Showing 4390 items
matching 1881-1959
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Robin Boyd Foundation
Book, Edward Eager, Magic or Not?, 1959
Hardcover w/ Dust Jacketwalsh st library -
Robin Boyd Foundation
Book, A.H. Spencer, The Hill of Content: Books, Art, Music, People, 1959
Hardcover w/ Dust Jacketmelbourne booksellers, autobiography, walsh st library -
University of Melbourne, Burnley Campus Archives
Book, Plant Propagation Principles and Practices, 1959
Inscribed, "Presented to the Burnley College of Horticulture by the author, Dr. hartmann 1961."hudson t. hartmann, dale e. kester, prentice-hall, 1961 -
University of Melbourne, Burnley Campus Archives
Book - Register, Register of Meterological Observations, 1951-1959
Handwritten entries for each day.meteolorogy, observations -
Kew Historical Society Inc
Photograph, Alma Figuerola, 1950-1959
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Undated photograph of the artist Alma Figuerola from her photograph album. The photograph is one of a number taken from the same photograph in different sizes.alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Kew Historical Society Inc
Photograph, Alma Figuerola, 1950-1959
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Undated photograph of the artist Alma Figuerola from her photograph album. The photograph is one of a number taken from the same photograph in different sizes.alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Tatura Irrigation & Wartime Camps Museum
Book, Art Primitif, 1959
Dr. Leonhard Adam studied both Anthropology and jurisdiction as a young man.Gold and pink coloured soft cover book with black and white printing on front cover and red, black and gold printing on the spine. 40 pages of reproductions. Sketches of artefacts throughout the book. Written in German. Photocopy sheet of a man playing the piano in 6 frames.art primitif, leonhard adam, mary clare adam murvitz, camp 2, tatura, books, history, local -
Tatura Irrigation & Wartime Camps Museum
Book, The Raider Kormoran, 1959
Captain Theodor Detmers tells the story of the German wartime raider "Kormoran". Translated fro German to English by Edward Fitzgerald.The Raider Kormoran tells the exploits of a German mystery ship in WW2 by Captain Theodor Detmers.The Raider Kormorancaptain theodor detmers, kormoran, hsk kormoran, ww2 german wartime ships -
Tatura Irrigation & Wartime Camps Museum
Journal, Book Reviews, 1959
Dr. Leonhard Adam studied both anthropology and jurisdiction as a young manOrange coloured soft covered booklet with one page inside. 3 staples along the spineww2 camp 2, books, history, local -
Tatura Irrigation & Wartime Camps Museum
Book - History, Hilfskreuzer Kormoran, 1959
Donated to the Tatura Museum by a descendant of one of the authorsHard cover German naval history book of the WW2 warship "Kormoran" B&W picturews and edrawings. Has separate protective cover with painting of ship at sea. Black,red & white printing. 264 pagesTo the Tatura Museum in kind remembrtance. Ursula Detmersbooks, history, local -
Williamstown Botanic Gardens- Hobsons Bay City Council
Photograph - Williamstown Botanic Gardens, 1959
Images collected by donor for Williamstown High School archives and scanned by Lindy Wallace for Botanic Gardens archiveThe images demonstrate the social value of the Gardens to the local community and how they used as a place for meeting, playing and celebrating with friends and family. Image 2014.007a is evidence of presence of cannons in the Gardens during the 1950s Black and white image of cannon with five children playing on and around it - two children sitting on the barrel, two on the carriage and one at the front of the cannon. Except for the girl at the front of the barrel who is wearing a dress, the children are all wearing shorts The cannon is on a hard pad with the wheels of the carriage facing to the side. Names from left to right starting at top: Robyn McComish, Tom Webb (brother of donor), Iris Webb (donor), Pam McComish, unknown. williamstown botanic gardens, hobsons bay city council, iris whitehurst, williamstown high school, cannon, 1959 -
Williamstown Botanic Gardens- Hobsons Bay City Council
Photograph - Williamstown Botanic Gardens, 1959
Images collected by donor for Williamstown High School archives and scanned by Lindy Wallace for Botanic Gardens archiveThe images demonstrate the social value of the Gardens to the local community and how they used as a place for meeting, playing and celebrating with friends and family.Black and white image of two teenage girls sitting in the grounds of the Gardens. There is a hedge, a hanging branch of a palm tree and a striped towel in the background. The girls are sitting the sun with the background in shade and are wearing skirts and blouses. Names: Iris Webb, Susan Andrew williamstown botanic gardens, hobsons bay city council, iris whitehurst, susan andrew, 1959 -
Horsham Regional Art Gallery
Photograph, Wolfgang SIEVERS, Sulphuric acid plant - E. Z. Industries, Risden, Hobart, 1959
Gift of the artist, 1999 -
Horsham Regional Art Gallery
Photograph, Mark STRIZIC, Collins Street boutique, 1959 (printed 1999)
Donated through the Australian Government's Cultural Gifts Program by Dr Jonathan Hartley, 2006 -
National Wool Museum
Archive - Advertisement, Onkaparinga Woollen Mill Company, 1959
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." For happy, healthy, pure wool warmth (lambs watching tv)For happy, healthy, pure wool warmth, it's Onkaparinga all the way/Buy Well-Buy Wool/Onkaparinga/Best in Australia…Best in the Worldblanket, blanket fever, wool, onkaparinga, advertisement, australian women's weekly -
National Wool Museum
Archive - Advertisement, Collins Bros Mill Pty Ltd, 1959
Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - years-of-bliss blankets (man asleep in bed) Physician - years-of-bliss blankets - just feel the difference!/Wonderfully warm, without weight…soft and fluffy after countless washings…made from the most luxurious wool in the world….and guaranteed for 20 years/Physician/Luxurious Woollen Blanketsblanket, blanket fever, wool, collins bros mills, physician, advertisement, australian women's weekly, geelong -
National Wool Museum
Archive - Advertisement, Collins Bros Mill Pty Ltd, 1959
Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - years-of-bliss blankets -(mother and child)Physician - years-of-bliss blankets - just feel the difference!/Wonderfully warm, without weight…soft and fluffy after countless washings…made from the most luxurious wool in the world….and guaranteed for 20 years/Physician/Luxurious Woollen Blanketsblanket, blanket fever, wool, collins bros, physician, geelong, advertisement, australian women's weekly -
Stawell Historical Society Inc
Archive, Cheque Books, 1955 / 1959
111 - No 1 Trust a/c 112 - Trust a/c M.O. No 1 8/9/66 previously No. 2Cheque Book with grey covers. Cheques stapled by fourE.S.& A Cheques to be written by John Bennett, John Mayhall Bennett and Donald McLeish Ferguson. 111, 112,136 and 168 -
University of Melbourne, Burnley Campus Archives
Document - Circular, Circular to parents and guardians, 1959-1960
Circular to parents and guardians ; Supplement to prospectuseducation, students -
University of Melbourne, Burnley Campus Archives
Document, Burnley Horticultural College, 1959
Designs for College emblem, circular to parents, actual blazer pocket, Scanned (pocket)burnley horticultural college, emblem, blazer -
University of Melbourne, Burnley Campus Archives
Document, Agricultural Scientists in Australia, 1959
Letter to members of Australian Institute of Agricultural Science; Reportaustralian institute of agricultural science, agricultural scientists, aias -
University of Melbourne, Burnley Campus Archives
Booklet - Catalogue, Plant and seed catalogues, 1940-1959
Various catalogues: Australian, English, Irish, Dutch. Refer to paper catalogue, 16 publicationsplants, seeds, catalogues -
University of Melbourne, Burnley Campus Archives
Document, Irises; Gladioli, 1950-1959
Catalogues of Errey Bros. , Camperdown, Vic. 4 cataloguesflowers, catalogues, errey bros, camperdown -
University of Melbourne, Burnley Campus Archives
Letter - Correspondence, Horticulture - Requisition for plants, 1952-1959
Correspondence between T.H. Kneen and various branches of Dept. of Agriculturet.h. kneen, horticulture, plants -
University of Melbourne, Burnley Campus Archives
Document, Gardening Notes Ag. Journal, 1953-1959
Gardening notes provided by A.J. Plumridge for Dept. of Agriculture Journala.j. plumridge, gardening -
University of Melbourne, Burnley Campus Archives
Booklet - Prospectus, Institute of Park Administration, 1959
Prospectus for college for park administration (UK)parks -
University of Melbourne, Burnley Campus Archives
Document, Careers for boys and girls, 1959
Supplement to The School Paper - Grades VII and VIIIthe school paper, careers -
University of Melbourne, Burnley Campus Archives
Magazine, Agros, 1959-1965
Magazine of Melbourne University Agricultural Students Societymelbourne university, agricultural students society -
University of Melbourne, Burnley Campus Archives
Document, Notes on drug plants that have been suggested as possible suitable subjects for cultivation in Australia, c. 1959
List of plants divided into: leaves, seeds, roots, barks, sundries and recommendationsplants -
University of Melbourne, Burnley Campus Archives
Document, Compost making in the home garden, c. 1959
Extracts from 2 wireless talks by George Hyam, Dept. of Agriculture, Vic.george hyam, department of agriculture