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National Wool Museum
Quilt, 1880s
The wagga was owned by the great uncle of the donor's husband, George Stephens. Mr Stephens was a mining engineer in the late 1800s to early 1900s in Stawell, Main Lead (near Beaufort), Diamond Creek and Costerfield in Victoria. His last residence was at Bosterfield, where the wagga was used as a bed quilt in the mid 1940s. It may have also been used in the childhood home of Mr Stephens at Stawell. Mr Stephens saved the life of a blacksmith at Diamond Creek Gold Mine circa 1910.A wagga made from men's suits and coats, unpicked and sewn together. Pieces are in blue, brown checked and striped materials. There are remnants of a backing around the edges.wagga, running stitch collection, diamond creek, victoria, stawell, beaufort, costerfield -
Yarrawonga and Mulwala Pioneer Museum
Cream cot in black stand and wheels, Cot - Nursery
Rectangular close woven cane box (no top wih lengths of canefollowing ventilation for base. There is a bent piece of cane screwed onto one end,doubling the height of the box,to support a mosquito net. There is a waterproof (1221) underlay - no mattress - and a folded (1201) quilt (cotton) inside. The frame is sturdy steel supporting the box - cot. Chipped black pain covering it. 2 metal handles are fastened to top side edges to help lift cot out of frame. -
Stratford and District Historical Society
Signature Cloth
Donor located cloth in the house of his cousin, Olive Perkins, os Seaspray, possibly in 1999. Olive Perkins had no known association with Stratford, apart from being friends with some members of the Stratford Methodist church, but the M. Perkins who appears thereon may have been her mother, and Olive Perkins also appears. It appears, as Methodists were opposed to raffles, which they saw as gambling, that a fee may have been paid to have a name included on a block. It is assumed the quilt was then sold.A degraded signature cloth from the Stratford Methodist Church Harvest Festival 1918. It contains a central block with 20 surrounding blocks. Each normal block contains twelve signatures.It utilises red cotton and red binding on white calico.churches -
Bendigo Historical Society Inc.
Document - NOTES RELATING TO: A MEETING OF THE BENDIGO BICENTENNIAL COMMUNITY CONSULTATIVE COMMITTEE (1987), 27/01/1987
Bound) Notes relating to a meeting of the Bendigo Bicentennial Community Consultative Committee (30th March 1987). Agenda plus correspondence. Reference to 1. National Register of Unusual Monuments Project (incl. Statue of George Lansell, Bendigo); application for grants for i. microfilming Bendigo Advertiser ; ii history of the Cornish miners; iii commemorative art work; entries for design of pictorial Quilt competition (three entries described); correspondence re the Bicentennial Commemorative Art Work (Gateway Sculpture - Anthony Pryor)Bendigo Bicentennial Committeebendigo, history, centenary, bendigo bicentennial community consultative committee. national register of monuments project. first fleet re-enactment company, bendigo art gallery -
Warrnambool and District Historical Society Inc.
Badge, Rita Williams (designer), South Western Branch Embroiders Guild, late 20th century
This name badge belonged to Rosemary Isaac, a member of the South Western Branch of the Embroiderers Guild of Victoria. The badge, designed by long-time member Rita Williams, shows a Norfolk Island pine tree and a fence line. The South Western Branch of the Embroiderers Guild of Victoria was formed in Warrnambool in November 1974. Its first major project was the making of a patchwork quilt for the Lighthouse Keepers cottage at Flagstaff Hill. This was presented to the Warrnambool and District Historical Society at a meeting of the Embroiderers Guild attended by Historical Society members and representatives of Flagstaff Hill Maritime Village in October 1976. This badge is kept as a memento of the work of the local Embroiderers Guild, a prominent community organization in Warrnambool and district.This is a rectangular-shaped cloth badge with blue and green stitching on a white cloth surface. ‘Rosemary Isaac’south western group of the embroiderers guild of victoria -
Bendigo Historical Society Inc.
Document - BENDIGO BUSINESSES COLLECTION: MATTHEWS BROS
Large advertising feature: 10 good reasons why you should shop at Matthews Bros. Nothing new but we thought we would remind you! We present to you 10 good reasons why we can proudly claim the reputation of being the busiest drapers in Bendigo and the North. Blue, red and white small label: Matthews Bros. exact fit clothing. Blue, red and white label: Matthews Bros. Manchester specialists for sheets, towels, quilts and other goods.bendigo, business, matthews bros -
Warrnambool and District Historical Society Inc.
Booklet - Embroiderers Guild, 1984
This booklet, written by member Rita Williams, gives information on the history of the first decade of the South Western Embroiderers Guild, Warrnambool. The guild was formed in 1974 with an initial membership of 36. In the first ten years the guild members were active, making contact with other embroiderers, holding exhibitions, making a patchwork quilt for the bed at the Lighthouse Keepers’ Cottage at Flagstaff Hill Maritime Museum and making an embroidered mural of Warrnambool presented to the Warrnambool Regional Performing Arts Centre in 1983. This mural features over 80 local buildings, Norfolk Island pines and small figures and other objects. The Embroiderers Guild continues to prosper today. This booklet is of interest as it contains the early history of the South Western Embroiderers Guild, a significant organization in Warrnambool. This is a booklet of 24 pages with a cover in brown and cream tonings featuring an image of the Warrnambool Coat of Arms and a tapestry. The pages contain a sketch and printed material. The booklet was stapled but the staples have been removed.R.Isaacsouth western embroiderers guild, warrnambool, history of warrnambool -
Warrnambool and District Historical Society Inc.
Book, A Ton of Class: 100 favourite recipes from the families and friends of Allansford and District Primary School, 2014
This cookery book was produced in 2014 as a school fundraiser. It was purchased at Allansford Cheese World in January 2015 for $15. Allansford school was established as a National School in 1856 on land reserved for the purpose by John McMahon Allan. It comprised two sandstone classrooms -one for boys and one for girls -with an attached pise teacher's residence. In 1872 when the Victorian Education Department was set up existing schools were listed in alphabetical order and given a number. Allansford State School was No.3. The school was enlarged in the late 1800s and again in the early 1920s. In 1994 following the amalgamation of the Allansford, Allans Forest and Naringal schools a new school was built which adjoined the existing buildings. The old buildings were refurbished as administration and staff facilities. John McMahon Allan settled in the area in 1839 with his brother William Osborne Allan. They were the sons of David Allan, Deputy Commissary General during Macquarie's term of government. The brothers divided the station with William retaining the Allandale portion and John naming his portion Tooram. John McMahon Allan was president of the early district Roads Board. In an attempt to recoup some of the heavy losses due to the disastrous Bateman fire of 1854 John subdivided a portion of Tooram at the Hopkins River crossing known as Allans ford. A school reserve was included in this subdivision. Source: McLeod, Graeme & Barbara. Allansford 1855-2006This book has social and historical interest and significance as it is connected to a local school. It provides a snapshot of food and cooking methods in the early 21st cebturyCookery book with full colour cover featuring 8 photographs and drawings of the Allansford Primary School surrounds and pupil activities on. The images are 'stitched' together with a white zig-zag diamond pattern as if a quilt. The foldout cover has an image of the school's centenary memorial gates and a brief history of the school. Inside the foldout are images of the pupils in each of the school's four team houses. The foldout back cover has full colour images of pupils performing at the school concert. A white strip noting 'our values' is included on the inside back cover foldout. Soft cover, 112 pages.allansford school, a ton of class, allansford primary school, a ton of class recipe book -
Melton City Libraries
Photograph, Presbyterian Women's Missionary Union P.W.M.U, 1947
The P.W.M.U. was formed in May 1914, during the ministry of the Rev. Ben Williams. Mrs Williams presided at the first meeting. The object of the Union is to further the work of missions at home and abroad. t is responsible for mission work in china, Korea, New Hebrides, and deaconess work in the city.. Parcels of food are sent away from time to time. Last year the member made four quilts for the Babies’ Home. The Union has sustained severe losses in the departure from the district of Mrs I Robinson and Mrs E. Jessie Barrie: and Mrs Cameron was called to higher service on July 28th, 1947. The first President appointed was Mrs Atkin, Miss Macdonald, acted at Secretary of the Union for 22 years. For all the women who recognise the need of mission work for Christ, this Union is a wonderful opportunity for service. Presbyterian Women's Missionary Union (P.W.M.U): Mrs Jessie Barbarella nee (McIntosh) Miss Elsie Raleigh, Mrs Minnie Barrie nee Agar, Miss Jean Macdonald, Mrs Alison Raileigh?, Miss Christine McPherson, Miss Agnes Riddell, Miss Lois Raleigh and Mrs Ross.churches, local identities -
Bendigo Historical Society Inc.
Textile - WALL HANGING: BENDIGO NORTH PRIMARY SCHOOL
Cotton wall hanging made by Grade 3 & 4 students from Bendigo North Primary School. Quilt made of 28 panels (21 cm X 21 cm) each bordered with dark green strips (3 cms) bordering each panel. Backed with wadding. Across the top of the wall hanging are five hanging loops of dark green fabric (3.5 cm X 3.5 cm ). Hand stitched in place.Machine stitched except for top edged that has been hand sewn after padding inserted. Panels are decorated with textas and fabric paint. Children have drawn pictures and written dates of scenes and icons illustrating different icons and times in the history of Bendigo.handcrafts, tapestry, wall hanging -
Eltham District Historical Society Inc
Journal, Peter Doughtery, ArtStreams: News in Banyule, Darebin, Manningham, Nillumbik & Yarra; Vol. 6, No. 4, Sep-Oct 2001, 2001
Vol. 6, No. 4, Sep-Oct 2001 CONTENTS Vale Andy Ingham and Nina Christensen 2 What is this thing called jazz 3 Abdullah Ibrahim's musical journey Joy Hester The Goodlooker at Heide 8 A Sense of Place 10 Seren Little on the art of Peter Block Homecoming 12 Short Story by Sophie Avgoulis Banyule Young Artists Award 17 The winners for 2001 Australian Classical Music 20 Elizabeth Scarlett Celebration Quilts 2001 21 Gerry Smith Dumnoochin 22 History goes up in smoke by Mandy Haley Bundoora Homestead 23 From Horse Stud to Art Gallery Wildflowers of Victoria 25 Book Review by Gwen Ford CD Reviews 26 Cate Bailey, Andrew MacGregor, Judy Turner ARTIN' ABOUT 27 Wining & Dining 30 Poetry in motion 32 Sandy Jeffs plays tennis "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, andy ingham, nina christesen, abdullah ibrahim, nillumbik art in public places award, banyule winter festival, joy hester, heide museum of modern art, seren little, sophie avgoulis, plenty views golf park, dynamic vegies, montsalvat, banyule young artists award, kyla jane hunt, perin roberts smith, jonathon woods, laura hassaram, lisa o'gorman, quilts, gerry smith, dunmoochin, mandy hayley, kinglake gallery, eltham wiregrass gallery, bundoora homestead, bulleen art & garden centre, melboune international chamber music competition, thompson's pharmacy -
Kew Historical Society Inc
Decorative object - Cotton chintz applique on linen wall hanging [Broderie Perse], 19th Century
This broderie perse' wall hanging was donated to the Kew Historical Society in 1980 by Mrs Joy Ivory. The hanging had belonged to her mother - Amy Grigg - and was used by the latter to demonstrate skills in darning (the red stitching). Provenance includes a certificate dating from 1889 which records an award to Amy Grigg of Pakington Street (Kew) for skills in needlework, issued by the Kew Floral Industrial & Art Society. Amy Grigg later married Albert Watson, the son of John Watson. The latter was an early pastor of the Kew Methodist Church in Highbury Grove, Kew. Both the Watson and Grigg families were early pioneers of Kew. While the hanging was modified by Amy Grigg in 1889, the original textile dates from an earlier period when 'Broderie Perse' (Persian embroidery) was used to create quilts and wall hangings. It is estimated that the hanging dates from the first half of the 19th century. An exact dating will require a detailed examination of the cotton chintz fabrics used to embroider the hanging. This appliquéd wall hanging is one of the earliest textiles in the Kew Historical Society's fashion & textiles collection. Similar examples are held in major international collections such as the Victoria & Albert Museum. This example of broderie perse is significant for the cross-cultural influence of Indian textiles on European taste, not unusual given the English foothold in India during this period. Additional interest is due to the mixing of Indian and European textiles in the design, while staying true to the derivation of the design. The textile is both well-provenanced and rare. While it is unlikely to be Australian-made, it is probably an example of a textile brought to Australia during the colonial period that indicates a desire to decorate interiors using items created in and for the English home. On another level, the wall hanging is a fine example of 'women's work' in the first half of the nineteenth century.Small wall hanging, comprised of five panels that are each appliquéd by hand in herringbone stitch using a range of decorative figurative motifs including flora and fauna. The design is based on an Indian palimpore representing a tree of life design. The base textile is a cream linen while the appliquéd figures or shapes are cut from cotton chintz. These additions are probably a mix of Indian and European designs. The quality of the herringbone stitching is very fine. Later stitching in red wool was added in the 1890s to demonstrate skill in darning. The main panel is bordered by a narrow green and ecru braid. It has a narrow tan braid at the top and bottom of the two side panels. A surrounding tan braid around the entire textile is missing in some places. textiles, applique, broderie perse, amy grigg, wall hangings, migration -
Flagstaff Hill Maritime Museum and Village
Formal suit, 1925
This formal suit, comprising tails coat, trousers, waistcoat and shirt, is believed by Berry McDade (daughter of Dr Angus) to be the one donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist, according to the doner.. There is another name on some of the garments, possibly because the suit components were acquired second hand at the time when Dr Angus was in his early practice days. It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he would take time to further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s SS Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . The organisation began in South Australia through the Presbyterian Church in that year, with its first station being in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill where he’d previously worked as Medical Assistant and purchased a share of the Nelson Street practice and Mira hospital from Dr Les Middleton one of the Middleton Brothers, the current owners of what was once Dr Tom Ryan’s practice. Dr L Middleton was House Surgeon to the Nhill Hospital 1926-1933, when he resigned. [Dr Tom Ryan’s practice had originally belonged to his older brother Dr Edward Ryan, who came to Nhill in 1885. Dr Edward saw patients at his rooms, firstly in Victoria Street and in 1886 in Nelson Street, until 1901. The Nelson Street practice also had a 2 bed ward, called Mira Private Hospital ). Dr Edward Ryan was House Surgeon at the Nhill Hospital 1884-1902 . He also had occasions where he successfully performed veterinary surgery for the local farmers too. Dr Tom Ryan then purchased the practice from his brother in 1901. Both Dr Edward and Dr Tom Ryan work as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He too was House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. Dr Tom Ryan moved from Nhill in 1926. He became a Fellow of the Royal Australasian College of Surgeons in 1927, soon after its formation, a rare accolade for a doctor outside any of the major cities. He remained a bachelor and died suddenly on 7th Dec 1955, aged 91, at his home in Ararat. Scholarships and prizes are still awarded to medical students in the honour of Dr T.F. Ryan and his father, Dr Michael Ryan, and brother, John Patrick Ryan. ] When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery states “HOURS Daily, except Tuesdays, Fridays and Saturday afternoons, 9-10am, 2-4pm, 7-8pm. Sundays by appointment”. This plate is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. Dr Edward Ryan and Dr Tom Ryan had an extensive collection of historical medical equipment and materials spanning 1884-1926 and when Dr Angus took up practice in their old premises he obtained this collection, a large part of which is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. During his time in Nhill Dr Angus was involved in the merging of the Mira Hospital and Nhill Public Hospital into one public hospital and the property titles passed on to Nhill Hospital in 1939. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. ). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (The duties of a Port Medical Officer were outlined by the Colonial Secretary on 21st June, 1839 under the terms of the Quarantine Act. Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served as a Surgeon Captain during WWII1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. Their interests included organisations such as Red Cross, Rostrum, Warrnambool and District Historical Society (founding members), Wine and Food Society, Steering Committee for Tertiary Education in Warrnambool, Local National Trust, Good Neighbour Council, Housing Commission Advisory Board, United Services Institute, Legion of Ex-Servicemen, Olympic Pool Committee, Food for Britain Organisation, Warrnambool Hospital, Anti-Cancer Council, Boys’ Club, Charitable Council, National Fitness Council and Air Raid Precautions Group. He was also a member of the Steam Preservation Society and derived much pleasure from a steam traction engine on his farm. He had an interest in people and the community He and his wife Gladys were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Formal suit, worn by Dr Angus, Coat (.1): black double-breasted with tails, black round flat, shank buttons, quilting inside (under armholes), label "BRAHAM & CO / 614 ALDERSGATE ST E.C / Mr G Hobson, 1925 Aug". Trousers (.2): black, button fly, black braid stripe, nametag "J.C. RENYARD" stamped number on front right pocket lining "163332-2-3398F" Waistcoat (.3): black, 4x 4-holed black buttons. Shirt (.4); white cotton, long sleeves, round neck, long tailed, bib front, 4x button holes each side, stamp around neck "4.AM:25", label "THE AINSLY SHIRT", name in pen "R115 RENYARD", remnants of red cotton stitching on neck (W.R. Angus Collection)Jacket has label label "BRAHAM & CO / 614 ALDERSGATE ST E.C / Mr G Hobson, 1925 Aug Trousers nametag "J.C. RENYARD" stamped number on front right pocket lining "163332-2-3398F" Shirt has stamp around neck label "THE AINSLY SHIRT", name in pen "R115 RENYARDflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, formal sout, tails suit, dr w r angus, the ailsley shirt, ophthalmology, formal clothing, mira hospital, nhill base hospital -
Bendigo Historical Society Inc.
Document - DUDLEY HOUSE COLLECTION: ROYAL SILVER JUBILEE EXHIBITION MUSICAL PROGRAMME 1977, 1977
Bendigo Branch Royal Historical Society of Victoria Dudley House Silver Jubilee Exhibition & Musical Performances. 29th May 1977. Soprano Patricia Lyon and Accompanist Fred Trewarne. Programme: 1. 'The Fairy Tales of Ireland' 2. ''Princess of the Dawn'' Composer Eric Coates. Refer to original document for a brief history of English Composer Eric Coates et.al. 3. ''Come Unto Him'' (from the Messiah) G.F. Handel. 4. ''Lament of Isis'' -Gone is My Love, My Lord '' (from Songs of Egypt) Granville Bantock. 5. ''Oh My Beloved Father'' (from Gianni Schicchi) G. Puccini. 6. ''Drooping Wings'' R. Quilter. 7. ''Caro Mio Ben'' (Dearest Believe) G. Geordani. 8. ''A Japanese Love Song'' May Brahe. 9. Mattinata (Morning Song) '''Tis the Day''. R. Leoncavello.bendigo, tourism, dudley house royal exhibition -
Bendigo Art Gallery
Textile, Paul YORE, The Rule of Lore, 2021
... quilting ...textile, lgbtqui, australian artist, queer, political, applique, quilt, quilting, banner, activist, activism, bunny, john howard, saddam hussein, george pell, pope, religion, pooh, bart simpson, car, truck, ribbon -
Flagstaff Hill Maritime Museum and Village
Textile - Bolster Sham, Eliza Towns, Late 19th century to early 20th century
This bolster sham is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes and household linens - adding her own handmade embroidered or crocheted decorative trim. Most beds during the late 19th and early 20th century had a feather, hair or spring mattress covered by a blanket and topped with an under sheet, an upper sheet, several blankets and a bedspread. A flat bolster could be placed either under the pillows or on top of the pillows with a decorative sham. Washing pillows and quilts by hand would have been a very onerous task (involving heating water and handwashing in a tub or using a copper) and so it became the practise of many housewives to cover the pillows and bolsters with an outer slip (or sham) of washable material which could be easily removed and washed when needed. If the bolster was kept under the pillows it wouldn't need to be very decorative but many shams or slips that were "on show" were often highly decorated with embroidery, pintucks, ribbons or lace. This bolster sham is machine made and quite plain with the exception of some pintucking and eyelet lace on each end which suggests that it would mostly be hidden under the top pillows with just the decorative edges on display.This item is an example of the needlework skills of women in the early 20th century - combining machine stitching with hand embroidery to personalise and embellish a practical domestic object. It is also significant as an example of an early 20th century innovation that helped make the working lives of housewives a little bit easier.A long white cotton rectangular bolster sham, machine sewn, with seven ties and two buttons (plus one missing button) to enable it to be folded over lengthwise and closed. It has two pull string ties near each end to enclose a bolster and is finished with a decorative edge of pintucks and handmade eyelet lace and embroidery.flagstaff hill maritime museum and village, eliza towns, sham, bedding, great ocean road, shipwreck coast, warrnambool, household textiles, sewing, bolster sham, housework, pillow sham, charles towns, nhill, haberdashery, needlework, manchester, handmade, household linen -
Bendigo Historical Society Inc.
Document - BENDIGO EASTER FAIR FESTIVAL PROGRAM 1997, 26 March 1997
Bendigo Easter Fair Festival Program, 26-31 March, 1997. Festival Features, Evening of Art & Classical Music, Rotary Club of Bendigo. VicHealth Easter Fest, Victorian Health Promotion Foundation & Bendigo Community Health Services. Fine Food Fest. Free Stage. Free Evening Concert & Fireworks, Zaire. Torchlight Procession, sponsored by Prime TV & Coca Cola, Bendigo Market Place. Fireworks Spectacular, Sponsored by Bendigo Market Place & Prime TV. Street Fiesta, sponsored by Arts Victoria. Street Extravaganza, Coca Cola Carnival, Sponsored by Coca Cola. Star for a Day, Power Audio Visual & Prime Television. Handcraft Bazaar, Rotary Club of Bendigo Sandhurst Art & Craft Market. Cosmopolitan Street Café, Arts Victoria. Awakening of the Dragon, Bendigo Chinese Association. Gala Parade, Prime Television & Coca Cola. Firewalking by the Australian Skeptics, Discovery Science & Technology Centre. Up In Flames, Discovery Science & Technology Centre. Barry Kenny's Country Roundup, Nadort Promotions. School's Day. Teddy Bear's Picnic, Dragon City Marshals. Fire Brigades Children's Carnival. Family Event, Bendigo Minister's Fellowship. Bendigo Easter Antique Fair. Historic Photographic Exhibition, Burt Sargent Circa 1900. Open Garden at Nanga Gnulle (''nanga nully''). A parade of Quilts, Strathdale Bendigo Quilters Inc. Tasting the Life, Gail Tavener Studio. Snakes Alive Dangerous Australians, BRIT. Y's Men's Club of Bendigo Book Fair, YMCA. Bendigo Camera Club, BRIT. Bendigo Woodcraft Exhibition, Woodturners Bendigo Inc. Autumn Bonsai, Bendigo Bonsai Club. Convocation, National Trust Bendigo. Arms & Collectables, Golden City Collectors Assoc. In. Rotary Art Show. Rotary Pottery Exhibition. Women's Vision For The Church, Provincial Council of Mothers Union. Historic Toorak House, Lioness Club of Golden City Bendigo. White Hills Cemetery. Bendigo Cemetery. Festival of Flowers, Craft & Garden, Bendigo Jockey Club. Shannons Corporation Motorfest, City Drive Through, Static Display, Motorkhana, Time Trial. Bendigo Bank Dragon Mile. Volkswagen Car Show, a part of the 28th National Bug-In. Repco Cycles, Australian Veteran Cycling Council Inc. Championships. Under 17 Australian Badminton Championships. Palm Sunday, Bendigo Symphony Orchestra. Way of the Cross, Bendigo's Combined Churches. The Easter Story, Kangfluca Music. Sunrise Church Service, Bendigo Ministers' Fellowship. Map of CBD Advertisements: Bendigo Easter Antique Fair. Austar. Bendigo Art Gallery. Bendigo Visitor Information Centre. Prime. Golden Dragon Museum Inc. Bendigo Heritage Tours. Discovery Science & Technology Centre Bendigo. Sponsors: Sandhurst Trustees, Prime, Vic Health, ABC Radio, Arts Victoria, Coca Cola, Events Bendigo, City Of Greater Bendigo, Bendigo Community Health Services, Shannons., Morris Design PH 5448 8777Morris Designevent, easter fair, bendigo easter fair, bendigo easter fair festival program, 26-31 march, 1997. festival features, evening of art & classical music, easter fest, . fine food fest. free stage. free evening concert & fireworks. torchlight procession. fireworks spectacular, street fiesta, street extravaganza, coca cola carnival, star for a day, handcraft bazaar, art & craft market. cosmopolitan street café, awakening of the dragon. gala parade, firewalking australian skeptics, discovery science & technology centre. up in flames, barry kenny's country roundup, nadort promotions. school's day. teddy bear's picnic, fire brigades children's carnival. family event, bendigo minister's fellowship. antique fair. photographic exhibition, burt sargent circa 1900. open garden nanga gnulle a parade of quilts, strathdale bendigo quilters inc. tasting the life, gail tavener studio. snakes alive dangerous australians, brit. book fair, ymca. bendigo camera club, brit. bendigo woodcraft exhibition, woodturners bendigo inc. autumn bonsai, bendigo bonsai club. convocation, national trust bendigo. arms & collectables, golden city collectors assoc. art show. pottery exhibition. women's vision for the church, provincial council of mothers union. historic toorak house, lioness club. white hills cemetery. bendigo cemetery. festival of flowers, craft & garden, bendigo jockey club. motorfest, drive through, static display, motorkhana, time trial. dragon mile. volkswagen car show, national bug-in. repco cycles, australian veteran cycling council inc. championships. under 17 australian badminton championships. palm sunday, bendigo symphony orchestra. way of the cross, bendigo's combined churches. the easter story, kangfluca music. sunrise church service, bendigo ministers' fellowship. map of cbd advertisements: antique fair. golden dragon museum inc. bendigo heritage tours. discovery science & technology centre bendigo. sponsors: sandhurst trustees, vic health, abc radio, arts victoria, coca cola, events bendigo, city of greater bendigo, bendigo community health services, shannons., morris design. prime tv. austar. bendigo art gallery. bendigo visitor information centre. prime, victorian health promotion foundation, zaire, sponsored by bendigo market place & prime tv, sponsored by arts victoria, sponsored coca cola, power audio visual, rotary club of bendigo sandhurst, bendigo chinese association, y's men's club of bendigo -
Kew Historical Society Inc
Book, Stories They Tell : A history of Kew through objects, 2022
'Stories They Tell : A history of Kew through objects' explores diverse narratives from European settlement to the first decades of the twenty-first century. These stories use as their starting point artworks, texts and artefacts from the nationally significant collection of the Kew Historical Society. Limited to 100 copies.117 pp : illustrated : Appendices Chapters: Preface / Robert Baker p4. The collection / Robert Baker p5. Cartwheel penny / Robert Baker p6. Creek and old watering stage / David White p10. John Carson: Mayor 1863–4 1 / Julie King p4. Wedding dress / Suzanne McWha p18. Back to Kew 1875 / Judith Scurfield p22. Barnard’s clock / Margaret Robinson p26. Denbigh quilt / Suzanne McWha p28. Fragments of art decoration / Robert Baker p32. Mr Richardson’s sock / Felicity Renowden p36. Kew Volunteer Fire Brigade / David White p38. Kew Where We Live / Judith Scurfield p42. [MMBW} Detail Plan No. 1580 / Judith Scurfield p46. Adeney Avenue / Suzanne McWha p50. Young Workers’ Patriotic Guild / Margaret Robinson p54. Roll of Honor [Thomas Rand] / Robert Baker p56. Alice Anderson in her tourer / Felicity Renowden p60. Kew War Memorial / David White p62. Beaded dance dress / Suzanne McWha p 66. The great flood of 1934 / Desley Reid p68. Depression-era toolbox / Robert Baker p72. War Savings Street / Julie King p74. Kew Public L.ibrary / Suzanne McWha p78. Signature supper cloth / Desley Reid p82. View from the garden of Rockingham / Desley Reid p86. Cr Marie Dalley / Felicity Renowden p90. Centenary of Kew / Robert Baker p94. Doris Dickinson’s gown / Julie King p98. [Model Dairy] Milk bottles / Robert Baker p100. Kew Civic Centre / David White p102. Bicentennial tapestries / Margaret Robinson p106. Crest of the City of Kew / Desley Reid p110. Town Crier [outfit] / Desley Reid p112. Acknowledgements p114. List of works p115.non-fiction'Stories They Tell : A history of Kew through objects' explores diverse narratives from European settlement to the first decades of the twenty-first century. These stories use as their starting point artworks, texts and artefacts from the nationally significant collection of the Kew Historical Society. Limited to 100 copies.collection -- kew historical society, museum catalogues, henty family, cartwheel pennies, kew lunatic asylum, patchwork quilts, john carson, george bouchier richardson, gb richardson, coombs family, james dannock, back to kew 1875, francis barnard, denbigh family, cullis hill & co, ordsall, southesk, kew volunteer fire brigade, jfc farquhar, henry kellett, mmbw detail plan 1580, william nicholls anderson, young workers patriotic guild, roll of honor -- town of kew, alice anderson, kew war memorial, flapper dresses, fairfield bridge, chandler highway bridge, warren trestrail, furniture -- 1930s, war savings streets, kew library, children's libraries, voluntary aid detachments - kew (vic.), rockingham, james govett, centenary of kew, mayoresses -- kew (vic.), model dairy -- kew (vic.), doris dickinson, crests -- city of kew (vic.), town criers -- kew (vic.), joy stewart, australian bicentennial -- kew (vic.), kew civic centre, ak lines mcfarlane marshall, adeney avenue -- kew, wwi -
Kew Historical Society Inc
Journal, Kew Historical Society, Newsletter No.116, September 2016
Back to Kew 1875 / Judith Scurfield p1. Heritage issues / Brad Miles p3. What's On - September to December / Brad Miles p3. New Strategic Plan / Brad Miles p4. Not a Ragbag Wagga: the Kew patchwork quilt / Suzanne McWha p5. The Great War in Kew: 1916 those who went / Andrew Frost p7. The Kew Festival Gazette 5 October 1895 / Don Garden p7. The Skilled Artisan: Bertie Robert Edgar Greenwood / Robert Baker, John Torpey, Judith Vimpani p9. Jill O'Brien / Robert Baker p9. More examples of Lost Kew - Clutha / Robert Baker; Fernhurst / Kerry Fairbank; Blackhall / Felicity Renowden; Kew Railway Station / Robert Baker p10. AGM Form of appointment of proxy p11. AGM Nomination form p11.Published quarterly since 1977, the newsletters of the Kew Historical Society contain significant research by members exploring relevant aspects of the Victorian and Australian Framework of Historical Themes. Frequently, articles on people, places and artefacts are the only source of information about an aspect of Kew, and Melbourne’s history.non-fictionBack to Kew 1875 / Judith Scurfield p1. Heritage issues / Brad Miles p3. What's On - September to December / Brad Miles p3. New Strategic Plan / Brad Miles p4. Not a Ragbag Wagga: the Kew patchwork quilt / Suzanne McWha p5. The Great War in Kew: 1916 those who went / Andrew Frost p7. The Kew Festival Gazette 5 October 1895 / Don Garden p7. The Skilled Artisan: Bertie Robert Edgar Greenwood / Robert Baker, John Torpey, Judith Vimpani p9. Jill O'Brien / Robert Baker p9. More examples of Lost Kew - Clutha / Robert Baker; Fernhurst / Kerry Fairbank; Blackhall / Felicity Renowden; Kew Railway Station / Robert Baker p10. AGM Form of appointment of proxy p11. AGM Nomination form p11.kew historical society (vic.) -- periodicals., kew historical society (vic.) -- newsletters, kew historical society (vic.) -- journals -
Friends of Westgarthtown
Furniture - Bed, double
This object is of primary significance. The nickel plated brass bedstead was made by Carl Alfred Ziebell for his wife Dorothea. Carl Alfred Ziebell ( 23.08.1867 - 26.10. 1940) was the third generation grandson of Christian Ziebell. Dorothea remained proud of her bed throughout her long life. (14.7.1873 - 14.12.1969) The bed linen and quilts remain traditionally dressed as they were in 1850. Nickel plated and painted tubular steel bedstead with double bed mattress and spreads. On four castor wheels, ornate decoration on both ends. Turned sections on each corner post, four on the bottom ends, only caps on the top ends. Spring wire mattress base.furniture, domestic, double bed, bedstead, nickel-plated, steel, turned -
Moorabbin Air Museum
Magazine (Item) - Korean War Honour Roll Quilt
Korean War -
National Wool Museum
Quilt, Sure as Night follows Day
"Sure as Night Follows Day" by Jan Irvine-Nealie, 1995.masters of technique: creators on cloth - exhibition (15/06/2001 - 22/07/2001) expressions 2000: the wool quilt prize - exhibition (16/09/2000 - 04/02/2001) highlights of the national wool museum: from waggas to the wool quilt prize - exhibition (22/09/2001 - 02/12/2001) -
National Wool Museum
Quilt, Childs' coverlet
Part of the "Wagga" collection. Maker unknown. c. 1910 from Blackwood area.Cover is dark blue.quilting history, running stitch group, running stitch collection, quilting - history -
National Wool Museum
Quilt, Ladies samples coverlet
UnknownLadies samples coverlet. Machine stitched. Backed with a patchwork of mattress damask offcuts in a simple slat design.quilting history, patchwork history, running stitch group, running stitch collection, quilting - history, patchwork - history -
National Wool Museum
Rug, Returned Soldiers and Sailors Mill, Post 1924
Made by the Returned Soldiers & Sailors Mill in Geelong, post-1924. Rug was given to NWM from another museum in Western AustraliaTartan rug with cream base, featuring pattern with blue, black, green, yellow and red believed to be the Dress Stewart tartan pattern. RS&S label stitched on back of one corner. Label has stitched signature of John Monash. Two of the ends are tasseled. Appears used with several stains and small holes. Reverse of rug is free of design with solitary light brown colour Bottom left front corner has label which reads "THE/ Dress Stewart" On rear of same corner has label which reads "THE GEELONG R.S & S WOOLLEN MILLS/ PURE/ WOOL/ THE John Monash RUG wool, rs&s, reutrned soldiers and sailors mill, rug, quilt, blanket, john monash, the dress stewart, world war one, world war two, tartan -
Heidelberg Theatre Company Inc..
Program Photos Newsletter Poster Articles, Glorious by Peter Quilter by special arrangement with Dominie Pty. Ltd. and Williamstown Little Theatre directed by Doug Bennett
2010, 379 -
Vision Australia
Image, Quilt squares
Vision Australia Foundation staff and clients were asked to make a square representing their base, which would be sewn together to represent the multi-faceted nature of the organisation. Unfortunately the patchwork wall hanging incorporating them was not made, however these squares were sent in: Warragul - sun and sunshine, clouds and water, a house on a hill with flowers around it, trees, water, people, a cow on a green hill that has daffodils and Pindari sewed upon it. Ballarat - Kelaston sown in same lettering as Ballarat, large fabric flowers with button centres, a mine head, a person panhandling, a person with a pickaxe. Warrnambool - sun and clouds over a seaside, a boat and whales in the water, a large fir tree and lighthouse. Hamilton - thick plaited stalks with fabric leaves and yellow pom poms as wattle. Digital imagevision australia foundation -
Kew Historical Society Inc
Journal, The Kewriosity Sheet Vol.4 No.3 : October 1982
St Paul's School for the Blind and Visually Handicapped / p1. Volunteer drivers needed [Kew Community Bus] / p1. East Central Weights and Measures Union / p1. Uniting Church East Kew - Dairy [sic] for October / p2. Save the Children Fund / p2. Kew Skin Diving Club / p2. Kew Library [Deafness Awareness Week] / p2. St Paul's luncheon and fashion parade / p2. Scouts 50th anniversary dinner [6th Kew Scouts] / p3. Kew Garden Club / p3. R.A.A.V. [Rheumatism and Arthritis Association of Victoria] / p3. Patchwork quilts [Exhibition; Australian Quilters Association] / p3. Cabaret [Kew Baptist Church Young People's Cabaret] / p3. Hyde Park Fellowship [Hyde Park Uniting Church] / p3. Annual Fete [St Paul's East Kew] / p3. They built well: State School No. 1075, Peel Street, Kew [school history] / p4. Native Plant Group / p4.The Kewriosity Sheet (1979-83) was first published in the City of Kew (Victoria) in June 1979 as a two-sided 'community newssheet'. It aimed to: 'share news about Kew happenings and Kew people, and to exchange ideas about living in Kew'. Later issues gradually evolved into a 4-page, quarto sized publication. The Kewriosity Sheet was superseded by the Kew Council publication 'Kewriosity' (1983-1994).non-fictionSt Paul's School for the Blind and Visually Handicapped / p1. Volunteer drivers needed [Kew Community Bus] / p1. East Central Weights and Measures Union / p1. Uniting Church East Kew - Dairy [sic] for October / p2. Save the Children Fund / p2. Kew Skin Diving Club / p2. Kew Library [Deafness Awareness Week] / p2. St Paul's luncheon and fashion parade / p2. Scouts 50th anniversary dinner [6th Kew Scouts] / p3. Kew Garden Club / p3. R.A.A.V. [Rheumatism and Arthritis Association of Victoria] / p3. Patchwork quilts [Exhibition; Australian Quilters Association] / p3. Cabaret [Kew Baptist Church Young People's Cabaret] / p3. Hyde Park Fellowship [Hyde Park Uniting Church] / p3. Annual Fete [St Paul's East Kew] / p3. They built well: State School No. 1075, Peel Street, Kew [school history] / p4. Native Plant Group / p4.community publications --- kew (vic.), the kewriosity sheet, newsletters - kew (vic.) -
Flagstaff Hill Maritime Museum and Village
Textile - Bedspread, Vera and Aurelia Giles, 1880+
There are many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by Vera and Aurelin Giles. The items are associated with the Giles Family and are known as the “Giles Collection”. These items mostly came from the simple home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton), whose photos are in the parlour. They married in 1880. Henry Giles was born at Tower Hill in 1858. He was a labourer on the construction of the Breakwater before leaving in 1895 to build bridges in N.S.W. for about seven years. Mary Jane was born in 1860 at Cooramook. She attended Mailor’s Flat State School where she was also a student teacher before, as family legend has it, she became a governess at “Injemiara” where her grandfather, Francis Freckleton, once owned land. Henry and Mary’s family of six, some of whom were born at Mailor’s Flat and later children at Wangoom, lived with their parents at Wangoom and Purnim west, where Henry died in 1933 and Mary Jane in 1940. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established.Bedspread, double bed size, white self-embossed floral pattern.warrnambool, flagstaff-hill-maritime-museum, giles collection, henry giles, tower hill, cooramook, mailor’s flat, vera & aurelin giles, bedspread, double bed bedspread, bed linen, quilt, embossed cotton -
Eltham District Historical Society Inc
Journal, Peter Doughtery, ArtStreams: Whittlesea, Banyule, Darebin, Manningham, Nillumbik & Yarra; Vol. 8, No. 1, Mar-Apr 2003, 2003
Vol. 8, No. 1, Mar-Apr 2003 CONTENTS Comment Peter Dougherty 2 Nü Horizons Corinna Tautsche 3 The tyranny of love and creation Peter Dougherty 7 Men behaving creatively Clive Dickson 10 Deconstructing Shanghai Lourie Peterson 13 'Twisted' textile exhibition at Montsalvat 17 Poetry News and Reviews John Jenkins 18 Classical Music Elizabeth Scarlett 20 CD Reviews 21 What's going down in Yarra Rocky Dabscheck 23 Short Story: The Anniversary Medal Dr Trevor Hay 24 Artin' About 28 Wining & Dining 30 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, manningham gallery, corinna tautsche, elizabeth james, willy wonka's ice cream gourmet food, deborah halpern, toolboox, warrandyte cafe & store, clive dickson, eltham fullife pharmacy, dynamic vegies, laurie peterson, thompsons amcal pharmacy, montsalvat, shanghai, st andrews hotel, potters, eltham wiregrass gallery, quilts, folkart warrandyte, poetry, john jenkins, eltham gourmet poultry & game, sushi wushi eltham, bundoora homestead, darebin latrobe art prize, rocky dabscheck, trevor hay, national service, northcote pottery, bulleen art & garden centre, il primo restaurant carlton, hurstbridge nursery, festival of kites, city of whittlesea community festival, nichola malpas