Mass and Presentation of Mission Cross to Sister Ursula Gilbert ( for Missionary work she was doing in New Guinea ) -small stapled paper Programme- typed on white paper with a light blue cover which has a sketch on the frontdocument, sister ursula gilber

The motor boat built by Charles Blunt was donated in 1906, and was useful for ships' visit.The motor launch was an essential way to get access to seamen. alfred gurney goldsmtih, motor boat, motor launch, southern cross, yarra river, gasworks, docklands, flinders street, charles blunt, blunt boatbuilders, geelong, vehicle

The motorboat Southern Cross was used for ship visits and also to Bring sailors back to the Mission or picnics.A group of ladies and seamen sitting on the "Southern Cross", the Mission's motor launch, leaving the Australian Wharf and crossing the Yarra River. In the background we can see the "Robur Tea House" warehouse and the south wharf.motor launch, southern cross, yarra river, australian wharf, south wharf, flag, lhlg, robur tea house, missions to seamen, goldsmith album, motorboat, charles blunt, blunt boatbuilders, geelong

This altar cloth is representative of ecclesiastical linen in use in the early to mid-20th century. It is decorated with the Mariner's Cross symbol, connecting it to the history of the early Christian church. The cover for the cloth shows the respect the maker had for the cloth and what it stands for. The Mariner's Cross symbol also makes it appropriate as an altar cloth for the St Nicholas Seamen's Church at Flagstaff Hill Maritime Village. MARINER'S CROSS symbol: - The symbol of an anchor that also looks like a cross is called the Mariner’s Cross (also called the Anchored Cross or Cross of Hope). It looks like a ‘plus’ sign with anchor flukes at the base and a ring at the top. The anchor is one of the earliest symbols used in Christianity and represents faith, hope and salvation in times of trial. The Mariner’s Cross is linked to the scripture in Hebrews 6:19, which says, “Which hope we have as an anchor of the soul, both sure and steadfast, and which entereth into that within the veil”. This particular Mariner’s Cross also has the letter ‘X’ under the post of the anchor. In Greek, the language of the New Testament, the word for Christ is ‘Christos’, which begins with the Greek letter ‘X’ or ‘Chi’. Together, the elements on this Mariner’s Cross - anchor, cross and ‘X’ - symbolise to the Christian that Jesus Christ the Saviour gives security and safety, hope and salvation. Many church organisations still use various forms of the Mariner’s Cross. THE MISSIONS TO SEAMEN (Brief History): - The Missions to Seamen was an Anglican charity that has served seafarers of the world since 1856 in Great Britain. Its symbol is a Flying Angel, inspired by a Bible verse. Today, there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000, the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres, such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943, a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. The altar cloth is representative of the ecclesiastical linen in use in the early to mid-20th century, when the original St Nicholas Seamen's Church was opened in Williamstown, Victoria. The Mariner's Cross embroidered onto the altar cloth gives it a connection with the early Christian church and with the Missions to Seamen. The fine hand stitching and embroidery are examples of traditional handcraft skills used over the centuries and continuing in use today.Altar cloth, white linen, with custom-made white cotton cover. The long rectangular cloth has the symbol of a Mariner's Cross (anchor and cross) embroidered with white silk thread on each short end. The wide hems are hand-stitched. The cover has two white tape ties and embroidered text in blue silk thread. This cloth and cover is part of the St. Nicholas Seamen's Church Collection. On cloth: symbol of (anchor with an 'X' stitched behind the centre of it). On cover, text "FLAGSTAFF/ HILL" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, st nicholas seamen’s church flagstaff hill, altar cloth, church linen, ecclesiastical linen, mariner’s cross, anchor cross, cross of hope, symbol of christianity, anchored cross, flagstaff hill maritime museum and village, maritime village, religious worship, worship service, st nicholas seamen’s church, williamstown, missions to seamen victoria, mission to seafarers, st nicholas missions to seamen’s church williamstown, missions to seamen, st nicholas missions to seamen’s church flagstaff hill, 139 nelson place williamstown, anglican church

Refer to the service of BATTYE, Albert Wilkinson No 3020. Sergeant 8 INF BN. A.I.F. Died of wounds 5th October 1917.1). 2 sheets of paper, written on all sides in pencil. Addressed to Mrs Willis from A.W. BATTYE. Dated 20 August 1915 .2) 3 sheets of paper, written on all sides in ink. Addressed to Mrs Willis from A.W. BATTYE Dated 9 February 1915.1) Header on page “CHURCH OF ENGLAND SOLDIERS INSTITUTE (HOME MISSION) EXPEDITIONARY FORCE ENCAMPMENT BROADMEADOWS. ( CROSSED AT SEYMOUR WRITTEN) .2) Header on page. “ THE YOUNG MENS CHRISTIAN ASSOCIATION WITH H.M. MEDITERRANEAN EXPEDITIONARY FORCE IN EGYPT”aif ww1, letter, egypt

Photograph depicts the type of Lancaster bomber flown by F. G. Davey. Part of Frederick Gardner Davey DFC No.410533 RAAF Collection. See Cat. No. 3536P for his service record. Photo - Black & white, depicting a Lancaster heavy bomber being loaded with bombs. Ten personnel engaged in various tasks.On back handwritten in pencil: "Lancaster with bombs. Crosses denote number of missions". On back stamped in blue ink: "Supplied by Central Press Photos Ltd. Incorporating Central News Illustrations Service. 119 Fleet Street London E.C.4"lancasters, raaf

Articles have been from a local Bendigo newspaper and relate to F.G. Davey receiving the DFC. .1) features his photograph. .2) Outlines the details of his investiture ceremony. .3) details his service in No 44 Lancaster Squadron and his thirty Five bombing missions. Part of the F.G. Davey Collection. See catalogue no. 3536P for his service record..1) Rectangular clipping on cream paper featuring a black and white photograph of a man in a RAAF uniform. Title and caption in black type. Clipping is glued to a cardboard backing. .2 and .3) Rectangular clippings with title and text printed in black type on cream coloured paper. Partial newspaper articles in black type on the back of each.distinguished flying cross, f.g.davey, newspapers, medals

Frederick Gardner DAVEY was born in Bendigo & worked at Hume & Iser prior to enlisting. He initially enlisted as No V24918 in the 17th Machine Gun Regt in 1939 aged 22. Fred was discharged from the Army with the rank of Sgt in 10.9.1941. He then applied to join the RAAF & was finally accepted & began his service on 30.1.1942 No 410533. Finally he was posted to No 44 Sqd RAF Rhodesian which were Lancasters on 16.3.1944, so named because 25% of the aircrew & ground staff were from Rhodesia. Fred flew on the Nuremberg Raid on 30/31.3.1944 which suffered the costliest in terms of RAF losses in a single night. A total of 779 aircraft were on the raid & 105 aircraft were lost with 534 crew & 157 captured. His Sqd during the war had the 3rd highest losses in Bomber Command. Fred flew 35 missions in total & was awarded the Distinguished Flying Cross in 1944. He was presented with his DFC at an investure at Buckingham Palace on 18.5.1945. Fred was discharged from the RAAF with the rank of Flying Officer on 28.9.1945.Framed colour portrait photo of a man in RAAF uniform. Frame is metal with photo covered in clear plastic. Folding stand attached at back.On mounting of photo: Vincent Riely Bendigophotography, portrait, raaf

These mirrors were carried by fighter pilots to signal to rescue crews if they were downed, particularly behind enemy lines.This mirror was carried by Max Carland part of his kit while flying missions from MorataiRectangular mirror with instructions on reverse side. Front is mirror, back is black with 50mm round mirror with sighting cross in centreEmergency signaling mirror (ESM/1) Sec.No. 4063 General Electric Company

The Lancaster Bomber was one of the most famous aircraft of World War II. It first saw service in 1941 and became the RAF’s main bomber during the war. The first prototype Lancaster flew in January, 1941. A total of 7,377 Lancasters were made, after the first one rolled off the production line in October, 1941. It carried a crew of 7 and could fly at about 454 kmh. The plane was just over 21 metres long, had a wingspan of 31 metres and a flying range of 4,000 km. The Lancaster was normally armed with 8 Browning machine guns, as well as bombs. Some planes were modified so they could carry the so called Grand Slam bomb, weighing 10,000 kg. During World War II, Lancasters flew over 156,000 sorties, or raids. They dropped over 50 million incendiary bombs and over 608,000 tons of explosive bombs.One of the most famous bombing raids was a 1942 raid on Cologne, Germany. Over 1,000 bombers dropped bombs on the industrial city, destroying over 600 acres. Many Lancaster crew members were given medals for heroic actions while flying. Guy Gibson had flown 170 missions by the age of 24 and was awarded the Victoria Cross. Towards the end of World War II, Lancaster Bombers dropped food into the occupied Netherlands.Rectangular shaped glass covered picture frame with photo print of a Lancaster Bomber.lancaster bomber, ww2, avro, lara r.s.l. british aircraft.

Bendigo Advertiser "The way we were" from 1999. Historic: Langley Hall has served as a Red Cross hostel, a theological college and a home for unmarried mothers. From 1932 until 1978, the mission of St James and St John managed it as a children's home.newspaper, bendigo advertiser, the way we were

An original group of plans drawn by Walter Butler who was also the architect of the Central Institute, Siddeley Street in 1906 and the Mission to Seamen building at 717 Flinders St that is still in use today. The early Port Melbourne onshore Mission gradually transformed from a 'wooden shack' to a one storey brick building designed by architect Frederick Williams in 1888. The St Nicholas chapel was added in 1915. Walter Butler was commissioned to add a second storey in 1917. The building retained its functions until 1937 when the Art Deco Mission, designed by Morris was built. The building has survived as a structure into the 21st century, and was incorporated as part of a multi-apartment development. Historical architectural record of Walter Butler's work. Walter Butler was a renowned architect and friend of the Fairfax family.Coloured architect's drawings of the proposed plans for Chaplain's Residence at Port Melbourne on heavy parchment. Including elevation drawings, floor plans and cross sections as well as architect's notes and measurements.Embossed architect's stamp in top right and left corners and bottom right corner "Walter R Butler [indecipherable] Melbourne" Printer's stamp on bottom right hand corner of rear "Printed by J. Creffield Propy. LTD. RIALTO, 493-5 Collins St. Melbourne"plans, walter richmond butler (1864–1949), mission to seafarers, chaplains residence, beach street, nott street, port melbourne, mission to seamen, frederick williams

Whilst the crucifix appears to be the result of two separate items being fused together it is probable that this artefact was used in one of the Missions at Port Melbourne or possibly aboard a ship.The Mission to Seafarers began its life as an Anglican based charity and continues to be so today. However, throughout the years it has always offered an ecumenical approach to offering social, spiritual and physical comfort to seafarers. Wooden crucifix with ornate brass Jesus on the cross affixed to front. The brass cross is very ornate with floral motifs and scroll work. It appears that the wooden crucifix and brass crucifix were originally two separate items and several nails have been used to affix the brass ornament to the wooden one. Brass plaque on wooden crucifix: "INRI" Brass inscription on brass crucifix: "INRI"religion, wood, brass, anglican, jesus, crucifix, ecumenical-tradition, st peter chapel, mission to seafarers, flinders street, seamen's mission

The photograph on the front of the postcard depicts a game of billiards being played in the Billiard Room of the Mission to Seafarers Melbourne. The Flinders Street extension building opened for use in 1917 after relocating from Australia Wharf. The billiard pool was likely made by the Alcock company.The scene on the postcard shows the typical use of the Billiard Room at the Mission to Seafarers Melbourne as well as what is presumably the original layout of the room and gives an insight into men's fashion of the time.Sepia toned postcard with photograph of a man in shirt sleeves taking a shot on the billiard table with a second man standing to the left and rear wearing a hat and watching the shot. There are two seated men to the right of the photograph. The man on the left is wearing a suit including hat, the man on the right is wearing a cap and sitting with his arms crossed. There are three pendant lights above the billiard table and bench seating in front of the window.Printed on the bottom of the front of the postcard: "IN THE BILLIARD ROOM. SEAMEN'S MISSION. MELBOURNE, VICTORIA. REAL PHOTO SERIES M.826" Printer's logo on rear of postcard: "VALENTINES/REAL PHOTO SERIES POSTCARD" Printed sideways on left hand rear of postcard: "Published by the Valentine & Sons Publishing Co. Ltd/Melbourne, Sydney & Brisbane" Printed in right hand corner rear of postcard: "BRANCHES/SYDNEY/LONDON/DUNDEE/DUBLIN/CAPETOWN/MONTREAL/TORONTO" postcard, windows, floorboards, valentine-and-sons-publishing-co-ltd, billiard room, pool table, billiard table, billiard cue, seamen's mission, mission to seafarers, melbourne, flinders street, bench seat, pendant lighting, bentwood chairs, coat rack, valentines postcards, real series postcards, real photo series, m.826, vienna chairs

The St Peter Chapel opened in 1917. Funding came primarily from the Ladies Harbour Lights Guild. The artwork "And the Lord turned and looked upon Peter" was donated by Mr R. Stewart Murray in 1940. The procession cross was donated by the Ballarat Branch of the Harbour Lights Guild in 1958 helping dating the photograph to post 1958.St Peter the Mariner's Chapel is ..... by the relationship with the Anglican Church. Although Black and white photograph with a white border, of the interior of Saint Peter the Mariner's Chapel. Central is the aisle with pews on either side. Midground and on the left side is the pulpit and an altar in the background. melbourne, mission-to-seafarers, altar, pulpit, pews, choir-stalls, reverend w.f. haire, walter richmond butler, jesus, st peter chapel, lectern, hymn board

This photograph is representative of the relationship between the Mission to Seafarers Victoria and the Anglican Church. The image also historically depicts the courtyard at the Mission to Seafarers Victoria from approximately the early 1950s.Reverend Frank Oliver served as Chaplain at the Mission to Seafarers Victoria for almost thirty years. The photograph shows the historical ties between the Mission and the Anglican Church towards the end of Oliver's chaplaincy in the 1950s. Standing in back row on the left is Rev Alex Crigan, Assistant Chaplain. Black and white photograph with a white border. Pictured are 18 men, 15 of which are wearing white collars of the church. They are positioned in two rows; the back row consists of ten men, the front row has eight men. All the men in the front row have their arms crossed, and many in the back row appear to have their arms behind their backs. The men are situated in the courtyard of the Mission to Seafarers Victoria, in front of the pillars with hanging vine leaves.In blue ink (written by Padre Oliver): On the top section of the white border in blue pen reads: "5", "3", "4". "6":, "7", "8", "9", "2". Whilst the lower line of the white border reads; "11", "12", "!", "!0". These number correspond to the names and numbers on the reverse side of the photograph. This reads: "1.Cyril Brown (Gen. / 2. Peter Smith (L/R - Melb.) / 3. Roberts (T.ville) / 4. Palmer (? Hobart) / 5. Alex Crigan (Melb) / 6. Bob Clarke (L/R . W'town) / 7. John Beaverstock (L/R Melb) / 8. Joe Forstes (Melb) / 9. Nichols, Vicar. H Trinity, Port Melb. (Late Chap, T'ville) / 10. Williams (Wellington) / 11. Max (Cowle), (Port Melbourne) / 12. F.L. Oliver (Melb.). Below this is a hand-drawn line that leads to the name "COWLE" melbourne, ties, men, williams, nichols, reverend, hobart, pillars, suits, courtyard, brickwork, chair, creeper, cyril-brown, peter-smith, roberts, palmer, townsville, williamson, vicar, h-trinity, port-melbourne, wellington, alex crigan, missio to seafarers, seamen's mission, mission to seamen, conference, flinders street, padre oliver, frank leslie oliver, anglican church, alec crigan, bob clarke, reverend c.j. brown, cyril j. brown, max cowle, john beaverstock, joe forster, chaplain conferences, chaplains group

This photograph is a snapshot of how the Celia Little Room was used in the late 1950s, and the people who visited the Mission to Seafarers Melbourne at the time.The Mission to Seafarers Melbourne is a place of respite for visiting seafarers since 1917. The image shows a particular point in history in the Celia Little Room at the Mission, where the services provided to seafarers are being used.The image depicts a group of people in the foreground of the Celia Little Room at Mission to Seafarers Melbourne. A Priest is sitting to the left of a table with a number of tea cups and saucers. There is a man sitting in the middle with his arms crossed with his elbows on the table. A lady sits to the right of the table and she is holding a cup and saucer. Another man is sitting between the lady and the man with his arms crossed, he is bald. There are two men in the background who appear to be reading, one man is partially blocked from view by the man at the table with his arms crossed. The walls are timber lined.The reverse side of the photograph in the top right corner is an "O" with what appears to be a "9" in the middle of the "O". table, tea, reverend, reading, mission-to-seafarers-melbourne, celia-little-room, priest, wains-coting, flinders-street

The receipts are dated from the 20th of November 1982 to the 8th of July 1989. The last receipt has been crossed out, possibly cancelled. The is a handwritten note within the register. They document some of the information needed on the actual marriage certificate, such as the date and location, bride, bridegroom and celebrant's names, as well as the date the each certificate was sent to registering authority.Part of the record of weddings performed at the Mission to Seafarers between 1982 to 1989.Stamped in black ink on the front cover: N.B INSTRUCTIONS RE: USE OF THIS BOOK (underlined), followed by the instructions. Under this is printed the Australian crest. Under this is printed : COMMONWEALTH OF AUSTRALIA / CERTIFICATES OF MARRIAGE.marriage, wedding, register, receipt, 1982-1989, mission-to-seafarers, port-melbourne, marriages, dio-marriages, st peter chapel, st andrew chapel

This photograph depicts the ritual of "crossing the line" which marks the point at which a sailor first crosses the equator. Allan worked aboard the M.T. Ariston during 1946 and worked between Sweden, Central America, North West Indies and South America.This photograph is from the Allan Charles Quinn collection which is a collection of letters and photographs depicting life at sea for a young man in the period immediately following World War II.Black and white photograph of the "crossing the line" ceremony aboard the Ariston.Black ink on reverse: Crossing the equator on Ariston/ 10.9.46allan-charles-quinn, crossing-the-line, sweden, central-america, north-west-indies, south-america, equator, ariston

The earliest example of this newsletter published two to three times per year issued by the Mission to Seamen and LHLG. The Mission holds a photograph of this publication being packed in calico by the members of the 'Ladies Harbour Lights Guild' for distribution to branches and supporters.Published for some 30 years by the Victorian Missions to Seamen issued to supporters the series contributes to the history of the organisation. It is a key cross reference supplying many details and dates of Chaplain and LHLG activities in both Melbourne, Port Phillip and other States where Missions were gradually established and information not able to be included in Annual Reports. It is also a source of images.newsletter, victorian seamen's mission, melbourne misson to seamen, jottings from our log, lhlg, rope, flying angel, seagull, advertising, port melbourne, williamstown, sailors' home, australian wharf, seamen's institute, sailors' rest, services, concerts, events, socials, deaths, captain press, w.h.c. darvall, motor boat, geelong, boat builder, manx king, glenlui, dovenby, marion woodside, ainsdale, robert reid, bagatelle board, billiard table, sir wilmot fawkes, lady fawkes, book bags, woolies, michaelmas, 1906, quarterly, ladies harbour lights guild, captain strickland

Hardback cover book with white Title (see above) and author text, KVERNDAL, Roald, on pink grey cover. pp 903, ills. Cover image depicts a masted galleon ship at anchor with interior lights at dusk or dawn flying from the stern of the ship is the blue BETHEL flag featuring a star and dove of peace in top and lwr corners respectively. xxviii, 903 p. : ill. ; 24 cmnon-fictionmerchant seamen, missions and charities, royal navy chaplains, missions-to-seamen, mission to seafarers, roald kverndal

This window, in memory of Ethel Godfrey, was unveiled in December 1935, by Archbishop Head. In June 1936 two other memorials were unveiled: brass tablet in the Williamstown building, and a sectile tablet in the Port Melbourne building. (Jottings 1936). The funds were raised by the Mission.Arched stained glass window depicting Mary with a cross, in the background the sail of a small barque on the sea with waves and skyTo the Glory of God, and in memory of a much-loved leader, Ethel Augusta Godfrey, one of the founders of the Ladies’ Harbour Lights Guild, of which she was Honorary General Secretary until 1930. This memorial is erected in the year of her death.altar, st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, anchor, stained glass windows, win, memorial chapel, hope, ethel augusta godfrey 1861-1935

The St Peter chapel was furnished thanks to donations of supporters of the Mission. Some were donated for the previous temporary chapel at the Sidney Street site and some are lost. - Holy Table (altar): donated by Mrs Shuter, in Memoriam of Charles Shuter - Cross: - Vases (lost) - Stained Glass Windows: donated by Misses Edith and Ruby Forge, in Memoriam J. Leslie Forge - Altar Lectern - Alms Dish: donated by the Godfrey sisters in Memoriam of their parents - Credence Table: donated by - Sanctuary Chairs: donated by Miss Gladys Hawkey - Sanctuary Rail - Choir Stalls and Chancel Screen - Lectern (donated in 1909) - Pulpit (donated in 1907) - Prayer Desk (a plaque to Goldsmith) - Bible and Prayer Books - Font - Cover for Font - Pews - Offertory Collection Plates (lost) - Music Cupboard in Vestry (lost) The document lists all the gifts donated by generous supporters of the Mission in 1917. The chapel was built during World War 1 as. memorial to the merchant seamen lost during the war. These items are still in the chapel today.A4 document on cream colour paper, wording in black ink.gifts, chapel of st peter, flinders street, mission to seafarers, mission to seamen, gladys amy hawkey (1886-1974), reverend alfred gurney goldsmith, gifts-1917, amelia shuter nee lord, beatrice elizabeth higgins (nee shuter), charles shuter

SEAMEN'S INSTITUTE FOR THE VICTORIA MISSIONS TO SEAMEN In architectural style, the new Seamen's Institute for the Victorian Missions to Seamen, in Flinders street Extension which is to be opened early in September by Sir Ronald Munro Ferguson, the Governor-General, may be said to resemble the type adopted by the early settlers in California, and known in recent years by the name of Spanish Mission architecture. This character is particularly sympathetic with the object for which the building has been erected, and is exemplified in a marked degree in the unique chapel tower of oblong shape with its four pinnacles and open bell turret, with an almost rustic cross as terminal point: also in the arcaded Eastern Court cloisters, with simple round arch arcading, and in the chapel roof, which is framed of heavy rough-hewn hardwood timber work left as it came from the saw, and erected green from the forest. but so well framed and bolted that no harm can result from shrinkage. The foundations are constructed of reinforced concrete, and in some places are nine feet wide. The ground is very treacherous, and considering the irregular weights of the one story, two-story, and three-story parts of the building, the result achieved in sta bility is eminently satisfactory. The main hall has a vaulted ceiling of reinforced concrete construction, and, spanning 35f., is the widest span of any floor in Melbourne of similar construction. The chaplain's residence is built above the lecture hall, and consists of a most complete, up-to-date dwelling-house of eight rooms. It is fitted with every modern convenience and labor-saving device. The cupboard in the pantry, for instance, has two faces — one in the diningroom and the other in the pantry. Dishes are washed in the pantry, put into the cupboard, and taken out in the diningroom, ready for the next meal. Special rooms are designed for the many and various works carried out for the sailors by the industrious workers of the mission. One room is shelved and fitted for the reception, sorting, and distribution of books, periodicals, and other reading matter that is parcelled up by willing hands and given to sailors as ships leave port, to beguile the weary hours of leisure on the sea. Any old books or magazines, illustrated papers, and the like are always welcome at the insti tute. Reading matter of this kind can easily be saved and sent along in bundles. The gymnasium is not yet built. This is the only part of the building required to complete the block; and when its concrete dome, with open eye at summit like the Pantheon at Rome is erected, the whole effect of the groups of buildings will be most striking. In the entrance hall is a floor of marble mosaic, with a central feature of a mariner's compass seven foot in diameter, well executed by the Adamant Pavement Company, and the gift of Mr George Russell. The architect has designed a copper ship as a finial for the main gable of the building, and it, like the gymnasium, is awaiting the collection of more funds or the generosity of a special donor. The whole of the woodwork of the in terior of the building, including high dados round the walls of halls, stair cases, billiard and other rooms is car ried out in Tasmanian hardwood, fin ished in a dull beeswax polish, and the floors of the entire building, except the lavatories, which are tiled, are also executed in Tasmanian hardwood. Mr Walter R. Butler, F.R.I.B.A., was the architect, and the work was carried out by Mr A. B. Robertson, builder. PICTURESQUE BUILDING AMID SOMBRE SURROUNDINGSThe article gives a valuable description of the Mission at the end of its construction and before its opening.4 columns article with photograph of the front of the Missionlady fraser, walter richmond butler (1864–1949), architecture, spanish mission, california, reinforced concrete, tasmanian hardwood, gymnasium, norla dome, pantheon, adamant pavement company, george russell, compass, finail, weathervane, chaplain's residence, manse, chapel, courtyard, cloisters, main hall, spannig

The first Seafarers Service was held on 23 October 1905 in the St Paul's Cathedral in London to celebrate the Centenary of the Battle of Trafalgar and the death of Vice-Admiral Horatio Nelson on 21 October 1805. Reverend Alfred Gurney Goldsmith launched the first Seafarers Service two years later and the first service was held on Sunday 10 November 1907. National and house flags are used during the annual Seafarers Service. The Adelaide Steamship Company was an Australian shipping company and later a diversified industrial and logistics conglomerate. It was formed by a group of South Australian businessmen in 1875. The service continue to reflect the full range of the maritime activities in Australia. Representatives come from the Royal and Merchant Navies, the commercial world, shipping companies, mission and philanthropic societies, veterans’ associations, labour unions, youth and leisure organisations, but anyone is welcome to attend.Large white rectangular flag with a navy cross and a red 8 arms star.Adelaide Steamship written in black penflag, seafarers service, adelaide steamship, shipping company, house flag

430 pp. on art paper. approx 60 illustrations, photos, sketches, all B&W. Extensive appendices according to the trades the ships engaged in. Long index, examples of log entries, mapsnon-fictionFrom the Preface: "In this book I have attempted to give some account of the beautiful sailing ships which played so great a part in the development of the great British Dominions under the Southern Cross. It is written specially for the officers and seamen of our Mercantile Marine, and I have endeavoured to avoid such a criticism as the following:—“Heaps about other ships, but my old barkey was one of the fastest and best known of them all and he dismisses her with a line or two.” I have made rather a point of giving passage records, as they are an everlasting theme of interest when seamen get together and yarn about old ships. The memory is notoriously unreliable where sailing records are concerned, so I have been most careful to check these from logbooks and Captains’ reports. Even Lloyd’s I have found to be out by a day or two on occasions. A great deal of my material has been gathered bit by bit through the past 25 or 30 years. Alas! many of the old timers, who so kindly lent me abstract logs and wrote me interesting letters, have now passed away. The illustrations, I hope, will be appreciated, for these,viii whether they are old lithographs or more modern photographs, are more and more difficult to unearth, and a time will soon come when they will be unprocurable. Indeed, if there is any value in this book it is because it records and illustrates a period in our sea history, the memory of which is already fast fading into the misty realms of the past. To preserve this memory, before it becomes impossible, is one of the main objects, if not the main object, of my work."clippers, basil lubbock, loch vennachar, loch gary, loch ryan, loch sloy ship, hobsons bay, mermerus

The Flag was donated by the Paynesville Maritime Museum for use from time to time in the Chapel at the Mission to Seafarers Victoria.This type of signal flag was hoisted by ships afloat to indicate that a church service was in progress. Loose weave blend of synthetic and natural fibre large triangular pennant with red cross near hoist hem and long parallel panels of blue and red down the length of the pennant on white ground; rope hoist tethered and steel hoist fixings all calico bound along hem.Inscribed in black texta top corner 5966 and in lwr crnr CHURCHpennants, flags, signal flag, church pennant, paynesville maritime museum