White Hills Primary School (No.1916) opened in Napier Street in 1877. It moved to its current site in Plumridge Street in 1985.Bendigo Advertiser ''The way we were'' from 2003. Good old days: White Hill primary school grades 2,3 and 4; circa 1951. Back row from left: Bruce McDowell, Frank Honeychurch, Ken Smith, Gillian Phillips, Ruth Drummont, Dawn Barfoot, unknown, Ronald Sylvester, Dick Watts. Fourth row: Joan Grabbish, Joan Ward, Beth Yates, Margaret Baum, Suzette Gillen, June Richardson, Joy Oakes, Eileen Tappe, Helen Keckes. Third row: Rodney Hamilton, Barry Wright, Marjorie Grey, June Luke, Glenda Gooding. Second row: Nola Peake, Marlene Smith, Lillian Watts, Barbara Smith, Lynette Phillips, Elaine Baum, Jacqueline Williams. Front row: Nick Hawke, Keith Veale, Wally Forbes, Noel Honeychurch, Kelvin Raison, Daryl Jones, Ronald Taig, Sidney Howie, Kevin Eddlestone. Some names are missing. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Contents: 2 x Newspaper Clippings: Banyule City Council Electoral Representative Review, Heidelberg Leader 20/08/2019 and Diamond Valley Leader 21/08/2019. Local Council Representative Review Submission Guide. Victorian Electoral Commission, 2019. 24 p., text. General information for those making a submission to a review. Local Council Representative Review Preliminary Report: Banyule City Council. Victorian Electoral Commission, August 2019. 31 p., text and colour maps. Reports on submissions and gives 3 options for electoral review in Banyule. Local Council Representative Review: Banyule City Council 1. Public hearing agenda and attachments. 25/09/2019. 9 p. 2. Public hearing agenda and attachments. 25/09/2019. 2 p. Agenda and handwritten notes by R. Bray. Local Council Representative Review Final Report: Banyule City Council. Victorian Electoral Commission, October 2019. 46 p., text and colour map. Recommends increasing the number of councillors and wards to 9. 2 newspaper clippings, 3 booklets and agenda with attachments. Filed in black plastic folder.banyule city council, victorian electoral commission, local council representative review 2019

Alice Louisa (Louise) Jackson was one of 12 children of George James Jackson and his wife Alice Eleanor (nee Taylor); both of whom were jewellers. One of her brothers, George Hall Jackson, served in WW1. The family lived at 'Handsworth', 7 Russell Street, Surrey Hills. Alice was born 25/9/1892 and died 25/8/1983. She was buried in Box Hill Cemetery - CE-*-2010. REF: Personal communication (email) Ruth Theodoridis, her niece, 30/5/2018: Alice trained at the Austin Hospital prior to WW2. She worked there after graduating and became the charge sister of the ward for terminally ill patients, many of whom were TB patients. After she retired from the Austin she nursed elderly and dying people in the Surrey Hills area. She had had a tricycle made especially for her as she could not ride a bicycle. She would always ride in the centre of the road in case the trike tipped over. She left her estate to the hospital. A black and white photograph of a lady standing in her nurses uniform, consisting of a skirt, blouse, and a veil on her head.louise jackson (miss), alice louisa jackson (miss), russell street, surrey hills, george james jackson (mr), alice eleanor jackson (mrs), alice eleanor taylor (miss), nurses, austin hospital, box hill cemetery

Alice Louisa (Louise) Jackson was one of 12 children of George James Jackson and his wife Alice Eleanor (nee Taylor); both of whom were jewellers. One of her brothers, George Hall Jackson, served in WW1. The family lived at 'Handsworth', 7 Russell Street, Surrey Hills. Alice was born 25/9/1892 and died 25/8/1983. She was buried in Box Hill Cemetery - CE-*-2010. REF: Personal communication (email) Ruth Theodoridis, her niece, 30/5/2018: Alice trained at the Austin Hospital prior to WW2. She worked there after graduating and became the charge sister of the ward for terminally ill patients, many of whom were TB patients. After she retired from the Austin she nursed elderly and dying people in the Surrey Hills area. She had had a tricycle made especially for her as she could not ride a bicycle. She would always ride in the centre of the road in case the trike tipped over. She left her estate to the hospital. A black and white photograph of a young lady, identified as Alice Eleanor Jackson, seated between an older couple in front of a house.jeweller, watchmaker, russell street, surrey hills, clothing and dress, nurse, george james jackson, mrs alice eleanor jackson, miss alice louisa jackson

Button distributed to and worn by Australian Nursing Federation (ANF) members and staff as part of a 2003-2004 campaign to secure minimum nurse staffing in the public healthcare sector. The '5-4-20' denotes a minimum of five nurses for twenty patients in a general medical or surgical ward. During this period, staffing ratios were secured as part of bargaining negotiations between unions and employer groups. After decades of campaigning from the ANF/ANMF, ratios were legislated for the public sector in Victoria with the passing of the Safe Patient Care (Nurse to Patient and Midwife to Patient) Bill in 2015. This campaign was featured in ANF Victorian Branch newsletters from late 2003 to early 2004. Entitled the '5-4-20 campaign', it was officially launched on 19 November 2003. Advertisements and shirts from the time featured the slogan, '5 nurses for 20 patients. Nothing less!' along with the ANF logo and illustrations by The Age cartoonist Ron Tandberg. The campaign was to promote the role of minimum nurse to patient ratios in ensuring patient safety and encouraging nurse recruitment and retention.Circular yellow, blue and red badge. Silver metal, plastic-coated, with safety pin fastener adhered to back. Badge printed with '5-4-20' and a blue and red triangle design.nursing, ratios, workforce, staffing, nurses, unionism, badges, buttons, pins, campaigning, trade unions, labour history, safe patient care (nurse to patient and midwife to patient ratios) act 2015, australian nursing federation, victoria, enterprise bargaining

The highlights report in 2004 was published as the 81st report from the President. George MacKenzie was the incoming president to replace Geoff Ward. Ron Barassi promoted the 2004 Badge Appeal which achieved a record figure of $411,500. He had included a trip to Werribee Park Zoo and was photographed with the lions (see item 00. Up to the 1980s the annual report would usually contain pages containing the Presidents report and photos of significant events of the year. Between 1987 and 1990 these were published in a separate document called 'Highlights from the Annual Report'. This could be used in promoting Legacy in different ways, without all the financial information normally held in an annual report. In following years it became called 'Report from the President' then 'Highlights from the President' in 2004, before becoming 'Melbourne Legacy Highlights' which was published twice a year from 2007. It was eventually renamed, 'The Torch, Melbourne Legacy Highlights' in 2012. 'The Torch' is still published twice a year. Other annual reports in 00027, 01095, 01096 and 01097, 01098, 01310 and 01311. A record of the annual reports of Legacy Melbourne, including activities and telling stories of Legacy's impact.Colour printed president's report from 2004 x 8 pages with photos, published annually.annual summary, activities

A press release from Melbourne Legacy in 1975 which relates the story of a junior legatee playing professional football. The information was intended to be used by press and magazines etc. The junior legatee is not named but it mentions he had a rough home life, then his father died and his siblings became State Wards. His father was a returned ex-serviceman and Legacy heard of the boy's situation and began regular visits to the family and gave not only advice but financial assistance as well, to try and provide a normal family life. The younger children were returned from state care. The future footballer endeavoured to rise above his background and on finishing school he wanted to apply for a job that called for honesty and integrity and involved responsibility for money. Thi family background was held against him until with the help of Legacy he won the day. Legacy helped provide appropriate clothing for his new position. Since then he has gone from strength to strength in his career and in his sport as well. 'Legacy has often been referred to as an organisation of human kindness'.A record of how Legacy promoted their work in the 1970s.Buff foolscap page x 2 with black type of a press release in 1975.Title 'Success through Legacy''press release, promotion, case studies

Bendigo Weekly from Friday, 25 August, 2000. Article by James Lerk '' Discover Bendigo, occupants of the Bendigo Arcade''. From the time it opened until it was destroyed by fire in October 1974, the Bendigo Arcade had many occupants. In this article James describes some of the shops that occupied the arcade; Angelo's confectionary, Dr Albert Beischer (dental clinic), Whites jewellers, Miss Davis art needlework, Liddy Tobacconist, C.E. Welsh watchmaker, C.F. Rowart agent, Abbotts boots, Miss Spooner's coffee shop, Miss Robshaw's bookshop, Miss N. Sweeney spokestiching, Miss Wilman clothing, E.W. Ship Stationer and postcards, Ward Brothers sewing machines, British Products importers of crystal, Miss Ross milliner, A. Thomas hairdresser, Max Richardson nursery, Farren price watchmakers and jewellers, Miss O'Shannessy baby wear, Trewartha's dress materials, Miss Scobie fortune teller and George Bennetts home and hardware supplies occupied the Hargreaves Street end of the arcade. The clip is in a plastic folder.newspaper, bendigo, bendigo weekly

Telling Stories looks at the place of life stories and of memory in history: who tells life stories: the purpose for which they are told: the role of story and history in the politics of land claims: and the way language impacts on research and writing. Contents: Introduction /? Bain Attwood and Fiona Magowan 1. Indigenous Australian life writing: tactics and transformations /? Penny van Toorn 2. Stories for land: oral narratives in the Maori Land Court /? Ann Parsonson 3. Crying to remember: reproducing personhood and community /? Fiona Magowan 4. The saga of Captain Cook: remembrance and morality /? Deborah Bird Rose 5. Encounters across time: the makings of an unanticipated trilogy /? Judith Binney 6. In the absence of vita as genre: the making of the Roy Kelly story /? Basil Sansom 7. Autobiography and testimonial discourse in Myles Lalor's 'oral history' /? Jeremy Beckett 8. Taha Maori in the DNZB: a Pakeha view /? W. H. Oliver 9. Maori land law and the Treaty claims process /? Andrew Erueti and Alan Ward 10. 'Learning about the truth': the stolen generations narrative /? Bain Attwood.B&w photographsindigenous history, maori history, oral histories

Annual Report by C. Bogue Luffmann, in the Department of Agriculture Annual Report 1900 pp 262-311. 2 copies This is a photocopy of the original report. The report is headed "Department of Agriculture, Victoria." At this time the Burnley School of Agriculture was under the jurisdiction of the Dept. of Agriculture. The report was prepared by the Principal C. Bogue Luffmann. It is 54 pages in length, contains an annual report and prospectus, an examination paper, eight essays on horticultural subjects, 4 of these by Mr Bogue Luffmann and the remainder by students. Essays contained in the Annual Report are: Profitable Branches of Agriculture for Victoria - C Bogue Luffmann (Principal) Trunks and Branches - C Bogue Luffmann Girdling Cincturing Lancing Bandaging & Hardening of Bark - C Bogue Luffmann Humus - Tessa Smith (2nd year student) An examination paper - I Higgins (2nd year student) The Requisite Qualifications of the Commercial Fruit Grower - M.W. Thompson (2nd year student) Fruit Tree Stocks - M.W. Thompson An Examination Paper - H.R. Ward (1st year student) and M. Thatcher (1st year student) charles bogue luffman, principal, student essays, c b luffmann essays, horticulture essays, 1900 horticulture writing, cincturing, girdling, lancing, bandaging horticulture, humus, fruit growing, horticulture turn of the century, horticulture school report, luffmann

Collection of newspaper published obituaries, collected in 1960's. Obituaries mostly from the 'Bendigo Advertiser' and 'The Age' and relate to Bendigo people or those who were born in Bendigo. Index of names attached, with date of publication in newspaper, not date of death. Hamilton, Alexander John 27.4.64 Harvey, Gordon Alan 30.9.64 Hill, Lucy 13.7.63 Hurry, G (Lieutenant Colonel) 9.2.51 Jorgensen, Christian 6.6.52 Lee, Norman 10.1.62 Mackay, George 24.5.48 Matchett, Robert 13.5.67 McNeill, Stan 12.6.67 McPherson, John Craig 15.4.66 Mueller, Ernest G 14.9.63 Mumford, Sarah 17.8.32 Mundy,Bert 19.2.63 Murray, Harold 7.2.62 O’Hoy, Que 28.9.64 Pethard, George Albert 22.9.63 Pidgeon, Brian Frederick 28.2.64 Smalley, Johathan 23.8.61 Taylor, Cecil Claude 25.5.69 Trenear, Elizabeth 1916 or 1917 Trengrove, Jack 18.10.62 Turner, Noel 25.9.64 Vicars Foote, R.J 26.9.60 Ward, Charles Edward 20.7.61 Watson, Robert 3.4.62 Weeks, Story M 16.9.67 White, Walter Bolitho 27.4.62obituaries, lydia chancellor

This bottle was used in a period when "soft" drink ginger beer was "brewed" not only in homes but also in specific breweries. Most rural areas had families which produced their own ginger beer. Medium to large towns and cities had ginger beer "factories". These factories had large "on bottle" advertising who the producer was. This producer advertising was firmly infused into the bottle and not on removable labels (late 1900's on wards). Regional breweries had a strong following, similar to State beer producing breweries. The competition between breweries of ginger beer was regional and not state or international. Return of bottles was not a sign of saving the environment or becoming eco- friendly but a requirement to keep production costs low. This is highlighted by "This bottle Remains the Property", in other words return when empty. Up to the end of the second World War Australian "soft drink" demand was for local produce. The American invasion of other flavours of "soft drink" came in the 1950's. Multi -Corporations producing non alcoholic beverages at lower production costs reduced local manufacturers considerably. This however had little effect on semi isolated rural areas where home brews flourished.This bottle shows the impact that small regional towns had and still have on semi isolated rural communities(Kiewsa Valley). With better communications (radio/television/newspapers) and a better transport connections specialised breweries such as the Wangaratta Brewery had an extensive customer "hinterland" to serve. The "canny" rural population would be able to reuse this bottle for their own specific purpose. Because of the long distances between Kiewa Valley residences and the major towns available to them, the issue of adaptability of any purchases made was always closely linked to their long term usefulness.This bottle is made from thick clear glass and has a capacity of one and a half pints. It has a flat top with a wooden screw stopper (internal thread). On one side "THIS BOTTLE REMAINS THE PROPERTY OF WANGARATTA BREWERY PTY LTD" On the top rim of bottle on both sides "17". On the bottom of the base are "AGM" AND "346"ginger beer bottle, soft drink bottles, cordial bottles, wangaratta drinks

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Glen Eira Heritage Management Plan 1996 by Andrew Ward https://www.gleneira.vic.gov.au/media/4777/heritage_mment_plan_vol_3b.pdf (as of 27/01/2021) - p90 An imposing single storeyed Italianate bi-chromatic brick villa with three staged tower surmounting the entry and facetted corner bay with conical roof. White tuckpointed black body bricks are relieved with reds and stucco work. Gable ends are fretted and there is a concave cast iron verandah to the principal elevations.Victorian Heritage Database (as of 27/10/2020) - HO49 225 North Road Caulfield South https://vhd.heritagecouncil.vic.gov.au/places/42426 "Maniar" (?) is a substantial late Victorian Italianate villa with tower and extensive grounds built for Frederick Curwan, an inspector of the National Bank, in 1890. It is aesthetically and historically important. An imposing single storeyed ltalianate bi-chromatic brick villa with three staged tower surmounting the entry and facetted comer bay with conical roof. White tuckpointed black body bricks are relieved with reds and stucco work. Gable ends are fretted and there is a concave cast iron verandah to the principal elevations. It is aesthetically important as an imposing and substantially intact villa residence demonstrating the changing architectural fashions of the 1890's, evidenced by the use of face brickwork and fretted gables in the Queen Anne manner. It is historically important for the manner in which it demonstrates the lifestyle to which a businessman could aspire during the boom period.Page 150 of Photograph Album with four landscape photographs of Fairfield Hall on North Road.Handwritten: "Fairfield Hall" 225 North Rd cnr Younger Ave [top right] / 150 [bottom right]trevor hart, jenny o'donnell, verandah, porch, tower house, tower, mansion, three storey tower, bichromatic brickwork, fairfield hall, 1890's, george jobbins, conical roofed projecting corner bay, conical roofed bay, timber ceilings, north road, younger avenue, frederick wallis curwan, curwan, italianate, queen anne, australian homestead, arched windows, curved windows, columned parapet, return verandah, fairfield estate, fairfield street, slate roofed, red brick, polychrome bricks, victorian style, cast iron work, caulfield south, maniar, house names

In 1880, the Melbourne Benevolent Asylum launched an appeal to raise funds to relocate away from the inner city. The location in North Melbourne was considered a great risk for the residents, particularly the 'old and feeble', in the event of an epidemic. In 1887, the secretary to the Premier of Victoria wrote to the Asylum, suggesting Frankston as a possible alternative to North Melbourne. The Asylum committee considered Frankston to be too far away. The Royal Commission into Charitable Organisations (1890) strongly recommended Cheltenham as the preferred location but the government failed to act on that recommendation. Former Asylum committee member, Mr James Hingston, bequeathed £25,000 to the Asylum on his death in 1902. After many more years of toing and froing, the foundation stone for the new asylum at Cheltenham was laid in 1909. It was almost two years later that the transfer of residents from North Melbourne to Cheltenham began. The move happened in stages over three days, with the first group of residents to move to Cheltenham being 125 women from the invalid wards. The Asylum continued to operate throughout the 20th Century and, in 1970, was renamed the Kingston Centre. The focus of services also changed. This photograph captures the laying of the foundation stone in 1909.Black and white image depicting a large group of citizens gathered to watch the laying of the foundation stone for the Benevolent Asylum in Cheltenham. There is a raised platform with a group of men dressed in suits standing on it. These appear to be the dignitaries for the day. There are flags flying in the background, others standing on poles at the corners of the raised platform. Handwritten in red ink on reverse: 50%cheltenham, charity, north melbourne, welfare

A function at Legacy House, the guest speaker appears to be Normie Rowe and Bruce Ruxton also was a guest. It could have been the launch of Badge Week in 1999, Graham Riches is the president. (See also 00730). 00729.1 Normie Rowe (a singer and Vietnam veteran) and Bruce Ruxton, President of R.S.L. 00729.2 Normie Rowe speaking. 00729.3 Second from left is L/ Alan Fookes, then Rob Gell (a TV presenter) and on the right is Dave MacDonald. 00729.4 John Ritchie, Wing Commander, L/ Allan Couper and Betty Hurdman. 00729.5 Man on the left is unknown, second from left is Major Hugh Carson from Department of Defence, Ben Simpson and another officer from the Department of Defence. 00729.6 Man on the left is unknown, second from left is Judith Robertson, Captain David Cotsell and Carmel McConnell, a public relations officer for Legacy. 00729.7 L/ Ray Ward is with Peter Lawrence, Councillor Wellington Lee and another man. 00729.8 Brendan Lynch on the left and Chris Coates on the right and another man. 00729.9 Councillor Wellington Lee and President Graham Riches.A record of a function for Legatees. Colour photo x 9 of guests at Legacy house.Printing on the back "legatee event, legacy promotion, legacy week

"Dear Kevin, Everybody home here is well, hope you and Bobby are well. Sid, Laurie home, hear regular from Eddie. Lots love Polly DAD" Post Card sent to Private K.J. Arrowsmith, VX54102, 6th Line Section, 8 Div, Malaya via Prisoner of War Post, Australian Prisoners of War, C/o Prisoners of War Information Bureau Tokyo, Japan from his sister Polly (Mercia Castledine). “After the cholera had been evidence for a few days, the Nips decided that the works on the railway had to be carried on and so isolated all the cases (a number more had developed since we were first quarantined) and sent all other men back to work. By this time, the number of men unfit for work had increased tremendously and the medical officer and medical orderlies were hopelessly overworked. Volunteers were called for to assist in this cholera ward; a disease highly contagious and with a terrific death rate. This meant isolation, but did not deter many men from offering their services, Bob and Kevin Arrowsmith being selected.” - Through the Burma-Thailand Railway, pp234-5, author unknown This post card is significant for its rarity as very few ever made it through and were saved. In these instances the information provided by Polly was cryptic informing Kevin and Bob Arrowsmith that brother Eddie and brothers-in-law, Laurie Mears and Sid Castledine were all still alive.Digital image of original held in private collection of Joan Castledine, daughter of Sid and Polly (nee Arrowsmith) Castledine.bob arrowsmith, burma-thailand railway, eddie arrowsmith, joan castlemaine, kevin j. arrowsmith, laurie mears, lucy mears (nee arrowsmith), mercia (polly) castledine (nee arrowsmith), postcards, prisoner of war post, sid castledine

"Dear Kevin, Hope you are both well, everybody well home here, constantly thinking of you, hear regular, Eddie, Laurie, Sid. Lots love Polly Dad" Post Card sent to Private K.J. Arrowsmith, VX54102, 6th Line Section, 8 Div, Malaya via Prisoner of War Post, Australian Prisoners of War, C/o Prisoners of War Information Bureau Tokyo, Japan from his sister Polly (Mercia Castledine). “After the cholera had been evidence for a few days, the Nips decided that the works on the railway had to be carried on and so isolated all the cases (a number more had developed since we were first quarantined) and sent all other men back to work. By this time, the number of men unfit for work had increased tremendously and the medical officer and medical orderlies were hopelessly overworked. Volunteers were called for to assist in this cholera ward; a disease highly contagious and with a terrific death rate. This meant isolation, but did not deter many men from offering their services, Bob and Kevin Arrowsmith being selected.” - Through the Burma-Thailand Railway, pp234-5, author unknown This post card is significant for its rarity as very few ever made it through and were saved. In these instances the information provided by Polly was cryptic informing Kevin and Bob Arrowsmith that brother Eddie and brothers-in-law, Laurie Mears and Sid Castledine were all still alive.Digital image of original held in private collection of Joan Castledine, daughter of Sid and Polly (nee Arrowsmith) Castledine.bob arrowsmith, burma-thailand railway, eddie arrowsmith, joan castlemaine, kevin j. arrowsmith, laurie mears, lucy mears (nee arrowsmith), mercia (polly) castledine (nee arrowsmith), postcards, prisoner of war post, sid castledine

Hugh George Ferguson was born in June 1900 in Williamstown. After his family moved to Kew, they lived in Fernhurst Grove while his future wife’s family lived in Fellows Street. He married in 1940 and subsequently joined the Second AIF. In 1945, he was reported to be the ACF (Australian Comforts Fund) Commissioner in Borneo [Kalimantan]. After the Second World War, he worked as a Billeting Affairs Organiser for the Dutch Government, resettling migrants in Australia. He also worked in advertising as an account manager, and as campaign director for Arthur Rylah in Victorian politics. He directed the first major trade fairs at the Royal Exhibition Buildings after the Second World War, including ‘Australia Makes It Exhibition’ in 1947, the ‘Australian Industrial Fair’ in 1949 and 1950, the ‘Modern Home Exhibition’ in 1949, and ‘Made in Australia’ in 1952. The funds raised during the latter were earmarked for a ‘bankrupt’ Queen Victoria Hospital. He built a home in Brougham Street and represented North Ward on Kew Council from 1952 to 1968. He was elected Mayor in 1959. Hugh Ferguson died in 1975, aged 75. He was buried on 2 September in Grave 201, Special (Non- Denominational) Compartment A, Boroondara General Cemetery.A gold plated bar brooch with suspended medallion having a blue enamelled ring surrounding the City of Kew crest in reliefFront: City of Kew, above the city of Kew crest with Council below Rear: Mrs H. G. Ferguson, Mayoress, 1959-60city of kew, mayoresses - kew (vic), mrs hg ferguson

Hugh George Ferguson was born in June 1900 in Williamstown. After his family moved to Kew, they lived in Fernhurst Grove while his future wife’s family lived in Fellows Street. He married in 1940 and subsequently joined the Second AIF. In 1945, he was reported to be the ACF (Australian Comforts Fund) Commissioner in Borneo [Kalimantan]. After the Second World War, he worked as a Billeting Affairs Organiser for the Dutch Government, resettling migrants in Australia. He also worked in advertising as an account manager, and as campaign director for Arthur Rylah in Victorian politics. He directed the first major trade fairs at the Royal Exhibition Buildings after the Second World War, including ‘Australia Makes It Exhibition’ in 1947, the ‘Australian Industrial Fair’ in 1949 and 1950, the ‘Modern Home Exhibition’ in 1949, and ‘Made in Australia’ in 1952. The funds raised during the latter were earmarked for a ‘bankrupt’ Queen Victoria Hospital. He built a home in Brougham Street and represented North Ward on Kew Council from 1952 to 1968. He was elected Mayor in 1959. Hugh Ferguson died in 1975, aged 75. He was buried on 2 September in Grave 201, Special (Non- Denominational) Compartment A, Boroondara General Cemetery.City of Kew identification badge issued to sitting councillors. The City of Kew cost is surrounded by a blue enamel band with City of Kew Council picked out in gold cloisonné.Front: City of Kew to top, Crest in middle with Council below Rear: Cr H. G. Ferguson 27-8-1955mayors of kew - cr hg ferguson, kew council, city of kew

Black and white photograph of football players and others. Twenty eight males in four rows. At centre, boy holds a football marked 'BEFC Premiers 1922'. In front on him small boy holds cup trophy. Inscriptions 'Vincent Kelly, Bendigo' on front BR. On back, hand written 'E Vlerminck, P Dempsey, A Hamilton, E Thomas, B Collier, ? Gotji, F Vlaerminck, G Satori. Trainer: E Vlaerminck, F Setori, L Dunstan, B Harvey, T Norris, J Pacholli, Trainer, T Chakley, J Vlaerminck, J Fitzpatrick, Secretary - F Brady, President - M Walsh, Capt. H Sandy, Social Secretary, A Vlaerminck, M Walsh, Treasurer - N Guest, L Badge. H Ward, D Sheehan, Mascot - Collier, M Egan, J Browning. Bendigo East Juniors, Premiers 1922. Also players BN Smith, T Lehani, S Ross, F Brucchertt, B Stephens' (at side, in different hand' C 1008LI, 1/-, E 364979 4/6' Dec. 12th/22Vincent Kellyperson, group, sports team

The marbles in the foyer of the Old Colonists' Hall feature many names associated with the membes of the Old Colonists' Association of Ballarat.Ballarat Old Colonists' Association Marble Benefactors Board. DONATIONS J.P. Murray James Bishop John Shaw David Ham Thomas Bath T.T, Hollway Richard Mitchell S.W.J. Clark Dr J.K. Richards H.C. Handford T.H. Shattock Dr W.A. Spring Donald McKay J.T. Smith BEQUESTS J.G. Taylor Thomas Blackett Philp Windmiller Joseph Roff Peter Hume James Francis Hannah Rennard Sarah Smythe David McNaight W.P. Martin Jane Wilson Edwin Brewer W.E. Ballhausen John Church J.P. Murray Charles Tinworth Henry Josephs M.A. Winsby Chris Heinz Andrew Munro John Wright Thomas Paterson J.H. Ward George Crombie Mary A. Nicol R.D. McINtosh Richard Mitchell J.S. Miller S.W.J. Clark Endowment W.J. Irwin Francis L. Jones A. Farrer Louisa Strange J. Permewan Feederick Reid Joe White Bequest L.J. Wilson Perpetual Trust G. Sutherland Hilton White Bequest I.E. Reid Ian Rollo Currie Foundation I. Dodds Lancelot W. Wilson Trust old colonists association, benefactors, honour board, j.p. murray, james bishop, john shaw, david ham, thomas bath, t.t, hollway, richard mitchell, s.w.j. clark, dr j.k. richards, h.c. handford, t.h. shattock, dr w.a. spring, donald mckay, j.t. smith, j.g. taylor, thomas blackett, philp windmiller, joseph roff, peter hume, james francis, hannah rennard, sarah smythe, david mcnaight, w.p. martin, jane wilson, edwin brewer, w.e. ballhausen, john church, j.p. murray, charles tinworth, henry josephs, m.a. winsby, chris heinz, andrew munro, john wright, thomas paterson, j.h. ward, george crombie, mary a. nicol, r.d. mcintosh, richard mitchell, j.s. miller, s.w.j. clark endowment, w.j. irwin, francis l. jones, a. farrer, louisa strange, j. permewan, feederick reid, joe white bequest, l.j. wilson perpetual trust, g. sutherland, hilton white bequest, i.e. reid, ian rollo currie foundation, i. dodds, lancelot w. wilson trust, ian g. bishop

Victoria Hill Marong Rd Bendigo (Opposite the Gold Mines Hotel) Heritage Day Brochure 2010. Victoria Hill Guided Tours James Lerk (Bendigo Historical Society) George Ellis (Bendigo Cornish Association) Rod Orr (Bendigo Field Naturalists Club) David Bannear (Heritage Victoria) Presentations: Rod Fraser The Geology of Victoria Hill and Bendigo, Kurt Walder German Heritage Ballerstedts-miners from the Hartz Mountains crushing battery, Rod Orr Mining and the Environment in Bendigo, Michele Matthews (BRAC) Sir John Quick the Forgotten Father of Federation spent his youth in the shadow of Victoria Hill, David Bannear ''Things Forgotten'' - the Archaelogy of Bendigo, Carol Holsworth the Chinese and Victoria Hill area, John Kelly Inquests held at the Gold Mines Hotel, George Ellis The Cornish miners of the Ironbark and Long Gully area, Amanda Jean The Ironbark Heritage Study. Coath Cottage Open Day owner Andrew Ward and Restorer Gary Hill explain the history and restoration of the 1860s miners cottage after Black Saturday fire. Restoration Loans from the City of Greater Bendigo.bendigo, gold mining, heritage day 2010

Pattie BEERENS (1962- ) Born Sunshine, Victoria Pattie Beerens was enrolled in the Graduate Diploma of Ceramics at Federation University in 2018 after completing a Graduate Certificate Visual Art at the Victorian College of Arts, University of Melbourne in 2017.Artists' Statement: Red. Broken structure on its side supported with an unrecognisable form. It is cast from an electronics packaging carton. Triangular arrows piece the structure with a spider on either side. I created fertility spiders to protect the Minoan women from predators. I collected spiders as a child to ward off the bullies and, like the octopus, spiders have eight legs and a head and body. The stylised spiders reference links between the Minoan octopus and other symbols of fertility. The natural light elongates the form in a shadow reflection on the floor. The form is surrounded by black space. This piece took on an anger I felt on the day that [Malcolm] Turnbull was overthrown and materialises the bully-boy behaviour we were witnessing. What is most interesting about this piece is that I created it as a Minoan reflection. It dawned on me , when I had it ready for the kiln - on the day that Dutton challenged the Turnbull leadership, that my anger was both reflective and contemporary because nothing seemed to have changed. We were witnessing first hand how the power struggles continue and goodwill suffers." Winner of the 2018 Deputy Vice-Chancellor's Awardpattie beerens, ceramics, sculpture, available ceramics

1. Dress - white colour polyester cotton fabric ward dress. Collar, long sleeves with attached collar and plastic buttons. Front opening with concealed button closure. Buttons - white plastic with metal shank and split pin. Shoulder straps with attached red colour fabric epaulettes, with button hole. Button - silver colour plastic with metal shank and clasp. Epaulette badge, silver metal letters RAANC, two silver metal letters RAANC, two silver and red colour metal rank insignia - Lieutenant. Manufacturers label - white colour cotton, front lining. 2. Cape - red colour wool fabric cape style elbow length. Shoulder epaulettes with silver colour plastic embossed buttons, Queens Crown, Map of Australia with shank. Three silver and red colour metal rank insignia - Captain - per epaulette. Bar badge - plastic and metal - silver colour, oval shaped surmounted by Queen's crown, oval embossed with "ROYAL ASUTRALIAN NURSING CORPS" . Centre of oval Nightingale oil lamp. Across bottom scroll embossed with motto "PRO HUMANITATE".Manufacturer's information - black print. 1. A.G.C.F./ VICTORIA/ 1976/ ^/ SIZE OS/ 8410.66.038.1474/ ARMY NO/ NAME" 2. Back of cape "C.G.C.F./ VICTORIA/ 1971/ ^/ SIZE - OS/ 8410.66.013.0771/ ARMY NO/ NAME" Front lining "S4S/ M.603493/DKT./ 35768/ F/NO/ 1842/ SIZE/ OS/ CAPE NURSES. WINT. SCARLET/ ARMY/ 125 29". uniform, royal australian army nursing corps

Digitised video (1.11GB). Duration: 20 minutes. Recorded March, 2021. (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)Presenters: Gerry Robinson and Peter Le Get of Heathmont History Group (HHG) look back over developments in the area over the previous year. HEATHMONT HIGHLIGHTS FOR 2020 Summary - "Of course for 2020 the Covid 19 virus dominated. Other finalists included roadworks on Bedford Road corner, new Wards for MCC and their elections, 100th birthday and death of Rita James, opening of Milk & Wine Co. café replacing Barclays, election of Kylie Spears as Mayor, closure of Heathmont Medical Centre, demolition of Miller homestead in Coven Avenue, final edition of Maroondah Leader local newspaper, opening of HE Parker Sports pavilion, 50 more bollard arts, and the ugliness of the former Anglican Church and other local sites."

This file has 3 items. 1/Photocopy of Caulfield Conservation Study Report by Andrew Ward dated January 1995 of 6-8 Rusden Street, Elsternwick being former Prahran and Malvern Tramways Trust substation. Report includes image, existing registrations, description of substation building and condition. 2/Original photograph (black and white) of tram shelter at corner of Balaclava Road and Orrong Road, Caulfield North, outside Grimwade House (school), description written on back of photo. 3/Original copy of magazine of the Tramway Museum Society of Victoria Ltd. ‘Running Journal’ Vol 7 No. 3 dated June 1970. Article (pages 3-7) entitled ‘Feeding & Filling, The Story of the Prahran & Malvern Tramways Trust’ written by Graeme Breydon. Article written for the 60th anniversary of the trust which opened for business on 30/05/1910 and describes the establishment and development of Tramways between suburbs of Malvern & Prahran including Elsternwick, Caulfield & Glen Huntly. Article includes 4 images plus map and diagram. Included: Photograph 3: Opening ceremony of tramway extension from Balaclava junction to Elsternwick railway station on Glen Huntly Road dated 13/11/1913. Diagram of various tramway routes including Prahran & Malvern Tramways Trust routes.prahran and malvern tramways trust, p+mtt, tram companies, land transport, public transport, substation, tram shelter, powerhouse, parapet, brick, stuccoed, roof lanterns, historic buildings register, national estate register, national trust register, rusden street, balaclava road, orrong road, hawthorn road, dandenong road, glen huntly road, grange road, elsternwick, elsternwick railway station, caulfield, caulfield north, caulfield railway station, point ormond, grimwade house, breydon graeme, tramcar, edwardian, transport, trams, tram depot

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From: Glen Eira Heritage Management Plan (1996) by Andrew Ward and Associates: In 1905, the land was vacant in Balaclava Road, north side, from Kooyong Road east to the right of way, except for one house. A block of this land was acquired by the Presbyterian community and a timber church erected there in 1910. In time, a larger church was required. After several years of fund raising led by George Kinross, a new red brick St Stephen's church was built in 1926 to the design of architects Haddon and Henderson. George Currie was the builder and the cost of construction was £5,100.Glen Eira Heritage Management Plan 1996 by Andrew Ward St Stephens has architectural importance as a noteworthy example of a Gothic Transitional design in the Arts and Crafts eclectic manner (see Stylistic Typology in National Trust's Historic Church's Study}. The facade treatment successfully combines Christian symbols with Gothic forms in the Arts and Crafts mode (comparable with Haddon's Presbyterian Church, Malvern (1906) and Haddon and Henderson's Oakleigh Church (1928). It is locally important as an example of Robert Haddon's work in Caulfield, where he also lived (4 Glenferrie St q.v.).Page 24 of Photograph Album with four black and white photographs of St Stephen's Presbyterian Church, with Balaclava Road written on the top right hand side. Three photos are of the exterior and one is a wide view of the inside towards the altar.Hand written: St Stephen's Presbyterian Church Balaclava Road [top right of page] / 24 [bottom right]trevor hart, caulfield north, balaclava road, george kinross, haddon and henderson, george currie, st stephen's, 1900's, 1920's, gothic transitional, christian symbols, arts and crafts, robert haddon, stylistic typology, gothic, presbyterian church, architects, red bricks, entrances

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From: Glen Eira Heritage Management Plan (1996) by Andrew Ward and Associates In 1905, the land was vacant in Balaclava Road, north side, from Kooyong Road east to the right of way, except for one house. A block of this land was acquired by the Presbyterian community and a timber church erected there in 1910. In time, a larger church was required. After several years of fund raising led by George Kinross, a new red brick St Stephen's church was built in 1926 to the design of architects Haddon and Henderson. George Currie was the builder and the cost of construction was £5,100.From: Glen Eira Heritage Management Plan (1996) by Andrew Ward and Associates: St Stephens has architectural importance as a noteworthy example of a Gothic Transitional design in the Arts and Crafts eclectic manner (see Stylistic Typology in National Trust's Historic Church's Study}. The facade treatment successfully combines Christian symbols with Gothic forms in the Arts and Crafts mode (comparable with Haddon's Presbyterian Church, Malvern (1906) and Haddon and Henderson's Oakleigh Church (1928). It is locally important as an example of Robert Haddon's work in Caulfield, where he also lived (4 Glenferrie St q.v.).Page 25 of Photograph Album - four black and white photographs of St Stephen's Presbyterian Church, with two photographs in landscape mode across the top showing information about who designed the building in one and showing the church name and year founded in the other; and two in portrait mode in the bottom section showing 2 different heavy wooden doors.Hand written: 25 [bottom left]trevor hart, caulfield north, balaclava road, george kinross, haddon and henderson, george currie, st stephen's, 1900's, 1920's, gothic transitional, christian symbols, arts and crafts, robert haddon, stylistic typology, gothic, presbyterian church, architects, red brick, doors, memorials