In 1860 the Wurundjeri Elder, Wonga, petitioned the Victorian Parliament for a piece of land in his people’s own country where he could establish a settlement. The land later named Coranderrk was granted. When Wonga died in 1875 his nephew William Barak, known by settlers as ‘King William, last chief of the Yarra Yarra tribe’, became the leader, the Ngurungaeta. William Barak believed strongly in justice for his people, and time and again made the arduous walk to Melbourne to petition to Parliament and to Queen Victoria for his people. ‘Freedom for our lifetime’, he said. The community at Coranderrk welcomed Aboriginal people displaced from other parts of Victoria; they established an economically self-sufficient settlement by growing and marketing hops. Barak negotiated with the Victorian Government officials as they made promises and broke promises. They finally promised to export the whole of a hop harvest of one year. The people worked around the clock to fill the contract; the Government pocketed the proceeds. The community never recovered. Barak died in 1903— a broken-hearted man. (from http://www.sosj.org.au/_uploads/_cknw/files/Corenderrk.pdf) Artist William Barak is buried in this cemetery.Photographs of graves in grass and bushland. It is the Corenderrk Cemetery, and is associated with the former Corenderrk Aboriginal Reserve.corenderrk, wurundjeri, barak, aborigines, aboriginal, cemetery, grave, barak, jemima dunolly

This image was bought in an Op shop in Melbourne around 1980. It had no other identification other than the name of the photographic studio. The image has a collar badge and sergeants stripes added at a later stage. This possibly suggests the photo was taken at the time of enlistment, and the soldier died, leaving the family to make additions to the photograph.Black and White digital photograph by Thornton Studios Ballarat of a young, curly haired man in the uniform of the Australian Imperial Forces (AIF). The rising sun badge and the sergeant's strips on his sleeve have been included after the photograph was taken. The soldier is Robert John McHenry, who was killed in action on on 28 July 1916. soldier, world war one, aif, thornton studios, world war, robert mchenry, bob mchenry, world war 1, mmm

Stratford railway station is located on the Bairnsdale line in Victoria, Australia. The railway lined opened on 8 November 1887 it served the town of Stratford. The building at the Stratford Railway Station was opened around 1921 after the original building was destroyed by fire on 10 January 1920. "STRATFORD RAILWAY STATION. Mr. M'Lachlan, M.L.A., has received the following from Mr. Norman, late Chairman of the Railway Commissioners:-"In reply to yours, I beg to state that material for the new Stratford railway station has been ordered, and the work will be put in hand as soon as it has been delivered. It is not an easy matter at the present time to obtain materials, and I cannot say exactly when those required will be received." (Gippsland Times, 27 September 1920) Until their demolition, Munro, Fernbank, Lindenow and Hillside stations were located between Stratford and Bairnsdale stations. (wikipedia)Photograph of two postcards showing a crowd at Stratford Railway Station to celebrate the opening of the new building. stratford, stratford railway station, railway

Ill, map, p.316.non-fictionAs the clock struck twelve to signal the start of 1942, Australians did not give the New Year their traditional noisy welcome. Regular events were cancelled, nightclub bookings were down and most people stayed in their blacked out homes. Clocks were put forward an hour for the start of daylight saving, as part of a war-time scheme to save power. All around the Pacific, Japan was making gains. They already occupied most of China; bombed Pearl Harbour, Guam and Wake; sunk the stars of the British naval fleet, the Prince of Wales and Repulse. They had landed in British Borneo, Hong Kong and the Philippines. This is the story of 1942, as told in first-hand accounts by the men and women in Australia and around the world. world war 1939-1945 - personal narratives - australia, soldiers - australia - diaries

"The fine structure of St. Peter's, with its prettily-decorated interior, which holds crowded congregations at Holy Mass on Sundays, is alone an eloquent testimony of the piety and devotion which permeates the whole parish. Attached to the church is a circulating library, and Catholic papers and other literature are distributed at the church door. Branches of the H.A.C.B. Society and Catholic Federation are doing much good work. (Melbourne Advocate, 17 January 1914) "OPENING AND CONSECRATION OF THE NEW CATHOLIC CHURCH OF ST. PETER’S, DAYLESFORD Cross on St. Peter'sNotwithstanding the inclemency of the weather, the opening of the new Catholic Church of St. Peter’s, yesterday (Sunday), attracted a crowded congregation. Although the rain, which has poured almost incessantly for some days past, had left our roads and streets in the condition for which Daylesford is celebrated in winter weather, and although he storm and rain seemed to increase as the hour announced for the ceremonies approached, the church was filled by a large congregation, comprising all sects and denominations of Christians in and around the district. The beautiful edifice, erected mainly through the zeal, liberality and energy of the respected pastor, presented a most imposing appearance, and reflects infinite credit upon the Rev. Mr. Slattery, and the flock committed to his charge. The church was commenced in November 1863 and has been in the hands of the workmen up to the present time, work being uninterruptedly carried on. On commencing the foundations, it was necessary to excavate until solid clay was reached, which in consequence of the deep rich chocolate soil on the site of the building, had to be carried down to an average depth of 6 feet 6 inches. The foundations were laid with massive stones in courses of 12-inch, and four feet thick, reducing to 3 feet below the floor line. The style of the building is decorated Gothic, and consists of a nave, 80 feet by 30 feet in the clear, and a chancel 18 feet high; from floor line to apex of roof, 47 feet, which is elegantly constructed, consisting of six spans or frames with puncheons resting on carved corbels, low down between the windows. The north side consists of a handsome entrance, near the north-west angle, approached by nine steps of cut stone, and four bays of windows on nave, and a small door on side of chancel, intended as an entry from the sacristy. The south side presents a very handsome view to Victoria street, a beautiful porch entrance giving access to the building on the south-east end of nave; and on the south-west angle a handsome octagonal spire, terminating in an iron cross, with gilt floriations; the height of top of cross, from floor line, is 88 feet. A stone stairs gives access to the organ gallery and the belfry. The whole of the windows are of a handsome geometrical design, and carved in stone, with mullions and tracery, and glazed with amber-tinted glass, the chancel window being 15 feet high, and 8 feet wide. The chancel arch is unusually large, 27 feet St. Peter's interiorhigh and 18 feet wide, and handsomely moulded, and presents a fine appearance from the body of the church. The roof is stained a rich oak, with heavy cornice, and all the walls are smoothly plastered, and colored peach color, giving the amber-tinted glass a beautiful soft cathedral appearance to the interior. The altar is of a very chaste design, the panels being moulded with Gothic heads, and finished in white and gold; the altar rail was not completed, but is intended to be of polished cedar, with carved pillars. The interior fittings will be proceeded with immediately, and to complete the design, an organ gallery, with sittings for about 100 persons besides the choir, will be constructed on the west end. It is intended also to place pillar gaslights on each side of the main entrance, for lighting during vespers in winter. The style of architecture has been strictly carried out, and in the best and most substantial manner. The building has been erected under the superintendence of the architect Mr. John Townsend Brophy, a member of the congregation, and who has discharged his duty with great ability and care. The hour of half-past eleven has scarcely passed when from the sacristy entered His Lordship the Right Rev. Dr. Gould, Bishop of Melbourne, preceded by the Very Rev. Dean Hayes (Sandhurst), the Rev. P. J. Slattery, and a number of boys dressed in white surplices. The Right Reverend Prelate proceeded to the foot of the altar, the Very Rev. the Dean on his right, and the Rev. P. J. Slattery on the left. The prayers usual upon the occasion were read by the Bishop. A procession was then formed, and went around the church in the following order. Several youths bearing wax candles first, next the Very Rev. the Dean, then the Bishop and his train bearers, and following were the Rev. Mr. Slattery and acolytes. Having returned to the altar in the same order, the Deacon (Dean Hayes) and Sub-Deacon (Rev. P. J. Slattery) proceeded to robe his Lordship, who had taken his seat at the epistle side of the altar, for the solemn High Mass, at appropriate times wearing his mitre and bearing his crozier. The mass, which was chanted by the Bishop with touching simplicity and earnestness, was then commenced. The choir, under the direction of Mr. Meunsch, organist, was full and most effective. Mrs. Testar, of Melbourne, having generously offered her valuable services, took the leading soprano solos, and it is scarcely necessary to add, rendered them with exquisite taste and feeling – her beautiful voice being heard with great effect throughout the entire building. The choir consisted of the following ladies and gentlemen who volunteered to aid in the ceremonies upon this most interesting occasion. Ladies: Mrs. Tresar, soprano; Mrs. J.J. McCormick, alto; Miss Julia Conry, soprano; Mrs. Vincent, soprano; Mrs. Aitken, soprano. Gentlemen: H. Guthiel, tenor; Master John Murphy, tenor; James Knox, bass; J. M. Murphy, bass; Mr. Staunton, baritone; Mr. Sourby, alto; Mr. Short, bass. The chant, “Let us adore,” during the procession, was given by Mrs. Vincent with considerable power. The selection of the “Imperial Mass” (Haydn’s No. 3) was felicitous, and the highly artistic and finished manner in which the different parts were sustained, demonstrated that great and persevering care must have been bestowed on the preparation for “the opening day.” The “Kyrie” was given with the full strength and power of the choir. The swelling of the voices in complete harmony, and the pealing of the organ in the midst of incense and prayer, produced a most marked effect upon the congregation. In the “Gloria,” the solos of Mrs. Testar were really beautiful and Mrs. McCormick rendered the alto solos with considerable merit. Mr. Knox sang the part commencing with the words “Qui tolles” with much taste and power. The “Credo” than which we believe there is not a more magnificent piece of sacred music extant, was most successful in its rendering, nor do we ever remember to have heard anything more touching than the manner in which the line “Vetam Venturi in Seculi,” was given by Mrs. Testar. The offertory hymn “Come unto Me all ye that labor,” was given by Mrs. Testar with the most thrilling effect. The “Sanctus” having been sung, in which Mr. Sourby ably rendered an alto solo, the “Agnus Dei” was commenced with a solo by Mrs. McCormick and was given with great taste and feeling, Mrs. Testar, at the conclusion of the “Agnus,” taking up the soprano part. Mass being concluded, the Very Reverend Dean Hayes ascended the altar and proceeded to preach the opening sermon, taking as his text Second Paralipomenon [Chronicles II], 7th chapter and 16th verse – “For I have chosen and have sanctified this place that My hand may be there for ever, and My eyes and My heart may remain there perpetually.” St Peter's manseAt the close of the sermon a collection was made by the very reverend preacher, assisted by John Egan, Esq., Corinella, on behalf of the church, and about fifty pounds were contributed. When it is remembered that 500 tickets had been issues at 10s each, and the inclemency of the weather taken into consideration, the collection may be regarded as a large one. Benediction was sung by the Rev. P. J. Slattery, assisted by Dean Hayes, the choir singing the “O! Salutaris Hostia” and “Laudate.” Handel’s Hallelujah Chorus was sung at the termination of the ceremonies. The vestments issued at Benediction, as well as at the Mass, were of the most gorgeous and beautiful character. When the Benediction was over, the Rev. P. J. Slattery, standing at the front of the altar said– “I wish to say one or two words before the congregation leave. I feel most deeply indebted to all of you who have attended here today for the honor and glory of God, not withstanding the difficulties you had to encounter from this most inclement season. I am truly delighted at such a manifestation of feeling, and will not easily forget it.” The rev. gentleman having disrobed, thanked the members of the choir for their kindness in assisting at the ceremonies, and more especially Mrs. Testar, who had braved all the storm and rain to be present at, and give the advantage of her great musical abilities on, the “opening day.” (Daylesford Mercury, 15 May 1865.)A number of photographs of St Peter's Catholic Church, Daylesford, taken at the 150th anniversary celebration. st peter's catholic church daylesford, decoration, altar decoration, anniversary, daylesford, religion, painting, interior, slattery, gough, d'alton, mcmahon

This theodolite was used by `Mr Dawson' (presumably William Tennant Dawson c.1820-1873) who `surveyed much of the area around and beyond Stratford'. It was damaged by the fire which burnt the original Roseneath home in 1921, when the Macleods were in residence. (Mrs W.T. Dawson was a Macleod). One little boy aged 3 years was given the job of saving everything on the kitchen table when the fire started at breakfast time. The theodolite was possibly in use by Dawson when he laid out St Kilda Road.This theodoite consists of a bottom plate, which is damaged and has melted metal. This rises to a ball joint, on which is pivoted another plate on which were housed four screws, of which three remain, to adjust the level. Above this is another plate, with compass markings and melted glass."Troughton and Simm's/London" in fine engraving on upper plate.surveyors, instruments

Neville Barnes obstetric forceps have a cephalic and pelvic curve and are used for delivery of babies presenting as occipitoanterior. The left blade is put on first, followed by the right blade – the baby is then pulled down until the occiput is under the symphysis, then pulled around. This particular set of Barnes forceps is unusual because it has handles/grips associated with Simpson type obstetrical forceps, making it a combination of styles. These forceps are similar in appearance to a style of 19th century forceps known as Hensoldt's forceps, made by Jetter and Scheerer, c. 1899. These are pictured as Fig. 771 in the Sir Kenardatth Das catalogue (see references). J. Gray & Son, Sheffield, were in operation from 1849 to 1962, so these forceps date from this time period.Set of obstetric forceps. Consists of a set of stainless steel blades, with black bakelite hand grip attachment. Forceps are engraved with the text 'J.GREY & SON" and "SHEFFIELD". The number '4' is engraved on the inner aspect of the blade, at the join point.'J.GREY & SON/SHEFFIELD'obstetric delivery

Object. Brass coloured metal medal with 1mm hole drilled in top edge. This medal was produced by the Borough of Eaglehawk to commemorate the Jubilee Year of Queen Victoria. George Willan was Mayor at the time. Obverse: Crowned and veiled profile head of Queen Victoria. Around edge ''VICTORIA'S JUBILEE 1887''. Reverse: Royal Coat of Arms above an eagle with outstretched wings with mullock heap to the left and factory to the right. Around the edge ''GEORGE WILLAN MAYOR''.numismatics, medals - commemorative, queen victoria jubilee medal 1887

Object. Brass coloured metal medal with 1mm hole drilled in the top edge. This coin was produced by the Borough of Eaglehawk to commemorate the 60th Jubilee Year of Queen Victoria. E.C.Brown was Mayor at the time. Obverse: In the centre overlapping profile of Queen Victoria at different ages. Around the edge ''QUEEN VICTORIA'S 60TH YEAR OF REIGN 1837 - 1897''. Reverse: Diamond outline around Royal Coat of Arms above an eagle with outstretched wings with mullock heap to the left and factory to the right . Around the edge ''EAGLEHAWK E.C. BROWN. MAYOR 1897''.numismatics, medals - commemorative, queen victoria's jubilee medal 1897

'Drop Zone', is set in an imagined future where decreasing water availability has affected us more dramatically than anyone predicted. The water shortage has become so severe that we have to access water on a first-come first-serve basis, from military-like water ‘drop zones’, like this one, made from modified rain water tanks. These tanks function on three levels: Collected rain water causes the totem sculptures to rise and bloom; evaporation causes the totem sculptures to fall; and an anemometer (device that measures wind speed) drives a process that plays the tank like a giant drum, tuned by the amount of water contained within. This artwork envisions a future for Australia where the impact of decreasing water availability has had a more dramatic effect than any of the predictions. The shortage is so severe that military-like water ‘drop zones’, constructed of modified rainfall storage tanks have been established across the public parks of the City of Yarra for access on a first come, first serve basis. However, as the water is only replenished through rain catchment the tanks may only offer infrequent relief for the City of Yarra residents, standing as hollow reminders of the effects of inaction on the shaping of sustainable national water use.'Drop Zone' was one of three public art works installed in Yarra, in 2011, under the banner of The Environmental Public Arts Project which responded to key features of Council's Environment Strategy: 'Towards Local Sustainability 2008-2020.' The aims of this project included activating public spaces in new and creative ways through the creation of artworks which act as catalysts for further engagement and discussion around environmental themes and issues.Copyright the Artists. Ready-made corrugated water tanks arranged on a site. Situated within the tanks are small totemic sculptures that float on top of the water within the tank.Accompanying plaquesustainability, water, environment, climate change

As children were admitted to Victorian Deaf and Dumb Institution, The Victorian School for Deaf Children and Deaf Children Australia, their details were recorded and they were given a registration number. Information included Medical Information.The Registers document where children came from, their family details and medical information, all relating to the time they were admitted and reflect the society of the time.Tan leather bound book containing specially printed pages with handwritten entries and an alphabetical index notebook attached to back cover. Contains register of pupils of Victorian School for Deaf Children, from 1952 to 1961, admitted to Princess Elizabeth Kindergarten for the Deaf (Elgar Rd, Burwood). Each entry is a full open two pages. The alphabetical index notes their Admission (?) number from 1365-1615Spine: "REGISTER OF PUPILS" in gold lettering on red background. "1365-1615" in black ink. Front cover: decorative black markings around edges.deaf children australia, deaf education, register of pupils

Skates were and still are widely used in winter time in The Netherlands, when the rivers, canals, creeks, ponds etc. are frozen solid. Paintings out of around 1600-1700 show models of skates very much like the one shown. Even until as recent as 40 years ago, the wooden skates (with steel blade) that are tied to the shoe with leather strap and laces, were widely used in the Netherlands. Even now they are still made in children sizes, because of there flexibility in adjusting to a range of shoe sizes.Skating is a tradition which remains popular.Wooden skates, with brown leather straps. It has a metal strip on the base of the wood, which is necessary for gliding on ice.Letter R for right foot No letter for left footdutch migration skates wood

This reader contains stories about two sisters: Zus and Jet. The "Derde Leesboekje" is the third reader in this series.The stories in this book and in some of the other readers had as subjects the people, animals and objects used in the "aap, noot, mies" reading board shown as item number 6389. The reading boards and readers were used in the Netherlands for a long time (from many years before WW II, till the late 1960s) to teach reading and spelling.Book: "Derde Leesboekje", a soft cover reader used in Dutch Primary schools in the decades around the 2nd World Warsome silverfish type damage on front and back cover aap; noot; mies; reader; primary school

Vegetables buckets were used to collect vegetables from the garden, greengrocer or other supplier.The item speaks of a time when people either grew their own food or bought it from delivery carts.The metal bucket is enamelled in green on the outside and grey on the inside. It has a plain handle.The word "GROENTEN" (vegetables) in white enameling underlined by 3 gold rings that go right around the bucket.

The vase was made from the liquefaction that came out of the Christchurch earthquake of 22 February 2011. The vase was gifted to the College by Professor Edward Shipton (known as Ted) on his retirement as Dean of the Faculty of Pain Medicine, and from Council. Professor Shipton is from New Zealand. The gift was accompanied by a card with the following inscription: "Thank you for allowing me to be a small part of your great institution as Councillor and Faculty Dean these past two years. My gift to the College is a small vase. This vase was made from the liquefaction that came out of the 22 February 2011 Christchurch Earthquake. It pays tribute to the medical personnel, our Fellows and Trainees that gave so much during that time to preserve life and relieve suffering. Sincerely Edward (Ted) Shipton"Small cream coloured, round vase with brown glazed rings around the shoulder of the vase.shipton, edward (ted), dean, faculty of pain medicine, christchurch earthquake, liquefaction, pottery, mcelvey, joy

Dr Joseph Clover was an early pioneer of anaesthesia, particularly chloroform. Like most physicians, he recorded his work in a casebook. This casebook records Clover's first administration of ether as anaesthesia. The book was given to Professor Robert Mackintosh by Mary Clover, Joseph Clover's daughter. along with other casebooks. Mackintosh then proceeded to re-gift the casebooks and they are now dispersed. Clover wrote this casebook when he was a medical student, before he trained as a surgeon and around the time that anaesthesia was discovered. He eventually became the most important authority on anaesthesia in Britain and is featured on the crest of the Royal College of Anaesthetists. This artefact associated with one of the world's foremost pioneers of anaesthesia is historically and scientifically significant on an international level, and is significant for its rarity, condition and research potential. It is one of the most significant items in the Collection.Bound book with heavy marbled card cover with red leather binding strip along the spine. Insides leaves have handwritten text by Joseph Clover recording his work.joseph clover, robert mackintosh, mary clover, anaesthesia

All photographs taken at the 1997 presentation dinner at the Wangaratta Rovers football club. Wangaratta Brigade members and partners and guests from other brigades and their partners along with 'guests' were always invited. .1 - Trevor Poulter (Chairman) .2 - L - R - ???, Arthur Haynes (regional officer), Tess Haynes .4 - L-R - ???, Trevor Poulter, David Allen (representing council) .5 - L-R - David Allen (representing council, Allan Mills .6 L-R - Brian Potter, Cyril Davidson .7 L-R - Kevin Howard, Brian Humphries (station officer) .8 L-R - Brian Potter, Cyril Davidson .9 L-R - June Poulter, Trevor Poulter, Jack Prendegast, Heinz Baytala .10 L-R - Brian Potter, Pat Briese .11 L-R - Jack Prendegast, Craig Musselwhite (junior) .12 L-R - Barrie Sanders, Brian Potter (giving award to Barrie) .13 L-R - John Rosser, Brian Potter, (35 yr long service medal to John) (Band members in background) .14 L-R - Peter Bell (when was a volunteer), Brian Potter .15 L-R - Jack Prendegast, Craig Musslewhite .16 L-R - Joan Rosser, Gail Humphries .17 L-R - Barrie Sanders (speaking), Brian Potter .18 L-R - Jack Prendergast, Heinz Baytala (winner of the reserve fireman) .19, .20, .21, Members and guests doing the 'progressive barn dance' .22, .23, .24, .25, .26, .27 Wangaratta running team members (end of competition season) - L-R - Eric Lawn, ???, Ron Webb, To Philp, ??? .28, .29 L-R - Aileen Sanders (12yr badge), Elaine Graham (20yr badge) .30 Jon Briese 35yrs and Cyril Davidson 40 and John Kerr 25yrs - long service awards .31 - S. Poulter + wife posing for the camera whilst on the dance floor, with several other people and part of the band in the background .32 - T.Poulter (brigade chairman) standing at the lecturn/microphone speaking - there are 2 others (1 male, 1 female) seated to the right of him at a table .33 - Front L- R - Dorothy Wise (with her back to us), ?, T Poulter. Back L-R - Fire officer(unknown), Dianne Mills .34 - Alex Carmody and wife Judy Carmody .35 - Front R around table to front L - ? , ? , Dianne Mills, Angie Sheetz, Ron Webb, ? , Maxine Webb, Steve Allan .36 - Chief Officer Brian Potter (speaking at lecturn), Arthur Haynes and wife Tess Haynes (seated in background) .37 - L to R around table - Cyril Davidson, Alec Carmody, Judy Carmody, Margaret Howard, Kevin Howard .38 - L to R Rhonda Allan, Jan Marshall (back to us), Stewart Marshall, Steve Allan .39 - L to R Tess Haynes, Arthur Haynes(standing), (Pat Rooks - a guest from Whitfield??), Trevor Poulter, June Poulter, Val Gleeson, Kevin Gleeson (mayor of Wangaratta at the time), Aileen Sanders, Elaine Graham 40 - a 'head and shoulders' photo of S/O Brian Humpfreys. In the photo is also a lady standing on his right - but her head is cut off so cant be identified .41 - Jan Marshall kissing Stewart Marshall S/O (various other members , guest and band in background) .42 - Back L - R - Trevour Poulter, Craig Mussellwhite, Brian Potter (Chief officer), Middle - Elaine Graham, Aileen Sanders Front L - R- Peter Bell, John Briese, Cyril Davidson .43 - L -R around table - Stewart Marshall S/O, Jan Marshall, Tracey Collier, Dianne Mills, ??? (standing), ???, Brendan Collier??, Gayle Humphreys, Brian Humphreys S/O .44 - L to R S/O Stewart Marshall, S/O Brian Humpreys, Jan Marshall (sitting with her head back laughing) .45 - all 3 standing side by side L to R Craige Musselwhite (reserve fireman of the year), Peter Bell (fireman of the year - holding the perpetual trophy shield), Trevor Poulter (runner up fireman of the year) .46 - Steven Poulter and wife .47- A. Hynes standing at lecturn speaking. 47 various photographs from the 1987 presentation dinner at Rovers.1- Nov 1987 Presentation Dinner Chairman Trevor Poulter .2- Nov 1987 Presentation Dinner .3 - Nov 1987 Presentation Dinner L to R S/O Allan S/O Grenfell Chairman Trevor Poulter .29- Nov 1987 Presentation Dinner .30 - Nov 1987 Presentation Dinner L to R FIREMAN JOHN BREEZE, CIRIL DAVIDSON JOHN KERR .31 - Nov 1987 Presentation Dinner S. Poulter + missus .32 - Nov 1987 Presentation Dinner T. Poulter chairman .33 - Presentation Dinner 1987 .34 - Nov 1987 Presentation Dinner .35 - Nov 1987 Presentation Dinner .36 - Nov 1987 Presentation Dinner .37 - Nov 1987 Presentation Dinner .38 - Nov 1987 Presentation Dinner .39 - Nov 1987 Presentation Dinner .40- Nov 1987 Presentation Dinner .41 - Presentation Dinner 1987 Nov S/O Stewart Marshall .42 - Presentation Dinner 1987 Nov S/O Brian Humpreys .44 - Nov 1987 Presentation dinner L to R S/O Stewart Marshal, " Brian Humpreys Jan Marshal .45 - Nov 1987 Presention dinner L to R Craige Musselwhite (reserve fireman of the year) Peter Bell (fireman of the year) Trevor Poulter (runner up) .46 - 1987 Nov. Presentation Dinner Steven Poulter and wife .47 - Nov 1987 Presentation Dinner A.C.O A. Hynesaileen sanders, elaine graham, eric lawn, ron webb, tom philp, jack prendergast, heinz baytala, barrie sanders, brian potter, joan rosser, gail humphries, craig musselwhite, peter bell, john rosser, pat briese, june poulter, trevor poulter, cyril davidson, kevin howard, brian humphries, david allen, allen mills, arthur haynes, tess haynes, john jerr, stephen poulter, alex carmody, judy carmody, dianne mills, angie sheetz, maxine webb, steve allan, jan marshall, a. hynes, margaret howard, rhonda allan, stewart marshall, val gleeson, kevin gleeson, john briese, tracey collier, brendan collier

The war that has raged in and around Vietnam - with no end in sight - is one of the crucial conflicts of our time.vietnam war - battle plans, vietnam war, 1961 - 1975 - campaigns

Early in 1967 a new and disturbing rumor swept through diplomatic circles around the world: the United States had ruined its most promising opportunity to find peace in Vietnam by escalating its bombing of he North at a critical time.vietnamese conflict, 1961-1975 - peace, united states, north vietnamese

The war that has raged in and around Vietnam - with no end in sight - is one of the crucial conflicts of our time. vietnam war, 1961-1975 - campaigns

The war that has raged in and around Vietnam - with no end in sight - is one of the curcial conflicts of our time. vietnam war, 1961-1975 - campaigns

The Clunes Knitting Mill in Fraser Street, Clunes was the former Salvation Army Barracks which were moved from Bailey Street, Clunes to Fraser Street, Clunes by tractor in 1918. The Country Townspeople's League was founded in Clunes its mission was to campaign to decentralise industry and provide manufacturing and employment opportunities in country Victoria, specifically at that time, for the continued financial support of the Clunes Knitting Mills located in Fraser Street, Clunes, Victoria. A Bill to give effect to the proposed Clunes Country Industries Policy was to be introduced at the assembly of the new Victorian Parliament in around 1921. Black and white photocopy of a group of people in front of the Clunes Knitting Mill in Fraser Street, Clunes.Printed on bottom of page: CLUNES KNITTING MILL - FRONT VIEW OF BUILDINGScuttle, rowe, clunes country industries policy

Light Rail Bender Most rails are produced straight. While they to easily bend and appear flexible, they are required to bend for some curves, at rail joins on curves and at point (turn-out) junctions. For a safe transition around curves and in the finer areas of the point, this use to be done with a manual rail bender. Sometimes referred to as a Buddah, the rail bender attaches its two claws to the rail. In the middle of the two claws is a screw that is slowly tightened using a crow-bar to bend the rail. Tightening the screw too fast or too tightly may not give the structure of the rail time to redistribute and the rail may break if not done properly. Historic - Railways Permanent Way and Works - track equipment - Light Rail Bender Light Rail Bender made out of cast wrought ironpuffing billy, light rail bender

Railway tracks are produced straight. They may appear to be easy to bend and may appear flexible, but are required to be bent for curves, at rail joins on curves and at point (turn-out) junctions. For a safe transition around curves and in the finer areas of the point, this was required to be done with a manual rail bender. Sometimes referred to as a Jim Crow, the rail bender attaches its two claws to the rail. In the middle of the two claws is a screw that is slowly tightened using a crow-bar to bend the rail. Tightening the screw too fast or too tightly may not give the structure of the rail time to redistribute and the rail may break if not done properly.Victorian Railways Permanent Way and Works track equipment Light Rail Bender narrow GaugeCast iron semi-circular tool, with hooked ends and central screw shaft.puffing billy, rail bender, jim crow

During early farming in Australia (before motorised whipper snippers) the hand held sickle was used to cut long grass, in this case in or around railway tracks. The inside of the blade's curve was sharp, so that the user can either draw or swing it against the base of the grass, catching the stems in the curve and slicing them at the same time. Historic - Railway Permanent Way and Works - track equipment - Grass SlasherWrought iron sickle with extended with wooden handle.puffing billy, extended sickle, farm tool, reaping hook, curved blade, grass cutting

The banner depicts the original Unit motto and colour patch - white over red diamond - of the 24th Battalion which was raised in a hurry from a surplus of recruits at Broadmeadows Camp in Victoria. The battalion was formed during the first week of May 1915 ,and sailed from Melbourne at the end of that week. On September 4, 1915 the Battalion went ashore at Gallipoli and spent the next 16 weeks sharing duty in the Lone Pine trenches with the 23rd Battalion. in March 1916 the Battalion proceeded to France. It took part in its first major offensive around Pozieres and Mouquet Farm in July and August 1917. When patrolling no-man's land the men of the 24th adopted a unique form of snow camouflage - large white nighties bought in Amiens. The Battalion left the front line for the last time on 6 October 1918 and disbanded in May 1919. Victoria's 2/24th Infantry Battalion was raised in Wangaratta in July 1940 and were deployed to the middle east. After extensive fighting at Tobruk and El Alamein bettween July and November 1942 the Unit adopted a T shaped colour patch. After formation, the 2/24th battalion was moved to Wangaratta, where it remained until its training facilities were ready in Bonegilla prior to overseas deployment to the middle east. Because of its time in Wangaratta, it became colloquially known as "Wangaratta's Own" and later received the Freedom of the City.Two clear perspex sheets containing green banner with white over red diamond shape, gold coloured writing and fringe below with metal plaque.24th Aust Inf Bn. (AIF) 1939-45 I HOLD FAST Plaque - No 1 Banner Presented to The Wangaratta Club by the 24th Aust Inf Bn (AIF) 1939-45 on 15-9-84 banner, 24th australian infantry battalion, white over red diamond, unit colour patch

The winner of the race - Jack Baker was a cycling commentator In the 1920s, in the 1930s he cycled around Australia. In 1937 he rode in Europe and England representing Bruce Small for Malvern Star. Jack was well known for his commentary at races at the Geelong velodrome track after the war. The presentation of this trophy is another indicator of the popularity and importance placed on cycling races in regional areas during the early to mid 20th century.Silver plated cup on bakelite stand with engravings on the cup. The cup has two handles and a city of Geelong badge adhered to the stem."GWCC/1938/33 Mile Road Race/Pres By/F.W. Walker/Won By/J.J. Baker/Hcap Scratch Time 1hr27min12sec"geelong, cycling, club, gwcc, 1938, 33 mile road race, f.w. walker, j.j. baker

Medals were presented up until the year 2002 at the Geelong West Cycling Club.Medals are a recognition of achievement in competitive cycling events.2 x Medals - one in bronze metal conglomerate, the other in gold metal conglomerate. The front of the medals depict an olive wreath around the circumference, and has a racing cyclist painted on an enamel disk in the centre. On the reverse sides, inscriptions appear inside an olive wreath decoration. Each medal has a ribbon attached to it.Medal 1 - "GWCC/Track Championships/Time Trial/Men/Jeric Strong/2002" Medal 2 - "GWCC/Track 1998/Steve Kestle/Trophy Series/C Grade/Encouragement Award"gwcc; track championships; time trial; jeric strong; track; steve kestle;

Medals were presented up until the year 2002 at the Geelong West Cycling Club. Medals are a recognition of achievement in competitive cycling events.2 x Medals - one in bronze metal conglomerate, the other in silver metal conglomerate. The front of the medals depict an olive wreath around the circumference, and has a racing cyclist painted on an enamel disk in the centre. On the reverse sides, inscriptions appear inside an olive wreath decoration. Each medal has a green and yellow ribbon attached to it. Medal 1 - "GWCC 1994/Junior Time Trial/Men/D. Marchant" Medal 2 - "GWCC 1994/Junior Time Trial/G. Spaulding"medals, gwcc, jnr time trial, d marchant

Medals were presented by the Geelong West Cycling Club until the year 2002.Medals have always been given as recognition of achievement in competitive events.Medals in bronze and silver metal conglomerate. The front depicts an olive wreath around the circumference, and has a racing cyclist painted on an enamel disk in the centre. On the reverse side, inscription of the winner of the Women's Track Championships for 2002 appears inside an olive wreath decoration. "GWCC/Track Championships/Scratch Race/Women/Yolanda Russell/2002/Sprints/Time Trial"gwcc; track championships; scratch race; women; yolanda russell; 2002; sprints; time trial;