When the First World War broke out, Australian men from all backgrounds and professions were called to serve their country.  Members of the Victorian Police force were some of the first to answer the call with twenty men joining the first convoy of soldiers who left Australian shores in October 1914. Over the course of four long years, one hundred and thirty-eight Victorian Police enlisted from stations across the state. Of these, twenty-seven lost their lives. Whilst the fate of each man was different, a deep commitment to protecting and serving the public was common to all. Victoria Police service: Joined 3/05/1898; Leave without pay July 1915; Rejoined ca April 1918; Died 28/04/1919 from pneumonic influenza WW1 service: Enlisted 7 July 1915; Highest rank: Sergeant; Regiment: 29th Battalion, A Company; Fate: Returned to Australia 15 April 1918; Medals: 1914-15 Star, British War Medal, Victory MedalOfficial documentworld war 1, 1914-1918; victoria police; sharpe, edward william 4706

When the First World War broke out, Australian men from all backgrounds and professions were called to serve their country. Members of the Victorian Police force were some of the first to answer the call with twenty men joining the first convoy of soldiers who left Australian shores in October 1914. Over the course of four long years, one hundred and thirty-eight Victorian Police enlisted from stations across the state. Of these, twenty-seven lost their lives. Whilst the fate of each man was different, a deep commitment to protecting and serving the public was common to all. Victoria Police service: Joined: 28/10/1908; Granted leave without pay: 5/05/1917; Re-joined: 1/10/1919; Retired: 8/02/1946; Highest rank: Inspector WW1 service: Enlisted: 10 May 1917; Highest rank: Corporal; Regiment: 38th Battalion; Fate: Returned to Australia 4 July 1919; Medals: 1914-1915 Star, British War and Victory medalsOfficial documentworld war 1, 1914-1918; victoria police; taylor, charles alfred 5429

When the First World War broke out, Australian men from all backgrounds and professions were called to serve their country.  Members of the Victorian Police force were some of the first to answer the call with twenty men joining the first convoy of soldiers who left Australian shores in October 1914. Over the course of four long years, one hundred and thirty-eight Victorian Police enlisted from stations across the state. Of these, twenty-seven lost their lives. Whilst the fate of each man was different, a deep commitment to protecting and serving the public was common to all. Victoria Police service: Joined 2/03/1903; Granted leave without pay 1/09/1916; Resumed duties 6/08/1919; Retired 23/01/1941; Highest rank: Sergeant WW1 service: Enlisted 5 May 1916; Highest rank: Lance Sergeant; Regiment: 3rd Australian Divisional Ammunition Column; Fate: Returned to Australia 8 May 1919; Medals: 1914-1915 Star, British War and Victory MedalsOfficial documentworld war 1, 1914-1918; victoria police; vincent, leslie moore 5080

Armadale is an inner suburb of Melbourne, Victoria, Australia, 7 km south-east of Melbourne's Central Business District, located within the City of Stonnington local government area. Armadale Police Station opened, in Melbourne Police District, on 11 May 1885. Its original location is unknown, but in 1890 it is listed in the Sands & McDougall directory as at 295 Hight Street. From 1985-1920 it was located at 20/22 Auburn Grove, 1925-1930 at 769 High Street and 1935-1946 at 3 Cheel Street. The station closed on 28 January 1946. The sub-division east of Orrong Rd was incorporated into Malvern Sub-district and west of Orrong Road into Prahran Sub-district. In a special 1930 issue of the Victoria Police Gazette the Armadale Police Station was described as a seven-roomed brick dwelling with a tiled roof on land measuring 127' x 104' x 98'. There was also a bathroom and W.C., a wash-house, office, and a lock-up (one cell). This is probably a description of the Cheel Street police station. It was staffed by one senior constable and three foot constables.12 photographs comprising 8 coloured images and 4 black and white images 1 sketch plan of Old Armadale Police Stationpolice stations; armadale police station

The former Mont Park/Bundoora Psychiatric and Repatriation Hospitals Complex consisted of seven hospitals on a site of 185 hectares. The site comprising the Mont Park and Strathallen estates was consolidated by the Victorian government by purchase and transfer from the Closer Settlement Board in 1909 . The Mont Park Hospital commenced in 1910 with the building of the Farm Workers Block . In 1912 the landscape gardener Hugh Linaker was employed to layout the grounds of Mont Park and other State mental hospitals. The other hospitals were gradually split off from the Mont Park administration to form separate entities included among these was the Macleod Repatriation Hospital (1915), An agreement was made with the Defence Department in 1914 for the latter to erect the Mont Park central block (the "Chronic Wards") for use as a Military Hospital, and for it later to revert to the State as portion of Mont Park Hospital. The buildings now known as the Chronic Wards were completed in this way in 1916 and used as the Australian General Hospital no. 16 for the duration of the war. One wing of this building was set aside for mental patients during this period. Silver gelatin photographww1, macleod repatriation sanitorium, mont park

There are many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by Vera and Aurelin Giles. The items are associated with the Giles Family and are known as the “Giles Collection”. These items mostly came from the simple home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton), whose photos are in the parlour. They married in 1880. Henry Giles was born at Tower Hill in 1858. He was a labourer on the construction of the Breakwater before leaving in 1895 to build bridges in N.S.W. for about seven years. Mary Jane was born in 1860 at Cooramook. She attended Mailor’s Flat State School where she was also a student teacher before, as family legend has it, she became a governess at “Injemiara” where her grandfather, Francis Freckleton, once owned land. Henry and Mary’s family of six, some of whom were born at Mailor’s Flat and later children at Wangoom, lived with their parents at Wangoom and Purnim west, where Henry died in 1933 and Mary Jane in 1940. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established.Double Bed metal frame with design on posts and chrome knobs at bed end. Head has canopy that hangs from tall frame. Wood, wire sprung mattress base sits on metal frame.Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, great ocean road, double bed, canopy bed, metal frame bed, giles collection, henry giles, cooramook, mailor’s flat, wangoom, 19th century household goods

There are many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by Vera and Aurelin Giles. The items are associated with the Giles Family and are known as the “Giles Collection”. These items mostly came from the simple home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton), whose photos are in the parlour. They married in 1880. Henry Giles was born at Tower Hill in 1858. He was a labourer on the construction of the Breakwater before leaving in 1895 to build bridges in N.S.W. for about seven years. Mary Jane was born in 1860 at Cooramook. She attended Mailor’s Flat State School where she was also a student teacher before, as family legend has it, she became a governess at “Injemiara” where her grandfather, Francis Freckleton, once owned land. Henry and Mary’s family of six, some of whom were born at Mailor’s Flat and later children at Wangoom, lived with their parents at Wangoom and Purnim west, where Henry died in 1933 and Mary Jane in 1940. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established.Wall decoration gilded gold ornate frame under glassPrinted proverb+ with Varied type face each line.warrnambool, shipwrecked coast, flagstaff hill maritime museum, wall decoration, print of proverb, scripture decoration, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century household goods

Richard Bell was born in Dumfermline, Scotland in 1850, arriving in Victoria with his family as a child. He worked at the grocery store of W.L. Wilson, Skipton Street, Sebastopol for six years before opening his own grocery business on the corner of Drummond and South Streets, Ballarat. The business was successful and he retired 15 years later. He was elected to the Ballarat City Council in 1891, and in 1892 he started an auctioneering and sharebroking business in partnership with Mr Lambert. Organisations such as the Ballarat Woollen Company and the Ballarat Tramway Board benefited from Richard Bell's association with them, and he was the Director of many mining companies. He was a member of the Old Colonists' Association of Ballarat, the Ballaarat Mechanics' Institute and the Commercial Club. Richard Bell was interest in erecting statues in Sturt Street to the memory of the poets Burns and Moore, and served on the relevant committee to that end. He was a long term truster of the Miners' Association, and took a very active part in the South Street Debating Society. In April 1874 Richard Bell married Jessie Scott, and the couple had two sons and seven daughters. Portrait of Alexander Bell, member of the Old Colonists Association of Ballarat. old colonists' association of ballarat, old colonists' club, jessie scott, richard bell

A function at Legacy House, including a lunch. From the Post-It note it could have been the launch of Badge Week in 1998, Tom Butcher is the president. (See also 00748 and 00749). It would appear that elderly Hazel McKean is a guest of honour, she is a World War I widow. 00747.1 Legacy World War 1 widow Hazel McKean, Moira Marshall and Sarah (B?) 00747.2 Unknown, Ray Ward, Richard (?) and Betty Hardman. 00747.3 Two men and Col Bruce Amor. 00747.4 L/- Lucky Luscombe in centre with 4 guests 00747.5 Seven people seated around the table, including second from Left President Tom Butcher, centre L/- Brian Luscombe, then Peter Lawrence, Gwen Watt and Col Bruce Amor. 00747.6 Four guests at their dining table, including on the far right is Elaine Ward. 00747.7 L/- Graham Riches, elderly guest Hazel McKean and three other unknown guests. 00747.8 President Tom Butcher making a speech in front of the "Legacy, 75th Anniversary Banner, Still Caring"A record of a function at Legacy House in 1998. Colour photo x 8 of guests at Legacy house.Printing on the back "

Set of six photographs showing Domain Interchange or Junction including trams and buses in St Kilda Road. Photos by Bill Kingsley who lectured in Civil & Traffic Engineering at Footscray Technical College. These would have been taken to show how an interchange functions. Dated on an envelope with negatives as 13/10/1971. 1 - Tram stop showing shelter, SW6 886 (City) and Melbourne Brighton Bus No. 660 (City, route 602). Tram 886 had adverts for Ferris car radios and Sony electronics. 2 - W2 550 (City no route number) arriving at the stop with passengers waiting. 3 - Two Melbourne Brighton buses (routes 601 and 602) with a long line of outbound trams in the background. 4 - Inspectors cabin with W2 428 and W2 324 (City, route 67) 5 - SW6 897 (City route 3) with Inspectors cabin and Domain Road in the background. 6 - Bunch of seven southbound trams between Domain Road, tailed by W2 574 (Malvern Burke Rd, Route 5).Yields information about the Domain Interchange / JunctionSet of six black and white photographs and associated 35mm negatives."Domain Intersection" on rear of each print.trams, tramways, bill kingsley., domain interchange, st kilda road, domain road, w2 class, sw6 class, melbourne brighton bus line, buses, tram 886, tram 550, tram 428, tram 324, tram 897, tram 574

Finalist Robert Klein-Boonschate in the ANL Maritime Art Prize 2003 Biography: (https://www.artpartners.com.au/robert-kleinboonschate/) Born in The Netherlands, Robert migrated to Tallangatta, Australia with his family in 1971. Robert completed a degree in Graphic Art at Swinburne College and settled into Melbourne for the next seven years as a professional artist and art facilitator. Robert moved to Mparntwe (Alice Springs) in the 1980’s where he worked closely with Arrernte Peoples for the next 12 years. Robert’s beautiful landscapes reflect the influence of Arrernte artist Albert Namatjira and his love of the Australian landscape reflects his experiences with the Arrernte Peoples and their connection to ‘Country’. Robert opened the art studio located at his home in Alice Springs to Arrernte, Luritja, Warlpiri & Pintupi artists and worked alongside such artists as Johnny Warrangkula Tjupurrula. Robert helped to facilitate Johnny’s later body of work by constructing special brushes which could be used by Johnny after breaking his wrist. Robert has returned to NSW and now lives in Walla Walla surrounded by the rugged natural landscapes of Australia.Large scale Oil on Belgian Linen depicting dockside and ships.docks, waterside, maritime art, robert klein-boonschate, artwork-paintings, maritime art prize, anl

Caroline Lewers, née Murrell, b. 1867 at Happy Valley, was a daughter of Ambrose and Mary Murrell. Prior to her marriage, Caroline Murrell assisted her mother to manage the Victoria Hotel in Linton. In 1910 she married William Ochiltree Lewers (son of Annie Lewers and Samuel Lewers). Caroline's sister-in-law Lily (Mary Lillian) Murrell, née Young, was born in Birmingham, England, and migrated to Australia with her father James Young when she was seven. In Australia James Young changed his name to Clarke and was known as James Young Clarke (Lily also used this surname). James Young Clarke moved with Lily to Linton, where he ran J Y Clarke's tobacconist and barber shop in Sussex Street. Lily Clarke married William Murrell, son of Ambrose and Mary Murrell, in 1901. They lived at Daylesford and other localities before returning to Linton in about 1912, when William Murrell took over management of the newsagency. Caroline on left, in fur coat; Lily on right, in print dress.Black and white copy of original photograph which shows two women walking in a street near shops. Both are wearing hats and coats. An unidentified man is walking behind them. The photograph was most likely taken by a street photographer and the two women in it appear to have been out shopping.caroline lewers (née murrell), lily murrell (née young/clarke)

Continuous seven page Sale No. 33 Fat Cattle Sale Bendigo dated 27/6/95. Report issued on the 27/6/95 by Ben. Report lists the buyers name and the number of head purchased each time from each agent and the total number purchased. Agents names are abbreviated. Buyers names are: JJ McAllister, M/S K & J Wignall, McIvor Meats, Welsh, Bennetts Meats Pty Ltd, Boydies Butchers, Elders Ltd, Ellis Nuttall & Compa, Friswell K, R J Gilbertson, Hardwick GF & VC, Highland, Masons Meat Pty Ltd, McGregor RH & Co, McKean W & Co, Midfield Meat Wholesa, Newman Livestock Serv, Safeway No 188, Andrew Schenk, Starr A, Tehan TP & MW, Wagstaff Cranbourne P, Wiegard B & S, Woodhead B, Woodward RH & Co Pty, S Huddle, Carruthers A and Vendor A.Ron Lairdbendigo, council, cattle markets, bendigo saleyards collection - fat cattle sale bendigo 27/6/95, jj mcallister, m/s k & j wignall, mcivor meats, welsh, bennetts meats pty ltd, boydies butchers, elders ltd, ellis nuttall & compa, friswell k, r j gilbertson, hardwick gf & vc, highland, masons meat pty ltd, mcgregor rh & co, mckean w & co, midfield meat wholesa, newman livestock serv, safeway no 188, andrew schenk, starr a, tehan tp & mw, wagstaff cranbourne p, wiegard b & s, woodhead b, woodward rh & co pty, s huddle, carruthers a, vendor a

Black and white photograph of E. W. Hands Butchery and poulter shop, located at the corner of Forest and Barnard Streets, Est. 1859. Verandah faces both streets and has very ornate lacework where the hand rail is fitted on the top floor, and more lacework the top edge of the roof and similar lacework at beneath the floor of the top floor. There are seven males standing front and centre wearing the uniform of the trade, coat and black and white horizontal striped apron. Other bystanders can be seen to the left including children. A large tree can be seen to the left and a smaller leafless tree to the front facing Barnard Street. Two large white posts font centre, left post does not appear to have attachments, the other has five crossbars carrying power and/or phone wiring, and some sort of decoration attached to the top of the post. Top right corner can be seen the wiring to provide power for the trams.buildings, commercial, hands butchery

Long sleeved burgundy coloured coat - velvet fabric lined with ''dusty pink'' satin with woven floral pattern. Lining hand stitched to coat. Second layer of cotton lining across the shoulders and back( 39cmsLength). Sewn into neck and shoulder seams. Large uneven stitches attach the lining to side seams. Coat and lining have seven gored panels giving fullness to the coat. Fold over collar (14 cms). Front opening with ten velvet covered shanked buttons with fabric loops. Long sleeves gathered at shoulder and cuffs(2 cms), with six cms opening with press stud fastener.Owner of coat was Isabel Lilian Pegler (nee Mair) 1921-1997. The coat was worn to Saturday night dances. Isabel liked to point out that her coat had a double lining in the upper back for extra warmth as she liked to wear backless dresses to the dance.costume, female, long sleeved coat

Seven photocopies of photos of hotels. New Chum Hotel - 1870 J. Matthews showing two men and two women standing at the front. A coloured photo of the New Chum hotel C.15.03.23 is attached. Cricketers' Arms Hotel - T. Nicholson showing a bearded man standing at the front holding a baby. Caledonian Hotel - several men and women standing at the front, one on horseback, a house can be seen at the back of the hotel and Alex Roberts, horseshoer & general merchandise shop next to the hotel. Clyde Hotel - Photos of Thomas Henry Randall, Alice Maud Randall and the Clyde Hotel at the corner of Bull and Myers Street. Under the photos a short biography of the Randall's. Queens' hotel - Large crowd outside and on the balcony of the hotel. Limerick Hotel - grainy black and white photos of the Limerick Hotel in McIvor Road, some people at the front and two trucks also an article from the Bendigo Advertiser titled: ''Revamped Limerick''bendigo, hotel

The names come from a variety of areas, from as far away as Glenmaggie, and may reflect who contributed a set sum for a presentation. Appears to have originally been framed. Fritz Horstman was first chair of the Upper Maffra Co-operative Butter and Cheese Factory in 1904.An important example of a locally-produced Illuminated address, as opposed to those of a more grandiose nature that were purchased from "outside".Illuminated address, unframed, presented Dec 1885 to Fritz Horstman, following his representing residents in the Maffra Shire for seven years. Signatories are: H. Amey, A. Allardyce, G. Lyndon, J. Gerrand, H. Crisp, T. Smith, indec, J. Atkinson, D. Miller, N.Nicholson, T. Martin, W. Clement, A. Clark, J.W. Hagan, T. Pollock, Osborn Bros, T. Anderson, J (?) herkes, J. Knox, J.Boland, P. Boland, J. Clyne, J. Forsyth, R. Ferguson, J. Cromb, H. Smith, R. Fullerton, A. Gerrand, Wm McCole, A. Morrison and 20 other ratepayers, John Williams, R. Harper, David Clyne, P. Mellon, J. Macfarlane. All appear to be written in the same hand, and are not actual signatures. Whole address appears to be executed in a rather amateur manner, rather than being from a commercial artist/calligrapher.local government, dairying

Clothing. Navy blue textured fabric possibly crimplene. Long tapered sleeves fastened with three covered buttons and loops at the wrist. High back neckline shaped to a V shape at the front. Centre front opening fastens with sixteen covered buttons and loops. Front yoke has a rouleau trim of fleur-de-lyse, and circular coils from 1 cm to 1.5 cm diameter. Side front panels are shirred at the yoke seam, and gathered at the shaped waistline panel. Waistline has a diamond shaped panel- 2.5 cm wide at the side seams, and eleven cms wide at the centre. Where the buttons extend over the midriff panel, the panel is shaped in a 7 cm V shape. Midriff panel extends into a belt at the side seams, fastening at the centre with a press-stud, and decorated with a flower of seven rouleau coils-1 cm in diameter. Hand stitched hem.costume, female, long sleeved navy dress

The collection contains SEVEN ITEMS of clothing from the former SUNSHINE TECHNICAL SCHOOL of which images of SIX are individually displayed here. The clothing items are: (1) Grey wool/nylon V-neck jumper with green and red stripes bordered by thin black stripes, around neck, waist and cuffs. (2) Black cap with green panel containing a red STS logo on front of cap. (3) Green acrylic/nylon sleeveless football guernsey with wide red V-shaped band on front. Only one of the two guernsies is shown. (4) Green cotton collarless, short sleeve, and button up tracksuit top with red and black stripes around the sleeves and on both sides of the buttons. (5) Green cotton button up tracksuit short leg pants with red and black stripes along outside edge of legs. (6) Green cotton sports bib with black STS logo on front.school jumper, school cap, football guernsey, tracksuit, sports bib, school clothing, uniform, sunshine technical school

Copy of the Australian Railway Enthusiast - Vol 9, No. 4, December 1971, which contains seven photographs of the closure of the Ballarat Tramway System on 19/9/1971 by Greg Triplett. Item 579 refers for centre page photograph. Magazine has articles on the Beech Forest Narrow Gauge, The Atjeh Tram (Indonesia), cable cars preserved in Melbourne and a derailment at Yering Vic. in 1900. Ballarat Photos 1 - 40 in Lydiard St. 2 - Bogie car in Wendouree Parade from the wheat silos 3 - Intersection of Sturt and Lydiard Street from the Town Hall 4 - Tram at City Centre with Boer War (?) statue in front of the tram - night photo 5 - 35 at Sebastopol Terminus - night photo 6 - 42 at the Lydiard Street terminus - night photo 7 - 40 leaving Sebastopol as the last tram - night photo (see item 579) Second copy added 31-8-2017. Second copy has a "Technical Book & Mag. Co." yellow label on the front cover.trams, tramways, ballarat, closure, lydiard st, sturt st, sebastopol

These vintage tins contained medicinal products to help relieve illness symptoms for the family at home in the 1900's. Two were manufactured in Australia and the two Ayrton's products were made in England.Three vintage medicinal tins and cardboard container. 1. Small Ayrton's heart shape Bismuth Indigestion Tablets tin with the Manufacturer details printed at the bottom of the lift up lid. It has a large red heart shape on a white background. Approx. 2ozs. It has a gold base with information for use and recommended dosages. 2. A small badly rusted and worn tin Ayrton's Sulphur and Yeast Tablets with seven red dots showing usage features of these tablets. Manufacturer details are listed at the bottom of the front lift up lid and the back of the tin has further information. 3. A cylindrical green Robinson's Patent Barley tin with a patterned rusted lid. The manufacturer details and usage information are indecipherable due to wear and rust. 4. A cylindrical lidded De Witt's Antacid Powder cardboard container with a rusted tin lid. Manufacturer details and usage are printed on a paper wrapper glued to the cylinder.1. 'Ayrton's Heart Shape Bismuth Indigestion Tablets Ayrton Saunders & Co Ltd Liverpool. England.' 2. 'Ayrton's Sulphur and Yeast Tablets Ayrton, Saunders & Co. Ltd. Liverpool. Eng.' 3. Robinson's Patent Barley' (indecipherable details) On the bottom of the tin Robinson's "Patent" Barley Letters Patent Granted 1923 Now expired Packed March 1951. 4.De Witt's Trademark Antacid Powder 2/6 for Indigestion. Contents 4ozs. Approx. Lasting Action' Inside the Ayrton's Sulphur and Yeast Tablets tin is a sticker with 'M Burgi' handwritten on it in biro.medicinal containers, tins, medication, containers

Set of seven Colour slides, Kodak, brown cardboard of the removal of the Elsternwick Level crossing on 28-5-1960 .1 - looking down into he cutting through the old goods yard - has the platform being installed. .2 - X2 675 crossing the new bridge with the level crossing in the background. .3 - L103, to the city, route 4, with the conductor watching the trolley pole. Has an advert for white horse whiskey. .4 - W2 269, route 4 to Carnegie, on the level crossing. Has a building in the background, advertising Esquire car sales. .5 - A Tait train on the crossing no gates in operation. .6 - ditto, to Sandringham .7 - W6 965, route 4 to the City on the crossing. Has two railway hoardings in the background advertising BP Benzol petrol and Saunders Pure Malt extract and part of a sign for Penfolds. The tram has an advert for Porsche cars. Note the tram stop sign on the small post alongside the tram.Hand writing on rear in ink; .1 - 28-5-60 - Railway cutting for underpass at Elsternwick Vic. .2 - ditto, tram 675 on temporary tracks in Glenhuntly Road, Elsternwick Vic. .3 - tram 103 on temporary tracks in Glenhuntly Road, Elsternwick Vic. .4 - tram 269 on temporary tracks in Glenhuntly Road, Elsternwick Vic. .5 - Elsternwick station new crossing .6 - Temporary track Elsternwick Vic .7 - Tram 965 at temporary stop at Elsternwick Vic.trams, tramways, elsternwick, level crossings, railway squares, w2 class, l class, carnegie, south caulfield, glenhuntly rd, w6 class, vr

Set of seven black and white prints of prototype tram 1041, during its first days of commissioning and testing in the city and on the Wattle Park route. All printed on Kodak paper. .1 - at Preston workshops, showing City, route 088 .2 - ditto .3 - ditto - 2nd copy added from donation of Geoff Warburton added 10/10/17. .4 - In Riversdale Road, Wattle Park, showing W. Park Elgar Rd, route 070. .5 - ditto, but showing special and route 000 - trees behind the tram had been faded out. .6 - turning out of Bourke St into Spring St with destination of E. Brunswick, route 96. Has been painted with words "Welcome Board" and "Enter here" on front door. Has the Windsor hotel in the background. Second trolley retriever fitted as well. .7 as for .5 but at a different location. 2nd copy of .3 added 10/10/17.4 - notes to remove pole, ext and I HT and grating on rear along with a sketch of the tram outline and number 16. .6 - on rear "9 3/4 x 6 1/8" .7 on front of the photo "9 3/4" x 6 1/4" in felt pen. .3 - second copy "1041-Preston-3-MMTB" in pencil on rear.trams, tramways, mmtb, prototype tramcar, 1041, riversdale rd, wattle park, preston workshops, tram 1041

This photograph was taken in 1911 at Three Mile Creek, about five kilometers south of Beechworth town. Significant digging took place at this location from late 1855, which led to a flood of workers and stores to follow, though daily earnings were slim compared to the nearby Woolshed site. This remained the case even after workers at Three Mile Creek attempted to protest around Beechworth during an election in November 1855. Three Mile Creek was one of seven significant divisions of the Beechworth Mining District formalised by the Governor-in-Council in 1858, though by the time this photograph was taken, the boundaries of the original seven districts had shifted to create seventeen divisions. The Three Mile Goldfields was a site of rich alluvial gold deposits located about 5km south of Beechworth in Victoria. Today, the location of this gold deposit is called Baarmutha. It was a popular area for gold mining in the 1850s but became largely abandoned by the following decade. In 1865, a man named John Pund (a man second from the left in the back row of this photograph shares this surname) recognized that the area could be potentially rich if a better water supply could be obtained. He secured a 15 year license with three other miners. Within the next five years, these men had constructed 19 km of water race going from Upper Nine Mile Creek to Three Mile Creek. By 1881, these four men had delivered 950,000 gallons to the Three Mile Sluicing area which is depicted in this photograph. Pund would later go into partnership with John Alston Wallace who would become owner of the Star Hotel in Beechworth. The Three Mile sluicing location continued to be operational until 1950. The eleven miners in this photograph are: Back row: Led Guthrie, P. Pund, F. Beel, [Unknown] Miller Front row: Paddy McNamara, J. King, W. Beel, [Unknown] Garland, J. Clarke, J. Ryan, H. Bartsh In the background of the photograph is a huge dirt wall that appears to suffer damage caused by hydraulic sluicing. Hydraulic sluicing is a specialised mining technique that involves directing high pressure water flows at dirt to uncover gold. The technique played a significant role in shaping Beechworth's landscape during the gold rush to create the topography seen today.The search for gold is ingrained into the history of Victoria and therefore, images like this one which portray an open cut sluicing site can reveal important information for society and technology for the date when the photograph was taken. This image is of important historical significance for its ability to convey information about sluicing and the methods used to find gold in the late 1800s and early 1900s. It also shows a location where sluicing was undertook which provides insight into the impact of sluicing on the environment at a time when it was done. Images, like this one, of Australian gold rush history can reveal important information about the social and environmental impact of this period. This image depicts diggers standing in a mining location and therefore, this image has the capacity to reveal or support significant information for researchers studying the fashion and social status of diggers in Australia in approximately 1911. It can also provide information on the landscape of Australia in this period and the impact of mining for gold on both society and the Australian landscape. The Burke Museum is home to a substantial collection of Australian mining photographs which can be used to gain a deeper understanding into life on the gold fields, technology used in mining, the miners themselves and the impact of the gold digging on the environment.Black and white / sepia rectangular reproduced photograph printed on glossy photographic paper mounted on board.beechworth, beechworth museum, mining, mining team, three mile creek, sluicing, hydraulic sluicing, photography, gold sluicing, gold mining, pund mining

A black and white photograph depicting seven men and four women surrounded by tunnel boring machinery. A tunnel boring machine (TBM), also known as a "mole", is a machine used to excavate tunnels with a circular cross section through a variety of soil and rock strata. They may also be used for microtunneling. They can be designed to bore through anything from hard rock to sand. Tunnel boring machines are used as an alternative to drilling and blasting (D&B) methods in rock and conventional "hand mining" in soil. TBMs have the advantages of limiting the disturbance to the surrounding ground and producing a smooth tunnel wall. This significantly reduces the cost of lining the tunnel, and makes them suitable to use in heavily urbanised areas. The major disadvantage is the upfront cost. TBMs are expensive to construct, and can be difficult to transport. The longer the tunnel, the less the relative cost of tunnel boring machines versus drill and blast methods. This is because tunneling with TBMs is much more efficient and results in shortened completion times, assuming they operate successfully. Drilling and blasting however remains the preferred method when working through heavily fractured and sheared rock layers.This photograph is significant as it shows the machinery used and attire worn by men and women during the gold rush era. Black and white rectangular photograph printed on photographic paperburke museum, mining, beechworth, boring machinery, excavate, gold, gold fields, gold rush, miners

The Star Hotel was built in 1863 as a private dwelling, by James Shackell who owned the Bond Store, next door. It was a small house consisting of only a couple of rooms. In 1867 Joseph Salomon bought the house and converted it into a hotel. He built an underground bar to "deal with the peculiarities of the Echuca climate". It was called 'The Shades'. In 1890 Jane Pygall bought the hotel, which was described by the Riverine Herald as having ' three parlours, seven bedrooms, underground bar, kitchen, bathroom, outhouses, small stables, and entrance from two streets." She changed the name to The Esplanade Hotel. In 1890 it was de-licensed along with many hotels in Echuca. It had been a very popular drinking place for all the wharf workers, who continued to to drink illegally in the underground bar. It was then that the escape tunnel to the laneway was built , so the drinkers could escape the Police raids. For many years it was a private dwelling, or an office. In 1973 the City of Echuca bought the Star Hotel and resored it. At the time this photograph was taken it was the main tourist information centre for the Port of Echuca. It now operates as a hotel, serving meals and providing performance opportunities for musicians.The Star Hotel is very significant in Echuca's history due to its proximity to the Echuca Wharf. It was the closest bar to the wharf. Despite Jane Pygall trying to improve the quality of her clientele, the wharf drinkers preferred to drink at The Star Hotel, as the Bridge Hotel catered for more upmarket clientele. After de-licensing in 1897, the workers continued to drink at The Shades Bar and even put in place elaborate strategies to enable them to drink illegally there. It is now a large eating and entertainment site, and the public are still able to visit 'The Shades Bar'.A coloured photograph of the Star Hotel building in Murray Esplanade. The photograph is taken from the east side of the street. The Shackell's Bond Store can be seen on the left of the photograph. Printed on the back are the words, "This paper manufactured by Kodak". Also on the back is green Port of Echuca stamp. Written across the front of the Bond Store are the words 'World In Wax Museum.' On a sign outside the Star Hotel are the words, "Port Information Centre. Ticket Sales. Souvenirs . Star Hotel 1867."port of echuca, star hotel, shackell, james, salomon, joseph, pygall, jane, esplanade hotel, 1863, underground bar, the shades, de-licensing of echuca hotels

AGIdeas was a student design conference held from annually from 1991, for at least 20 years. (Alliance Graphique Internationale AGI). The project outcome "is the combined impact of eighteen individuals reflecting upon their personal design philosophy and the space they occupy." The students determined that the University of Ballarat's course was special due to its "unique learning and teaching environment", all year levels "interspersed throughout the open-plan workspace" at individual workstations with twenty-four hour, seven day access to the space (at Camp Street Campus, Ballarat). Students: Narj Bickerdike, Sarah Birks, Lauren Drew, Rene Furlong, Mark Iskra, Brooke Jury, Kathryn Kandera, Bree McKenzie, Stuart Shepherd, Amber Smith, Eliza Steele, Chris Stephen, Cameron Suttie, Jarrod Vanstan, Luke Vanstan, Tim Ware, Alison White, Alison Wright. Staff: Helmut Stenzel, Leigh Whetter, Nic Wai, Assistance: Elise Whetter Copywriting and finished artwork by Elise and Leigh Whetter, Celtink Creative. Back page notes sponsors, including CPI paper, Energi Print (transparency printing) and Sovereign Press (paper printing).Project created by University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) students by invitation for AGIdeas. This is a double spiral bound landscape booklet, with 18 student works on paper bound to the left and 18 works on transparency bound to the right, to allow interplay and layering for multiple combinations by the reader/viewer.university of ballarat, federation university, graphic design, multimedia, camp street campus, new north, narj bickerdike, sarah birks, lauren drew, rene furlong, mark iskra, brooke jury, kathryn kandera, bree mckenzie, stuart shepherd, amber smith, eliza steele, chris stephen, cameron suttie, jarrod vanstan, luke vanstan, tim ware, alison white, alison wright., helmut stenzel, leigh whetter, nic wai, elise whetter

The booklet comprises of a series of papers published in the Ballarat Star, with some revisions. The Administrative Council hoped the publication would increase interest in Technical Education, especially the Art of Mining. He would also hope the public would recognise the Ballarat School of Mines as an institution adapted to supply technical education. The Ballarat School of Mines Council listed at the front of the book includes: Redmond Barry (President and Trustee), Judge Rogers (Vice-President), Somerville Livingstone Learmonth (Trustee), Rivett Henry Bland (Trustee), Charles Gavan Duffy, John A. MacPherson (MLA), William McLellan (MLA), Duncan Gillies (MLA), F. McCoy (University of Melbourne), John I. Bleasdale, W.H. Barnard, James M. Bickett, Henry Richards Caselli, P. Chauncy, J.M. Davey, Joseph Flude, R.F. Hudson, Robert Lewis, James Oddie, Robert M. Serjeant, J. F. Usher, John Walker, J. Williamson, Mayor of the City of Ballaarat, chairman (for the time being) of each of the seven Mining Boards of Victoria. The President of Examiners was Judge Rogers, and the Honorary Auditor was Richard Ford.Stapled, brown soft covered booklet of 48 pages. Section I outlines the establishment of the Ballarat School of Mines, the buildings and land used by the school, describes in detail the former Ballarat Circuit Court and describes the lecture rooms. Section II describes the Ballarat School of Mines Museum, including a description of exhibits. Section III describes the lecture hall, and the apartments on either side of the hall, including the office of the registrar W.H. Barnard, mathematical classroom, chemical laboratory, and metallurgical laboratory. Section IV outlines the subjects offered by the Ballarat School of Mines, including Mathematics taught by John Victor of Grenville College, who had been educated at Trinity College Dublin. Mining and Land Surveying was taught by C.W. Thomas. Mr Croll taught mechanical drawing, followed by Jonathan Robinson of the Union Foundry, and finally S. Keast. It then lists some text books used in the school. Section V mentions the School Council, lack of funds, future directions, mining laboratory. Vi- Describes the land and out buildings, and the proposed building for metal and wood turning, brass foundry, blacksmith, working engine, etc. This section describes some large donations to the school - 50 pounds from the Misses Meglin of Melbourne, 10 pounds 10 shillings to the 'Pyrites fund' by the Walhalla and Long Tunnel Companies in Gippsland. Section VII covers the teaching of chemistry by Joseph Flude. Section VIII outlines the metallurgy classes and the process of assaying. Section IX covers telegraphy taught by Mr Bechervaise Section X describes the examination process at the Ballarat School of Mines. Examiners in mathematics were G.J. Russell (Buninyong) and John Lynch (Smythesdale), mining and land surveying John Lynch and P.C. Fitzpatrick (Ballarat), Principles and Practice of Mining R.M. Serjeant (Band and Albion Consols), Mechanical Engineering John Lewis (New North Company Clunes, Mineralogy and Geology G.H. F. Ulrich, Assayign and Chemistry J. Cosmo Newberry, and Telegraphy R.L.J. Ellery (government astronomer) and Sam W. Macgowan. Underground managers and captains in quart mining was examined by Henry Rosales (Walhalla Company), and alluvial mines by Messrs Bockett, Kent, Martin and Mitchell. Engineers and Engine driving was examined by W.H. Keast,Peter Matthews, Jonathan Robinson and J.M. Troup. Section XI - Covers Annual reports of the school, and honorary correspondents of the school including: John Day (Geelong); R. Evan Day (London); W.W. Evans, M.J.C.E. of New York; J.Y. Fishburne, M.B. of Ararat; Felice Giordano, Inspector of Mines, Italy; Julius Von Haast, Ph. D.F.R.S., Government Geologist of Canterbury; James Hector, M.D., F.R.S., Government Geologist of Wellington, New Zealand, W.F. Hopkins (Grant); Charles A. La Trobe, C.E. (Engineer-in-Chief International Railway Plant, London); Archibald Liversidge, F.G.S. (Professor of Mineralogy and Reader in geology at Sydney University; J.J. Macgregor, M.D. (Creswick); J.T. McKenna (1st class of SMB underground management - Northern Territory); Henry Rosales, M.E. and M. (Walhalla); Harrie Wood (SMB founder and Under-secretary for Mines, Sydney); John Walthew (Stockport, England) .2) Signed 'E.J. Tippett', former President of the Ballarat School of Mines Council melbourne, mla, ballarat school of mines, redmond barry, j f usher, james bickett, w f hopkins, rivett henry bland, s m b, judge rogers, somerville learmonth, charles gavan duffy, gavan duffy, john macpherson, william mclellan, duncan gillies, f mccoy, university, john bleasdale, henry richards caselli, henry caselli, p chauncy, j m davey, joseph flude, r f hudson, robert lewis, james oddie, robert m serjeant, john walker, j williamson, richard ford, ballarat court house, assay, john victor, grenville college, trinity college dublin, c w thomas, jonathan robinson, union foundry, s keast, blessdale, john day, r evan day, w w evans, j y fishburne, felice giordano, julius von haast, james hector, charles a la, trobe, archibald liversidge, j j macgregor, j t mckenna, henry rosales, harrie wood, john walthew, fees, frederick mccoy, w.h. barnard

The key is one of a collection of seven 1860s keys once belonged to the Glenample Homestead near Princetown. They are all keyed with different bits and would have opened the external panelled doors of the Georgian building. The keys would now be around 150 years old. The keys are now part of the John Chance Collection. Locksmiths became a recognised trade by the middle of the 19th century, doing work that blacksmiths and gunsmiths would have done. They were craftsmen and trained apprentices for their trade. The local community and businesses relied on them for making a wide variety of precision objects such as locks and keys, knives, ornamental and decorative latticework, fine instruments, accurate tools and hardware items. Glenample Homestead became famous after the disastrous wreck of the sailing ship Loch Ard on June 1, 1878. The owners, Hugh Hamilton Gibson and Peter McArthur, were involved in the rescue and recovery of Eva Carmichael and Tom Pearce, the only two survivors, as well as overseeing the salvage of items from the shipwreck and the burial of those who lost their lives. Eva first met Jane Shields at Glenample and they became long-time friends. The keys are significant as an example of mid-19th century locksmith hardware, and for their connection with Glenample Homestead, and for their connection to the history of the Loch Ard shipwreck’s only two survivors. The set of keys also hold significance as they were discovered by John Chance, who was also a diver from the wreck of the Loch Ard in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Glenample Homestead is of historical, social and architectural significance to the State of Victoria and is listed on the Victorian Heritage Register (VHR H0392). It is a historical example of early settlement and development of a run in the coastal land of South West Victoria, and it is constructed from locally quarried sandstone but doesn’t take away from its Georgian design. Glenample Homestead is of State significance through its unique connection with the wreck of the ship Loch Ard and the connection to its owners, Hugh and Lavinia Gibson and Peter McArthur, played a historically and socially significant role in the rescue and care of the survivors, the salvage of goods and the burial of those who lost their lives. The shipwreck of the Loch Ard itself is of significance for Victoria and is registered on the Victorian Heritage Register (S417). Key; steel domestic door key. Flat open bow with 'figure 8' space, round shank that flares out slightly above the collar on the bit. The rectangular bit has internal notches and grooves. There is a rounded pin on the end.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, glenample homestead, victorian heritage register vhr h0392, georgian homestead, loch ard, princetown, jane shields, eva carmichael, tom pearce, blue china tea set, antique door key, glenample photographs, john chance