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8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
The 8th Light Horse (Indi) Regiment superseded the 16th Light Horse in 1919. It had its headquarters at Benalla with sub-units throughout the Upper Murray and Northeast Victoria. In December 1941, the regiment converted from horse to mechanised, initially as 8th Reconnaissance Battalion then in July 1942 it became 8th Cavalry Regiment and served in Northern Territory. As Japanese threat to the mainland declined the regiment was disbanded.Jack Bell was a Farrier/ Blacksmith in 8th Light Horse 1930s and WW2Shows Light Horsemen of late 1930sBlack and white photograph of mounted light horseman being Trooper Jack Bell, 8th Light Horse circa 19398th, light horse, bell -
Bendigo Historical Society Inc.
Newspaper - LONG GULLY HISTORY GROUP COLLECTION: LANSELL ERECTS AUSTRALIA'S TALLEST POPPET HEAD
Photocopy of a newspaper article titled Discover Bendigo by James Lerk. Article is titled Lansell Erects Australia's Tallest Poppet Head.George Fauckner was responsible for erecting the tall poppet head at the 222 mine. Eight huge logs were used to make the four legs which morticed together. Blacksmiths made and riveted steel bands around the joints to secure them. Harkness Foundry manufactured the winding plant which was the largest in Bendigo at that time. An accompanying photograph illustrates the 222 Mine as it appeared in the 1890's.bendigo, history, long gully history group, the long gully history group - lansell erects australia's tallest popper head, george fauckner, ballerstedt's fortuna, 222 mine, 180 mine, fortuna crushing battery, harkness foundry, cleopatra's needle, fortuna -
Bendigo Historical Society Inc.
Document - ANCIENT ORDER OF FORESTERS NO. 3770 COLLECTION: CORRESPONDENCE
A.O.F., Court King of the Forest, No. 3770, B.U.D. Notice of Intention and Proposition. I hereby give notice of Intention to Propose Mr. Thomas White, age 28 years, Occupation Blacksmith, Place of Birth England, residence Iron Bark, Wife's Name Margaret Age 26 years, No of Children 1. Signature Rich Coath. The Proposition - Proposed by R. J. Coath and Seconded by Ed. Le Levies. Mr Thomas White as a Candidate for admission. Proposed by R. J. Coath and Seconded by Ed. Le Levies.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court king of the forest, thomas white, margaret white, rich coath, ed le levies -
Port Melbourne Historical & Preservation Society
Photograph - Relating to William and Charlotte Ashton, 1900s
Copies of original photos .01 - William and Charlotte Ashton (colour) .02 - Home of William and Charlotte Ashton at 11 Seissman St, Port Melbourne before 1911 (faded black and white) .03 - Heath Hill, 184 Dow St, Port Melbourne; lived in by W & C Ashton after 1911 (probably), home of Fred Nicholson 2012 (sepia) .04 - Blacksmith shop 202 Bay St, Port Melbourne; belonging to Tom and William Ashton; also a sweet shop run by Charlotte Ashton.built environment - domestic, built environment - commercial, business and traders, families, william ashton, charlotte ashton, tom ashton -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: A FULL LIFE
Bendigo Advertiser "The way we were" from Wednesday, October 6, 2004. A full life: this photograph is of Annie Carr, born in 1849 in New Zealand. Her parents were William Carr, a blacksmith from London and Jane Jamieson of Kilbirnie, Scotland. She arrived in Sandhurst in June, 1854 with her parents and her sister Sarah. Sarah drowned in October 1854, in a waterhole at Maiden Gully. Annie married Louis Searle in 1871 and went on to have 14 children. Annie died at Northcote in 1922.newspaper, bendigo advertiser, the way we were -
Bendigo Historical Society Inc.
Document - JOAN O'SHEA COLLECTION: CENTRAL DEBORAH GOLD MINE BENDIGO, 26th November, 1984
Joan O'Shea Collection. Central Deborah Gold Mine Bendigo. Promotional material. Chronological History, Poppet legs and shaft, Change Room, Caretakers or rag pickers room, Drying room, first aid room, carbide light room, Underground, carpenters shed, ore bins and loading bays, stamper battery, wilfley table, berdan pans, laboratory, display room, boiler, stroke hold, winding engine, boiler feed pump, electric driven compressor, steam driven compressor, blacksmith's shop.Photograph Courtesy Philip Beer.mining, marketing, central deborah mine. -
Bendigo Historical Society Inc.
Document - IAN DYETT COLLECTION: AUCTION CATALOGUE - SUNBEAM COLLERIES
Red covered auction catalogue for an auction sale held on 10th December, 1958 at the Sunbeam Colleries, Korumburra of Coal Mining Plant. Lots include Electric Winches, Jaques Crushing Plant, Air Compressing Plant, 15-ton Avery Weighbridge, Corr. Iron Buildings, Rails, Pumps, Electric Motors, Piping, Stores, Engineers and Blacksmiths Plant, Pneumatic and Hand Tools, Valuable Electrical Equipment and Costly Accessories. There are descriptions of some lots. J. H. Curnow & Son Pty. Ltd. Were the auctioneers.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - sunbeam colleries, j h curnow & son, prahran telegraph printing co pty ltd -
Orbost & District Historical Society
branding iron, late 19th -mid 20th century
Branding irons are used to print a burn an identifying marker on the hide of horses or cattle so that they may be later identified if they become lost or escape from their pasture. The irons were typically forged by blacksmiths using a toolset that included hammers, anvils and chisels. The branding irons were used by heating the end bearing the owner’s initials to a very high temperature in a furnace, and then burnishing it against the skin of the cow. Brands were registered with state governments as unique marks. This allowed for a state registry to be maintained. This is an example of an implement used locally in the livestock industry.A branding iron with letter R on circular end. Handle loop is oval shaped. It has been painted blue to half way.branding-iron rural-industry -
Orbost & District Historical Society
branding iron
Branding irons are used to print a burn an identifying marker on the hide of horses or cattle so that they may be later identified if they become lost or escape from their pasture. The irons were typically forged by blacksmiths using a toolset that included hammers, anvils and chisels. The branding irons were used by heating the end bearing the owner’s initials to a very high temperature in a furnace, and then burnishing it against the skin of the cow. Brands were registered with state governments as unique marks. This allowed for a state registry to be maintained. This item is an example of a common implement used in the livestock industry in Orbodt.A long-handled branding iron with an S or 2 on the end. There is a loop at the top for hanging.branding-iron rural livestock-industry -
Flagstaff Hill Maritime Museum and Village
Tool - Fuller, Grooving iron, 19th and early-20th centuries
This hand groover is sometimes called a seamer, grooving iron, punch or fuller. It would have been used by a metal smith, such as a blacksmith, tinsmith or sheet metal worker. It is used to join two edges of metal. The smith overlaps the edges of the metal, then places the tool on top and beats it with a hammer on the top, forcing the metal into the tool's groove, which joins the metal. The device would be moved along the edges to complete the seam. The same tool could give a decorative finish to an artisan's work.This hand groover is sometimes called a seamer, grooving iron, punch or fuller. It would have been used by a metal smith, such as a blacksmith, tinsmith or sheet metal worker. It is used to join two edges of metal. The smith overlaps the edges of the metal, then places the tool on top and beats it with a hammer on the top, forcing the metal into the tool's groove, which joins the metal. The device would be moved along the edges to complete the seam. The same tool could give a decorative finish to an artisan's work.Tool: a fuller, used to form a groove in heated iron. It is also referred to as a groover, seamer or fuller punch. Hand tool with round handle, flat round top and indented rectangular base. Base has grooves on long edges. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, blacksmith tool, vintage tool, sheet metal fabrication, groover, seamer, hand tool, tinsmth, metalsmith, seaming tool, sheet metal worker, manual tool, smith's tool, fuller, grooving iron, punch -
Derrinallum and Lismore Community Association - History Group
Boot, c.1870
This boot was found hidden in an alcove in a chimney in one of the first houses built in Lismore Victoria during the mid 1860's. The house belonged to scottish born George Ireland Skene who settled in Lismore in mid 1857 with his wife Elizabeth (nee Nelson) and two young children. November 1857 George had built the first blacksmith shop in Grey Street Lismore and then built his house behind the smithy's. Hiding boots in chimneys is well doucumented in folklore. Old brown leather left foot childs boot. In poor condition the leather has dried out and the front centre of the boot along the eyelets has curled into the inside of boot. The holes are in tact but the laces are missing so is the tounge. The leather is stained with a white powder mildrew. The sole and heel has perished and there is a hole in the toe area.boot, shoe, leather, folklore, concealed, chimneys, hidden, magic -
Kiewa Valley Historical Society
Tuyere Pipe, circa mid to late 1900's
This tuyere (word from French origin) was used by professional blacksmiths and or cattlemen before and during the Kiewa Hydro Electricity Scheme was being constructed. The need to use a furnace or forge in the shaping of metal rods, horse shoes and pipes is both a rural necessity and a construction, on site requirement. The "inventiveness" of cattlemen and construction workers to produce metal objects not available "off the shelf" is one of the inherent traits not only of rural self sufficiency but in the "pioneer" days of rural isolation one of survival.This tuyere is of great significance to the Kiewa Valley and its regions because it highlights one of the greatest strengths of the rural (especially isolated) life and its folk living there, and that is the great human factor of adaptability and survival techniques in sometimes harsh and demanding environmental circumstances. The inventiveness and the attitude, "she'll be right mate", demonstrates life on the land where specialised blacksmith activities can be found in non "professionals" because of the fact that "someone" has to do the job. This is one of the differences between country "rural" life and that found in cities and larger towns.This iron cone shaped tuyere has a small hole (diamenter 25mm) starting within an ever enlarging cone (amplification of the air pressure going through) delivering varying hot or extremely hot air into a furnace or hearth which intensifies the heat to allow the "shaping" of metal objects. The larger "flared" cone extension allows for the directed air to be spread and not concentrated.blacksmith tool, tue, bellows, fashioning metal, forge manufacturing process -
Kiewa Valley Historical Society
Blacksmith's Bellows
In the Middle Ages double-acting bellows was introduced. It had 2 parts, one operated by hand or foot, the other took air from it and was weighted so it forced air out while the part was filling. Blacksmithing is the shaping of hot iron and steel, usually by hammering. Very hot fires were produced by 1.a hot air blast. 2. burning charcoal (not wood). Bellows were used to make tools, fix equipment including machinery, drays, carriages, harnesses etc. Farmers in the Kiewa Valley often had their blacksmith forge. They made their own tools, were able to mend equipment, drays etc., gates, and most items that were made of iron and steel.Large Double Acting bellow with wooden top and bottom, shaped like a 'water drop' - narrow at one end and broad at the other. The wood is held by strips of wood and leather bound and placed around the perimeter. The wood on the top side has inscriptions (illegible). The wood on the bottom side has a rectangular hole. The narrow end feeds into a pipe to enable the fire to receive a hot blast of air. When the bellow is squeezed it allows both pieces of wood to be pushed together.Illegibleblackmiths, bellows, double acting bellow -
Flagstaff Hill Maritime Museum and Village
Tool - Fuller, Grooving iron, 19th and early-20th centuries
This hand groover is sometimes called a seamer, grooving iron, punch or fuller. It would have been used by a metal smith, such as a blacksmith, tinsmith or sheet metal worker. It is used to join two edges of metal. The smith overlaps the edges of the metal, then places the tool on top and beats it with a hammer on the top, forcing the metal into the tool's groove, which joins the metal. The device would be moved along the edges to complete the seam. The same tool could give a decorative finish to an artisan's work.This handmade tool was made for the particular purpose of joining sheets of metal together. The metal formed in this way could be used for water tanks, boilers and other similar items. It is an example of the equipment made and used in the trades of a metalsmith and blacksmith in the 19th and early 20th centuries.Tool: a fuller, used to form a groove in heated iron. It is also referred to as a groover, seamer or fuller punch. Hand tool with round handle, flat round top and indented rectangular base. Base has grooves on long edges. flagstaff hill maritime museum, maritime museum, shipwreck coast, great ocean road, blacksmith tool, vintage tool, sheet metal fabrication, groover, seamer, hand tool, tinsmth, metalsmith, seaming tool, sheet metal worker, manual tool, smith's tool, fuller, grooving iron, punch -
Wangaratta RSL Sub Branch
Emu Feather Plume
Plume from hat of Corporal Farrier Mervyn "Banjo" HARRIS VX22764 born 4/3/1914. He enlisted in the CMF 8th Light Horse in February 1937 then the AIF on 7th January 1941 and posted to 143 P.O.W Camp Murchison. He attained the rank of Sergeant prior to discharge on 1/5/1944 ..Discharge Certificate donated to Wangaratta High School together with a display box containing black and white images and blacksmith tools..refer Victorian Collections.0334/0396Plume comprising of 2 separate emu feathers gathered at base with glue and / or tape binding.emu, feather, plume -
National Wool Museum
Quilt, 1880s
The wagga was owned by the great uncle of the donor's husband, George Stephens. Mr Stephens was a mining engineer in the late 1800s to early 1900s in Stawell, Main Lead (near Beaufort), Diamond Creek and Costerfield in Victoria. His last residence was at Bosterfield, where the wagga was used as a bed quilt in the mid 1940s. It may have also been used in the childhood home of Mr Stephens at Stawell. Mr Stephens saved the life of a blacksmith at Diamond Creek Gold Mine circa 1910.A wagga made from men's suits and coats, unpicked and sewn together. Pieces are in blue, brown checked and striped materials. There are remnants of a backing around the edges.wagga, running stitch collection, diamond creek, victoria, stawell, beaufort, costerfield -
Bendigo Historical Society Inc.
Photograph - Digital Images re Emma Courtis (nee Thomas), 31/05/2023
Emma Thomas Collection: Items were owned by Emma Courtis, nee Thomas (1854-3/3/1937. Family lived in Hamelin St, White Hills. Clothing items possibly made by Emma or a local person in White Hills area and used around 1890s. Emma's family include Elizabeth Penrose (mother), Solomon Thomas (father), and Richard Courtis, a blacksmith (her husband). Richard Courtis married Emma Thomas in 1875 and they moved to Melbourne in 1922.Three digital photographs relating to Emma Thomas. a. Emma in her later years but no date recorded. b. The wedding photo is of Emma and Richard's daughter, Ada, who married Hedley Thomas. Donor's grandfather, Richard, is seventh in the third row from the left. He had a moustache then, but she remembers him as a bald man with round glasses. Richard and Emma Courtis are in the third row, fourth, and fifth from the left of the photo. c. Headstone of Emma and Richard who died in Melbourne and are buried there.emma thomas, emma courtis, richard courtis -
Mt Dandenong & District Historical Society Inc.
Photograph, Main Street Olinda c1908
c1908 view of Main Street Olinda with Dodd's store in foreground and Olinda State School up on the hill. Reverse of photograph has handwritten description by John Lundy-Clarke.Photo of Olinda taken about 1908 showing State School on skyline. Dodd’s store in foreground. Hodges blacksmith shop on roadside right. Coonara Road, then Mernda Road leads up out the picture right, Mt Dandenong Road goes down left. Range Road (the bullock track) is in immediate foreground and Sassafras turns to the right before the visible tracks on Mernda Road.olinda, jack dodd, general store, school -
Flagstaff Hill Maritime Museum and Village
Functional object - Nail, circa 1840
This historic bronze nail dates back to 1840s when the ship Grange was built. Nails such as this one were used for boat building, as deck fasteners and many other uses. This nail was made at a time when the shanks of nails were usually machine cut but the heads were hand formed by blacksmiths. The nail was recovered from the shipwreck of the Grange in around 1968, 110 years after the Grange was wrecked (see below for further details on the Grange). It is part of the John Chance Collection. THE GRANGE, 1840-1858- The wooden barque ’Grange’ was a three-masted ship built in Scotland in 1840 for international and coastal trade. On March 22, 1858, the Grange set sail from Melbourne under Captain A. Alexander, carrying a cargo of ballast. The barque had left the Heads of Phillip Bay and was heading west along the Victorian coast towards Cape Otway. The ship struck Little Haley’s Reef at Apollo Bay due to a navigational error and was stuck on the rocks. The crew left the ship carrying whatever they could onto the beach. Eventually, the remains of the hull, sails and fittings were salvaged before the wreck of the Grange broke up about a month later. About 110 years later, in 1968, the wreck of the Grange was found by divers from the Underwater Explorers Club of Victoria. They were amazed to find a unique, six to nine pound carronade (type of small cannon) and a cannonball on the site. There have been no other similar carronades recorded. In that same year the anchor of the Grange was recovered by diver John Chance and Mal Brown.The nail is significant historically as an example of hardware used when building wooden ships in the early to mid-19th century. The nail is historically significant as an example of the work and trade of blacksmith. The nail also has significant as it was recovered by John Chance, a diver from the wreck of the Grange in the 1968. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The nail is historically significant for its association with the 1840s wooden barque, the Grange. The Grange is an historical example of a Scottish built vessel used for international and coastal trader of both cargo and passengers in the mid-19th century. The Grange is an example of an early ship, designed with a wooden hull. It is significant as a ship still available to divers along the south coast of Victoria, for research and education purposes. The Grange is an example of a mid-19th century vessel that carried a weapon of defence onboard.Nail, bronze, round head, four-sided shank, tip flattened to a rounded wedge shape. The surface is pitted and rough. There is orange and blue concretion on the shank. The nail is bent. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, west coast trader, apollo bay, mid-19th century shipwreck, the grange, scottish barque, little henty reef, captain a alexander, underwater explorers club of victoria, 1840s carronade, vhr 5297, coastal trader, wooden shipwreck, john chance, fastener, nail, square nail, machine cut mail, blacksmith, historic nail, bronze nail, carronade, mal brown -
Flagstaff Hill Maritime Museum and Village
Functional object - Nail, circa 1840
This historic bronze nail dates back to 1840s when the ship Grange was built. Nails such as this one were used for boat building, as deck fasteners and many other uses. This nail was made at a time when the shanks of nails were usually machine cut but the heads were hand formed by blacksmiths. The nail was recovered from the shipwreck of the Grange in around 1968, 110 years after the Grange was wrecked (see below for further details on the Grange). It is part of the John Chance Collection. THE GRANGE, 1840-1858- The wooden barque ’Grange’ was a three-masted ship built in Scotland in 1840 for international and coastal trade. On March 22, 1858, the Grange set sail from Melbourne under Captain A. Alexander, carrying a cargo of ballast. The barque had left the Heads of Phillip Bay and was heading west along the Victorian coast towards Cape Otway. The ship struck Little Haley’s Reef at Apollo Bay due to a navigational error and was stuck on the rocks. The crew left the ship carrying whatever they could onto the beach. Eventually, the remains of the hull, sails and fittings were salvaged before the wreck of the Grange broke up about a month later. About 110 years later, in 1968, the wreck of the Grange was found by divers from the Underwater Explorers Club of Victoria. They were amazed to find a unique, six to nine pound carronade (type of small cannon) and a cannonball on the site. There have been no other similar carronades recorded. In that same year the anchor of the Grange was recovered by diver John Chance and Mal Brown. The nail is significant historically as an example of hardware used when building wooden ships in the early to mid-19th century. The nail is historically significant as an example of the work and trade of blacksmith. The nail also has significant as it was recovered by John Chance, a diver from the wreck of the Grange in the 1968. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The nail is historically significant for its association with the 1840s wooden barque, the Grange. The Grange is an historical example of a Scottish built vessel used for international and coastal trader of both cargo and passengers in the mid-19th century. The Grange is an example of an early ship, designed with a wooden hull. It is significant as a ship still available to divers along the south coast of Victoria, for research and education purposes. The Grange is an example of a mid-19th century vessel that carried a weapon of defence onboard.Nail, bronze, oval head, four-sided shank, tip flattened to a rounded wedge shape. The surface is pitted and rough. There is orange and blue concretion on the shank. The nail is bent. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, west coast trader, apollo bay, mid-19th century shipwreck, the grange, scottish barque, little henty reef, captain a alexander, underwater explorers club of victoria, 1840s carronade, vhr 5297, coastal trader, wooden shipwreck, john chance, fastener, nail, square nail, machine cut mail, blacksmith, historic nail, bronze nail, carronade, mal brown -
Eltham District Historical Society Inc
Document, Certificate of Consent of Sale of Lot 20 Henry Street, Eltham to Hope of Eltham Tent No. 195 Victoria District Independent Order of Rechabites, 28 Nov 1901
Alexander Robert Edgar, President of the Victoria and Tasmania Conference of the Wesleyan Methodist Church by Certificate of Consent of Sale dated 28 November 1901, declared that the Conference of the Church held in Melbourne, 27 February 1894, agreed to the sale by the Trustees of Lot 20 Henry Street. Indenture dated 15 November 1901 between Revd. Barnabas Shaw Walker, Minister of the Pentridge Circuit, Joseph Cooper, Gardener of Keelbundora, Samuel Jeffrey, Farmer of Jika Jika, John Brown, State School Teacher, Robert David Taylor, Gardener and Isaac Hill, Dealer, all of Eltham, the Trustees conveyed the land to William John Taylor the Younger, Gardener, George Knapman, Blacksmith and Isaac Hill junior, Carrier, all of Eltham and Trustees at the time for a Friendly Society known as the Hope of Eltham Tent No. 195 Victoria District Independent Order of Rechabites for the sum of £40. The conveyance was received into the Office of the Registrar General, State of Victoria, 12 December 1901. Originally purchased in 1856 from Thomas Roberts, Yeoman of Little Eltham, for £10 for use by the Wesleyan Chapel, represented by indentured Trustees, Rev. Barnabas Shaw Walker, Minister of the Pentridge Circuit, Francis Thomas, Farmer of Keelbundora, William Harriman, Blacksmith of Nillumbik, Nicholas Rodda, Farmer of Nillumbik, Aaron Grimshaw, Farmer of Greensborough, Joseph Cooper, Gardener of Keelbundora, Peter Dredge, Scholmaster of Jika Jika and Samuel Jeffrey, Farmer of Jika Jika. Lot 20 of Subdivision of Portion 13, Section 4 of the Parish of Nillumbik in the County of Evelyn was located on the southern side of Henry street in Little Eltham North, where the current Our Lady Help of Christians Catholic Church is situated. It became the location of the Eltham Rechabite Hall. In 1893 a new hall was built and further enlarged in 1919. At the commencement of 1922, the property was purchased from the Independent Order of Rechabites with publicly subscribed funds and a new hall built at a cost of £750 and improved road access constructed to reduce the grade, running from Dudley Street to Henry Street. This hall was eventually replaced with the new Shire Offices and Hall built on the corner of Arthur Street and Main Road, which was opened in 1941. Traces the earliest history of the Eltham Public Hall in Henry Street and the various names, occupations and abodes of the Trustees associated with the propertyaaron grimshaw, blacksmith, edmond perry, eltham public hall, eltham rechabite hall, eltham wesleyan chapel, francis thomas, george knapman, george smith, henry street, hope of eltham tent no. 195, i.w. lucas, isaac hill, james blanch, james chapman, james william brown, john brown, john jenkins peacock, john jones, john neale, john van mangerhoussen weiss, joseph cooper, joseph morris holloway, josiah atwool, keelbundora, lancelot iredale, little eltham, little eltham north, lizar elliott, mark blanchard, methodist church, nicholas rodda, p. mather, peter dredge, rev barnabas shaw walker, robert david taylor, samuel jeffrey, samuel moor munce, thomas roberts, thomas wheaten bowden, trustee, victoria district independent order of rechabites, wesleyan methodist church, william harriman, william hebblewhite, william john munce, william john taylor, william matthews, william rose -
Eltham District Historical Society Inc
Document, Conveyance of Lot 20 Henry Street, Little Eltham North to Trustees of Wesleyan Chapel, 1856
Originally purchased in 1856 from Thomas Roberts, Yeoman of Little Eltham, for £10 for use by the Wesleyan Chapel, represented by indentured Trustees, Rev. Barnabas Shaw Walker, Minister of the Pentridge Circuit, Francis Thomas, Farmer of Keelbundora, William Harriman, Blacksmith of Nillumbik, Nicholas Rodda, Farmer of Nillumbik, Aaron Grimshaw, Farmer of Greensborough, Joseph Cooper, Gardener of Keelbundora, Peter Dredge, Scholmaster of Jika Jika and Samuel Jeffrey, Farmer of Jika Jika. Lot 20 of Subdivision of Portion 13, Section 4 of the Parish of Nillumbik in the County of Evelyn was located on the southern side of Henry street in Little Eltham North, where the current Our Lady Help of Christians Catholic Church is situated. It became the location of the Eltham Rechabite Hall. In 1893 a new hall was built and further enlarged in 1919. At the commencement of 1922, the property was purchased from the Independent Order of Rechabites with publicly subscribed funds and a new hall built at a cost of £750 and improved road access constructed to reduce the grade, running from Dudley Street to Henry Street. This hall was eventually replaced with the new Shire Offices and Hall built on the corner of Arthur Street and Main Road, which was opened in 1941. Traces the earliest history of the Eltham Public Hall in Henry Street and the various names, occupations and abodes of the Trustees associated with the propertyaaron grimshaw, blacksmith, edmond perry, eltham public hall, eltham rechabite hall, eltham wesleyan chapel, francis thomas, george smith, henry street, i.w. lucas, james blanch, james chapman, james william brown, john jenkins peacock, john jones, john neale, john van mangerhoussen weiss, joseph cooper, joseph morris holloway, josiah atwool, keelbundora, lancelot iredale, little eltham, lizar elliott, mark blanchard, methodist church, nicholas rodda, p. mather, peter dredge, rev barnabas shaw walker, samuel jeffrey, samuel moor munce, thomas roberts, thomas wheaten bowden, william harriman, william hebblewhite, william john munce, william matthews, william rose -
Orbost & District Historical Society
branding iron, Late 19th -mid 20th century
Branding irons are used to print a burn an identifying marker on the hide of horses or cattle so that they may be later identified if they become lost or escape from their pasture. The irons were typically forged by blacksmiths using a toolset that included hammers, anvils and chisels. The branding irons were used by heating the end bearing the owner’s initials to a very high temperature in a furnace, and then burnishing it against the skin of the cow. Brands were registered with state governments as unique marks. This allowed for a state registry to be maintained. This item was used in Orbost in the livestock industry.This item is an example of an implement once used in the livestock industry in Orbost.A branding iron with the letter W on the end. It has a long iron handle with a ring grip at the top.branding-iron rural-industry -
Orbost & District Historical Society
branding iron, late 19th -mid 20th century
Branding irons are used to print a burn an identifying marker on the hide of horses or cattle so that they may be later identified if they become lost or escape from their pasture. The irons were typically forged by blacksmiths using a toolset that included hammers, anvils and chisels. The branding irons were used by heating the end bearing the owner’s initials to a very high temperature in a furnace, and then burnishing it against the skin of the cow. Brands were registered with state governments as unique marks. This allowed for a state registry to be maintained. This item was used in Orbost in the livestock industry.This item is an example of a common implement used in rural industry in Orbost.A branding iron with the letter J on the end. It has a long handle with a ring grip at the top.branding-iron livestock-industry rural-industry -
Orbost & District Historical Society
branding iron, Late 19th century - mid 20th century
Branding irons are used to print a burn an identifying marker on the hide of horses or cattle so that they may be later identified if they become lost or escape from their pasture. The irons were typically forged by blacksmiths using a toolset that included hammers, anvils and chisels. The branding irons were used by heating the end bearing the owner’s initials to a very high temperature in a furnace, and then burnishing it against the skin of the cow. Brands were registered with state governments as unique marks. This allowed for a state registry to be maintained. This branding iron was used in Orbost. This item is an example of an implement commonly used in the livestock industry in Orbost.A long-handled branding iron with J H at the end. There is a hanging loop at the top.branding-iron rural livestock-industry -
Warrnambool and District Historical Society Inc.
Book, Ann Chooses Glory, 1928
This book was given in 1929 to Alma McCullagh by the Dennington Sabbath (Sunday) School with the teacher being R. Conn. The Dennington Presbyterian Church was originally established in Drummond Street in 1918. In 1951 it was moved to Lindsay Street and demolished in 1968. R. Conn may be Ruby Conn who was born in Warrnambool in 1890 to Joseph and Ann Conn. Joseph Conn was a blacksmith from Illowa in the late 19th century (today in that area we have Conn’s Corner and Conn’s Lane). The McCullagh family had a property in Yangery named Oak Grove.This book is of interest because of the 1920s connection to the Dennington Presbyterian Church, the Conn family and the McCullagh families.This is a hard cover book of 256 pages. The cover is green with red and black lettering and an image of two men and two women inside a building. The cover is torn away on the back right hand corner. There are five full page black and white illustrations scattered throughout the text. The inscriptions are handwritten in black ink. There is a stamp of a lion on the first page.‘Presbyterian Sabbath School Dennington, Prize awarded to Alma McCullagh, January 1929, R. Conn, Teacher’ ‘Alma McCullagh Dennington’ ‘Alma McCullagh’ alma mccullagh, joseph conn, illowa, history of warrnambool -
Warrnambool and District Historical Society Inc.
Book - Family Bible, Hubbard Brothers, Philadelphia, The Pictorial Family Bible, 1870s
This is a family Bible belonging to Edward Bryants and Ellenor Conn.This is a Bible with a heavily embossed cover with pressed gold panels featuring gold lettering , scroll patterns and images of Biblical scenes and saints. The spine has scroll patterns and gold lettering. Inside the front cover the spine has been reinforced with blue adhesive tape. The spine and the front pages are partly detached. The pages are gilt-edged and contain printed text and black and white and colour illustrations and a handwritten name in black ink. A separate sheet contains black and red handwriting on both sides and some pencilled dates on the back.non-fictionThis is a family Bible belonging to Edward Bryants and Ellenor Conn. conn family warrnambool, edward bryants, 19th century family bibles -
Stawell Historical Society Inc
Photograph, View of Stawell from Big Hill April 1874 showing mines centered on St Georges Crushing Mill -- 5 Photos
From left Reefs Restaurant, T. Hogan & Co Tea Wine Spirits Merchant, R. Hepburn Carolina Hotel, Pleasant Creek Hotel, St George Stamping Battery, Free Methodist Chapel Church, Ballarat Hotel, Woodcock Produce Grocer, Stawell Brewery in far distance, L. Thomas Wheelwright Farrier & General Blacksmith, Australian Hotel, G. Laing Bootmaker, Brierly & Wilson Greengrocer, P. Corkeron Bootmaker, P. Corkeron Wholesale Retail General Grocer, Globe Hotel in distance, Christ Church.Part of Holtermann Collection. Black and White photograph of Stawell from Big Hill with mining in foreground. April 1874. View covers from St Patrick's Church to current location of Police Station along Patrick Street. St George Crushing Mill near Centre of Photograph. Includes Carolina Hotelmining, panorama -
Bendigo Historical Society Inc.
Administrative record - Deborah Gold Mines N.L. Mine Manager's Report Book, 1930 to 1943
Deborah Gold Mines included the South Deborah, North Deborah and Deborah Extended. Deborah Gold Mines N.L. was wound up in 1950, when the shareholders, at an extraordinary meeting confirmed a proposal for voluntary liquidation. (Advertiser., Adelaide, 24 May, 1950) . George Kingsley, who wrote the reports, was the Mine Manager. He was born in Guildford in 1872, died in Bendigo in 1943. He spent his working life working in gold mines, mainly in Bendigo, in various roles, starting his work life as a blacksmith. One hundred and eighty page Mine Manager's fortnightly report book, dark blue cover, white label affixed on front with 'Deborah ....(.illegible) Minute Book' Dates from 18th July 1940 to 23rd July 1943. Entries signed by Geo Kingsley. Mine Manager's report book is part of the Margaret Roberts Collection. bendigo, gold mining, deborah gold mines, north deborah, south deborah, deborah extended, margaret roberts collection -
Bendigo Historical Society Inc.
Painting - CAROL HOLSWORTH COLLECTION: 1970 NATIONAL BANK PAINTING 'THE MYERS CREEK RUSH' - NEAR SANDHURST
1970 National Bank painting reproduction The Myers Creek Rush - Near Sandhurst , Victoria Below the picture title the words - Reproduced by the National Bank in 1970 from the watercolour in the Rex Nan Kivell Collection , National Library of Australia , by permission of the Trustees .A hut in the foreground has a sign Tuck & Sons Branch Store. Centre left appears to be a National Colonial flag on a high flag pole .There are a number of buildings throughout the scene , horses and carts , mine windlasses .A Blacksmith in the foreground is talking to two men .Six men are examining the results of gold panningpainting, watercolour, gold diggers