There are two Druids Oaks in the Ballarat Botanical Gardens, planted in 1870 with the founding of two local Druid Lodges in Ballarat.The Druids Oaks have a most interesting history in terms of these trees' association with the Ancient Order of Druids and Freemasonry. One photocopied sheet, printed in black.p.13, righthand corner.john garner, john garner collection, doctor, ballarat botanical gardens, friends of ballarat botanical gardens, druids oak, freemasonry, the ancient order of druids, quercus robur, gardens, ballarat

Sam EVERINGHAM - Cobb & Co CoachesDuration 01:13:55transport - horse, built environment, sam everingham

Jack Bolt on his voyage to Australia in 1951Duration 00:13:51built environment, families, jack bolt

Robin GROW talking about Australian Rules Football in MelbourneDuration 00:53:13sport - australian rules football, robin grow

Material created during Bialik College sporting events in 2003. Please contact [email protected] to request access to this record.SPORT 13-02-20032000s, 2003, sport, outdoor education, bialik college

Allan writes of his week's holiday in a log cabin on top of a mountain 120 miles east of Oslo and describes countryside and the beautiful view of the valley below.Quinn CollectionA self-folding letter part typed, part written in green ink (0881.a) headed Oslo and dated 30/07/51. It is addressed to Mrs K Hayes, 14 Fitzroy Street, St Kilda, Victoria, Australia. The return address is Allan Quinn, C/- General Delivery, G.P.O. Oslo. There are some penciled numbers on the right of and below the return address.letters-from-abroad, allan quinn, norway, oslo, alette andersen

Keith Hofmaier attended Ballarat College as a senior student 1941-1945 and undertook responsibility for the Weatherly Library during several of those years. In 1967 he donated a number of books to the school 'as a kind of thank you note for my grateful oasis at college, the Weatherly Library, so many years ago'. The Archive holds letters from Keith Hofmaier regarding his life and time at Ballarat College. Social significance13 books of various sizes and titlesInside front cover: From the reference Library of K Hofmaierweatherly-library, ballarat-college, 1940s, keith-hofmaier

Relates to the history of the agriculture industry in Victoriacream paper, tables, 13 pages.fodder plants, department of agriculture, victoria, guides to growers, agriculture

Series of 13 video cassettes (VHS)vietnam war, 1961-1975 - participation, american

A series of 13 videocassette tapes (VHS)vietnam war, 1961-1975 - participation, american

This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.chisel, pattern maker's, 13/16"

BHS CollectionAt Bendigo Parish of Sandhurst. Sheet 13Dept of Lands and Surveybendigo, land sales, parish map

Copy of an talk given by Alfred Mellor to the Canterbury History Group in February 1994. He tells the story of the Laycock family who purchased Frognall in 1901 and continued to live there until 1941. He describes the house, garden and family customs including visiting his grandparents for afternoon tea on Sundays.A 4 13 pages, 2 copiescanterbury, mont albert road, frognall, hicks family, gall> james, italianate style, laycock family, gardens, mellor> alfred, fireworks displays

Focusing on personal memories, the Creatures of Change series is a collection of sculptures and objects that depict and embody memories of change. The works are stylistically and thematically divided into two groupings: one focusing on memories of growth, the other on death. Utilising organic shapes and lines, the works aim to express the need for life, death and change within our lives as these natural forces shape and mould us into who we are. Influenced by organic shapes, textures and colours, the two groupings are characterised by specific physical attributes. The growth works exhibit shapes of seeds or blossoming flowers, they grow outwards representing the outward growing we experience throughout life. They exhibit signs of expansion and movement through cracked surfaces and exude life as signified by the colour green. The death shapes are represented by tree stumps, a common gravestone symbol. The dead shapes are textured with broken and crumbling edges and sharp corners, symbolic of the feelings those in mourning experience. The death works are decorated with a deep, moody blue, conjuring up sadness and thoughtfulness. Accompanied by small hanging pieces which represent fragmented memories, the two sets of sculptures share a sense of druid creation. These creatures, with jointed legs, have a sense of life and movement. Born of memory, they embody a sense of willingness to change and respect for nature. Change as brought by life and death is a force beyond our power, these works endeavour to show the grasp change has on us and the power of our memories. Sarah MISCHKER (1996- ) Born United States Arrived Australia 2017 In 2023 Sarah Mischker completed a Bachelor of Visual Arts at the Federation University Arts Academy. Her final folio focused on the 'Creatures of Change' series, a collection of sculptures and objects that depict and embody memories of changeceramics, dvc art award, alumni, sarah mischker