Large China vase made in England in the shape of a white Swan with black and lemon detailing. Contains card with wording - This Swan ornament is from Taraxville Golden Square, the home of Lydia Chancellor who said it had been a wedding present to herself and her Husband.Made In England No4ornaments, ceramic, vase

This issue includes an article 'Ornament and Crime' by Reyner Banham, pp 85-88. Reyner Banham was an English architectural critic who was a contemporary of Boyd's. Boyd followed his work with interest, evidenced by the extensive markups of the Banham article by Robin Boyd.Pencil markups in Robin Boyd's writing - many question marks.reyner banham, ornament and crime, walsh st library

This is an East German cap which presumably would have been worn by a German airman. It is a fairly recently made piece, dating to the 1980’s or 90’s.This cap has historic significance as a piece of East German airforce uniform. Itnis a fairly recently made piece, dating to approximately the 1980’s-90’s. It is also in excellent condition.A grey fabric peaked cap with fine blue trims and a black plastic head cover. There is a silver fabric rope looped around a silver metallic stud on either side if the cap. Attached to the front/centre of the cap is a metallic ornament depicting the east German logo in red and silver, surrounded by a silver wreath and wings. Above this is a silver metallic ornament depicting a propeller surrounded by two curved pieces of foliage. There is a faux leather strap on the interior and a square of lighter grey fabric stitched into the underside of the cap. This contains inscriptions. There is also a round yellow sticker on the interior side of the plastic head cover. This also contains an inscription.Inscriptions on the grey square of fabric on cap interior: NVA 55 1856 T Inscriptions on yellow sticker on cap interior: HA.05military, airforce, german, cap, hat, east german

The Ballarat Technical Art School was established in 1907 as a division of the Ballarat School of Mines. Folded brochure with a prospectus for the newly established Ballarat Technical Art School. The principal was Herbert H. Smith. Subjects taught included Dressmaking, Millinery. Ladies Tailoring, Manual training, Carpentry, House Decoration, Signwriting, Lettering, Stenciling, Marbling, Graining, Glass Embossing, Ticket Writing, Art Teachers' Course, Life Classes, State School Teachers' CLasses, Drawing from a Flat Example, Drawing Ornament for the Cast, Practical Geometry, Perspective. Drawing in Light and Shade from the Cast, Modelling Plant Forms, Historic Ornament, Drawing the Antique From Memory, Composition of Form and COlour, Human Anatomy, Design, etc.ballarat technical art school, ballarat school of mines technical art and trade schools, prospectus, herbert h. smith, h.h. smith, f. foster, m. young, g. clegg, j. barber, t.r. pridgeon, albert steane, a.w. steane, e. cornell, art education

horseshoe, ornament, luck, tradition, ballarat

This butter cooler was used in households to prevent butter from melting in the warmer weather. Ice would have been used in the butter container. The top of the container is domed, indicating the shape of the butter at that time (late 19th century). This butter cooler would have been a costly item and would have graced the dining table of a family that had considerable means. It would have been used on a dining table even after the invention of refrigeration in the 1880s as the eating rooms would have had little or no cooling mechanisms in the late 19th and early 20th centuries. This butter cooler has no known local provenance but it is a very attractive item and is retained as a good example of a household item no longer in use. It will be very useful for display.This is a silver butter cooler with a circular base with an ornamented edge. The base has a stem holding two highly ornamented arms branching out from the sides. These arms hold an oval container which has a chased silver base and an overhanging chased silver top. Inside the container is the space to hold ice or cold water. On top of the inside of the container sits a small round lid which holds the butter and the ice. The lid has several small holes for the ice water to drain underneath. The base of this lid is impressed with moulded fruit and leaves. The oval container has an over-arching handle attached. This is highly ornamented in fretwork. The sides of the container have two projecting pieces for holding the butter cooler and two other smaller projecting pieces with chains attached for hanging the object. One of these pieces has an oval holder for turning the hinged top of the container to close the container. This top has a chased silver patterning on its top. When the lid is closed the container adapts to a globe or egg shape.‘Made and Guaranteed by Meriden B. Company 5085 U.S.A. household items, history of warrnambool, silver butter cooler

Small half-length portrait of a lady leaning on a cushioned pedestal. She is wearing a high neck dress with a lace collar and a dark ribbon with an ornament attached around her neck. Photo is mounted on yellow card with rounded corners, border and gold printing front and back.Stewart & Co., 217 & 219 Bourke St. East, Melbournephotograph, portrait, female, portrait of a lady, stewart & co.

Formed in 1990 by a group of current and former social services and administrative staff at the then-Brighton Council, the Lovely Learned Luscious Ladies of Brighton were a group bound by friendship, humour, fun and a delightfully strange knitting project. Each member took turns to add ten rows ten rows of knitting to the piece, following a series of handwritten rules on an attached card. The wool used was not to be bought, but could be "begged, borrowed or stolen", and previous work was not to be altered. The ladies met bi-monthly over dinner at local restaurants and hotels to swap gossip, play games and share the progress of the knitting. The work of twelve women over eighteen years, the piece documents fond memories, personal passions, wedding celebrations, the birth of a grandchild, footy triumphs, holidays and major events. It is a testament to a close-knit friendship, as expressed on the rules card: "MAY THIS PIECE SERVE TO BIND US TOGETHER".Irregular-shaped knitting project consisting of multicoloured knitted stripes in a variety of yarns and stitches created by a group of women over a period of eighteen years. The piece includes numerous additions and embellishments by the various makers, including sequins, beads, shells, badges, ornaments and laminated images.Attached yellow laminated rectangular card with handwritten rules: "1) Nominated member is to knit (in any stitch of choice) 10 rows of your best by the next meeting. 2) The yarn to be used is not to be purchased for the job but can be begged, borrowed or stolen. 3) The colour of yarn is to be left to member's discretion, but judgement will be passed by others. 4) The nominated member will not tamper with, pull out or destroy a previous member's work. 5) On returning the work to the meeting the member shall declare to what genuine purpose the piece will be put on completion (as a guide for future knitters), e.g. rug for favourite chardy, cock sock for lover. 6) The next knitter can (and shall be encouraged to) change the purpose as stated by the previous knitter. 7) This tag must not, without the permission of a majority of members, be removed. MAY THIS PIECE SERVE TO BIND US TOGETHER."brighton, brighton council, social groups, knitting, 1990s

Vernon Holt was a boyhood friend of Frank Wright. Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in AustraliaBlack and white photograph of a young man half turned as he is seated in front of a piano in a drawing room. His head is bowed as he studies a book of music, On the right side is a large plant on a plant stand and there are various jugs and ornaments on top of the piano. The young man is Vernon Holt. Written in pen on the back - Vernon Holt, (14) in Drawing room. 6 Pleasant St Nth, Ballarat, 23/5/22, F.W. (Au)frank wright, ballarat, cornet, conductor, smeaton, vernon holt

Used by Captain William Robertson during meetings of the Freemasonslodge apron and case: A. Masonic lodge apron. cream leather and pale blue grosgrain trim and rossettes. B. Leather carry case black with gold insription C. Small silver key (Pink cord) single rosette, 2 silver plated ornaments with hanging chains for apronBro. William Robertson Port Fairy Lodge, No 67, U.G.L.V.local history, societies, freemasons, s.s.casino, port fairy naval reserves, captain william robertson, port fairy

Hair clips such as this one would have been worn by women in the 19th and early 20th centuries and would have been used to keep back long hair from around the face. Similar clips may be used today but they would more likely be made of plastic or ornamented metal. This hair clip has no known provenance but is an attractive item and is retained for display purposes.This is a curved shell (perhaps tortoise shell) hair clip with an ornamental fretwork pattern in the centre. A metal piece, slightly curved, is attached to the clip with a screw. vintage hair clips, history of warrnambool

This garment would have been worn at an evening function by a lady of some considerable means. It dates from the late 19th century.This item has no known provenance and is retained for display purposes.This is a woman's black, knee length, satin theatre coat. It is ornamented with geometric and curved cornelli work. The shawl collar has a pointed back. It is fastened in the front with a large, satin covered black button. It is lined with black satin. It has full length sleeves, turned up at the ends and lined with satin.vintage clothing, woman's evening apparel

Whilst the crucifix appears to be the result of two separate items being fused together it is probable that this artefact was used in one of the Missions at Port Melbourne or possibly aboard a ship.The Mission to Seafarers began its life as an Anglican based charity and continues to be so today. However, throughout the years it has always offered an ecumenical approach to offering social, spiritual and physical comfort to seafarers. Wooden crucifix with ornate brass Jesus on the cross affixed to front. The brass cross is very ornate with floral motifs and scroll work. It appears that the wooden crucifix and brass crucifix were originally two separate items and several nails have been used to affix the brass ornament to the wooden one. Brass plaque on wooden crucifix: "INRI" Brass inscription on brass crucifix: "INRI"religion, wood, brass, anglican, jesus, crucifix, ecumenical-tradition, st peter chapel, mission to seafarers, flinders street, seamen's mission

Discusses the work, design techniques and career of first recipient of the Essington Lewis Award (for Industrial Design) - Frederick Ward. Ward's work introduced all the essential principles of the best Australian furniture: functional form; use of Australian materials; respect for the nature of all materials; suspicion of ornament and a sense of purposeful proportions.Review of Fred Ward’s Award by the Industrial Design Council.Typewritten (c copy), quarto, 2 pagesfrederick ward, industrial design, australian furniture, function, form, australian materials, essington lewis award, robin boyd, manuscript

Colour photograph. Taken from the bottom of the entrance steps at the QVWC building facing north to four unidentified people (Three women, one man) all holding Labrador puppies (Three blond, one black) . Guide Dog Australia dog plastic money collection ornaments are either side of the group. charitable organisations, dogs, disabled people

Blotter paper advertising Meurer's electroplating and enamelling works, 194 Mundy Street, Bendigo, tel. 203. Old teapots, cruets, hot water jugs, bowls, jardinières, ornaments, etc. Re-silvered or plated to look like new. On the left a drawing of a young lady in her graduation gown with a bunch of peonies.bendigo, business, meurer

Pittock leather maker's collection * 15 leather maker's awls (120-150mm long), * four chisels (200-245mm long), * one wooden mallet 285mm long. * three timber straight edge marker and plumb line * one bird ornament Items stored in coach builder's box, reference 13000.1.

This item was found in 2018 washed up on the beach at Lady Bay in Warrnambool. It is a religious object and is similar to ones made and sold to be used in the home on a family altar or as an ornament on a shelf. It may originate from Italy. The display of items such as this would have been common in the early to mid 20th century, particularly in the homes of those belonging to the Catholic religion. The owner of this item is not known but it is retained for display purposes.This is a white china object with a statue of a Madonna and Child recessed into a oval-shaped setting. There are three holes at the top of the statue for attaching the item to a wall or shelf. The edge of the item is decorated with a pattern of white shells. At the foot of the statue is the remnant of a decorative piece broken off. warrnambool, religious ornaments

A small wooden chapel was built on this site but was destroyed by a cyclone in 1948. It was immediately replaced by the present church, which has simple architecture and interior ornaments. The concrete building is a large rectangle to which is added a square tower supporting a small bell tower. From the church site you can view the Bras de la Plaine valley Photograph of a church Handwritten "Eglise du Bras de Pontho" Stamped "R. Ueberschlag"eglise du bras de pontho, church of the holy angels of bras de pontho, church, bras de la plaine valley

This certificate was awarded to Violet Murrell for a race sponsored by the Royal Agricultural Society of Victoria in 1929. Violet Murrell (formerly Violet Farmer) was one of the best female riders in Victoria, who won many events for dressage, show jumping and straight-out gallops at country meetings. She protested loudly that she was not allowed to ride at city tracks against the male jockeys despite beating them at country meetings. When she married Bill Murrell, a well-known jockey, they came to live in Mentone. Violet Murrell died in a tragic fire at her home in 1934 while trying to save her favorite horse, Garryowen, and her husband, who had tried to help her, died a few days later.Horse race award certificate awarded to Violet Murrell, riding Garryowen. Light brown in colour, with "First Prize" printed prominently across centre in blue. Dull gold decorative bands at top, bottom and left. Printed gold shield in centre of left band and small printed ornament with crown in centre of top bar. Printed (from top down): "The Royal Agricultural Society/of Victoria.", "First Prize.", followed by blank lines to be filled in: "Awarded to", "Exhibit", "Class", "No." Printed signature at bottom: "Henry Schwieg[ler?]/Secretary" Printed in shield on left: "GRAND/Annual/Exhibition/1929" Handwritten in black ink, to fill in blank lines: "Mrs. W. Murrell's "Garryowen" "[Awarded to], "Lady's Hack/15.3 or under" [Exhibit], "82" [Class] , "357" [No.] murrell, violet, horse racing, garryowen

? Trowel used by Mrs J K Turnbull to lay stone of the Ringwood State School 1889? Then used by Alexander Peacock on 27-Oct-1921Bone handled trowel with Sheffield silver blade - ornamented with oval area in centre.; Inscription: Presented to The Hon. Sir Alexander Peacock K.C.M.G. Minister of Education on the occasion of his laying the Foundation Stone of the Ringwood State School 27-10-[19]21. Thompson & Chalmers, Builders. +Additional Keywords: Peacock, Alexander, Hon. Sir, K.C.M.G.Presented to The Hon. Sir Alexander Peacock K.C.M.G. Minister of Education on the occasion of his laying the Foundation Stone of the Ringwood State School 27-10-[19]21. Thompson & Chalmers, Builders.

This trophy was given in 1872 by Richard Lane to the Villiers & Heytesbury Agricultural Association for the best four horses in waggon. The Villiers & Heytesbury Association was founded in 1854 with the first show held at Warrnambool in 1855. It still operates today as the Warrnambool Agricultural Society. Richard Lane owned and operated the Commercial Hotel ( now the Whalers Hotel) in Warrnambool in the 1870s and 80s. In 1872 Richard Lane was the chief figure in staging the first Warrnambool Winter steeple chase meeting that included the now famous Grand Annual Steeple Chase. He was a generous donor of trophies to the Warrrnambool races and the Warrnambool show. It appears that no one was awarded the trophy in 1872.This trophy is of considerable importance as it is connected to the prominent 19th Century Warrnambool hotel keeper and racing identity Richard Lane and to the early history of the Villiers & Heytesbury AssociationThis is a silver cup on a silver stand mounted on a wooden base. The cup and the silver stand are much ornamented with the stand representing a tree with the branches attached to the stem and projecting out. Portions of the branches are broken off and are loose inside the cup. The cup has two trees embossed and a relief of a wagon with a driver and four horses. The wooden base is ridged.Presented by Richard Lane Esq. to the Villiers & Heytesbury Agricultural Association for the best team of 4 horses in waggon exhibited at the show 1872.history of warrnambool, villiers & heytesbury association, richard lane

Black and white photograph of George Lansell's bedroom at Fortuna villa. History of object: George Lansell 'The Quartz King', Fortuna Villa, Chum Street, Bendigo. Ornate furnishings of a bedroom of period showing half of room. Note ornate wardrobe and mirror on marble topped table next to marble fireplace. Note use of ornaments and pictures.W Ninnisplace, residential

Black and white photograph, with some hand colouring. Photo of Chinese dragon 'Loong' all in photo appear to be of Chinese appearance a couple of ornaments and a couple of people have been hand tinted. At 'Bendigo Showground' now known as 'Tom Flood Centre'. Markings/Inscriptions: Chinese Dragon 'Loong', on back; sticker Bendigo Historical Societyorganization, club/society, chinese society, event

This clip was not made to be worn in the hair, it was made to create fingercurls, a style of hairdo very popular in the 1920's and 1930's. The 1920's and 30's saw new simple hairstyles. The hair was often short and cut into a bob shape and then curled or more commonly ornamented with fingerwaves. the children came in. These hairclips were used to hold the curl in place as the hair dried.These items are examples of women's hair accessories commonly used in the mid 20th century.Two metal butterfly clips for waving hair. They are spring hinged and probably made of aluminium.hair-accessories hair-clips

Western fashion in the 1890s saw women's capes become an item of fashionable choice as they fell gracefully over an expansive sleeve. Capes often had a high neck, and were frequently trimmed with jet passementerie and fur. This capelet has a fashionable dog-collar neckline which became fashionable from c.1895, lasting as a style to c.1905. The capelet was probably part of a mourning ensemble.The capelet originally belonged to Catherine Francis Ellen Gulliver (nee Wells) who was born in Ballarat in 1874. The item was passed by descent to her daughter Catherine Francis Helen Taylor (nee Gulliver) [born 1896], and then to her granddaughter, Doris Catherine Kriesfield (nee Taylor) [1922-2015]. Victorian-era capelet, designed to cover the shoulders, and ornamented with a double band of jet passementerie. The capelet has a high dog neck collar, which is lined with leather. The original lace, of which some remains, has been removed in the past, probably due to damage, leaving some traces of its original style. The front of the capelet has large hooks and eyes.fashion design, women's clothing, outerwear, capes, capelets, fashion -- 1890s -- 1900s, mourning wear

Domestic ornamentsStored in archival tissue with other artifactsFive Victorian fairings -two suited, rotund men with a towel each, one of a pig with a cart, one with a vase and a turkey, one is a boy with a vase in the shape of a shoe. victorian fairings, vintage household ornaments, warrnambool, fairingsvictorian fairings, vintage household ornaments, warrnambool, fairings

The chest was constructed to allowable dimensions for storage in the ship's hold. The sturdy watertight construction afforded protection for the chests contents. It can be imagined that these would be household utensils, items of clothing and the most treasured ornaments as space permitted. It is likely that the contents included some building tools and as well, implements which Christian Ziebell used in his trade as a butcher in Bruel, thereby enabling him to undertake profitable work on his arrival in Australia.This object is of primary significance. The Koffer was constructed to allowable dimensions for storage in the ship’s hold. The sturdy watertight construction afforded protection for the Koffer’s contents on the voyage aboard the Privislaw from Hamburg, Germany to Hobsons Bay, Australia in 1850. The Koffer held the precious necessities for life for Christian Ziebell's family at their new destination. It is likely that the contents included some building tools as well, implements that Christian used in his trade as a butcher in Bruel, thereby enabling him to undertake profitable work on arrival in Australia. The wooden Koffer was airtight, so if lost overboard it would be retrievable. Some were fixed to the ship’s deck. After they settled at Westgarthtown the Koffer continued to contain the precious documents through each generation. Only the current owners saw the contents in each generation, and the children always regarded it as a “treasure chest”, which was always locked and out of bounds for them. Large wooden trunk/koffer. Base is rectangular, and lid is rectancular to fit the base but curves between the front and back. Morticed corners; protruding base with beveled edge. Supported by profiled runners with four built-in feet. Handle for carrying on each end, and locking mechanism on front.'C. Ziebell' written in large font on back of chestpersonal effects, travel goods, pribislaw, johann christian ziebell, german migration, luggage