This lamp was the light source for the projector which was operated at Dunkeld and the wider district during the 1920's and 30's. The company which operated it was called Royal Pictures and showede their films in district halls. Owned by Claude Taylor and Reuben Schache. The projector was hand operated. Films were also shown outside on a large screen outside the Royal Mail Hotel.Metal carbon arc lamp. 6 Adjustor screws to adjust the rods to strike and hold the carbon arc. These rods allow adjustment and totation of the carbon rods which hold the arc. Brass feferrules are used for fine adjustments. Hand wheels are insulated to protect the operator. This arc lamp produced the light for a movie projector.None visibleentertainment, films, carbon lamp

Film of the Trooping the Colour, in London. Including King George VI, Queen Mary, Queen Elizabeth, Princess Elizabeth and Princess Margaret on the Buckingham Palace balcony. The year is not known though it was pre 1952 when King George VI passed away. The reason for having the film is not known. There are records of Legacy showing films to junior legatees and this could be one of them.Legacy was founded by returned servicemen with a dedication to the royal family. A celluloid film on a black metal spool.Spool, Kodak A/asia, not for camera use.london, royal family

The North East Catchment Management Authority presents Indigenous knowledge and practices on film by way of a DVD allowing it to be played on a screen such as a computer or linked to a TV screen.Indigenous knowledge and practices presented by film on a DVDDVD with title in red texta on silver side of DVD. Stored in hard, clear plastic containerRed Texta printed -' 3 x NECMA / Films / for / KVHSindigenous australians, north east catchment management authority, dvd film

Two Legatees doing work as volunteer badge sellers with badge trays and Legacy Appeal tins. The other photo are two members of the public. They are from the same film, assumed to be during badge week in September, though the year is unknown.A record of fundraising in Legacy Week.Colour photo x 2 of badge sellers during Legacy Week.Printing on the back "legacy appeal, fundraising, badge week

Vision Victoria's film 'A Feeling for Life' was a finalist at the 1990 International Film & TV Festival of New York.1 white page with mounted on blue cardboardAt the base: The 33rd Annual International Film and Television Festival of New York received a total of 7,158 remarkable entries in all categories from 43 national. This certificate is awarded in recognition of outstanding achievement in TV and Cinema Advertising, non-broadcast film and video, or television programs and promotions.association for the blind, awards

6 round metal tins, some with film inside."The Australian Religious Film Society" on 3 of the tins. "A Tartan Filmstrip" on 1 tin. "Joseph Part 11" on 1 tin. film strips, photographic equipment containers

A Legacy ceremony at the Shrine. Photos show the Legacy flag flying on one of the three flagpoles opposite the Cenotaph, and a group of seated people listening to a speech. The film number of 167 might give a clue to the date and event. Otherwise date and event unknown.A record of a ceremony at the Shrine.Colour photo x 3 of a ceremony at the Shrine showing the three flag poles.Printing on the back "wreath laying ceremony, shrine of remembrance

White programme with red, black and blue coloured print, titled 'Noel Coward's Epic of the Empire CAVALCADE Fox Film's proudest achievement.' 'Souvenir. For General Exhibition.' 'Copyright 1933 by Fox Film Corporation (Australasia) Ltd. All Rights Reserved.'program, theatre, films, lydia chancellor, collection, drama, entertainment, performing arts, souvenir, films

Morning Of The Earth tells the fantasy of three exotic lands: Bali, Hawaii and Australia, where surfers made their own houses, surfboards and lived in harmony with nature. Featuring Nat Young, Terry Fitzgerald, Gerry Lopez, Stephen Cooney, David Treloar and Michael Petersen. The movie soundtrack featured Terry Hannigan, Taman Shud, Brian Cadd , G. Wayne Thomas and many others. The film premiered at the Manly Silver Screen Theatre in 1972.Described by many as the greatest surf film ever made in Australia and one of the most influential surf films ever made, Albert Falzon's stunning surf footage captured the spirit of a timeless period in Australian surf history.Black text on red with iconic black and white photograph of Michael Petersen cutback.Film title, Jonas Mekas quote.nat young, gerry lopez, albert falzon, michael petersen, taman shud, morning of the earth, terry fitzgerald, stephen cooney, david treloar, bali, brian cadd, terry hannigan, g wayne thomas, david elfick

Stathi Raftopoulos was passionate about film and often showed movies to family and friends in his home cinema. He was a keen promoter of Greek film which he screened to the wider public as a travelling picture show man and later through the chain of Greek cinemas he was a partner in.A coloured photograph of a man standing next to a film projector in his home cinema. Two Greek film posters are on the wall behind him.

NED KELLY FILM - FRASER STREET, CLUNES - 29TH MAY 200259 COLOUR PRINTS OF NED KELLY FILM SETlocal history, photography, photographs, ned kelly

They were made from 1913 and they probably weren't very expensive cameras. The Hawk-Eye No. 2 model C of 1913 was a simpler model with just one viewfinder, and no choice of aperture. This version was reissued in 1930 for Kodak's 50th anniversary: For this, the company offered a free Hawk-eye camera to any child of 12 in that year. Approximately 550,000 of these were issued.[A box camera is a simple type of camera, the most common form being a cardboard or plastic box with a lens in one end and film at the other. They were very popular in the late 19th and early 20th centuries. The earliest Kodak's were simple box cameras which were sent to a local dealer after all the shots on the film inside were taken. The dealer developed the film and sent the photographs and the reloaded camera back to the photographer. While introducing a wide range of innovative features two designs dominated Kodak's cameras. The most famous of these was the Box Brownie, designed by Frank Brownell, and introduced at the cost of one dollar in 1900. Brownie's were produced in one form or another up until the 1960s when the Kodak Instamatic was introduced. A Cartridge Hawkeye No. 2 Box Camera. It i has a cardboard body and the body is covered in black leatherette. The camera is designed to be used with Kodak No 120 film. It is a rectangular box with a hole at the front (no lens). The shutter control is on the right side. The film winder is below the latch. The film window is at the back and there is a leather carrying handle at the top. Back - Made in Great Britain Use Kodak No.120 film Kodak Handle - No. 2 Cartridge Hawk-Eye Model Cphotography kodak camera box-camera

Photo taken by Keith Kings on 18/9/1971, of a film crew shooting of John 'Jack' Anderson, "The Last Tram" which documented a ride through the city of Ballarat in 1971 using tram 17. See https://www.youtube.com/watch?v=LGL-0qiahBc for the film.Yields information about the shooting of a film by the Commonwealth film unit in Ballarat.Black and white print on paper with photographer notes and stamp on the rearSee rear image.tramways, ballarat, films, closure, jack anderson

This small film development system was developed by Kodak for the amateur photographer. It was a small portable system which made the development of film more accessible to the enthusiast.This is an interesting item and quite innovative and as such has historic and scientific and research significance.A stained wooden rectangular box with dovetailed corners and a lid which is loose and sits inside a ridge.There are two holes drilled in both the longer sides of the box. The lid has a smaller raised section with Kodak Film Tank in red and black text a paper chart is stuck to the underpart of the lid..The interior of the box is painted black and there is a metal cylindrical tin with a lid and inner section.There is a spool attached to one end of the box.There are four loose items, two long prongs with black plastic knobs, a similar length implement with a straight shaft and hooked section on the end and a metal spool.Kodak film Tank on the lid of the box and the lid of the cylinder. The bottom of the cylinder has stamped around the outer rim, " manufactured by Eastman Kodak Co, Rochester NY. Pat Aug 26. 02 May 23 05 May 21 07.Sep 17 07. On the under part of the lid stamped into the timber, ' by Eastman Kodak Co, Rochester NY.kodak film tank, 1907 kodak film tank, warrnambool history

Legacy Widows leaving St Michael's Uniting Church, Melbourne, after a service. This is an annual event for Legacy widows at the start of Legacy Week, which is usually the first week in September. The day is sometimes referred to as Widows' Sunday or Pilgrimage to the Shrine. It was held on Sunday 26th August 2000. The photos are from the same film as the wreath laying service at the Shrine with Legacy President David Kelly. Names unknown. The same ladies are seen at the Widows Luncheon photos in 00528.A record of a ceremony at a church in 2000.Colour photo x 5 of widows at a church service in 2000.Printing on the back "widows, widows' sunday, pilgrimage

In 1960, the University's Student Representative Council produced a thirty minute colour film called 'Don't Send Your Daughter', designed to showcase the activities of first year students ("freshers") for high school students and their parents. The film starred Susan Stone and Christopher Carr as "two typical freshers", and some scenes were shot at International House, with the film played for a University audience in September 1960. This photograph comes from an 'Album of Student Activities 1960', compiled and presented to International House by Soedjadi Satrosoegito & Richard Shiell.film, residential college

Newspaper clipping from The Courier, Ballarat, 14/9/1971 titled "Last tram to 'star' in film about Ballarat" of the making of a film by the Commonwealth Film unit on tourist attractions in Ballarat. The first section of the film was to feature the last run of the trams in Ballarat the following Sunday. Has a photo of a meeting of members of the film unit, the City Council, and the Ballarat Regional Tourist Promotion Association the previous day. The clipping gives the names of people in the meeting. Second copy of the text only added 25/10/05 - photo not attached. Image of the whole cutting added 28/3/2011 - see i1. trams, tramways, ballarat promotion, commonwealth film unit, closure, films

This envelope has been used at the Warrnambool chemist shop of Harry Shilton to protect the films (snapshots) developed for a customer. Harry Shilton’s shop was at 119 Liebig Street. He took over the pharmacy business of Ralph Barnes in 1937 and Alan Anderson became his business partner in 1953. Mr Shilton retired from the business in 1960. No information is available on the recipient of the photographs (‘Mrs. Leah’)This envelope is retained as a memento of the pharmacy business of Harry Shilton, a mid 20th century chemist in This is a buff-coloured paper envelope with an overlapping flap with adhesive on it for sealing the envelope. The front of the envelope contains black printing (slightly askew) and one pencil mark. ‘Shilton’s Snapshot Service’ ‘Mrs. Leah, 116 film’ warrnambool pharmacies, 20th century photography, history of warrnambool

Film was commissioned by the Caulfield City Council and produced in 1963 by the Caulfield Film Society. DVD copy of original rare film held by the Australian Centre of the Moving Image (ACMI). Colour; Sound; 21 min. Produced in 1963.

DVD filmed and produced by David Johncock of the UK, providing the history of Melbourne Trams and Trains and current vision of 2022. Demonstrates the work of David JohncockDVD - in a clear front black plastic case.melbourne, trams, trains, dvd, films

Stathi Raftopoulos was a promoter and enthusiast of Greek and English cinema and entertained many guests screening films at his home cinema. He was also an avid collector of film memorabilia. A coloured photograph of a man standing behind a film projector in his home cinema. Posters are on the wall in the background.Written on the back: 520/28Afilm projectors

The Mt Beauty theatre was located in the community hall and gave residents access to the latest movies when television was just beginning to be a popular household entertainment. The Kiewa valley was for a very long time 'out of range' for television reception . Going to the theatre was popular for all age groups.This program shows that most of the films were suitable for the whole family.Mt Beauty entertainment consisted of going to the pictures on a Wednesday or Saturday night. Most films were suitable for the whole family and were up-to-date movies with well known stars. Thin greenish paper with dark green print folded making 4 pages detailing the schedule of the pictures to be shown.2 nights have been ticked.mt beauty theatre, films, pictures

Copy of Godfrey Hirst family videos/photograph on CD. Including 1951 floods at Mill. All video content filmed at Godfrey Hirst Woollen Mill, Swanston Street, South Geelong. Godfrey Hirst's children. Family home in Newtown and holiday home in Eastern View.Compact disc (CD) containing colour video footage. Film has no audio content. Visual content outlined below: 00:00 – 00:05 – External view of brick building – Godfrey Hirst & Co. Pty. Ltd. 00:05 – 00:10 – Exterior garden setting, three men in suits with fabrics and object 00:10 – 00:28 – Exterior garden setting showing eight women, most likely on a break from working at the Godfrey Hirst factory. The footage shows them all getting up and walking back towards the building at the end. 00:28 – 00:38 – Exterior garden setting, showing seven men in white shirts and ties seated and standing around a table, turning pages on a folder on the table. 00:38 – 00:52 – Interior factory setting, showing four men in coats handling green and red wool. 00:52 – 1:08 – Three men in suits in an exterior garden setting looking at paperwork. 1:08 – 1:23 – Four men in coats in a garden handling coloured wool samples. 1:23 – 1:42 – Four men in suits in a garden setting handling woven fabric. Two of the men are holding pipes. 1:42 – 1:57 – Interior factory setting showing men operating machinery. 1:57 – 2:05 – Exterior factory setting showing a man driving machinery carting wool bales. 2:05 – 3:14 - Flood scenes, showing the exterior of the Godfrey Hirst building with a man rowing a boat down the street, and a horse and cart in flood waters. There are scenes of flooded streets, exterior of flooded buildings and people standing in flood waters. 3:14 – 3:40 - Interior building views of flood waters in factory with people, machinery, equipment and textiles in flood waters. 3:40 – 4:03 - Exterior views showing a tractor, boat, horse and people in flood waters. 4:03 – 7:02 Exterior setting showing crowds of people watching a fashion parade. The fashion parade is of women in various clothing, including suits jackets, skirts, coats and hats. 7.02 - END"Hirst family films 1936-1964 Incl. Godfrey Hirst and co P/L Woollen mills"geelong, godfrey hirst & co. pty. ltd., family films, factory, flooding, 1950s, wool processing, fashion, textiles, horse and cart, wool bales, transport, machinery, fashion parade, working life