Hayley Millar Baker is a Gunditjmara and Djabwurrung artist. Her series I Will Survive is about the cautionary tales and bush survival stories that Millar Baker heard as a child. Her Aboriginal and migrant parents and grandparents shared warnings, myths, and ghost stories with her. As Millar Baker grew up, these stories evolved, becoming more emotionally charged with each retelling. As stories are retold, they are reformed and embellished, sometimes becoming more vivid and meaningful. In I Will Survive, Millar Baker inserts herself into the stories. Millar Baker says, ‘Recalling memories formed in my childhood and ruminating on these stories in adulthood, I can’t help but dissect my memory’s influences and influencers, and what roles my Aboriginal and migrant parents and grandparents played in feeding lessons and myths into my subconscious.’

Peta Clancy is a descendent of the Bangerang people from South-Eastern Australia. She explores hidden histories of colonisation in Australia. Through manipulating photographic prints, she reconstructs these hidden histories in a contemporary setting. In 2018, Clancy was awarded the inaugural Fostering Koorie Art and Culture grant from the Koorie Heritage Trust. The grant enabled her to collaborate with the Dja Dja Wurrung community to create a body of work investigating massacre sites on Dja Dja Wurrung country. The exhibition Undercurrent at the Koorie Heritage Trust focussed on a massacre site submerged under water. Clancy says of the exhibition and this work: ‘I explored this site as a metaphor for the hidden history of many massacres throughout Australia and the denial of this aspect of our history and the trauma these sites evoke’.

This is a copy of the original photograph - donated by Betty Bradley.Black & White copy of a photograph of a children's fancy dress group in the early 1940's. Following are some of the names of the children. Back Row: Ruth? Humphries, Joy Odlund, ??, ??, ??, ??, ??, Stan Goodall, George Goodall, ??, ??, ??, ??, Pat Barton, ??, ??, ??. Middle Row: ??, Lesley ?, Fay Shrieber, Alan Cleeland, Ruth? Humphries, ??, Coral McLardy, ??, Wally Goodall, ??, Eris Gawith, ??, ??, ??, ??, ??. Front Row: Heather McLardy, Diedre Cleeland, Charlotte Cleeland, Shirley Matthews?, Marie Regod, Verna Gawith, ??, Clarie Loton?, Betty Bradley, Vivian Cleeland, Enid Nelson, Lois Barton, Neville Cleeland, ??, George Regos, ??, Betty Bradley hopes someone can fill in the gaps and says she is not sure which one is Ruth Humphries (put in two places) but thinks it is the one in the top row. celebration, ball, festivities, fancy dress, children

The Australian Historical Records Society existed in Ballarat between 1896 and 1906. They were one of Australia's first historical societies, and were in the position to still be able to talk to early pioneers. They invited such pioneers to either submit letters or memoirs, or to address the Society's meetings, where their reminiscences were taken down in shorthand and later typed up. The Society also attempted to preserve memorabilia from Ballarat's early days, but on the disbanding of the group in 1906, materials were stored at the Ballarat Town Hall and were later lost. It is not known how the papers made their way to the then Ballarat Municipal Library, but they have been part of the Library's collection for many years.Mr. James McCain Meek boasted of building the first house in Ballarat, on the corner of Dana and Lydiard Streets, which was also a lemonade store and some say a sly grog shop. Meek arrived in Australia in 1847. He was in Ballarat 1851-1853, and in later life he returned to Ballarat to live at the Benevolent Asylum. When he became very ill in 1898 his daughter Marianne Dallimore took him to live with her, and he died at her property near Warrnambool in 1899. He wrote these reminiscences for the AHRS, of which he was a member. He was an excellent penman and illustrator and he produced several extraordinary complicated works. Meek was the subject of a PhD project undertaken at Federation University Australia by Joan Luxembourg, resulting in the 2015 publication The Inimitable Mr Meek. ballarat, illustration, goldrush, lithography

Yields information about depot activities of the BTPS in commissioning No. 40 on the access track Sept. / Oct 1974.Set of 13 AGFA blue and white plastic mount 35mm slides of the first day that 40 operated on the access track - late September early October 1974. Fares Please! for Sept. 1974 says that the first tram under power was 27 on 19/9/1974. Slides in order number noted on the slide. .1 - 40 on the access track. .2 - crossing the level crossing towards the depot .3 - on the access track .4 - ditto .5 - celebrations - Richard Gilbert, Rolf Jinks, Graeme Jordan, Lindsay Bounds .6 - celebrations .7 at the depot .8 - celebrations - with Peter Rees as well. .9 - On the depot fan .10 - crossing the level crossing .11 - at the depot .12 - on the access track - note the white stop block behind the tram. .13 - at the depot.Various notations by John as to the slide number and the trams in pencil and ink.tramways, trams, btps, commissioning, depot, tram 40

Newspaper cutting from The Courier, Ballarat, Tuesday 20/9/1994 of the reproduction of a postcard photograph showing an ESCo tram soon after opening running west bound in Sturt St with the Town Hall in the background. Shows the development of the Gardens at the time and buildings on either side of Sturt St. and type of poles etc. The tram is fitted with a destination board on the front dash - the type used soon after opening in 1905. Caption of the photo says "Trams run up Sturt St and people relax in this postcard sent in December 1907. Ballarat's Town Hall is pictured at right." Also has an item in the "In Retrospect" section of the newspaper, about the construction of a new road to avoid two level crossings between Talbot and Clunes. Item compiled by Lorrie BrownIn bottom right hand corner, in blue ink "Tues 20/9/94".trams, tramways, sturt st, esco, town hall

Cream and Maroon Booklet Bendigo Operatic Society Theatre Programme 'No No Nanette' A Musical Comedy in Three Acts. Capital Theatre Bendigo May 1, 2 and 3, 1957 8 pm. Arranged by Samuel French Ltd. Producer Norman Lee. Musical Director Max O'Loghlen. Cast: Greta Smyth, Ruth McLennan, Brian Brewer, Barbara McGregor, Voronica Blanch, Harry brewer, Brian Thomas, Betty Cullen, Dawn Beckwith, Jean Cannon, Rhonda Miller. Songs Include: 'The Call of the Sea', 'I Want to be Happy', 'No, No Nanette,' 'Tea for Two', 'How Do You Do,' 'Too Many Rings Around Rosie', 'You Can Dance With Any Girl,' 'Take A Little One-Step', 'It's A Pity to Say Goodnight.'Cambridge Press Bendigo.clubs and associations, theatre, bendigo operatic society, https://en.wikipedia.org/wiki/no, _no, _nanette

Set of seven Kodak white cardboard 35mm colour slides by Len Millar of the move of former VR tram No. 34 from Yarrambat to the TMSV site at Bylands on 18/4/1974. Reference June 1974 issue of Trolley Wire. Note the Brill 77E trucks i the background were obtained at the same time. These would have been 5'3" gauge and it would appear that the tram was placed on a set of MMTB No. 1 trucks. Len Millar advised 21-7-2021 - that Trolley Wire says that the tram was obtained from a private property on the banks of thee Plenty River at Yarrambat, It was perched on a steep slope only 50 metres from the house, but two kilometres in from the nearest road. The track out to the nearest road was steep, rough and akin to a “goats’ track”!trams, tramways, vr trams, recovery, transporting trams, tmsv, bylands, tram 34

Charles Wheeler biography link http://www.portrait.gov.au/people/charles-wheeler-1881 Painted by a prominent artist. Refer to Sir Ronald East's history of the Greenwood family pp. 336-371, noteably page 343 that mentions about Henrietta Carr, only daughter on George F. Carr, who married AV Greenwood in 1896. Also reference to The Wattle Club pp. 356-7. Thus giving the connection of the Greenwood and Carr families, the subjects of Charles Wheeler's painting.Painting in glass-fronted frame.Typewritten notation behind the frame - "Greenwood oral family history says that this unsigned painting was done by Charles Wheeler as a demonstration for Rose Greenwood, (A.V. Greenwood's sister). They shared a studio at the Wattle Club Hall at Box Hill circa 1890s. The subject matter was said to be Grandfather Carr's orchard in Wantirna Road (Ringwood - Still standing in 2003). Source: Mary Greenwood, youngest Granddaughter of A.V. Greenwood."

An early black and white photograph taken at the Golden Bower Mine Camp in the Cumberland Valley in Victoria.An early black and white photograph taken at the Golden Bower Mine Camp in the Cumberland Valley in Victoria. The Golden Bower gold mine was a quartz reef mine. William Edward Chester discovered the Golden Secret gold vein which became part of the Golden Bower Mine at Chesterville near Donovans Creek on the Cumberland goldfield which he mined with George Locke until the late 1930s. POST CARD CORRESPONDENCE. ADDRESS ONLY. KODAK/ AUSTRALIA 30/06/10 Rose Hill/ Fitzwilliam Street/ Kew Should have written/ to you months ago about the/ photos I took at Easter./ Sorry to say the one of the little/ girls was no good I expect/ you will recognise both these/ places/ K McDowell Mrs Fletcher/ Golden Bower Mine/ Via Marysville J Mahoneygolden bower gold mine, cumberland valley, victoria, quartz reef mining, water-powered battery, william edward chester, george locke, chesterville, donovan's creek, cumberland goldfield

A photo of 6 boys with a trolley of suitcases at Spencer Street Railway Station, Melbourne (since renamed Southern Cross Station). They have arrived from country towns to attend Legacy Somers Camp in January 1973. It came from an envelope with other camp photos. The Legacy envelope was marked "P6 Junior Legatee Camps and Hols" in red pen, and dated Jan 1977 in pencil. The envelope contents are items 00418 to 00425. Melbourne Legacy provided camps for junior legatees - the children of deceased servicemen. It started with outings to the property of Legacy founder, Legatee Stan Savige, who had a place in Balnarring. Permanent camp buildings were built and with an association with Lord Somers (Governor of Victoria) it was called Somers Camp. The camps gave the children an opportunity of a summer beach holiday with other Legacy children.A record of Junior Legatee camps and shows style of suitcase used for travelling in 1970s.Black and white photo of children with their suitcases at Spencer St station.Handwritten on the back "P6 Incoming Camps and Hols / Legacy" in blue pen. Stamped "The Property of Melbourne Legacy" in purple ink. Stamped "Copyright The Herald and Weekly Times" in blue ink. Green paper label says "Country Junior Legatees, having arrived at Spencer Street Railway Station, Melbourne, move on to Somers for fun and games at Legacy's recent annual Holiday Camp held in January 1973."somers camp, junior legatee outing, trains

One of a series of four boards of mounted replica medals of the Australian Defence Forces. This board shows medals pertaining to World War 2. Replicas include different campaign stars and the Defence Medal and Active Service Medal. There is a cloth patch embroidered 'H.M.A.S.' and cap band from HMAS Sydney. The Rising Sun badge and badges for Return from Active Service and a RAAF emblem. The text reproduced at the base accompanied the WW1 memorial plaques. The boards were on display in the Melbourne Legacy Foyer cabinets until June 2017.A record that Legacy holds some war memorabilia as Legatees were once solely returned servicemen.Replica medals from World War 2 mounted on silk inserts into green boards plus additional badges and cap band.Title inscribed in brass plaques say World War 2, 1939-1945 Star, Atlantic Star, Air Crew Europe Star, Africa Star, Pacific Star, Burma Star, Italy Star, France and Germany Star, Defence Medal, War Medal 1939-1945, and Australia Service Medal 1939-1945. Cloth badge embroidered 'H.M.A.S.' and a black cap band embossed 'H.M.A.S. Sydney'.medals, world war two

Photo of wreath laying on Anzac Day in 1996 in Harefield in UK. The photo is of Mr Alf Young and a Bishop from Oxford. During World War 1 the Australian Auxiliary Hospital No.1 was stationed at Harefield Park in Harefield, UxBridge, Middlesex UK. 111 Australian soldiers and one nurse from the hospital are buried at St Mary's Church, Harefield. This became an Australian Military Cemetery with individual headstones and an obelisk and arch. The headstones which are of a scroll design unique amongst Commonwealth War Graves Commission cemeteries were chosen by the staff and patients at the hospital. The arch was erected by the CWGC. Anzac Day services are held there and the local school became involved with the headmaster, Mr Jefferies, bringing the school children to lay flowers on every grave and attend the service on Anzac Day. This started in 1921 and has continued until at least 2021. One school child who attended was Mr Alf Young, he made contact with Legacy in the 1990s and sent photos of the Anzac Day Services and the cemetery. Legacy responded by sending Australian flags for the school children and also Legatee John Cohen met with Mr Young when in London. Melbourne Legacy staff member Susie Howard also visited Mr Young and the cemetery in 1995. Mr Young provided historical photos and information of the area to Legacy. He was featured in the widows' newsletter The Answer many times and his death was announced in The Answer in April 1997, he was 85. Many of the photos he provided were labelled as coming from Mr R G Neil, Photographic historian from Harefield. He holds copyright over those photos.A record that Legacy helped support remembrance of Anzac Day and World War 1 soldiers buried in the UK.Photo of Mr Alf Young laying a wreath at the obelisk in the Australian Military Cemetery in Harefield UK and two newspaper articles.Handwritten on reverse 'Uxbridge Gazette 1996 Ref C1367B-4'. Handwritten label says '1996 Man in middle a bishop from Oxford, he carried the wreath for me so I could lay same on cenotaph. This photo was taken by local paper. Me on left' (written by Alf Young). One article was titled 'Pupils keep Anzac tradition alive'. The other 'Community honours war dead'. cemetery, harefield, alf young, memorial, wreath laying ceremony

Photo of an Anzac Day service in at the Australian Military Cemetery in Harefield UK. The local school children march to the cemetery to place wreaths, there is a parade of flags, a service and a choir. During World War 1 the Australian Auxiliary Hospital No.1 was stationed at Harefield Park in Harefield, UxBridge, Middlesex UK. 111 Australian soldiers and one nurse from the hospital are buried at St Mary's Church, Harefield. This became an Australian Military Cemetery with individual headstones and an obelisk and arch. The headstones which are of a scroll design unique amongst Commonwealth War Graves Commission cemeteries were chosen by the staff and patients at the hospital. The arch was erected by the CWGC. Anzac Day services are held there and the local school became involved with the headmaster, Mr Jefferies, bringing the school children to lay flowers on every grave and attend the service on Anzac Day. This started in 1921 and has continued until at least 2021. One school child who attended was Mr Alf Young, he made contact with Legacy in the 1990s and sent photos of the Anzac Day Services and the cemetery. Legacy responded by sending Australian flags for the school children and also Legatee John Cohen met with Mr Young when in London. Melbourne Legacy staff member Susie Howard also visited Mr Young and the cemetery in 1995. Mr Young provided historical photos and information of the area to Legacy. He was featured in the widows' newsletter The Answer many times and his death was announced in The Answer in April 1997, he was 85. Many of the photos he provided were labelled as coming from Mr R G Neil, Photographic historian from Harefield. He holds copyright over those photos.A record that Legacy helped support remembrance of Anzac Day and World War 1 soldiers buried in the UK.Colour photo x 4 of Australian Military Cemetery in Harefield UK.02064.1 Handwritten on reverse 'Australian Cemetery 1994'. 02064.2 Handwritten on reverse 'Church Hill Harefield 1994' and label that says 'Children on their way to the Anzac Service 1994. Somewhat different to the first parade. The church is always full' (written by Alf Young). 02064.3 Handwritten on reverse 'Australian Graves 1994 Harefield 114 in total, including nursing sister Dickinson'. 02064.4 Handwritten on reverse 'Australian Cemetery 1994'.cemetery, harefield, alf young, memorial, wreath laying ceremony

Documents relate to aspects of Legacy committees from as early as 1923 to 1950. In the original archive project these documents were put together. The card (two copies) is a promotion of the Deceased Soldiers Children Welfare Committee. It is asking the Legatees where they would like to help - for instance the Junior Boys Club, the holiday camp, Big Brothers for deceased comrades sons, or with vocational placements. This shows that the legatees were being reminded of their obligation to Legacy. It also captures the part of the poem 'In Flanders Field' that relates to the Torch and a quote about Legacy's work. It is from approximately 1927. A letter dated 1966, that accompanies these cards is from Frank Doolan and it claims that this might the sole surviving example of the brochure. He says it is an 'early Legacy story' that is now nearly 40 years old. It also says : 'In those days Literary and debating amongst boys was an important part of our weekly Boys Class, under Jim Gillespie, Alan Murray, Harold Peters and Co, and we turned out some remarkable boys including Ted Kennedy, Graham Billiet, Jack Covue and Jim McGregor, and entered several of them at Ballarat South Street in this year of 1928, which was also the year of the first demonstration in the Melbourne Town Hall.' Another letter is to Legatee Joynt from Legatee J Barnes dated 18th November 1938, it mentions that the recent Clothing Committee meeting had decided it was better to approach Legatee wives directly to get donations of clothing for the junior legatees, by ringing them. It was attached to a report on the meeting of the Clothing Committee from 11 November 1938. A third letter is a a cover letter to the Chairman of Legacy (W E Orr) attached to the resolutions made at the Welfare Sub Committee meeting on 29 August 1950. One recommendation was the hiring of a full time social worker and that the Contact Committee be reconvened to oversea contact with the widows.These documents are a snap shot of some of the work legatees were doing in sub committees to achieve the aims of Legacy.Documents and a brochure relating to the Welfare Committee of Legacy in the 1930s.committee, activities

The pilot is more than likely Flt Lieut. Jim Nixon with his Spad aircraft during WW1. James Harold Claude Nixon was born 12/12/1890 and before enlisting in the Australian Imperial Force was an auctioneer at Delegate. After training at Aldershot for the Royal Flying Corps he was granted an Aviators Certificate (No. 4607) by the Royal Aero Club. ( more reading in "From White Knowle to Pumpkin Point" by Peter Nixon)The Nixon family was a prominent family in the history of Orbost and its surrounds.A black / white photograph of a man in uniform standing next to a small fighter plane (a biplane). There are two copies and a letter from Peter Nixon with this photograph.handwritten on back - "Since writing that letter of grief, found now that I am going out to fly the Spad Scout which photo you see here. I am going across tomorrow morning so will not be long to know what ariel (sic) warfare is like now. I am in the best of health & happy as a lark. This is all I have to say with lots of love from your son Jim"nixon-james-pilot-ww1

This handkerchief was used as a marketing material to promote the film titled "The Heavens are ours" in Greek by "New World Film Entertainment" shown at Melbourne Town Hall. There were 2000 of these printed by the company for the premiera showing. The film was later screened by the same company at Premier Theatre in November 1958 by popular demand. The handkerchief gesture had the desired effect of attracting large crowds to the show.This handkerchief's primary significance is derived from the innovative story behind its use. A white printed paper towel inscribed, in black ink, with a message in Greek to those it was handed to by "Cosmopolitan Motion Pictures"The inscription in Greek says: "ΦΕΡΤΕ ΤΟ ΜΑΖΥ ΣΑΣ. Θα σας χρησιμεύσει να σφουγγίσετε τα δάκρυά σας παρακολουθώντας το συγκινητικώτερο, το δραματικώτερο δράμα όλων των εποχών που θα κάνει και τις άψυχες πέτρες να ραγίσουν 'ΟΙ ΟΥΡΑΝΟΙ ΕΙΝΑΙ ΔΙΚΟΙ ΜΑΣ'...." In English translation it says: "BRING IT WITH YOU. You will need to wipe your tears watching the most dramatic and emotional film ever, that will have stones with no soul crack... titled "THE HEAVENS ARE OURS" with the unforgettable Golfo Antigoni Valakou, of the most prominent film production company FINOS-FILM presented by NEW WORLD ENTERTAINMENT. The touching story of a girl who has been lost by her parents she still lives with them, in sadness and in laughter.... THE MOVIE THAT NEEDS TO BE WATCHED BY EVERY FATHER , EVERY MOTHER, EVERY YOUNG MAN AND WOMAN. In Melbourne On Saturday, 19th April 1958 MELBOURNE TOWN HALLhandkerchief, film, greek, language, entertainment, cinema, theatre, μαντηλάκι, γιαννούδης, yiannoudes

A Legacy ceremony at the Shrine of Remembrance. One of the annual "Anzac Commemoration Ceremony for Students" events, usually held just prior to ANZAC Day. This was taken in 1982. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. It is a photo of two school children laying a wreath at the Cenotaph. They are named as two Junior Legatees, Peter Manning and either Bridget Riggs or Gayle Goulding (the two labels are contradictory). It is possible one of the labels belong to another photo (item 01200) as they were found in the same envelope and it appears to be the same boy in both photos. However both labels were attached to this photo. Item was in an envelope with other photos and programmes from different School Student ceremonies. Labelled S15 in red pen it was part of an old archive numbering system, that showed there has been efforts in the past to collect, order and save items of Legacy's history.A record of a ceremony for school students at the Shrine.Black and white photo of an Anzac Commemoration Ceremony for students at the Shrine in 1982 with two junior Legatees at the Cenotaph (World War II memorial). Two paper labels typed in black ink.Photo is stamped with Copyright of Herald and Weekly Times in green ink. Handwritten 'Peter Manning and Bridget Riggs' in purple texta. '820423/120' in blue pen. Label says: 'At Melbourne Legacy's Annual School Children's Anzac Commemoration this year Junior legatees, Gayle Goulding and Peter Manning representing all Junior Legatees, laid a wreath at the foot of the World War Two Memorial.' Other label says: Junior Legatees Peter Manning and Bridget Riggs observe a minutes silence after laying a wreath near the Eternal Flame at the Shrine of Remembrance. They were among 1100 children from 54 schools who attended Melbourne Legacy's 51st Annual school children's Anzac Commemoration Ceremony at the Shrine. Photo courtesy Sun News-Pictorial.' The photo was also used as a Highlights page in an Annual Report. The caption confirmed the names as Peter Manning and Bridget Riggs.anzac commemoration for students, wreath laying ceremony

Margaret O’Loughlin was born in Beechworth at the old hospital in 1937. Her father was born in Greta West and Mother is from Timboon. Margaret spent her life in the Beechworth area where she was educated and worked at the post office in the telephone exchange. Working at the exchange gave Margaret a behind the scenes understanding of the community from working the switch board and connecting vital services such as the fire brigade, the doctor and mental hospital in Beechworth. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Margaret O’Loughlin’s life story is significant to the Burke Museum as she was born and raised educated and worked in the district her whole life. She married and had three children. She was community minded and worked in the Post Office while her husband worked in the local mental hospital. As a family they then lived next to the Fire Station in the fire house and their knowledge of the township spans the 1900s. Margaret saw changes in the town from a communications perspective, working in the telephone exchange sending messages via Wangaratta and until a time that the exchange became automated. After that she continued working in a face to face roll at the Post Office and had an intimate knowledge of the town. Her husband worked for 31 years at the mental hospital, Mayday and the couple saw changes to the town and community brought about be World War II. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a cleat flat plastic rectangular container. It holds up to 40 minutes of recordings on each side. Mrs Margaret O'Loughlin /listen to what they say, beechworth, oral history, burke museum, post office, margaret o'loughlin, mayday, mental hospital, communications, fire house, telephone exchange

Miss Elaine Howell was born in Beechworth. Her mother was born in Stanley and her father in Myrtleford. Her mother's father was born in England and her other grandparents in Australia. She is one of four daughters. Miss Howell completed school and went on to the Convent to do her leaving. She then learnt shorthand typing and got a job at the shire where she was the clerk to the Shire Secretary. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Miss Elaine Howell provides an insight into a life of an educated Beechworth woman in around the 1950's she also provides a perspective from the town shire (the complaints and plans that occurred throughout the year). She went to two schools to further her education and learnt how to shorthand type. This skill provided her with a job at shire as clerk to the shire secretary. This is the only job she ever had. Her story also offer significant insight into Beechworth life and the dances and job prospects at the time (which was not a lot in the 60's). This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Miss Elaine Howell /listen to what they say, beechworth, oral history, burke museum, elaine howell, howell, stanley, myrtleford, school, convent, leaving, shorthand, typing, shire, clerk, shire secretary

Hubert Warner’s story shows insight to the families that emigrated from Europe for the gold rush. It illustrates the nuances of life in the district. This history speaks of land cultivation and the innovation of industry in the region, in particular sheep and cattle farming and slaughter. Warner speaks of the highs and lows of the practice of breeding cattle, the awards he won, but also the hardships that come with working on the land such as having to face natural disaster. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titles: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Hubert Warner's account of life in Beechworth is uniquely illustrative as it captures many aspects of the community. It explains the motivation for European migrants for choosing to settle in the area and how they were able to both become a part of and create a presence in their local community. This oral history also exemplifies the process of developing industry through the twentieth century, how it was done, the struggles it faces, and the triumphs that came with this. Warner's history is specific to the cattle industry and shows great nuance in the day-to-day operation of such a business over time. This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side. Herbert Warnerlisten to what they say, listen to what they say: voices of twentieth century beechworth, 1800s beechworth, 20th century beechworth, beechworth, farming and agriculture, cattle, gold, gold rush, farm, farming

Born on the 24th of December 1912 at the Three Mile was Wilma Wells. Her mother born into English heritage bore four children, one who died shortly after birth, while her father had Irish heritage and worked at May Day Hills as a warden and a nurse. Wilma married Ted Wells when she was 23 and subsequently had two daughters. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke. Wilma Wells account of her life during the 20th century is historically and socially significant to the cultural heritage of Beechworth and the surrounding regions. She details important historical places and hardships within the region that have a lasting impact which includes but is not limited to issues with race, women's societal expectations and economic struggles. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mrs Wilma Wells /beechworth, may day hills, oral history, burke museum, wilma wells, hospital, listen, weddings, three mile, picnic

A Ditty Bag (or box) was originally called “ditto bag” because it contained at least two of everything, two needles, two spools of thread, two buttons, etc. With the passing of years, the “ditto” was dropped in favour of "ditty" and remains so today. Before World War I, the Navy issued ditty boxes made of wood and styled after footlockers. These carried the personal gear and some clothes of the sailor. Today, the ditty bag is still issued to recruits and contains a sewing kit, toiletry articles and personal items such as writing paper and pens. Another source says a Ditty Box or Ditty Bag is possibly from the Saxon word “dite”, meaning tidy or from the English word “dittis”, a type of canvas material. A small box or bag in which a sailor kept his valuables such as letters, small souvenirs and sewing supplies.An item that is socially significant as it gives insight into a sailors life aboard ship and is another part of marine history. Items such as these although they were regarded at the time as everyday objects help us now to map various aspects of marine archaeology thorough the ages.Sailors Ditty Bag, canvas bag for holding all the sail making and roping tools, with tie and brass clasp. Holed.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Stratford railway station is located on the Bairnsdale line in Victoria, Australia. The railway lined opened on 8 November 1887 it served the town of Stratford. The building at the Stratford Railway Station was opened around 1921 after the original building was destroyed by fire on 10 January 1920. "STRATFORD RAILWAY STATION. Mr. M'Lachlan, M.L.A., has received the following from Mr. Norman, late Chairman of the Railway Commissioners:-"In reply to yours, I beg to state that material for the new Stratford railway station has been ordered, and the work will be put in hand as soon as it has been delivered. It is not an easy matter at the present time to obtain materials, and I cannot say exactly when those required will be received." (Gippsland Times, 27 September 1920) Until their demolition, Munro, Fernbank, Lindenow and Hillside stations were located between Stratford and Bairnsdale stations. (wikipedia)Photograph of two postcards showing a crowd at Stratford Railway Station to celebrate the opening of the new building. stratford, stratford railway station, railway

Notice of the unveiling of the Edward O'Donnell Memorial Fountain on 18 August 1935 at Edward O'Donnell Gardens. Invitation to the unveiling of Edward O'Donnell fountain in the O'Donnell Gardens, St Kilda, at 3pm on 18 August 1935. Edward O'Donnell was a St Kilda Councillor and businessman who was elected to the St Kilda Council in 1888 and served continuously for 44 years. During that time he was mayor on six separate occasions, including the war years. Following his death in 1933, a fountain was commissioned to perpetuate his memory in the centre of the gardens that had, by then, already started to be known by his name. The fountain was designed and built at a cost of £750 by Modern Art Co. Pty. Ltd. Of the art deco style, it is 4.5 metres high and 5 metres in diameter. The fountain’s plaque says his ‘record of municipal and community service will always be an example of true manhood and ideal citizenship’White paper, discoloured with age, printed in blue on one side.edward o'donnell, edward o'donnell fountain, edward o'donnell gardens, o'donnell gardens

The flag was placed on an empty chair, the Siege Perilous, for Court Rituals. Siege Perilous - Arthurian legends Some legends also note a special chair at the Round Table, called the Siege Perilous, or 'Dangerous Chair'. Legend says that the seat could only be used by a knight who had a pure heart. A person with a pure heart was seen as someone who had committed no crimes or done any wrong. In the tale, anyone who sat in the chair but did not have a pure heart would die instantly. It was kept free by Merlin for the person who would one day find an object called the Holy Grail. This was a magical cup that was supposed to have been the one that Jesus drank out of during the Last Supper. In the story, this person was either Sir Galahad or Sir Percival, depending on what version of the story is told. https://simple.wikipedia.org/wiki/Round_Table White flag with MOK symbols in centre of red cross and at each corner.methodist order of knights

Letter sent with two photographs. Please find enclosed a couple of photos taken in Ballarat in 1962 which came from an album of my mother's Marian Mitchell (nee Robinson). She and some friends were on a road trip across Victoria to New South Wales. You are welcome to reprint these. One is of the Ballarat Rodeo and the other is of mum in the morning at their roadside camp in Ballarat. The sign on the shed has two words, the first one says Caledonia - the second perhaps you'll be able to find out? Both taken in 1962. I hereby give you permission for your society to re-print and distribute both these photos as you choose (although these aren't exactly the most expertly taken pictures). If more come our way over the course of my continued cleaning out of the cupboards I will send these too. Cheers etc3.5" x 5" landscape size black and white photograph showing horses and riders in a rodeo at Ballarat Showgrounds.BALLARAT (front top) Verso: Bronco minus cowboy Ballarat Rodeo 1962