the Australian Army 8th Employment Company in which he served for the remainder of the war. Georg sought permission for his son to join him in Australia, and the pair were reunited in Melbourne in May 1945. Dorothea had passed away from illness in 1943. After settling in Australia, Georg worked as a Patent Attorney and remained working at the same firm until his death in 1981.This Chanukiah was cut from a kerosene tin using nail scissors and mounted on a wood block base. Medium: Wood, tin and ink The Chanukiah is embossed with a Magen David, the Star of David, and the wooden base has a poker work inscription: "Hay 5701 / 1940".dunera, wwii, internment, jewish history & people

Else Oertel and her daughter Else-Lore were interned in Camp 3A from 1940. Her husband was not interned as he was on a business trip to Germany when war broke out. The doll, named Karl by Else-Lore, was hand-carved by internee Alfons Koenig. Friedel Dehnel "Tante Fiffi" made the authentic Bavarian clothes. Friedel, wife of Walter Dehnel, arrived as a young woman from Austria, working in the Victorian snowfields as a chef and was a champion skier. She then became a dressmaker for Melbourne society and insisted that she be interned to be with her husband. She made costumes for the internment camp plays and took over her husband's duties as a cook for Camp A when he was locked up for "insubordination". She was deported with her husband back to Germany after the war and cared for her orphaned nephews and nieces in Garmisch-Partenkirchen. Body, head, arms and legs carved from wood. Blue eyes, yellow hair, pink lips and skin all hand painted. Wearing a grey crochet hat with orange feather and grey crochet jacket with two metal buttons. Jacket and hat have green trim. Grey felt shorts with leather braces and green trim. White shirt and tan color tie. White socks and brown leather sandals.doll, alfons koenig, camp 3, internee, oertel family, else oertel, friedel dehnel, else-lore hukins, dressmaker, costumes, plays, chef

This piece of functional Trench Art was made by Stewart Noble during World War 2 (circa 1940) while serving on a Mine Sweeper among the Pacific Islands. It is believed that the bullet spoon was chrome plated after the war, while he worked at the Government Aircraft Factory. Trench art is described as any decorative item made by soldiers, prisoners of war, or civilians where the manufacture is directly linked to a war. The making of trench art was a popular past time during leisure hours at the front, where skilled military personnel created the items. Common examples of trench art are decorated shell and bullet casings, and items carved from wood and bone. Trench art has been in existence since the Napoleonic wars however it was most common during World War 1, and to a lesser extent during World War 2. This bullet spoon has historic significance because it is an example of the type of functional or artistic small items, that were made from war scrap during spare time by soldiers or other personnel associated with a war. This particular item indicates that a reasonably high degree of skill was required to make the bullet spoon.Chrome plated teaspoon with a discharged .303 bullet for the handle.trench art, bullet spoon, .303 bullet, stewart noble, war souvenier, chrome teaspoon