These bottles may have been in use in the 1940's or earlier. Cordial drinks came in bottles bought at a local grocery store. The shape of the bottles changed as did the stopper or seal. Bottles were recycled remaining the property of the manufacturer - 1. O.T. Ltd., Australia and 2. Lemos Australia in these samples. It appears these bottles may have the remains of a soft drink or cordial which is now dark in colour. Two vintage glass bottles: 1. A clear glass bottle with an embossed decorative leaf pattern around the neck. It has a rusted metal cap. 2. An embossed diagonal square patterned clear glass bottle with a rusted screw top lid. It has an oval shape on the front where the paper label was glued; there are the remains of a label.1. 'This bottle is the property of O.T. Ltd.' 2. 'Design No. 9072 Australia No. 8449 India 6888661 Great Britain. No. 1826 United Union of South Africa........ Only contents sold'. 2. 'Lemos. Registered trade mark.'bottles, beverage bottles, glass, cordial

Grey linen hardcover book with black and brown image on the front and black text on the spine. B&w line drawings. non-fictionscots' church sabbath school heidelberg, jean wilson, william lindsay superintendent

This ash tray is a souvenir of the Olympic Games held in Melbourne in 1956. This was an important event in post World War Two Australia and the first time the Olympic Games had been held in the Southern Hemisphere. The Opening and Closing Ceremonies, the athletics events and some other events were held at the Melbourne Cricket Ground. These were the first televised Olympic Games. To mark the occasion many souvenir items were produced for tourists and collectors.This item is kept as a memento of the 1956 Melbourne Olympic Games, an event that interested and affected all Australians as it made Melbourne and Australia via press and television coverage etc. the centre of attention in the world at the time. It is also a memento that would no longer be made or sold today as cigarette smoking in general is no longer socially and medically acceptable. It will be useful for display.This is a plastic circular ash tray. It has a blue base with a multi-coloured image in the centre of the base of a map of Australia, an Olympic Games torch and the Olympic Games ring motifs. The printing is in white and the name of the maker is embossed on the back of the tray. There are three indents around the base for stubbing out the cigarettes. ‘Olympic Games Melbourne Australia 22 Nov. - 8 Dec. 1956’ ‘British Plastics Pty Ltd Melbourne Reg. Des.’ olympic games melbourne, 1956 olympics

This book was written in 2007 by Margaret McOrist to mark the 150th anniversary of the arrival in the Warrnambool area of John Logan. It is a sequel to a 1991 book, ‘Clotted Cream and Mangels’ which told the story of John Logan and his wife Mary Gardner. They lived at Hopkins Point, Warrnambool and the book, ‘Beyond the Point’ tells the story of the Logan descendants. When the farm land was sub-divided and sold the nearby beach was named ‘Logans Beach’. This book is of considerable interest as it tells the story of the descendants of important early settlers, John Logan and Mary Gardner. The area where they first settled is now of major interest as Logans Beach (named for the Logan family) is the well-known whale watching area. Southern Right Whales return to this beach each year and the females calve and remain up to three months at this beach, making it an important ‘whale nursery’. This is a soft cover book with black plastic ring binding and clear plastic sheets covering the front and back paper covers. The front cover has a reproduction of an 1891 map of Warrnambool and district with the title of the book and other information superimposed on the map. The back cover is black. The book has 101 pages and contains information on the Logan families who lived at Tooram in Allansford and their descendants. There are many black and white and colour photographs, diagrams, maps and family trees. Front Cover: ‘Beyond the Point, 150 years since the arrival of Irish ancestor, John Logan, Hopkins Point, Warrnambool, Victoria, 1857-2007, by Margaret McOrist’. john logan and mary gardner, hopkins point, logans beach, tooram, history of warrnambool

Feature length surf film described as one of the slickest and most professional ever made featuring the worlds top surfers Mark Richards, Gerry Lopez, Simon Anderson plus Wayne Lynch and many more. The film featured a rocking soundtrack with music by The Doors, Australian Crawl, Split Enz, The Church, Sunnyboys and many more. Special features on this DVD include the cult short surf film KONG's ISLAND.One of the best surf films to be made in the eighties featuring outstanding cinematography by Jack McCoy including Big Bells in 1981. The film broke box offices records around Australia during its theatrical screening.Cover artwork of film poster featuring film title, surfing images and faces of featured surfers.Film Title , 25th Anniversary Special Editiontom carroll, mark richards, gerry lopez, storm riders, jack mccoy, dick hoole, david lourie, wayne lynch, maurice cole, rabbit bartholomew, simon anderson, shaun tomson, joe engel, thornton fallander, peter mccabe

The medal was awarded to the school children of Australia in 1951 to mark the fiftieth anniversary of the Federation of Australia. The competition in 1950, with the valuable cash prize of two hundred guineas, for the design the medallion was won by John Elischer, a Melbourne sculptor. The medallion bears an image of a man hand sowing wheat with the dates 1901-1951 on one side. The reverse has wheat growing to represent the seven states of Australia and the words ‘Fifty years Commonwealth of Australia’.Metal MedalFifty Years Commonwealth of Australia 1901 - 1957commonwealth of australia, 50 years, medal

Derwent Jacks became Springdallah and the church was closed in 2019 after over a century. The church had not been in regular use for 40 years. This chalice is inscribed in the old district name of Derwent Jacks and is therefore a rare survivor of the gold rush era in what is today a rural area. It carries the retailers mark of Pelligrini a Melbourne firm of jewellers and silversmiths who supplied much church plate to the Catholic church in Victoria.This chalice is significant in its inscription denoting its use for the church community at Derwent Jacks which became know later as Springdallah, the original name no longer in use.St Patrick's Derwent Jacks inscribed to foot. Pelligrini, EPNS stamped to undeside of base.springdallah, derwent jacks, pelligrini, chalice.

The photograph shows the Vic Public Transport Cricket Assoc. team dated Jan. 2001 in Melbourne. Names: Rear - S Bell, M.D'Roza, V. Augustus, A Barakat, D Peterson, C Meagher, M. Lambert, R Marks, C Anastasi Front - C Nicholson, B Taylor, B Finnigan (Mgr), C Sharp (Capt) A Lambert (L/Member) T Finnigan (V/Capt) Absent - R DeRozario.Yields information about the Vic Public Transport Cricket Assoc. team for Jan. 2001.Colour photograph with plain back and team member names.cricket, sports, public transport

This is a portrait of Professor Michael Cousins in his role as Dean of the Faculty of Pain Medicine at ANZCA (1999 - 2002). The portrait was unveiled at a College ceremony/meeting on 30 July 2003. The portrait was commissioned by FPM to mark the Deanship of Prof Cousins. Gary Lee Gaston is an Australian visual artist who was born in 1938. He is a painter, teacher and sculptor. He has exhibited in Adelaide and is a fellow of the Royal South Australian Art Society.Professor Michael Cousins was instrumental in the establishment of the faculty of pain medicine and was its first Dean from 1999 - 2002.Oil on canvas painting of the Faculty of Pain Medicine Dean, Professor Michael Cousins set in a plain gold wooden frame.hand written on the reverse in black ink - 762 x 632 / VM24 OIL liNen •stamped on reverse in black ink: CENTRAL ARTISTS SUPPLIES / 45 Osmond Terrace / Norwood SA 5067 / Phone/Fax: 8364 2088 •hand written on reverse in black ink: GARY LEE-GASTON / O.A.M F.R.S.A.S.A. •hand written on reverse in balck ink: PROFESSOR COUSINS 2003 / A.M. MB BS MD (SYD.) FFPMANZCA. FANZCA. FRCA. •engraved onto brass plaque on front of frame: Professor Michael J. Cousins / Inaugural Dean / 1999 - 2002 •inscribed on lower right hand side of painting: artist's signatureprofessor michael cousins, faculty of pain medicine, gary lee gaston, royal south australian art society., commissioned portrait

James Semmens was born in Cornwall. He married Elizabeth Ann Marks. In 1895 he lived at McIntyre Street, Long Gully; 1901 Mt Korong Road and 1905 Crn Bond and Creeth Streets, Long Gully. By the time he left Bendigo (approx 1915) he also had a store in View Street, Bendigo. He served on the Bendigo Council as a representative of the Barkly Ward and as the Mayor 1906/7.Black and white photocopy of a photo of J. Semmens, Grocer, Draper, and General Storekeeper, Long Gully, Bendigo. Photo shows the store with the name, J Semmens, Grocer, Draper, Boot and Shoe Warehouse. In front of the shop is a number of people and two horse drawn vehicles. Written under the photo is: Cr was Bond Street & Creeth Street Long Gully, now Eaglehawk Road & Creeth Street, Long Gully. Note - Kerosene Light or Gas Light at Corner.bendigo, history, long gully history group, the long gully history group - j semmens, j semmens draper

Metal branding hammers were the most common way to control the sale and movement of hardwood timber produce like logs, railway sleepers, fence posts, and poles from Victorian State forests. Royalty was also paid on this basis. Hammers most commonly had a crown stamp on one end with a unique number in the middle which identified its owner, and a crows foot or broad arrow on the other. The broad arrow was a symbol traditionally used in Britain and its colonies to mark government property. Other local configurations were used by sawmillers, post cutters and pulpwood contactors. Forest regulations state that an authorised officer may use the crown mark to identify produce which has been sold and may be removed from the forest, whereas the broad arrow can be used to brand and mark trees which are not to be felled, or to indicate forest produce which has been seized. Hammers were traditionally only ever issued to forest officers and were an important, and closely guarded tool-of-trade. They were not transferred between staff and lending hammers was not permitted. But it was an onerous task for staff to hammer and tally hundreds of logs, or thousands of fence posts each week, so in about 1990 a system was introduced whereby hammers were allocated to logging contractors to grade logs and tally them instead. But there was still spot checking by authorised officers. A register was kept, and contractors paid a substantial deposit to make sure they didn't lose them, but they occasionally turn up by fossickers with metal detectors. While branding hammers are still used in some smaller locations, plastic tags and barcodes are now more common.Log Grading hammersforests commission victoria (fcv), hand tools, forest harvesting

Rectangular, red cigarette tin with hinged lid edged in gold colour, with the company logo in the centre. The tin contains three small rectangular, cardboard picture cards with the image and name of a boat, a coat, and a goat, as well as three matching word labels. On lid: "Cork Tipped" and "Trade mark" with "Craven "A" " printed in black and gold lettering inside a white oval edged in gold. The Trade Mark oval is surmounted by the top half of a black cat. Under the oval shape: "Virginia Cigarettes" printed in white lettering. Inside the lid: "CRAVEN "A" Cork Tipped Virginia Cigarettes are made from fine imported matured Virginia Tobacco guaranteed pure and absolutely free from adulteration of any kind. WILL NOT AFFECT YOUR THROAT". "CARRERAS LIMITED ARCADIA WORKS".cigarettte containers, smoking equipment

A box used to store and carry cartridges safely. It is protcted from moisture entering. Labelled with caliber, quantity and manufacturing date or lot number. The Martini-Henry is a single shot ricle with a lever action used in WWI.Sturdy rectangular wooden box with steel straps. At the top is a sliding opening with yellowish wood and printed black label."680 / Cartridges / Ball / b. L. Martini-Henry Arm / Mark V / R. L. " is printed in black on uellowish wood at the top centre of the box. More printing on the top each side "C & H' and "C?? / 19,2,75?"ammunition box, cartridge box, dederang rifle club

8709.1 - This Remington typewriter is painted black and has a couple stickers on it with company details.8709.1 - Remington - CHARTRES PTY LTD - 31 - Remington House - TO SAVE TIME IS TO LENGTHEN LIFE - STANDARD - Remington Typewriter - TRADE MARK REG - U.S PAT OFFICE - 375-377 Collins St Melbourne - Remington House.

Mainly orange/yellow plate with figure "Barkis" the coach-driver holding a whip. Streetscape in background. Known as The Barkis Arnhem Tray. D3175 dated July 1930. Shape No. 8279. (ref: Nicholnack art in pottery - nicholnack.com.au/dickens-ware/dickens-plates-trays.html).Maker's mark: could be " L. Young". Back: Royal Doulton Dickens Ware - copyright / Made in England / with picture of man with beard. Also stamped with Lion on a crown - dated -1932+ / Shape no. 734 stamped before glazing. "Barkis". charles dickens plate

Northern District School of Nursing nurse's base uniform 1950s - 70sBlue cotton uniform worn beneath white apron. The uniform is open at the front with nine button holes in right placket for buttons and shanks to attach. There are corresponding buttonholes on left side for closing with white buttons and metal shanks, a small pocket at top left and a pocket at RHS of skirt. There is a small buttonhole at back of neck and two each on inside seam of sleeves to attach collar and cuffs. The front has gathering from below the shoulders and the back top has an inverted pleat at centre.Two white tags one with 'Cotton' in red is attached inside back neck. The other white tag has the name 'Lesley Moloney' in red embroidery There are other indecipherable words in black marking pen, probably laundry marks.nurses uniform, northern district school of nursing

Photo shows the title of an article in the USA published journal 'Street Railway Review' featuring a grip or dummy and trailer 68. Has the route of St Kilda and North Carlton on the side of the tram.Yields information about an article on Melbourne cable trams.Set of two copy photographs of the title of an article on Melbourne cable tram system published 1896 by Street Railway Review.Melbourne – cable grip with trailer No. Probably 1896 edition. Melbourne – cable grip car with Trailer No. “Street Railway Review” – p495, probably 1896. Copy neg Mark Plummer collections ex late John Alfred collection. cable trams, tramways, articles, melbourne, street railway review

This journal has been produced in 1905 for the Government of Victoria under the direction of the Minister for Agriculture, the Hon. George Swinburne, M.L.A. It has articles on agriculture in Victoria, including an article on how to increase and improve our dairy products and an article on the Grasmere Butter Factory. This journal produced in 1905 is of considerable interest because it has an article on the inspection of the Grasmere Butter Factory and the resultant erection of a new building on the site. Dairying is a major industry in the Warrnambool area and this journal contains important historical information and photographs.This is a soft cover journal of 68 pages (pages 482 to 550 in Part 7 of a journal). The front cover has a black and white photograph of a wheat harvesting scene. The back cover is missing. The first two pages have advertisements for insurance and banking firms. The journal contains black and white photographs and statistics tables. The pages show considerable silverfish damage. The journal is bound with cotton thread and rust marks show where metal staples may have been removed. grasmere butter factory, dairying in the western district, warrnambool history

The photographic envelopers were used to develop plates, films and lantern slides. They had to be mixed as per instructions on the packet. These may have been used by an individual or by a local school or organisation.Wilma Davies, a long term resident of the Kiewa Valley donated this photographic equipment.Brownish/black cardboard box with no lid (broken off). Label is black, white and orange on front. The remaining parts of the label seal are on the sides with a 'picture' of (weighing) scales and words Trade Mark in black on orange and white. Inside the box are 31 clear plastic sealed cardboard boxes of "Colourform developer "B" Powder". The boxes are white with a label on the front with black and orange print. The ends are clear, the sides have "Colourform "B" in orange and the back has 'Directions' in black .Large box - Johnson Colourform Outfit Small boxes Colourform developer "B" powder.photographic equipment, photography, johnsons of hendon, colour form developer powder, photo developer, wilma davies

The book has black leather covers which are heavily embossed with an Australian Coat of Arms and featuring gold printing, scroll work and patterns. The title of the book is on the spine which also has gold patterns. The cover is torn at the top left hand corner. The inside cover is water damaged. The gilt edged pages contain printed text, black and white and tinted illustrations and coloured maps. There is a narrow ribbon book mark , a pressed leaf and a cut out card flower inserted in the pages.non-fictionA history of Australasia written in late 18oo'saustralasian history, alice gamble, a history of australasia 1870, warrnambool

Bubble Sextant model Mark 1XA type A.M. 6B/218 in protective storage box. Complete, with operation instructions. This is an aviation navigation instrument used by the RAF and RAAF during the World War 2 era. A sextant is used to measure the altitude of celestial bodies above a horizontal line of reference. A navigator can use the horizon as this line of reference, but when an aircraft is above the clouds or flying at night, the navigator can’t see the horizon. The bubble sextant solves this problem by providing an artificial horizon.The storage case has a label with the following: "A.M. 6B/218 MK IX A" and the number "10772/42 (V)"

Blackburn Cricket Clubs first 1st XI shield premiership.Blackburn Cricket Clubs first 1st XI shield premiership.McIntosh Shield winning team 1993-94. First Blackburn Cricket Club McIntosh Shield winners. Team team was Graig Gislingham (c), Tom Cullen (vc), Brad Cullen, Simon Nelson, Mark Cullen, Cameron Head, Andrew Smith,, Campbell Brown, Geoff Stephens, Darren Croft, Neil Robertson, Richard Turnley (12th). Blackburn defeated Mitcham at Morton Park. A Darren Croft drive for four brought up his century and the great win.mcintosh shield 1993-94

This unique postage stamp container, fashioned as a postal letter is from an era 1800 to early 1900, when items with no real bravado of wealth, were produced to satisfy the basic needs of their owners. A small yet "simple" postage stamp container made from silver would stand out but yet not that "vulgar". This was a period that flouting wealth was not done. This attitude changed when "old" wealth of property and titles moved to industrial and merchant "new" wealth merged.This item was introduced to the Kiewa Valley by a "genteel" woman who had come from "old" wealth in the "mother" country. In rural Australia such flashing of wealth or even "one up man ship" is frowned upon. The Kiewa Valley residents, in this time frame, would have reacted in a "true blue" manner. The significance of this item is that it highlights a time when the "Australian" heart was closely aligned to "mother Great Britain". These national bindings and self identity were only to last until World War II. The realisation of untying the national umbilical chord between Great Britain and Australia came when the United States of America provided its support and a closer bond developed. This container for postal stamps is fashioned as a letter. The lid(flap) is hinged to the main letter frame, allowing access to the contents (stamps). It is made of thin silver (sterling) with the silver markings on the inside of the flap. The folds on the opening flap side mirror the early dated letter envelope (glued on two sides, folded and glued on the third). The markings on the inside, clearly visible when the flap is open has the Assay Office Birmingham "anchor" stamped before the sterling silver "lion" mark. Stamped on inside flap "92" and "M" .Inside the letter facing the opener is the "Anchor" symbol and next to that the "Lion" symbolpostal stamp container, stamps, envelopes

1985 GR 6: Back Row: Garry Brown, James Foley, Jeremy Scheltus, Mark Yendle, Shannon Beath, Nathan Rooks, Chris Aravanis, Alan Harding. 2nd Row: Chris Pearson, David Weaver, Belinda Neave, Natalie Bartholomeusz, Michelle Bingham, Lee Baker, Christian Toro. Front Row: Rosabel Franklin, Kim Evans, Sherie Blackwell, Anna Burak, Vicki Olney, Candy Pietersz, Joanne Williams. Teacher: A. Irvine(left) and ?

The Weekly Times was first published on September 11, 1869, by a group of Melbourne businessmen who owned the now-defunct Daily Telegraph, with the stated aim to be a “journal of literature, sport, agriculture, science and politics”. It is Australia’s oldest rural newspaper, and is known far and wide as the Bible of the Bush. (ref Weekly Times web-site)This magazine is a useful reference tool on the history of the Royal Melbourne Show as well as The Weekly Times.A souvenir edition of The Weekly Times dated Wed. Sept 7 1994. Price $1.10. It marks the anniversary of the first Weekly Times, Sept 11 1869. Inside is a special preview of the Royal Melbourne Show, a history of the show and a history of The Weekly Times. It also contains a brief history of 125 years of rural news. On the front cover is a colourful picture of an older man sitting on a tree stump outside a bark hut. He is reading an early edition of The Weekly Times.weekly-times souvenir-newspaper magazine royal-melbourne-show rural-history

This handmade green glass bottle was made using the turn-moulded or rotated-moulded method, a variation of the mould-blown process. The bottle has the remnants of a cork seal in its mouth. It possibly contained ginger beer, soda or mineral water, flavoured drinks, liquor or wine. The bottle’s shine has been worn from around 3/4 of its body, indicating that it has been resting horizontally on an abrasive surface, perhaps in the ground or on a river or sea bed. TURN-MOULDED BOTTLE production method This bottle was handmade using the ‘turn-moulded’ process, one of a variety of mould-blown processes that followed the earlier mouth-blown method. The maker would add a portion of hot soft glass to the end of his blowpipe then blow air through the pipe while placing the end inside a bottle mould. The mould was then turned and twisted, giving the bottle a round, seamless body, and usually a round indented base. The cooled body of the bottle would then be finished with the addition of an applied top. A small amount of soft glass would be applied to the top of the bottle and a lip would be formed using a tooling implement. A concentric ring would also form below the lip, caused by the rotated lipping tool. The bases of bottles made with the turn-moulded method were generally not embossed but would commonly have a mamelon or ‘dot’ in the centre of the base. SEALING THE BOTTLE After filling this type of bottle with its contents it is then sealed with a straight, cylindrical cork with the aid of a hand operated tool called a bottle corker. The bottle corker compresses the cork as it is driven into the bottle. Once inside the bottle the cork expands evenly into the opening to tightly seal the contents – the denser the cork the better the seal. This turn-moulded glass bottle is made distinctive due to its round seamless body and indented base.Bottle, dark green glass. Handmade turn-moulded bottle with seamless body and tooled lip. Deeply indented base has push-up mark with a ‘mamelon’ bump in the centre. Bottle is straight from base to half height, then tapers to a shoulder over the next quarter, than almost straight up to the mouth. The shine has been worn from three-quarters of the body of the bottle. There are particles adhered to the inside of the bottle. Possibly used for ginger beer. Produced in 1880s to 1910’s. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, green glass bottle, handmade glass bottle, bottle with indented base, turn-moulded bottle, rotate-moulded bottle, tooled lip on bottle mouth, applied lip bottle, bottle corker

This clear ‘gallon’ type liquor bottle has been handmade by a glassblower from 1840s-1870s. The bottle was found in the coastal waters of Victoria about 100 years from when it was made. It is part of the John Chance Collection. This bottle was made in a three part mould. The lower part was cylindrical, with a post in the centre that had an interchangeable mould with the embossed number in it. The sides of the mould gently tapering to the base, which allowed for ease of removing. The upperpart was in two pieces, one each side of the neck. The moth-blown glass formed the shape of the inside of the mould. The bottle was broken off the end of the glassblower’s pipe. Once removed from the mould the base was trimmed smooth. The mouth was then finished with the lip – there were many different styles of ‘applied’ lips, depending on the glassblower or his customer’s needs. This bottle would have been sealed with a cork. The surface of the bottle is a little bumpy and has bubbles, due to the blowing process. The meaning of the inscription is unclear. Perhaps it is a code for the bottle’s design, the date made or the maker. The bottle’s shape was referred to a ‘gallon’; six of these bottles would contain a total of a gallon of liquid. The bottle holds approximately 750 ml. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle; clear glass, tall, cork-top style, handmade. Applied slightly tapered lip band. Bulbous neck, seams on neck, seam between shoulder and body. Neck and body have faint horizontal in the glass. Body tapers inwards towards base. Heel is thick and uneven. Shallow base with pontil mark and air bubbles. Inscription embossed into base. Bubbles and imperfections in glass. Sediment on surface. Mouth is chipped, surface is scratched. Bottle has polystyrene balls inside. Embossed into base “118”flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, handmade, mouth blown, pontil mark, blown bottle, liquor bottle, 19th century bottle, collectable, bottle, clear glass, three piece mould

This brown glass bottle has been handmade from about the 1870s-1910s. The bottle, possibly used to store ale or soda or mineral water, was found in the coastal waters of Victoria. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe into the molten glass blob at the end of the pipe. The glass was blown out to fit into the shape of the cylindrical dip mould. Once it hardened, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck while carefully using a tool to hold the base. A 'ponty' (pontil) tool would been used to complete the shape, pushing up the base. A tool would have been used to cut off the bottle from the blowpipe and apply and form the ring band on the neck. Bottles like this would usually be sealed with a cork, which may have been held in place with wax or wire and tape. Although this bottle is not linked to a particular shipwreck, it is recognised as a historically significant example of handmade, late 19th to early 20th century beverage bottles imported for use in Colonial Victoria. The bottle is also significant for its association with John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several shipwrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, brown glass, tall and slim, cork-top style. Tooled finish on mouth with applied ring, shoulder seam, body tapers inwards towards base. Concave base has pontil mark. Sediment inside bottle. Glass has shiny surface and diagonal rings from shoulder to mouth, then is less shiny and has an slightly undulating surface from shoulder to base. The surface is markedly raised where base and shoulder meet. Glass has many scratches.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, collectable, bottle, dip mould, soda bottle, brown glass, ale bottle, beverage bottle