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matching s. bell
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Sacred Heart College
Bell, 1880s
This bell was rung by the Sisters of Mercy at their School, Convent and Orphanage in the 1880's until replaced by an address system. This is the original school bell of Sacred Heart College.Metal, hand rung bell, with wooden handle. bell, sisters, mercy, convent, school, orphanage, newtown, geelong, sacred heart -
Tatura Irrigation & Wartime Camps Museum
Folio, Garfield
GARFIELD ž Kilmartin Road, Cooma.|John Thomas Dougherty, an American, came to the Tatura area in 1874. He married Emily Whitnell from Whroo in 1883 and they had nine children.|He started building Garfield in 1886 and it was not completed until 1897. The building was named after President Garfield of America.|The building still contains the original Ericson wall telephone with its tag inside dated 1906. The house contains many features such as Jacobean over mantel and fire surround in the dining room, stained glass, a push button bell, and a stair well leading to an underground living area used in the summer for coolness. A new glass stair well was installed in the 1980®s to allow more light into the area. J.T. Dougherty died 1936.Photos and foolscap sized documents in a black A 4 size folder.documents, agreements -
University of Melbourne, Burnley Campus Archives
Photograph - Sepia print, A.P. Winzenried, Pavilion, 1909
Note by T.H. Kneen, "The main entry to the Pavilion is surmounted by the small bell tower," and by E.B. Littlejohn, "Staff assembled under the bell tower waiting the bell to sound before moving off for home circa late 1930's."3 copies. Lily ponds in the foreground. (1) On reverse of larger copy, "1909." (2) On reverse of second copy taken by A.P. Winzenried for consideration for inclusion in, "Green Grows Our Garden.", "The old pavilion (pre cement Admin building) Pre 1940's."lily ponds, 1909, pavilion, bell tower, a.p. winzenried, green grows our garden -
University of Melbourne, Burnley Campus Archives
Photograph, School Bell, 2013
pavilion, students, administration building -
Vision Australia
Award - Object, C. Bradley 1000th wicket V.B.C.A. award
This award was given to Charlie Bradley upon the occassion of his 1000th wicket, by the Victorian Blind Cricket Association. It consists of a round cricket ball sized wire frame with black nylon tubing wrapped around it, and bottle tops to create sound.1 black nylon cricket ball with metal bellsrecreation, victorian blind cricket association, charlie bradley -
Stawell Historical Society Inc
Photograph, Warriors Football Club Team 1956
Back Row : G Giles, J Hull, Reeves, F Lever, W Rickard, L Healy 2nd : K Pianta (Sec), L Blake (President), B Larkin, M Stewart, W Hall, R Overall, N Grainger, D Mc Master, J Hatcher (Selector), T Wallace (Boundary) 3rd : P Boag, S Boag, J Larkin, V Chapman, B Chapman, C Smith, B Boag 4th : C Chappell, G Cashin, P Ledger, T Bell.Football team seated and standing with drapes in background.Names on Backsport, football -
Stawell Historical Society Inc
Photograph, Stawell Primary School Number 502 showing the Front of Building, Bell Tower & newer steel front fencing
Stawell Primary School 502 - c1970's wooden fence has been replaced with steel one.stawell education -
Uniting Church Archives - Synod of Victoria
Photograph, 1908
Mrs Mary Holden (1843 - 1930) was the mother of the Rev Albert Thomas Holden CBE V.D., B.A., D.D. Director of the Methodist Inland Missions, Chaplain-General of the A.I.F. and President-General of the Methodist Conference of Australasia. She was the mother-in-law of the Rev. Samuel HobanB & W composite photo of the Young Men's Class at Ashby Methodist Sunday School in Wellington Street, comprising 30 oval head and shoulders photos of the young men, and 1 rectangular head and shoulders photo of their teacher, Mrs T. Holden."Wellington Street Methodist Sunday School Young Men's Class. Presented to Mrs T. Holden as a slight token of esteem and respect from the members of her class. March 1908. P. Buchanan,N. Buchanan, L. Pash, T. Cortous, C. Walter, B. Palmer, S. Dorling, W. Hancock, N. Potter, E. Thomas, E. Potter, H. Reeves, R. McCann, H. Gallagher, P. Baxter, L. Viccars, F. Walker, F. Wynn, E. Whitton, J. Thomson, A. Sykes, W. Gallagher, G. Littleton, A. Wilson, N. Johnston, H. Viccars, H. Bell, C. Cortous, C. Bond, L. Muir, R. Thomson, H. Johnston.mary holden, rev albert thomas holden, rev samuel hoban, ashby methodist, sunday school -
Hume City Civic Collection
Equipment - knitting needle gauge
The knitting needle gauge was used as a guide to the needle sizes used in Britain and Australia before metric measurements were adopted for weights and measures in the mid 1970's.A silver metal knitting needle gauge in the shape of a bell with different sized holes in the middle numbered from 1-5 and slots around both sides numbered from 6-22. These holes were used as a guide to gauge the size of knitting needles. The numbers and lettering have been engraved into the metal.KNITTING / PIN SIZE / IS WIDTH / OF SLOTShandcrafts, knitting, knitting gauge, george evans collection -
City of Warrnambool Rowing Club
Trophy
Silver colored cup with two handles and a baker light base.City of Warrnambool Rowing Club D. A. McDougall Cup 1980-81. S. Carter, J. Crossbie, K. Johnson 1981-82. D. O'Keefe, J. Crossbie, Glenda Warwick, Carmel O'Keefe 1982-83. K. Owen, P. Gee, W. Addinsall 1983-84. Stuart Fowler 1984-85. Stuart Fowler 1986-87. Gary Wallace, Mathew Bell 1987-88. Andrew McNeil 1988-89. Andrew McNeil 1989-90. C. Stonhouse, N. Bell 1990-91. J. Stonhouse 1991-92. S. Burleigh, I. Peerson 1992-93. N. Barratt, C. Kelson 1993-94. K. Lynch, K. Malseed 1994-95. J. Burleigh 1995-96. J. Burleigh 1996-97. B. Wooster 1997-98. B. Wooster 1998-99. R. Church 1999-2000. Michelle McKenzie, Cristy Kelson warrnambool, rowing, warrnambool rowing club, city of warrnambool rowing club, d. mcdougall -
Flagstaff Hill Maritime Museum and Village
Nail, 1855
The artefact is the lower portion of a rectangular shanked ‘planking nail’ with a straight-edged ‘flat point’. The distinctive ‘point’ of a planking/skirting nail was designed to be driven into timber across the grain in order to prevent the wood from splitting. This relic is from the shipwreck of the SCHOMBERG, which ran aground near Peterborough in 1855. It was retrieved in 1875 from a large section of the ship’s bow which had been carried by ocean currents to the western coast of New Zealand’s South Island. The nail is still fixed in a fragment of the original timber that it secured in the SCHOMBERG. The top portion, or ‘head’ of the nail, has corroded away but the pronounced rectangular shank and its flat point indicate its likely purpose and position on the vessel. Most fastenings used in sailing ship construction were either wooden treenails or copper bolts, which were relatively resistant to seawater corrosion. In addition, the preferred hull-frame timber of British Oak has a high content of gallic acid which rapidly corrodes unprotected iron work. The ferrous composition of this planking nail suggests it came from an internal and upper portion of the ship’s bow (protected from exposure to the sea or oak). According to an 1855 edition of the Aberdeen Journal, the five outer layers, or ‘skins’, of the SCHOMBERG’s pine hull were “combined by means of patent screw treenails”. However the “beams of her two upper decks” were of “malleable iron”, and “part of the forecastle” was “fitted for the accommodation of the crew”. It is therefore possible that iron nails of this description were used by the ship’s builders to secure floor and wall planks in enclosed areas of the crew’s quarters. (The same reasoning would apply to officer and passenger accommodation amidships and at the stern of the vessel, but it was the bow that floated to New.Zealand.) The SCHOMBERG was a 2,000 ton clipper ship, specifically designed for the Australian immigration trade (back-loading wool for Britain’s mills), and constructed in Hall’s shipyard in Aberdeen, Scotland. She was owned by the Black Ball Line and launched in 1855. Alexander Hall & Son were renowned builders of sleek and fast 1,000 ton clippers for the China trade (opium in, tea out) and were keen to show they could also outclass the big North American ships built by Donald Mackay. Consequently the SCHOMBERG was ‘overbuilt’. Her hull featured five ‘skins’ of Scotch Larch and Pitch Pine overlaying each other in a diagonal pattern against a stout frame of British Oak. Oak has been favoured by builders of wooden ships for centuries. Its close, dense grain made it harder to work, but also gave it great strength and durability. In addition, the lateral spread of its branches supplied a natural curvature for the ribs of a vessel’s hull, as well as providing the small corner or curved pieces (‘knees’ and ‘elbows’) that fit them together. At the launch the SCHOMBERG’s 34 year old master, Captain ‘Bully’ Forbes, had promised Melbourne in 60 days, "with or without the help of God." James Nicol Forbes was born in Aberdeen in 1821 and rose to fame with his record-breaking voyages on the famous Black Ball Line ships; MARCO POLO and LIGHTNING. In 1852 in the MARCO POLO he made the record passage from London to Melbourne in 68 days. There were 53 deaths on the voyage but the great news was of the record passage by the master. In 1954 Captain Forbes took the clipper LIGHTNING to Melbourne in 76 days and back in 63 days, this was never beaten by a sailing ship. He often drove his crew and ship to breaking point to beat his own records. He cared little for the comfort of the passengers. On this, the SCHOMBERG’s maiden voyage, he was going to break records. SCHOMBERG departed Liverpool on her maiden voyage on 6 October 1855 flying the sign “Sixty Days to Melbourne”. She departed with 430 passengers and 3000 tons cargo including iron rails and equipment intended to build the Melbourne to Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. She also carried a cow for fresh milk, pens for fowls and pigs, 90,000 gallons of water for washing and drinking. It also carried 17,000 letters and 31,800 newspapers. The ship and cargo was insured for $300,000, a fortune for the time. The winds were poor as she sailed across the equator, slowing SCHOMBERG’s journey considerably. Land was first sighted on Christmas Day, at Cape Bridgewater near Portland, and Captain Forbes followed the coastline towards Melbourne. Forbes was said to be playing cards when called by the Third Mate Henry Keen, who reported land about 3 miles off, Due in large part to the captain's regarding a card game as more important than his ship, it eventually ran aground on a sand spit near Curdie's Inlet (about 56 km west of Cape Otway) on 26 December 1855, 78 days after leaving Liverpool. The sand spit and the currents were not marked on Forbes’s map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to SCHOMBERG and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted SS QUEEN at dawn and signalled the steamer. The master of the SS QUEEN approached the stranded vessel and all of SCHOMBERG’s passengers and crew were able to disembark safely. The SCHOMBERG was lost and with her, Forbes’ reputation. The Black Ball Line’s Melbourne agent sent a steamer to retrieve the passengers’ baggage from the SCHOMBERG. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Later one plunderer found a case of Wellington boots, but alas, all were for the left foot! Local merchants Manifold & Bostock bought the wreck and cargo, but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. In 1864 after two of the men drowned when they tried to reach SCHOMBERG, salvage efforts were abandoned. Parts of the SCHOMBERG were washed ashore on the south island of New Zealand in 1870, nearly 15 years after the wreck. The wreck now lies in 825 metres of water. Although the woodwork is mostly disintegrated the shape of the ship can still be seen due to the remaining railway irons, girders and the ship’s frame. A variety of goods and materials can be seen scattered about nearby. Flagstaff Hill holds many items salvaged from the SCHOMBERG including a ciborium (in which a diamond ring was concealed), communion set, ship fittings and equipment, personal effects, a lithograph, tickets and photograph from the SCHOMBERG. One of the SCHOMBERG bells is in the Warrnambool Library. This nail is a registered artefact from the wreck of the SCHOMBERG, Artefact Reg No S/35 and is significant because of its association with the SCHOMBERG. The SCHOMBERG collection as a whole is of historical and archaeological significance at a State level, listed on the Victorian Heritage Register VHR S612. Flagstaff Hill’s collection of artefacts from the SCHOMBERG is significant for its association with the Victorian Heritage Registered shipwreck. The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the SCHOMBERG. The SCHOMBERG collection is archaeologically significant as the remains of an international passenger ship. The shipwreck collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day. The SCHOMBERG collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. The object is the bottom end of a slightly curved iron planking nail with remnant of timber still attached, recovered from the wreck of the SCHOMBERG (1855). The shank of the nail is rectangular and it narrows to a flat (chisel like) ‘point’. The ‘head’ is missing although there is a quantity of dark red corrosion within the top of the surrounding wood, suggesting where it might have been. The artefact is from the wreck of the SCHOMBERG (1855) and was retrieved from part of the ship’s bow which was carried by sea currents to the South Island of New Zealand. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, planking nail, rectangular ship’s nail, cast iron nail -
Flagstaff Hill Maritime Museum and Village
Bell Segment
When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Blaine’s Black Ball Line had commissioned her to be built for their fleet of passenger liners. At a cost of £43,103, the Aberdeen builders designed her to sail faster than the quick clippers designed by North American Donald McKay. She was a three masted wooden clipper ship, built with diagonal planking of British oat with layers of Scottish larch. This luxury vessel was designed to transport emigrants to Melbourne in superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first class passengers. At the launch of Schomberg’s maiden voyage, her master Captain ‘Bully’ Forbes, drunkenly predicted that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The winds were poor as Schomberg sailed across the equator, slowing her journey considerably. She was 78 days out of Liverpool when she ran aground on a sand-spit near Peterborough, Victoria, on 27 December; the sand spit and the currents were not marked on Forbes’s map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to Schomberg and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted SS Queen at dawn and signalled the steamer. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers were able to disembark safely. The Black Ball Line’s Melbourne agent sent a steamer to retrieve the passengers’ baggage from the Schomberg. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Local merchants Manifold & Bostock bought the wreck and cargo, but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. After two of the men drowned when they tried to reach Schomberg, salvage efforts were abandoned.32 In 1975, divers from Flagstaff Hill, including Peter Ronald, found an ornate communion set at the wreck. The set comprised a jug, two chalices, a plate and a lid. The lid did not fit any of the other objects and in 1978 a piece of the lid broke off, revealing a glint of gold. As museum staff carefully examined the lid and removed marine growth, they found a diamond ring, which is currently on display in the Great Circle Gallery.33 Flagstaff Hill also holds ship fittings and equipment, personal effects, a lithograph, tickets and photograph from the Schomberg. Most of the artefacts were salvaged from the wreck by Peter Ronald, former director of Flagstaff Hill. The Schomberg, which is on the Victorian Heritage Register (VHR S612), has great historical significance as a rare example of a large, fast clipper ship on the England to Australia run, carrying emigrants at the time of the Victorian gold rush. She represents the technical advances made to break sailing records between Europe and Australia. Flagstaff Hill’s collection of artefacts from the Schomberg is significant for its association with the shipwreck. The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Schomberg. It is archaeologically significant as the remains of an international passenger Ship. It is historically significant for representing aspects of Victoria’s shipping history and for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day Bell Segment, brass, 2¾" high, slight encrustation. Artefact Reg No S/65. Recovered from the wreck of the Schomberg. warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, bell, brass bell -
Flagstaff Hill Maritime Museum and Village
Bell Segment
When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Blaine’s Black Ball Line had commissioned her to be built for their fleet of passenger liners. At a cost of £43,103, the Aberdeen builders designed her to sail faster than the quick clippers designed by North American Donald McKay. She was a three masted wooden clipper ship, built with diagonal planking of British oat with layers of Scottish larch. This luxury vessel was designed to transport emigrants to Melbourne in superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first class passengers. At the launch of Schomberg’s maiden voyage, her master Captain ‘Bully’ Forbes, drunkenly predicted that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The winds were poor as Schomberg sailed across the equator, slowing her journey considerably. She was 78 days out of Liverpool when she ran aground on a sand-spit near Peterborough, Victoria, on 27 December; the sand spit and the currents were not marked on Forbes’s map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to Schomberg and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted SS Queen at dawn and signalled the steamer. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers were able to disembark safely. The Black Ball Line’s Melbourne agent sent a steamer to retrieve the passengers’ baggage from the Schomberg. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Local merchants Manifold & Bostock bought the wreck and cargo, but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. After two of the men drowned when they tried to reach Schomberg, salvage efforts were abandoned.32 In 1975, divers from Flagstaff Hill, including Peter Ronald, found an ornate communion set at the wreck. The set comprised a jug, two chalices, a plate and a lid. The lid did not fit any of the other objects and in 1978 a piece of the lid broke off, revealing a glint of gold. As museum staff carefully examined the lid and removed marine growth, they found a diamond ring, which is currently on display in the Great Circle Gallery.33 Flagstaff Hill also holds ship fittings and equipment, personal effects, a lithograph, tickets and photograph from the Schomberg. Most of the artefacts were salvaged from the wreck by Peter Ronald, former director of Flagstaff Hill. The Schomberg, which is on the Victorian Heritage Register (VHR S612), has great historical significance as a rare example of a large, fast clipper ship on the England to Australia run, carrying emigrants at the time of the Victorian gold rush. She represents the technical advances made to break sailing records between Europe and Australia. Flagstaff Hill’s collection of artefacts from the Schomberg is significant for its association with the shipwreck. The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Schomberg. It is archaeologically significant as the remains of an international passenger Ship. It is historically significant for representing aspects of Victoria’s shipping history and for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day Bell Segment, brass, 2½" high, slight encrustation and small corrosion hole . Artefact Reg No S/64. Recovered from the wreck of the Schomberg. warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, brass bell -
Flagstaff Hill Maritime Museum and Village
Wood encrustation, 1855
The object is a mass of small shipwreck debris that has been concreted together by sediment and marine growth. It was retrieved from the wreck-site of the SCHOMBERG, which ran aground near the mouth of the Curdies River near Peterborough in 1855. The conglomerate of preserved wood impressions, rusted metal pieces, a small square of copper alloy, and black glass-like stones, presents too disjointed a collection to provide information on their purpose or function on the ship. The natural and gradual process of limestone accretion is a significant feature of the wreck-site, which was rediscovered by fishermen and skindivers in 1973. In his book “Exploring Shipwrecks of Western Victoria”, experienced diver and former director at Flagstaff Hill, Peter Ronald writes that the SCHOMBERG’s “triple layered wooden hull has disintegrated almost without trace…The turbulent shallow waters have promoted particularly heavy marine growth which tend to disguise the wreckage…the most prominent feature being a corroded mass of railway iron…Close inspection reveals small artefacts firmly embedded in the marine concretion which…is quite literally as hard as iron”. The huge oblong mass of concretion that now distinguishes the site covers the remains of this heavy cargo. A contemporary account of the SCHOMBERG’s fate (told by two of her passengers to the Melbourne Argus) alleges the ship “was overloaded, drawing over 25 feet when she left, and the cargo was chiefly iron and plant for the Geelong Railway”. The SCHOMBERG was a 2,000 ton clipper ship, specifically designed for the Australian immigration trade (back-loading wool for Britain’s mills), and constructed in Hall’s shipyard in Aberdeen, Scotland. She was owned by the Black Ball Line and launched in 1855. Alexander Hall & Son were renowned builders of sleek and fast 1,000 ton clippers for the China trade (opium in, tea out) and were keen to show they could also outclass the big North American ships built by Donald Mackay. Consequently the SCHOMBERG was ‘overbuilt’. Her hull featured five ‘skins’ of Scotch Larch and Pitch Pine overlaying each other in a diagonal pattern against a stout frame of British Oak. Oak has been favoured by builders of wooden ships for centuries. Its close, dense grain made it harder to work, but also gave it great strength and durability. In addition, the lateral spread of its branches supplied a natural curvature for the ribs of a vessel’s hull, as well as providing the small corner or curved pieces (‘knees’ and ‘elbows’) that fit them together. The shape and texture of this wood sample suggests a dense hardwood like Oak. The timber has been cut off at one end since its recovery from the sea, exposing a smooth and almost shiny surface. Seasoned English Oak has a similar light brown colour and tight grained finish. At the launch the SCHOMBERG’s 34 year old master, Captain ‘Bully’ Forbes, had promised Melbourne in 60 days, "with or without the help of God." James Nicol Forbes was born in Aberdeen in 1821 and rose to fame with his record-breaking voyages on the famous Black Ball Line ships; MARCO POLO and LIGHTNING. In 1852 in the MARCO POLO he made the record passage from London to Melbourne in 68 days. There were 53 deaths on the voyage but the great news was of the record passage by the master. In 1954 Captain Forbes took the clipper LIGHTNING to Melbourne in 76 days and back in 63 days, this was never beaten by a sailing ship. He often drove his crew and ship to breaking point to beat his own records. He cared little for the comfort of the passengers. On this, the SCHOMBERG’s maiden voyage, he was going to break records. SCHOMBERG departed Liverpool on her maiden voyage on 6 October 1855 flying the sign “Sixty Days to Melbourne”. She departed with 430 passengers and 3000 tons cargo including iron rails and equipment intended to build the Melbourne to Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. She also carried a cow for fresh milk, pens for fowls and pigs, 90,000 gallons of water for washing and drinking. It also carried 17,000 letters and 31,800 newspapers. The ship and cargo was insured for $300,000, a fortune for the time. The winds were poor as she sailed across the equator, slowing SCHOMBERG’s journey considerably. Land was first sighted on Christmas Day, at Cape Bridgewater near Portland, and Captain Forbes followed the coastline towards Melbourne. Forbes was said to be playing cards when called by the Third Mate Henry Keen, who reported land about 3 miles off, Due in large part to the captain's regarding a card game as more important than his ship, it eventually ran aground on a sand spit near Curdie's Inlet (about 56 km west of Cape Otway) on 26 December 1855, 78 days after leaving Liverpool. The sand spit and the currents were not marked on Forbes’s map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to SCHOMBERG and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted SS QUEEN at dawn and signalled the steamer. The master of the SS QUEEN approached the stranded vessel and all of SCHOMBERG’s passengers and crew were able to disembark safely. The SCHOMBERG was lost and with her, Forbes’ reputation. The Black Ball Line’s Melbourne agent sent a steamer to retrieve the passengers’ baggage from the SCHOMBERG. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Later one plunderer found a case of Wellington boots, but alas, all were for the left foot! Local merchants Manifold & Bostock bought the wreck and cargo, but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. In 1864 after two of the men drowned when they tried to reach SCHOMBERG, salvage efforts were abandoned. Parts of the SCHOMBERG were washed ashore on the south island of New Zealand in 1870, nearly 15 years after the wreck. The wreck now lies in 825 metres of water. Although the woodwork is mostly disintegrated the shape of the ship can still be seen due to the remaining railway irons, girders and the ship’s frame. A variety of goods and materials can be seen scattered about nearby. Flagstaff Hill holds many items salvaged from the SCHOMBERG including a ciborium (in which a diamond ring was concealed), communion set, ship fittings and equipment, personal effects, a lithograph, tickets and photograph from the SCHOMBERG. One of the SCHOMBERG bells is in the Warrnambool Library. This object is listed on the Shipwreck Artefact Register, No S/49, and is significant because of its association with the ship SCHOMBERG. The SCHOMBERG collection as a whole is of historical and archaeological significance at a State level, listed on the Victorian Heritage Register VHR S612. Flagstaff Hill’s collection of artefacts from the SCHOMBERG is significant for its association with the Victorian Heritage Registered shipwreck. The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the SCHOMBERG. The SCHOMBERG collection is archaeologically significant as the remains of an international passenger ship. The shipwreck collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day. The SCHOMBERG collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. The object is an aggregate of limestone sediment that formed at the wreck-site of the SCHOMBERG (1855). It is an irregularly shaped conglomerate of sand, shell-grit and marine worm casings from the ocean floor, but also incorporates an assortment of manufactured metal pieces and pipe fittings (corroded with red rust), a small rectangular piece of copper sheet, some ‘petrified’ wood remains (hardened and a soft brown colour), and pieces of black shiny stone (roughly cube shaped and possibly glass or porcelain remnants). There is an impression left in the stone of a joist or plank end but the original timber that the sediment formed around has since been dispersed by the sea.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwreck timber, alexander hall and son, shipwreck debris, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen -
Yarra Glen & District Historical Society
Black and white photographs, Bell Street Yarra Glen
Photograph taken from the corner of King Street and Bell Streets Yarra Glen with a view of buildings on the western side of Bell Street from Scott & Allen's General Store to the Colonial Bank building. Other buildings include the house of Charles Bath and the Grand Hotel. Tree guards line the street.grand hotel, bell street, tree guards, charles bath, general store, scott allen s general store, colonial bank, bank building, hotels -
Yarra Glen & District Historical Society
Black and white photographs, Bell Street Yarra Glen looking north c.1900
View of Bell Street Yarra Glen looking north from junction with King Street. On left hand side is Scott & Allen's General Store, next to that is a bootmaker, then the house of Charles Bath, the Grand Hotel and the Colonial Bank building. On the eastern side of Bell Street (right hand side of photograph) is the Victoria Hall. Beyond that is W.J.Dawborn's General Store, then Smith's bakery, and on top of the hill the trees surrounding 'Point Pleasant' owned by the Herbert family.yarra glen, point pleasant, grand hotel, victoria hall, bell street, charles bath, general store, colonial bank, bank building, w j dawborn, scott and allen, bootmaker, smith, bakery, baker s shop, herbert -
Flagstaff Hill Maritime Museum and Village
Accessory - Diamond ring, about 1855
In 1975, 120 years after the sailing ship Schomberg was wrecked, Flagstaff Hill divers (Peter Ronald, Colin Goodall and Gary Hayden) found an ornate communion set amongst the wreckage. The set comprised a jug, ciborium, lid, chalice and plate. The items, apart from the lid, were then displayed at Flagstaff Hill Maritime Village. The lid had etchings that did not match the chalice and sat in storage for several years. Then in 1978, while the marine concretion inside the lid was being examined, a surface layer came loose and revealed a glint of gold that was assumed to be a piece of brass. The layers of concretion were carefully removed and a ring-like band emerged. Further treatment exposed a 'large faceted stone in an intricate gold setting. Weeks later a detailed examination estimated the value of the ring, known as the Schomberg Diamond, to be $7000. When the Schomberg was launched in 1855, she was considered the "Noblest” ship that ever floated on the water. Schomberg's owners, the Black Ball Line had commissioned the ship for their fleet of passenger liners. She was built by Alexander Hall of Aberdeen at a cost of £43,103 and constructed with 3 skins. One planked fore and aft and two diagonally planked, fastened together with screw-threaded trunnels (wooden rails). Her First Class accommodation was simply luxurious with velvet pile carpets, large mirrors, rosewood, birds-eye maple and mahogany timbers throughout, soft furnishings of satin damask, an oak-lined library with a piano. Overall she had accommodation for 1000 passengers. At the launch, the Schomberg's 34-year-old master, Captain 'Bully' Forbes, had promised to reach Melbourne in sixty days stating, "with or without the help of God." Captain James Nicol Forbes was born in Aberdeen in 1821 and rose to fame with his record-breaking voyages on the famous Black Ball Line ships; Marco Polo and Lightning. In 1852 in the Marco Polo, he made the record passage from London to Melbourne in 68 days. Unfortunately there were 53 deaths on the voyage, but the great news was off the record passage by Captain Forbes. In 1854 he took the clipper “Lighting” to Melbourne in 76 days and back in 63 days, this record was never beaten by a sailing ship. He often drove his crew and ship to breaking point to beat his previous records. He cared little for the comfort of the passengers. On this, the Schomberg's maiden voyage, he was determined to break existing records. Schomberg departed Liverpool on her maiden voyage on 6th October 1855 flying a sign that read "Sixty Days to Melbourne". She departed with 430 passengers and 3000 tons cargo including iron rails and equipment intended to build the Melbourne to Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. She also carried a cow for fresh milk, pens for fowls and pigs, 90,000 gallons of water for washing and drinking. She also carried 17,000 letters and 31,800 newspapers. The ship and cargo were insured for $300,000 a fortune for the time. The winds were poor as she sailed across the equator, slowing Schomberg's journey considerably. Land was first sighted on Christmas Day, at Cape Bridgewater near Portland, Captain Forbes followed the coastline towards Melbourne. Forbes was said to be playing cards when called by the third mate Henry Keen, who reported land about 3 miles off. Due in large part to the captain's regarding a card game as more important than his ship, it eventually ran aground on a sand spit near Curdie's Inlet (about 56 km west of Cape Otway) on 26th December 1855, 78 days after leaving Liverpool. The sand spit and the currents were not marked on Forbes's map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to Schomberg and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted the SS Queen at dawn and signaled the steamer. The master of the Queen approached the stranded vessel and all of Schomberg’s passengers and crew disembarked safely. The Black Ball Line's Melbourne agent sent a steamer to retrieve the passengers' baggage from the Schomberg. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Later one plunderer found a case of Wellington boots, but alas, all were for the left foot. Local merchants Manifold & Bostock bought the wreck and cargo but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. In 1864 after two of the men drowned when they tried to reach Schomberg, salvage efforts were abandoned. In 1870, nearly 15 years after the wreck parts of the Schomberg had washed ashore on the south island of New Zealand. The wreck now lies in 825 meters of water and although the woodwork is mostly disintegrated the shape of the ship can still be determined due to the remaining railway irons, girders and the ship’s frame. A variety of goods and materials can be seen scattered about nearby. The actual lid in which the ring was found has not yet been completely identified and could belong to a coffee pot, sugar bowl or maybe a jug or something similar. Although all survived the wreck no-one came forward to claim the valuable diamond. The Schomberg Diamond is currently on display in the Great Circle Gallery. Flagstaff Hill Maritime Village along with the rest of the communion set. Other artefacts salvaged from the wreck include ship fittings and equipment, personal effects, a lithograph, tickets and photographs from the Schomberg. One of the Schomberg bells is in the Warrnambool Library.The Schomberg Diamond is particularly significant in that it played a crucial part in having the legislation changed to protect shipwrecks, with far tighter control over the salvaging of items from wreck sites. This ring is registered as Artefact S/105 in the Schomberg collection, the Schomberg collection as a whole is of historical and archaeological significance at a State level. Flagstaff Hill’s collection of artefacts from the Schomberg is also significant for its association with the Victorian Heritage Registered shipwreck (VHR S 612). The collection is of prime significant because of the relationship between the objects salvaged, as together they help us to interpret the story of the Schomberg. The collection as a whole is historically significant for representing aspects of Victoria's maritime history and its potential to interpret social and historical themes. A mid-Victorian gentleman's solitaire diamond dress ring with a Brazilian cut diamond (cushion cut), one and one-third carat set within an 18 carat yellow gold ring consisting of four claws within an open scroll setting and a divided scroll shank. Colour is classified as 'J', clarity SII. The setting is handmade. warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, ciborium, ring, schomberg-diamond, schomberg-ring, gentleman's ring, dress ring -
Flagstaff Hill Maritime Museum and Village
Ceremonial object - Church Bell, Before 1855
This artifact is a large brass bell. It was retrieved from the Schomberg wreck by local divers in the 1970s. Its location at the wreck site was described as "found on the west side towards the stern" the vessel remains lying on a north-south axis, with the bow pointing towards the shore as a result the bell was assessed from this position to have formed part of the cargo. The view that this was not a ship's bell belonging to the Schomberg is gained from two other 'Schomberg Bells' in the Flagstaff Hill collection, both of which have the vessel's name prominently etched into their outer surface. Additional indications indicate that this bell was not intended for maritime use due to the bell's rounded 'bell-curve' shape suggesting it was melodically tunable. Also the detailed basket-type fittings on the bell dome that would allow the bell to be suspended by ropes rather than just bolted to a yoke. The bell is currently on display at Flagstaff Hill, categorised as a church bell part of the Schomberg's cargo that was intended for use in a church within the Victorian colony. As the Colony of Victoria became more established, and its population expanded with the Gold Rush and other emigration from Britain, the demand for regular religious services and permanent church buildings also grew. We will never know if this bell was a specific order or part of an enterprising bell founder's consignment of general stock to a wholesale supplier in Melbourne. A cargo manifest for the Schomberg has unfortunately never been found. The shipwreck of the Schomberg is regarded as of significance to Victoria and is registered on the states Heritage list (S 612). The Schomberg wreck has great historical significance as a rare example of a mid 19th century large, fast clipper ship intended to transport cargo and passengers between England and Australia. The vessel that carried this bell represents the marine advances made in an attempt to break established sailing records between Europe and Australia. Flagstaff Hill holds a noteworthy collection of artefacts from the Schomberg shipwreck. The collection as a whole is primarily significant because of the relationship the objects have archaeologically, not only to highlight the story of the Schomberg ship and later it's wrecking but have an important potential to interpret the story and progression of maritime shipping in the 19th century. The church bell has a standard bell-curve shape and is dull bronze in colour. A large brass bell, plain and without visible maker marks, but with traditionally intricate basket-type cast fittings for suspension from a yoke by a number of ropes or chains. Approximately 3/8 of the bell’s outer surface bears a thin layer of marine growth and limestone accretion, and there is some minor pitting and spots of light verdigris over the remainder. The bell mouth, or lip, is slightly compressed-in in two places. It was retrieved from the wreck of the Schomberg. None warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, brass bell, church bell -
Flagstaff Hill Maritime Museum and Village
Functional object - Marine Lamp, R C Murray & Co Ltd, 1900 -1930
The item is a kerosene marine ships lamp used onboard ships and smaller vessels for general lighting and navigation the subject lamp was made by a very well known maker R C Murray of Glasgow Scotland. During the research several different addresses were found but nothing on the founder or company history. It appears RC Murray made not only marine lamps but lamps for the railways as well. The company is listed in the Scottish Post Office Directories for 1885 to 1886 as manufacturing tinsmiths, lamp makers, coppersmiths, gas fitters, bell hangers and workers in sheet iron, zinc and brass at street numbers 7, 9 and 11 Carlton Court, Bridge St Glasgow. An additional address is at 37 Cavendish St Glasgow listed for 1910, and also at Pollokshaws Road. The writer assumes the company must have moved sometime between 1886 & 1910 to these addresses. The writer at this time cannot ascertain any more historical information regarding the company or its founder, however, lamps made by RC Murray are now collector's items commanding significant sale prices on many auction websites.A significant item used in the marine industry on many ships, the company made kerosene lamps for other industries as well and was a well-known company in the early part of the 20th century.Marine kerosene ships lamp, round copper handle on top and side top is hinged with catch and lever, protruding near top.Inscribed "RC Murray and Co Limited" "Pollokshaws Road Glasgow S.1." flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, lamp, lantern, brass lamp, nautical object -
Flagstaff Hill Maritime Museum and Village
Functional object - Water Pump, Goulds Manufacturing Co, 1915-1925
Gould manufacturing company was founded in 1848 at Seneca Falls, New York when Seabury S. Gould purchased an interest in Downs, Mynderse & Co. and the firm became Downs & Co. Wooden pumps were produced at the time in an old cotton factory building. In 1869, the name of the company was changed from Downs & Company to Goulds Manufacturing Company. Seabury S. Gould was regarded as a man of unusual vision, and as the founder of Goulds Manufacturing Company he was keen to start producing cast iron pumps. An iron pump, he believed, would overcome all the disadvantages of a wooden pump. It would be strong and efficient and provide fresh flowing water for the pioneers. He ran the company until after the American Civil War and because Goulds Manufacturing had a foundry, they also produced all kinds of cast iron products such as corn shellers, bells, sad irons, sinks, tools, and a line of fire engines. From 1848 to 1964 a Gould family member had always been President of the company. However, the company ownership in 1964 was transferred from family-owned stock to public offerings and employee ownership of stock. The subject item called the "N e w Deluge" was an improved bilge pump for vessels having not more than 25 feet depth of hold. It was also used by contractors for pumping out excavations and was well adapted for irrigation use. This hand pump was designed to be used where a hand pump of large capacity was desired. Goulds made many different types of pumps to suit differing pumping situations such as. Well Pumps, Hydraulic Rams, Diaphragm Pumps, Tank Pumps, Sprayers and Small Capacity Power rumps. Goulds Triplex, Centrifugal, Rotary and Deep Well Power Pumps The subject item was first introduced to the market in the Goulds catalogue of 1915 and became a very popular pump used in Australia and the USA. It is manufactured by a company still trading today with offices in Australia and many other countries.Hand Pump cast iron with long reversable pumping lever and cylindrical casing there are 4 metal holes for fastening to floor surface. Painted black. Embossed "NEW DELUGE" "- - -" and "No 16" or "No 18".warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, pump, hand pump, goulds manufacturing -
Orbost & District Historical Society
digital recording, Richard Rudolph Kreymborg, 2015
This recording was originally made C1970's-1980's at a service club meeting in Orbost. It was transferred from a tape recording in 2015. Rudy was the son of George James KREYMBORG and Ada Victoria (nee DAVIS). Born at Bulumwaal, near Bairnsdale he arrived in Orbost after time in Melbourne and then at the Bell Bird Hotel where his family had the mail run. In Orbost Rudy lived on the back of his his truck next to the present Murray Goulburn Store in „B‟ Road, Orbost with tw horses for company. (More info. from newsletter "RICHARD RUDOLPH KREYMBORG 1904-1987" by John Phillips.) Richard Rudolph “Rudy” KREYMBORG was a well-known district identity, a man who was often described as a legend in his lifetime. He lived a rough life, breaking horses, delivering mail on horseback, building roads and bridges, driving bulldozers and talking.A disc in a black plastic case. It is a recording of Richard Rudolph Kreynborg(b.1904 d.1987). It has been copied from a n original recording. -
Federation University Historical Collection
Booklet, Ballarat School of Mines Students' Magazine, 1945
List of Full Course Students' 1945, Editorial, Editor's Notes, News and Notes, End of the War 1939-1945, Obituary, The Literary Society, The Chemical Nature of Women, Fumes from the Lab, Forests - Our Asset and Responsibility, Arts & Crafts Gossip, Sports, Commercial Notes, The Junior TechsMaroon cover with, blue, green and gold lettering, soft covered magazine of 72 pages including advertisements. Artwork Mr Calder - By Eda Woodfield Miss Williams - By Ruth Mole Basil - By Beatrice Burgess Roy - By Eda Woodfield Mac - By Gweneth Speirs Joll - By Marjorie Gray Doug - By Ruth Mole View from the cutters hut - By Marion Beckwith Mr Fairbank - By Ruth Mole Perc - By Ruth Mole Peter - By Eda Woodfield Fritz - By Joan Walter On the track to the cutter's hut - By Joan Walter The cutter's hut - By Ruth Mole Gertie - By Marjorie Gray Bombhead - By Ruth Mole Gwen - By Francis Duffy Marje - By Ruth Mole David - By Joan Walter Skeeter - By Joan Walter Ewan - By Ruth Mole Blue - By Neville Reeve Stanley - By Joan Walter George - By Joan Walter Vic - By Beatrice Burgess Gladys - By Eda Woodfield Olwyn - By Beatrice Burgess Valda - By Beatrice Burgess Betty - By Eda Woodfield June - By Eda Woodfield Stella - By Beatrice Burgess Verna - By Eda Woodfield Valerie - By Eda Woodfield June - By Beatrice Burgess Dorothy - By Joan Walter Beryl - By Joan Walter Noreen - By Ruth Mole Pat - By Joan Walter Valma - By Eda Woodfield Graham - By Gweneth Speirs Johnny - By Joan Walter Charlie - By Beatrice Burgess Raynor - By Marjorie Gray George - By Marjorie Gray Darkie - By Ruth Mole Duck - By Beatrice Burgess Robert - By Ruth Mole William - By Gweneth Speirs Basil - By Joan Walter Wilson - By Joan Walter Schoolbeck - By Ruth Mole Duck Weed - By Eda Woodfield Bas - By Beatrice Burgess Albert - By Ruth Mole ballarat school of mines, magazine, g. curtis, p. edmonds, kevin j. whiter, david t. coburn, peter j. wilson, john k. leicht, douglas d.g. dean, frank d. daykin, grace lawry, p. maloney, j. mckenzie, percival d. fisher, stanley s. parker, beatrice e. burgess, roy e. mawby, roma sudoltz, peter h. marxsen, lois reynolds, robert j. mckenzie, w. coad, marion a. beckwith, john g. procter, gweneth. speirs, neville f. reeve, dr pound, c. fairbank, f. g. procter, jeanette perkins, john w. jolly, m. berlyn, c. g. fairbank, bill f. carroll, marjorie gray, f. n. reeve, joan waller, winifred m. beckwith, isobel murfett, frank daykin, joy martin, max coward, jack henderson, joe wilkinson, alan wilson, muriel harland, m. fogarty, sylvia williams, t. r. thomas, john p. l. gibbs, t. mccartney, a. s. richards, p. crosby, h. middlin, mr cornell, lois kinnersley, margaret murrell, ouida worthington, i. murfett, ruby gladman, john m. blainey, mina gallie, miss darby, p. moloney, v. eva, lester w. roffey, robert f. swales, john e. ambrosio, mr hillman, neville r. morton, basil j. marshall, lloyd lehmann, lindsay s. pattenden, john middlin, alfred e. temby, a. hyett, willaim g. young, kingsley r. bremmer, william j. hewitt, geoffrey f. stevens, n. black, lucy cooper, valma overall, evelyn ditchfield, b. lancaster, miriam horsey, lorraine saunders, n. hoffman, audrey fry, robert j. murell, colin a. bell, ewan c. jones, d. powell, william j. llewllyn, kenneth s. lindsay, nola dridan, patricia gleeson, winifred stevens, mary cummins, b. sherritt, alison johnson, b. conway, b. vallins, k. dowall, m. grinham, k. eberhard, c. lea, k. george, a. coad, c. eltringham, w. allan, m. silvey, f. jacobson, l. clifton, r. sargent, w. caldow, g. pyke, g. bergin, k. dean, r. bennett, k. hoffman, a. kerr, h. sealey, d. mcconville, p. nunn, d. halson, l. frichot, g. smith, m. mcdonald, w. hon, r. irving, l. drake, c. gedye, g. jukes, a. new, a. smith, k. weybury, c. wilson, p. banfield, a. hughes, g. yeoman, eda woodfield, francis duffy -
Federation University Historical Collection
Booklet, Ballarat School of Mines Students' Magazine, 1930
Ballarat School of Mines Students' Magazine, 1930, Editorial, Obituary - Daniel Walker & Lieut.-Colonel Robert Law, Personal, Social and Educational, Fumes from the Lab, Sir Humphry Davy, News from China, Arts & Crafts Gossip, Sport, Echoes of the Past, Commercial Notes, The Junior Techs, The "Chem." Trip 1930 Maroon soft cover with gold inscriptions and border on front cover, 56 pages including advertisements.ballarat school of mines students' magazine 1930, staff, sports, s. hillman, a. mclachlan, j. young, r. montgomery, a. williams, a. raworth, a. bosher, j. maude, dr. j. r. pound, b. pemberthy, w. watson, daniel walker, lieut.-colonet rober law, r. s. russell, sir humphry davy, a. j. bell, henry kum yuen, t. h. trengrove, r. downey, a. sussex, j. alexander, l. prendergast, j. walters, j. downey, a. hall-jones, a. fletcher, e. loveland, r. elsworth, a. richards, j. allen, k. mclachlan, f. penny, w. useback, r. andre, h. jones, l. frees, c. annand, j. colbourne, h. caddy, v. leigh, m. grace, k. windsor, o. lyons, i. jackman, m. norris, o. dulfer, k. useback, n. saunders, b. saunders, f. saunders, g. wilcock, miss milvena, m. fogarty, e. george, j. rowling, g. dunstan, e. j. t. tippett, e. h. schache, g. e. baragwanath, richard young, c. c. fisher, frances m. holmes -
Federation University Historical Collection
Booklet, Ballarat School of Mines Students' Magazine, 1929
Editorial, List of Course Students' 1929, Notes, S.M.B. Gala and Picture Night, Fumes from the Lab, Arts & Crafts Gossip, Echoes of the Past, Experiences with Malayan Chinese, Sport, The Junior Techs.Blue soft covered magazine of 56 pages.ballarat school of mines, magazine, j. bosher, o. roberts, j. bell, l. hillman, h. steane, h. symons, s. hillman, j. maude, j. edmunds, k. windsor, h. jolly, dr. j. r. pound, g. hopwood, f. craig,, w. baragwanath, r. warrillow, l. frees, h. jones, r. downey, h. caddy, a. richards, c. coster, j. bell, r. andre, w. richardson, k. mclachlan, e. loveland,, j. alexander, j. walters, a. fletcher, w. watson, j. colbourn, l. prendergast, k. windsor, j. barnett, l. clarke, m. paul, o. dulfer, m. norris, a. bosher,, k. kisler, a. t. morrison, ernest h. schache. -
Federation University Historical Collection
Booklet, Ballarat School of Mines Students' Magazine, 1931
List of Course Students' 1931, Editorial, Obituary, Personal Column, Fumes from the Lab, Arts & Crafts Gossip, Sport, Echoes of the Past, Commercial Notes, The Junior TechsOrange soft covered magazine of 48 pages. 1931 Artworks * Not to be drawn to busy Sammy - By Levi Molineux * K.Don Mayor of Navigator - By Colvin Smith * Mr Williams' Motto "Optimism is life" - Edith Curnow * The Tuck Mistress - By Levi Molineux * I'm Molineux - By Don Refshauge * " Come on, Tsst!" - By Colvin Smith * Ballaerina - By Nornie Gude * Smith the connoisseur (?) of female line - By Don Refshauge Signed on front cover by "Allan D. Pound, Signed on back autograph page by Olga E. Dulfer, H. R. Murphy, G. R. King, J. Allan, R. W. Elsworth, H. E. Dimsey, C. H. Martinballarat school of mines, magazine, o. dulfer, j. hulse, a. williams, h. symons, h. dimsey, m. manett, m. fogarty, r. morrison, dr. j. r. pound, a. j. bell, j. g. young, r. elsworth, a. raworth, k. jones, j. walters, r. downey, a. richards, a. hall-jones, l. prendergast, a. sussex, j. downey, d. ferguson, l. frees, j. allan, f. penney, w. usebach, a. capuano, s. hillman, j. muntz, a. lindsell, f. longhurst, j. clarke, e. george, e. curnow, g. dunstan, a. duggan, m. whitehand, k. windsor, a. bosher, o lyons, edwin a. brophy, w. v. lloyd, edith curnow, fred longhurst, j.bosher, nornie gude, levi molineux, olga dulfer, jesse hopwood, stan hillman, jean roff, don refshauge, alice watson -
Federation University Historical Collection
Magazine - Booklet, Ballarat School of Mines Students' Magazine, 1935
List of Full Course Students' 1935, Editorial, Obituary - J. B. Robinson, Personal Column, Personal Column, Editor's Notes, Old Boys: Personal, The "Head" - An Appreciation, The Late Dean - W. F. Tucker, A Tribute - J. M. Bickett, An Attitude to War, Some Impressions by a New Comer to New Guinea, Fumes from the Lab, Arts & Crafts Gossip, Sport, Commercial Notes, The Junior TecsYellow soft covered magazine of 70 pages, including advertisements. Artworks * Blocks and Inks supplied by F.T. Wimble and Co. Ltd Sydney - Printed by students of printing class School of Mines Ballarat * Mr G - By Valma Jenson * Miss G - By E.Shaw * Joker of the pack by Gilda Gude * Oh Mother - By Valma Jensen * Man Praying - By A.P. * Swell - By Valma Jensen * In his element - By E.Shaw * Our jazz band - By Valma Jensen * Spaghetti - By E.Shaw * The Peter Pan statue in Kensington Gardens - By Gilda Gude * Hunted - By Valma Jensen * Bridget & Vic - By Valma Jensen * Lady pointing a statue - By Gilda Gude * Hi first solo flight - By Dorothy Woolcock * Dear Me - a millionth of a milligram out ! - By E.Shaw * Marley & Paul - By Valma Jensen * Green Plan Print - By Hunt * Yes, but it doesn't read, it doesn't read - By E.Shaw * The Big Noise - By Valma Jensen * Bashful Barney - By Valma Jensen * Willowy Verna - By E.Shaw * Margaret - By Valma Jensen * Don - By Valma Jensen * Cyril - By Gilda Gude * Jack - By Gilda Gude * Nancy - By Valma Jensen * Off to English - By Valma Jensen * "A mag article today please or six tomorrow" By E. Shaw * "Oh you boys are awful" - By E. Shaw * Maureen - By Valma Jensen * Geggy - By Valma Jensen * Aw crikey - By Valma Jensen * The wheelbarrow crate reaches Africa - By J.W * Lady Dean - By Valma Jensen * Margery - By Valma Jensen * Bubba - By Lorna Bailey * Chook - By Marjorie John * Bunny - By Valma Jensen * Sixa - By Valma Jensen * Fish Print - By Hunt * Betty - By Lorna Bailey * Bessie - By Lorna Bailey * Janette - By Lorna Bailey * Butcher - By Valma Jensen * Minnow - By F.J.Hballarat school of mines, magazine, f. t. wimble & co. ltd., sydney, j. woolcock, a. nye, d. shore, d. taylor, j. elliott, b. saunders, w. williams, a. moodie, v. hunt, j. shelton, r. warnock, dr. j. r. pound, g. procter, g. merlin, j. b. robinson, james pound, peter wilson, mr alexander, mr creelman, mr crouch, h. steane, j. sutherland, a. bell., a. max wilson, g. f. eric rumpff, r. mcconnell, t. byrne, c. r. king, p. marshman, a. f. heseltine, w. f. tucker, j. m. bickett, a. m. wilson, f. whitworth, w. tierney, r. leigh, g. berriman, a. sneddon, a. collins, h. maddern, d. flynn, n. bayly, m. rickey, w. calaghan, d. wright, e. wallace, b. lamb, s. wise, r. quick, i. leviston, b. chaplin, j. coates, n. dunstan, d. mcarthy, d. henderson, j. mathes, g. leviston, e. mcdonald, k. blackie, j. mouton, n. jelbart, r. brown, k. mathes, a. pickering, j. mcghie, r. white, w. dawson, j. forrest, m. hamill, w. martin, m. jeffs, k. waller, d. nolan, l. baxter, r. knight, l. moy, m. hunt, j. henry, a. goldby, j. menhennet, mr king, w. nice, k. pattie, f. capuano, l. g. r. crouch, gilda gude, valma jensen, e. shaw, lorna bailey, marjorie john, dorothy woolcock -
Port Melbourne Historical & Preservation Society
Book - Receipts, Abel Tasman, c. 1989
Carbon Copy book of service to shipping receipts, Abel Tasman, June - September, 1989"12" Handwritten on front covermelbourne harbor trust - port of melbourne authority, piers and wharves - station pier, hmas warrnambool, ray c mcgillin, j ryan, l featherston, abel tasman, hmas bendigo, hmas canberra, j flaherty, a johnson, b revell, j oldani, g pearce, t mallia, g webb, w hughes, g krekos, a phillips, s kostakakis, m lucovic, i koster, j parriera, r costello, k ranginui, s gallagher, j bitmead, f aquilina, h l philistin, g rhodes, v camilleri, w hatty, w thompson, j files, a jukic, s aquilina, j aquilina, w hamilton, g miller, r lowerson, j mantzis, a albisi, b bell, e molnar, j cull, j douglass, f konkol, g rembelos, a arostopoulos, m vuk, j brojba, k nedelkovsk, v de cunto, t phelivianis, i borg, r wilson, j benstead, j domanski -
Port Melbourne Historical & Preservation Society
Book - Service to shipping dockets, PMA, 1989
... m schembri m johnson a jukic h bell g krekos s ...PMA book of carbon copy forms - service to shipping dockets'38' on leading edge of pagesmelbourne harbor trust - port of melbourne authority, piers and wharves - station pier, iron sturt, abel tasman, young endeavour, kuenel express, seaway hobart, royal viking sea, hmas warrnambool, fair princess, belorussia, vasco da gama, c mcgillanray, j ryan, g pearce, j oldani, l featherson, j mantzis, m fanning, a phillips, j bitmead, k ranginui, h philiston, i borg, g webb, b atchison, w hughes, p curran, a johnston, f aquilina, j flaherty, r buttons, b revell, g tsetsos, j douglas, j brojba, s pozzuto, r todorovic, r lowerson, v de cunto, g rhodes, r belford, m andreucci, t biancone, j cull, g rembolds, m nedellovski, r iannella, a mallia, s domanski, j benstead, t galbisi, s gallagher, v camilleri, e kunkol, t pihlivanis, m lester, r angelevski, d ikonomopoulos, t molloy, r costello, i kuster, s kostakakis, o rafekim, c bugeja, s sobevski, p geoghegan, m lukovic, a fasaullopoulos, g millar, m schembri, m johnson, a jukic, h bell, g krekos, s arostolopoulos, s arostopoulos, p mazurak, j parriera, w thompson, j files -
Deaf Children Australia
Calaid Hearing Aid, National Acoustic Laboratories, 1955-mid 1970's
The first commercial digital hearing aid was created in 1987 by the Nicolet Corporation. The hearing aid contained a body-worn processor that had a hardwire connection with an ear mounted transducer. While the Nicolet Corporation’s hearing aid was not publicly successful and the company shortly folded, it was able to start a competition between companies to create more effective hearing aids. Two years later, in 1989, the behind-the-ear (BTE) digital hearing aid was launched. In addition to the Nicolet Corporation, Bell Laboratories expanded upon the hearing aid business by developing a hybrid digital-analog hearing aid. When the hearing aid was put on in the market, it was instantaneously successful. This development helped bring major changes to the world of the hearing aid. The next major milestone was creating an all-digital hearing aid. The Oticon Company developed the first digital hearing aid in 1995, but it was only distributed to audiological research centers for research on digital technology in the realm of acoustic amplification. The Senso was the first commercially successful, all-digital hearing aid, and was created by Widex in 1996. After the success of the Senso, Oticon began marketing their own hearing aid, the DigiFocus. Presently, the digital hearing aid is now become programmable. By making the hearing aid programmable, it has allowed hearing aids to be capable of regulating sound on their own, without using a separate control. The hearing aid can now adjust itself depending on what environment it is in and often does not even need a physical volume control button. Square, silver metal hearing aid with electronics and AA battery compartments. Has an ear piece and ear mould attached by wire, with a volume adjustment. A body level type, probably a CALAID T manufacture from 1955 to the 70's. On front "C OF A/CALAID/108499" deaf children australia, hearing aid, calaid, commonwealth of australia -
Daylesford & District Historical Society
print of artwork, 1882 comet sighted near Daylesford, circa 1887
A super comet known as the 'Great September Comet' and renowned by some to be the brightest comet ever seen. Visible by the naked eye in the Southern skies in 1882. Depicts visual record of a local sighting by early settlers of a special astronomical event in the Daylesford area in the 1880's.A print of art work depicting a man and woman near their hut in forest clearing, looking up to comet in sky. Rectangular shape, sepia colour and adhered on card. On front bottom; THE COMET of 1882 as seen from Sailors Creek near Daylesford Sept 6 at 4.30am. On back; Donated by O.Bell Musk Vale written in ink. Olive Bell of Bells Reef Road family hist Mathew Bell written in pencil. At bottom written in ink; Seen at 4.30a.m Sept 6 1882astronomy, comets, daylesford, sailors creek, bell, bell family