This is the handbook for the third annual Victorian Museums & Galleries Conference held in Warrnambool. The conference was run in conjunction with Flagstaff Hill Maritime Village which was celebrating its 40th anniversary. Warrnambool Art Gallery was one of the sponsors of the conference. This handbook is of interest as it tells us of the activities and speakers at a conference which was held in Warrnambool in 2014 and which highlights particularly Flagstaff Hill Maritime Village and the Warrnambool Art Gallery. This is a paper back booklet of 16 pages. It is the Conference Handbook of the Victorian Museums & Galleries Conference 2014 which was held at Warrnambool in April 2014. The pages contain printed material, advertisements, the conference program and information on the conference presenters. The cover has a white background with a map of Warrnambool Bay and town (Stanley 1870) on the front cover and an advertisement on the back cover.Front Cover: Museums Australia, Victoria, Victorian Museums & Galleries Conference 2014, Warrnambool 3-4 April, Museums Australia (Victoria), Conference Handbookvictorian museums & galleries conference.

Members of the Geoffrey Kaye Museum of Anaesthetic History receive an award at the 2017 Victorian Museum Awards.melbourne, acmi, museums australia (victoria), awards, 2017, geoffrey kaye, geoffrey kaye museum, victorian museum awards, 2017

This is a document signifying that the Warrnambool and District Historical Society in 2017 received a Victorian Collections Award for Excellence in Museum Cataloguing (Volunteer Staff). The award was given by Museums Australia (Victoria). The Warrnambool and District Historical Society continues to be an active contributor to the Victorian Collections web site. This item is of minor significance as a memento of a 2017 award given to the Warrnambool and District Historical Society and it now forms part of the group’s archives. This is a sheet of white paper with a background image of a tree branch and black printing. There are two signatures and the logos or lettering of 7 Victorian organizations.warrnambool & district historical society, victorian collections, museums australia (victoria)

First Nation Women of the Richardson Tribe Victoria 1868 Copyright Museum of Victoria printed on back Writing on this photograph is the same as no 5563-1 in records and possible the group is from Carrs Plains.Black and white photograph of a group of First Nation women in European dress. Five adults one younger and one child.Women of the Richardson Tribe Victoria March 1868. Topsy, Annie, Agnes. Caroline Maggie Polly Little Kitty Copyright of Victorian Museum (printed on back)stawell aboriginal portrait

A Club luncheon was a popular method for the 8/13 Victorian Mounted Rifles Museum to present the Army's public face to the community in accordance with the stated objective of Army museums. A member of the museum staff was guest speaker and guided tours of the museum were conducted following the lunch.Colour photograph of members of Albury Probus holding a meeting at the Victorian Mounted Rifles Museum Building 105 North Bandiana.museum, luncheon, community, bandiana

Newspaper clipping from The Courier, Ballarat, dated Thursday 18/5/1972 titled "Tramway museum plan to go to committee". Item reporting that a interdepartmental committee would be asked to consider a request by the BTPS for help in establishing a working tramway museum in Wendouree Parade. Reports on a letter to Mr. Bill Stephen MLA written by the Premier, Sir Henry Bolte. One of a large group of newspaper cuttings from John Bainbridge, 7/4/02.btps, museums, tramway museums, victorian government

The 8/13 Victorian Mounted Rifles Museum has had three iterations: Buna Barracks Albury 1988-2000; Building 105 North Bandiana 2003-2009. The latest installation was officially opened at Simpson Barracks 8 December 2019.Heavy card covered book with leather covering on corners and spine, being Visitors book for 8/13 Victorian Mounted Rifles Museum from 1991 to 2009.visit, museum, victorian mounted rifles

Museum of Victorian Technology - An Employment Initiatives Programme. Project outline and detail for development of a Museum of Victorian Technology at the Old Gasworks Bendigo. Black and white Illustrations & maps.Bendigo City Council, Bendigo Trust and National Trust of Australia (Victoria)bendigo, history, victorian technology, cast iron museum gas works tourism bendigo

Image is of the decorated tram stop shelter in 1938 at Grenville St. The shelter has been decorated with an outline of a boat. Bailey Bros Butchers in the background.Yields information about the centenary of settlement in Ballarat during 1939Digital image obtained from the Museum of Victorian websiteshelters, ballarat centenary celebrations, grenville st, tramways

Magazine clipping titled: “Trams wild and woolly” Australasian Post, December 20, 1979 Photo and text Photo of Richmond tram at Victorian Tram Museum at Bylands, Museum caretaker G Wilcock Victorian Tramway Museum Society of Victoria has collection of more than a dozen trams, including historic Richmond (Melb) line tram Photo Rob Fox 333H x 505H Magazine, folded, staple holes in phototrams, tramways, accidents, collision, trucks, albert park

The Victorian Mounted Rifles museum was first established at Buna Barracks Albury in 1986. In 2000, when the regiment relocated to Building 105 North Bandiana, the museum collection was packed then relayed in a new space. Major General Irving was commander of 2nd Division. Colour photograph of Major General R P Irving AM RFD speaking at the opening of the Victorian Mounted Rifles new museum at Building 105 North Bandiana, 2 August 2003. Seated on the dais is Lieutenant Colonel (Retired) D J Hunter, chairman of the museum committee.vmr, bandiana, irving, museum

The bicycle is one of the last bicycles hand made and assembled by 'Mr. Rob' c1960 prior to the mass manufacture and overseas imports of 'built up' bicycles. On closing down in September 1999 'Mr Rob' presented this bicycle to the Nunawading Historical and another to the Victorian Museum.Boy's 26 inch bicycle fitted with Dunlop tyres, bell, mudguards, handgrips, leather seat, rear reflector and a ' faboati' coaster hub. Bicycle is supported by its rear wheel on a metal stand.on top of frame - 'Hand made special'|On front of angle frame - 'Rob's Special'|On rear of frame and on front stem - an emblem 'another Rob's Cycle Blackburn'|13817s - serial number.transport, bicycles

Colour photograph taken off a glass slide. The glass slide is the property of Victorian Police Museum and was taken by a Police photographer in 1940's. The Museum was contacted to identify the location, Murchison Camp 13. Permission given to have photograph printed and used. Credit to Victorian Police Museum.Colour print from a glass slide.glass slides, victorian police museum, murchison camp 13

Albury - Wodonga Branch of MHSA hosted the biannual Conference of the Society, June 1992.Black and white photograph of Sir Anthony Synnot at Victorian Mounter Rifles Museum Albury during Military Historical Society of Australia ( MHSA ) Conference June 1992.history, military, vmr, synnot, navy

The Victorian Mounted Rifles museum was first established at Buna Barracks Albury in 1986. In 2000, when the regiment relocated to Building 105 North Bandiana, the museum collection was packed then relayed in a new space. Major General Irving was commander of 2nd Division. 8/13 Victorian Mounted Rifles linked with 4/19 Prince of Wales's Light Horse in 1991 to form the current regiment.Colour photograph of lance guard drawn from VMR Squadron 4/19 Prince of Wales's Light Horse awaiting arrival of Major General R P Irving AM RFD at the opening of the Victorian Mounted Rifles new museum at Building 105 North Bandiana, 2 August 2003.vmr, bandiana, irving, museum, pwlh, guard

This photograph was taken in early stages of development of Museum at Buna Barracks. Museum was officially opened 1 May 1988.Colour photograph of group of guests at 8/13 Victorian Mounted Rifles Museum, Buna Barracks 28 February 1982. Three ladies and four gentlemen, one in uniform." Mrs. M. Hough, Mr. Don Campbell Museum Committee, Lt. Col M Hough, The Hon TW Mitchell CMG " Towong Hill ", Mrs. Elyne Mitchell noted Authoress, daughter of Sir Harry Chauvel, Guests at Museum, 8/13 Open Day Buna Barracks, 28 February 1982.

The Victorian Mounted Rifles museum was first established at Buna Barracks Albury in 1986. In 2000, when the regiment relocated to Building 105 North Bandiana, the museum collection was packed then relayed in a new space. Major General Irving was commander of 2nd Division. Colour photograph of Major General R P Irving AM RFD cutting the ribbon to open the Victorian Mounted Rifles new museum at Building 105 North Bandiana, 2 August 2003. Lieutenant Colonel (Retired) D J Hunter, chairman of the museum committee is at right, Lieutenant Colonel A Stevens, Commanding Officer 4/19 Prince of Wales's Light Horse is at left together with RSM Warrant Officer Class One Snooks.vmr, bandiana, irving, museum, stevens, snooks, hunter

Black and white photograph of Colonel John Neale in civilian clothes standing in the Victorian Mounted Rifles Museum at Buna Barracks, Victoria Street, Albury at MHSA Conference, June 1992.vmr, buna barracks, museum, neale

The 8/13 VMR Museum opened in 1988 in a vacant married quarter at Buna Barracks, Victoria Street, Albury. It closed and relocated to North Bandiana in 2000.Collection of colour photographs taken at a visit to 8/13 Victorian Mounted Rifles Museum at Buna Barracks, Albury by former members of 8th Cavalry Regiment on 10 December 1989.

The 8th Light Horse (Indi) Regiment superseded the 16th Light Horse in 1919. It had its headquarters at Benalla with sub-units throughout the Upper Murray and Northeast Victoria. In December 1941,the regiment converted from horse to mechanised, initially as 8th Reconnaissance Battalion then in July 1942 it became 8th Cavalry Regiment and served in Northern Territory. As Japanese threat to the mainland declined the regiment was disbanded. The regimental association visited the 8/13th VMR Museum at Buna Barracks Albury on occasions. Well made plaque in fine condition commemorating a WWII Regiment.Stained wooden shield - shaped plaque with 8th Cavalry Regiment insignia and two engraved panels.Top panel " Presented to 8/13th Victorian Mounted Rifles Museum Albury.". Lower Panel " From 8th Cavalry Regiment Victoria 1986."cavalry, 8th, world war two, wwii

In 2014 the University of Ballarat became Federation University Australia.A number of photographs featuring items from the University of Ballarat Historical Collection captured as part of the Victorian State Government's Community Museum Pilot Project - Photographic Project. community museums pilot program, julie millowick, university of ballarat historical collection

Exhibition coordinated by Albury Regional Museum May 1993 and supported by the 8/13 Victorian Mounted Rifles Museum then located at Buna Barracks Albury.Black and white photograph of Ms Elizabeth Close, curator of Albury Regional Museum, holding a uniform as part of a "Women in War" exhibition, Albury, May 1993women in war, albury, albury regional museum, klose, vmr

The 8/13 Victorian Mounted Rifles Museum at Buna Barracks Albury was officially opened by Colonel G F Howard, Director of the Royal Australian Armoured Corps, on 1 May 1988. The opening followed at Birthday Parade. Participating in the Parade was ‘A’ Squadron 8/13 Victorian Mounted Rifles including the Heritage Light Horse Troop and the Heritage Vehicle Club, and the Pipes and Drums of the 5th/6th Battalion Royal Victorian Regiment.Colour photograph of Colonel G.F.Howard,Director RAAC with 5 members of 8/13 Victorian Mounted Rifles Heritage Troop at Other Ranks Mess, Buna Barracks Albury,1 May 1988. The group are posing with the VMR Regimental flag. From left: Corporal G.Morris, Trooper Walsh, Corporal Touzel, Colonel G.F.Howard, Corporal S.Walch and trooper C. Ellison.

Set of three documents that were prepared to explore the concept of reusing the Royal Exhibition buildings and providing a Vintage tram route between them and the City. The first, an extensive report by The Met is an Addendum to the Fitzroy Feasibility Study of August 1986. The second is a document titled "1888 Street: A proposal for a Museum of Victorian Home and Street Life by Charles Sowerwine, University of Melbourne, and a handwritten note about the possible tram service and its operation written by Doug Prosser commenting on the proposal. The proposal included the reuse of the cable tram winding house on the corner of Gertrude and Nicholson St. Fitzroy.Demonstrates a report on a proposal for a Fitzroy Vintage Tram service.Set of three documents related to the provision of a Royal Exhibition Building and Vintage Tram Route: 1 - Approx 150A4 pages, black comb bound with The Met covers 2 - 66 page, photocopied - stapled in top left hand corner 3 - four page hand written on MTA memo ruled paper.tramways, the met, vintage trams, royal exhibition buildings, proposals, fitzroy, winding house

The Ballarat Technical Art School boasted a well-stocked Antique Room replete with plaster copies of classical, Renaissance and Gothic sculptural examples, which were used as drawing props by students. The school inherited some casts from its predecessor institutions, and further consignments were purchased during the 1920s, including full length, bust and relief figures, as well as dozens of ornamental and architectural casts. Unfortunately, much of the collection was lost or destroyed in the late 1950s. This is one of the few surviving pieces. The foot came into the school’s collection prior to 1920 as it appears in a photo in the SMB Annual Report. There are two possibilities where these sculptures may have originated, either Victorian and Albert Museum or the British Museum. There is a reference to the purchase of plaster casts from the Victoria and Albert Museum in the 1918 School of Mines Ballarat Minute Book. This plaster cast of a foot is of local significance as only one of a few remaining teaching pieces from the substantial collection of sculptures used in the art school. The foot also has significance as an interpretive tool complementing the complete art folio of Edith Alice Watson who was a student from 1930-1933.Plaster cast of right foot including ankle. Made from plaster of Paris. Mainly white in colour with grey patches around metatarsels, flecks of blue and green paint and pale brown paint (possibly shellac) and on top of ankle. Measurements suggest a size 11 man's right foot.plaster cast, foot, drawing aid, art school, smb, edith alice watson, 1931, 1931-33, 1918, 1920, plaster of paris, sculpture, ballarat technical art school number 10, drawing from the antique, drawing the human figure from cast

An article in the Sun about the donation of the Changi violin to Legacy in 1982. It mentions that the violin was thrown over the fence at Changi prison and Mr Roy Arnel played it for the 3 and half years he was in Changi. When the war ended he went around the camp getting concert party members and friends to sign it. He died in January 1982 and his wife Netta contacted Legacy who had it restored by Roger Lewis. He said many of the parts were not original but had been made for it in prison. The notation H35 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. The text of the letter to President E J Larkin says: Dear Ed, I attach a press cutting which is self explanatory except that the violin has been given to me on behalf of Legacy by one of many widows - Mrs Arnel. I have discussed with 'Kem' Kemsley and others what we should do with this interesting relic. Kem has endorsed my fear that if it is sent to Canberra no-one will ever see it. The prospective War Museum in Victoria will not be ready for some years and could not handle it. I suggest that is be displayed 'pro?' at Legacy House until it could be passed to the Victorian War Museum. Both Mrs Arnel and Kem agree with this suggestion. I should be glad to make a display cabinet if Legacy agrees to the above suggestion. I shall be glad if you will return the cutting to me in due course. Yours sincerely Roger Westerback (?) 581.A record of the donation of the Changi violin to Legacy in 1982.White A4 photocopy of an article about the Changi violin published in the Sun in 1982 and a copy of a two page letter.Handwritten H35 in red pen. history, changi violin

This is an early map of the Borough of Warrnambool (1872/3) showing the central town area of Warrnambool and the surrounding district. Reserves, public buildings and some businesses are marked. The map was photolithographed by John Noone, a Melbourne artist and photographer who claimed in 1858 to have the oldest-existing photographic studio in Melbourne. Photolithography was a process first developed in Melbourne. For several years Noone was the official photographer for the Victorian Crown Lands Office and for the Victorian Public Library and Museum. The map has the stamp of the seller of the map – Charles Hider, the well-known stationer and bookseller in Timor Street, Warrnambool. The owner of the map, Henry George Marfell, (1883-1962) was the son of John and Mary Ann Marfell. The Marfells were well-known in Warrnambool as grain merchants and managers of the Warrnambool Co-Operative Milling Company. It is surmised from the writing on the Marfell label that this map was at some stage given by Henry Marfell to the old Warrnambool MuseumThis map of early Warrnambool is of considerable significance, firstly because its original state and early date (1873) make it of antiquarian and historical interest. Also the connection with the names, Charles Hider and Henry Marfell and the old Museum gives it added provenance and interest.This is a wax paper map mounted on cloth. At the top it is attached by nails to a piece of wood and at the top it has a cloth ring for hanging the map. The map is in black shadings on a yellow background. The map is badly creased and coming away from the cloth at the edges and at other various points. There is some red or pink marking or staining on the township area of the map (originally the sold lands on this map were coloured in brown and the reserves, buildings, etc in pink). On the left hand corner there is a piece of paper glued on with some handwriting in ink (Marfell). There is also the stamp of the seller of the map – Charles Hider, stationer and bookseller, of Timor Street Warrnambool‘Early Map of W’bool, H.G. Marfell’ history of warrnambool, charles hider, henry marfell