Published for the Nillumbik Artists' Open Studio Program. Text edited by Tony Summers and Elizabeth Vercoe. All images by Tony Summers, Upfront Pictures unless otherwise credited. Contents: Nillumbik Artists' Open Studios, Nillumbik: an historic and artistic meander, Open Studio: a reflection, Open Studios: a historic reflection, the artists, the studios, Linda MacAulay, Chris and Mary-Lou Pittard, Linda De Toma, Peter Accadia, Wendy Hicks, Stephanie Mew, Piers Brown, Jane Annois, The Naughty See Monkey, Ona Henderson and Sydd Tunn, Robina and Tony Summers, Peter Oyston, Elizabeth Vercoe, Judy Racz, Veronia Holland, Shaaron Smith, Margaret Summerton, Kim Tarpey, Judy Trembath, Dena Ashbolt, The Bladessin Press, Rob Hayley. The Nillumbik Artists' Studios Program was created in the 1980s by the Shire of Eltham and continues to operate throughout the Shire of Nillumbik in 2018. The program offers the rare opportunity to visit studios and talk to artists about their work in their own working environment.Softcover bound book. Text with colour photographs. Includes profiles of artists from the Shire of Nillumbik. 95 pagesnillumbik artists' open studios, linda macaulay, chris pittard, mary-lou pittard, linda detoma, peter accadia, wendy hicks,, stephanie mew, piers brown, jane annois, the naughty see monkey, ona henderson, syd tunn, ronina summers, tony summers, peter oyston, elizabeth vercoe, judy racz, veronia holland, shaaron smith, margaret summerton, kim tarpey, ev hales, judy trembath, dena ashbolt, baldessin press, rob hayley

Wilson Thomas ROBERTSON was born around 1865 in Hobart, Tasmania and married Emma Eliza Womal BROWN in 1894. Emma had been born in 1865 in St. Kilda. At the time of their son Frank’s marriage in 1919, they were living at 185 Liardet Street and Wilson was described as a tobacco worker. They both died in Port Melbourne, Wilson in 1932 and Emma in 1947. (Their daughter Gladys was shown as living at 150 Clark Street at the time of her marriage in 1946.) No record is shown of Harriet ROBERTSON. Port People DatabaseDigital copy of a B&W photograph of Harriet and Emma ROBERTSON walking on Station Pier with Centenary Bridge in the background.robertson family, harriet robertson, emma eliza wormal robertson nee brown, piers and wharves - station pier, centenary bridge

Photograph taken of R L Browning standing on pier at Cato Lake/Victoria Lake/ Stawell gardens on 14.4.1928. The photograph taken on Velox photographic paper with the steeple of the Presbyterian church and the Anglican church in the background. The pier was later used to access the Tower diving platform built in c 1932 (refer 67.5). Black and white photograph of R.L. Browning standing on a pier at Lake taken 14.4.1928. Stawell Gardens Victoria R.L. Browning Pier, Lane. R13 1234 14-4-1928stawell

This postcard folder is one of three in a set of postcards that were published in Victoria, Australia, and collected together. The Valentine Publishing Co. Pty. Ltd. produced this folder. Valentine and Sons was a printing and photography business based in Dundee, Scotland, and in Canada. In the early 1900s, at the height of the postcard craze, the firm published large numbers of postcards in the U.K., Canada, U.S., Australia and South Africa. From around 1900 or earlier, the firm bought many lithographic images for its postcards from local and national photographers who sold publishing rights to Valentines, and the business was famous for publishing photographs of popular sites worldwide. Postcard titles in this folder include many of those in the Rose postcard folders plus the following titles that are not duplicated. . Municipal Buildings and Post Office . Soldiers’ Memorial . Hopkins River . The Cliffs at Shelly Beach . The Road to Sandy Beach . The Breakwater and Pier This Valentine postcard folder was produced in Australia. It includes pictures from the early-to-mid 20th century. It is one of three in a set, with images of the same locations as other images in our collection but at different periods in time. Each postcard records a moment in history and is significant as a way to compare and show the changes in the local environment and community, building a story of the local history. The images record changes in the coastline, land, bay, buildings and other structures, roads, transportation and even the fashions of the times.Postcard folder, Valentine Publishing, cream cover. One of a set of three displaying images of Warrnambool and district around the mid-20th century. Print on the front and back covers is in brown ink. The front has an image of two laughing kookaburras on a branch, three address lines and an outline for a postage stamp. The back cover has the publisher’s details and a line for a return address. The cover opens like a book, and then the double-sided, Z-folded page of photographs drops downward. Titles are printed below each of the fifteen black and white photographs inside. The folder is secured on the back cover by placing a tab into a slot. The folder was produced by The Valentine Publishing Co. Pty. Ltd. Melbourne“WARRNAMBOOL / PHOTOGRAPHIC SOUVENIR” Symbol: [Two facing kookaburras standing on a branch with beaks open] “Published by The Valentine Publishing Co. Pty. Ltd. Melbourne” flagstaff hill maritime museum and village, great ocean road, shipwreck coast, warrnambool, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, warramble, postcard, postcard folder, warrnambool scenes, picturesque views of warrnambool, picturesque views of warramble, lady bay, port of warrnambool, breakwater, warrnambool breakwater, viaduct, merri river footbridge, merri river suspension bridge, suspension footbridge, merri river mouth, hopkins river mouth, proudfoot's, fanny nelson, nelson's boatsheds, nelson's boathouse, boathouse, hopkins river boathouses, flett's boathouse, flett, george rose, image of a rose, rose series, rose stereograph co, rose stereographic company, lighograph, armadale victoria, lady bay beach, beach scene, lower light, concrete footbridge, 1922 footbridge, viaduct road, rose postcard, new concrete bridge, 1945, 1890, 1922, small footbridge, 1872 footbridge, 1872, merri river estuary, stingray bay, postcards, concertina fold, z fold, shipwrecked coast, maritime museum, souvenir, warrnambool local scenes, photography, local history, tourism, photographs, visitors, travel, scenes, mid-20th century, 1940s, 1950s, z-fold, 1880s, collection, correspondence, valentine publishing co. pty. ltd melbourne, valentine publishing co. pty. ltd sydney, municipal buildings and post office, soldiers’ memorial, hopkins river, the cliffs at shelly beach, the road to sandy beach, the breakwater and pier

CEMA Art CollectionThe drawing depicts a pier with three boats in the foreground and a building and light poles on the pier. The boats are various sizes and are all moored/anchored in the water below the pier. The boat on the right is the largest one and is a sailing boat. The work is framed in a brown wooden frame with glass and is not mounted.Front: (No inscriptions) Back: Middle Pier Portland (black pen) C. Woolcock (signature) (pound sign)4- 4 - 0 yellows sticker: H/H 19 1999 written in pencil

UnknownFramed collection of photographs and shipping certificates in brown timber frame, under glass. 1. Captain Fawthrop; 2. lighter; 3. Henty's pier and original baths; 4. Baths, railway pier, Henty's jetty; 5. Percy St; 6. Railway & Bentinck St; 7. North Portland Railway Station; 8 & 9. 'Shipped' certificates.Front: Captain Fawthrop 'Shipped' certficates Lighter/ Henty's pier and originall baths/ Baths, railway pier, Henty's jetty/ Percy St/ Railway & Bentinck St/ North Portland Railway Station/ Back: (no inscriptions)captain fawthrop, lighter, hentys pier, original baths, baths, railway pier, hentys jetty, percy st, railway and bentinck st, north portland railway station, shipped certificates

Con Kroker Private CollectionHand tinted photograph with a cream border. 7 small boats anchored close to shore. View is from the ocean to shore. 4 boats are white 3 are brown. 2 people can be seen the furthest boat. A pier is featured on the middle left and the grassy shore and trees in the back ground. Sky is blue with 3 clouds. city of portland

This album containing 50 photographs depicts a year at the Mission in 1928: Wedding of the Dora Walker with Harry Simpson on 14 February. Picnic at Riversdale Hawthorn, 1 January 1928 Ships in Port Melbourne in November: HMAS Australia, HMAS Brisbane, and destroyers Anzac, Success, Swordsman Wharfs, Victoria Dock, Stevedores Picnic in Finhaven, Kew, the Buchan's Property for Cup Day (6 November) Views of Port Melbourne from 1888 building Monday 29 October: return of Archbishop of Melbourne (Dr. Harrington Lees), who had spent a 10-month holiday in England with his wife. Arrival on the RMS Maloja Two photographs are missing.Pre Great Depression, 1928 was a difficult year in Melbourne and also for the Mission. Ships were rare on the wharfs meaning seamen were also rare in the missions. However they started the fundraising for the extension of the 1888 Port Melbourne building which was becoming too small. At the end of the year, Reverend Weller announced he was appointed assistant in London. He and his wife Alexina left in January 1929 after five years. They sailed on the Osterley on the 22 January 1929.Embossed yellow font on cover reads: ALBUMfan, strikes, police, reverend john reginald weller (1880-1969), alexina weller (nee caley), freda oxley, hmas australia, hmas brisbane, great depression, unemployment, port melbourne, station pier, sugar cane, queensland, dora simpson nee walker, weddings, cup day, finhaven, kew, the ducketts, mrs john buchan, flinders street extension, gasworks, wharfs, victoria dock, motorboat, southern cross, success, destroyers, football, sports, rms maloja, lhlg, fan album, anzac, swordsman, freda kathleen oxley 1882-1969, annie alexandrina caley (known as alexina) 1885-1934

"Genista" Steamed between Stony Point to Cowes, Rhyll and San Remo. c. 1880."Genista" at San Remo pier - viewed from left on beach front. Sepia toned with brown edge.S.R. written on back of photographlocal history, photographs, shipping, maritime technology, ferries, phillip island, sepia photograph, water transport, jessie smith's collection, stan mcfee

From Jessie Smith's collection of Island events & landscape. Weighing of shark on jetty caught by Mr. Arnie Brown.Shark hanging on pier. Women surrounding it.local history, photographs, fisheries, cowes pier, commercial fishing, black & white photograph, arnie brown, jessie smith collection, stan mcfee

Photos taken in 1919 of a beach holiday on the Island, mainly Cowes. Some photos taken on Cowes beach show George Cox's hut in the background and possibly George himself. HistoricalBrown rectangular suede album bound with cord. Pages are brown with small sepia photos and hand writing under most photos. manton family, basil coldsham, stan griffin, sig franklyn, wenty hobart, con royce, eleanor young, stanley hammond, hollyhoke family, dave & polly brown, mrs wilson, george cox, cowes pier

Items collected by Bert HEWSTON on the way to England WW1, refer Cat No 2759.2 for his service history. Part of the HEWSTON collection re WW1 & WW2.3 x Souvenir booklets from South Africa. .1) Dark grey/brown cover with illustration of native children within an oval shape. Contains colour prints of native people & places. 15 pages. .2) A coloured reproduction of a Zulu in marriage costume. Cream card cover with pale brown printing. Contains 3 x dried silver leaves fromTable Mountain fused to the inside back cover. .3) Photo post card of Promenade Pier, Cape Town which has 2 x dried silver leaves from Table Mountain fused to the inside the back cover..1) Printed: “Native life in South Africa” .2) Printed: “Zulu in marriage costume SA” .3) Printed: “From South Africa”documents - booklets, military history - souvenirs, africa

This pamphlet was produced for the Warrnambool Branch of the National Trust of Australia (Victoria) for Heritage Week, April 16-23, 1989 and contains information written by Warrnambool residents about their locality. This was a co-operative venture by people with a common interest in protecting the natural environment near their home. Areas covered in the written information include: Formation of the Coast, Archaeological survey, Gunditjmara History, vegetation, history and recreational uses of the Lady Bay area. The map shows special places of interest including past and present navigational aids, sites of shipwrecks and other historical places of interest. The Warrnambool Branch of the National Trust was originally formed in March 1969 and merged with the Port Fairy Branch in late 1970. In October 1979, the Warrnambool Branch was reformed and operated into the late 1990's. This is an example of a publication produced by the Warrnambool Branch of the National Trust Australia (Victoria). It provides historical information and perspectives of the recreational uses in and around Lady Bay Warrnambool.An A2 piece of buff coloured thick paper folded into eight to make an A5 pamphlet. The front cover has green printing with the National Trust symbol of three eucalyptus leaves in green. There is a brown sepia photograph showing a view across Lady Bay with the suspension bridge across the Merri River in the foreground, Viaduct Road in the middle ground and the breakwater in the background. There is a purple inked stamp on the top right hand corner. The rear cover has brown writing and includes logos of bodies who assisted with the publication. There is a brown line drawing of the viaduct and pier at the Warrnambool Breakwater. The inside of the unfolded pamphlet contains a map of Lady Bay and adjacent area showing places of interest and shipwrecks marked in red circlesFront cover: Special Places Lady Bay Warrnambool National Trust of Australia (Victoria) Warrnambool Branch Ronald J. Cummingwarrnambool, lady bay warrnambool, national trust australia victoria warrnambool branch, heritage week 1989, lady bay shipwrecks

Originally located on the Queenscliff Pier from 1856. It was known as the waiting shed for registered fishermen. It was moved from Queenscliff pier to near slipway in 1960, then to Princess Park in the 1970s and to the museum in late 1980. Henry Zanoni, a fisherman was responsible for painting the many pictures of ships on the inside walls.Waiting Shed for Registered Fishermen Weatherboard - Timber Cream Weatherboards and Brown Trimfishermen waiting shed, queenscliff

Contents: List of illustrations, From the Shire President, Historical background, current perspective and catalogue of art collection. This includes over 100 items. Book produced to accompany exhibition held at the Eltham Community and Reception Centre, Main Road Eltham June 26 - July 4 1993. "This exhibition celebrates two aspects of the art collection of the Shire of Eltham. There is the work which shows the love of Eltham and the environment, and work which deals with much broader concerns" Artists include: Helen Aitken-Kuhnen, David Armfield, Brian Armstrong, Alan Baker, Yvonne Ball, Piers Bateman, Julie Begg, Judith Ben-Meir, Yvonne Birch, The Bodford Collection, Janet Boddy, Deidre Boeyen, Ian Bow, David Benchley, Don Brown, Gilbert Buchanan, Paul Cavell, Patty Chandler, Rosalie Cogan, Scott Joseph Cowcher, Augustine Dall'Ava, Greg Daly, Simon Dattner, Peter Day, Domenico de Clario, Robert Delves, Joh Ebeli, Mark Edgoose, Graham Fransella, Ernest Fries, Edward Ginger, Peter Glass, Drew Gregory, Alison Hann, Tony Harkin, Wendy Henderson, Stephen Hughes, Lindsay Imbandarinja, John Irving, Hilary Jackman, Jill Kahans, William Kelly, Margot Knox, Margot Kroyer-Pederson, Anne Kueffer, Bruno Leti, Kevin Lincoln, Paul Margocsy, Alan Martin, Barry Mills, Simon Barley, Jenni Mitchell, David Moore, Barbara Munro, Ewald Namatjira, Norma Neil, Mark Page, Herman Pekel, Shane Pickett, Anthony Pryor, Clifton Pugh, Lynn Quintal, Giuseppe Raneri, Ken Robb, John Serle, Marjorie Shattock, Leslie Sinclair, Matcham Skipper, Myra Skipper, Sonia Skipper, Harris Smith, Eric Stephenson, Adriane Strampp, Marian Sussex, Tony Trembath, George Turcu, John Wakefield, Peter Wallace, Ray Walsh, Michael Wilson, Walter Withers, Vic Wood, Doug Wright, Romana Favier Zorzut, Renier Zusters.Softcover . Includes separate sheet of paper printed on both sides: "catalogue supplement" and "errata"shire of eltham art collection

Back to Port Melbourne celebrations were an early type of Port Melbourne Festival.One of two festival badges from 1932 : tin, white, printed in brown: "Back to Port Melbourne - Admit to Gymkhana on Station Pier - Afternoon & Evening - Mayor's Appeal", identical except for date: one April 7th", this one May 7th". The latter was the actual date, so possibly a printing error.celebrations fetes and exhibitions, piers and wharves - station pier, social activities

A small black and white photograph of Dorothy Northover (Mrs. L. Williams) as a child. A relative of Elma Winslade Wells. She is standing on a chair wearing a light coloured dress. At the bottom G. Brown & Son, Broad St. Deal. On the back: from G. Brown & Son electric and daylight studio, Broad St. (near pier), Deal. Electric light every evening at dusk till 8pm. these portrait are equal in every respect to the best daylight work.person, individual, dorothy northover

Black and white photographs (s) mounted on rectangular brown board. House, two storey, brick, roughcast above dado height, upper storey has shingles under windows shingles below front gable. Brick verandah piers with wooden freized upperparts. Two stepped masonry approaches, two event verandahs. Roughcast to lower walls below floor level, lower window with six lights [5 leadlighted] On back of photo ' Phillips, Carpenter Street. £2500 sewered with all furnishing including wireless set but not including sewing machine, piano or organ and £3000 with all furniture'. 2012 photo of house attached to record.bendigo, business, t c watts & son

Appears to be a trimmed version of an advertising poster for the bay steamers, Weeroona, Hygeia and Ozone. The original poster has a brown border with 'Health and Pleasure Trips on Port Phillip Bay' above the picture and 'by the "Weeroona" "Hygeia" and "Ozone"' below the picture. The border and some of the picture, including the artist's signature, have been removed to create this item. The Nepean Historical Society Inc. hold an intact version of the advertising poster. The full version of the image was also used for a postcard by B R Gowan & Co held by the State Library of Victoria.Large unsigned, framed poster of PS Weeroona, PS Hygeia and PS Ozone formerly owned by Captain Harry GRAY. Glass fronted.piers and wharves - station pier, transport - shipping, arts and entertainment - visual arts, captain george henry (harry) gray, ps weeroona, ps hygeia, ps ozone, bay cruisers