Dr Julie HERON Julie Heron lectured in Art Education at Federation University from 2006-2011. She was awarded a Doctor of Philosophy (PhD)Visual Arts in 2011. Her doctorate is a practice-based autoethnography entitled ‘Performing in the spaces between: an a/r/tographic inquiry into practice’. This research involved questioning and representing her practices, processes and positions as artist, researcher, teacher-educator and the outcomes of her research were made evident through an art installation and accompanying thesis. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Three drawings framed together. art, artwork, julie heron, drawing, charcoal, charcoal on paper, alumni, available

In the Middle Ages double-acting bellows was introduced. It had 2 parts, one operated by hand or foot, the other took air from it and was weighted so it forced air out while the part was filling. Blacksmithing is the shaping of hot iron and steel, usually by hammering. Very hot fires were produced by 1.a hot air blast. 2. burning charcoal (not wood). Bellows were used to make tools, fix equipment including machinery, drays, carriages, harnesses etc. Farmers in the Kiewa Valley often had their blacksmith forge. They made their own tools, were able to mend equipment, drays etc., gates, and most items that were made of iron and steel.Large Double Acting bellow with wooden top and bottom, shaped like a 'water drop' - narrow at one end and broad at the other. The wood is held by strips of wood and leather bound and placed around the perimeter. The wood on the top side has inscriptions (illegible). The wood on the bottom side has a rectangular hole. The narrow end feeds into a pipe to enable the fire to receive a hot blast of air. When the bellow is squeezed it allows both pieces of wood to be pushed together.Illegibleblackmiths, bellows, double acting bellow

The Ballarat Ironworkers' and Polytechnic Association was at the Ballarat School of Mines. In 1907 J.W. Gregory Professor of Geology at Glasgow Univesity, Late Director of the geological Survey of Victoria and Professor of Geology at Melbourne University. W. Dickson was Secretary for Mines and Donald McLeod was the Minister of Mines. in 1894 Ernest Lidgey was the Assistant Geological Surveyor for the Victorian Department of Mines. A.W. Howitt was Secretary for Mines and Henry Foster was the Minister of Mines. Charcoal hard covered report on the Ballarat East Goldfield. The book combines two reports from the Victorian Department of Mines. The 1894 report is 52 pages and includes images and plans. The 1907 Report is number 4 in the Memoirs of the Geological Survey of Victoria. Photographs include Looking South from the Britannia Mullock Heap, View from Sovereign Hill, Golden Point gold discovery site.Stamped "Ballarat Ironworkers' Association School of Mines" Bookplate of the Ballarat Ironworkers' and Polytechnic Association. Written inside front cover: "S.J. Miller, 115 Ascot Street, Ballarat"ballarat ironworkers' and polytechnic association, ballarat school of mines, ironworkers, geology, mining, ballarat east, llanberris, victoria united mine, normanby, north woah hawp, bookplate, s.j. miller, library plate, golden point, gold discovery at golden point, new normanby mine, william baragwanath, new speedwell, britannia united, llanberris co, sulieman pasha, prince regent, dalzell-cum-prince regent, north prince extended, eastern star, f. gray, victoria united gold mine, sovereign hill mine, prince regent mine, britannia mine

Sybil CRAIG (18 November 1901-09 September 1989) Born London, England Arrived Australia 1902 The National Gallery School, Melbourne, gave Craig a sound training for her popular flower and portrait studies. However, her association with leading modernists between the wars led her to pursue her art in a deliberately experimental and spontaneous way. Sybil Craig was the third woman appointed by the Australian War Memorial as an official war artist. She was the first woman to paint women working in the munitions’ factories. The Castlemaine Art Gallery & Historical Museum, held the first retrospective exhibition of Sybil Craig's in 2006. The exhibition highlighted her wonderful use of colour and design in a diverse range of media, techniques and subject matter. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed life drawing by Sybil Craigart, artwork, sybil craig, craig, life drawing, life model, charcoal, drawing, available

Leather helmet, cream shirt, charcoal grey trousers with button fly. Leather belt and pair of leather boots. Helmet lining is 100% black ribbed cotton. .1) & .2) shirt & trousers; .3) helmet; .4) belt; .5) & .6) boots. Right boot has hole drilled through sole to accommodate spike at base of display mannequin's leg. Belt is marked on inside near the buckle "Hero / 38"".Left boot has a white sticker "hora" painted in black. Right boot has black "X" on outside top. Both boots have "ooDED (?) / HURRAY 42" moulded into leather on outer surface of inside edge of tops. Trousers have stick on label "ROM 4" inside back of waistband.costume, male

A small softcover book dark green in colour at the top of the front cover is the authors name written in purple and the book's title written in large red letters there is also a charcoal drawing of a person driving a horse and dray with what looks like sacks of produce in the back on the back cover is text by the author and three reviews by different people.The book also contains a lot of old black and white photos of the family and places of note in the area.cheltenham, kingston, pioneers, moorabbin, carrum, mordialloc, picnic, asylum, hobsons bay, brighton, beach boxes, bridge hotel.

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame. One of two undated paintings by Winifred Miles' viewed from the same vantage point in Wantirna. (See Registration Number 4851)

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Pencil drawing with cardboard border in glass-fronted frame.

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame.

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Unframed painting with cardboard border.

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame. One of two undated paintings by Winifred Miles' viewed from the same vantage point on Mullum Mullum Road in Ringwood. (See Registration Number 4848)Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame. One of two undated paintings by Winifred Miles' viewed from the same vantage point on Mullum Mullum Road in Ringwood. (See Registration Number 4847)Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame. Painted from an original black & white photograph, Catalogue Reg No. 1347 recorded as "Ringwood's first Post Office showing first Postmistress, Miss M. Thompson and her mother. 1890". (South side of Main Street (Maroondah Highway), approximately 300 meters west of Ringwood Railway Station). Writing on back of original photograph reads, "Grandma and Auntie Martha Thomson 1890". (Difference in painting date and photograph date indicates years as shown are approximate only). Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].One of two undated paintings by Winifred Miles' viewed from the same vantage point in Wantirna. (See Registration Number 4836)Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame.Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame.Handwritten notation on back of frame - "Lilypond at Quambee Nth Ringwood 1912, and sticker - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

dior, exhibition, national gallery of victoria, ngv international, fashion, designer, gowns, 1990s, 2000s, charcoal

A summary of meteorological data appears in the Ballarat School of Mines Annual Report for 1887 (P.35, 50). The last such summary appears in the Ballarat School of Mines Calendar 1901-2 (p58), which contains the data for the year 1900. No references have been found re names and job duties/positions of data collectors. The data was recorded by J. Matsen and A. Kiedahl.A charcoal grey hard covered, 120 page ledger, with brown leather spine and corners. The ledger has 31 special column heading, with the observed data added by hand. The column headings are: (AM) Date, Barometer, Ther. of Bar., Wet Bulb., Dry Bulb, Maxim., Minim, Rainfall, Wind, Remarks and State of Weather (PM) Date, Barometer, Ther. of Bar., Wet Bulb., Dry Bulb, Maxim., Minim, Rainfall, Wind, Remarks and State of Weather.Gold lettering on spine "Meteorological Observations: and on a glued on leather patch "School of Mines Ballarat" also in gold lettering. Written on inside front page: "Elevation of barometer 1420ft above Sea Level. To reduce barometric readings to Sea Level When Thermometer stands at 40 add 1.606 (to barometer) 45 " 1.590 50 " 1.574 55 " 1.559 60 " 1.543 65 " 1.528 70 " 1.528 80 " 1.499 85 " 1.471 90 " 1.457 95 " 1.444 100 " 1.431 Lightly hand written in pencil on the next page: "J. Matsen Feb 1891 to Feb 1894 - 3 years A. Kildahl Feb 1894 - " A circle has been place around the hottest temperature for the month. ballarat school of mines, smb, meteorology, j. matsen, a. kiedahl, kiedahl, matsen, rain, weather, meteorological data

This book was translated from the French of M. Jules Labarte.Charcoal hard covered book with over 200 beautiful black and white woodcut illustrations. Illustrations include: Ivory chair at Ravenna - Abbey of Lorsch Martha and Mary advancing to the savior (Chichester Cathedral sculpture) The Navicella mosaic by Giotto Crown of Charlemagne (Imperial Treasury Vienna) Sword of Charlemagne (Imperial Treasury Vienna) Shrine of the Migi (Cologne Cathedral) Cup of Lapis Lazuli Iron Crown of the Lombards (Monza Cathedral) Irish Harp Bayeux TapestryLibrary cards, dates stamps, etcballarat technical art school library, library cards and date stamps, book plate, art, middle ages, renaissance

This iron was used by women to press the clothes from the mid 19th century. Coal embers were put inside, heating the base of the iron. Small bellows could be used to fire up the embers in order to keep the iron hot. This item is significant as it represents the appliances used by women from the mid 19th century until the advent of electricity.This charcoal iron is made of cast iron. It has a hinged lid so that embers can be put inside as the source of heat. The lid has a curved funnel and a wooden handle. The funnel kept the smoke away from the clothing. Bellows would be used to blow air into the iron and keep the coals burning. It has a wooden handle and the lever used to open the lid is also made from wood. There is a hole with a swivel cover at the back of the iron to check the coals. "S" on the swivel cover.domestic appliances, household items, women's work

Suit tailored to fit Vernard G. Williams by tailor in Burwood Victoria in June 1958 for wedding (as bridegroom) on 27/9/1958. Cost Twenty (20) pounds. See NA4140 for tie worn with the suit.Charcoal grey 1958 man's suit with medium width lapels with button hole on left lapel. Single breasted with breast pocket and two bound slit pockets. Lining is blue polished cotton and sleeves cream silk. Trousers are tapered to cuffs with two pleats either side of zipper (silver coloured metal). Change pocket, two side seam pockets & back pockets. Pockets are lined with cotton. See also Tie NA4140 and pink cummberbund NA4129costume, male ceremonial

Migrated to Australia with husband Robert in 1856 from Scotland. Settled in Adelaide, Melbourne and Phillip Island. Died in 1888.Enlarge reproduction of Cameo Head and Bust Photograph. Lace and Feather hat with wide ribbon tie under chin.local history, photography, photographs, slides, film, illustrations, charcoal, first mrs margaret (sharp) anderson, phillip island, charcoal drawing on white paper, mrs emma anderson jacobs

The P.S. Alexander Arbuthnot was the last of the paddle steamers built at Koondrook, for the river trade in 1923. Owned by the Arbuthnot Sawmills. She was used to bring timber in from the forest to the sawmills to be processed from logs to timber. She was later owned by Evans Bros and then Barmah Charcoal Ltd. She sank at Yeilima, re-floated in 1973, placed on a low loader and taken to Shepparton for preservation. Echuca city council bought her for the Port of Echuca in April 1989. She was bought to Echuca in December 1991 to complete her restoration by shipwright Kevin Hutchinson. She is now used as a passenger vessel and is licensed to carry 47 passengers. The P.S. Alexander Arbuthnot is a reminder of the past life on the river. Being the last paddle steamer built for the river trade in 1923, the Alexander Arbuthnot is a reminder of the past life on the river. Licensed to now carry 47 passengers, she was used by the saw mills to bring timber in from the forests to the sawmills. A timber planked, monohull, side wheeled paddlesteamer with a 8hp horizontal Ruston Hornby steam engine. It has a flat bottom and mutiple decks. Currently painted cream with burgandy trim.Alexander Arbuthnot signage on wheelhouse and port and starboard bowp.s. alexander arbuthnot

dior, exhibition, national gallery of victoria, ngv international, fashion, designer, gowns, 1990s, 2000s, charcoal, grey, chiffon

Originally known as Loves River it became Kawarren station on 16 June 1902. It consisted of a loop siding and combined office and passenger shelter. Goods loading was sawn timber (brought in on four tramways operating between 1905 and 1939), firewood, charcoal and limestone. In 1920 the limestone company built a store shed and a covered loading area at the terminus to assist operations. The company also requested the siding to be extended by three metres, which Victorian Railways did in the same year. This gave the loop a capacity of 21 trucks. Around 2,000 tonnes per year of limestone traffic kept the station busy until trade ceased in 1957. A postal motor started in October 1938, Kawarren being a point where the postal motor and trains were permitted to cross.B/W. G42 with a Down goods train at Kawarren on 14 December 1955. On No.2 Road empty NQR wagons proceeding to get filled at a covered lime loading operation. A three workmen are checking aspects of the train while a group appear to be clustered at the guard's van around an NKS motor trolley.kawarren; railways; limestone; timber; charcoal;

Bendigo Central Bottle Club Newsletter - James Lerk Collection, Vol. 7, No. 4 (ca. March/April 1982). Includes: Sketches of Charcoal one-gallon Filter (G D Guthrie, Bendigo Pottery; bottle T R Jones, Chemist, Bendigo;A Simpson & Son, Eaglehawk; Union Cordial Works, D Egan Prop. A Simpson & Son, Eaglehawk; McKenzie & Co. Wine and Spirit Merchants, Sandhurst; reprint from ''Bendigo and Vicinity'' (1895) re T R Jones, Chemist, Hargreaves St;One page has a photo of James Lark receiving congratulations from a bottle Judge.

Newspaper reports relating to the Australasian Association for the Advancement of Science, Hobart, 1892. "Australasian Association for the advancement OF SCIENCE. Several members of the Australasian Association for the Advancement of Science arrived in the city yesterday by the inter colonial steamers, some of whom went direct to Hobart, while others remained in the city, but leave for the capital this afternoon. Amongst those who arrived were Baron Von Mueller, the dis tinguished scientist, who has taken some interest in this colony's re sources, Professor W. Baldwin Spencer, M.A., professor of biology at the Melbourne University, who was general secretary at the Melbourne meeting; the Rev. Lorimer Fison, an able worker in the South Sea mission fields; Dr. Robert Giffen, L.L.D., C.ll.; Captain Pascoe, R.N.; Mr Napier Bell, C.E.; Professors Hutton, Nerich, Smith, and Morris, and Mr Richard Teece, F.T.A., the well-known actuary of the A.M.P. Society. A large number of other distinguished members also arrived. Judge Dorkerwho also arrived, was con ducted over the Exhibition in the after noon, and expressed pleasure with what he saw. His Honor leaves by express train to-day for Hobart. The hon. Dr. Campbell was met by Mr Arthur Day, the official agent for Great Britain to the Exhibition, an old friend, who conducted him over the Exhibition. The doctor confined his attention principally to the dry ore concentrator, in which he takes a great interest. He will, however, visit the Exhibition again after the meetings in Hobart has been brought to a termination. What he has seen of the Exhibition has impressed him favourably. (Launceston Advertiser, 6 January 1892.) "TASMANIA. AUSTALASIAN ASSOCIATION FOR THE ADVANCEMENT OF SCIENCE. The fourth congress of the Australasian Association for the Advancement of Science was commenced in Hobart at 11. o'olock on Thursday by the general Council assembling at the Royal Society's rooms, at the Museum. There was a good attendance, including the Governor, Sir B. G. Hamilton. In the absence of the president, Sir James Hector, the chair was occupied by Baron Von Muellor. In the afternoon Lady Hamilton gave a garden party at Government House to 600 guests, including the members of the association, the Judges, the members of the Ministry, and leading citizens." (Newcastle Morning Herald & Miners' Advocate, 9 January 1892.)Two sepia photographs mounted onto charcoal mount. A group of men in hats and coats, and women in hats and long dresses assemble in front of a double story building, thought to be Henry Dobson's of Ferntree near Hobart. In the background stumps of large trees are evident. The event was a garden party held in for members of the Australasian Association for the Advancement of Science who met in Hobart in 1892. .1 F.J. Martell of the Ballarat School of Mines is seated between two women in the right hand foreground. James Oddie, with white beard and top hat, is standing in the centre foreground between two women. .2) James Oddie is standing with cane in hand on the right of the bench in the foreground of the photo. australasian association for the advancement of science, hobart, oddie, james oddie, martell, von mueller, baldwin spencer, lorimer fison, robert giffen, napier bell, arthur day, dobson, henry dobson