Yields information about the trams used for an AETA visit in 1962 and worked within the service trams.Digital image from the Wal Jack Ballarat Album of a photograph of the three trams at the Mt Pleasant terminus during an AETA tour 21-4-1962. No. 11 the service tram, 18 and 37 the tour trams. No. 11 has Advertisements for the SEC, and a dash panel advert for The Age newspaper. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeOn rear of photograph in ink "SEC, Ballarat AETA Special Tour, Nos. 18 and 37 as specials, No. 11 as service car, Sebastopol terminus, 21st April 1962" and Wal Jack stamp in top right hand corner with number "T1269" written in.trams, tramways, aeta, tours, special trams, sebastopol, tram 11, tram 18, tram 37

Yields information about the streetscape in the vicinity of the Grey St loop Albert St in the early 1960'sDigital image from the Wal Jack Ballarat Album of a photograph of the No. 12 and 21 crossing at the Grey St loop, 11 March 1961, Photo by Wal Jack. No. 12 in bound to the city has roof and dash panel advertisements, No. 21 to Sebastopol. Shows the nature of Albert St. in 1961. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeOn rear of photograph in ink "SEC, Ballarat No. 12 city bound, No. 21 southbound to Sebastopol in Albert St, Sebastopol at Grey St loop 11-March 1961" and Wal Jack stamp in top right hand corner with number "T1261" written in.trams, tramways, grey st, albert st, sebastopol, tram 12, tram 21

Photo of No. 13 crossing Sturt St. from Lydiard St. with Post Office in background. Tram in transition of fitting dash canopy lights. Has been painted with tiger stripes and white stripe under windows. Tram has an auxiliary board on front, conductor swapping doors over, Has 'The Age' on front panel, number by side of headlight, large reflective tape triangles. Also has 'Georgille' roof ad. Taken on 26-12-1960.'SEC Ballarat Tramways, No. 13 from Lydiard St. turning into Sturt St. 26-12-60' in blue ink and 'W.Jack' stamped in purple inktramways, trams, lydiard st., post office, sturt st, tram 13

Bendigo No. 29 at Charing Cross, waiting. Tram heading north along the double track section, with Beehive buildings etc in background. Tram has passengers on it. A crew member is walking near the car, no coat, but has a cap on. Large 'Mobilgas' sign on the Beehive building. Photo taken on 12-4-1959. Has numerous cars in background and shows centre of road poles. Photo is over exposed. Tram has large white triangles on front panelsBendigo No. 29, from Fountain, 12-4-59' and 'W.Jack Photo' in blue ink.tramways, trams, bendigo, birney, charing cross, pall mall, tram 29

The Redex Reliability Trial 1953 -The first Redex round-Australia reliability trial covered of 6,500 miles (10,500 km), and had a first prize of £1,000. It attracted both amateur and professional drivers in a variety of cars. The route passed through Brisbane, Rockhampton, Townsville, Darwin, Alice Springs, Adelaide and Melbourne before returning to Sydney and attracted much public interest. At the time the idea of driving huge distances around the country in ordinary cars was novel and the logistics were challenging. In many parts of the country there simply wasn’t adequate accommodation or suitably located refuelling stops. The Shell Company facilitated the race by placing petrol dumps along the 5000 km route between Townsville and Adelaide. The race began at the Sydney Showground on 30 August when 192 cars left at three-minute intervals. Of the twenty top finalists, two thirds were sponsored. Ken Tubman and John Marshall won the trial in a Peugeot 203. However the Peugeot in this photo does not appear to be their car, judging by official photos of them with their vehicle, taken at the end of the trial. The Peugeot 203 was a popular car at the time and its reputation was enhanced after winning the trial. A black & white photo taken in Whitehorse Road, Mont Albert during the 1953 Redex Trial as a Peugeot 203 is passing 688 Whitehorse Road on the extreme left. The Peugeot 203 appears to have advertising on its panels indicating it was a competitor in the trial. On the far side of the road is a Morris Minor with a hatted man sitting on the bonnet, a woman standing close by and another man taking a photo of the passing cars. The houses in the background are partly obcsured by large hedges.george coop, mont albert, morris minor, redex trail, whitehorse road, peugeot 203

Black and white photograph, taken during the night, of W5's 819 and 775 stored with many other tramcars in Glenferrie Road, looking northwards during the reconstruction of the Malvern Tram Depot lead, 13/9/1969. Taken by Chris Phillips, printed on Kodak Paper. Tram 819 has drivers panel advertisement for Hilti, Hollins Austin Morris cars and 775 for Hollins Austin Morris cars and Sackville. Also in the background is the Salvation Army shop.On the rear in black ink "13/9/69"trams, tramways, mmtb, malvern depot, glenferrie rd, trackwork, tram 816

Colour post card of A 231 decorated for the 50th anniversary of the Australian Electric Traction Association in 1993, also with a panel for the 75th anniversary of the Balwyn Shopping Centre. Tram has logos of the Met, MMTB and AETA. Tram has destination of North Richmond. On rear gives details of the AETA event, location (Chapel St Balaclava) and AETA address. Published by Scancolor. Has space for writing, address and stamp. 2nd copy added 30/8/2020trams, tramways, melbourne, postcards, aeta, chapel st, tram 231

Photo of a cable tram set - at the corner of Collins St and Spring St. The saloon trailer is No. 73. The grip car is yet to be fitted with stanchions on its sides and does not have roof mounted destination signs on either vehicle. The trailer car is in the original company livery. In the background are the Victorian Government Treasury Building along with No. 1 and 5 Collins St, the facades of which remain in Collins St. Photo possibly soon after the cable line opened on 2-10-1886.Yields information about cable trams in Collins St and the buildings on the corner of Spring and Collins Sts. Set of two Black and white photographs on paper."Collins St E M" in bottom right hand corner. On rear of second print "No letterboard on dummy, Dummy clerestory in letter stained colour route glass panels. No signwriting on trailer aprons. Name of MTOC on side splashboard of trailer ? route name." Has the stamp of "Tyrrell's Pty Ltd," on rear and number "8" in top right hand corner and number "42-22".trams, tramways, cable trams, collins st, tram 73, spring st

The Mural is a picture in wool of the origin of the Ballan district and is made of pure wool donated by local growers.The centre panel is a reproduction of a sketch by Emma von Stieglitz in 1852 of the Ballan General Store. The ram's heads symbolise the importance of wool to the area and the circular shapes the transport of the day. Mrs Grace Slocombe designed the Mural, fifty-three local craftswomen (and one man) began the work in November 1981, and the finished work was exhibited at the 1982 Ballan Arcadian Arts Festival. The Mural was also exhibited at the 1982 Royal Melbourne Show then went on a tour of of various country areas in Victoria. It now hangs in the Ballan Old Courthouse.The Mural is significant to the local area.A text document on the story of the Wool Mural made for the Ballan Arcadian Festival in 1982.ballan art and craft society, grace slocombe, kathy diamond, enid swan, jessie mclean, joyce strickland, margaret young, cynthia ranken, dorie young, wool, wool mural

Albert Charles Andersen. Service Number 60326, 16th N.S.W. General Service. Place of Birth Lavington, N.S.W. Place of Enlistment Henty, N.S.W. Farm labourer. Son of Thorwald of Lavington and mother deceased. Aged 22 years and 9 months. Albert died at sea. Memorial Hollybrook Memorial, Southampton, United Kingdom. His name is on the Australian War Memorial - Panel 185. Note on the back "Enlisted 12th July 1918, died 17 Oct. 1918. Aged 19 years 11 months. (Different to Australian Archives) Perhaps Albert was a farm labourer in the district of Kiewa hence the Memorial.A large cardboard sheet with Memorial for Pte. Albert Charles Andersen, 16th N.S.W. Gen. Service, Reinforcements on a white sheet with brown writing with a photo of Charles in the middle, between the cardboard and the sheet.charles andersen. ww!. memorial. aif.

Artist Louise Hearman visited the Mission on the 15th of September 2011 and brought photographs in colour of her artwork painted in 1987/88 in the Norla Dome. She shared some background information about how she created the artwork: Louise arranged with O'Brien Glass to have the glass panes donated to replace the steel plates once covering the skylight. She painted the entire ceiling of the Dome precariously balancing on scaffolding. The walls were made as canvas panels and then put in place. She angled some of them to create openings so when you entered the Dome you were totally encased in her work.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that time.Series of 7 colour photographs scannedlouise hearman, exhibitions, cultural events, norla dome, 1988, cottage, flinders street, melbourne, elephant room

The portable lock up at Eltham is not original to the site. The date of construction is unknown. It is a pre-fabricated design and each of the timber panels are individually numbered on the inside surfaces. It is amongst a large group of portable locks up,categorised as 'Portable Lock Up - Timber - Later' and also known as the "Casterton style", based on the only known plan for portable lock ups, built for the Casterton Police Station, in 1907. The later portables have been in use since the 1880s. It is not known how many lock ups of this type have been constructed in Victoria. At least 50 examples have been documented around the state. Of these, 42 are known to be extant.This lockup used to be located at the Police Station in Pryor Street and was then stored in Youth Road before being acquired for the Local History Centre 9 colour photographseltham, main road, police residence, local history centre, eltham district historical society, courthouse, youth road

The portable lock up at Eltham is not original to the site. The date of construction is unknown. It is a pre-fabricated design and each of the timber panels are individually numbered on the inside surfaces. It is amongst a large group of portable locks up,categorised as 'Portable Lock Up - Timber - Later' and also known as the "Casterton style", based on the only known plan for portable lock ups, built for the Casterton Police Station, in 1907. The later portables have been in use since the 1880s. It is not known how many lock ups of this type have been constructed in Victoria. At least 50 examples have been documented around the state. Of these, 42 are known to be extant.This lockup used to be located at the Police Station in Pryor Street and was then stored in Youth Road before being acquired for the Local History Centre 2 colour photographseltham, main road, police residence, local history centre, eltham district historical society, courthouse, youth road

Rose Series - P1713, titled "The Town Hall and Sturt St, Ballarat Vic" with an ESCo tram with a "Vote No" on the front dash panel, two taxis mid-block, and the Town Hall in the background. Drivers standing along both taxis. On the rear in pencil in a note to Ken Magor of Newcastle, Wal Jack has written: "Ballarat old type No. 6. Note route colors square coloured sheet right hand side above driver's head & lower destination sign. Also note side adverts boards on car roof. See item 3581 for a copy negative and 5177 for a digital image of this postcard. Yields information about Ballarat 's trams in the 1930's and three street scene at the City Centre with the Town Hall in the background. Shows nature of the area with street lights and parked motor vehicles and a sign on the tram regarding prohibition and a vote on the banning of the sale of alcohol.Postcard black and white, divided back, with a handwritten note on rear.See image 2 for details of the handwritten note by Wal Jack on the rear. tramways, trams, esco, sturt st, lydiard st, taxis, town hall, tram 6

Annual report of the Braille & Talking Book Library including Minutes of the AGM, Board of Director's Report, President's report and financial statements. Items also included are: Miss Alice McClelland was invited to read the Honour Roll in recognition on her 51 years and 7 months of service with the library, appointment of Joan Simmonds as Chief Librarian, retirement of Ivan Molloy, Mrs Hearn, Peter Sumner and Heather Bedson, the first Braille Book of the Year presented to Keith Dunstan as decided by the literary panel of Barrett Reid, Stephen Murray Smith and Lloyd O'Neill, the revival of the Annual Fair, and the work of the Sixty-Niners, Benalla, Reservoir and Altona auxiliaries.1 volume with text and illustrationsbraille and talking book library, annual reports

This is an original policeman’s helmet, known as a ‘Wolsley’. The design was in use by Victoria Police from 1877 to 1947 then replaced by more suitable caps. The helmets were made in Ballarat by the Victoria Police's official supplier, A W Sudweeks. Some of these helmets were re-sold at Stokes and Sons in Melbourne and would carry that company’s name. This Victoria Police helmet represents an early era in its uniforms, from 1877 to 1947, when the design was based on the English versions. The design was later replaced by head wear that better suited the local climate and conditions. Helmets of a similar shape to this one were worn by the local Volunteer Corps.Policeman’s helmet, Victoria Police. The black, stiffened canvas hat has a high crown and a leather chin strap. The five panels of stiffened canvas are stitched together. The helmet has a metal ventilation dome at the top. The two small holes at the front are for the officer’s identification badge. The helmet has a leather sweatband, and the brim and sweatband are lined with beige fabric. The helmet’s brim is wider at the front. A maker’s label in the shape of a shield is attached inside the helmet, which is made by A.W. Sudweeks of Ballarat. "A. W. SUDWEEKS / MANUFACTURER / BALLARAT"flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, police, victoria police, police uniform, policeman's hat, helmet, policeman's helmet, wolsley, law and order, victorian government, bobby, stokes and sons, official supplier, government supplier, a w sudweeks, ballarat

The artists who contributed to this work were undertaking an Advanced Certificate in Koori Art and Design, which ran at the Ballarat School of Mines from 1995-2002)Photograph of the Ballarat School of Mines Possum Skin Cloak, along with details of each panel. .1) View of engraving .2) View of fur .3) Centre detail by Diane Nikkelson .4) Detail by Joe Lee .5) Detail .7) Detail of a swan .8) Detail of a snake by Sam Morrison .9) Detail of a turtle .10) Detail of a whale .11) Detail of an eel by Diane Nikkelson .12) Detail of an emu by Laura Guest .13) Detail of a parrot .14) Detail advanced certificate in koori art and design, possum skin cloak, greg clark, laura guest, tim karpany, kym krasa, joe lee, jason marks, sam morrison, bianca nikkelson, diana nikkelson, kelly saylor, val d'angri, fred cahir, paul lambeth, aboriginal, eel trap, whale, cockatoo, snake, turtle, fish, eagle, emu, swan, pelts, possum

Clothing. Navy blue bri-nylon swimming togs, commonly known as ''budgie smugglers''. White drawstring through casing at hipline. Red dart shaped Speedo logo appliqued above right legline. Double panel of fabric at centre front. Belonged to the donor, Richard Lethlean, late 1950's 1960's, while in his late teens and whilst a member of the Hilda Swimming Club. Hilda pool was located in Townsend Street, where the YWCA is presently situated.costume, male, speedo swimming togs

Clothing. Wedding Skirt.Cream silk long skirt. Waist band with metal hook and eye fastening. Back placket with metal hooks and hand made loops (2). Pintucks- 36 cms deep from waistline. Band of pintucks 26 cms deep around hemline. Back of skirt dips to a short train trimmed with ruffles of skirt fabric, edged with ribbon. Skirt fully lined with cotton, fine lace trims pintucked frill and skirt panels.. See also 11400.77 & 11400.76.costume, female, wedding dress skirt

Blue and white checked gingham waisted girl's school uniform dress. White fabric collar. Short sleeves with fabric cuffs. Skirt has six gored panels. Bodice has front opening with three white plastic buttons. Yoke across front and back. Inverted pleat at centre back. Two pleats on either side of front opening.Matching belt, 11400.261. Two belt keepers at sides.Original cloth label and swing label with care and washing instructions.Inside collar ''Buxwear rgd Quality school wear, Norman W. Buck P/L 12''. Cardboard label stapled to clothing label ''The Beehive'' DC AE 587 $23.99. Blue and white swing tag ''Buxwear Drip dry finish 12 Norman Buck elo P/l.costume, female, gir'ls school uniform dress

Clothing. Pink background, blue, green, and burgandy floral short sleeved rayon dress. Padded shoulders, high back neckline, V shaped at front. Front yoke, with a scalloped tab, marked with a 1.75 cm white plastic button, with a flower impression. Two white buttons mark the centre front opening. Skirt has six panels. Front bodice gathers to the yoke. Short sleeves have 3.75 cm turn back cuffs. A home stitched dress.ALL RAYON GRAFTON REGD, Anti Shrink, GRAFAINE Styled by Rosecroft REGD.costume, female, short sleeved dress

Cremorne Co white dress shirt. Collarless. Long sleeves with 6.5 cm cuffs. Cuffs have buttonhole on either side of opening 1.5 cm band around neckline with button holes at centre back and on either side of front opening. Panels of marcella waffle patterned fabric attached on either side of front opening extending from neckline (33 cm X 11.5 cm) to above the waistline. Each side of front opening has three button holes.Label inside back ''Cremorne Co. Dress Wear. Coat Style.''.costume, male, dress shirt.

White cotton, with fine crochet and needle woven lace 9possibly machine made) and pink satin ribbon insertion - seven cm wide waistband fastens at the centre front with two 1.5cm covered buttons. A gathered centre panel fastens over the centre of the waistband with two 1.5cm covered buttons. Two darts at either side of centre back seam, and a slight - .5cm shaping at back waistband, provide shaping, and a smooth backline. No side seams, machine stitched, flat seams and darts.costume, female, white cotton, lace trimmed drawers

Card containing an illustration of a little boy in a sailor suit. Above the illustration are the words: John A. Whitlam, painter and Decorator Sandhurst. Below the illustration is the phrase 'May Father Christmas banish every fear, save that of laughter from your eyes my dear' PTO.. On the back of the card John Alf Whitlam, House Painter and Paperhanger, Sign Writer and general Decorator, Mitchell St. Sandhurst. Latest designs in paperhanging's, panel decorations and dados. Your patronage respectfully solicitedpostcard, business card, john alf whitlam, mitchell st. sandhurst

The dress was made by Mrs Alloway of Coburg. The dress was made from two dresses which appeared in 'The Bride' magazine; the top from one photo and the skirt from another. Joan Lorraine McGahey wore this dress when she married Francis William Kerry on 28/03/1959.1959 Full length white lace and net over white taffeta slip. Long sleeves are lace to wrist and has light covered buttons. Front has square neckline with lace appliqued to bodice which falls to dropped waistline. Front panel is lace onto net flounce measuring 30 cm. Back has three net flounces falling from waist to form a train which is attached with lace bow. Back of neck has 8 buttons and loops.costume, female ceremonial

Sourced at Battersea Vintage Clothing Fair, London in 2005.A good example of an early 20th century corsetEarly 20th century corset underbust style with ivory coloured cotton with lace detail. Front opening with busk and lacing, allowing easy adjusting. Six wide, adjustable suspender straps with fancy metal clips Boning at between one and four inch intervals, mostly no more than two inches apart. Several re-enforced seams inbetween the boning. Lace trim across the top is not original and has been removed. Elastic panel at base for movement. Gossard

A 'Riley Hexagon' tennis racquet with concave laminated throat and oval head. Cloth tape and string whipping reinforcements on shoulders. Hexagonal handle with thin grooves on obverse and reverse panels. Leather end wrap. leter: MN scratched into handle/shaft. Ink & impressed model label across throat on obverse: RILEY/HEXAGON. Retailer decal across throat on reverse: THE/PIONEER/SPORTS/LIMITED. Materials: Wood, Lacquer, Metal, Glue, Gut, Ink, Cloth tape, String, Leathertennis