Photocopy of Report - 17 foolscap pages - titled "The Melbourne, Brunswick and Coburg Tramways Trust - Reports Statement of Accounts for Twelve months ending 30th September 1917" Outlines construction, rolling stock, power supply, finances, operations, costs. Has reports from the Manager, Statistics, Balance sheet, Revenue, charts showing traffic revenue and expenditure and passengers carried. Dated 1/10/1917. Audited by R. H. Schackell.Has the stamp of the Tramway Museum Society on the rear of the first page.trams, tramways, mbctt, reports, construction, finances, operations

Photocopy of Report - 15 foolscap pages - titled "The Melbourne, Brunswick and Coburg Tramways Trust - Reports Statement of Accounts for Twelve months ending 30th September 1918" Outlines extensions, rolling stock, power supply, finances, operations, costs. Has reports from the Manager, Statistics, Balance sheet, Revenue, charts showing traffic revenue and expenditure and passengers carried. Dated 1/10/1918. Resignation of Mr S. Robertson. Audited by R. H. Schackell.Has the stamp of the Tramway Museum Society on the rear of the first page.trams, tramways, mbctt, reports, construction, finances, operations

Photocopy of Report - 12 foolscap pages - titled "The Melbourne, Brunswick and Coburg Tramways Trust - Reports Statement of Accounts for Twelve months ending 30th September 1919" Outlines extensions, rolling stock, power supply, finances, operations, costs. Has reports from the Manager, Statistics, Balance sheet, Revenue, charts showing traffic revenue and expenditure and passengers carried. Dated 1/10/1919. Audited by R. H. Schackell.Has the stamp of the Tramway Museum Society on the rear of the first page.trams, tramways, mbctt, reports, construction, finances, operations

This book was compiled by Esther Temple and David Lloyd with illustrations by Betty Barberis and additional material provided by Clare Roper, Joan Macdonald, Wilma Davies and Nell Bateman. The book was first penned in 1971. It briefly covers the period from the indigenous tribes(broken down into family groupings) known as the "first Australians" who lived in the valley well before English settlers arrived. first white settlement (graziers, miners, stockmen) to smaller settlements.The development or transformation from a pristine(hunter/gatherer) valley environment to one that has been gradually changing to a more commercial rural/industrial landscaped valley. This transformation was made within a time span of two hundred years. The book details the first pioneers and their descendants, along with the changes to their environments both domestic and commercial. The book highlights dates and events that shaped the "feel" of the valley. The extreme hardships faced by pioneer families during the extremely isolated times away from "civilisation".This publication provides an insight to the struggles and victories against the harsh Australian bushland by people who had not been raised in such a sometimes inhospitable environment. It was this transformation which instilled into the Australian psyche of self sufficiency and the ability to grasp onto ideas or "bush" remedies to overcome enormous difficulties. It is is ability that has produced the many inventions useful in the 20th and 21st centuries.This book has a 250 g/m cream coloured cover with print and drawings of rural aspects of historical significance ( Aboriginal and early white settlers). The book contains 124 pages of black and white photographs(139), black and white sketches(75), two pages of sketches and freehand drawings, two freehand maps one county lease /subdivision plan and black and white printing. See KVHS 0237 (B) for the official invitation to the launch of the book.The front top cover heading(in shaded print and enclosed in a banner form) "A HISTORY OF THE KIEWA VALLEY" The bottom printing "BY ESTHER TEMPLE & DAVID LLOYD ILLUSTRATIONS BY BETTY BARBERIS" and at the very bottom "KIEWA VALLEY HISTORICAL SOCIETY" oN THE BOOK SPINE "A HISTORY OF THE KIEWA VALLEY.....BY ESTHER TEMPLE & DAVID LLOYD"early settlers, dederang, tawonga, mount beauty, sec vic hydro electricity, falls creek early settlers, bonegilla

These photographs were probably taken in the late 1940s - mid 1950s. 3275.1 was taken at the roundabout in Nicholson Street / Salisbury Street intersection looking south. On the right is the The Commonwealth Hotel and the Gippsland Northern Store can be seen on the right. The war memorial can be seen in the centre of the intersection. 3275.2 has been taken from a height (possibly from behind the hardware store) overlooking Orbost House in McLeod Street. The butter factory can be seen in the background. Back yard toilets and paling fences can be seen with a narrow lane for the sanitary truck. Mrs Ruth Hannah Macalister, 1861-1932, established “Orbost House” as a boarding house in about 1900. Following her demise “Orbost House” was taken over by her son, “Reg” and his wife and they continued the Macalister family‟s association until the accommodation house was purchased by “Slim” and Eileen Somerville and Lindsay and Joan Jensen, in partnership, in 1963. (info. from Marilyn Morgan)These photographs are detailed pictorial records of Orbost in the mid 20th century. They show the objects in their spatial context with detail.Two coloured photographs. 3275.1 is a streetscape with a large hotel on the right, a main shopping area in the background and a wooden fence on the left. 3275,2 is overlooking backyards and fences. In the middle is an extensive red roof with "ORBOST HOUSE" in white print.on back - 1948-1954orbost-1950s orbost-house commonwealth-hotel

Photos from a reunion of Junior Legatees at Watsonia Barracks in 1991. Photos include Legatee Grattan and Miss Enez Domec-Carre together and with groups of former junior legatees. Also in attendance was Sir Weary Dunlop and Legacy President John Swan (white hair and blue jumper) and his wife. Another photo shows Joan Miller with another lady. Other names unknown. From an article in the Widows' Newsletter in July 1991 it is a Grand Reunion at Watsonia Army Barracks in May for former Junior Legatees. Over 350 people attended. There were games for children, spit roasts and the renewing of friendships between former Junior Legatees and the Legatees. An article in the Herald Sun on Friday 17 May 1991 promoted the event using a photo of Ron Barassi and L/ Chas Munnerley mentioned the reunion was Sunday 19 May (item 01529). Two more photos are at 01015. It was with a scrapbook of photos from 1983 to 1991. A record of a reunion of Junior Legatees in 1991.Colour photo x 15 of a reunion of former Junior Legatees in 1991 and an article in the Answer.junior legatee, answer, reunion

Identified by inscription on the back of the photograph as "Early Pitfield", and the buildings as "Matthew Hamilton Baird's . . . hotel & store". Information from Joan Hunt (see 'Pitfield/Kaleno' file) says the Emu Inn or Pitfield Hotel was at Pitfield/Wardy Yallock township on the road from Skipton to Geelong. Part of this area - foreground, to the left, was called "Buncle's Flat", named after John Buncle, a carpenter who lived in a cottage there with his family. An early timber inn on the Wardy Yallock Creek was owned first by Peter Hardie and then by Edward Langhorne/John McNamara in the 1840s and a mail run from Geelong was established to it in 1846. Matthew Hamilton Baird was the lessee or owner from 1852, and Benjamin Fernald from about 1860. In 1853, the nearby store, at that time owned by William Whitecross, caught fire. The fire spread to the hotel and both buildings were destroyed. The hotel was replaced by the brick or stone building seen in the photograph.Small black and white copy of original photograph which shows trees, fencing and farm buildings in foreground, and in the background a large stone or brick building plus smaller timber buildings (dwellings?) situated along a roadway. On the right of the photograph the road goes over a large bridge of timber construction.On back of photograph: "Early Pitfield showing Matthew Hamilton Baird's store (stone?) & hotel & store".pitfield bridge, pitfield hotel, pitfield township, buncle's flat, emu inn, buildings, hotels, matthew hamilton baird, benjamin fernald, edward langhorne, john mcnamara, william whitecross

Copy of a black and white photograph, laminated.1948 W.H.S. Girls Hockey Team Metropolitan Premiers 1948. This is a photograph of the two teams, Williamstown High School and MacRobertson Girls High at University High School. Front row: Norma Eden, Joan Broadway, Moya McCracken, Mary Sheriffs 2nd row: Evelyn Philipps, Gwen Helmer, Lois Finlayson, Margaret Allen, Enid Broadbent, Mavis Govan. 3rd row: Centre behind Margaret Allen, Jean Simpson (Capt). All the rest are MacRob girls.williamstown high school, hockey, 1948, metropolitan premiers, macrobertson girls high

The booklet comprises of a series of papers published in the Ballarat Star, with some revisions. The Administrative Council hoped the publication would increase interest in Technical Education, especially the Art of Mining. He would also hope the public would recognise the Ballarat School of Mines as an institution adapted to supply technical education. The Ballarat School of Mines Council listed at the front of the book includes: Redmond Barry (President and Trustee), Judge Rogers (Vice-President), Somerville Livingstone Learmonth (Trustee), Rivett Henry Bland (Trustee), Charles Gavan Duffy, John A. MacPherson (MLA), William McLellan (MLA), Duncan Gillies (MLA), F. McCoy (University of Melbourne), John I. Bleasdale, W.H. Barnard, James M. Bickett, Henry Richards Caselli, P. Chauncy, J.M. Davey, Joseph Flude, R.F. Hudson, Robert Lewis, James Oddie, Robert M. Serjeant, J. F. Usher, John Walker, J. Williamson, Mayor of the City of Ballaarat, chairman (for the time being) of each of the seven Mining Boards of Victoria. The President of Examiners was Judge Rogers, and the Honorary Auditor was Richard Ford.Stapled, brown soft covered booklet of 48 pages. Section I outlines the establishment of the Ballarat School of Mines, the buildings and land used by the school, describes in detail the former Ballarat Circuit Court and describes the lecture rooms. Section II describes the Ballarat School of Mines Museum, including a description of exhibits. Section III describes the lecture hall, and the apartments on either side of the hall, including the office of the registrar W.H. Barnard, mathematical classroom, chemical laboratory, and metallurgical laboratory. Section IV outlines the subjects offered by the Ballarat School of Mines, including Mathematics taught by John Victor of Grenville College, who had been educated at Trinity College Dublin. Mining and Land Surveying was taught by C.W. Thomas. Mr Croll taught mechanical drawing, followed by Jonathan Robinson of the Union Foundry, and finally S. Keast. It then lists some text books used in the school. Section V mentions the School Council, lack of funds, future directions, mining laboratory. Vi- Describes the land and out buildings, and the proposed building for metal and wood turning, brass foundry, blacksmith, working engine, etc. This section describes some large donations to the school - 50 pounds from the Misses Meglin of Melbourne, 10 pounds 10 shillings to the 'Pyrites fund' by the Walhalla and Long Tunnel Companies in Gippsland. Section VII covers the teaching of chemistry by Joseph Flude. Section VIII outlines the metallurgy classes and the process of assaying. Section IX covers telegraphy taught by Mr Bechervaise Section X describes the examination process at the Ballarat School of Mines. Examiners in mathematics were G.J. Russell (Buninyong) and John Lynch (Smythesdale), mining and land surveying John Lynch and P.C. Fitzpatrick (Ballarat), Principles and Practice of Mining R.M. Serjeant (Band and Albion Consols), Mechanical Engineering John Lewis (New North Company Clunes, Mineralogy and Geology G.H. F. Ulrich, Assayign and Chemistry J. Cosmo Newberry, and Telegraphy R.L.J. Ellery (government astronomer) and Sam W. Macgowan. Underground managers and captains in quart mining was examined by Henry Rosales (Walhalla Company), and alluvial mines by Messrs Bockett, Kent, Martin and Mitchell. Engineers and Engine driving was examined by W.H. Keast,Peter Matthews, Jonathan Robinson and J.M. Troup. Section XI - Covers Annual reports of the school, and honorary correspondents of the school including: John Day (Geelong); R. Evan Day (London); W.W. Evans, M.J.C.E. of New York; J.Y. Fishburne, M.B. of Ararat; Felice Giordano, Inspector of Mines, Italy; Julius Von Haast, Ph. D.F.R.S., Government Geologist of Canterbury; James Hector, M.D., F.R.S., Government Geologist of Wellington, New Zealand, W.F. Hopkins (Grant); Charles A. La Trobe, C.E. (Engineer-in-Chief International Railway Plant, London); Archibald Liversidge, F.G.S. (Professor of Mineralogy and Reader in geology at Sydney University; J.J. Macgregor, M.D. (Creswick); J.T. McKenna (1st class of SMB underground management - Northern Territory); Henry Rosales, M.E. and M. (Walhalla); Harrie Wood (SMB founder and Under-secretary for Mines, Sydney); John Walthew (Stockport, England) .2) Signed 'E.J. Tippett', former President of the Ballarat School of Mines Council melbourne, mla, ballarat school of mines, redmond barry, j f usher, james bickett, w f hopkins, rivett henry bland, s m b, judge rogers, somerville learmonth, charles gavan duffy, gavan duffy, john macpherson, william mclellan, duncan gillies, f mccoy, university, john bleasdale, henry richards caselli, henry caselli, p chauncy, j m davey, joseph flude, r f hudson, robert lewis, james oddie, robert m serjeant, john walker, j williamson, richard ford, ballarat court house, assay, john victor, grenville college, trinity college dublin, c w thomas, jonathan robinson, union foundry, s keast, blessdale, john day, r evan day, w w evans, j y fishburne, felice giordano, julius von haast, james hector, charles a la, trobe, archibald liversidge, j j macgregor, j t mckenna, henry rosales, harrie wood, john walthew, fees, frederick mccoy, w.h. barnard

This overcoat was designed and tailored by Dominex, a company that sold clothing in high end department stores such as Myer and David Jones in the 1940s through to the 2000s. As pictured in the accompanying advertising, Dominex looked to produce clothes for women to “casually, confidently wear … the exquisite styling and superb tailoring of… Dominex Coats”. This sentiment was carried by the company for more than 60 years. Amanda Morgan, a director of the Dominex fashion label in an interview from 2003 said “Not everybody wants sass, or sex, or high fashion for that matter. Au contraire. Our customers will be stylish, sophisticated and womanly, but we don’t do shoestring straps or asymmetrical lines." Dominex was a label specialising in exceptional quality "traditional" dressing for corporate wear. Their clothes looked to provide women with a return to the tried and true values of elegant, unpretentious, classic dressing. "Our look is European-influenced," Morgan explained further. "Inspired by Armani, Valentino, Chanel and Escada. Suits have been specially dyed in France to ensure the perfect shade of ice blue, lemon, grey, or slate. Fabrics are natural, silk and linen. Shapes are stylish, with an almost 1930s feel; classic pants, silk shirts, structured overcoats with elegant-length” Returning to this overcoat, it has a label on the inside which reads “Pure Wool Material by Godfrey Hirst of Geelong”. Nowadays Godfrey Hirst produce flooring products and are the largest manufacturer and exporter of residential and commercial carpets in Australasia. They have expanded into hard flooring and left their fashion days behind. This overcoat serves as a useful example of a different time for the company; before they made the change to concentrating exclusively on flooring, when they produced fabrics to be tailored for the height of Australian fashion. This overcoat was purchased and worn by Joan Waller, aunty of the donor, Kim Rosenow. Kim said her aunty was from Ballarat but frequently shopped in Melbourne to keep up with the latest trends. Her aunty Joan fitted the target demographic of Dominex well, as she needed to look sophisticated and elegant at social events and work. Kim donated the overcoat to the National Wool Museum in 2021. Green singled breasted overcoat with a narrow overlap and one column of buttons for fastening. The overcoat features notched lapels of a medium width and two large buttons of a green & dark green marble. The overcoat has two semi-visible jetted pockets at the hips. Internally, the overcoat features a black silk lining for comfort. It also features a stitched patch on the left side of the opening which reads “Pure Wool Material by Godfrey Hirst of Geelong”. At the collar, another patch reads “Dominex REGD”. At the cuffs, the overcoat finishes in a type of gauntlet cuff which stretches back over 200mm. The decorative finish utilises no buttons and has thick piping to accentuate this design feature. The overcoat finishes with a simple invisible hem at the bottom.Wording, gold. Patch stitched at collar: “DomineX / REGD.” Wording, black. Patch stitched at left off opening: “PURE WOOL MATERIAL BY / Godfrey Hirst / OF GEELONG”dominex, fashion, women's corporate wear, godfrey hirst, overcoat, wool clothing

Originating from Scotland pre-1950, this wool winder is ornately decorated featuring a male figure at its peak and a cherub at its base. Wool Winders are practical objects typically with minimal decoration; however, Wool Winders with ornate design features do exist. Scrimshaw (whale ivory) was a popular choice of material in the 18th and 19th century. It is smooth, preventing yarn from getting caught when unwinding, as well as having artistic beauty. Wool winders require a heavy base, as to not topple over when in use. It is popular to decorate these bases on more elaborate winders, such as shown in this example. The bows featured to tie the wood segments together is another feature of more elaborate models of wool winders, also highlighted in this example. This winder began life in the possession of Annie Crawford. The Crawford name has a strong connection with the town of Paisley, Scotland, and its Woollen Mills. The Crawford name can be seen working at the Woollen Mills in the 1851 Scotland Census, with Robert and his brother’s James and John working as Wool dyers. Their father Alexander also worked as a Loom Weaver. The winder immigrated with Annie when she, her husband and 3 children travelled to Australia, ready to start a new life. Most of their possessions were left behind in Scotland. This winder accompanied the family on their journey; so it stands to reason that the winder was special to them. Annie Crawford passed the winder onto her eldest daughter Joan Crawford. Joan did not have any children and so she passed the winder onto the eldest female grandchild, Fiona Crawford. Fiona Crawford continued the connection of the Crawford name with textiles, with an exhibition titled "When you go looking for me, I am not there". Utilising medieval embroidery tradition of ‘Punto Assisi, the exhibition was a reflection on the lack of women recorded in history, particularly their contribution to the domestic arts. Her work investigates both the absence of women while also honouring the unknown female makers of this now highly desired art. The Wool Winder was donated to the National Wool Museum in 2021 by Dianne Crawford, the sister of Fiona Crawford. Umbrella swift style wool winder made of metal, wood, and ribbon. Decorated at its highest point with a sculpted man standing on one leg, holding what is perhaps a rolled newspaper as though he may be bidding at an auction. Or perhaps he is holding a hank of wool. The man stands upon a three-tier platform of decreasing size and design which leads to the central metal shaft. At the base, the winder is decorated with an engraved cherub. Both figures have a small hole in one of their hands, indicating that they originally held something. Unfortunately, it is not known what this is. From the central metal shaft, this winder has 2 rows of 6 arms radiating out. These arms cross in the middle to form an X. These arms are also connected horizontally with additional arms which cross. This all forms an intricate web design, tied together with ribbon. The size of the web these arms create is adjustable, to accommodate yarns of different length. Beneath the second row of arms is a locking screw which holds this row at the desired height and width. This entire top section, beginning at the central metal shaft, can be unscrewed from its base for easier storage. The base begins in a wooden circular shape growing into a smaller ornately designed raise on which the cherub sits. From the head of the cherub the central metal shaft begins.paisley, scotland, wool winder, immigration

This is a collection of musical scores bound together. Some of the pieces are dance pieces, polkas and quadrilles. Most of the scores are stamped with the name of Warrnambool booksellers or music stores which operated from the mid 1860’s to the 1900’s. The collection was bound by Thomas Smith who operated a printing business in Koroit St opposite the Baptist Church in the latter part of the 19th century. The music in this folio represents a collection of popular music some of which is still played today. It has a connection to a number of Warrnambool music stores and booksellers who traded in the latter part of the 19th century. Heavy brown card cover with black card spine and corners. Contains a variety of sheet music. Some coloured and black and white full page illustrations included. Sticker inside front cover: Thos. Smith, Bookbinder and printer, Warrnambool.” Stamp on page “Woodland Whispers,” Walter Davies Bookseller, stationer & newsagent, Warrnambool. Stamp Chas Hider Liebig St Warrnambool on St Patrick’s Day by Brinley Richards, and Prince Albert’s band March. Stamp “Jas Hider Bookseller Warrnambool”, on Sultan’s polka and Jolly Dogs Polka. Stamp Charles Hider Book and Music seller, Timor St Warrnambool on Bonne Bouche Polka. There is a signature possibly Granter? on several pages. warrnambool, chas hider, thomas smith bookbinder, woodland whispers, gerald stanley, prince alberts band march, stephen glover, bonny dundee quadrille by charles d’albert

Black and white photograph - Recorder Band, 1964."Attached to photograph" Back Row- L to R: ?, Ross Stevens, Michael Pratt, ?, ?, ?, Chris McDonald, Nicholas Dow, Mark Smith, Darrel Frazer. 2nd Row- L to R: ?, ?, ?, ?, ?, ?, ?, Ian Maher, Peter Carruthers, Martin Lawrence, ?, Esther Kramer. 3rd Row- L to R: ?, ?, Gail Pritchard, Pam Morris, ?, ?, ?, ?, ?, ?, ?, Susan Richards, ?, ?, ?. Front Row- L to R: ?, ?, ?, ?, ?, ?, Lorraine Tann, ?, Joanne Fly, Elizabeth Clarke, Meg Flower, Kerry Marsh, ?, Annette Smeaton, (?) Chappel. On Ground: ?. Teacher: Mr Colin James.

Howard Murray (Pat) Lightfoot (1904-1991) served as President for the Association for the Blind in 1952-1954 and 1964-1972 respectively. He joined the Association in 1938 as a sighted member of the General Committee, and was part of the group that dealt with the breakdown of a uneasy financial agreement that existed between the RVIB and AAB, the incorporation of the AAB under the Charities Act and the development of a rehabilitation centre at Kooyong for those who wished to have support without a residential component. After losing his father at an early age, Pat Lightfoot began working as an office boy for Nicholas Pty Ltd, later studying and becoming an accountant - such skills highly needed by the newly incorporated Association. According to 'No Sight, Great Vision', he was a highly skilled communicator, whose friendly and approachable manner won over most of those who opposed his presence on the general committee due to his sight. His support for and recognition of the work done by Mr Paterson led to him standing aside for the position of President and nominating his friend until the Committee overrode him in 1952. His appointment signaled a change in how the organisation was run, and introduced John Wilson as Secretary as well as Stan Horsfall as Treasurer in 1953, which helped move the administration style from social volunteering to business thinking. Health concerns caused him to resign in 1954, however when his health improved he rejoined the Committee in 1958 and again became a key worker in keeping the organisation financially healthy. The "H.M. Lightfoot Centre" - a two storey building attached to Paterson Hall was named after him. This image was provided when J Balmain was approached to paint a portrait of Mr Lightfoot, for the centenary celebrations of the AFB, as per the letter.1 portrait photograph of Howard (Pat) Lightfoot and 1 associated letter regarding usage for a portrait by Balmain.Mr H.M. (Pat) Lightfoot - (Past President) 1" Deep (No. 2) Association for the Blind 7 Mair Street Brighton Beach, 3188 Please return to PR Department (arrow pointing to left) 14 ems (arrow pointing to right) 1.95 .1 100# Ticket No: 5230 Client: Abaris 100# Wanted: Tues 19th AM Mounted: as layout and sticker 43 1/4% Please Quote No: BA 9105 Laurie Richards 4 Tower Ave, Alphington 3078 489-8528 48-5541h.m. lightfoot, association for the advancement of the blind, association for the blind

The Lay Reader David Conolly was associated with the Mission for many years in particular working with trainee cadets and RAN Officers. Painted wood crucifix on a very thin backing support of hardboard. Style of the painting is that of icon artist of Russian/Greek/Byzantine style. An inscription on the reverse. Small steel hanging hook at top edge on reverse. The edges of the icon are painted red and the whole depiction is decorated with much gilding. The whole support is in the form of a t-shaped cross. The top section depicts a risen Christ at the centre surrounded by ten disciples or saints and the hand of God appears to be at the upper central edge. The Christ figure is flanked on the main cross piece by five archangels and Saint Peter. Flanking the torso of the crucified figure appear to be Maria and St Joan and on the right side Mary Magdalen, Mark (Saint?) and a centurion figure. Three small figures also featured in this section. At the lower right corner are two haloed male figures (unidentified).Front; above haloed head of the crucified figure U.C.; IHSNAZARE in gold on a red ground/ REXIVDEORV. Beneath the central panel again gold on red SEASIOANNES AND MARIA. On the other side of the central figure; MARIAMARK CENTURIU/ MAGDALEN...IACO/ BI. Hand-written inscription on reverse; "For/ all who enter/ this sacred space./ The gift of/ David Conolly/ sometime stipendiary Lay Reader/ in the Mission/ 1956-1958.david conolly, crucifix, icons, othodox, artwork

The City of Moorabbin Historical Society was formed c 1960 by a group of Moorabbin residents who were concerned that the history of the area should be preserved. A good response to a call for items related to the historical area of Moorabbin Shire brought donations of a wide variety of artefacts which are now preserved by the current members of CMHS at Box Cottage Museum . Helen Stanley, Secretary of CMHS, began producing a Newsletter for members in April 2007 to provide current information and well researched items of historical interestHelen Stanley has produced a bi-monthly Newsletter, 2007 - 2013, for the members of the City of Moorabbin Historical Society that contains well researched interesting historical items, notification of upcoming events, current advice from Royal Australian Historical Society , Museums Australia Victoria and activities of Local Historical Societies. The Newsletter is an important record of the activities of the CMHS The Brewer family were early settlers in Moorabbin Shire.3 x A4 paper printed on 1 side Issue 21 of the bi-monthly, City of Moorabbin Historical Society Newsletter produced by Society member and Secretary, Mrs Helen Stanley in April 2011. Notice that the next meeting will be May 29th because April 24th is Easter Sunday and reminders about subscriptions, the Volunteer Hours Record Book, and the South Metro History Group April meeting . Joan Moore, attended a Training Day on March 28th, organised by Peta Knott, Museums Australia Victoria, for small museums to record their artefacts, photos, documents, clothing etc. on the MAV Website. The first item entered on ‘Box Cottage Museum’ site is The Keys Trophy Cup 1881. Cat No. MAV 00001. Helen has compiled a brief history of John and Ann Brewer market gardeners c1841, with photograph CITY of MOORABBIN HISTORICAL SOCIETY / APRIL 2011 NEWSLETTERcity of moorabbin historical society, stanley helen, melbourne, moorabbin, brighton, cheltenham, ormond, bentleigh, mckinnon, market gardeners, pioneers, early settlers, moorabbin shire, box cottage museum, city of moorabbin, box william, glen eira historical society, museums australia victoria, knott peta, south metro history group, brewer john, brewer ann, jasper road, point nepean road, brewer’s road

Bendigo Advertiser "The way we were" from Tuesday, August 17, 2004. School's in: Sydney Flat State School, Woodvale circa 1930. Back row: Stan Bayliss, Albert Allen, Keith Daly, Alan Meighan, Neil Daly, Alf Farnell, Bob Green, Bill Bayliss, Herb Turner. Third row: Eric Leskie, Ray O'Brien, Enid Meighan, Grace Leskie, Rita Bayliss, Joyce Leskie, Stella Tonkin, Joan Quin, Margaret Meighan, Ken Bayliss. Second row: Eric Daly, Doriss Bayliss, Phyliss Allen, Sheila Quinn, Lorna Tonkin, Mr. Mason, Edna Bayliss, Ruth Kirby,, Jack McNamara. Front row: Leslie Jube, Edmund Quinn, Clem Kirby, Joyce Meighan, Anne Meighan, Ray Turner, Edwin Quinn, Alan Kirby.newspaper, bendigo advertiser, the way we were

Bendigo Operatic Society Production Oklahoma Capital Theatre Bendigo Opening Friday, 14th July, 1961 For Six Nights. Produced By Norman Lee. A Rodgers & Hammerstein Musical based on Lynn Rigg's play 'Green Grow the Lilacs.' A Chappell & Co. Ltd Production. Songs Include: 'Oh What a Beautiful Morning,' 'The Surrey with the Fringe on Top' 'Many A New Day' People Will Say We're in Love,Oklahoma. Cast: Gertrude Perry, Harry Brewer, Dawn Beckwith, Leonard Carr, Peter Houston, Gerald Gleeson, Bryan Brewer, Brian Thomas, Annette Wilson, Alfred Annison, Wendy Griffiths, Emily Westgarth, Joan Crane, Carol McKenzie, Aileen Simmonds, Patricia McCraken, Frederick Trewarne, Reginald Boromeo, Gerald Hayward, Victor White, Peter Haines, Terry Carr, Bronwen Townsend.Cambridge Press.clubs and associations, theatre, bendigo operatic society, https://en.wikipedia.org/wiki/oklahoma!_(1955_film)

The Ballarat School of Mines Students' Magazine was published annually. 1958 editor was Peter Robinson. Contents include: School Council, Members of Staff, A Balanced Education, Retirement of the Principal, Principal's Page, Prominent Personalities, Have we the Right Approach?, Sweet and Sour, Paying Homage to the Dead, Sports Awards 1958, Italian Coachwork Sets the Fashion, The "White Australia" Policy, Wool, Roll CallYellow soft covered 56 page magazine with green ink. Contents include: New Students from Asia (Anthony Yeung Chai Shing, Yep Kwok Ming, Archari Kassibhrimi Sarikananda, Teddy Gan Ben Chiang, Richard Tann, Somsack Satapuntu, Chermsak Tanskul, Charles Tai, Chit Cheng Foo); Italian Coachwork Sets the Fashion; the White Australia Policy; Wool; Artists' Society; Literary Society; Maryborough Visit; Roll Call; Higher Education for Girls; Sports, Football, Baseball, Badminton, tennis, School of Mines Society of Artists; Girls' Association Images include: Craig's Royal Hotel, Dick Richards, Peter Robinson, Lansell groat, Elizabeth Scott, Patrick Collier, Nelson Hails, Biruta Mellins, William Widdop, Frank Pomeroy, Alan Clarke, Kaspar Bitans, Walter, Reimann, Gladys Hocking, Keith Alexander; Murray Gillan; John Skujaballarat school of mines, ballarat junior technical school, lansell groat, r. w. richards, elizabeth scott, patrick collier, nelson hails, biruta mellins, william widdop, walter reimann, gladys hocking, keith alexander, frank pomeroy, alan clarke, kaspars bitans, eric mcgrath, teddy gan, juris erdmanis, brian duthie, r. horgan, g. beveridge, t. stanley, p. agrums, d. vendy, j. whelan, a. atkins, b. dunstan, p. collier, d. kirton, i. weir, b. lonsdale, anthony yeung, k. alexander, a. rock, g. barnett, n. delosa, w. reimann, m. villani, a. clarke, john wynd, h. fletcher, c. fraser, p. h. collier, v. dorron, murray gillan, john skuja, chit cheng foo, k. bitans

Demonstrates aspects of working of Ballarat tramways, with a passenger stepping off a moving horse tram at Grenville St. Hand painted card.Printed black and white postcard with hand painted light blue sky background of Ballarat Horse tram arriving at the Grenville St. terminus, at the bottom end of Sturt St terminus with a person stepping off the tramcar. Has buildings on both sides of Sturt St. in photograph, and one other horse drawn vehicle. Also Suttons and Richards & Co. buildings in photo. Titled "Sturt St. Ballarat". See Reg. Item 1539 for photographic image of the postcard. Titled "Sturt Street, Ballarat" in bottom left hand corner". On rear of postcard, printed is the words "Post Card", areas for "This space may be used for correspondence" and "The Address to be written here" and in stamp area in a square "Penny Stamp here". On the side of the card is "Cole's Sunny Australia Series 96 Views. E. W. Cole Book Arcade, Melbourne, Sydney and Adelaide." See also Reg Item 3898 for another postcard using the same photograph. trams, tramways, sturt st, postcards, horse tram, grenville st

1957 - Art Lending Library, Neville Bunning, Dana Street Primary School - The Original Ballarat Junior Technical School, ATC, Flight Cadets; Ballarat Junior Girls' Technical School, Ballarat North Junior Technical School, Roll Call 1960 - Ballarat School of MNes Literary Sociaty, begonia parade, Efficient reading, enter the modern, Lois Morris, sheetmetal, G. Cornell Obituary, I. Menz Obituary, metallurgists' Society, Olympic games 1961- Red, black and white soft covered magazine of the Ballarat School of Mines Information outlined in the magazine includes: The Richard W. Richards Medal, Philips Electrical Industries scholarship, A.F. Heseltine scholarship, Hong Kong To-Day (by Daniel Yung), A Treatise on Mount Morgan, Bath Push, The Stud Room, A Gentlemen's Excursion to Beaufort House, Electrical Laboratory, Metallurgical Laboratory, The Australian Aboriginal in Modern Civilization (J. Kavanagh) , The history of Electricity ballarat school of mines, ballarat junior technical school, cadets, flight cadets, airforce cadets, ballarat school of mines students' association, noel delosa, noel whiticher, bob coutts, noel kelly, les dobie, noel murphy, malcolm peel, peter agrums, ian weir, sue mole, val baker, neil bromley, kevin oscar rogers, h.e. arblaster, richard w. richards, dick richards medal, keith hindson, james tinney, walter tooth, john bethune, vilma sansom, betty clark, travers duncn, joyce wilson, lex lockhart, jim beattie, joyce stevens, slim ingleton, john skuja, murray gillan, graeme willey, diana mainwaring, eureka stockade, east africa, canada, sumatra, chris sanos, greece, malaya, bee-keeping, worshipful company of plumbers, hong kong, daniel yung, mount morgan, history of electricity, peter robinson, john clelland, davis schmist, harry brue, harry brew, rex hollioake, broken hill, excusions, john wolfe, beverly selkirk, barry singleton, mara jekabsons, bill widdop, frank pomeroy, art lending library, john mckenzie, ballarat girls' technical school, robert norton, graeme williams, alan bethuse, janis erdmanis, alan rock, gail trewanack, tony white, ching thung tay, jack tay, noel whitcher, norm nash, helen ross, eric mcgrath, g. cornell death, i menz death, john wolffe, brian duthie, bill durant, w.g. durant, heather walton, heather durant, beverly singleton, neville bunning

School Council, Members of Staff, Magazine Committee, List of Full Course Students 1938, Full Course Commercial Students, Editorial, Personal Column, Obituary - Roy S. Hall - F. J. Martell, S.M.B Old Boys' Association, The Literary Society, Centenary Jottings, Fumes from the Lab, Broken Hill, News from Papua, Sidelights on the B.H.P. Cadet Training Scheme, Arts & Crafts Gossip, Sport, Commercial Notes, The Junior Techs, Junior Technical SportingBlack soft covered magazine with yellow font, green and white images. 64 pages including advertisements. Artworks * Lino cut - By Maureen McRae * Lino Cut - By B. Delima * Lino Cut - By Bessie Martin * The dog you's like to kick - By Gordon Yorke * Harry - By Ernest Gribble * Digger - By Ernest Gribble * Lino cut - By Gordon Yorke * Our little girl - By Dorothy Woolcock * Miss W - By Ernest Gribble * Joan - By Ernest Gribble * Roma - By Gladys Bilney * Doing art for t'arts sake - By Gilda Gude * Una - By Dorothy Woolcock * My Bill - By Dorothy Woolcock * The Sec. - By Ernest Gribble * Hassell - By Dorothy Woolcock * Chief Engineer - By Dorothy Woolcock * Rusty - By Ernest Gribble * Lino Cut - By Jeff Wilkinson * Dick - By Dorothy Woolcock * Goosey - By Ernest Gribble * Pen Drawing - By Dorothy Woolcock * Parking 1 - By Max Coward * Miss King - By Dorothy Woolcock * Goal Umpire - By Ernest Gribble * To Prep Girls - Joe - By Ernest Gribble * Dreamy Dolan - By Ernest Gribble * Lino Cut - By Max Coward * Norma - By Dorothy Woolcock * Lino Cut - By A. Janetski * Dorothy - By Patsy Walsh * Jean - By Dorothy Woolcock * Lino Cut - By Joy Martin * Lino Cut - By Max Coward and A.2., * Ben - By Bob McHutchison * Polly - By Ernest Gribble * Dobber - By Ernest Gribble * Francies - By Ernest Gribble * Ad a line not a bite - By Dorothy Woolcock * Dulcie - By Dorothy Woolcock * Joan - By Ernest Gribble * Kitty - By Bob McHutchison * Stumpy - By Elva Brimacombe * Pegleg - By Dorothy Woolcock * Fat - By Gladys Bilney * Dawn - By Dorothy Woolcock * Joy - By Ernest Gribble * Nipper - By Ernest Gribble * Mac - By Ernest Gribble * Puss - By Bob McHutchison * Tinted Lino Cut - By W. Edward * Lino Cut by G.Day ballarat school of mines, magazine, maureen mcrae, b. delima, j. woolcock, herbert j. trevenan, n. palmer, olwyn williams, gordon yorke, bob mchutchinson, w. edward, keith heriot, sylvia wyres, jeff wilkinson, peter richards, d. gordon, f. morris, mr proctor, ernest gribble, dr. j. r. pound, muriel boyd, george downing, roy s. hall, f. j. martell, d. v. shore, ken wilkie, eoin macdonald, g. berriman, dorothy woolcock, russell h. s. ewins, v. e. greenhalgh, max coward, shelia moss, frank t. jelbart, neil crouch, graham white, mr cornell, francis hollioke, k. vaughan, david j. jelbart, arthur g. veale, bill walters, richard menhennett, james redford, w. monteith, mr hillman, john t. graham, james w. thomas, keith. walter, james m. martin, lyle s. dimsey, jean birch, margaret turner, lesley stapleton, marjorie day, una kersey, jean lonie, coral robertson, norma rowe, jean bridges, jean cox, a. janetski, d. ditchfield, j. harrison, gladys james, j. brimacombe, sheila moss, r. mathews, joy martin, joan ellsworth, e. salter, a. spence, m. may, f. coulson, i. clow, h. tonkin, l. taylor, s. harris, k. gingell, g. jones, william t. paterson, f. harland, w. harrison, j. pike, a. mcmillan, m. lee, e. mccann, j. harris, a. clack, f. osborne, e. stephens, s. nicol, d. eltringham, j. hosie, v. burt, w. rowe, wm. c. edward, j. donald, m. cox, n. dalton, gladys bilney, gilda gude, patsy walsh, elva brimacombe, g. day, francis hollyoake, centenary, betty brown, alan nye, victor greenhalgh, alan gilpin, george edward, e.h. schache, john dulfer, max bayley, eric rumpff, henry kum yuen, fred j. martell, old boys' association, literary society, j.a. wilkie, cyril callister, g. yorke, broken hill, papua, e. macdonald, j. wilkinson, bhp cadet training scheme, g.r. crouch, salt lake city, utah, photography, photographic class, r.h.e. ewins, f. jelbart, n. crouch, g. white, f. hollioake, p. richards, d. jelbart, a. veale, w. walters, e. gribble, r. mchutchison, r. menhennett, i. redford, k. heriot, j. graham, j. thomas, r. ewins, k. waller, j. martin, j. king, bena lamb, j. birch, m. turner, l. stapleton, m. day, u. kersey, j. lonie, c. robertson, n. rowe, j. bridges, m. mcrae, o. williams, j. cox, g. james, s. moss, b. martin, junior technical school old boys' association, des marks, cornell's little liver pills, ballarat wattle tea rooms, the modern dairy

This book published by the Australian Red Cross Society has been written by Joan and Daryl Lindsay. The book features the work of many Australian artists in the 1940s. The inscription shows that the book was a prize awarded to Joyce Goodall, a pupil at Warrnambool Technical School. This school commenced in 1913 in Timor Street, Warrnambool, a site now occupied by T.A.F.E. Warrnambool Technical School moved to a Caramut Road site and is now called Brauer College. The book was the James Swan Memorial Prize. Swan had a furniture business in Warrnambool. He was a City Councillor (1922-1936) and Mayor (1926-1928) and Swan Reserve in Raglan Parade is named after him. The donor of the prize, Mrs R. Pattison, was the daughter of James Swan and the wife of Ralph Pattison, Warrnambool Librarian. The winner of the prize, Joyce Goodall (Mrs Joyce Milne) was a member of the Goodall families which have been in the Warrnambool and Mortlake areas since the 1860s. John King was the first Head Teacher of Warrnambool Technical School and remained in that position for 29 years. This book is of interest as all of the names mentioned in the inscription plate in this book have a place in Warrnambool’s history. This is a hard cover book with the pages unnumbered. The cover is yellow with black lettering and the front cover has an emblem of the Red Cross and a laurel wreath in red and black. The cover is partly torn and has been mended with adhesive tape. The contents of the book are largely pictorial and illustrative with some text. The inscription is typed. ‘Warrnambool Technical School, Labor to Efficiency, 9th Dec. 1942, for Proficiency in English, James Swan Memorial Prize, donated by Mrs R. Pattison, Awarded to Joyce Goodall, John King, Principal.’ warrnambool technical school, history of warrnambool, john king, james swan, joyce goodall

This book is an early reader which all Victorian students would have read during the 1930's. The book is made up of poems and stories. The Victorian Readers, one for each of the grades that then comprised the primary school, were first published by the Victorian Education Department between 1927 and 1930. Much of content of these readers was British in origin but there was an attempt to add the works of some Australian authors. This book was owned and used by Roma Cameron. Roma Cameron was the daughter of Harry Purchase Cameron and Lilian Gladys (nee Harding). Roma married Ronald Richard Smith in 1944 and is the mother of Lorraine (Mrs Peter Coulton) and Margaret Smith. Harry's father, James Cameron, came to Bellagoogan on Majors Creek in 1882. Bellagoogan was on Majors Creek near Orbost and was the site of the first race course. Like many others at the time, the Camerons bred race horses.Harry died in 1964 aged 75. Roma was the youngest of three siblings: Jean (Mrs John Gavin (Jack) Ralston) and James (Jim) (m. Joan Hosack). This is historically significant showing what young children were reading during the 1920's and 30's in schools across Victoria. It is vastly different to readers used in schools today. The Victorian Readers provide an insight into the teaching of reading in Victoria and offer an overview of the values and behaviours that were taught and reinforced in schools in the first half of the 20th century.A small grey covered book of 98pp. It is titled "First Book of The Victorian Readers". A picture has been pasted over the original b/w drawing of a young boy reading,on front cover: Roma Cameroneducation reader cameron

The Tilly Aston Award was presented for 15 years of service. This signboard commemorates recipients of the this award and was displayed at the Kooyong centre until it's refurbishment. The list of names is as follows: 1987 Betty Dainton, 1990 Beryl Smout, 1990 Vi Wilkinson, May Wallace, 1991 Bill Arthur, 1992 Peg Lucas, 1993 Nell Gibbons, Ilma Jewell, Charles Parker, 1994 Margaret Collins, Coral Matheson, 1997 Louise Doddrell, Alma Davey, Janice Cowan, Elaine Coe, Peg O'Dea, 1998 Mary Burgess, Val Doyle, May Edwards, Margaret Ford, Mais Opie, Moira Proustie, Dorothy Shipston, Moira Spencer. (Second board:) 1998 Yvonne Taylor, Vera Watkins, Elaine McMullan, 1999 Gwen Dick, Ron Matheson, Penny Ford, Joyce Oxenbury, 2000 Jean Hocking, Nilma Henson, Eileen Burke, 2001 Lorna Britton, 2002 Joan Feldtman, Elwyn Gayfer, Beryl Alexander.Boards with grey wash and vinyl gold letteringTilly Aston Award 15 years Service (thereafter follows a list of names that extends across to a second board)association for the blind, volunteers, nameplates

Peter PILVEN (1956- ) Born Ballarat Peter Pilven is acknowledged by his peers for his high level of tacit skills, including throwing, and for his sound technical knowledge of materials.Training with John Gilbert's Edinborough Pottery from 1972-1975, Pilven trained with Joan Campbell in Fremantle in 1976. In 1977 Peter Pilven obtained a Diploma of Fine Art (Ceramics) from Ballarat College of Advanced Education (now Federation University). The following year he worked with Ian Dowling at Geraldton, WA, and with the Western Australian Aboriginal Education Unit in 1979. He next trained with Alan Cagier-Smith in England between 1980 and 1981. Peter Pilven established his own studio in 1982. He has been teaching ceramics at Federation University since 1983, and is considered by his students, to be a living treasure. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, ceramics, peter pilven, pilven, stoneware, wheelthrown, madeinballarat

A group of widows at Legacy House preparing trays of rosemary to be given to the public on Anzac Day and worn as a sign of remembrance. Names unknown. In The Answer in 1995 an articles says: "Operation Rosemary. Since 1982 Legacy ladies have volunteered to make rosemary sprigs for the Anzac Day marchers. At a later date they also made sprigs for the Schools Shrine Service. . . don't worry, there are ladies here to show you how to make them and it's a chance to hav a chat and cuppa whilst you work together. Any day day that you can spare . . . please ring Joan Miller." A note on yellow paper from 01046 explains the source of the rosemary. It says the rosemary donated to Legacy each year for the sprigs of rosemary handed out to the public comes from nurseryman, Peter Hannah, who sourced a cutting from a bush in Frankston which was said to come from a cutting brought home from Gallipoli by a wounded soldier. Photos were in a scrapbook of photos spanning 1983 to 1991.A record of widows preparing rosemary as gifts for the public. Rosemary is sign of remembrance. Black and white photo of widows preparing trays of rosemary.widows, legacy promotion, rosemary