The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. A mounted black and white portrait photograph of a middle aged man with a white beard wearing a suit. photograph, photography, portrait, photographic portrait, haeusler, haeusler collection

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This photograph is of Ilma Margaret Ernestine Haeusler (née Tasker, b.1900 in Tallangatta), mother of Alf Haeusler who was born in 1922. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history. A black and white photographic portrait of a Ilma Margaret Ernestine Haeusler (née Tasker, b.1900 in Tallangatta) displayed in a thick wooden framephotography, photos, photographic, photographs, family photos, family photography, haeusler collection

historic, peoplePhotographic portrait, half body, of Christina Hitchcock of Grenville c 1910, in Edwardian dress.christina hitchcock, grenville

Library Committee purchased enlargement 18/8/1919Photographic portrait of John Treweek, Athenaeum Secretary/Librarian in natural oak frame on gold mount

Photographic portrait of then St Kilda Town Clerk WH Greaves taken c.1960'sBlack and white photograph of WH Greaves on photographic paperwh greaves collection, greaves, city of st kilda

Ethel May Ogilvy (nee Stoddart) became a Red Cross Nurse during World War I after completing a course in Nursing and Hygiene conducted by the St John Ambulance Association in November 1914. This portrait was presumably taken after Ethel had completed this course. Ethel's daughter later donated her mother's uniform - which is held by the Museum. Most Australian Red Cross nurses, like Ethel, contributed to the war effort at home. They filled a need created by the exit of a large number of Australian nurses to the front and by the influx of seriously injured personnel who were brought back home. In 1919, Ethel Stoddart married Arthur James Ogilvy, a veteran of the Boer War and World War I. The couple moved to Emerald in 1936 where they lived the remainder of their lives. This photograph is emblematic of the variety of ways in which Australian women contributed to the war effort during World War 1.Black and white photographic portrait of Nurse Ethel Stoddart mounted in a sepia-coloured cardboard frame. Signature of photography studio in bottom right of frame.In bottom right of frame: 'Gainsborough / 213 CHAPEL ST / PRAHRAN'red cross, world war 1

Rev Daniel Foley was the third Bishop of Ballarat 1916 - 1941. A cousin to Archbishop Mannix of Melbourne he accompanied Mannix on his 1920 journey across the U.S.A giving many public speeches. He was witness to the removal of Mannix from the SS Baltic by the British in the Irish Sea, an event that made world headlines. This large photographic portrait was taken by Thornton photographer Ballarat.Signed on image "Thornton" Photo Ballarat.

This photographic portrait is of Mrs Florrie Meyenn (nee Middleton), wife of a German seaman. She ran one of the first guest houses in Emerald, Nottingham House, situated on the now Kilvington Drive, near the Scout Hall. Nursery workers used to board there. Mrs Meyenn later married Mr Ned Horwood.This photograph of the proprietor of one of the earliest guest houses in Emerald recalls Emerald's early history of guesthouses.Black and white studio photographic print (head and shoulders) of Mrs Florrie Meyenn. In clear plastic packet.On back top right, blue label handwritten (recent): 'P4' On back at bottom handwritten (recent): 'P401002' On outside of packet, typed: '7892-1 #150 * Positive / HERITAGE SPRING '88 / LITHOCRAFT BLUE 27/7/88 PM' Underneath typing on packet, handwritten: 'P. 40-61 100%'nottingham house, guest houses, meyenn

Mrs Charlotte Anderson was born Charlotte Eliza Alsop in England in 1838 and arrived in Australia in 1848. She married lawyer James Anderson in 1864, and in the year of his death in 1878 she became the founding owner-Principal of Ruyton Girls' School, Kew. Mrs Anderson operated Ruyton initially in her own home of 63 Bulleen Road, Kew (now 63 High Street South). According to Ruyton histories, Mrs Anderson is said to have begun the school with her own two sons, four daughters and some of her Alsop nieces and nephews who resided in Kew. Around the time of the addition of Maud King, the first student outside the family, the school changed to a 'Ladies College', and the boys were sent elsewhere for their education. By late 1881 Mrs Anderson began using the name 'Ruyton' for the school, in honour of a connection to Ruyton-XI-Towns, Shropshire, England where her great-grandfather had been vicar and where she was baptised. In 1882 Mrs Anderson moved the School to Edgecomb in Studley Park Road from 1882-1888. The larger premises enabled her to begin accepting boarding students from 1882. She retired due to ill health and sold the school to her friend Miss Eliza Bromby. Mrs Anderson lived at 'Bongamero', in the King Valley, Victoria until her death in 1906. She is buried in Boroondara Cemetery. One of Ruyton's four Houses, Anderson, is named for Charlotte Anderson. Artwork AC/0099 is a framed reproduction photograph of an original portrait of Mrs Anderson, c.1900-1906. The location and date of the original photograph is unknown, but may be held among Ruyton papers at the State Library of Victoria (MS 12079). The reproduction was probably created to be part of the gallery of Principals and significant people for the Conference/Boardroom, Henty House.A framed, black & white reproduction of a photographic portrait. The portrait shows the head and shoulders of a middle aged woman wearing Victorian-era clothing including a dark ribbon tied around her collar. She wears a lace cap on her head, and the cap's tail is draped around her shoulders. The woman's body is partially turned away from the camera, while her face is turned toward the camera. Plaque on frame: "Mrs Charlotte Anderson/ 1878-1888"charlotte anderson, ruyton, ruyton girls' school, kew (vic), bulleen road, high street south, studley park road, edgecomb, woman, school, teacher, principal, anderson, reproduction, 1990s

PaperbackBy Martin Gilbert Publisher Penguin Books – in association with William Heinmann London 1974

220 p., black & white photographsnon-fictionThese photographs were originally taken for 'stereoscope' and include images from all over the world.photographs, world history, stereoscope

Photograph of WH Greaves at the time he was appointed Town Clerk of St KildaBlack and white photograph on photographic paperwh greaves collection, greaves, city of st kilda

At the conclusion of a term in office, the Dean of the Faculty of Anaesthetists would have their portrait taken.This photograph is one in a series which documents the history of the development of the Faculty of Anaesthetists through portraits of past deans. The tradition has continued through to the development of the Australian and New Zealand College of Anaesthetists, although that also marked a transition to oil paintings rather than photography. This portrait was photographed by renowned photographic artist, Athol Shmith. As such it holds both historic and artistic significance.Black and white image of Dr Robert Orton, wearing the robes of office of the Dean of the Faculty of Anaesthetists of the Royal Australasian College of Surgeons (predecessor to the Australian and New Zealand College of Anaesthetists).robert orton, faculty dean, dean's robes, official portrait

One of five group and individual portraits of the Noble family of Kew, two in the rear garden of what is presumed to be ‘Charnwood’, in Station Street, Coburg. The photographs date from the period c.1890-1914. One of the larger framed photographs is a portrait of the entire family group, while another is of two of the children, Frederick and Winifred. The father, Frederick William Noble was a businessman, and, at one period Secretary of the Victorian Creamery & Butter Company in South Melbourne. Later he was to manage J. Bartram & Co., Ice & Cold Storage Department in Flinders Lane. By 1906, the Noble family had moved to Kew, living for almost 20 years at 100 Walpole Street before relocating to 26 Molesworth Street in the mid 1920s. The five photographs in the collection reveal details of family life and social values as expressed through attire. The family is formally costumed in a manner indicative of their social status. Mrs Noble, in one of the large framed portraits, is dressed in a sombre manner in a long, dark-coloured long-sleeved, high-necked gown. It is difficult to know whether she is dressed in mourning wear in this black and white photograph. It was not uncommon for a woman to regularly wear mourning attire due to the high mortality rate in the Victorian era. This situation was compounded for women due to the size of extended families. A woman might rarely be out of mourning due to the death of a parent, a sibling, a husband, a child or a near relative. The portraits of the Noble family children, particularly Frederick and Winifred, show the elaborateness of formal attire worn by the children of wealthy families during the late Victorian era. Winifred is dressed in a long cotton dress and a broad-rimmed hat; both liberally covered in lace. Winifred and Frederick’s lace collars extend to their shoulders. Winifred’s diaries, covering the period 1908-50, are now in the collection of the State Library of Victoria. The most detailed of the diaries is from 1914, just before the outbreak of World War 1, and includes ‘Accounts of my Dancing Evenings - Season 1914’. The diaries were the inspiration for an art exhibition by Jim Pavlidis in 2014. One of the family’s two sons, Frederick, was to work at The Age newspaper for 50 years. His obituary records that “He was regarded as the epitome of accuracy and a fount of knowledge on many subjects, but especially cricket, the Royal Melbourne Show and Gilbert & Sullivan”. With Robert Morgan he compiled Speed the Plough, a history of the Royal Agricultural Society of Victoria and its role in developing agriculture in Victoria.Framed photographic half portrait of Winifred Noble in the original carved wooden frame. Winifred lived at 'Avalon' in Molesworth Street, Kew.Handwritten label on rear "Winifred Noble c 1910-12"noble family, winifred noble, photographic portrait, kew

In June 1903 some of the Friendly Societies in Bacchus Marsh formed an association to play Rope Quoits tournaments. The first tournament concluded after a series of matches in September 1903. The winners of the tournament were presented with a trophy in the form of an illuminated photographic portrait of the winning players. Reports of a Rope Quoits Association being formed for Friendly Societies members appeared in the Bacchus Marsh Express from 13 June 1903. Reports of the weekly tournaments subsequently appeared in the Express through June to September 1903. A detailed account of the final tournament and the illuminated photographic portrait presented to the winning players appeared in the Bacchus Marsh Express on 26 September, 1903, page 3, column 1.This illuminated photographic portrait is significant because it depicts evidence of recreational activities and social groups which were active in the 1900s. Framed photographic portraits of Bacchus Marsh Friendly Society membersConcord Tent No. 140 Friendly Societies Rope Quoit Tournament bacchus marsh friendly societies, quoits, games

Photograph of Lewis Hirst and Mr Gliddon, holding a framed map of Yorkshire. They are standing in front of a photographic portrait of Godfrey Hirst c1950.Photograph of Lewis Hirst and Mr Gliddon, holding a framed map of Yorkshire. They are standing in front of a photographic portrait of Godfrey Hirst c1950.Godfrey Hirst/ Lewis Hirst/ Mr Gliddon- Foremanweaving mills, godfrey hirst and co. pty ltd excelsior woollen and worsted mills, hirst, mr godfrey hirst, mr lewis

This photographic portrait was commissioned to commemorate Dr Genevieve Goulding's term as President of ANZCA. Traditionally, ANZCA presidents have been commemorated at the end of their term with a commissioned oil painting. In 2015, the decision was made by ANZCA Council to change to photographic portraiture. This meant the existing oil paintings of College presidents became a formed collection which will not be added to and this portrait is the first to be commissioned in the new medium. It was unveiled at the ANZCA Council dinner on 22 July 2016. Framed colour photographic portrait of Dr Genevieve Goulding holding the President's medal.goulding, genevieve, anzca president, anzca council, budgeon, chris, photographic artist

This is a black and white group portrait of ten Australian soldiers. They are in tent lines. They are in uniform, casually dressed with only one soldier wearing a hat, that is the neat and tidy young officer in centre rear, A Lewis MMG is on its bipod on the ground in front of this group. In the tent lines, in the background, another officer can be seen talking to someone in a tent. The soldier on the right is holding a set of bagpipes in the " ready" position. The unit of the soldiers has a vertical rectangular colour patch.Faintly on the rear side can be seen the name " Gath".ww1, lewis gun

Cuthbert was an early solicitor in Ballarat.Photographic portraithenry cuthbert, cuthbert, legal

Photographic portraitgeorge s. clark, george s. clarke, govenor of victoria

From 1970-1971 Bob Morrell was Business Manager of the Ballarat School of Mines. From 1971-1976 he was Registrar-Business Manager. He was Ballarat College of Advanced Education Business Manager of and Secretary of Council from )1 July 1976. Photographic Portrait robert morrell, bob morrell, ballarat school of mines

Graduate of the Ballarat Teachers' College Phil Law was Leader of the Australasian National Antarctic Research Expeditions 1949-1966. He was foundatin president of the Victoria Institute of Colleges from April 1966 to December 1977.Photographic portrait.phil law, ballarat teachers' college, alumni, victoria institute of colleges, phillip law

James Pound (22 April 1888-21 February 1967) was lecturer in Chemistry at the Ballarat School of Mines from 30 Augusr 1918 to 22 April 1948.Photographic portraitjames r. pound, james pound, james robert pound, ballarat school of mines, chemistry

Rex Hollioake attended the Ballarat School of Mines and was made an Associate (Civil Engineering) in 1954. He served on the Ballarat School of Mines Council from 18 May 1966 until 17 June 1981. He was President of Council from 19 July 1978 until 17 June 1981. Photographic portraitrex hollioake, ballarat school of mines, ballarat school of mines council, alumni, associate, civil engineering

Photographic portraitwilliam north, w.j.c. north, ballarat school of mines, ballarat school of mines council

H.R.W. Murphy was a lecturer and demonstrator in Assaying and Cyniding in the Ballarat School of Mines Chemistry and Metallurgy Department. He was appointed on 26 November 1897, and retired on 07 May 1940.Photographic portraith.r. murphy, ballarat school of mines, assaying, chemistry, metallurgy

Photographic portraitcharles fenner, ballarat school of mines, staff, staffmember

Photographic portraitdonald clark

Photographic portraita.e. stohr