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Federation University Historical Collection
Magazine - Emagazine, Fedpress Magazine, 2016-2019
Formerly known as Hotch Potch, FedPress is the student publication of Federation University Australia. FedPress is a space for students to showcase their written and visual talents. The editorial team aim to inform, inspire, and entertain. We are looking for a range of different creative individuals — journalists, reviewers, poets, designers, artists, and photographers — to submit content. FedPress Magazine prints four issues a year and is distributed across FedUni's Ballarat, Wimmera and Gippsland campuses. PDFs of the Federation University Magazine 'fedpress'. Hardcopy of the following years: Issue No 3, October 2014 (Rianh Silvertree, Mathew Lambrou, India McGee, Kayla Elizabeth Stone, Amber Dance, Australian University Games,Amphipipolis Tomb) Issue 4, February 2015 (Kayla Elizabeth Stone. Clubs and Societies, Monash University Gippsland Student Union, Federation University Football Club, Student Senate, Student Connect, Kaitlyn Ashmore, Issue 5, April 2015 (Ellen Sabo, Sexual Education, Gippsland Campus, Monash Campus, Sammy Desai, Zach Mullane, Feduni Living Kakoda Trek) Issue 6, 2015 (Southern University Games, Student Senate, Memories of War Project, Survivors of Suicide, Gippsland Campus, Lucinda Horrocks, Exam Information For Students, Tania McMullenNational Student Leadership Workshop, Mining Games, AUSIMM, The History of MMO, FEdUnied Soccer) Issue 7, July 2015 (PASS - Peer Assisted Study Sessions, Mad Swan Productions, Student Senate, Adam Bignold, Rainh Silvertree, Rebecca Fletcher, Pietro Angeli) Issue 9, October 2015 (Student Senate, Jeannie King, Australian Space Agency, S. Hooley, Rebecca Fletcher, Animal Rights, Breanna Alexander, Pietro Angeli, Jody Dontje, Amanda Mill, Frank Gartlan. Joel King) Issue No 10, 2016 (Unibar, Stone Cutters, Australian Hospitality, Jogy Dontje, Jess Kelly, Pietro Angeli, Getting Through Semester One, Online Student understanding, Liana Skewes, Brianna MacDonald, Student Services, Student Senate, S. Hooley, HECS Help, Ashleigh Dyer, Six things that can cost you easy marks, Laura McLachlan, Surviving grief, Theahna CoburnTenneill Pearl, Rochelle Jardine, Zach Mullane, Dakota Richards, Survival Guide, Scarlette Baum) Issue No 11, May 2016 (Rebecca Fletcher, Joshua Paddon, Hooliganism, Catherine Elliott, Fedpress School of Rock, Dakota Richards, Zach Mullane, Scalette Baum, Clubs, Societies, Sport, FedUni Ultimate Frisbie Club, Geolgoy, Dean DiQuinzio, FedUni Geology Society, Sebastian Wolfe) Issue No 12, 2016 (Crows, Joshua Paddon, Sarah McLean, Fandom, Learn Another Language, Laura McLachlan, Planes, Pietro Angel, Cover Co, mpetition, Megan Corder, Jess Kelly, The Secret Life of Post-Grad Students, Cale Hellyer, What I hate about Facebook, Damian Brown, National Student Vounteer Week, Premnath Chakarvarty, Selin Kasif, Brendan Caffrey, Senate Six, Fed United, Awards, Ultimate Frisbee, Ashleigh Dyer, Cassandra Lovett, Rochelle Jardine, Dakota Richards, Freya Fogliani) Issue No 13, 2016 Issue No. 14, February 2017 Issue No. 15, May 2017 (James Charlton, Rebecca Fletcher, Timothy Kirkham, Mohammad Sami Baardarani, Lajan Maharjan, Jennifer Pont, Kate Williams, Damian Brown, Matthew James, Zoe Ormiston, Freya Fogliani, Myles Hema, Jess Powell) Issue No. 17, October 2017 (Jack Barnes, Damian, Syed Zain Ali, Molly Irvine, Rebecca Fletcher) Issue No. 18, February 2018 (Submission Dates, Guidance for the Shell-Shocked Graduates, Pills, Shark, How to be a Writer, Climate Summit) Issue No. 21, October 2018 (Bianca Bedford, Kelsey Knight, Laura Benney, Rainbow Collective, Smartphone, Sarah McLean, Monique Stephens, Clare Hartigan, Liam Carter) Issue No. 22, March (2018) 2019 (Elizabeth McCracken, Troy Anthony Platt, Liam Carter, O.R. Brayne, Dakota Powell, Elizabeth McCracken, Dan Schweinzer, Jordyn Presley, Sarah McLean, Bianca Bedford, Bronwyn Nel, Beck Small, Tara Parada) Issue No. 23, July 2019 (Beck Small, Jasmyne Tziziras, Jodie Flower-Russell, Maxwell Waterhouse, Dhogaluxmi Chemen, Alisha Hendrick, Elizabeth McCraken, Trent Bowes, Will La Grue, Laura Benney, Sir Troy Anthony Platt, Harrod Boadie, Kathryn Drum, Jordyn Presley, Bianca Bedford, Bronwyn Nel, Olly Brayne, Cherise Oosthuizen, Chloe Waddell, Nyalat Pel Kun, Autism Issue No 25 (April 2021) (Jesse Noonan-Wade, Laura Wilson, Chloe Hopkins, Jordyn Presley, Ruby Sait, Lauren Johnson, Kymberley Loats, Darren Rout, Maddison Gill, Baklava, Covid-19 pandemic, exercisefedpress, brad paisley, selin kasif, dakota richards, emma gamble, damian brown, clare hartigan, tanya bird, freya fogliani, scarlett baum, amanda mill, jess powell, feduni quidditch, rebecca fletcher, bridget o'brien, lisa tops, jordyn presley, jack barnes, emma-lee winters, brook forrest, bianca bedford, jessica rae, laura wilson, laura benney, monique stephens, kelsey knight, sarah mclean, liam carter, bronwynn nel, olly brayne, cherise oosthuizen, chloe waddell, nyalet pel kun, trent bowes, elizabeth mccracken, beck small, jasmine tzaitziras, jodi flower-russell, will la grue, laura benny, maxwell waterhouse, sir troy anthony platt, dhogaluxmi chemen, jarrod boadle, alisha hendrick, autism -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Newsletter CMHS February 2014 pdf, February 2014
The City of Moorabbin Historical Society was formed c 1960 by a group of Moorabbin area residents who were concerned that the history of the area should be preserved. A good response to a call for items related to the historical area of Moorabbin Shire brought donations of a wide variety of artefacts that are now preserved by the current members of CMHS at Box Cottage Museum. Helen Stanley, Secretary of CMHS, began producing a Newsletter for members in April 2007 to provide current information and well researched items of historical interest. Jim Dale continued to produce the Newsletter in 2013 after Helen resigned.5 x A4 paper pages printed on one side with colour photograph, Jim Dale, President, welcomes members to the February 23rd Meeting at Box Cottage and acknowledges Anne Caprackas as Secretary and Dr Bill Richardson is now Treasurer. Jim will have a Stall at the Moorabbin Primary School Fete in March. Jim went to a meeting to discus plans for 2015 Commemoration of the Great War in Glen Eira. Members Bill, David, Daryl Carol, Joan collected and installed a large Display Cabinet in the Dairy on December 19th and Dennis fitted castors to it in January. Jim was present on February 3rd when members of the Harry Hawker family presented a memento to the Victorian Governor, His Excellency Alex Churnov The next Meeting will be March 30th Jim Dale attached the Final Part of his report 'The Allynson's of East Bentleigh' about 'The Petrov Affair 1954'City of Moorabbin Historical Society Newsletter February 2014ity of moorabbin historical society, stanley helen, dale jim, melbourne, moorabbin, brighton, cheltenham, ormond, bentleigh, market gardeners, pioneers, early settlers, east bentleigh, city of kingston, vladimir mickalovick petrov, evodika petrov, michael thwaites, maria allynson, sven allynson, kgb, mvd, asio, ‘petrov affair’, darwin airport, mascot airport, col. charles spry, cold war 1950 -
Ballarat Tramway Museum
Document - Rule Book, Ballarat Tramway Preservation Society (BTPS), "Instructions to Drivers in Electric Car Operation", 1972
Thirty Eight page, side staple book , printed on duplicating paper, foolscap size, with a yellow cover. Titled "Ballarat Tramway Preservation Society /Electric System /Instructions to Drivers in Electric Car Operation" Dated 1972. Contains an Introduction written by Clyde Croft, as Driver Training Officer, and dated 27/7/1972; index, reference Index for quick solution of equipment defect, procedures to adopt, Accident Procedure, instructions and details on equipment, an ABC for Tram Drivers and points to remember. 3379.1 - added 31/12/2008, as above, a photocopy bound with black plastic comb binding, A4 size within a green folders. Made by Warren Doubleday early 1980's. 3379.2 - added 5/1/2016 - from donation of Lindsay Rickard via Hawthorn Tram Depot Dec. 2015. Unbound copy - has been imaged to a pdf file.trams, tramways, rules, instructions, by laws, btps, drivers, conductors -
Kew Historical Society Inc
Archive (Sub-series) - Subject File, Baptist Church, 1958
Various partiesReference, Research, InformationKHS OrderSubject file including a number of original and reproduced primary sources relating to the Kew Baptist Church in Highbury Grove, and the East Kew Baptist Church in Woodlands Avenue. These include ‘Kew Baptist: Young People’s Society of Christian Endeavour - Golden Jubilee 1890 to 1940’ [bound photocopy], ‘Kew Baptist Church: The Achievements and Progress during 75 years’ [bound photocopy], ‘Kew Baptist Church History 1856-1906’ [bound photocopy], ‘Kew Baptist Church: A Record of 75 Years 1856-1931’ [1st edition], and ‘Tested Recipes: Compiled by the Members of the East Kew Baptist Ladies Guild’ [original copy donated by Christine Pitt, Nunawading, 2013). In addition to these publications, three of which were donated in 1982 by Rev and Mrs Manton, the file contains research notes on Ministers (2015) and a letter relating to Church records.kew baptist church, churches - kew (vic.), highbury grove - kew (vic.)kew baptist church, churches - kew (vic.), highbury grove - kew (vic.) -
Melbourne Tram Museum
Pamphlet, Melbourne Festival, "Melbourne Art Trams - Oct 2016 - Apr 2017", Oct. 2016
Two page DL size pamphlet, printed on light card, full colour titled "Melbourne Art Trams - Oct 2016 - Apr 2017", with subtitle "People's Choice Award". Has Tram 2009 on front cover, (which was an Art Tram for 2015 by Amanda Morgan). Gives the Artist and tram number on the inside of the document. Has details of the program on the rear. Damiano Bertoli - tram 3509 Eddie Botha - Tram 209 Jon Cattapan - tram 2128 Eliza Dyball - tram 2123 Megan Evans and Eve Glenn - tram 2018 Joceline Lee - Tram 270 Mimi Leung - Tram 3008 Reko Rennie - Tram 2013 Has an image of Michael Leunig from Transporting Art image on rear cover. The Artist statement web page was accessed and placed into a pdf document - see image i3.trams, tramways, transporting art, art trams, decorated trams, tram 3509, tram 209, tram 2128, tram 2123, tram 2018, tram 270, tram 3008, tram 2013 -
Melbourne Tram Museum
Newspaper, The Age, “App to curb crowding on public transport”, 6/10/2020 12:00:00 AM
Newspaper clippings titled: “App to curb crowding on public transport” by Timna Jacks Newspaper clipping from the Age 6/10/2020 Trial of new technology designed to encourage social distancing on public transport for buses and trains. Article also refers to government announcement on proposed spending on tram rolling stock. $26M to be spent on life extension works for A and Z-class trams. Works will maintain electrical, braking and traction systems on trams running on 17 routes across Melbourne, about 1/3 of the city's fleet. Government has ordered 50 E-class trams since 2015, with 89 of total order of 100 trams now in use. 111 Z-class 3 trams and 69 A-class trams are still in use. PTUA spokesman Daniel Bowen comments on need for maintenance of older trams and calls for newer, air conditioned trams.trams, tramways, a class, e class, z3 class, myki, ptua, covid-19 -
Melbourne Tram Museum
Ephemera - Ticket/s, Metlink, Set of three Metcard tickets, 2004 - 2005
Set of three Metcard tickets, used during 2005. Has the Metcard logo on it, along with other Metcard, Metlink information. On the rear of each ticket has the use details. .1 - Sunday Saver Full Fare - Zone 1, $2.50, issued 15/4/2005 and used on the same date. .2 - Printed Metcard, but no use details, advertising the October 2005 Arts Festival - not used. .3 - ditto advertising the "Transported Back" exhibition at the Public Records Office, finishing 28/1/2005. .4 - "The Summer Read" advertising a competition sponsored by the State Library of Victoria - undated, has the logos of the State Library and Victorian Government (the place to be) - mid 2000's? On the rear of the ticket has been written "Inval ID" by a machine and how to order Metcards note. See image i3. Item added 17-12-2015.trams, tramways, tickets, metlink, metcard -
Flagstaff Hill Maritime Museum and Village
Ceramic - Dish, Johnson Bros, Circa 1883 (very early Mark)
Johnson Brothers were a British tableware manufacturer and exporter that was noted for its early introduction of "semi-porcelain" tableware. It was among the most successful of the Staffordshire potteries which produced tableware, much of it exported from the 1890s through the 1960s. They were also important manufacturers of large bathroom ceramics. The company was founded in 1883, but from 1968 to 2015 it operated as a part of the Wedgwood Group. However, after the Wedgwood Group was acquired by Fiskars in 2015, the production of Johnson Brothers was discontinued. The company's name derives from the names of the company's founders. The four original "Johnson Brothers" were Alfred, Frederick, Henry, and Robert. Their father married the daughter of a master potter, Alfred Meakin. In 1883, Alfred and Frederick Johnson began production at defunct pottery, known as the Charles Street Works, that they had purchased at a bankruptcy sale in Hanley, Stoke-on-Trent. At first, they specialised in the manufacture of durable earthenware, which they called "White Granite". The success of this venture led to rapid expansion. In 1888, the Rev. Henry Johnson joined them, followed ten years later by a fourth brother, Robert Johnson. Having established a solid reputation producing basic "whiteware", the company developed a product known as "semi-porcelain", a range of pottery that had the characteristics of fine china, but the durability of ironstone ware. This kind of tableware soon became very popular in the United States due to its durability and low cost. In 1889, the Hanley pottery was opened, later the Alexander pottery, and in 1891 the Imperial Works Pottery. In 1896, the Trent Sanitary Works was opened for the production of non-tableware products, and Alfred Johnson left the business to establish his pottery. By 1898, Robert Johnson had relocated to New York City to manage Johnson Brothers' rapid expansion into the North American market. An item that gives a snapshot into the emerging market for tableware that was reasonably priced and serviceable. The company produced "whiteware" but the innervation of the pottery line called semi-porcelain changed the industry. This allowed potteries to produce fashionable pottery items that were affordable to all social classes of the time. Bowl white ceramic decorative with floral decoration around lip. On base, "Royal Ironside China, Johnson Bros England" & crest of lion and unicorn flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, bowl, china bowl, lion and unicorn crest, table ware, kitchen ware, white ware, johnson brothers -
Bendigo Military Museum
Pamphlet - SOUVENIR PROGRAM, SOLDIERS MEMORIAL INSTITUTE 2018, City of Greater Bendigo, C. Nov 2018
When the SMI was opened in Nov 1921 the Bendigo RSL Sub - Branch had occupancy from that day on. The Building became a Museum opened to the public in 1998 by the RSL. The origins of this project goes back to 2011 with a letter to the City of Greater Bendigo of the possibility of an upgrade to the SMI from the Bendigo District RSL Sub - Branch Inc. Some renovations had already taken place and some structural work. After initial talks a sub - committee of 3 persons from the RSL was elected to work with the Council along with other bodies who would be involved. Plans eventuated by 2015 and were put to the RSL for approval. From there the fund raising began from the State/Federal Govt's, RSL, the Public and Council itself. This was achieved and finally in Sept 2016 the SMI/Museum was packed up completely and the Renovations began in 2017. Souvenir program, card yellow colour folding, front page is in gold and black writing with an image of the Dome on the SMI followed by in gold, "Bendigo Soldiers Memorial Institute Revitalisation Project" then in gold, "Souvenir Program", in the centre has details re time, date, place. At the bottom are the logo's of the Federal & State Governments, RSL and City of Greater Bendigo Page 2 is titled "About the Bendigo Soldiers Memorial Institute" with a photo showing the "Hustlers Royal Reserve Mine No 2" which was on the site where the SMI now stands. Page 3 has details of the program, music, Official welcome, speakers, ribbon cutting, the ODE, Last Post, National Anthem, close of formalities and light refreshments. Page 4 has a photo of the original souvenir pamphlet used at the original opening on November 15th 1921, 97 years to the day. at the bottom, "Thankyou section to all those involved in the project""Official opening of the Bendigo Soldiers Memorial Institute Revitalisation and Military Museum 10am Thursday November 15, 2018, Lansell gardens, Pall, Mall Bendigo"brsl, smirsl, program -
Glen Eira Historical Society
Pamphlet - Melbourne Aerodrome, Grange Road, Glen Huntly
Three documents about the history of Harry G. Hawker who flew from this and other places: 1/A Pamphlet On Harry George Hawker 1889 – 1921 Published on 12 February 1989 For The Unveiling By Weston Bate of St Kilda Commemorative Plaque At 31 Gourlay Street East St Kilda, The Hawker Family Home. The Pamphlet Gives Biographical Information Based on Hawker’s Entry In The Australian Dictionary of Biography. Double- (CMHS) Newsletter of March 2015 on brothers Harry and Herbert Hawker. 3/Pamphlett "Harry Hawkder In Austrlaia 1914" announcing 2014 as the year to commemorate the centenary of his return to Austrlai in 1914. This includes a short history of Harry Hawker, records he set and 3 black and white photographs plus 1 sepia. Contact details included for Chris Hawker plus a Facebook page still current at 13/11/2017. Double-sided.hawker harry george, aviators, aviation, pilots, aircraft, sopwith aviation company, hawker stanley herbert, hawker george, hawker mary, hawker maude, hawker ruby, st john's caulfield north, engineer, caulfield army and navy club (rsl), caulfield repatriation hospital, duke street, caulfield south, new street, elsternwick, caulfield racecourse, millen senator minister for defence, world war 1914-1918, "death spin", sopwith aircraft co. -
Flagstaff Hill Maritime Museum and Village
Domestic object - Plate, Johnson Bros, Early 20th century
This white oval plate with a dainty green border and self-pattern was made by the famous ceramics manufacturer Johnson Brothers of England. The pattern was patented on April 15th 1902. The serving plate is typical of dinnerware brought into Australia by migrants or importers of pottery and used in Australian households, giving many years of service. The Johnson Brothers firm was established by Frederick Johnson in 1883, at works in Hanley, Stoke-on-Trent. Frederick was later joined by his brothers Henry and Robert. The company's focus was to supply the export market. In 1968 the company became part of the Wedgewood Group. J. & G. Meakin Eagle Pottery temporarily took over the tableware division in 2000, and China took over all Johnson Bros. products in 2003. All of the Wedgewood Group was taken over by Fiskers in 2015, who discontinued the Johnson Brothers line of products. This serving plate is an example of domestic crockery used in Australia in the late 19th and early 20th centuries. It originated from England and was made by a well-known ceramic manufacturer.Plate, oval, earthenware, scalloped edge with impressed pattern and border of small green leaves. Maker's mark and name is on reverse. Pattern was patented on April 15th 1902. Made by Johnson Bros. of England.Maker's Mark; [Crown symbol] above "JOHNSON BROS, ENGLAND" "PATD APRIL 15TH 1902"flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, dinnerware, serving plate, johnson bros, english serving plate, green leaf border, oval plate, platter, chinaware, plateware, crockery, chine, porcelain, earthenware -
Flagstaff Hill Maritime Museum and Village
Drawing - Maritime, Cooper N (or Al), Artist, 726 Willpower, 1976
This framed drawing depicts a small vessel wrecked on the shore, resting on rocks, with sea in the background. The artist, Norm Cooper, created the drawing in 1976. He was a well-liked and respected local artist and surfer. The picture was framed in Warrnambool by Stuart Prince in the 1980s. Norm Cooper passed away in 1988. The Southwest Boardriders inaugural Norm Cooper Memorial contest, the 'Normie' , was held in 2015 in his honour, "celebrating the legacy of one of the region's most legendary surfers" (a quote from the Southwest Boardriders). The name of the vessel in the drawing, '726 Willpower', may represent one of several yachts that have the name 'Willpower'. The framer, Stuart Prince Picture Framing, was a local business, Prince was one of the owners of the Henna Street Picture Framers at 74 Henna Street, Warrnambool. He retired in 2019 after 22 years in the business.This line drawing's subject is a wrecked vessel, connected to the local theme of maritime history, the 'Shipwreck Coast'.Drawing, pen and ink line drawing on white paper, in black painted wooden frame with gilt border. Subject is a single masted vessel beached on rocks on shore, with two sailing ships on sea in background. Name on side of vessel is "726 Willpower". Inscription on front and back. Created in 1976, framed in 1980s. Artist was Norm Cooper. Framed in Warrnambool by Stuart Prince Picture Framing.Name on vessel: "726 WILLPOWER", Written on centre lower edge "N. Cooper '76" Stamped in black ink on backing paper: "STUART PRINCE PICTURE FRAMING"flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, line drawing, 726 willpower, cooper, stuart prince, stuart prince picture framer, warrnambool picture framer, shipwreck 726 willpower, norm cooper, norm cooper memorial, the normie, southwest boardriders -
Ballarat Heritage Services
Photograph - Photograph - Black and White, James Argent, 1916, 11/11/1916
Private James Argent (318), served with the No. 8 Platoon, B. Company, 21st Battalion, 6th Brigade, 2nd Division. He was born in Yandoit, and was a 24 year old labourer when he enlisted for service at Kingston on 20 April 2015 during World War One. HIs next of kin was his wife Harriett Argent of Kooroocheang, Victoria. He was wounded in Acton at France on 04 July 1914, and had shell shock for the second occasion on 03 August 1916. On 22 August 1916 he embarked on the "Denis" for England suffering from Shell Shock. He was transferred permanently to Base in England on 18 June 1917. He was admitted to hospital with VD on 21 August 1917 (63 days), and sailed for Australia on 30 January 1918 with Neurasthenia. (NAA: B2455, ARGENT J)Photographic portrait of James Argent in his World World One AIF uniform. j. argent, world war one, 21st battalion, yandoit, kooroocheang, james argent, harriett argent, uniform -
Ballarat Heritage Services
Photograph - Photograph - Black and White, James Argent and Mrs Hariett Argent, 1915, 1915
Private James Argent (318), served with the No. 8 Platoon, B. Company, 21st Battalion, 6th Brigade, 2nd Division. He was born in Yandoit, and was a 24 year old labourer when her enlised for service at Kingston on 20 April 2015 during World War One. HIs next of kin was his wife Harriett Argent of Kooroocheang, Victoria. He was wounded in Acton at France on 04 July 1914, and had shell shock for the second occation on 03 August 1916. On 22 August 1916 he embarked on the "Denis" for England suffering from Shell Shock. He was transefered permanently to Base in England on 18 June 1917. He was admitted to hospital with VD on 21 August 1917 (63 days), and sailed for Austrlalia on 30 January 1918 with Neurasthenia. (NAA: B2455, ARGENT J)Photographic portrait of Mrs Argent, and her son James Argent in his World World One AIF uniform. j. argent, world war one, 21st battalion, yandoit, kooroocheang, james argent, harriett argent, uniform, jim argent -
Kew Historical Society Inc
Photograph - 'Ross House', Cotham Road [Kew], c.1960
Ross House, formerly called Charleville, was built as a two-storey mansion in 1889 for Charles Donaldson. It was designed in the Italianate style by the architect H. Shallers and built by G. Ginham. Dr Tom King, surgeon purchased Charleville from Donaldson in 1939 and renamed it Ross House. This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Facade of Ross House (formerly Charleville) in Cotham Road, Kew. The image was selected by Dorothy Rogers for inclusion in 'A History of Kew' (1973), facing page 80.Ross House. Built 1889 by Donaldson. Known then as Charleville. Not published.ross house, charleville, cotham road, kew, dorothy rogers, charles donaldson, tom king, g. ginham, h. shallers -
Kew Historical Society Inc
Photograph, Kew Common School, c. 1863
The Kew Common School, which had erected a new building in Peel Street only two years before the passing of the Education Act 1872, was retained and re-badged asState School No 1075, with numerous additions being made over the next few decades. This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.School photograph - The Kew Common School, located on the west side of Peel Street, Kew."Common School - Congregational Church. No.356. Photo taken early 1860s. School 356. Peel St., Rear of Congregational Church. Photo taken in early 1860s"kew common school, peel street (kew), dorothy rogers, education, kew state school -
Kew Historical Society Inc
Unknown - Membership Medallion, Kew Cricket Club KCC 1922-1923, 1922
Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg at the time of the Gallipoli & Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Blue enamel on metal membership medallion produced by the Kew Cricket Club for the year 1922-23 and which belonged to Francis Horace Rigg (1882-1946). The medallion in shield shape is enameled in shades of blue with the initials of the Club, KCC surrounded by the full name of the club and the period for which the member would gain access to games.Kew Cricket Club KCC 1922-1923kew cricket club, membership medallions -
Kew Historical Society Inc
Unknown - Membership Medallion, Kew Cricket Club KCC 1923-1924, 1923
Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg at the time of the Gallipoli & Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Blue enamel on metal membership medallion produced by the Kew Cricket Club for the year 1923-24 and which belonged to Francis Horace Rigg (1882-1946). The medallion in shield shape is enameled in shades of blue with the initials of the Club, KCC surrounded by the full name of the club and the period for which the member would gain access to games.Kew Cricket Club KCC 1923-1924kew cricket club, membership medallions -
Kew Historical Society Inc
Unknown - Membership Medallion, Kew Cricket Club KCC 1925-26, 1925
Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg at the time of the Gallipoli & Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Blue and gilt enamel on metal membership medallion produced by the Kew Cricket Club for the year 1925-26 and which belonged to Francis Horace Rigg (1882-1946). The circular medallion on a square base is enameled in shades of blue and gold with the initials of the Club, KCC surrounded by the full name of the club and the period for which the member would gain access to games.Kew Cricket Club KCC 1925-26kew cricket club, membership medallions -
Kew Historical Society Inc
Unknown - Membership Medallion, Kew Cricket Club KCC 1928-29, 1928
Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg at the time of the Gallipoli & Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Blue and gilt enamel on metal membership medallion produced by the Kew Cricket Club for the year 1928-29 and which belonged to Francis Horace Rigg (1882-1946). The medallion is enameled in shades of blue and gold with the initials of the Club, KCC surrounded by the full name of the club and the period for which the member would gain access to games.Kew Cricket Club KCC 1928-29kew cricket club -
Kew Historical Society Inc
Unknown - Membership Medallion, Kew Cricket Club KCC 1929-1930, 1929
Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg at the time of the Gallipoli & Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Blue and gilt enamel on metal membership medallion produced by the Kew Cricket Club for the year 1929-30 and which belonged to Francis Horace Rigg (1882-1946). The medallion is enameled in shades of blue and gold with the initials of the Club, KCC surrounded by the full name of the club and the period for which the member would gain access to games.Kew Cricket Club KCC 1929-1930kew cricket club, membership medallions -
Kew Historical Society Inc
Unknown - Membership Medallion, Kew Cricket Club KCC 1931-1932, 1931
Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg at the time of the Gallipoli & Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.One of three blue and gilt enamel on metal membership medallions produced by the Kew Cricket Club for the year 1931-32 and which belonged to Francis Horace Rigg (1882-1946). The medallion is enameled in shades of blue and gold with the initials of the Club at centre, the full name of the Club at top and the period for which the member would gain access to games at the base.Kew Cricket Club KCC 1931-1932kew cricket club, francis horace rigg, numismatics, medallions, sport -
Kew Historical Society Inc
Unknown - Membership Medallion, Kew Cricket Club KCC 1931-1932, 1931
Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg at the time of the Gallipoli & Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.One of three blue and gilt enamel on metal membership medallions produced by the Kew Cricket Club for the year 1931-32 and which belonged to Francis Horace Rigg (1882-1946). The medallion is enameled in shades of blue and gold with the initials of the Club at centre, the full name of the Club at top and the period for which the member would gain access to games at the base.Kew Cricket Club KCC 1931-1932kew cricket club, membership medallions -
Kew Historical Society Inc
Unknown - Membership Medallion, Kew Cricket Club KCC 1931-1932, 1931
Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg at the time of the Gallipoli & Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.One of three blue and gilt enamel on metal membership medallions produced by the Kew Cricket Club for the year 1931-32 and which belonged to Francis Horace Rigg (1882-1946). The medallion is enameled in shades of blue and gold with the initials of the Club at centre, the full name of the Club at top and the period for which the member would gain access to games at the base.Kew Cricket Club KCC 1931-1932kew cricket club -
Kew Historical Society Inc
Unknown - Membership Medallion, Kew Cricket Club KCC 1934-1935, 1934
Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg at the time of the Gallipoli & Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Circular blue and gilt enamel on metal membership medallion produced by the Kew Cricket Club for the year 1934-35 that belonged to Francis Horace Rigg (1882-1946). The medallion is enameled in shades of blue and gold with inscriptions in gilt. The medallion includes the logo of the Club at centre, the full name of the Club at top and the period for which the member would gain access to games at the base.Kew Cricket Club KCC 1934-1935kew cricket club -
Kew Historical Society Inc
Unknown - Membership Medallion, Kew Cricket Club KCC 1935-1936, 1935
Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg at the time of the Gallipoli & Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Circular blue, white and gilt enamel on metal membership medallion produced by the Kew Cricket Club for the year 1935-36 that belonged to Francis Horace Rigg (1882-1946). The medallion is enameled in shades of blue with the Club’s logo on circular white enameled section in the centre. The full name of the Club and the period for which the member would gain access to games is enclosed in a surrounding section of navy blue enamel with a hexagonal outer edge.Kew Cricket Club KCC 1935-1936kew cricket club, membership medallions -
Surrey Hills Historical Society Collection
Photo, 'Spenceycroft', Canterbury Road
The photo is of ‘Spenceycroft’ at 654 Canterbury Road, Surrey Hills. For many years this home was hidden behind a large fence sheltering it from the noise of traffic along Canterbury Road, however it dates back to the very early days of settlement in the Surrey Hills area. Canterbury Road was then known as Delany’s Road. ‘Spenceycroft’ is thought to incorporate part of the original farmhouse built on the site by George Klepper, who planted a vineyard in the area. George’s family was one of a number of German families who settled in Surrey Hills during the later part of the 19th century. Later, the land associated with ‘Spenceycroft’ was worked as a dairy farm by James and Elizabeth Rayment. In recent years 'Spenceycroft' has been sold several times and has become increasingly derelict. Sold again in 2015 when it had become quite derelict, it was demolished and re-developed.A black & white photo of double-fronted Victorian style home with a fountain centre front and low foliage in front of the veranda. A woman is sitting by the fountain. 'spenceycroft', canterbury road, james rayment, elizabeth rayment, george klepper -
Australian Nursing & Midwifery Federation
Australian Nursing Federation ratios campaign badge, 2001
Button distributed to and worn by Australian Nursing Federation (ANF) members and staff as part of a campaign to secure minimum nurse staffing in the public healthcare sector. This badge was accompanied by a booklet 'Nursing the system back to health : Nurse patient ratios 2001', published in April 2002. The booklet describes some of the rationale for minimum staffing ratios and developments in 2000-2001 regarding campaigning for ratios, particular the landmark decision of the Australian Industrial Relations Commission in 2000 that saw the ANF securing the world's first mandated minimum nurse-to-patient ratios. After decades of campaigning from the ANF/ANMF, ratios were legislated for the public sector in Victoria with the passing of the Safe Patient Care (Nurse to Patient and Midwife to Patient) Bill in 2015. The web address on the badge was active from 1999 to 2004, and the shortcut 'anfvic.asn.au' was active from April 2001, suggesting this badge dates from 2001.Circular yellow, blue and white badge. Silver metal, plastic-coated, with safety pin fastener adhered to back. Badge printed with a blue and white ANF [Australian Nursing Federation] logo, the text 'Nurses Nursing the system back to health' and the (then) website of the ANF (Victorian Branch), 'www.vicnet.net.au/~anfvb/'.nursing, ratios, workforce, staffing, nurses, unionism, badges, buttons, pins, campaigning, trade unions, labour history, safe patient care (nurse to patient and midwife to patient ratios) act 2015, australian nursing federation, victoria, enterprise bargaining -
Wodonga & District Historical Society Inc
Memorabilia - Souvenir Plate Pollard Arch, Wodonga, Victoria, C. 1960s
A wide range of souvenirs have been produced to commemorate Wodonga and its landmarks over time. These items document key changes in Wodonga and its heritage. The arch is named in honour of Cr Charles Pollard, a foundation member of the Wodonga Show Society and former Wodonga Shire councillor and president. The arch is 29 metres wide and 15 metres high and consists of two boomerangs coming together to form an archway. Originally spanning across a single carriageway of the Lincoln Causeway, the arch was opened by Princess Alexandra of Kent in 1959 and was built for £1230. When the Country Roads Board said the causeway would have to be duplicated in 1973, a new home was required for the arch. At the request of the Wodonga Show Society, the arch was moved to the entrance of the showgrounds in 1982. After development of the precinct in 2015, the Pollard Arch was erected on Hamilton Smith Drive Wodonga.Small china pieces carrying scenic views of holiday destinations were a popular kind of souvenir during much of the 20th century. These items have local and social significance as they reflect the landmarks or local features valued by the community over time.Fine china round plate, white with image of the Pollard Archway in Wodonga, Victoria in the bottom third of the plate. Inscription below the image.On bottom of image "Pollard Archway, Wodonga, Vic". Manufacturer's mark on back "St Kilda/ Fine China/ Australia / Hand Painted"souvenir, wodonga, victoria, pollard archway, landmarks wodonga -
Federation University Art Collection
Drawing - Artwork, Miller, Sally, 'Volcanos' by Sally Miller, c1995
Sally MILLER (1949-2015) Sally Miller completed undergraduate and postgraduate studies in Fine Art at the Sydney College of the Arts, and in 1995 a Master of Arts, Visual Arts by research at Deakin University. Miller lectured at the Ballarat University College (later Federation University) School of Arts in Printmaking and Drawing from 1994-1998, where her roles included Coordinator, Honours Program, Coordinator Printmaking, Lecturer in Printmaking and Honours Supervisor. In 2000 Sally Miller was an invited Artist-in-Residence and guest lecturer in Drawing and Printmaking at the School of Art, Australian National University, Canberra. She later became Art Director of Art Unlimited studio for adult artists with disabilities for St Laurence Community Services. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed artwork showing various depictions of volcanos. art, artwork, sally miller, volcano, available, staffmember, printmaking, monoprint